Drought Quotes

I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror – The wide brown land for me!

To accept one’s past – one’s history – is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.

You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.

To accept one's past - one's history - is not the same things as drowning in it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.

God has cared for these trees, saved them from drought, disease, avalanches, and a thousand tempests and floods. But he cannot save them from fool

I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.

the way i see it, hard times aren't only about money, or drought, or dust. hard times are about losing spirit, and hope, and what happens when dreams dry up.

People pray for rain, then complain about the flood. They pray for it to stop raining, then bitch about the drought.

You told me once of the plants that lie dormant through the drought, that wait, half-dead, deep in the earth. The plants that wait for the rain. You said they'd wait for years, if they had to; that they'd almost kill themselves before they grew again. But as soon as those first drops of water fall, those plants begin to stretch and spread their roots. They travel up through the soil and sand to reach the surface. There's a chance for them again.

i am either a storm or a drought. in-betweens have never been my thing.

You are the light in a dark place. You are the water to my drought. You are everything I never knew existed and everything I wanted all at the same time.

The way I see it, hard times aren't only about money, or drought, or dust. Hard times are about losing spirit, and hope, and what happens when dreams dry up.

You were my tempest, my thunder cloud, my tree in the downpour. I loved all of those things, and I loved you. But now…you’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.

Because, underneath all of this is the real truth we have been avoiding: climate change isn’t an “issue” to add to the list of things to worry about, next to health care and taxes. It is a civilizational wake-up call. A powerful message—spoken in the language of fires, floods, droughts, and extinctions—telling us that we need an entirely new economic model and a new way of sharing this planet. Telling us that we need to evolve.

God has cared for these trees, saved them from drought, disease, avalanches, and a thousand tempests and floods. Even so, God cannot save them from fools.

Joy to hearts which have suffered long is like the dew on the ground after a long drought; both the heart and the ground absorb that beneficent moisture falling on them, and nothing is outwardly apparant.

It wasn’t like chocolate, Lily thought. It was like finding water after a drought. She couldn’t drink enough, and her thirst made her ashamed, and the shame made her angry.

It is a civilizational wake-up call. A powerful message—spoken in the language of fires, floods, droughts, and extinctions—telling us that we need an entirely new economic model and a new way of sharing this planet.

To accept one's past—one's history—is not the same thing as drowning it it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.

I think of love as a force of nature-as strog as the sun, as necessary, as impersonal, as gigantic, as impossible, as scorching as it is warming,as drought-making as it is life-giving.

If Lada was the spiky green weed that sprouted in the midst of a drought-cracked riverbed, Radu was the delicate, sweet rose that wilted in anything less that the perfect conditions.

Some days words flow through me like the Nile, and other days I’m as dry as the Sahara. I’m afraid you’ve caught me in the middle of a drought, but I’m confident rain shall fall again.

But you can't start. Only a baby can start. You and me - why, we're all that's been. The anger of a moment, the thousand pictures, that's us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can't start again.

Time is a child playing with droughts. The lordship is to the child.

You told me once of t he plants that lie dormant through the drought; that wait, half dead, deep in the earth. The plants that wait for the rain. You said they'd wait for years, if they had to; that they'd almost kill themselves before they grew again. But as soon as those first drops of water fall, those plants begin to stretch and spread their roots. They travel up through the soil and sand to reach the surface. There's a chance for them again. One day they'll let you out of that dry, empty cell. You'll return to the Separates, without me, and you'll feel the ram once more. And you'll grow straight, this time, towards this sunlight. I know you will." - Gemma

But a plant on the edge of a deserts is said to struggle for life against the drought, though more properly it should be said to be dependent upon the moisture.

Friends are "annuals" that need seasonal nurturing to bear blossoms. Family is a "perennial" that comes up year after year, enduring the droughts of absence and neglect. There's a place in the garden for both of them.

I wondered why it had to be so poisonous. Oleanders could live through anything, they could stand heat, drought, neglect, and put out thousands of waxy blooms. So what did they need poison for? Couldn't they just be bitter? They weren't like rattlesnakes, they didn't even eat what they killed. The way she boiled it down, distilled it, like her hatred. Maybe it was a poison in the soil, something about L.A., the hatred, the callousness, something we didn't want to think about, that the plant concentrated in its tissues. Maybe it wasn't a source of poison, but just another victim.

