Duel To The Death Quotes

You weren't able to talk sense into him?" Well, we kind of tried to kill each other in a duel to the death." I see. You tried the diplomatic approach.

Human relationships didn't work anyhow. Only the first two weeks had any zing, then the participants lost their interest. Masks dropped away and real people began to appear: cranks, imbeciles, the demented, the vengeful, sadists, killers. Modern society had created its own kind and they feasted on each other. It was a duel to the death--in a cesspool.

I've never lost a duel to the death. Not one.

My wallpaper and I are fighting a duel to the death. One or the other of us has to go.

Marriage is a duel to the death which no man of honour should decline.

A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand: "Avada Kedavra!" "Expelliarmus!" The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last.

To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears.

... What do you want, Ash?" "Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her." I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium. "Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin. "This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself." "Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough." "Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die." "Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face. "I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone. "So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?" I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?

I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor.

This isn’t the first time I’ve faced death, and I don’t intend for it to be the last,” I said, repeating the same words he’d told me before fighting in that fateful duel. “I’ve chosen to live a dangerous life, but it’s who I am, and that wouldn’t change even if we’d never met.

Moral law is an invention of mankind for the disenfranchisement of the powerful in favor of the weak. Historical law subverts it at every turn. A moral view can never be proven right or wrong by any ultimate test. A man falling dead in a duel is not thought thereby to be proven in error as to his views. His very involvement in such a trial gives evidence of a new and broader view. The willingness of the principals to forgo further argument as the triviality which it in fact is and to petition directly the chambers of the historical absolute clearly indicates of how little moment are the opinions and of what great moment the divergences thereof. For the argument is indeed trivial, but not so the separate wills thereby made manifest. Man's vanity may well approach the infinite in capacity but his knowledge remains imperfect and howevermuch he comes to value his judgments ultimately he must submit them before a higher court. Here there can be no special pleading. Here are considerations of equity and rectitude and moral right rendered void and without warrant and here are the views of the litigants despised. Decisions of life and death, of what shall be and what shall not, beggar all question of right. In elections of these magnitudes are all lesser ones subsumed, moral, spiritual, natural.

All mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated... As therefore the bell that rings to a sermon, calls not upon the preacher only, but upon the congregation to come: so this bell calls us all... No man is an island, entire of itself... any man's death diminishes me, because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee.

Well we kind of tried to kill each other in a duel to the death." "I see. You tried the diplomatic approach.

I could have done even better, miss, and I'd know a lot more, if it wasn't for my destiny ever since childhood. I'd have killed a man in a duel with a pistol for calling me low-born, because I came from Stinking Lizaveta without a father, and they were shoving that in my face in Moscow. It spread there thanks to Grigory Vasilievich. Grigory Vasilievich reproaches me for rebelling against my nativity: 'You opened her matrix,' he says. I don't know about her matrix, but I'd have let them kill me in the womb, so as not to come out into the world at all, miss.

Lo único que me duele de morir, es que no sea de amor.

It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.

They were your very good friends. Because they’re going to teach you that when you kill someone, there are consequences. It is one thing to kill in a duel, to kill in self-defense, to kill for vengeance. It is another thing entirely to kill simply because you are careless. Those deaths are going to hang over your head until you’re so careful you make the saints of Perelandro weep.

Death keeps a summer home in this forsaken place.

When it comes to love triangles and duels to the death, you should always cheat. - Fairy Werewolf vs. Zombie Vampire

The Poet Asks His Love to Write" Visceral love, living death, in vain, I wait your written word, and consider, with the flower that withers, I wish to lose you, if I have to live without self. The air is undying: the inert rock neither knows shadow, nor evades it. And the heart, inside, has no use for the honeyed frost the moon pours. But I endured you: ripped open my veins, a tiger, a dove, over your waist, in a duel of teeth and lilies. So fill my madness with speech, or let me live in my calm night of the soul, darkened for ever.

[Philip's death was] beyond comparison the most afflicting of my life.... He was truly a fine youth. But why should I repine? It was the will of heaven and he is now out of the reach of the seductions and calamities of a world full of folly, full of vice, full of danger, of least value in proportion as it is best known. I firmly trust also that he has safely reached the haven of eternal repose and felicity. (Alexander Hamilton letter to Benjamin Rush about the death of his 19-year old son from mortal wounds inflicted from a duel.)

The Modern Attack will not tolerate us. It will attempt to destroy us. Nor can we tolerate it. We must attempt to destroy it as being the fully equipped and ardent enemy of the Truth by which men live. The duel is to the death.

Lang Qianqiu, however, objected, “I don't need you to banish yourself. Ascension is based on ability alone. I only want a duel.” “I don't want to fight you,” Xie Lian said. “Why not?!” Lang Qianqiu shouted. “It's not like we've never fought before. Life or death, the outcome doesn't matter, let's just put an end to this!” Xie Lian said plainly, “No reason. But fight me, and you will surely die.

A duel would mean a fair fight, and I hate fair fights. In the words of a murderous Faerie Queen, they’re too easy to lose. Of

I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.” “Minerva!” he said, aghast. “The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.

