Drunk Uncle Quotes

We've searched our database for all the quotes and captions related to Drunk Uncle. Here they are! All 48 of them:

My uncle recovered first, stepping forward. "Are you okay, Alexandria?" "Other than the fact I just spewed out two gods like a drunk college chick? I'm feeling fabulous.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
After a while of watching me, he stands and punches me in the face. “If you punch me back, you will be sent home, Pixie.” I kick him in the shin. He limps away, laughing like a drunk Uncle Narol. I’m not sent home.
Pierce Brown (Red Rising (Red Rising Saga, #1))
They were staggered to learn that a real tangible person, living in Minnesota, and married to their own flesh-and-blood relation, could apparently believe that divorce may not always be immoral; that illegitimate children do not bear any special and guaranteed form of curse; that there are ethical authorities outside of the Hebrew Bible; that men have drunk wine yet not died in the gutter; that the capitalistic system of distribution and the Baptist wedding-ceremony were not known in the Garden of Eden; that mushrooms are as edible as corn-beef hash; that the word "dude" is no longer frequently used; that there are Ministers of the Gospel who accept evolution; that some persons of apparent intelligence and business ability do not always vote the Republican ticket straight; that it is not a universal custom to wear scratchy flannels next the skin in winter; that a violin is not inherently more immoral than a chapel organ; that some poets do not have long hair; and that Jews are not always peddlers or pants-makers. "Where does she get all them theories?" marveled Uncle Whittier Smail; while Aunt Bessie inquired, "Do you suppose there's many folks got notions like hers? My! If there are," and her tone settled the fact that there were not, "I just don't know what the world's coming to!
Sinclair Lewis (Main Street)
My mum’s uncle was a sailor,’ said Nobby. ‘But after the big plague he got press-ganged. Bunch of farmers got him drunk, he woke up next morning tied to a plough.
Terry Pratchett (Jingo (Discworld, #21))
The family watched It's a Wonderful Life, which is a very beautiful movie and all I could think was why didn't they make a movie about uncle Billy?...Because he was a drunk and fat and lost all that money in the first place. I wanted an angel to come down and show us how uncle Billy's life had meaning
Stephen Chbosky (The Perks of Being a Wallflower)
I can't blame this all for my drinking -- I can't blame my parents or my childhood, and abusive uncle or some terrible tragedy. It's my fault. I was a drinker anyway -- I've always liked to drink. But I did become sadder, and sadness gets boring after a while, for the sad person and for everyone around them. And then I went from being a drinker to being a drunk, and there's nothing more boring than that.
Paula Hawkins (The Girl on the Train)
If life is a waltz then we need to enjoy each turn, savor each step, and not miss out on a single beat.
Alberto Rosas (Fifteen Candles: 15 Tales of Taffeta, Hairspray, Drunk Uncles, and other Quinceanera Stories)
I wouldn't go so far as to say the Mad Russian was like a father figure to me. More like a perpetually drunk uncle who let me play with sharp things at a tender age.
Stephen Spotswood (Murder Under Her Skin (Pentecost and Parker, #2))
Francis Marion Tarwater’s uncle had been dead for only half a day when the boy got too drunk to finish digging his grave and a Negro named Buford Munson, who had come to get a jug filled, had to finish it and drag the body from the breakfast table where it was still sitting and bury it in a decent and Christian way, with the sign of its Savior at the head of the grave and enough dirt on top to keep the dogs from digging it up. Buford had come along about noon and when he left at sundown, the boy, Tarwater, had never returned from the still.
