Drum Circle Quotes

Funeral Blues Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead Scribbling on the sky the message He is Dead, Put crêpe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood; For nothing now can ever come to any good.

You have to turn it up so that your chest shakes and the drums get in between your ribs like a heartbeat and the bass goes up your spine and fizzles your brain and all you can do is dance or spin in a circle or just scream along because you know that however this music makes you feel, it’s exactly right.

There's a limit to my patience with anything that smacks of metaphysics. I squirm at the mention of "mind expansion" or "warm healing energy." I don't like drum circles, public nudity or strangers touching my feet.

People ask me, “Have you tried yoga? Kombucha? This special water?” And I don’t have the energy to explain that yes, I’ve tried them. I’ve tried crystals and healing drum circles and prayer and everything. What I want to try is acceptance. I want to see what happens if I can simply accept myself for who I am: battered, broken, hoping for relief, still enduring somehow. I will still take a cure if it’s presented to me, but I am so tired of trying to bargain with the universe for some kind of cure. The price is simply too high to live chasing cures, because in doing so, I’m missing living my life. I know only that in chasing to achieve the person I once was, I will miss the person I have become.

They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot. I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them? I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls. I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor. We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.

It was your body....that danced at your first drum circle; it was your body that gave birth to your child; it was your body that got down and dirty in the back seat of your dad's station wagon; it was your body that shivered, sweated, clasped its hands, fell to its knees, wept, and laughed the first time you felt the presence of the goddess in your life.

Life is very much like a drum circle; those who drum, those who dance to the beat of the drum, and the audience who watches them both.

This is how you change the world, the smallest circles first… That humble energy, the kind that says, ‘I will do what I can do right now in my own small way,’ creates a ripple effect on the world.

I am encouraged as I look at some of those who have listened to their "different drum": Einstein was hopeless at school math and commented wryly on his inadequacy in human relations. Winston Churchill was an abysmal failure in his early school years. Byron, that revolutionary student, had to compensate for a club foot; Demosthenes for a stutter; and Homer was blind. Socrates couldn't manage his wife, and infuriated his countrymen. And what about Jesus, if we need an ultimate example of failure with one's peers? Or an ultimate example of love?

As Kate laments the loss of the singularly most profound love of her life, she watches the black ravens gather in a circle around her, dragging their wings in ritualized fashion as they dance to the beat of ancient drums, pounding out the story of ageless lamentation.

Listen to me, Maria, just tender suggestions: I could buy a compass and trace a circle about us, could use that compass to measure the angle of inclination of your neck as you read, sew, or, as now, turn the dial on my portable radio.

I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the whine of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith.

Drags it in circles. Lassoes me ’round. – Drums up her clan. Ticking away, the old bitch is. Catch me she will, where’er I am.

Each cloud we burst, each moon we drum, each sun we dance is an essential part of the wheel. Though they are not the whole circle of our being. The whole is incalculable.

If you really want to know something about me, you should know this: I like my music loud. I mean loud. I'm not talking about the kind of loud where your parents knock on your bedroom door and ask you to turn it down. Please. That's amateur hour. When I say loud, I mean you-can't-hear-your-parents-knocking-and-the-neighbors-are-putting-a-FOR-SALE-sign-on-their-house-and-moving-to-another-block-because-they-can't-handle-the-constant-noise-anymore loud. You have to turn it up so that your chest shakes and the drums get in between your ribs like a heartbeat and the bass goes up your spine and frizzles your brain and all you can do is dance or spin in a circle or just scream along because you know that however this music makes you feel, it's exactly right. If you are not this kind of person, then I don't think we'll be great friends.

Autumn rains drumming overhead, they had squatted in a half-circle, facing north, and watched as seven robed and hooded figures approached.

Vi scrambled over and knelt by Archex. He was waxen and pale and cold, and she slapped his cheeks and rubbed his hands with hers and said things ranging from, "Come on, Emergency Brake! Wake up! Don't let the worm win!" to a more aggressive, "I swear that if you don't wake up right now, I'm going to send you back to Cerea for another month of healthful stretching and drum circles!