August is dust here. Drought stuns the road, but juice gathers in the berries.

The desert and the ocean are realms of desolation on the surface. The desert is a place of bones, where the innards are turned out, to desiccate into dust. The ocean is a place of skin, rich outer membranes hiding thick juicy insides, laden with the soup of being. Inside out and outside in. These are worlds of things that implode or explode, and the only catalyst that determines the direction of eco-movement is the balance of water. Both worlds are deceptive, dangerous. Both, seething with hidden life. The only veil that stands between perception of what is underneath the desolate surface is your courage. Dare to breach the surface and sink.

Don’t give up. Push through the droughts. Channel the inevitable disappointments back into your craft. Break molds. Think. Create. But most importantly, stay alive. And in the meantime, make it about others. That seems to work. Stay strong. Live on. And power to the local dreamer.

Humans and nature can never be friends! Nature will never hesitate to starve you in the drought, drown you in the rain, burn you in the sun, and kill you with an earthquake, a hurricane or a disease; and as such, nature should always be seen as an enemy not a friend.

If the river has a soul, it's a peaceful one. If it has a lesson to impart, that lesson is patience. There will be drought, it says; there will be floods; the ice will form, the ice will melt; the water will flow and blend into the river's brackish mouth, then join the ocean between Lewes and Cape May, endlessly, forever, amen.

The Crone, the Reaper... She is the Dark Moon, what you don't see coming at you, what you don't get away with, the wind that whips the spark across the fire line. Chance, you could say, or, what's scarier still: the intersection of chance with choices and actions made before. The brush that is tinder dry from decades of drought, the warming of the earth's climate that sends the storms away north, the hole in the ozone layer. Not punishment, not even justice, but consequence.

I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains.

For me, the times I always regret are missed opportunities to say farewell to good people, to wish them long life and say to them in all sincerity, "You build and do not destroy; you sow goodwill and reap it; smiles bloom in the wake of your passing, and I will keep your kindness in trust and share it as occasion arises, so that your life will be a quenching draught of calm in a land of drought and stress." Too often I never get to say that when it should be said. Instead, I leave them with the equivalent of a "Later, dude!" only to discover there would be no later for us.

No risk is more terrifying than that taken by the first root. A lucky root will eventually find water, but its first job is to anchor -- to anchor an embryo and forever end its mobile phase, however passive that mobility was. Once the first root is extended, the plant will never again enjoy any hope (however feeble) of relocating to a place less cold, less dry, less dangerous. Indeed, it will face frost, drought, and greedy jaws without any possibility of flight. The tiny rootlet has only once chance to guess what the future years, decades -- even centuries -- will bring to the patch of soil where it sits. It assesses the light and humidity of the moment, refers to its programming, and quite literally takes the plunge.

What if a family isn't a tree at all? What if it's more like a forest? A collection of individuals, pooling their resources by intertwined roots, sheltering each other from wind and weather and drought... what are families other than fictions? Stories told about a particular cluster of people for a particular reason. And like all stories, families are not born, they're invented. Pieced together from love and lies and nothing else.

If a drought strikes them, animals perish--man builds irrigation canals; if a flood strikes them, animals perish--man builds dams; if a carnivorous pack attacks them, animals perish--man writes the Constitution of the United States.

Drought brings out the worst in us and it's easy to hate your fellow human beings.

I’m with you on measuring this week in letters and the two-day drought we are about to experience. If only there was a way to transport letters faster, through some sort of electronic device that codes messages and sends them through the air. But that’s just crazy talk. Friday from me: Sending letters through the sky? Like when airplanes attach notes to their tails? I thought they only advertised for going-out-of-business sales. But perhaps our letters would be okay up there as well. I wonder how much they charge per word.

He sank into that kiss, and fed from me like a starving man holding off famine. I drank from his soul in preparation for the drought to come. And when he finally pulled away, my throat was thick with unspoken words, my heart heavy with every apology I'd ever denied him. But it was too late for promises. The time had come for goodbye.

