Duchess Of Malfi Quotes

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Cover her face; mine eyes dazzle. She died young.
John Webster (The Duchess of Malfi)
Whether we fall by ambition, blood or lust Like diamonds, we are cut with our own dust
John Webster (The Duchess of Malfi)
I account this world a tedious theater, For I do play a part in 't 'gainst my will.
John Webster (The Duchess of Malfi)
Ambition, madam, is a great man's madness.
John Webster (The Duchess of Malfi)
Whether we fall by ambition, blood, or lust, like diamonds we are cut with our own dust.
John Webster (The Duchess of Malfi)
Do you not weep? Other sins only speak, murder shreaks out: The element of water moistens the earth, But blood flies upwards and bedews the heavens.
John Webster (The Duchess of Malfi)
I know death hath ten thousand several doors For men to take their exits; and 'tis found They go on such strange geometrical hinges, You may open them both ways: any way, for heaven-sake
John Webster (The Duchess of Malfi)
The weakest arm is strong enough that strikes with the sword of justice.
John Webster (The Duchess of Malfi)
Heaven-gates are not so highly arched As princes' palaces; they that enter there Must go upon their knees.
John Webster (The Duchess of Malfi)
I am Duchess of Malfi still.
John Webster
You have left me heartless; mine is in your bosom.
John Webster (The Duchess of Malfi)
What's this flesh? A little cruded milk Fantastical puff-paste. Our bodies are weaker than those Paper prisons boys use to keep flies in; more contemptible, Since our is to preserve earth-worms. Didst thou ever seen A lark in a cage? Such is the soul in the body: this world Is like her little turf of grass, and the heaven o'er our heads Like her looking-glass, only gives us a miserable knowledge Of the small compass of our prison.
John Webster (The Duchess of Malfi)
we had need to borrow that fantastic glass,invented by Galileo the Florentine To view another spacious world in the moon and look to find a constant woman there
John Webster (The Duchess of Malfi)
Sometimes the Devil doth preach.
John Webster (The Duchess of Malfi)
Integrity of life is fame's best friend, Which nobly, beyond death, shall crown the end.
John Webster (The Duchess of Malfi)
Are you out of your princely wits?" What's he? Let me have his beard sawed off and his eyebrows filed more civil!
John Webster (The Duchess of Malfi)
If all my royal kindred Lay in my way unto this marriage, I'ld make them my low foot-steps
John Webster (The Duchess of Malfi)
Pull and pull strongly for your able strength / Must pull down heaven upon me
John Webster (The Duchess of Malfi)
Then the class moved on,’ Vera said, ‘to the Revenge Tragedies. Webster. The Duchess of Malfi and The White Devil. Very gory. Makes today’s violence on telly look restrained.
Ann Cleeves (The Glass Room (Vera Stanhope #5))
Duchess: Diamonds are of most value, They say, that have pass’d through most jewellers’ hands. Ferdinand: Whores, by that rule, are precious. —John Webster, The Duchess of Malfi (I.ii)
Chuck Palahniuk (Snuff)
Ambition, madam, is a great man’s madness,’ says Antonio in Webster’s The Duchess of Malfi, a play I first saw at the RSC in 1971 with Judi Dench in the title role. But it’s accepting that you will never achieve your ambition that can really drive you mad.
Anthony Horowitz (The Twist of a Knife (Hawthorne & Horowitz #4))
L'humain, comme l'épice, ne se révèle que broyé
John Webster (The Duchess of Malfi)
Search the heads of the greatest rivers in the world, you shall find them but bubbles of water.
John Webster (The Duchess of Malfi)
for places in the court are but like beds in the hospital, where this man's head lies at that man's foot, and so lower and lower.
John Webster (The Duchess of Malfi)
She and I were twins: And should I die this instant, I had liv'd her time to a minute.
John Webster (The Duchess of Malfi)
Black-birds fatten best in hard weather
John Webster (The Duchess of Malfi)
For all our wit and reading brings us to a truer sense of sorrow.
John Webster (The Duchess Of Malfi)
FERDINAND: Look, what’s that follows me? MALATESTE: Nothing, my lord. FERDINAND: Yes. MALATESTE: ‘Tis your shadow. FERDINAND: Stay it; let it not haunt me. MALATESTE: Impossible, if you move, and the sun shine. FERDINAND: I will throttle it. [Throws himself upon his shadow.]