The miserable little encounter had nothing to do with me, the me of me, any more than it had to do with that silly clerk. The incident was a recurring dream, concocted years before by stupid whites and it eternally came back to haunt us all. The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere. I went further than forgiving the clerk, I accepted her as a fellow victim of the same puppeteer

Let an illness, a duel, a runaway horse make us see death face to face, and how richly we should have enjoyed the life of pleasure, the travels in unknown lands, which are about to be snatched from us! And no sooner is the danger past than we resume once more the same dull life in which none of those delights existed for us.

when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated; God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice; but God's hand is in every translation, and his hand shall bind up all our scattered leaves again, for that library where every book shall lie open to one another;

So, sweeting, why were you threatening to throw Tate out of the house? What did he say?” Leather brushed her chin as he tipped it up. Serious dark eyes met hers. “What did he say?” She glanced around; surely the footmen were too far away to hear. “He wanted to join us in our bed.” “I’ll run him through.” “No! Perhaps he only said it to goad you into a duel. Perhaps it was intended as a way to kill you.” “It was an insult to you, love. That can’t be ignored.” “And so you rush inexorably toward death. I don’t care if he stands on a Drury Lane stage and calls me a courtesan, I won’t have you risking your life.

He smiled crookedly. “I’ve never lost a duel to the death. Not one.

As yet God suspends me between heaven and earth, as a meteor; and I am not in heaven because an earthly body clogs me, and I am not in the earth because a heavenly soul sustains me.

The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere.

The incident was a recurring dream, concocted years before by stupid whites and it eternally came back to haunt us all. The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere. I went further than forgiving the clerk, I accepted her as a fellow victim of the same puppeteer.

The miserable little encounter had nothing to do with me, the me of me, any more than it had to do with that silly clerk. The incident was a recurring dream, concocted years before by stupid whites and it eternally came back to haunt us all. The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere.

Lace and ruffles, swords and coaches, elegance and leisure, duels and gallant death. All lies. They used perfume instead of soap, their teeth rotted because they never cleaned them, their fingernails smelled of stale gravy. The nobility of France urinated against the walls in the marble corridors of Versailles, and when you finally got several sets of underclothes off the lovely marquise the first thing you noticed was that she needed a bath.

Bugger off kitty!" - Ryou "But before we begin this duel to the death, I have just one question. Could I get a hug?" - Melvin "Help! This supermodel is one of my fangirls!" - Ryou "A locked door?! Impossiblllllll- No wait, that's totally possible. What am I talking about?" - Melvin "Let's ditch the tosser!" - Ryou "What a lovely day." - Melvin "Gangway; women and shemales first!" -Ryou "This door is a bitch!" - Melvin "Can I be the main character now?" - Ryou "'STAB'. (Denied.) 'KILL'. (Denied.) 'MUTIL-' Ah dammit, there aren't enough spaces! Umm... 'PAIN'. (Denied.) Why are these the only words I know?!" - Melvin "I'm here to kick ass and drink cups of tea. And I'm all out of tea." - Ryou

Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch — He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways. “NOT MY DAUGHTER, YOU BITCH!” Mrs. Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. “OUT OF MY WAY!” shouted Mrs. Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. “No!” Mrs. Weasley cried as a few students ran forward, trying to come to her aid. “Get back! Get back! She is mine!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I’ve killed you?” taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. “When Mummy’s gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

If I were but mere dust and ashes I might speak unto the Lord, for the Lord's hand made me of this dust, and the Lord's hand shall re-collect these ashes; the Lord's hand was the wheel upon which this vessel of clay was framed, and the Lord's hand is the urn in which these ashes shall be preserved. I am the dust and the ashes of the temple of the Holy Ghost, and what marble is so precious? But I am more than dust and ashes: I am my best part, I am my soul. And being so, the breath of God, I may breathe back these pious expostulations to my God:

These folk knew all about death. They killed their own livestock. They died from fevers, falls, or broken bones gone sour. Death was like an unpleasant neighbor. You didn’t talk about him for fear he might hear you and decide to pay a visit. Except for stories, of course. Tales of poisoned kings and duels and old wars were fine. They dressed death in foreign clothes and sent him far from your door. A chimney fire or the croup cough were terrifying. But Gibea’s trial or the siege of Enfast, those were different. They were like prayers, like charms muttered late at night when you were walking alone in the dark. Stories were like ha’penny amulets you bought from a peddler, just in case.

Where was his knife, upon which he relied? He had cut cheese for their noonday meal, and had packed the knife away with the cheese. Aillas said: 'Sir, before we continue with this matter, may I offer you a bite of cheese?' 'I care for no cheese, though it is an amusing concept.' 'In that case, allow me a moment while I cut a morsel or two for myself, as I hunger.' 'I have no time to spare while you eat cheese; prepare instead for death.

I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.

