Du Bois Double Consciousness Quotes

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The history of the American Negro is the history of this strife, -- this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost... He simply wishes to make it possible for a man to be both a Negro and an American...
W.E.B. Du Bois (Souls of Black Folk & Era of Franklin D. Roosevelt 1933-1945 & Movements of the New Left 1950-1975)
After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro... two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. The history of the American Negro is the history of this strife, — this longing to attain self-conscious manhood, to merge his double self into a better and truer self.
W.E.B. Du Bois (The Souls of Black Folk)
It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. The history of the American Negro is the history of this strife — this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He does not wish to Africanize America, for America has too much to teach the world and Africa. He wouldn't bleach his Negro blood in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of opportunity closed roughly in his face.
W.E.B. Du Bois (The Souls of Black Folk)
the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
W.E.B. Du Bois (The Souls of Black Folk)
The history of the American Negro is the history of this strife,—this longing to attain self-conscious manhood, to merge his double self into a better and truer self.
W.E.B. Du Bois (The Souls of Black Folk)
One ever feels his two-ness – an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
W.E.B. Du Bois (The Souls of Black Folk)
It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.
W.E.B. Du Bois (The Souls of Black Folk)
The history of the American Negro is the history of this strife—this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
W.E.B. Du Bois (The Souls of Black Folk)
IN THE SOULS OF BLACK FOLK, the sociologist W.E.B. Du Bois describes the “double consciousness” of Black Americans at the dawn of the twentieth century. Despite having been born and raised on American soil, shaped by this nation’s institutions and infused with its creed, despite the fact that their toiling hands and beating hearts contributed so much to the country’s economy and culture—despite all this, Du Bois writes, Black Americans remain the perpetual “Other,” always on the outside looking in, ever feeling their “two-ness,” defined not by what they are but by what they can never be.
Barack Obama (A Promised Land)
It is a peculiar sensation, this double-consciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
W.E.B. Du Bois (The Souls of Black Folk)
Hurston moves in and out of these distinct voices effortlessly, seamlessly, just as she does in Their Eyes to chart Janie’s coming to consciousness. It is this usage of a divided voice, a double voice unreconciled, that strikes me as her great achievement, a verbal analogue of her double experiences as a woman in a male-dominated world and as a black person in a nonblack world, a woman writer’s revision of W. E. B. Du Bois’s metaphor of “double-consciousness” for the hyphenated African-American.
Zora Neale Hurston (Moses, Man of the Mountain)
Negotiating these expectations as female-socialized men, transmen can develop a gender "double consciousness" (Du Bois 1903).3 They simultaneously inhabit social space as men and maintain, to varying degrees, an internal repertoire of female-socialized interactional strategies. This double consciousness can generate culture shock as they struggle to synthesize two identities-a female history and a male social identity-that natural differences schemas position as opposing. To gain gender competency, transmen study the idealized qualities that make up a hegemonic understanding of masculinity. As
Kristen Schilt (Just One of the Guys?: Transgender Men and the Persistence of Gender Inequality)
African American racial consciousness responds to the horrors of the Middle Passage and New World slavery as well as to the unfulfilled promise of "all men are created equal." Blackness becomes a form of "double consciousness," as W. E. B. Du Bois put it long ago, a sense of being both African and American, insiders and outsiders, different and equal. In
Bruce Dain (A Hideous Monster of the Mind: American Race Theory in the Early Republic)
W. E. B. Du Bois called “double consciousness,” the experience of “always looking at one’s self through the eyes” of an anti-Black society.
Hari Ziyad (Black Boy Out of Time)
In 1949, the African American scholar and activist W.E.B. Du Bois visited Warsaw, where he saw the ruins of the ghetto the Nazis had established there and then completely destroyed after suppressing the uprising. Three years later, Du Bois wrote a short article a recounting his trip called “The Negro and the Warsaw Ghetto”: “In the first place, the problem of slavery, emancipation, and caste in the United States was no longer in my mind as a separate and unique thing, as I had so long conceived it. It was not even solely a matter of color and physical and racial characteristics, which was particularly hard thing for me to learn, since for a lifetime the color line had been a real and efficient cause of misery…. The race problem in which I was interested cut across lines of color and physique and belief and status, and was a matter of cultural patterns, teaching and human hate and prejudice, which reached all sorts of people and caused endless evil to all men.» [...] Moving beyond a conception of his own experience as “a separate and unique thing”, Du Bois comes to an understanding of race that is instead multidirectional. […] Du Bois’s post-Warsaw vision brings black and Jewish histories into relation without erasing their differences or fetishizing their uniqueness. Proximate pasts are neither “separate and unique” nor “equal”; rather, a form of modified “double consciousness” arises capable of conjoining them in an open-ended assemblage.
Michael Rothberg (The Implicated Subject: Beyond Victims and Perpetrators (Cultural Memory in the Present))
It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One feels his two-ness, — an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
W.E.B. Du Bois (The Souls of Black Folk)
What Du Bois termed double consciousness may be more precisely termed dueling consciousness. “One ever feels his two-ness,” Du Bois explained, “an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.” Du Bois also explained how this war was being waged within his own dark body, wanting to be a Negro and wanting to “escape into the mass of Americans in the same way that the Irish and Scandinavians” were doing.
Ibram X. Kendi (How to Be an Antiracist)
It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
W.E.B. Du Bois (The Souls of Black Folk)
The history of the American Negro is the history of this strife,—this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
W.E.B. Du Bois (The Souls of Black Folk)
It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others,” Du Bois wrote.
Ibram X. Kendi (How to Be an Antiracist)