Drunken Husband Quotes

Surely it is moderate to say that the dish-washing for a family of five takes half an hour a day; with ten hours as a day’s work, it takes, therefore, half a million able bodied persons --- mostly women --- to do the dish-washing of the country. And note that this is most filthy and deadening and brutalizing work: that it is a cause of anemia, nervousness, ugliness, and ill-temper: of prostitution, suicide, and insanity; of drunken husbands and degenerate children --- for all of which things the community has naturally to pay.

poetry readings have to be some of the saddest damned things ever, the gathering of the clansmen and clanladies, week after week, month after month, year after year, getting old together, reading on to tiny gatherings, still hoping their genius will be discovered, making tapes together, discs together, sweating for applause they read basically to and for each other, they can't find a New York publisher or one within miles, but they read on and on in the poetry holes of America, never daunted, never considering the possibility that their talent might be thin, almost invisible, they read on and on before their mothers, their sisters, their husbands, their wives, their friends, the other poets and the handful of idiots who have wandered in from nowhere. I am ashamed for them, I am ashamed that they have to bolster each other, I am ashamed for their lisping egos, their lack of guts. if these are our creators, please, please give me something else: a drunken plumber at a bowling alley, a prelim boy in a four rounder, a jock guiding his horse through along the rail, a bartender on last call, a waitress pouring me a coffee, a drunk sleeping in a deserted doorway, a dog munching a dry bone, an elephant's fart in a circus tent, a 6 p.m. freeway crush, the mailman telling a dirty joke anything anything but these.

I recognized the handwriting, and my heart gave a skip; when I opened it I got a turn, for it began, 'To my beloved Hector,' and I thought, by God she's cheating on me, and has sent me the wrong letter by mistake. But in the second line was a reference to Achilles, and another to Ajax, so I understood she was just addressing me in terms which she accounted fitting for a martial paladin; she knew no better. It was a common custom at that time, in the more romantic females, to see their soldier husbands and sweethearts as Greek heroes, instead of the whore-mongering, drunken clowns most of them were. However, the Greek heroes were probably no better, so it was not far off the mark.

A few days earlier, Chess and Thomas had driven to Spokane for a cheap hamburger. They walked in downtown Spokane and stumbled onto a drunk couple arguing. "Get the fuck away from me!" the drunk woman yelled at her drunk husband, who squeezed his hand into a fist like he meant to hit her. Thomas and Chess flinched, then froze, transported back to all of those drunken arguments they'd witnessed and survived. The drunk couple in downtown Spokane pulled at each other's clothes and hearts, but they were white people. Chess and Thomas knew that white people hurt each other, too. Chess knew that white people felt pain just like Indians, Nerve endings, messages to the brain, reflexes. The doctor swung hammer against knee, and the world collapsed. "You fucker!" the white woman yelled at her husband, who opened his hands and held them out to his wife. An offering. That hand would not strike her. He pleaded with his wife until she fell back into his arms. That white woman and man held each other while Chess and Thomas watched. A hundred strangers walked by and never noticed any of it. After that, Chess and Thomas had sat in the van in a downtown parking lot. Thomas began to weep, deep ragged tears that rose along his rib cage, filled his mouth and nose, and exploded out.

But we all know the power of the passion of love; and I would ask you to remember, gentlemen, in listening to her evidence, that, married to a drunken and violent husband, she has no power to get rid of him; for, as you know, another offence besides violence is necessary to enable a woman to obtain a divorce; and of this offence it does not appear that her husband is guilty.

Whether she was engaged, married or single, nothing could or ever would come of the weakness he was forced to acknowledge that he had developed. He would re-establish the professional distance that had somehow ebbed away with her drunken confessions and the camaraderie of their trip up north, and temporarily shelve his half-acknowledged plan to end the relationship with Elin. It felt safer just now to have another woman within reach, and a beautiful one at that, whose enthusiasm and expertise in bed ought surely to compensate for an undeniable incompatibility outside it. He fell to wondering how long Robin would continue working for him after she became Mrs. Cunliffe. Matthew would surely use every ounce of his husbandly influence to pry her away from a profession as dangerous as it was poorly paid. Well, that was her lookout: her bed, and she could lie in it. Except that once you had broken up, it was much easier to do so again. He ought to know. How many times had he and Charlotte split? How many times had they tried to reassemble the wreckage? There had been more cracks than substance by the end: they had lived in a spider's web of fault lines, held together by hope, pain, and delusion. Robin and Matthew had just two months to go before the wedding. There was still time.

