Drums Funny Quotes

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And now," Eric yelled into his mircophone, "we're going to sing a new song-one we just wrote. This one's for my girlfriend. We've been going out for three weeks, and, damn, our love is true. We're gonna be together forever, baby. This one's called 'Bang You Like a Drum.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
On horseback you feel as if you're moving in time to classical music; a camel seems to progress to the beat of a drum played by a drunk.
Walter Moers (The 13½ Lives of Captain Bluebear (Zamonia, #1))
I love the sound of it," Trina whispers, as if speaking too loudly might interrupt the drumming patter of the rain outside. "It makes me want to sleep. Snuggle my head right up in your armpit and snore for three days." "My armpit?" Mark repeats. "Good thing we all showered up in the storm this morning. My pits smell like roses. Go ahead and get comfy.
James Dashner (The Kill Order (The Maze Runner, #0.4))
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
Remember, the village idiot was the spiritual man who built the ark and saved his family. Keep being you and never give up marching to the beat of your own drum!
Shannon L. Alder
She’s their secret weapon! They call her Trasha, and she’s eight years old. I hear they discovered her at the Pacific Mall arcade, playing Drum-Mania. She has so much A.D.D., it’s not even funny.
Bryan Lee O'Malley (Scott Pilgrim's Precious Little Life (Scott Pilgrim, #1))
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Tina Fey (Bossypants)
New Rule: Stop putting psychedelic screensavers on computers. I sit down to check my e-mail, and the next thing I know it's three days later, I'm in the desert, I'm banging on a drum, I'm naked, and somebody's pierced my dick.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
What do you do when your kid can only count to four? Buy him a drumkit and call him gifted! - Tré Cool, Flypside, 1992
Billie Joe Armstrong
If your film or television show doesn’t fall into line with their liberal bias, they’ll drum you right off the screen. It’s what happened to Tim Allen, a funny guy who dared write and star in a sitcom that said something a little different than what the establishment wanted him to say.
Jeanine Pirro (Liars, Leakers, and Liberals: The Case Against the Anti-Trump Conspiracy)
morning traffic jam, he couldn’t help noticing that there seemed to be a lot of strangely dressed people about. People in cloaks. Mr. Dursley couldn’t bear people who dressed in funny clothes — the getups you saw on young people! He supposed this was some stupid new fashion. He drummed his fingers on the steering wheel and
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
At some distance down the corridor it seemed suddenly as if somebody started to beat on a bass drum. He listened to it for a few seconds and realized that it was just his heart beating. He listened for a few seconds more and realized that it wasn’t his heart beating, it was somebody down the corridor beating on a bass drum.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
Sherman Alexie (Face)
Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain.
Tom Reynolds (I Hate Myself and Want to Die: The 52 Most Depressing Songs You've Ever Heard)
She knew all about the cops and their trigger fingers and their predilection for dealing with those who would attack their brethren. Her father had drummed such stories into her from a young age; more so into Whiz, who bore the burden of being a black boy about to grow into a black teen. "If the police even look at you funny," Dad had said, "you hit the ground and put your hands over your head. Don't talk back. Don't try to run. Don't try to explain. They're just looking for an excuse to shoot you. Don't give it to them.
Barry Lyga (Blood of My Blood (I Hunt Killers, #3))
Because it is bad enough living with a neurotic cat, a drum-playing Algebra teacher, and a woman in her last trimester of pregnancy. Throw in a dowager princess of Genovia, and I’m sorry: Book me a room on the twenty-first floor of Bellevue, because it’s the funny farm for me.
Meg Cabot (Princess in Pink (The Princess Diaries, #5))
Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo. (Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.)
Nick Hornby (The Polysyllabic Spree)
The truck looked just like a Civil War truck if they'd had trucks back in those times. But the truck ran, even though it didn't have a gas tank. There was an empty fifty-gallon gasoline drum on the bed of the truck with a smaller gasoline can on top of it, and there was a syphon leading from that can to the fuel line. It worked like this. Lee Mellon drove and I stayed on the back of the truck and made sure everything went all right with the syphon, that it didn't get knocked out of kilter by the motion of the truck. We looked kind of funny going down the highway. I'd never had the heart to ask Lee Mellon what happened to the gas tank. I figured it was best not to know.