...trust in Creation which is made fresh daily and doesn’t suffer in translation. This God does not work in especially mysterious ways. The sun here rises and sets at six exactly. A caterpillar becomes a butterfly. A bird raises its brood in the forest and a greenheart tree will only grow from a greenheart seed. He brings drought sometimes followed by torrential rains and if these things aren’t always what I had in mind, they aren’t my punishment either. They’re rewards, let’s say for the patience of a seed.

She hit him in the best way, like a rainstorm after five years of drought, healing the parched earth with a gentle touch; and in the worst way,like an unexpected earthquake,leaving dust and debris in her wake. She was, in equal parts, a gift and a natural disaster. Her name was Juniper Jones.

Nature appears to take pleasure in playing games with humans, overwhelming them with torrential rains one year, only to subject them to scorching heatwaves the next!

My grandmother used to say God gives us drought years-years drained of happiness-to prepare us for bounteous times. I'm more than ready for bounty.

her grass seemed greener until a drought came and cracked the earth beneath you.

I see now how things even up, how they are squared away, and how they balance under the law of love and justice. No year of life is emotionally, spiritually or even materially, all drought or all rainfall; nor is it all sun. The road turns a little every day, and one day there's a sudden twist we didn't dream was there, and for every loss there is somewhere a gain, for every grief a happiness, for every deprivation a giving.

It's so dry the trees are bribing the dogs.

Life moved, as inconstant and fickle as Wind Baby, frolicking, sleeping, weeping, but never truly still. Never solid or finished. Always like water flowing from one place to the next. Seed and fruit. Rain and drought, everything traveled in a gigantic circle, an eternal process of becoming something new. But we rarely saw it. Humans tended to see only frozen moments, not the flow of things.

I learned perhaps more than any university could ever teach me. I learned that the world revolves around money. There are values and virtues and morals; there are relationships and trust and love---and all of that is important. Money, however, is more important and it is dripping all the time, like precious water. Some drink deep; others thirst. Without money, you shrivel and die. The absence of money is drought in which nothing can grow. Nobody knows the value of water until they've lived in a dry, dry place---like Behala. So many people, waiting for the rain.

He's my dark storm cloud in the middle of a drought-an underappreciated beauty that makes me feel equally alive as the sun or the stars.

Nobody had ever looked at me like that, like I was the only source of water in a time of drought.

This is precisely how someone speaks who imagines that he is the world's divinely appointed ruler: 'I will not LET them starve. I will not LET the drought come. I will not LET the river flood.

it wont be long now it wont be long man is making deserts of the earth it wont be long now before man will have used it up so that nothing but ants and centipedes and scorpions can find a living on it .... what man calls civilization always results in deserts .... men talk of money and industry of hard times and recoveries of finance and economics but the ants wait and the scorpions wait for while men talk they are making deserts all the time getting the world ready for the conquering ant drought and erosion and desert because men cannot learn .... it wont be long now it wont be long till earth is barren as the moon and sapless as a mumbled bone

The brush that is tinder dry from decades of drought, the warming of the earth's climate that sends the storms away north, the hole in the ozone layer. Not punishment, not even justice, but consequence.

Soulmates are those people who will enter your life, fix it when it is broken, fill it when it is empty, and shower it with love when it is in drought. These people are not perfect, but they make every bit of your life, perfect for you.

Dark honey from the second harvest. It's made late in the season after the nectar drought at the end of July when the bees turn to goldenrod and sunflowers instead. It's deeper and richer, it tastes like secrets.

Serious as shit right now, Izzy. You keep looking at me like I’m the last drop of water left over after a long-ass drought and I will take you right here in the doorway. Jesus Christ, I’m so fucking hard right now, I think I really could hammer nails.

Beauty means this to one person, perhaps, and that to another. And yet when any one of us has seen or heard or read that which to him is beautiful, he has known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting. A choirboy's voice, a ship in sail, an opening flower, a town at night, the song of the blackbird, a lovely poem, leaf shadows, a child's grace, the starry skies, a cathedral, apple trees in spring, a thorough-bred horse, sheep-bells on a hill, a rippling stream, a butterfly, the crescent moon -- the thousand sights or sounds or words that evoke in us the thought of beauty -- these are the drops of rain that keep the human spirit from death by drought. They are a stealing and a silent refreshment that we perhaps do not think about but which goes on all the time....It would surprise any of us if we realized how much store we unconsciously set by beauty, and how little savour there would be left in life if it were withdrawn. It is the smile on the earth's face, open to all, and needs but the eyes to see, the mood to understand.