Already the people murmur that I am your enemy because they say that in verse I give the world your me. They lie, Julia de Burgos. They lie, Julia de Burgos. Who rises in my verses is not your voice. It is my voice because you are the dressing and the essence is me; and the most profound abyss is spread between us. You are the cold doll of social lies, and me, the virile starburst of the human truth. You, honey of courtesan hypocrisies; not me; in all my poems I undress my heart. You are like your world, selfish; not me who gambles everything betting on what I am. You are only the ponderous lady very lady; not me; I am life, strength, woman. You belong to your husband, your master; not me; I belong to nobody, or all, because to all, to all I give myself in my clean feeling and in my thought. You curl your hair and paint yourself; not me; the wind curls my hair, the sun paints me. You are a housewife, resigned, submissive, tied to the prejudices of men; not me; unbridled, I am a runaway Rocinante snorting horizons of God's justice. You in yourself have no say; everyone governs you; your husband, your parents, your family, the priest, the dressmaker, the theatre, the dance hall, the auto, the fine furnishings, the feast, champagne, heaven and hell, and the social, "what will they say." Not in me, in me only my heart governs, only my thought; who governs in me is me. You, flower of aristocracy; and me, flower of the people. You in you have everything and you owe it to everyone, while me, my nothing I owe to nobody. You nailed to the static ancestral dividend, and me, a one in the numerical social divider, we are the duel to death who fatally approaches. When the multitudes run rioting leaving behind ashes of burned injustices, and with the torch of the seven virtues, the multitudes run after the seven sins, against you and against everything unjust and inhuman, I will be in their midst with the torch in my hand.

Wilt Thou forgive that sin where I begun, Which was my sin, though it were done before? Wilt Thou forgive that sin through which I run, And do run still, though still I do deplore? When Thou hast done, Thou hast not done, For I have more. "Wilt Thou forgive that sin, which I have won Others to sin, and made my sin their door? Wilt Thou forgive that sin which I did shun A year or two:—but wallow'd in a score? When Thou hast done, Thou hast not done, For I have more. "I have a sin of fear, that when I've spun My last thread, I shall perish on the shore; But swear by Thyself, that at my death Thy Son Shall shine as He shines now, and heretofore; And having done that, Thou hast done, I fear no more.

Thy breath in the congregation, thy word in the church, breathes communion and consolation here, and consummation hereafter;

Give me tender and supple and conformable affections, that as I joy with them that joy, and mourn with them that mourn, so I may fear with them that fear.

Let me not therefore, O my God, be ashamed of these fears, but let me feel them to determine where his fear did, in a present submitting of all to thy will.

What are you?” he rasps. What am I? A strange question coming from a beast like him. I smile wildly. “I am your death.

I need thy thunder, O my God; thy music will not serve me.

My God, my God, I find in thy book that fear is a stifling spirit, a spirit of suffocation; that Ishbosheth could not speak, nor reply in his own defence to Abner, because he was afraid.

man is so little, in respect of the greatest man, as the greatest in respect of God; for here, in that, we have not so much as a measure to try it by; proportion is no measure for infinity.

Después hizo algo mágico: levantó las piernas y los pies de Sethe y los masajeó hasta que lloró lágrimas saladas. -Ahora te dolerá -dijo Amy-. Siempre que lo muerto vuelve a la vida, duele.

I spin in the trail to face Kat, who raises her own walking stick to meet mine. ‘A duel to the death?’ Kat says, giggling. I laugh, too, and we spar for a moment playfully until Kat gently presses the tip of her stick into my chest. ‘On your knees and beg for mercy.’ Oh, god. This feels silly and dangerous at the same time. I kneel. I look up at Kat, beautiful and fierce standing there with the setting sun in her hair and her face so stern. Only her eyes are full of mirth. I stare. ‘Close your eyes, prisoner.’ I giggle stupidly, my heart leaping at the point of her stick. ‘Close your eyes. And stop laughing.’ I try to obey, shaking a little. Katy moves her makeshift lance to my neck, pressing gently. ‘Close em.’ I close my eyes, serious at last. There is a long silence, and I feel genuinely vulnerable for a moment, as though Kat really does have a sword to my neck. Then I feel the stick come down gently and touch each of my shoulders. ‘I… dub… thee… mine,’ says Kat softly. ‘Sealed with a kiss.’ The stick falls to the forest floor behind her. She kneels down in front of me and touches my face with both hands. It’s all I can do to stay here, to be here, to hold still.

It was part of Adam's punishment, In the sweat of thy brows thou shalt eat thy bread: it is multiplied to me, I have earned bread in the sweat of my brows, in the labour of my calling, and I have it; and I sweat again and again, from the brow to the sole of the foot, but I eat no bread, I taste no sustenance: miserable distribution of mankind, where one half lacks meat, and the other stomach!

There is no rest in my bones, because of my sin; [11] transfer my sins, with which thou art so displeased, upon him with whom thou art so well pleased, Christ Jesus, and there will be rest in my bones.