Flannery O'Connor (The Violent Bear It Away)
I can’t blame all this for my drinking—I can’t blame my parents or my childhood, an abusive uncle or some terrible tragedy. It’s my fault. I was a drinker anyway—I’ve always liked to drink. But I did become sadder, and sadness gets boring after a while, for the sad person and for everyone around them. And then I went from being a drinker to being a drunk, and there’s nothing more boring than that. I’m better now, about the children thing; I’ve got better since I’ve been on my own. I’ve had to. I’ve read books and articles, I’ve realized that I must come to terms with it. There are strategies, there is hope. If I straightened myself out and sobered up, there’s a possibility that I could adopt. And I’m not thirty-four yet—it isn’t over. I am better than I was a few years ago, when I used to abandon my trolley and leave the supermarket if the place was packed with mums and kids; I wouldn’t have been able to come to a park like this, to sit near the playground and watch chubby toddlers rolling down the slide. There were times, at my lowest, when the hunger was at its worst, when I thought I was going to lose my mind.
Paula Hawkins (The Girl on the Train)
I am drunk. I usually only drink like this once a month. At such times my audacity and temerity know no bounds. I feel capable of anything. I attempt the most difficult operations and do them magnificently. The most brilliant plans for the future take shape in my head. I am no longer a poor fool of a doctor, but mankind's greatest benefactor. I evolve my own system of philosophy and all of you seem to crawl at my feet like so many insects or microbes.
Anton Chekhov (Uncle Vanya)
We’re going to wreck you like we stole you and come back for seconds.
Tymber Dalton (Monkey's Uncle (Drunk Monkeys, #2))
WE BEGIN WITH THE TROUBLE, but where does the trouble begin? My uncle takes a pistol and blows his brains out.
Kyle Minor (Praying Drunk: Stories)
Wow. Somebody in this car never had to ignore their drunk misogynistic uncle at Thanksgiving, and it really shows.
Abby Jimenez (Life's Too Short (The Friend Zone, #3))
It must have been something pretty bad. It took a lot to make them chuck people out of music-halls in 1887. “Your uncle specifically states that father had drunk a quart and a half of champagne before beginning the evening,” she went on. “The book is full of stories like that. There is a dreadful one about Lord Emsworth.” “Lord Emsworth! Not the one we know? Not the one at Blandings?
P.G. Wodehouse (Carry On, Jeeves)
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic? When will you take off your clothes? When will you look at yourself through the grave? When will you be worthy of your million Trotskyites? America why are your libraries full of tears? America when will you send your eggs to India? I’m sick of your insane demands. When can I go into the supermarket and buy what I need with my good looks? America after all it is you and I who are perfect not the next world. Your machinery is too much for me. You made me want to be a saint. There must be some other way to settle this argument. Burroughs is in Tangiers I don’t think he’ll come back it’s sinister. Are you being sinister or is this some form of practical joke? I’m trying to come to the point. I refuse to give up my obsession. America stop pushing I know what I’m doing. America the plum blossoms are falling. I haven’t read the newspapers for months, everyday somebody goes on trial for murder. America I feel sentimental about the Wobblies. America I used to be a communist when I was a kid I’m not sorry. I smoke marijuana every chance I get. I sit in my house for days on end and stare at the roses in the closet. When I go to Chinatown I get drunk and never get laid. My mind is made up there’s going to be trouble. You should have seen me reading Marx. My psychoanalyst thinks I’m perfectly right. I won’t say the Lord’s Prayer. I have mystical visions and cosmic vibrations. America I still haven’t told you what you did to Uncle Max after he came over from Russia. I’m addressing you. Are you going to let your emotional life be run by Time Magazine? I’m obsessed by Time Magazine. I read it every week. Its cover stares at me every time I slink past the corner candystore. I read it in the basement of the Berkeley Public Library. It’s always telling me about responsibility. Businessmen are serious. Movie producers are serious. Everybody’s serious but me. It occurs to me that I am America. I am talking to myself again. ...