Hare Rama... I felt a jolt of energy coursing up my spine. I'm in Kathmandu, I kept telling myself - as the sounds began to permeate every pore of my body. It's a full moon - I'm on a glorious valley at the top of the world, I'm actually here - surrounded by the most extraordinary group of people, yes, I'm actually here, and the chanting is building and building until it becomes one great shout of ecstasy, and suddenly I'm chanting too - I've moved into the circle, I'm pounding on a drum, and I'm looking into the eyes of people around me - and I'm feeling part of something big and glorious and magnificently insane

I cover my eyes. I'm crying with my whole body and all I want to do is disappear. I feel his hand hesitate, hovering over my back, then rubbing awkward circles, and then his fingers in my hair. If he's saying anything, I don't hear. All can I hear is my blood rushing and my heart drumming in my ears. A pulsing in my throat, like there's a big jumbled ball of words stuck in there dying to get out. He puts both arms around me, but I feel suffocated. Don't want to be held. Don't want to be touched. Not by anyone ever again in my entire life. I crunch my teeth together to keep myself from screaming. Screaming in general, screaming at him to get his hands off me, screaming for help, screaming because I can't make sense out of anything that is happening, has happened, will happen. Screaming because I still feel like I'm back there, always back there, in my heart I'm still that girl.

Every rhythm prepares a future. The prayers sung, the drums that beat around the stone circle of the fire pit so long ago, still rang. In the icy air, Shadow felt the tremendous rhythm of Thunderbird’s wings beating at his own ribs.

Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.

Indians were made for film. Indians were exotic and erotic. All those feathers, all that face paint, the breast plates, the bone chokers, the skimpy loincloths, not to mention the bows and arrows and spears, the war cries, the galloping horses, the stern stares, and the threatening grunts. We hunted buffalo, fought the cavalry, circled wagon trains, fought the cavalry, captured White women, fought the cavalry, scalped homesteaders, fought the cavalry. And don't forget the drums and the wild dances where we got all sweaty and lathered up, before we rode off to fight the cavalry.

He hears everything as music,' said his father, Moses Whitaker. 'The fax machine sounds like an A. The copy machine is a B flat. The jackhammers are making the drum beats that he likes.' When the subway rumbles, Matthew taps his cane on the ground to re-create the noise. He hums along with the city—the fast cars and fast talkers. When asked to describe New York, he stands and pivots a full 360 degrees, pointing his fingers in front of him. 'New York is a circle of sounds,' he says. 'There is music everywhere. Everybody has a smile on their face. It's musical, it's dark and so beautiful.

I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the while of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith. I became loyal to these sense impressions even before I knew what they meant or what they were for. It is my heart that commands me so. I feel at home in a Hindu temple. I am aware of Presence, not personal the way we usually presence, but something larger. My heart still skips a beat when I catch sight of the murti, of God Residing, in the inner sanctum of the temple. Truly I am in a sacred cosmic womb, a place where everything is born, and it is my sweet luck to behold its living core. My hands naturally come together in reverent worship.

In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf. Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto. In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised. In a warm haze the sultry light Is absorbed, not refracted, by grey stone. The dahlias sleep in the empty silence. Wait for the early owl. In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament. Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde. Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn. Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts. Feet rising and falling. Eating and drinking. Dung and death. Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning.

At the first sound of the drum, the revolutionary movement died down. The more active layers of the workers were mobilized. The revolutionary elements were thrown from the factories to the front. Severe penalties were imposed for striking. The workers’ press was swept away. Trade unions were strangled. Hundreds of thousands of women, boys, peasants, poured into the workshops. The war—combined with the wreck of the International—greatly disoriented the workers politically, and made it possible for the factory administration, then just lifting its head, to speak patriotically in the name of the factories, carrying with it a considerable part of the workers, and compelling the more bold and resolute to keep still and wait. The revolutionary ideas were barely kept glowing in small and hushed circles. In the factories in those days, nobody dared to call himself “Bolshevik” for fear, not only of arrest, but of a beating from the backward workers.