I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.” “Minerva!” he said, aghast. “The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.” Harry did not stay to watch Slughorn splutter: He and Luna ran after Professor McGonagall, who had taken up a position in the middle of the corridor and raised her wand. “Piertotum--oh, for heaven’s sake, Filch, not now--” The aged caretaker had just come hobbling into view, shouting, “Students out of bed! Students in the corridors!” “They’re supposed to be, you blithering idiot!” shouted McGonagall. “Now go and do something constructive! Find Peeves!” “P-Peeves?” stammered Filch as though he had never heard the name before. “Yes, Peeves, you fool, Peeves! Haven’t you been complaining about him for a quarter of a century? Go and fetch him, at once!” Filch evidently thought Professor McGonagall had taken leave of her senses, but hobbled away, hunch-shouldered, muttering under his breath. “And now--Piertotum Locomotor!” cried Professor McGonagall. And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same. “Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school!

Oscar Wilde, was an Irish poet, brilliant wit and dramatist who was imprisoned for two years for ‘indecency’ and ruined as a result. Oscar uttered his last words in Room 16 of the Hôtel d’Alsace in Saint-Germain-des-Prés on Friday, November 30th, 1900. The wittiest man of his epoch was said to have quipped, ‘My wallpaper and I are fighting a duel to the death. One or the other of us must go.’ Sadly, Oscar lost the ‘duel’ and died shortly afterwards.

That so all vapours of all disobedience to thee, being subdued under my feet, I may, in the power and triumph of thy Son, tread victoriously upon my grave, and trample upon the lion and dragon [182] that lie under it to devour me.

Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...

And, O my God, who madest thyself a light in a bush, in the midst of these brambles and thorns of a sharp sickness, appear unto me so that I may see thee, and know thee to be my God, applying thyself to me, even in these sharp and thorny passages.

Those who do not understand war believe it contention between armies, friend against foe. No. Rather friend and foe duel as one against an unseen antagonist, whose name is Fear, and seek, even entwined in death, to mount to that promontory whose ensign is honor.

The vastness and deadly desolation of the field, the long-distance operation of steel machines, and the relay of every movement in the night drew an unyielding Titan’s mask over the proceedings. You moved toward death without seeing it; you were hit without knowing where the shot came from. Long since had the precision shooting of the trained marksman, the direct fire of guns, and with it the charm of the duel, given way to the concentrated fire of mechanized weapons. The outcome was a game of numbers: Whoever could cover a certain number of square meters with the greater mass of artillery fire, won.

So well hast thou provided that we should always fear thee, as that thou hast provided that we should fear no person but thee, nothing but thee; no men? No. Whom? The Lord is my help and my salvation, whom shall I fear? [74] Great enemies? Not great enemies, for no enemies are great to them that fear thee.

AFTER HAMILTON’S DEATH, I remained at Richmond Hill for ten days. I confess that I was not prepared for the response to our interview. Apparently no one had ever fought a duel in the whole history of the United States until Aaron Burr invented this diabolic game in order to murder the greatest American that ever lived (after George Washington, of course). Over night the arrogant, mob-detesting Hamilton was metamorphosed into a Christ-like figure with me as the Judas—no, the Caiaphas who so villainously despatched the godhead to its heavenly father (George Washington again) at Weehawk, our new Jerusalem’s most unlikely Golgotha. I

They say, still, that no Wizarding duel ever matched that between Dumbledore and Grindelwald in 1945. Those who witnessed it have written of the terror and the awe they felt as they watched these two extraordinary wizards do battle. Dumbledore’s triumph, and its consequences for the Wizarding world, are considered a turning point in magical history to match the introduction of the International Statute of Secrecy or the downfall of He-Who-Must-Not-Be-Named. Albus Dumbledore was never proud or vain; he could find something to value in anyone, however apparently insignificant or wretched, and I believe that his early losses endowed him with great humanity and sympathy. I shall miss his friendship more than I can say, but my loss is as nothing compared to the Wizarding world’s. That he was the most inspiring and the best loved of all Hogwarts headmasters cannot be in question. He died as he lived: working always for the greater good and, to his last hour, as willing to stretch out a hand to a small boy with dragon pox as he was on the day that I met him.

We are not playing hide-and-seek, Harry,” said Voldemort’s soft, cold voice, drawing nearer, as the Death Eaters laughed. “You cannot hide from me. Does this mean you are tired of our duel? Does this mean that you would prefer me to finish it now, Harry? Come out, Harry . . . come out and play, then . . . it will be quick . . . it might even be painless . . . I would not know . . . I have never died. . . .” Harry

I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.” I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back. “As charming as you are, how can that be?” I say. He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.” Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask. “Well, there was you,” the prince says. “When we were children.” “Me?” I ask incredulously. “You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.” I cannot help snorting over the sheer absurdity of his statement. He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women. He cannot expect me to believe he had real feelings. “Stop with your games.” “Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.” “You do like cruel women,” I say. “Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show. I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words. “That resulted in my accidentally killing a person she liked better than me.” “Oh,” I say. “That is three levels of unfortunate.” “Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.” The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?” “Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.” “Surely,” I say, wondering if he was. Wondering if I wanted him to be.