Allen Ginsberg (Howl and Other Poems)
Problem is, we of House Mars always burn out. Kids rule the Institute at first. Then they find out that napalm lasts about …” He snaps his fingers. I have no reply. He sighs and plops down in a chair. After a while of watching me, he stands and punches me in the face. “If you punch me back, you will be sent home, Pixie.” I kick him in the shin. He limps away, laughing like a drunk Uncle Narol. I
Pierce Brown (Red Rising (Red Rising Saga, #1))
Kimi Kanasket was a black mark on an otherwise joyous occasion, like the drunk uncle who causes a scene at a family wedding. You didn’t acknowledge or talk about the incident. You quietly escorted him from the building so others could focus on the celebration, and when the family got together to remember that day, the blemish was never discussed, until, as the years passed, the incident was forgotten completely.
Robert Dugoni (In the Clearing (Tracy Crosswhite, #3))
When political strategists argue that the Republican Party is missing a huge chance to court the black community, they are thinking of this mostly male bloc—the old guy in the barbershop, the grizzled Pop Warner coach, the retired Vietnam vet, the drunk uncle at the family reunion. He votes Democratic, not out of any love for abortion rights or progressive taxation, but because he feels—in fact, he knows—that the modern-day GOP draws on the support of people who hate him.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
Maria was frightened. “Say nothing to anybody,” she told Catalina, “not even to Uncle Domingo. I will talk to him after supper and he will decide what had better be done. Now in heaven’s name clean the carrots or we shall have no soup to eat.” Catalina was not satisfied with this, but her mother bade her be quiet and do as she was told. Presently Domingo came in. He was not drunk, but neither was he sober, and he was in high spirits. He was a man who liked to hear himself talk and, while they had supper, for Catalina’s benefit he held forth loquaciously on the events of the day.
W. Somerset Maugham (Catalina)
Maggie sipped her drink with the cat draped across her lap and the dog curled at her feet. The only sounds in the room were the crackling of the fire and Dan Sean's shallow snores. There were no CD's to play, no radio, no television. There was nothing. She was just sitting there in silence, getting drunk. It occurred to her that a person's first drunken experience shoud be in the basement of a friend's house, in a forest preserve, behind the bleachers of a football field. Certainly not in the company of a sleeping ninety-nine-year-old man. She giggled a little and wondered what Uncle Kevin would make of it. "Hot port?" he would say. "Very impressive, Mags. I would have thought you'd be more of a wine cooler type of girl.
Jessie Ann Foley (The Carnival at Bray)
I can’t blame all this for my drinking—I can’t blame my parents or my childhood, an abusive uncle or some terrible tragedy. It’s my fault. I was a drinker anyway—I’ve always liked to drink. But I did become sadder, and sadness gets boring after a while, for the sad person and for everyone around them. And then I went from being a drinker to being a drunk, and there’s nothing more boring than that.
Paula Hawkins (The Girl on the Train)
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
This is a book for those of you who want to be parents as well as people, who don't want to feel guilty about taking some time for yourself or your relationship (if you're even in one). It's for those folks who might, every once in a while, want to get drunk, and have sloppy sex without worrying that they're going to roll over on their kid because you all sleep in a "family bed" since that's how they do it in Taiwan and they have the highest math scores of any country on earth.
Brett Berk (The Gay Uncle's Guide to Parenting: Candid Counsel from the Depths of the Daycare Trenches)
When a blind man gets his sight back, he says "I am a divine seer, an oracle." With the excitement of the change he's a little drunk. A drunk becoming sober is very different from the ecstatic change that comes in the living presence of an enlightened one. There's no way to say how that is, even if Abu ibn Sina were here. Only by the great Names, or by meditation inside music that plays without instruments, can coverings be lifted. Not by sermons or mental effort. One who tries to do that will cut off his hand with his famous sword. This is all metaphoric: there is no covering or hand. It's like the country saying, Yeah, if my aunt had testicles, she'd be my uncle. It's what-if talking: the distance from words to living is a journey of a hundred thousand years, but don't be discouraged! It can happen any moment. It takes thirty-five hundred years to get to Saturn, but Saturnine qualities are constantly here making us solemn and serious. Influence goes the other way too. An enlightened master, which is to say the inner nature of each of us, is continually affecting the universe. Philosophers say a human being is the universe in samll, but it is more true that the essence of a human is the whole from which the cosmos grew. It looks as if fruit grows from a branch, but growth comes more truly from the gardener's hope and the work of sowing the seed that grew inside the fruit. The tree of the universe grows out of the fruit and its seed, even though in form the tree bears the fruit.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.