Back in the days of the great Depression, an old sign dangled by one staple from a piece of rusting barbed wire. The owner of the farm had written: ‘Burned out by drought, Drowned out by flud waters, Et out by jack-rabbits, Sold out by sheriff, STILL HERE.

every time you solve a problem you’d cause another problem. And maybe all these plagues and droughts are nature’s way of striking a balance? We humans don’t have any natural predators left, so nature has to find other ways to handle us.

But you can't start. Only a baby can start. You and me - why, we're all that's been. The anger of a moment, the thousand pictures, that's us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can't start again. The bitterness we sold to the junk man - he got it all right, but we have it still. And when the owner men told us to go, that's us; and when the tractor hit the house, that's us until we're dead. To California or any place - every one a drum major leading a parade of hurts, marching with our bitterness. And some day - the armies of bitterness will all be going the same way. And they'll all walk together, and there'll be a dead terror from it.

The Great Mother aborts children, and is the dead fetus; breeds pestilence, and is the plague; she makes of the skull something gruesomely compelling, and is all skulls herself. To unveil her is to risk madness, to gaze over the abyss, to lose the way, to remember the repressed trauma. She is the molestor of children, the golem, the bogey-man, the monster in the swamp, the rotting cadaverous zombie who threatens the living. She is progenitor of the devil, the “strange son of chaos.” She is the serpent, and Eve, the temptress; she is the femme fatale, the insect in the ointment, the hidden cancer, the chronic sickness, the plague of locusts, the cause of drought, the poisoned water. She uses erotic pleasure as bait to keep the world alive and breeding; she is a gothic monster, who feeds on the blood of the living.

I don't expect to be happy. I don't imagine that I will find love, whatever that means, or that if I do find it, it will make me happy. I don't think of love as the answer or the solution. I think of love as a force of nature - as strong as the sun, as necessary, as impersonal, as gigantic, as impossible, as scorching as it is warming, as drought-making as it is life-giving.

And at last, becoming a complete misanthrope, he used to live, spending his time in walking about the mountains; feeding on grasses and plants, and in consequence of these habits, he was attacked by the dropsy, and so then he returned to the city, and asked the physicians, in a riddle, whether they were able to produce a drought after wet weather. And as they did not understand him, he shut himself up in a stable for oxen, and covered himself with cow-dung, hoping to cause the wet to evaporate from him, by the warmth that this produced. And as he did himself no go good in this way, he died, having lived seventy years;

If there are forty thousand people in an area that can only support thirty thousand, it's no kindness to bring in food from the outside to maintain them at forty thousand. That just guarantees that the famine will continue." "True. But all the same, it's hard just to sit by and let them starve." "This is precisely how someone speaks who imagines that he is the world's divinely appointed ruler: 'I will not *let* them starve. I will not *let* the drought come. I will not *let* the river flood.' It is the gods who *let* these things, not you.

He drank, for the same reason he wrote second-rate science fiction. Not to forget but to remember, to open the past and find himself there again. He opened each bottle, began each story with the secret conviction that here was the magic drought that would restore him. But magic, like wine, needs the right conditions in order to work.

In a feast of fame and talks, Scandal flashing, raising tongue and brows. In a blast of bombing and power play, Fear and death dig more revenge. In a forgotten continent, Famine and drought devour lives. In an unfortunate eye of a rebelling weather, Crashing homes, leaving many in devastation and desperation. In a country shaking with violence, Innocent victims cry for justice and peace. In a home shaking with turmoil, Humble patient, hiding voice wants to be heard. In a tick of a second, A new breathe of life beats! To belong in this world. Constantly changing, decaying or improving? In a snap of innovation: Life goes big leap! Regression somewhere unseen, But felt in a slow, long run.