Most people-all, in fact, who regard the whole heaven as finite-say it lies at the centre. But the Italian philosophers known as Pythagoreans take the contrary view. At the centre, they say, is fire, and the earth is one of the stars, creating night and day by its circular motion about the centre. They further construct another earth in opposition to ours to which they give the name counterearth. In all this they are not seeking for theories and causes to account for observed facts, but rather forcing their observations and trying to accommodate them to certain theories and opinions of their own. But there are many others who would agree that it is wrong to give the earth the central position, looking for confirmation rather to theory than to the facts of observation. Their view is that the most precious place befits the most precious thing: but fire, they say, is more precious than earth, and the limit than the intermediate, and the circumference and the centre are limits. Reasoning on this basis they take the view that it is not earth that lies at the centre of the sphere, but rather fire. The Pythagoreans have a further reason. They hold that the most important part of the world, which is the centre, should be most strictly guarded, and name it, or rather the fire which occupies that place, the 'Guardhouse of Zeus', as if the word 'centre' were quite unequivocal, and the centre of the mathematical figure were always the same with that of the thing or the natural centre. But it is better to conceive of the case of the whole heaven as analogous to that of animals, in which the centre of the animal and that of the body are different. For this reason they have no need to be so disturbed about the world, or to call in a guard for its centre: rather let them look for the centre in the other sense and tell us what it is like and where nature has set it. That centre will be something primary and precious; but to the mere position we should give the last place rather than the first. For the middle is what is defined, and what defines it is the limit, and that which contains or limits is more precious than that which is limited, see ing that the latter is the matter and the former the essence of the system. (2-13-1) There are similar disputes about the shape of the earth. Some think it is spherical, others that it is flat and drum-shaped. For evidence they bring the fact that, as the sun rises and sets, the part concealed by the earth shows a straight and not a curved edge, whereas if the earth were spherical the line of section would have to be circular. In this they leave out of account the great distance of the sun from the earth and the great size of the circumference, which, seen from a distance on these apparently small circles appears straight. Such an appearance ought not to make them doubt the circular shape of the earth. But they have another argument. They say that because it is at rest, the earth must necessarily have this shape. For there are many different ways in which the movement or rest of the earth has been conceived. (2-13-3)

The ghosts of women once girls Somewhere a little girl is reading aloud in the middle of a dirt road. she smiles at the sound of her own voice escaping the spine of the book. she feeds her hunger to know herself. She has not yet been taught to dim, she sits with the stars beneath her feet, a constellation of things to come. as if a swallowed moon, she glimmers. Her head wrap rolls out in a gutter, bare feet scat the earth, the ghosts of women once girls make bridge of the dust dancing behind her, she decorates the ground in dimples she stomps suffering out the spirit hooves drumming the earth in circles she holds gladness in her mouth like a secret teased out of a giggle joy like her sadness overflows she is not the opinions of others she is of visions and imagination somewhere a little girl is reading aloud in the middle of a dirt road. she smiles at the sound of her own voice escaping the spine of the book. She is a room full of listening, lending herself to her own words somewhere a deep remembering of what was, she survives all.

remember the evening as a wonderful blur of warm emotion, tinged in bitter. Fiddles, lutes, and drums, everyone played and danced and sang as they wished. I dare say we rivaled any faerie revel you can bring to mind. I got presents. Trip gave me a belt knife with a leather grip, claiming that all boys should have something they can hurt themselves with. Shandi gave me a lovely cloak she had made, scattered with little pockets for a boy’s treasures. My parents gave me a lute, a beautiful thing of smooth dark wood. I had to play a song of course, and Ben sang with me. I slipped a little on the strings of the unfamiliar instrument, and Ben wandered off looking for notes once or twice, but it was nice. Ben opened up a small keg of mead he had been saving for “just such an occasion.” I remember it tasting the way I felt, sweet and bitter and sullen. Several people had collaborated to write “The Ballad of Ben, Brewer Supreme.” My father recited it as gravely as if it were the Modegan royal lineage while accompanying himself on a half harp. Everyone laughed until they hurt, and Ben twice as much as everyone else. At some point in the night, my mother swept me up and danced around in a great spinning circle. Her laughter sang out like music trailing in the wind. Her hair and skirt spun around me as she twirled. She smelled comforting, the way only mothers do. That smell, and the quick laughing kiss she gave me did more to ease the dull ache of Ben’s leaving than all the entertainments combined.