O Lord, as one made so by thee, to think me fit for thee; and whether it be thy pleasure to dispose of this body, this garment, so as to put it to a farther wearing in this world, or to lay it up in the common wardrobe, the grave, for the next, glorify thyself in thy choice now, and glorify it then, with that glory, which thy Son, our Saviour Christ Jesus, hath purchased for them whom thou makest partakers of his resurrection. Amen.

He had never thought to ask Dumbledore about his past. No doubt it would have felt strange, impertinent even, but after all, it had been common knowledge that Dumbledore had taken part in that legendary duel with Grindelwald, and Harry had not thought to ask Dumbledore what that had been like, nor about any of his other famous achievements. No, they had always discussed Harry, Harry’s past, Harry’s future, Harry’s plans…and it seemed to Harry now, despite the fact that his future was so dangerous and so uncertain, that he had missed irreplaceable opportunities when he had failed to ask Dumbledore more about himself, even though the only personal question he had ever asked his headmaster was also the only one he suspected that Dumbledore had not answered honestly: “What do you see when you look in the mirror?” “I? I see myself holding a pair of thick, woolen socks.”

As Mender came toward the bar his confident stride faltered when he realised that it was no simple aquarium for fish. It was a battle tank, and it held two dueling mermen, both near death. Open-mouthed, Mender was transfixed at the sight of flashing silver tails twisting and churning the water as each mermen sought a purchase on the other's neck and torso. The Taverner slammed down a heavy glass, forcing Mender to look down from the imprisoned creatures.

As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.

She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.

It had been in the same way that, in the past, when some friend had called to see me and had prevented me from working, if on the following day I was left undisturbed, I did not work any better. Let an illness, a duel, a runaway horse make us see death face to face, how richly we should have enjoyed the life of pleasure, the travels in unknown lands which are about to be snatched from us. And no sooner is the danger past than what we find once again before us is the same dull life in which none of those delights had any existence for us.

Who bends not his ear to any bell which upon any occasion rings? but who can remove it from that bell which is passing a piece of himself out of this world? No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.

The secret of the Lord is with them that fear him; [80] the secret, the mystery of the right use of fear. Dost thou not mean this when thou sayest, we shall understand the fear of the Lord? [81] Have it, and have benefit by it; have it, and stand under it; be directed by it, and not be dejected with it. And dost thou not propose that church for our example when thou sayest, the church of Judea walked in the fear of God; [82] they had it, but did not sit down lazily, nor fall down weakly, nor sink under it. There is a fear which weakens men in the service of God.

When they had ended their prayers, the Angel of Death recovered his loquacity and his gayety and ascending the chariot again, preceded by Gil Gil, spoke as follows. 'The village you see on that mountain is Gethsemane. In it was the Garden of Olives. On the other side you can distinguish an eminence crowned by a temple which stands out against a starry sky - that is Golgotha. There I passed the greatest day of my existence. I thought I had vanquished God himself - and vanquished he was for some hours. But, alas! on that mount, too, it was that three days later I saw myself disarmed and my power brought to naught on the morning of a certain Sunday. Jesus had risen from the dead. There, too, took place on the same occasion my great single combat with Nature. There took place my duel with her, that terrible duel (at the third hour of the day, I remember it well), when, as soon as she saw me thrust the lance of Longinus in the breast of the Saviour she began to throw stones at me, to upturn the cemeteries, to bring the dead to life, and I know not what besides. I thought poor Nature had lost her senses.' The Angel of Death seemed to reflect for a moment... ("The Friend of Death")

Is a stronger Force user’s lightsaber stronger, too? What happens when two Jedi fight each other?” “The blade isn’t stronger. Only the Force user’s ability to wield it,” Obi-Wan said. “In ceremonial combat, of course, we’re displaying forms more than actually testing strength—” “But what about non-ceremonial combat?” Fanry persisted. “When two Jedi are on opposite sides of a conflict. What happens?” “It… it doesn’t happen.” The idea made so little sense that Obi-Wan could hardly parse it. “We are members of one Order. We serve the Jedi Council and, through the Council, the Republic. The Jedi are united in this way.” “Well, that’s boring.” Scowling, Fanry kicked her little feet beneath her throne. “And nobody but the Jedi ever uses lightsabers? You’d never fight anyone else who had one? For real, I mean. Not ‘ceremonially.’ ” “The ancient Sith used lightsabers,” Obi-Wan said. “But they’ve been extinct for a millennium. So, no. A Jedi just wouldn’t be involved in a lightsaber duel to the death. It couldn’t happen.” Fanry seemed to realize she was being a bit bloodthirsty, because she smiled impishly and made the next question a joke. “Never?” He smiled back as he shook his head. “Not ever.

A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.

Robert held back in the press, letting others go after the rebels fleeing before the charge. Their orders were to slaughter anyone found in the streets to provoke a quick surrender, after which mercy would be granted to those left alive. He had seen death throughout his life, but the duel he’d had with Guy was the closest he’d come to ending someone’s life and even then there had been rules imposed. There were no such boundaries here. The freedom to kill was a dizzying, precipitous feeling. But the veteran knights were pushing in behind him, forcing the issue. With a snarl of frustration at his own hesitation, Robert fixed on one man darting away down an alley and spurred his horse out of the crush in pursuit.