Richard Brautigan (A Confederate General from Big Sur / Dreaming of Babylon / The Hawkline Monster)
Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?” “I do.” She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?” I roll my eyes. “You do realize that’s the same song, don’t you?” Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud. “Oh my God, I’m an imbecile!” “You shouldn’t be so hard on yourself, but if you say so.” She narrows her eyes. “Bully.” Then she sticks out her tongue. Big mistake. Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard. Painfully, achingly hard. Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water. “Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?” “You sound doubtful.” She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.” I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.” Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.” And I laugh hard—almost as hard as my cock is. “Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.” “Wait till you get to know me—I’m definitely one of a kind.” The funny thing is, I’m starting to think that’s absolutely true. I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.” “Umm . . . Ed Sheeran.” I shake my head. “All the girls love Ed Sheeran.” “He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.” “Women everywhere already adore me.” “If you were a ginger prince, there’d be more.” “All right, hush now smartarse-bottum. And listen.” Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.
Emma Chase (Royally Matched (Royally, #2))
I wonder if Jack and Diane ever made it After the drums and the guitars all faded Was the best they could do good enough Or did the heartland just swallow 'em up How did my mom and my dad ever do it If there were troubles then we never knew it I guess they had each other and that was enough You know you can't keep the ground from shaking, no matter how hard you try, You can't keep the sunsets from fading, you gotta treat you love like You're jumping off a rope swing maybe 'cause the whole thing is really just a shot in the dark You gotta love like there's no such thing as a broken heart You gotta love like there's no such thing as a broken heart What am I gonna tell my kids when they see All of this bull that goes down on TV When the whole world is down on its luck I gotta make sure they keep that chin up Cry when it hurts, laugh when it's funny Chase after the dream, don't chase after the money And know we got each other, that's what's up 'Cause you can't keep the ground from shaking, no matter how hard you try You can't keep the sunsets from fading, you gotta treat you love like You're jumping off a rope swing maybe cause the whole thing is really just a shot in the dark You gotta love like there's no such thing as a broken heart You gotta love like there's no such thing as a broken heart You gotta love like there's no such thing as a broken heart 'Cause you can't keep the ground from shaking, no matter how hard you try You can't keep the sunsets from fading, you gotta treat you love like You're jumping off a rope swing maybe 'cause the whole thing is really just a shot in the dark You gotta love like there's no such thing as a broken heart You gotta love, love, love, love You gotta love, love, love, love You gotta love like there's no such thing as a broken heart
Old Dominion
She’s smart, but it’s not just that she’s smart. She works harder than anyone I know, yet she’s too hard on herself. Everyone likes Mia. From the geeks to the jocks to the stoners, every single group of kids in our class has nothing but the best to say about her because she never judges. She’s not petty like other people. She doesn’t gossip, but instead, she gives people the benefit of the doubt. I’ve seen her put others first, one too many times because she hates confrontation. Unless it’s with me, of course, and then she’s brutal.” Carson’s voice grew soft as he turned me around in his arms to face him. “But she puts too much pressure on herself to be perfect. And I hate that. It eats away at me when I see it.” My heart pounded like a drum in my chest until I thought it might burst. All I could do was stare up at him, my lashes fluttering as I blinked away my shock. He reached up to my hair and smoothed a hand through my locks, and for a moment, I wondered if he remembered we weren’t alone, that there was someone—a stranger—standing only feet away from us, but he just continued, dragging his fingers through the length of my locks as he said, “Her hair. . .it reminds me of the sunset—both orange, and fiery pink, and pale yellow at the same time. She’s a good friend—loyal to the core and trustworthy, the kind who will be on your side through anything. And her laugh. . .She has this laugh. The one where she doesn’t think someone’s funny, but she’s pretending anyway. That laugh doesn’t reach her eyes. But her real laugh, now that’s something to see because her whole face gets into it. It’s uncontrollable. It sounds like wind chimes, and she crinkles her nose and eyes.” Reaching up, he touched the bridge of my nose, making me gasp. “And every time I hear it, I think, I want to be the one to make her laugh like that because it’s impossible to hear and not smile. It pulls you in, that laugh.