Toi Derricotte
I wonder what a farmer-woman can want with a harpsichord, dulcimer, pianner, or whatever 'tis they d'call it?" said the maltster. "Liddy saith she've a new one." "Got a pianner?" "Ay. Seems her old uncle's things were not good enough for her. She've bought all but everything new. There's heavy chairs for the stout, weak and wiry ones for the slender; great watches, getting on to the size of clocks, to stand upon the chimbley-piece." "Pictures, for the most part wonderful frames." "And long horse-hair settles for the drunk, with horse-hair pillows at each end," said Mr. Clark. "Likewise looking-glasses for the pretty, and lying books for the wicked." A firm loud tread was
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it. I felt isolated in my misery. I became lonely, so I drank a bit, and then a bit more, and then I became lonelier, because no one likes being around a drunk. I lost and I drank and I drank and I lost. I liked my job, but I didn’t have a glittering career, and even if I had, let’s be honest: women are still only really valued for two things—their looks and their role as mothers. I’m not beautiful, and I can’t have kids, so what does that make me? Worthless. I can’t blame all this for my drinking—I can’t blame my parents or my childhood, an abusive uncle or some terrible tragedy. It’s my fault. I was a drinker anyway—I’ve always liked to drink. But I did become sadder, and sadness gets boring after a while, for the sad person and for everyone around them. And then I went from being a drinker to being a drunk, and there’s nothing more boring than that.
Paula Hawkins (The Girl on the Train)
Have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it? That night he had answered no. Tonight he would have said yes. Among other things, he wanted to know where she was; a month ago he’d told himself it was because he wanted the divorce petition served. Tonight he was too exhausted from his long internal battle to bother lying to himself anymore. He wanted to know where she was because he needed to know. His grandfather claimed not to know; his uncle and Alexandra both know, but they’d both refused to tell him, and he hadn’t pressed them. Wearily, Ian leaned his head against the back of his chair and closed his eyes, but he wouldn’t sleep, and he knew it, even though it was three o’clock in the morning. He never slept anymore unless he’d either had a day of grueling physical activity or drunk enough brandy to knock himself out. And even when he did, he laid awake, wanting her, and knowing-because she’d told him-that she was somewhere out there, lying awake, wanting him. A faint smile touched his lips as he remembered her standing in the witness box, looking heartbreakingly young and beautiful, first trying logically to explain to everyone what had happened-and when that failed, playing the part of an incorrigible henwit. Ian chuckled, as he’d been doing whenever he thought of her that day. Only Elizabeth would have dared to take on the entire House of Lords-and when she couldn’t sway them with intelligent logic, she had changed tack and used their own stupidity and arrogance to defeat them. If he hadn’t felt so furious and betrayed that day, he’d have stood up and given her the applause she deserved! It was exactly the same tactic she’d used the night he’d been accused of cheating at cards. When she couldn’t convince Everly to withdraw from the duel because Ian was innocent, she’d turned on the hapless youth and outrageously taken him to task because he’d already engaged himself to her the next day. Despite his accusation that her performance in the House of Lords had been motivated by self-interest, he knew it hadn’t. She’d come to save him, she thought, from hanging.