Even in “post-Christian” societies the gospel will continue to do its subversive work. Jesus used small things to describe his kingdom: a sprinkling of yeast that causes the whole loaf to rise, a pinch of salt that preserves a slab of meat, the smallest seed in the garden that grows into a great bush in which the birds of the air come to nest. Practices that used to be common—human sacrifice, slavery, duels to the death, child labor, exploitation of women, racial apartheid, debtors’ prisons, the killing of the elderly and incurably ill—have been banned, in large part because of a gospel stream running through cultures influenced by the Christian faith. Once salted and yeasted, society is difficult to un-salt and un-yeast.

NOT MY DAUGHTER, YOU BITCH!’ Mrs Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. ‘OUT OF MY WAY!’ shouted Mrs Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered, and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. ‘No!’ Mrs Weasley cried, as a few students ran forwards, trying to come to her aid. ‘Get back! Get back! She is mine!’ Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. ‘What will happen to your children when I’ve killed you?’ taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. ‘When Mummy’s gone the same way as Freddie?’ ‘You – will – never – touch – our – children – again!’ screamed Mrs Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backwards through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: for the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

She went downstairs to the library and wrote two letters. One was to her father, the other to Jess and Ronan. She folded them, stamped the wax seals with her seal ring, and put the writing materials away. She was holding the letters in one hand, the wax firm yet still warm against the skin, when she heard footsteps beating down the marble hall, coming closer. Arin stepped inside the library and shut the door. “You won’t do it,” he said. “You won’t duel him.” The sight of Arin shook her. She wouldn’t be able to think straight if he continued to speak like that, to look at her like that. “You do not give me orders,” Kestrel said. She moved to leave. He blocked her path. “I know about the delivery. He sent you a death-price.” “First my dress, and now this? Arin, one would think you are monitoring everything I send and receive. It is none of your business.” He seized her by the shoulders. “You are so small.” Kestrel knew what he was doing, and hated it, hated him for reminding her of her physical weakness, of the same failure that her father witnessed whenever he watched her fight with Rax. “Let go.” “Make me let you go.” She looked at Arin. Whatever he saw in her eyes loosened his hands. “Kestrel,” he said more quietly, “I have been whipped before. Lashes and death are different things.” “I won’t die.” “Let Irex set my punishment.” “You’re not listening to me.” She would have said more, but realized that his hands still rested on her shoulders. A thumb was pressing gently against her collarbone. Kestrel caught her breath. Arin startled, as if out of sleep, and pulled away. He had no right, Kestrel thought. He had no right to confuse her. Not now, when she needed a clear mind.

Let go.” “Make me let you go.” She looked at Arin. Whatever he saw in her eyes loosened his hands. “Kestrel,” he said more quietly, “I have been whipped before. Lashes and death are different things.” “I won’t die.” “Let Irex set my punishment.” “You’re not listening to me.” She would have said more, but realized that his hands still rested on her shoulders. A thumb was pressing gently against her collarbone. Kestrel caught her breath. Arin startled, as if out of sleep, and pulled away. He had no right, Kestrel thought. He had no right to confuse her. Not now, when she needed a clear mind. Everything had seemed so simple last night in the close dark of the carriage. “You are not allowed,” Kestrel said, “to touch me.” Arin’s smile was bitter. “I suppose that means we are no longer friends.” She said nothing. “Good,” he said, “then you can have no reason for fighting Irex.” “You don’t understand.” “I don’t understand your godforsaken Valorian honor? I don’t understand that your father would probably rather see you gutted than live with a daughter who turned away from a duel?” “You have very little faith in me, to think that Irex would win.” He raked a hand through his short hair. “Where is my honor in all this, Kestrel?” They locked eyes, and she recognized his expression. It was the same one she had seen across the Bite and Sting table. The same one she had seen in the pit, when the auctioneer had told Arin to sing. Refusal. A determination so cold it could blister the skin like metal in winter. She knew that he would stop her. Perhaps he would be cunning about it. Maybe he would go to the steward behind her back, tell him of the theft and challenge, and ask to be brought before the judge and Irex. If that plan didn’t suit Arin, he would find another. He was going to be a problem.