Maybe it’s Lucy. Maybe she ignored everything I said to her and came back to me. I know it’s wrong and she shouldn’t be here, but I just need her right now. I can see her one more time and then I’ll leave and I’ll walk away. She doesn’t feel the same and she doesn’t smell the same, but none of that matters. Her legs straddle my thighs and I clutch onto her ass, pulling her closer so she doesn’t change her mind and walk away. I don’t like her voice. It’s not the same soft, sweet cadence that always makes my ears tingle and my heart beat fast. It’s probably because my heart died and there’s nothing inside my chest but a shriveled up, useless organ. This voice is shrill and annoying. Lucy is changing right before me, but I don’t care. It’s my fault, anyway. It’s my fault she’s different and doesn’t feel the same or smell the same. I changed her, I hurt her…all my fault. She doesn’t taste the same and I hate it. I want my Lucy, not this drunken, morphed version of her. I hear angry shouts and the shuffling of feet and the Lucy on my lap speaks again and it makes me wince. I want to tell her to stop talking like that. Stop talking in a different voice, stop smelling different, stop feeling different…just stop it. Be MY Lucy. I need MY Lucy. I’m not a hero, I’m not a good man, I’m not a good husband…I am none of those things and they need to see that.

A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")

Yes, many a function calls for fulfilment. For instance, why should it be thought foolish or low to superintend the kitchen? Why should care not be taken that the storeroom never lacks supplies? Why should a housekeeper be allowed to thieve? Why should slovenly and drunken servants exist? Why should a domestic staff be suffered in indulge in bouts of unconscionable debauchery during its leisure time? Yet none of these things were thought worthy of consideration by Manilov’s wife, for she had been gently brought up, and gentle nurture, as we all know, is to be acquired only in boarding schools, and boarding schools, as we know, hold the three principal subjects which constitute the basis of human virtue to be the French language (a thing indispensable to the happiness of married life), piano-playing (a thing wherewith to beguile a husband’s leisure moments), and that particular department of housewifery which is comprised in the knitting of purses and other “surprises.

There was a loud din, a drunken gaiety. Young people, adults, children were dancing. But I could feel the reality behind the appearance of festivity. The distorted faces of the bride’s relatives signaled a quarrelsome discontent. Especially the women. They had spent their last cent for the gift, for what they were wearing, had gone into debt, and now they were treated like poor relations, with bad wine, intolerable delays in service? Why didn’t Lila intervene, why didn’t she protest to Stefano? I knew them. They would restrain their rage for love of Lila but at the end of the reception, when she went to change, when she came back, dressed in her beautiful traveling clothes, when she handed out the wedding favors, when she had left, with her husband, then a huge fight would erupt, and it would be the start of hatreds lasting months, years, and offenses and insults that would involve husbands, sons, all with an obligation to prove to mothers and sisters and grandmothers that they knew how to be men.

I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. "No," that woman seemed to say with that terrified glance, "don’t come back and plague your honest, hard-working mother. You are no longer like a son to me - and like your father, my first husband. ‘Ere this kindly Greek took pity on me." (The proprietor was a Greek with hairy arms.) "You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ‘umble labors in the hashery. O son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me - to see my laboring humilities, my few scrubbed pennies - hungry to grab, quick to deprive, sullen, unloved, mean- minded son of my flesh. Son! Son!

Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Caroline stands at the window, watching Nellie Griffiths and old Mrs Mulvaney trot down the street on their way to the jam factory. Poor ugly biddies: they spend their daylight hours drudging in the scalding heat for next to nothing, then come home to drunken husbands who knock them from one wall to the other. If this is what it means to be ‘upright’, and Caroline is supposed to be ‘fallen’…! What did God make cunts for, if not to save women from donkey-work?