But, sceptic that he was, he had one fanatical devotion, not for an idea, a creed, an art or a science, but for a man — for Enjolras. Grantaire admired, loved, and venerated Enjolras. The anarchic questioner of all beliefs had attached himself to the most absolute of all that circle of believers. Enjolras had conquered him not by any force of reason but by character. It is a not uncommon phenomenon. The sceptic clinging to a believer is something as elementary as the law of complementary colours. We are drawn to what we lack. No one loves daylight more than a blind man. The dwarf adores the drum-major. The toad has its eyes upturned to Heaven, and for what? — to watch the flight of the birds. Grantaire, earthbound in doubt, loved to watch Enjolras soaring in the upper air of faith. He needed Enjolras. Without being fully aware of it, or seeking to account for it himself, he was charmed by that chaste, upright, inflexible, and candid nature. Instinctively he was attracted to his opposite. His flabby, incoherent, and shapeless thinking attached itself to Enjolras as to a spinal column. He was in any case a compound of apparently incompatible elements, at once ironical and friendly, affectionate beneath his seeming indifference. His mind could do without faith, but his heart could not do without friendship: a profound contradiction, for affection in itself is faith. Such was his nature. There are men who seem born to be two-sided. They are Pollux, Patrocles, Nisus, Ephestion. They can live only in union with the other who is their reverse side; their name is one of a pair, always preceded by the conjunction "and"; their lives are not their own; they are the other side of a destiny which is not theirs. Grantaire was one of those, the reverse side of Enjolras. Truly the satellite of Enjolras, he formed one of that circle of young men, went everywhere with them and was only happy in their company. His delight was to see those figures moving amid the mists of wine, and they bore with him because of his good humour. Enjolras, the believer, despised the sceptic and soberly deplored the drunkard. His attitude towards him was one of pitying disdain. Grantaire was an unwelcome Ephestion. But, roughly treated though he was by Enjolras, harshly repulsed and rejected, he always came back, saying of him: "What a splendid statue!

Manhood feels like a mysterious destination. Like a remote ManCave with lots of bearded men, and smoke and fire and drum circles. The bearded men don’t talk a lot; they just grunt and eat red meat. Somehow, they have man-skills. They aren’t trying to prove anything. They’re just simply men-in-the-raw. Undomesticated and unfettered. Somehow they are the initiated. They drink deep from the draughts of manhood.

awake you glide upward through glimmering light your clothes fall like feathers from your shoulders with them the worries of day fade you are invited by mystic sounds in strange comforting tongues awake they call eyes open languid before you tiny creatures dance tickling greens and blues from the aura around you chef mischief their only game you smile warmth across your gaze again you float to new shores where you are clothed in the sirens song you relax deeper aphrodites nymphs send pleasure like golden knives into your chest you rise up stepping foot to sand walking to forest land tribal drumming moving with you the very beat of your own heart beaded threads drape you again in deep red the sound ringing in your ears move forth again childlike curiosity it leads you further across desert sands where the cherokee flute paints tiny circles in the palms of your hands the min mins call yet you cannot hear for what was you is no longer here again you float upward gravity pulls you back and forth until deep within a vibrating thunder sounds its clapping hands the fibers of your being all the tendrils of love come apart and dissipate you are dispersed across all these worlds unseen and unknown yet you will assemble again forget not the way you have grown pupps.

Shut the Fuck Up [10w] A drum circle gathers at the edges of my consciousness.

Out-of-the-Box [10w] I march to my own drummer in a drum circle.

Rhythm is the soul of life. The whole universe revolves in rhythm. Everything and every human action revolves in rhythm.” - Babatunde Olatunji      

Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.