He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.” Ronan’s anger dimmed a little. He waited, listening. “I never should have challenged Irex.” Kestrel decided to weave some truth into her story, to toughen the fabric of it. “But he and I have an unfriendly history. He made me an offer last spring. I turned him down. Since then, he has been…aggressive.” She had Ronan’s sympathy then, and she was grateful, for she didn’t know what she would do if he and Jess turned their backs on her. She needed them--not only today, but always. “Irex angered me. The slave was just an excuse.” How much easier everything would be if that were so. But Kestrel wouldn’t let herself consider the truth. She didn’t want to know its shape or see its face. “I was thoughtless and rash, but I’ve drawn my tiles and must play them. Will you help me, Ronan? Will you do as I asked in my letter?” “Yes.” He still looked unhappy. “Though as far as I can see, there is little for me to do but stand and watch you fight.” “And Jess? Will she be at the duel?” “Yes, as soon as she is done weeping her eyes out. What a fright you’ve given us, Kestrel.” Kestrel opened a saddlebag and passed Ronan the purse with the death-price. He took it, recognizing it by its weight and the fact that her letter had told him to expect it. Softly, he said, “You frightened me.” She embraced him, stepping into his arms. They relaxed around her. His chin rested on top of her head, and she felt his forgiveness. She tried to push away thoughts of Arin on the auction block, of the look in his eyes when he asked where his honor was, of him swearing at her guards in his tongue. She held Ronan more tightly, pressing her cheek against his chest. Ronan sighed. “I’ll ride with you to Irex’s house,” he said, “and see you safely home after you’ve won.

The spirit of revolution and the power of free thought were Percy Shelley's biggest passions in life.” One could use precisely the same words to describe Galois. On one of the pages that Galois had left on his desk before leaving for that fateful duel, we find a fascinating mixture of mathematical doodles, interwoven with revolutionary ideas. After two lines of functional analysis comes the word "indivisible," which appears to apply to the mathematics. This word is followed, however, by the revolutionary slogans "unite; indivisibilite de la republic") and "Liberte, egalite, fraternite ou la mort" ("Liberty, equality, brotherhood, or death"). After these republican proclamations, as if this is all part of one continuous thought, the mathematical analysis resumes. Clearly, in Galois's mind, the concepts of unity and indivisibility applied equally well to mathematics and to the spirit of the revolution. Indeed, group theory achieved precisely that-a unity and indivisibility of the patterns underlying a wide range of seemingly unrelated disciplines.

For I want you to know, Sancho, that injuries inflicted by the tools one happens to be holding are not offenses; this is expressly stated in the law of dueling: if the cobbler hits another with the last he holds in his hand, although it really is made of wood, it cannot be said that the one he struck has been clubbed. I say this so that you will not think, although we have been cudgeled in this dispute, that we have been offended, because the weapons those men were carrying, the ones they used to hit us, were simply their staffs, and none of them, if I remember correctly, had a rapier, a sword, or a poniard.” “They didn’t give me a chance,” Sancho responded, “to look at them so carefully, because as soon I put my hand on my sword they made the sign of the cross on my shoulders with their pinewood, so that they took the sight from my eyes and the strength from my feet, knocking me down where I’m lying now, where it doesn’t hurt at all to think about whether the beating they gave me with their staffs was an offense or not, unlike the pain of the beating, which will make as much of an impression on my memory as it has on my back.” “Even so, I want you to know, brother Sancho,” replied Don Quixote, “that there is no memory that time does not erase, no pain not ended by death.

Moral law is an invention of mankind for the disenfranchisement of the powerful in favor of the weak. Historical law subverts it at every turn. A moral view can never be proven right or wrong by any ultimate test. A man falling dead in a duel is not thought thereby to be proven in error as to his views. His very involvement in such a trial gives evidence of a new and broader view. The willingness of the principals to forgo further argument as the triviality which it in fact is and to petition directly the chambers of the historical absolute clearly indicates of how little moment are the opinions and of what great moment the divergences thereof. For the argument is indeed trivial, but not so the separate wills thereby made manifest. Man’s vanity may well approach the infinite in capacity but his knowledge remains imperfect and howevermuch he comes to value his judgements ultimately he must submit them before a higher court. Here there can be no special pleading. Here are considerations of equity and rectitude and moral right rendered void and without warrant and here are the views of the litigants despised. Decisions of life and death, of what shall be and what shall not, beggar all question of right. In elections of these magnitudes are all lesser ones subsumed, moral, spiritual, natural.

We are nobler. Loyalty, magnanimity, care for one's reputation: these three united in a single disposition we call noble, and in this quality we excel the Greeks. Let us not abandon it, as we might be tempted to do as a result of feeling that the ancient objects of these virtues have lost in estimation (and rightly), but see to it that this precious inherited drive is applied to new objects. To grasp how, from the viewpoint of our own aristocracy, which is still chivalrous and feudal in nature, the disposition of even the noblest Greeks has to seem of a lower sort and, indeed, hardly decent, one should recall the words with which Odysseus comforted himself in ignominious situations: 'Endure it, my dear heart! you have already endured the lowest things!' And, as a practical application of this mythical model, one should add the story of the Athenian officer who, threatened with a stick by another officer in the presence of the entire general staff, shook this disgrace from himself with the words: 'Hit me! But also hear me!' (This was Themistocles, that dextrous Odysseus of the classical age, who was certainly the man to send down to his 'dear heart' those lines of consolation at so shameful a moment.) The Greeks were far from making as light of life and death on account of an insult as we do under the impress of inherited chivalrous adventurousness and desire for self-sacrifice; or from Seeking out opportunities for risking both in a game of honour, as we do in duels; or from valuing a good name (honour) more highly than the acquisition of a bad name if the latter is compatible with fame and the feeling of power; or from remaining loyal to their class prejudices and articles of faith if these could hinder them from becoming tyrants. For this is the ignoble secret of every good Greek aristocrat: out of the profoundest jealousy he considers each of his peers to stand on an equal footing with him, but is prepared at any moment to leap like a tiger upon his prey, which is rule over them all: what are lies, murder, treachery, selling his native city, to him then! This species of man found justice extraordinarily difficult and regarded it as something nearly incredible; 'the just man' sounded to the Greeks like 'the saint' does among Christians. But when Socrates went so far as to say: 'the virtuous man is the happiest man' they did not believe their ears and fancied they had heard something insane. For when he pictures the happiest man, every man of noble origin included in the picture the perfect ruthlessness and devilry of the tyrant who sacrifices everyone and everything to his arrogance and pleasure. Among people who secretly revelled in fantasies of this kind of happiness, respect for the state could, to be sure, not be implanted deeply enough but I think that people whose lust for power no longer rages as blindly as that of those noble Greeks also no longer require the idolisation of the concept of the state with which that lust was formerly kept in check.