True, Mama, but he’ll find it a difficult job to govern the country with nothing but the High Tories to support him. And whatever you think of their politics, Huskisson and Palmerston are very able men the country can ill afford to lose. William Lamb was doing a good job in Ireland, too.’ ‘Poor William Lamb,’ Lucy said — his name always seemed to couple itself with the epithet quite automatically. ‘He needs office to keep his mind from his domestic troubles.’ ‘Sendin’ him to Ireland was goin’ rather too far, though,’ Theakston commented solemnly. ‘No good cuttin’ off a man’s head to cure him of a headache.’ ‘Well, he’d have been back soon enough anyway,’ said Lucy. ‘That drunken ruin of a father of his can’t last much longer, and then he’ll be taking his seat in the Lords as Lord Melbourn.’ ‘His sister thinks he’ll be Prime Minister one day,’ said her husband. ‘Said so to Mrs Arbuthnot yesterday.’ Lucy was dismissive. ‘She would say something like that! I can’t bear Emily Cowper at any price,’ she said impatiently; and then, ‘Where did you see Mrs Arbuthnot?

To this woman the word "worldwide" seems much worse than the word "war". Because Women have always being fighters: fighting themselves, fighting poverty, fighting drunken husbands, fighting children that need sorting out. But the whole world, dear God - worldwide is quite another thing.

Tonight, Mom painted a portrait of our family, and through her eyes I saw people I’d never imagined—a drunken, unfaithful husband and a depressed, overwhelmingly unhappy wife. How is it that I saw none of this? Are children so sublimely oblivious to their own world? She was right to hide this truth from me. Even now, I wish I didn’t know it. Sometimes, knowing where we come from hurts more than we can stand.

It was a common custom at that time, in the more romantic females, to see their soldier husbands and sweethearts as Greek heroes, instead of the whoremongering, drunken clowns most of them were. However, the Greek heroes were probably no better, so it was not so far off the mark.

Temperance workers protested the economic dependence that made married women subject to drunken husbands. Organizations of women workers sought respect and higher wages for women’s labor. Women’s

Every night after dinner Harry took off for the local watering hole. He would spend the whole evening there and arrive home drunk around midnight. He usually had trouble getting his key to fit the keyhole and couldn’t get the door open. His wife would go to the door and let him in, and then proceed to yell and scream at him for his behavior and constant drunkenness. One day, the distraught wife was talking to a friend about her husband’s nocturnal activities. The friend listened sympathetically and said, “Why don’t you treat him a little differently when he comes home? Instead of berating him, why don’t you welcome him home with some loving words and a kiss? Then, he might change his ways.” The wife, willing to try anything, agreed that this might be a good idea. That night, Harry took off again after dinner. And at about midnight, he arrived home in his usual condition. His wife heard him at the door, quickly opened it, and let Harry in. Instead of berating him as she had always done, she took his arm and led him into the living room. She sat him down in an easy chair, put his feet up on the footstool, and took his shoes off. Then, she sat on his lap and cuddled him a little. After a while, she whispered, “Honey, it’s pretty late. I think we should go upstairs to bed now.” “Hell, I guess we might as well,” Harry replied. “I’ll get in trouble when I get home anyway!

June 7: Norma Jeane leaves the Los Angeles Orphans Home to live with Grace and her husband, Doc Goddard, at 6707 Odessa Avenue in Van Nuys. Norma Jeane hears on the radio that Jean Harlow has died. A drunken Doc Goddard evidently tries to fondle Norma Jeane, who complains to Grace about the abuse. September