I wasn’t a normal kid. My father used to say half-jokingly that there was a little concern over whether or not I was okay. Maybe it wasn’t a joke at all. The concern was about my personality, which seemed too eccentric. I don’t think “autistic” was a common term back then, but I later found out that they had taken me to a doctor to see if something was really wrong. It wasn’t that I was violent or temperamental. In fact, my mom said it was a blessing because I never gave her trouble. It was the opposite—they knew exactly how to sedate me, which was to sit me in front of something that held my interest and then just leave. I’d develop a deep relationship with that thing, whether it was Soul Train or a record on a turntable. But that led to a secondary worry, which was that I was falling inward into some kind of trance. Once, when I was very young, my dad installed a light with a rotating shade around a lightbulb, one of those lamps that works like a kind of carousel. He pressed the switch that caused the shade to turn and, according to him, I just disappeared inside myself. Five minutes passed, then ten, then fifteen, and I didn’t seem any less interested in the rotating lamp. Then my parents started noticing a broader pattern of me trying to spin stuff. I would take my sister’s bike and watch the wheel go around and around. I would take my father’s records and twirl them on my finger. They had a moment where they thought I might be interested in cars, because I was driving the records like a steering wheel. That was my whole entertainment for a while there, but to my parents, it was almost like a bad habit that they wanted me to drop. But I haven’t dropped it, not at all. To this day, my life revolves around circles. My drums are circles. Turntables are circles. My logo or autograph, which I developed over the years through doodling, is composed of six circles. My life revolves around that shape.

Lists (3) alcohol, fasting, thirsting, sweat lodges, self-mutilation, sleep deprivation, dance, bleeding, mushrooms, immersion in ice water, kava, flagellation with thorns or animal teeth, cactus flesh, tobacco, exposure to the elements, long-distance running, hypnosis, meditation, rhythmic drumming and chanting, jimsonweed, nightshade, Salvia divinorum, pungent or aromatic scents, toad sweat, tantric sex, spinning in circles, amphetamines, sedatives, opioids, hallucinogens, nitrous oxide, oxytocin, holding one’s breath, jumping off cliffs, nitrites, kratom, coca leaves, cocoa, caffeine, entheogens— ethylene, an entheogenic gas, escapes from the ground under Delphi

A circle chorus of primal drums begins beating and lays the foundations for the universal heartbeat of spirit and planet earth to sing. Lightning crackles with loud percussion, and brilliant flashes of electrons explode with god-like fire. The consciousness of creation has been laid upon the universe through charged particles and elemental chemistry bonds. All that remains is a reason for creativity to begin. This dormancy remained quiet for billions of years in a timeless dimension.

The water drummed against the portico beneath his feet, beating slowly against his mind, and setting up a widening circle of interference patterns as if crossing it at an opposite direction to its own course of flow. He watched a succession of wavelets lapping at the sloping roof, wishing that he could leave the Colonel and walk straight down into the water, dissolve himself and the ever-present phantoms which attended him like sentinel birds in the cool bower of its magical calm, in the luminous, dragon-green, serpent-haunted sea.

Nature offers us the most direct and immediate experience of spirit, and through Nature we can gain access to the wisdom and power of the spirit world in order to help ourselves or to help others. It is a quest to find inspiration, insight, and ways to restore balance in the world.

When you become attached to an object, idea, or belief, you make it a part of who you think you are. Then, once the fog has you, your vision is obscured. You will no longer see the humanity of an individual who doesn't agree with you, as you can only see the personification of an idea that you stand against. When your mirror is clear, you can see the divinity in everyone. You can go to any church, synagogue, temple, mosque, or drum circle and find and feel the love and grace of God. For those who are lost in the fog, God just happens to be the focus of devotion that the religion is centered on; in other words, the beliefs and rituals of the religion are more important than experiencing God in the present moment. This is the power of unhealthy attachment.

It’s not, like, drum circles and patchouli and group sex.

Oh crap. That was the thought running through Tam's mind as he watched the group of thugs form a threatening circle around him. It was after midnight, and he'd just left a drumming circle inside one of the dormitories at Harvard Yard. Since he didn't live on campus and it'd started out as a nice spring day in Cambridge, Tam had decided to forgo his Harley and walk the grounds.

Waiting response from oracles…. honoring the gods…. saluting the sun, Making a fetish of the first rock or stump…. powowing with sticks in the circle of obis, Helping the lama or brahmin as he trims the lamps of the idols … Walking the teokallis, spotted with gore from the stone and knife—beating the serpent-skin drum; Accepting the gospels, accepting him that was crucified, knowing assuredly that he is divine …

he had always drummed into his students that brooding was the most inefficient form of thinking the human brain was capable of. Brooding meant mentally circling a problem over and over again while being sucked into it like a whirlpool. There was nothing constructive or even helpful about it. Thoughts had to revolve around a problem until they produced solutions and new approaches, while brooding always spat out the same results and caused ones thinking to become rigid. Just like his inner victim monologues.