Tia Souders (Falling For My Nemesis (Sweet Water High #6))
who nodded as well. The relief hit Clearsight so hard, she nearly had to lie down again. But the dragons beckoned her to follow them, and they all took off, flying cautiously through the storm-tossed treetops. Dragons appeared between the leaves as she swept through the forest with her two companions, all of them watching her with startled curiosity. Most of them were dark green and brown with leaf-shaped wings. That’s their name in Dragon, she realized from a new cascade of visions. LeafWings. But about a quarter of them were the other tribe, the one Clearsight didn’t have a name for yet, and those glittered like jewels on the branches: gold and blue and purple and orange and every color of the rainbow. She saw a tiny lavender dragonet clinging to a branch, and for a moment Clearsight was alarmed to see that she didn’t have any wings. Then she spotted little wingbuds on the dragonet’s back and remembered—or foresaw, or remembered foreseeing—that the glittering tribe grew their wings a few years after hatching. Growing up wingless . . . that must be so strange. Clearsight’s mind flashed to that other vision, the horrible one, where this dragonet had been one of the many bodies left in the hurricane wreckage. But instead, tomorrow the little dragon would wake up and chase butterflies in the sunlight, complaining that she wanted blackberries for breakfast. I saved her. I did something right. The green dragon called out in a booming voice like a bell tolling. Whatever he said, the dragons around them repeated it, passing it along. Clearsight could hear the echoes of other dragon voices rolling through the forest. She felt the drumming wingbeats behind her as both tribes rose into the air and followed them to safety. “You save us,” said the shimmering dragon, looping around to fly beside Clearsight. He smiled at her again. “You safe now, too.” Maybe I am, she thought. I stopped Darkstalker. I saved Fathom, and the NightWings, and my parents. And now I’ve found a new home, with new dragons to save. I can help them with my visions. I can do everything right this time. New futures exploded in her mind. She might marry this kind, funny dragon, whose name would turn out to be Sunstreak. Or she could end up with a dragon she’d meet in three days, while helping to clean up the forest, whose gentle green eyes were nothing like Darkstalker’s.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Do you cook like this every day?” A girl can hope, right? He shakes his head. “Only when I have someone to cook for.” “God, if I lived here I’d never be able to keep the weight off.” He grunts. “You could stand to gain a few pounds.” I almost choke on my pasta. “That is so not funny.” “I’m not trying to be funny.” He shrugs. “I like curves.” He looks down at my thighs and licks his lips. “I like your curves a lot.” “Stop teasing.” My heart thumps in my chest like a drum. “If your brothers heard you say that, you’d never live it down.” “My
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
The sense of hopelessness that comes from our apparent inability to control the environment is now a universal hostility. Industrial chemicals can lead to pollution, drugs can lead to suicide, and the advertising drum beats for nonsensical fads. Humor may be our only rational way of coping with the fear of terrorism, an invasion of spooks from outer space, or the chemical mutation of our planet.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
There was a day I awoke,” Irish says after a while, “to the rain ending abruptly. I remember the water pearling up in heavy beads along the eave of the upper story. It dripped drop by drop down from the peeling paint to banana leaves in this nook between the chimney and screened back porch below. I delighted in that sound, the drumming of the rain drops on the banana leaves. And I remember suddenly the drum-thud over the leaves overcome by the click-itty-clack of the first streetcar out on the avenue that morning. It’s funny how such an instant lodges and lingers in the mind. But I remember that instant more vividly than I do my first day at school.
Will Irby
It’s almost an audible thing, really, the way my heart punches against the bones in my chest. It’s like the drum solo in that fucking Phil Collins song, it becomes so all-consuming.