For the question of abortion, perhaps the most significant passage of all is found in the specific laws God gave Moses for the people of Israel during the time of the Mosaic covenant. One particular law spoke of the penalties to be imposed in case the life or health of a pregnant woman or her preborn child was endangered or harmed: When men strive together and hit a pregnant woman, so that her children come out, but there is no harm, the one who hit her shall surely be fined, as the woman’s husband shall impose on him, and he shall pay as the judges determine. But if there is harm, then you shall pay life for life, eye for eye, tooth for tooth, hand for hand, foot for foot, burn for burn, wound for wound, stripe for stripe (Exod. 21:22–25).1 This law concerns a situation when men are fighting and one of them accidentally hits a pregnant woman. Neither one of them intended to do this, but as they fought they were not careful enough to avoid hitting her. If that happens, there are two possibilities: 1. If this causes a premature birth but there is no harm to the pregnant woman or her preborn child, there is still a penalty: “The one who hit her shall surely be fined” (v. 22). The penalty was for carelessly endangering the life or health of the pregnant woman and her child. We have similar laws in modern society, such as when a person is fined for drunken driving, even though he has hit no one with his car. He recklessly endangered human life and health, and he deserved a fine or other penalty. 2. But “if there is harm” to either the pregnant woman or her child, then the penalties are quite severe: “Life for life, eye for eye, tooth for tooth …” (vv. 23–24). This means that both the mother and the preborn child are given equal legal protection. The penalty for harming the preborn child is just as great as for harming the mother. Both are treated as persons, and both deserve the full protection of the law.2

You have hardly started living, and yet all is said, all is done. You are only twenty-five, but your path is already mapped out for you. The roles are prepared, and the labels: from the potty of your infancy to the bath-chair of your old age, all the seats are ready and waiting their turn. Your adventures have been so thoroughly described that the most violent revolt would not make anyone turn a hair. Step into the street and knock people's hats off, smear your head with filth, go bare-foot, publish manifestos, shoot at some passing usurper or other, but it won't make any difference: in the dormitory of the asylum your bed is already made up, your place is already laid at the table of the poètes maudits; Rimbaud's drunken boat, what a paltry wonder: Abyssinia is a fairground attraction, a package trip. Everything is arranged, everything is prepared in the minutest detail: the surges of emotion, the frosty irony, the heartbreak, the fullness, the exoticism, the great adventure, the despair. You won't sell your soul to the devil, you won't go clad in sandals to throw yourself into the crater of Mount Etna, you won't destroy the seventh wonder of the world. Everything is ready for your death: the bullet that will end your days was cast long ago, the weeping women who will follow your casket have already been appointed. Why climb to the peak of the highest hills when you would only have to come back down again, and, when you are down, how would you avoid spending the rest of your life telling the story of how you got up there? Why should you keep up the pretence of living? Why should you carry on? Don't you already know everything that will happen to you? Haven't you already been all that you were meant to be: the worthy son of your mother and father, the brave little boy scout, the good pupil who could have done better, the childhood friend, the distant cousin, the handsome soldier, the impoverished young man? Just a little more effort, not even a little more effort, just a few more years, and you will be the middle manager, the esteemed colleague. Good husband, good father, good citizen. War veteran. One by one, you will climb, like a frog, the rungs on the ladder of success. You'll be able to choose, from an extensive and varied range, the personality that best befits your aspirations, it will be carefully tailored to measure: will you be decorated? cultured? an epicure? a physician of body and soul? an animal lover? will you devote your spare time to massacring, on an out-oftune piano, innocent sonatas that never did you any harm? Or will you smoke a pipe in your rocking chair, telling yourself that, all in all, life's been good to you?

Alexander Kluge has offered this allegory about Trumpism, which he ascribes, anachronistically, to the liberal sociologist Max Weber (who was the author of Article 48 of the Weimar Constitution that allowed a state of emergency to be declared without the consent of the Reichstag, a provision that Hitler exploited): “Weber had never studied elephants at close range. In a London newspaper he came across a report claiming that certain herbs ferment within the coiled intestines of the huge beasts. It ‘must be a grand sight’ to witness the alcohol making the animals go berserk and thunder forth, breaking all obstacles. For Weber, this was akin to the way self-confident women, forced to live in servitude to their husbands, experience a build-up of mighty wrath. As in the elephants’ stomachs, this process may continue over multiple generations, and this wrath is passed on to their sons (usually the secondor last-born). This ‘innate’ courage or pride is a fury unrelated to any specific character trait, and manifests itself in essentially hideous men. It is recognized by the hate that wells up in the fermenting mental intestines of millions who no longer tolerate their oppression. The sudden drunkenness—the charisma—of their role model seems to be contagious. It takes hold of the masses that look to this essentially smaller man, uprooting trees like a charismatic monster, as their leader. With the light of millions of eyes, he becomes radiant.” See “Charisma of the Drunken Elephant,” Frieze (November 2016).