Tallus stood at his chamber window, looking down as Jinnaoth disappeared in the dark of Pharra’s Alley. He ground the base of his gnarled staff into the floor angrily, drumming his fingertips on the windowsill and contemplating the winding, well-lit streets of Sea Ward from the heights of the House of Wonder.

This valley was more than my home. It beat in me like the drum of my own heart. Only

I am improvising a brassiere,” I said with dignity. “I don’t mean to ride sidesaddle through the mountains wearing a dress, and if I’m not wearing stays, I don’t mean my breasts to be joggling all the way, either. Most uncomfortable, joggling.” “I daresay.” He edged into the room and circled me at a cautious distance, eyeing my nether limbs with interest. “And what are those?” “Like them?” I put my hands on my hips, modeling the drawstring leather trousers that Phaedre had constructed for me—laughing hysterically as she did so—from soft buckskin provided by one of Myers’s friends in Cross Creek. “No,” he said bluntly. “Ye canna be going about in—in—” He waved at them, speechless. “Trousers,” I said. “And of course I can. I wore trousers all the time, back in Boston. They’re very practical.” He

She lifted the drum up behind Simeon and whacked him over the head with it, knocking the bloodhound out cold. Then she grabbed him by the hind paws and started dragging him down the hill.

They are the single titanic concussion of sound from every subwoofer and every steel drum circle that has ever annoyed elderly neighbors and woken babies while secretly giving everyone else an excuse to smile and dance.

The roots of jazz and blues extend back through slavery to the collective rhythmic patterns of indigenous tribes in West Africa, where cannabis had thrived for centuries. Thrown upon bonfires, marijuana leaves and flowers augmented nocturnal healing rituals with drum circles, dancing, and singing that invoked the spirit of the ancestors and thanked them for imparting knowledge of this botanical wonder. It was only natch that Satch, the musical savant and dagga devotee, felt right at home as soon as he set foot on West African soil. “After all,” he explained, “my ancestors came from here, and I still have African blood in me.

As he and Beth hit the stairs, he called out to his brothers, “Thanks for having my back once again.” The group stopped and turned to face him. After a beat of silence, they formed a half circle around the foot of the grand staircase, each making a thick fist with his weapon hand. With a great whoop! of a war cry, they went down on their right knee and slammed their heavy knuckles into the mosaic floor. The sound was thunder and bass drums and bomb explosions, ricocheting outward, filling all the rooms of the mansion. Wrath stared at them, seeing their heads bent, their broad backs curled, their powerful arms planted. They had each gone to that meeting prepared to take a bullet for him, and that would ever be true. Behind Tohr’s smaller form, Lassiter, the fallen angel, stood with a straight spine, but he wasn’t cracking any jokes at this reaffirmation of allegiance. Instead, he was back to staring at the damn ceiling. Wrath glanced up at the mural of warriors silhouetted against a blue sky and could see nothing much of the pictures that he’d been told were there. Getting back with the program, he said in the Old Language, “No stronger allies, no greater friends, no better fighters of honor could a king behold than these assembled afore me, mine brothers, mine blood.” A rolling growl of ascent lifted as the warriors got to their feet again, and Wrath nodded to each one of them. He had no more words to offer as his throat had abruptly choked, but they didn’t seem to need anything else. They stared at him with respect and gratitude and purpose, and he accepted their enormous gifts with grave appreciation and resolve. This was the ages-old covenant between king and subjects, the pledges on both sides made with the heart and carried out by the sharp mind and the strong body. “God, I love you guys,” Beth said. There was a lot of deep laughter, and then Hollywood said, “You want us to stab the floor for you again? Fists are for kings, but the queen gets the daggers.” “I wouldn’t want you to take chips out of this beautiful floor. Thank you, though.” “Say the word and it’s nothing but rubble.” Beth laughed. “Be still, my heart.” The Brothers came over and kissed the Saturnine Ruby that rode on her finger, and as each paid his honor, she gave him a gentle stroke of the hair. Except for Zsadist, who she smiled tenderly at. “Excuse us, boys,” Wrath said. “Little quiet time, feel me?” There was a ripple of male approval, which Beth took in stride—and with a blush—and then it was time for some privacy.