Judith McNaught (Almost Heaven (Sequels, #3))
Survival Spanish: Your uncle's hotel sounds very nice, but I have reservations at the Holiday Inn. El hotel de su tio debe de ser muy lindo, pero tengo reservacions en el Holiday Inn. I would like your least expensive room. Quisiera su habitacion menos cara. I would like a better room. Quisiera una habitacion mejor. I would like any room not damaged by the recent earthquake. Quisiera cualquier habitacion que no sufrio danos en el temblor reciente. The local women do WHAT to cause fermentation? Las mujures aqui hacen QUE para causar la fermentacion? I don't question your abilities, but I am already married. No dudo sus habilidades, pero estoy botin. My friend is drunk and I am lost. Mi amigo esta borracho y estoy perdido. My friend is lost and I am drunk. Mi amigo esta perdido y estoy borracho. My apologies. I thought you asked me to dance. Disculpeme. Pense que me invito a bailar. Have I broken a law? He violado un ley? May I offer you the gift of money? Puedo ofrecerle un regalito de dinero? Did I say twenty dollars? I meant fifty. Dije veinte dolares? Queria decir CINCUENTA! You can have our women, but leave the plane tickets. Pueden llevarse a nuestras majeres, pero dejen nuestros boletos de avion.
Randy Wayne White (Last Flight Out: True Tales Of Adventure, Travel, And Fishing)
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
Alan Lightman (Einstein's Dreams)
I watch Emmy. I watch the cowboys at the bar who turn to watch Emmy. My dad suddenly joins them. I should tell Mom, but I don't. He's watching Emmy, but not in a lusty way. There's almost a protective look on his face. I'm not sure I've ever loved him more. He gets up and two-steps for a minute to the honky-tonk music. I try not to grin. Then he does a few native dance moves to a far older rhythm--a rhythm he's always heard better than I can. "Listen," the elders say. To the the earth, they mean, to the fish, to the wind, to the silence of rocks, to your fathers. But what if your father is a drunk? Your uncles? My dad stops dancing. He gives me the same warning gesture he did on Teresa's couch. "Listen," he's insisting. He was never pushy with me while he was alive. Then he disappears.
Heather Brittain Bergstrom (Steal the North)
I met your uncle under similar circumstances. Well, kind of similar. But he was drunk. And we were in a bar. And he had vomited on my shoes. So I suppose the actual circumstances aren’t overly similar, but both events include a meeting, so …
Anonymous
What did you tell them?" Bruno asked, as he joined her on the roof. With the metallic grinding of the train and the howling wind, he had to shout to be heard. "That my uncle got drunk and climbed out of the train," Yana said. "I told them we had no choice but to find him and bring him back inside." "And they believed you?" "This is Russia," Yana said, giving him a withering look. "Everybody's got an uncle who gets drunk and climbs out a train window at least once. Usually the police find these guys frozen in a snowdrift somewhere, bottle of vodka in hand." "Charming," Bruno said.
Danielle Trussoni
Chanel told herself after her final drug overdose, “I want more out of life.” She refused to be like her aunties and uncles; drunk and high. Not having custody of her child was the final straw for her.
Nako (The Chanel Cavette Story: From The Boardroom To The Block)
He had the look of one who had drunk the cup of life and found a dead beetle at the bottom.
Bathroom Readers' Institute (Uncle John's Canoramic Bathroom Reader (Uncle John's Bathroom Reader, #27))
You were trained to accept the foolishness of such old men as this, even when you thought them clowns and fools; you were trained to pretend that you respected them and acknowledged in them the same quality of authority and power in your world as the whites before whom they bowed and scraped and feared and loved and imitated, and you were even trained to accept it when, angered or spiteful, or drunk with power, they came at you with a stick or a strap or cane and you made no effort to strike back, but only to escape unmarked. But this was too much…he was not grandfather or uncle or father, nor preacher or teacher.