eating canapés and conversing while waving diamond-laden hands at their husbands’ drunken antics. They were older than Diya, had already achieved that coveted wife status, and regarded her with superior, slightly pitying attitudes. To them,

man and his wife were awakened at 3:00 am by a loud pounding on the door. The man gets up and goes to the door where a drunken stranger, standing in the pouring rain, is asking for a push. "Not a chance," says the husband, "it is 3:00 in the morning!" He slams the door and returns to bed. "Who was that?" asked his wife. "Just some drunk guy asking for a push," he answers. "Did you help him?" she asks. "No, I did not, it’s 3am in the morning and it’s well pouring with rain out there!" "Well, you have a short memory," says his wife. "Can’t you remember about three months ago when we broke down, and those two guys helped us? I think you should help him, and you should be ashamed of yourself!  "God loves drunk people too you know." The man does as he is told, gets dressed, and goes out into the pounding rain. He calls out into the dark, "Hello, are you still there?" "Yes," comes back the answer. "Do you still need a push?" calls out the husband. "Yes, please!" comes the reply from the dark. "Where are you?" asks the husband. "Over here on the swing," replied the drunk.

The fixers would erase all traces of the incident: the police would be paid off; the report would disappear. To the public at large, he’d continue to be a gallant husband, doting father, and responsible citizen—the very paragon of contemporary masculinity. Any whispers of chronic drunkenness would be silenced by well-placed mentions in the gossip columns concerning his commitment to his adoring children and devoted wife.

Matthew, mentioned you.” “He did?” Leni said. Don’t smile so big. What a dork. Geneva Walker slipped in beside her husband. “Hey,” she said, smiling at Cora. “I see you’ve met my husband.” “Ex.” Tom Walker put his arm around Geneva, pulled her close. “I love the woman like air, but I can’t live with her.” “Can’t live without me, either.” Geneva smiled, cocked her head to the left. “That’s my main squeeze over there. Calhoun Malvey. He doesn’t love me as much as Tom does, but he likes me a helluva lot better. And he doesn’t snore.” She elbowed Mr. Walker in the side playfully. “I hear you guys aren’t too well prepared,” Mr. Walker said to Dad. “You’re going to have to learn fast. Don’t be afraid to ask me for help. I’m always up for it. Anything you need to borrow, I have.” Leni heard something in Dad’s “Thanks” that put her on alert. He sounded irritated all of a sudden. Offended. Mama heard it, too; she glanced worriedly at him. Mad Earl stumbled forward. He was wearing a T-shirt that read I’VE BEEN FISHING SO LONG I’M A MASTER BAITER. He grinned drunkenly, swayed side to side, stumbled. “You offering Ernt help, Big Tom? That’s mighty white of you. Sorta like King John offerin’ to help his poor serfs. Maybe your friend the governor can help ya out.” “Good Lord, Earl, not again,” Geneva said. “Let’s play some music. Ernt, can you play an instrument?” “Guitar,” Dad said. “But I sold—” “Great!” Geneva said, taking him by the arm, pulling him away from Mad Earl and toward Large Marge and the makeshift band gathered at the beach. She handed Dad the guitar Mr. Walker had put down. Mad Earl stumbled over to the fire and retrieved his crockery jug. Leni wondered if Mama knew how beautiful she looked, standing there in her form-fitting pants, with

Battering, drunken husbands had their wives psychiatrically imprisoned as a way of continuing to batter them; husbands also had their wives imprisoned in order to live or marry with other women.