Before I was even halfway up the steep ridge, I heard the ngoma. Drums set the air vibrating and rang through the ground under my feet as if something were tunnelling powerfully in every direction at once.

There they are. Dancing in a circle. Shadows swinging over the snow. Calling upon the ancestors. Each wearing the sacred shirt. Side stepping to the left in time to the echoing heartbeat of the drums and the echoing yearning of the songs. There they are. Dancing in a circle. Shadows swinging over the firelit snow. Calling upon the ancestors. Expecting something wonderful to happen. Everyone singing. We will live again. We will live again.

Very often these luminous designs, rich in data, take the form of geometry. I speak from experience, having participated in more than seventy ayahuasca sessions since 2003, continuing to work with the brew for the valuable lessons it teaches me long after Supernatural was researched, written, and published. Here’s part of my account of the first time I drank ayahuasca in the Amazon: I raise the cup to my lips again. About two thirds of the measure that the shaman poured for me still remains, and now I drain it in one draught. The concentrated bittersweet foretaste, followed instantly by the aftertaste of rot and medicine, hits me like a punch in the stomach…. Feeling slightly apprehensive, I thank the shaman and wander back to my place on the floor…. Time passes but I don’t keep track of it. I’ve improvized a pillow from a rolled-up sleeping bag and I now find I’m swamped by a powerful feeling of weariness. My muscles involuntarily relax, I close my eyes, and without fanfare a parade of visions suddenly begins, visions that are at once geometrical and alive, visions of lights unlike any light I’ve ever seen—dark lights, a pulsing, swirling field of the deepest luminescent violets, of reds emerging out of night, of unearthly textures and colors, of solar systems revolving, of spiral galaxies on the move. Visions of nets and strange ladder-like structures. Visions in which I seem to see multiple square screens stacked side by side and on top of each other to form immense patterns of windows arranged in great banks. Though they manifest without sound in what seems to be a pristine and limitless vacuum, the images possess a most peculiar and particular quality. They feel like a drum-roll—as though their real function is to announce the arrival of something else.13 Other notes I made following my ayahuasca sessions in the Amazon refer to a “geometrical pulse,”14 to “a recurrence of the geometrical patterns,”15 to “a background of shifting geometrical patterns,”16 and to “complex interlaced patterns of geometry…. I zoom in for a closer view…. They’re rectangular, outlined in black, like windows. There’s a circle in the centre of each rectangle.”17

To find AP’ers, go to drum circles or to free-improvisation groups.

person's mind can race faster than anything else. It drums up the craziest things. It hopes. It deceives. It scares. It speaks lies and truths. It spins in a malicious circle until wondering gets the better of you. Over the past four days since he’s been gone, I’ve learned how loyal it is too.

Mine owners turned first to horses harnessed to gins: raised horizontal drums large as waterwheels, which the animals worked by walking in circles, the rotary power winding up and unwinding a strong rope that turned through a pulley down a mine shaft. Horse gins hauled water up the mine shaft in buckets. They hauled corves of coal as well. Galloway says the system was both limited and expensive: horses had to be bought or bred and raised, fed, and maintained. “In some instances, as many as fifty horses were employed in raising water at a single colliery”—at an expense, Galloway estimates, of not less than £900 a year (today £113,600, or $169,000).

Only you and your soul...the invisible gut can discern what qualifies as good people for your circle of living...the heart beats to a temperamental drum and emotions are deceitful above all measuring devices.