John Webster (The Duchess of Malfi)
I do love these ancient ruins — We never tread upon them but we set Our foot upon some reverend history: And, questionless, here, in this open court (Which now lies naked to the injuries Of stormy weather), some men lie interr’d, Loved the Church so well, and gave so largely to it, They thought it should have canopied their bones Till doomsday; — but all things have their end — Churches and cities, which have diseases like to men, Must have like death which we have. Duchess o/Malfy. The
Walter Scott (The Complete Novels of Sir Walter Scott: Waverly, Rob Roy, Ivanhoe, The Pirate, Old Mortality, The Guy Mannering, The Antiquary, The Heart of Midlothian and many more (Illustrated))
The Duchess: Diamonds are of most value They say, that have pass'd through most jewellers hands. Ferdinand: Whores, by that rule, are precious.
John Webster (The Duchess of Malfi)
There are rewards for hawks and dogs when they have done us service; but for a soldier that hazards his limbs in a battle, nothing but a kind of geometry is his last supportation.
John Webster (The Duchess of Malfi)
Thou art happy that thou hast not understanding. To know thy misery; for all our wit. And reading brings us to a truer sense of sorrow.
John Webster (The Duchess of Malfi)
Thou art happy that thou hast not understanding to know thy misery; for all our wit and reading brings us to a truer sense of sorrow.
John Webster (The Duchess of Malfi)
Though in our miseries Destiny has a hand, yet Destiny has no hand in the dignified manner in which we suffer our misery. If we can show a contempt for our misery, the credit goes to ourselves, not to Destiny.
John Webster. (THE DUCHESS OF MALFI)
the role was originally played by Richard Burbage, the great tragic actor of the King’s Men who had created the roles of Shakespeare’s tragic heroes Hamlet, King Lear and Othello. That Burbage played Ferdinand as well suggests that the character was seen as the principal male role in the first productions of the play.
Open University (John Webster, The Duchess of Malfi)
Here comes Bosola, The only court-gall; yet I observe his railing Is not for simple love of piety: Indeed, he rails at those things which he wants; Would be as lecherous, covetous, or proud, Bloody, or envious, as any man, If he had means to be so.
John Webster (The Duchess of Malfi)
BOSOLA. He and his brother are like plum-trees
John Webster (The Duchess of Malfi)
ANTONIO. 'Tis great pity He should be thus neglected: I have heard He 's very valiant. This foul melancholy Will poison all his goodness; for, I 'll tell you, If too immoderate sleep be truly said To be an inward rust unto the soul, If then doth follow want of action Breeds all black malcontents; and their close rearing, Like moths in cloth, do hurt for want of wearing.
John Webster (The Duchess of Malfi)
Like Desdemona in Shakespeare’s Othello, she chooses for herself rather than deferring to the wishes of her male relations.
Open University (John Webster, The Duchess of Malfi)
the play, while staging a cross-class marriage, never loses sight of the class differences of the couple and the way this skews traditional gender roles. The Duchess may marry the steward she admires as ‘a complete man’ (1.1.439), but she remains very much an aristocrat. This brings
Open University (John Webster, The Duchess of Malfi)
UWhether we fall by ambition, blood, or lust, Like diamonds, we are cut with our own dust.
John Webster (The Duchess of Malfi)
**LET US BEGIN** by clearing up the old confusion between the man who loves learning and the man who loves reading, and point out that there is no connexion whatever between the two. A learned man is a sedentary, concentrated, solitary enthusiast, who searches through books to discover some particular grain of truth upon which he has set his heart. If the passion for reading conquers him, his gains dwindle and vanish between his fingers. A reader, on the other hand, must check the desire for learning at the outset; if knowledge sticks to him well and good, but to go in pursuit of it, to read on a system, to become a specialist or an authority, is very apt to kill what it suits us to consider the more humane passion for pure and disinterested reading. In spite of all this, we can easily conjure up a picture which does service for the bookish man and raises a smile at his expense. We conceive a pale, attenuated figure in a dressing gown, lost in speculation, unable to lift a kettle from the hob, or address a lady without blushing, ignorant of the daily news, though versed in the catalogues of the secondhand booksellers, in whose dark premises he spends the hours of sunlight—a delightful character, no doubt, in his crabbed simplicity, but not in the least resembling that other to whom we would direct attention. For the true reader is essentially young. He is a man of intense curiosity; of ideas; open minded and communicative, to whom reading is more of the nature of brisk exercise in the open air than of sheltered study; he trudges the high road, he climbs higher and higher upon the hills until the atmosphere is almost too fine to breathe in; to him it is not a sedentary pursuit at all. But, apart from general statements, it would not be hard to prove by an assembly of facts that the great season for reading is the season between the ages of eighteen and twenty-four. The bare list of what is read then fills the heart of older people with despair. It is not only that we read so many books, but that we had such books to read. If we wish to refresh our memories, let us take down one of those old notebooks which we have all, at one time or another, had a passion for beginning. Most of the pages are blank, it is true; but at the beginning we shall find a certain number very beautifully covered with a strikingly legible handwriting. Here we have written down the names of great writers in their order of merit; here we have copied out fine passages from the classics; here are lists of books to be read; and here, most interesting of all, lists of books that have actually been read, as the reader testifies with some youthful vanity by a dash of red ink. We will quote a list of the books that someone read in a past January at the age of twenty, most of them probably for the first time. 1. “Rhoda Fleming.” 