Terrible drought, crops dead, sheep dying. Spring dried up. No water. The Hopi, and the Christian, maybe the Moslem, they pray for rain. The Navajo has the proper ceremony done to restore himself to harmony with the drought. You see what I mean. The system is designed to recognize what's beyond human power to change, and then to change the human's attitude to be content with the inevitable." - Tony Hillerman, Sacred Clowns, 1993

People like to say that time heals all wounds, but I don't believe it. I remember once Grandpa took me firewood cutting, and as we looked at the rings of the tree together, he pointed out the years where there was drought and the years where there was fire. So while time allowed for new growth that hid the scars of the past, those scars were still there, inside the tree, and part of the tree. I think about how I am like that tree.

Be not defeated by the rain, Nor let the wind prove your better. Succumb not to the snows of winter. Nor be bested by the heat of summer. Be strong in body. Unfettered by desire. Not enticed to anger. Cultivate a quiet joy. Count yourself last in everything. Put others before you. Watch well and listen closely. Hold the learned lessons dear. A thatch-roof house, in a meadow, nestled in a pine grove's shade. A handful of rice, some miso, and a few vegetables to suffice for the day. If, to the East, a child lies sick: Go forth and nurse him to health. If, to the West, an old lady stands exhausted: Go forth, and relieve her of burden. If, to the South, a man lies dying: Go forth with words of courage to dispel his fear. If, to the North, an argument or fight ensues: Go forth and beg them stop such a waste of effort and of spirit. In times of drought, shed tears of sympathy. In summers cold, walk in concern and empathy. Stand aloof of the unknowing masses: Better dismissed as useless than flattered as a "Great Man". This is my goal, the person I strive to become.

Nature’s accidents are the universe’s way of throwing chance into a system which would die of too much orderliness. Hurricanes, droughts, floods, volcanic eruptions are all Mother Nature’s way of stirring up the pot to prevent stagnation and putrefaction. A world without them would be a world of death. Floods, fires, eruptions, earthquakes all destroy and renew, kill and create, demolish and replant. So too riots, revolutions and wars are societies’ ways of throwing chance into their systems, which are dying of too much orderliness. And like nature’s eruptions, these too destroy and renew, kill and create, demolish and replant. And so too with individuals. Human beings need in their lives earthquakes and floods and riots and revolutions, or we grow as rigid and unmoving as corpses.

True love, the good, beautiful, one-and-only kind, the kind between loving friends and family and partners who are mostly just trying hard to do their best, it manages to overlook some pieces of its story. It overlooks what he can’t give you or how she failed you or what mistakes he made when he was struggling. It stays steady at its center. It evolves, through drought and storm. It grows. It survives.

In a similar vein, Jared Diamond has observed: “Personally, I can’t fathom why Australia’s giants should have survived innumerable droughts in their tens of millions of years of Australian history, and then have chosen to drop dead almost simultaneously (at least on a time scale of millions of years) precisely and just coincidentally when the first humans arrived.

I told you that there are many things that poetry won't do. But there are many things poetry will do. Poetry makes arguments. It presents cases for better ways of living and seeing the world and those around us. It heals wounds. It opens our eyes to wonder and ugliness and beauty and brutality. Poetry can be the one light that lasts the night. The warmth that survives the winter. The harvest that survives the long drought. The love that survives death. The things poetry can do are far more important than the things it can't.

He rode out in the dark long before daylight and he rode the sun up and he rode it down again. In the oncoming years a terrible drought struck west Texas. He moved on. There was no work in that country anywhere. Pasture gates stood open and sand drifted in the roads and after a few years it was rare to see stock of any kind and he rode on. Days of the world. Years of the world. Till he was old.

The garden has wrapped itself in autumn haze. An unusual autumn, lacking that thrill of vegetal warmth when the sap is still alive and holds up the trees, drunk on solar gold. It is the sorrowful climax of a summer's drought. Never before was I so struck by the cancerous emaciation in a garden. The leaves started turning yellow in July and began falling, like a dance of prematurely withered bodies.

Love is ordinary, love is dull, love is the natural condition of the human heart, love is the message we carry branded on us from the womb but only the best of us will dare to read it and, even when we dare to read it to people who can never understand, it is still there in us like the rings in a tree or the ridges in a shell, part of us, marking the years and the drought and the growth, even if nobody sees it until the tree is cut down.