NOT MY DAUGHTER, YOU BITCH!” Mrs. Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. “OUT OF MY WAY!” shouted Mrs. Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. “No!” Mrs. Weasley cried as a few students ran forward, trying to come to her aid. “Get back! Get back! She is mine!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I’ve killed you?” taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. “When Mummy’s gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

Ian’s method of dealing with Sir Francis Belhaven—who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him—was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are—are you trying to force a—duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest—none at all. Everyone knows what kind of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over the ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman said. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly.

The universal survey of life as a whole, an advantage which man has over the animal through his faculty of reason, is also comparable to a geometrical, colourless, abstract, reduced plan of his way of life. He is therefore related to the animal as the navigator, who by means of chart, compass, and quadrant knows accurately at any moment his course and position on the sea, is related to the uneducated crew who see only the waves and skies. It is therefore worth noting, and indeed wonderful to see, how man, besides his life in the concrete, always lives a second life in the abstract. In the former he is abandoned to all the storms of reality and to the influence of the present; he must struggle, suffer, and die like the animal. But his life in the abstract, as it stands before his rational consciousness, is the calm reflection of his life in the concrete, and of the world in which he lives; it is precisely that reduced chart or plan previously mentioned. Here in the sphere of calm deliberation, what previously possessed him completely and moved him intensely appears to him cold, colourless, and, for the moment, foreign and strange; he is a mere spectator and observer. In respect of this withdrawal into reflection, he is like an actor who has played his part in one scene, and takes his place in the audience until he must appear again. In the audience he quietly looks on at whatever may happen, even though it be the preparation of his own death (in the play); but then he again goes on the stage, and acts and suffers as he must. From this double life proceeds that composure in man, so very different from the thoughtlessness of the animal. According to previous reflection, to a mind made up, or to a recognized necessity, a man with such composure suffers or carries out in cold blood what is of the greatest, and often most terrible, importance to him, such as suicide, execution, duels, hazardous enterprises of every kind fraught with danger to life, and generally things against which his whole animal nature rebels. We then see to what extent reason is master of the animal nature, and we exclaim to the strong: ferreum certe tibi cor! (Truly hast thou a heart of iron!) [Iliad, xxiv, 521.] Here it can really be said that the faculty of reason manifests itself practically, and thus practical reason shows itself, wherever action is guided by reason, where motives are abstract concepts, wherever the determining factors are not individual representations of perception, or the impression of the moment which guides the animal.

In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.

His name is Inaki Echevarne, we had a duel. A fight? I said. No, a duel. And who won? I don't know which of us killed the other, said Belano. Fantastic! I said. Yes, he said.

I have ridden at the head of parades and stood before cheering throngs. And each time, amid the adoration and the chanting of my name, I have tried to remember those who served with me, the legions of brave men and women ignored by glory, whose only legacy for combat and struggle is pain and death.

Greenberg cites the example of a planter who was challenged to a duel because he told a fellow planter that he smelled bad. “When the man of honor is told that he smells,” Greenberg writes, “he does not draw a bath—he draws his pistol.

This is not the profile of a man; it is the profile of a dog.” Duels required the presence of witnesses, and large numbers of people participated in duels as principals, seconds, adjudicators, physicians, timekeepers or general audience.20

And Grindelwald used the Elder Wand to become powerful. And at the height of his power, when Dumbledore knew he was the only one who could stop him, he dueled Grindelwald and beat him, and he took the Elder Wand.

A wise man changes his mind; a fool never does.

When's the fight?" I asked, trying to be cool, trying to be a good coyote who lets her mate go out and fight a duel to the death when it hurts him walk. I had to do it, because sobbing and fussing wouldn't change anything except make his job harder.

the strategic situation foreseen by Robert Heinlein in the death dust story was like “a duel in a vestibule with flamethrowers,” anticipating mutual assured destruction and its acronym quite nicely. Tolstoy famously

AIs aren’t