2. “The Shaving of Shagpat.” 3. “Tom Jones. 4. “The Laodicean.” 5. “Dewey’s Psychology.” 6. “The Book of Job.” 7. “Webbe’s Discourse of Poesie.” 8. “The Duchess of Malfi.” 9. “The Revenger’s Tragedy.” And so he goes on from month to month, until, as such lists will, it suddenly stops in the month of June. But if we follow the reader through his months it is clear that he can have done practically nothing but read. Elizabethan literature is gone through with some thoroughness; he reads a great deal of Webster, Browning, Shelley, Spenser, and Congreve; Peacock he read from start to finish; and most of Jane Austen’s novels two or three times over. He read the whole of Meredith, the whole of Ibsen, and a little of Bernard Shaw. We may be fairly certain, too, that the time not spent in reading was spent in some stupendous argument in which the Greeks were pitted against the modern, romance against realism, Racine against Shakespeare, until the lights were seen to have grown pale in the dawn.
Virginia Woolf
Let us begin by clearing up the old confusion between the man who loves learning and the man who loves reading, and point out that there is no connexion whatever between the two. A learned man is a sedentary, concentrated, solitary enthusiast, who searches through books to discover some particular grain of truth upon which he has set his heart. If the passion for reading conquers him, his gains dwindle and vanish between his fingers. A reader, on the other hand, must check the desire for learning at the outset; if knowledge sticks to him well and good, but to go in pursuit of it, to read on a system, to become a specialist or an authority, is very apt to kill what it suits us to consider the more humane passion for pure and disinterested reading. In spite of all this, we can easily conjure up a picture which does service for the bookish man and raises a smile at his expense. We conceive a pale, attenuated figure in a dressing gown, lost in speculation, unable to lift a kettle from the hob, or address a lady without blushing, ignorant of the daily news, though versed in the catalogues of the secondhand booksellers, in whose dark premises he spends the hours of sunlight—a delightful character, no doubt, in his crabbed simplicity, but not in the least resembling that other to whom we would direct attention. For the true reader is essentially young. He is a man of intense curiosity; of ideas; open minded and communicative, to whom reading is more of the nature of brisk exercise in the open air than of sheltered study; he trudges the high road, he climbs higher and higher upon the hills until the atmosphere is almost too fine to breathe in; to him it is not a sedentary pursuit at all. But, apart from general statements, it would not be hard to prove by an assembly of facts that the great season for reading is the season between the ages of eighteen and twenty-four. The bare list of what is read then fills the heart of older people with despair. It is not only that we read so many books, but that we had such books to read. If we wish to refresh our memories, let us take down one of those old notebooks which we have all, at one time or another, had a passion for beginning. Most of the pages are blank, it is true; but at the beginning we shall find a certain number very beautifully covered with a strikingly legible handwriting. Here we have written down the names of great writers in their order of merit; here we have copied out fine passages from the classics; here are lists of books to be read; and here, most interesting of all, lists of books that have actually been read, as the reader testifies with some youthful vanity by a dash of red ink. We will quote a list of the books that someone read in a past January at the age of twenty, most of them probably for the first time. 1. “Rhoda Fleming.” 2. “The Shaving of Shagpat.” 3. “Tom Jones. 4. “The Laodicean.” 5. “Dewey’s Psychology.” 6. “The Book of Job.” 7. “Webbe’s Discourse of Poesie.” 8. “The Duchess of Malfi.” 9. “The Revenger’s Tragedy.” And so he goes on from month to month, until, as such lists will, it suddenly stops in the month of June. But if we follow the reader through his months it is clear that he can have done practically nothing but read. Elizabethan literature is gone through with some thoroughness; he reads a great deal of Webster, Browning, Shelley, Spenser, and Congreve; Peacock he read from start to finish; and most of Jane Austen’s novels two or three times over. He read the whole of Meredith, the whole of Ibsen, and a little of Bernard Shaw. We may be fairly certain, too, that the time not spent in reading was spent in some stupendous argument in which the Greeks were pitted against the modern, romance against realism, Racine against Shakespeare, until the lights were seen to have grown pale in the dawn.
Virginia Woolf (Horas en una biblioteca)