He knew by heart every individual clump of bunch grass in the miles of red shaggy prairie that stretched before his cabin. He knew it in all the deceitful loveliness of its early summer, in all the bitter barrenness of its autumn. He had seen it smitten by all the plagues of Egypt. He had seen it parched by drought, and sogged by rain, beaten by hail, and swept by fire, and in the grasshopper years he had seen it eaten as bare and clean as bones that the vultures have left. After the great fires he had seen it stretch for miles and miles, black and smoking as the floor of hell.

Glaciers had crushed this region in the time before history. There’d been a drought for years, and a bronze fog of dust stood over the plains. The soybean crop was dead again, and the failed, wilted cornstalks were laid out on the ground like rows of underthings. Most of the farmers didn’t even plant anymore. All the false visions had been erased. It felt like the moment before the Savior comes. And the Savior did come, but we had to wait a long time.

What is true of one man, said the judge, is true of many. The people who once lived here are called the Anasazi. The old ones. They quit these parts, routed by drought or disease or by wandering bands of marauders, quit these parts ages since and of them there is no memory. They are rumors and ghost in this land and they are much revered. The tools, the art, the building--these things stand in judgement on the latter races. Yet there is nothing for them to grapple with. The old ones are gone like phantoms and the savages wander these vanyons to the sound of an ancient laughter. In their crude huts they crouch in darkness and listen to the fear seeping out of the rock. All progressions from a higher to a lower order are marked by ruins and mystery and a residue of nameless rage. So. Here are the dead fathers. Their spirit is entombed in the stone. It lies upon the land with the same weight and the same ubiquity. For whoever makes a shelter of reeds and hides has joined his spirit to the primal mud with scarcely a cry. But who builds in stone seeks to alter the structure of the universe and so it was with these masons however primitive their works may seem to us.

And then there was that key point in On the Origin of Species. That crucial point that somehow both David and before him Francis Galton had missed. What does Darwin say is the best way of building a strong species, of allowing it to endure into the future, to withstand the blows of Chaos in all her mighty forms—flood, drought, rising sea levels, fluctuating temperatures, invasions of competitors, predators, pests? Variation. Variation in genes, and hence in behavior and physical traits. Homogeneity is a death sentence. To rid a species of its mutants and outliers is to make that species dangerously vulnerable to the elements.

We don’t do big magic. Lucinda’s the only one. It’s too dangerous.” “What’s dangerous about ending a storm?” “Maybe nothing, maybe something. Use your imagination.” “Clear skies would be good. People could go outside.” “Use your imagination,” Mandy repeated. I thought. “The grass needs rain. The crops need rain.” “More,” Mandy said. “Maybe a bandit was going to rob someone, and he isn’t doing it because of the weather.” “That’s right. Or maybe I’d start a drought, and then I’d have to fix that because I started it. And then maybe the rain I sent would knock down a branch and smash in the roof of a house, and I’d have to fix that too.” “That wouldn’t be your fault. The owners should have built a stronger roof.” “Maybe, maybe not. Or maybe I’d cause a flood and people would be killed. That’s the problem with big magic. I only do little magic

For most of human history, freedom had to be at least suffered for, if not died for, and that raised its value to something almost sacred. In modern democracies, however, an ethos of public sacrifice is rarely needed because freedom and survival are more or less guaranteed. That is a great blessing but allows people to believe that any sacrifice at all--rationing water during a drought, for example--are forms of government tyranny. They are no more forms of tyranny than rationing water on a lifeboat. The idea that we can enjoy the benefits of society while owing nothing in return is literally infantile. Only children owe nothing.

Where I grew up, death is a constant visitor. A virus, bacteria, a parasite; drought and famine; soldiers, and torturers; could bring it to anyone, any time. Death comes riding on raindrops that turned to floods. It catches the imagination of men in positions of authority who order their subordinates to hunt, torture, and kill people they imagine to be enemies. Death lures many others to take their own lives in order to escape a dismal reality. For many women, because of the perception of lost honor, death comes at the hands of a father, brother, or husband. Death comes to young women giving birth to new life, leaving the newborn orphaned in the hands of strangers. For those who live in anarchy and civil war, as in the country of my birth, Somalia, death is everywhere.