Ralph Ellison (Invisible Man)
I wanted so badly to feel like I fit in here. I had tried, but I’d been raised so differently and I continued to feel like an outcast. I wanted that large family who were kind and caring and spent time together. I wanted big family Christmases and vacations. I wanted uncles who got too drunk and told hilarious stories during family gatherings and grandparents who bought you socks for every birthday. I wanted a family who gossiped and gloated. I wanted all the weird stuff that each family does that for them is normal. This
Addison Jane (Blizzard (The Brotherhood Journals, #1))
Dashdelgar is out hunting!” Otgar began in a loud voice. All at once, my uncles and aunts ceased their talking and turned toward her. No Qorin in existence misses a joke. Especially not a Dashdelgar joke. He is our patron god of obfuscating stupidity. So what if it was being told in Hokkaran? Most of us understood Ricetongue, even if we did not speak it. Except Temurin. She said she’d learn it when Hokkarans learned Qorin, which was a fair point. “But Dashdelgar hunts in winter, and he took with him only four arrows. After a whole day out in the cold, he fails to hit anything. So he fills his belly with kumaq and makes his way back to his ger.” You listened. Your brows scrunched like caterpillars above your eyes, but you listened. “He finds his wife with another man—not his brother either!” A chorus of laughs. You blinked at me. “Qorin marriages are different,” I whispered. “Sometimes brothers share wives.” You swallowed and licked your lips. I could hear you thinking that you were not in Hokkaro anymore. “They do not notice him, but this is not out of the ordinary; Dashdelgar is a small man, and he shares his ger with his entire family. His wife and the other man keep right on going. Dashdelgar watches them, infuriated. But he sees that there is another skin of kumaq and so he drinks it.” I was going to have to explain a lot of things to you because of this joke. Hokkarans don’t speak of lewd matters, but it is not uncommon for such things to happen in the ger, in full view of the adults. “It is then Dashdelgar notices three important things. One: he is drunk. Two: the ger is empty, except for the couple. And, three: this is not his ger.” There it is. Everyone breaks down laughing. Even you spare a chuckle.
K. Arsenault Rivera (The Tiger's Daughter (Ascendant, #1))
Uncle Mort wouldn’t say another word about the next phase of the plan until they collected the rest of their party, an event that Lex was simultaneously really anticipating and really dreading. On the one hand, she’d get to see her friends again. She could stock up on some of Elysia’s soul-restoring hugs and maybe feel a little less horrid about all that unpleasant business of starting a war. On the other, nastier hand, unless Ferbus had drunk himself into oblivion since the last time she saw him, he’d notice that his best friend had been turned into some sort of ghostish creature. And he’d blame Lex with the fury of a thousand orange-haired dragons. And he’d be correct in doing so. Which meant there was a very good chance that Lex would be receiving a kick to the face or a knee to the gut, or he might just go balls-out and rip out her circulatory system. It would be interesting to see what approach he would take, but not so interesting that Lex was looking forward to finding out
Gina Damico (Rogue (Croak, #3))
she drunk?” I growled and Lyla gave me an apologetic look, though it wasn’t her fucking responsibility. “She had some bad news today,” Adam murmured to me. “Her friend’s step-brother’s cat died.” “That’s a very far removed cat,” I balked. “I mean, it’s sad and all, but was she really that close to her friend’s step-uncle’s-” “Step-brother!” Bella shrieked. “And you didn’t know Mr Whiskerton like I did, JJ. So don’t you go around telling me whose cat I can and can’t care about.” She came apart, wailing and burying her face in Lyla’s shoulder. “Alright, alright,” I gave in. “Take a night off for the cat.” I pointed to the door. “I’m not having you dancing drunk out there sobbing about Mr Purrington to clients.