The Austrian thinker listed three main reasons why, over time, an authoritarian personality is likely to be surrounded not by the best “but rather by the worst elements of any society.” President Trump’s inner circle has increasingly checked each of those boxes. First, Hayek explained, an autocrat needs a group with questionable morals. The cohort will also tend to be undereducated. “If we wish to find a high degree of uniformity in outlook, we have to descend to the regions of lower moral and intellectual standards where the more primitive instincts prevail.” Check. Second, the autocrat must expand the size of the subservient group. He “must gain the support of the docile and gullible, who have no strong convictions of their own but are ready to accept a ready-made system of values if it is only drummed into their ears sufficiently loudly and frequently.” Check. Finally, Hayek said, authoritarian types need to weld the group together by appealing to their basic human weaknesses. “It seems to be easier for people to agree on a negative program—on the hatred of an enemy, on the envy of the better off—than on any positive task. The contrast between the ‘we’ and the ‘they’ is consequently always employed by those who seek the allegiance of huge masses.” Check.

The Cherokee believed that the eagle had magical powers, and the eagle dance (also called the victory dance) was very important to their way of life. The eagle dance was performed when one of the great birds was killed for its feathers, to welcome the spirit of the eagle to the village. Divided into three parts, the dance celebrated victory and honored the eagle for giving its feathers. Dancers either carried a feather wand and a rattle in each hand or a wand in both hands and danced to the beat of turtle shell rattles and water drums. Since the eagle and rattlesnake were believed to be deadly enemies, the dance was held only in the winter when the snake was asleep. If the rattlesnake heard the dancing and singing, it would become more deadly. Other accounts say the dance was not held in the summer because it would bring on an early frost. Women joined in the eagle dance. They danced with feather wands, and a lead women wore turtle shell rattles strapped to her knees. Participants formed two rings, the women in an inner circle, and they danced around a tree in the center of the square ground, waving the wands as they moved. There were different sets of songs and a variety of steps. It was critically important that the dancers not drop their wands or even allow them to touch the ground. It was believed that anyone who did so would soon die.

What’s the matter,’ she asks, shakes you and the numbness from your limbs, pulls the towel away and bows. Once upon a time the child would clap at the end of the pantomime, now you stare into the trees, wish you could go back under the umbrella with her again, into the warm towel-cover where the world would shrink back into a trusty, old feeling. There you would tell her everything you’ve learnt about the lifecycle of dragonflies from books and observations in the moor over the last few years. With the rhythm of the drumming and dripping rain and in long sentences that would pearl out of your mouth like the beads of water from the umbrella, you would initiate her into the secret of the insect which lives a long and boring childhood on the bottom of the pond until the strange and the most dangerous moment of its life when in the early morning hours it has climbed up a reed, shed its old skin and stands defenceless before its enemies. The act of metamorphosis can go wrong if the young dragonfly’s still-awkward wings get caught in its skin or hung up on a thorn. Its first attempt at flight, the maiden flight, is clumsy, the insect a new-found snack for birds, for in this phase the adolescent dragonfly, called an imago, is completely concentrated on trying out its new body which is still somewhat familiar to it. But the higher it rises into the air, the more confident and elegant its circles become and soon enough it is able to get around the birds’ beaks and fly off into the moor from where, you say in the final line of your presentation, it comes and where it belongs.

I stretch out to touch Nyame's muzzle eagerly, and the energy doesn't withdraw. I let her know she's going to be alone again. But then I see pictures of shamans in trances and dancers in drum circles and children sleeping and I know she's never been alone. She's never NEEDED us. There have always been those who transcend, and traversing is just one way to walk between worlds. I don't think she'll miss me, that's too limited a way of thinking, but she makes me feel like she's noticed me, and I am grateful for that too.

Time is a great circle;

There are many ways to go home; many are mundane, some are divine. My clients tell me these mundane endeavors constitute a return to home for them[...] Rereading passages of books and single poems that have touched them. Spending even a few minutes near a river, a stream, a creek. Lying on the ground in dappled light. Being with a loved one without kids around. Sitting on the porch shelling something, knitting something, peeling something. Walking or driving for an hour, any direction, then returning. Boarding any bus, destination unknown. Making drums while listening to music. Greeting sunrise. Driving out to where the city lights do not interfere with the night sky. Praying. A special friend. Sitting on abridge with legs dangling over. Holding an infant. Sitting by a window in a café and writing. Sitting in a circle of trees. Drying hair in the sun. Putting hands in a rain barrel. Potting plants,being sure to get hands very muddy. Beholding beauty, grace, the touching frailty of human beings.