Tarah Dewitt (Funny Feelings)
except a large order of drills he was hoping to get that day. But on the edge of town, drills were driven out of his mind by something else. As he sat in the usual morning traffic jam, he couldn’t help noticing that there seemed to be a lot of strangely dressed people about. People in cloaks. Mr Dursley couldn’t bear people who dressed in funny clothes – the get-ups you saw on young people! He supposed this was some stupid new fashion. He drummed his fingers on the steering wheel and his eyes fell on a huddle of these weirdos standing quite close by. They were whispering excitedly together. Mr Dursley was enraged to see that a couple of them weren’t young at all; why, that man had to be older than he was, and wearing an emerald-green cloak! The nerve of him! But then it struck Mr Dursley that this was probably some silly stunt – these people were obviously collecting for something … yes, that would be it. The traffic moved on, and a few minutes later, Mr Dursley arrived in the Grunnings car park, his mind back on drills. Mr Dursley always sat with his back to the window in his office on the ninth floor. If he hadn’t, he might have found it harder to concentrate on drills that morning. He didn’t see the owls swooping past in broad daylight, though people down in the street did; they pointed and gazed open-mouthed as owl after owl sped overhead. Most of them had never seen an owl even at night-time. Mr Dursley, however, had a perfectly normal, owl-free morning. He yelled at five different people. He made several important telephone calls and shouted a bit more. He was in a very good mood until lunch-time, when he thought he’d stretch his legs and walk across the road to buy himself a bun from the baker’s opposite. He’d forgotten all about the people in cloaks until he passed a group of them next to the baker’s. He eyed them angrily as he passed. He didn’t know why, but they made him uneasy. This lot were whispering excitedly, too, and he couldn’t see a single collecting tin. It was on his way back past them, clutching a large doughnut in a bag, that he caught a few words of what they were saying. ‘The Potters, that’s right, that’s what I heard –’ ‘– yes, their son, Harry –’ Mr Dursley stopped dead. Fear flooded him. He looked back at the whisperers as if he wanted to say something to them, but thought better of it. He
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
The judge drummed with his fingers on his desk but the band of toes still wouldn’t let him in yet. Though he didn’t want to be in that special orchestra where a practical joker was known to put water and a powdered fruity dessert mix in large stringed instruments of which the stunt was known as cello Jello.
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
that strange and mysterious things would soon be happening all over the country. Mr Dursley hummed as he picked out his most boring tie for work and Mrs Dursley gossiped away happily as she wrestled a screaming Dudley into his high chair. None of them noticed a large tawny owl flutter past the window. At half past eight, Mr Dursley picked up his briefcase, pecked Mrs Dursley on the cheek and tried to kiss Dudley goodbye but missed, because Dudley was now having a tantrum and throwing his cereal at the walls. ‘Little tyke,’ chortled Mr Dursley as he left the house. He got into his car and backed out of number four’s drive. It was on the corner of the street that he noticed the first sign of something peculiar – a cat reading a map. For a second, Mr Dursley didn’t realise what he had seen – then he jerked his head around to look again. There was a tabby cat standing on the corner of Privet Drive, but there wasn’t a map in sight. What could he have been thinking of? It must have been a trick of the light. Mr Dursley blinked and stared at the cat. It stared back. As Mr Dursley drove around the corner and up the road, he watched the cat in his mirror. It was now reading the sign that said Privet Drive – no, looking at the sign; cats couldn’t read maps or signs. Mr Dursley gave himself a little shake and put the cat out of his mind. As he drove towards town he thought of nothing except a large order of drills he was hoping to get that day. But on the edge of town, drills were driven out of his mind by something else. As he sat in the usual morning traffic jam, he couldn’t help noticing that there seemed to be a lot of strangely dressed people about. People in cloaks. Mr Dursley couldn’t bear people who dressed in funny clothes – the get-ups you saw on young people! He supposed this was some stupid new fashion. He drummed his fingers on the steering wheel and his eyes fell on a huddle of these weirdos standing quite close by. They were whispering excitedly together. Mr Dursley was enraged to see that a couple of them weren’t young at all; why, that man had to be older than he was, and wearing an emerald-green cloak! The nerve of him! But