Caroline Peckham (Paradise Lagoon (The Harlequin Crew, #4))
Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
and the Real point... I am trying to make here. besides I HATE THIS SHITHOLE AND I WANT TO GO BACK TO RUSSIA is.... I was influenced. I was influenced by some real, true, pieces of shit. their names include Gregg Hartsuff (piece of shit coach), Greg Yezersky (uncle), my little piece of shit daddy, Jim Smith (Labor department), and Dick M. (anonymous piece of shit sponsor.) there. that's about right. So start to work on yourselves. Your Moral Stature. I think that's what they call it. I want you to talk about how you feel. how does it FEEL? to represent USA. A shithole country. your idiot, pussy bitch military is chasing Arabs somewhere. while drunk Russians keep fucking your women in the ass. just for fun. how does that feel, you silly (n word)? I use the word N. to refer to white people I dislike and disrespect, a lot. see, I worked a lot. a whole lot. because my idiot parents dragged me to this shithole. SHITHOLE. but I don't want to be in this shithole. can you do something, please, to maybe send me back to Russia? Russia is a nice place. Samara is a beautiful city. come on, Gregg. I remember. You were fucking with me because my GPA was like a 3.1. not a 3.2. right. RIGHT? let's be real precise about shit. let's be REAL thorough and precise. well we won a LOTTERY apparently. To come here. WHERE IS MY FUCKING MONEY? You stupid piece of shit.
Dmitry Dyatlov
The major TV networks at the time all aired some version of melodramatic afternoon programming for teens. ABC called its afternoon movie series After School Specials, and CBS called their version Schoolbreak. NBC went with Special Treat, which, given the content of these shows, strikes me now as darkly comic. I rarely managed to watch one of these programs in its entirety because I wasn’t allowed to turn on the television during homework time, but occasionally I’d sneak a half hour. They ranged from mild domestic drama, like “Divorced Kids’ Blues,” to more sensational stories, such as “Are You My Mother?,” in which a girl finds out the mom she thought was dead is actually alive and in some kind of institution. Then there were episodes like these: “One Too Many”—one of several specials about drunk-driving accidents. “Don’t Touch”—a variation on the theme that abuse can come at you from any direction: a sitter, a parent, an uncle, a family friend… (See also, and I swear I’m not making this up: “Please Don’t Hit Me, Mom.”) “Andrea’s Story: A Hitchhiking Tragedy”—What happened to Andrea when she accepted a ride from a stranger? Well, it wasn’t good at all, I can tell you that. “A Very Delicate Matter”—Guess what? The matter is gonorrhea. “Tattle: When to Tell on a Friend”—Answer: as soon as you notice their interest in cocaine.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
My mum's uncle was a sailor," said Nobby. "But after the big plague he got press-ganged. Bunch of farmers got him drunk, and he woke up next morning tied to a plough.
Terry Pratchett
Overbearing parents was one thing; waking up to a drunk uncle mistaking you for the toilet was another.
Kealan Patrick Burke (The Number 121 to Pennsylvania & Others)
Emily or George Barnwell or Uncle Dwight, absorbed by the root of a beech tree in the village cemetery, incorporated into a beechnut, eaten by a squirrel, dropped as a pellet in a meadow, converted into a milkweed stalk, nibbled and taken in by this butterfly, destined to be carried south on a long, unlikely, interrupted migration, to be picked off by a flycatcher, brought back north in the spring as other flesh, laid in an egg, eaten by a robbing jay and laid as another kind of egg, blown out of a tree in a windstorm, soaked up by the earth, extruded as grass, eaten by a freshening heifer, some of it foreordained to be drunk, as Charity said, by its own descendants with their breakfasts, some of it deposited in cowpads, to melt into the
Wallace Stegner (Crossing to Safety (Modern Library Classics))
Junior is the best fighter out of all my siblings,” Gilly said. “He’s won the Dragon Port Invitational Arms Competition for three years running.” He gave a serrated grin, “I think that’s the nicest thing you’ve ever said about me.” “He also has a habit of getting drunk and taking a shit in the garden,” she continued blithely. For a split second, I was afraid Cresis was going to have a stroke. Garlin dryly chuckled. Junior just laughed. “You do something twice --” “Three times,” Gilly countered. “I heard about Uncle Marth’s birthday party.
M.E. Thorne (I Don't Want to Be the Hero Vol. 3)