There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains -- southeastern Utah. A particular tree. A juniper. Large for its species -- maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life. I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it -- toward continuing to be, come what may.

INDIAN wisdom says our lives are rivers. We are born somewhere small and quiet and we move toward a place we cannot see, but only imagine. Along our journey, people and events flow into us, and we are created of everywhere and everyone we have passed. Each event, each person, changes us in some way. Even in times of drought we are still moving and growing, but it is during seasons of rain that we expand the most—when water flows from all directions, sweeping at terrifying speed, chasing against rocks, spilling over boundaries. These are painful times, but they enable us to carry burdens we could never have thought possible.

Agriculture makes people dependent on a few domesticated crops and animals instead of hundreds of wild food sources, creating vulnerability to droughts and blights and zoonotic diseases. Agriculture makes for sedentary living, leaving humans to do something that no primate with a concern for hygiene and public health would ever do: namely, living in close proximity to their feces. Agriculture makes for surplus and thus almost inevitably, the uneven distribution of surplus generating socio-economic status differences that dwarf anything that other primates cook up with their hierarchies. And from there it's just a hop, skip and a jump until we've got Mr. McGregor persecuting Peter Rabbit and people incessantly singing Oklahoma.

You were a town with one pay phone and someone else was using it. You were an ATM temporarily unable to dispense cash. You were an outdated link and the server was down. You were invisible to the naked eye. You were the two insect parts per million allowed in peanut butter. You were a car wash that me as dirty as when I pulled in. You were twenty rotting bags of rice in the hold of a cargo plane sitting on the runway in a drought-riddled country. You were one job opening for two hundred applicants and you paid minimum wage. You were grateful for my submission but you just couldn't use it. You weren't a Preferred Provider. You weren't giving any refunds. You weren't available for comment. Your grave wasn't marked so I wandered the cementary for hours, part of the grass, part of the crumbling stones.

Oh, grassy glades! oh ever vernal endless landscapes in the soul; in ye,—though long parched by the dead drought of the earthly life,— in ye, men yet may roll, like young horses in new morning clover; and for some few fleeting moments, feel the cool dew of the life immortal on them. Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm. There is no steady unretracing progress in this life; we do not advance through fixed gradations, and at the last one pause:— through infancy’s unconscious spell, boyhood’s thoughtless faith, adolescence’ doubt (the common doom), then scepticism, then disbelief, resting at last in manhood’s pondering repose of If. But once gone through, we trace the round again; and are infants, boys, and men, and Ifs eternally. Where lies the final harbor, whence we unmoor no more? In what rapt ether sails the world, of which the weariest will never weary? Where is the foundling’s father hidden? Our souls are like those orphans whose unwedded mothers die in bearing them: the secret of our paternity lies in their grave, and we must there to learn it.

The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

Plants began the process of land colonization about 450 million years ago, accompanied of necessity by tiny mites and other organisms which they needed to break down and recycle dead organic matter on their behalf. Larger animals took a little longer to emerge, but by about 400 million years ago they were venturing out of the water, too. Popular illustrations have encouraged us to envision the first venturesome land dwellers as a kind of ambitious fish—something like the modern mudskipper, which can hop from puddle to puddle during droughts—or even as a fully formed amphibian. In fact, the first visible mobile residents on dry land were probably much more like modern woodlice, sometimes also known as pillbugs or sow bugs. These are the little bugs (crustaceans, in fact) that are commonly thrown into confusion when you upturn a rock or log.

When April with its sweet showers has pierced the drought of March to the root, and bathed every vein of earth with that liquid by whose power the flowers are engendered; when the zephyr, too, with its dulcet breath, has breathed life into the tender new shoots in every copse and on every hearth, and the young sun has run half his course in the sign of the Ram, and the little birds that sleep all night with their eyes open give song (so Nature prompts them in their hearts), then, as the poet Geoffrey Chaucer observed many years ago, folk long to go on pilgrimages. Only, these days, professional people call them conferences. The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement. To be sure, there are certain penitential exercises to be performed - the presentation of a paper, perhaps, and certainly listening to papers of others.