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
I want to train with him instead.' She could have sworn Cassian went still. Interesting. Azriel coughed into his tea. Cassian drummed his fingers on the table. 'I think you'll find that Az is even less forgiving that I am.' 'With that pretty face?' she crooned. 'I have a hard time believing that.' Azriel ducked his head, focusing on his food. 'You want to train with Az,' Cassian said tightly. 'then go ahead.' He appeared thoughtful for a moment, his eyes lighting before he added, 'Though I doubt that you'll survive a lesson with him, when you can't manage to walk down a hundred stairs without being so sore the next morning that you're unable to get out of your chair.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Reason 2: Laziness Farmer Flaky is imprisoned by laziness. The next verse describe this paralysis: "He sticks to his bed like a door to its hinges! He is too tired even to lift his food from his dish to his mouth!" (Proverbs 26:14-15, TLB). Who says the Bible is boring? This verse is so funny. It gives you the height of laziness: There's already food on his plate, yet he's too tired to lift his spoon to his mouth. Absurd? Not really. Look around you. So many are surrounded by wonderful opportunities to grow themselves. Yet they don't life their spoon. Instead, they want to be spoon-fed like babies. But we live in different times. When my son was fourteen years old, he learned how to play the drums, how to edit videos, how to arrange songs, how to make websites. How? By watching YouTube videos. He also learned enough fashion sense to be my fashion stylist, so he can tell me what to wear on stage so I don't look like Mr. Bean. That's the kind of universe we live in. Because of the Internet, all the libraries of the world are now in your bedroom and you can access them by just one press of a button. Yet people remain immobilized. Stuck. Frozen.
Bo Sánchez (Nothing Much Has Changed (7 Success Principles from the Ancient Book of Proverbs for Your Money, Work, and Life)
Why should I mind?” She drummed her fingertips against his knee. “Because you got asked to play baseball, while I got a lecture on circumspection, Jezebels, and leading men into sin?” “Did you really?” He managed to sound annoyed, fascinated, and amused all at once. “It’s not funny.” “Of course it’s not.” He was quick to try and placate her. “But we can do something about those lectures real quick. All you have to do is marry me.” Coyote Bluff had too many secrets that weren’t hers to share. She couldn’t put him in that position. He was a federal marshal. And she’d seen what all the lies her father told had done to her mother. She’d died hating him. The last remnants of her earlier contentment vanished. “I like my independence.” “Then I guess you’ll have to get used to the lectures, Sheriff Jezebel,” he replied.
Paula Altenburg (Pale Moon Walking)
Fag Bush Betty leaned against the sink and the supports whined under her weight, but she leaned anyway and picked stuff out of her teeth, using the mirror as a reference. She stopped after a few crevices and looked at herself. I’d seen a ton of women give themselves that look to themselves in the mirror before. Those eyes were searching for the answer. The way her eyebrows made her forehead wrinkle up, and her chapped lips and skin that was loose on parts of body gave her a very gaunt texture and appearance. I didn’t need a change of light or a particular aimed luminescence to see the extreme parts of her. I could see her spine, and every bone in it. She turned the faucet on and ran water into her hands, splashing it onto her face and letting the beads run down her cheeks, over the edge of her chin and down beside the veins in her neck. “I do that sometimes too,” I said. She turned her head with her back still facing me. “That, right there, stand above the sink and using the water like that,” I said, “never helps though, but it’s funny how it makes your eyes burn. I’ll take a shower sometimes and get real clean. I’ll wash everything. Later that night I’ll have a freak out and walk over to the sink, same as you, naked as hell. I’ll splash water on my face but still when it gets in my eyes it burns. Like there’s some dirt or sweat that I missed while in the shower. It always happens that way. I can’t seem to get everything, and my eyes just… burn. Sometimes the sweat really makes them sting. And there’s nothing you can really do about it, ya have to let it burn until it washes out.
Dave Matthes (The Sounds From the Hills Go Away When the Sun Goes Down)