I watched with incredulity as businessmen ran to the government in every crisis, whining for handouts or protection from the very competition that has made this system so productive. I saw Texas ranchers, hit by drought, demanding government-guaranteed loans; giant milk cooperatives lobbying for higher price supports; major airlines fighting deregulation to preserve their monopoly status; giant companies like Lockheed seeking federal assistance to rescue them from sheer inefficiency; bankers, like David Rockefeller, demanding government bailouts to protect them from their ill-conceived investments; network executives, like William Paley of CBS, fighting to preserve regulatory restrictions and to block the emergence of competitive cable and pay TV. And always, such gentlemen proclaimed their devotion to free enterprise and their opposition to the arbitrary intervention into our economic life by the state. Except, of course, for their own case, which was always unique and which was justified by their immense concern for the public interest.

I could reply. I could tell him that a metaphor is inadequate in the face of a bloodbath. That a Platonic inclination for dying doesn't balance out the serious decision to kill. That through the ages there has never been a great historical infamy committed for which there couldn't be found a symbol just as big, to justify it. That, in consequence, we would do well to pay attention to great certainties, to great invocations, to the great 'droughts' and 'rains'. That the temper of our most violent outbursts might benefit from a shade less enthusiasm. I could reply. But what good would it do? I have a simple, resigned, inexplicable sensation that everything that is happening is in the normal order of things and that I am awaiting a season that will come and pass -- because it has come and passed before.

If we were to define a sleeping bag as a house, India would move swiftly towards ending her housing shortage. A shortage of nearly thirty-one million units. Accept this definition, and you could go in for mass production of sleeping bags. We could then have passionate debates about the drastic reduction in the magnitude of the housing problem. The cover stories could run headlines: ‘Is it for real?’ And straps: ‘Sounds too good to be true, but it is.’ The government could boast that it had not only stepped up production of sleeping bags but had piled up an all-time record surplus of them. Say, thirty-seven million. Conservatives could argue that we were doing so well, the time had come to export sleeping bags, at ‘world prices’. The bleeding hearts could moan that sleeping bags had not reached the poorest. Investigative muckrakers could scrutinise the contracts given to manufacturers. Were the bags overpriced? Were they of good quality? That ends the housing shortage. There’s only one problem. Those without houses at the start of the programme will still be without houses at the end of it. (True, some of them will have sleeping bags, probably at world prices.)

Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.

Too often, poverty and deprivation get covered as events. That is, when some disaster strikes, when people die. Yet, poverty is about much more than starvation deaths or near famine conditions. It is the sum total of a multiplicity of factors. The weightage of some of these varies from region to region, society to society, culture to culture. But at the core is a fairly compact number of factors. They include not just income and calorie intake. Land, health, education, literacy, infant mortality rates and life expectancy are also some of them. Debt, assets, irrigation, drinking water, sanitation and jobs count too. You can have the mandatory 2,400 or 2,100 calories a day and yet be very poor. India’s problems differ from those of a Somalia or Ethiopia in crisis. Hunger—again just one aspect of poverty—is far more complex here. It is more low level, less visible and does not make for the dramatic television footage that a Somalia and Ethiopia do. That makes covering the process more challenging—and more important. Many who do not starve receive very inadequate nutrition. Children getting less food than they need can look quite normal. Yet poor nutrition can impair both mental and physical growth and they can suffer its debilitating impact all their lives. A person lacking minimal access to health at critical moments can face destruction almost as surely as one in hunger.

Thanks to the centrifugal pump, places like Nebraska, Kansas, Oklahoma, and Texas had thrown on the garments of fertility for a century, pretending to greenery and growth as they mined glacial water from ten-thousand-year-old aquifers. They'd played dress-up-in-green and pretended it could last forever. They'd pumped up the Ice Age and spread it across the land, and for a while they'd turned their dry lands lush. Cotton, wheat, corn, soybeans -- vast green acreages, all because someone could get a pump going. Those places had dreamed of being different from what they were. They'd had aspirations. And then the water ran out, and they fell back, realizing too late that their prosperity was borrowed, and there would be no more coming.