Driveway Quotes

We've searched our database for all the quotes and captions related to Driveway. Here they are! All 100 of them:

Silver Avalanche coming up the driveway," calls Jeffrey from upstairs. "What are you, security?" I call back.
Cynthia Hand (Unearthly (Unearthly, #1))
You're thinking I'm one of those wise-ass California vegetarians who is going to tell you that eating a few strips of bacon is bad for your health. I'm not. I say its a free country and you should be able to kill yourself at any rate you choose, as long as your cold dead body is not blocking my driveway.
Scott Adams
There are random moments - tossing a salad, coming up the driveway to the house, ironing the seams flat on a quilt square, standing at the kitchen window and looking out at the delphiniums, hearing a burst of laughter from one of my children's rooms - when I feel a wavelike rush of joy. This is my true religion: arbitrary moments of of nearly painful happiness for a life I feel privileged to lead.
Elizabeth Berg (The Art of Mending)
What do you want to show me?" "Nothing, really. I just want to be alone with you for a minute." He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage. "Seriously?" she said. "That was so lame." "I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'" She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard. She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'" She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain. "I'll just say, 'Eleanor, follow me down this rabbit hole...'" He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
Rainbow Rowell (Eleanor & Park)
It's amazing--my parents call everything a discussion. If I were standing across the street, firing a bazooka at my mother, while my father was launching mortar back at me, and Jeffery was charging down the driveway with a grenade in his teeth, my parents would say we should stop having this public "discussion".
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
If I show up at your house ten years from now and find nothing in your living room but The Readers Digest, nothing on your bedroom night table but the newest Dan Brown novel, and nothing in your bathroom but Jokes for the John, I’ll chase you down to the end of your driveway and back, screaming ‘Where are your books? You graduated college ten years ago, so how come there are no damn books in your house? Why are you living on the intellectual equivalent of Kraft Macaroni and Cheese?
Stephen King
If you fall and break something, I’m going to be irritated.” Daemon grabbed my arm as I started to slip. “Sorry, not all of us can be as awesome---“ I squealed as he slid an arm around my back and lifted be into his arms. Daemon zipped us up the driveway, wind and snow blowing at my face. He put me down, and I stumbled to the side, dizzy. “Could you give me a warning next time?” He grinned as he knocked on the door. “And miss that look on your face? Never.” Sometimes I seriously wanted to just punch him in the face, but it made me warm in all the right place to see this side of him again, too. “You’re insufferable.” “You like my kind of suffering.
Jennifer L. Armentrout (Onyx (Lux, #2))
Why do we park on driveways and drive on parkways? Just to be silly!
George Carlin
Augustus Waters was sitting on the front step as we pulled into the driveway. He was holding a bouquet of bright orange tulips just beginning to bloom.
John Green (The Fault in Our Stars)
I twirl through the driveway with angelic grace Till I slip on the sidewalk and fall on my face
Owl City
I’m two hours late when I pull in to the driveway. It won’t matter that I’m always on time. People never see how good you are. Fuck up once, and it’s like you are wearing a neon sign.
Corrine Jackson (If I Lie)
You know," he said by way of greeting, "the night I caught you with Layne, I called you a future felon. I didn't realize you'd make good on that prediction so quickly." "That night you dragged Layne out of my driveway, I called you an asshole. Guess we were both right.
Brigid Kemmerer (Spark (Elemental, #2))
a) he's late. b) he's acting like an asshole and blowing me off. c)he's gotten into a horrible car crash that's left dead. The most likely answer is A. (We went to prom together, and the limo had to wait in his driveway for half an hour. At the end of the night, we got charged for an extra hour. He- read: his parents- paid for it, but still.)
Lauren Barnholdt (Two-Way Street)
Why do u drive on a parkway and park in the driveway. Its messed up.
Justin Bieber (First Step 2 Forever)
Every time my brain parks the car neatly in the driveway, my mouth drives through the back of the garage.
Dave Eggers (The Circle (The Circle, #1))
The least Charles could have done,' Constance said, considering seriously, 'was shoot himself through the head in the driveway.
Shirley Jackson (We Have Always Lived in the Castle)
Objectification is a critical reason why an abuser tends to get worse over time. As his conscience adapts to one level of cruelty—or violence—he builds to the next. By depersonalizing his partner, the abuser protects himself from the natural human emotions of guilt and empathy, so that he can sleep at night with a clear conscience. He distances himself so far from her humanity that her feelings no longer count, or simply cease to exist. These walls tend to grow over time, so that after a few years in a relationship my clients can reach a point where they feel no more guilt over degrading or threatening their partners than you or I would feel after angrily kicking a stone in the driveway.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Anyway, seeking work is a tad difficult given the poor design of the streets with their prohibitive curbs and driveways that don't quite line up.
Steve Martin (The Pleasure of My Company)
So I started shoveling Bob's driveway, which is a strange thing to do at a New Years Eve Party
Stephen Chbosky (The Perks of Being a Wallflower)
BILLY: ...Sometimes I’m surprised people still care. I’m surprised they still play us on the radio. Sometimes I listen. The other day, they were playing “Turn It Off” on the classic rock station. I sat in the car in the driveway and listened. [Laughs]We were pretty good. DAISY: We were great. We were really great.
Taylor Jenkins Reid (Daisy Jones & The Six)
The History Teacher Trying to protect his students' innocence he told them the Ice Age was really just the Chilly Age, a period of a million years when everyone had to wear sweaters. And the Stone Age became the Gravel Age, named after the long driveways of the time. The Spanish Inquisition was nothing more than an outbreak of questions such as "How far is it from here to Madrid?" "What do you call the matador's hat?" The War of the Roses took place in a garden, and the Enola Gay dropped one tiny atom on Japan. The children would leave his classroom for the playground to torment the weak and the smart, mussing up their hair and breaking their glasses, while he gathered up his notes and walked home past flower beds and white picket fences, wondering if they would believe that soldiers in the Boer War told long, rambling stories designed to make the enemy nod off.
Billy Collins (Questions About Angels)
I'm so proud of you. I want you to tell me about it, when you can... and when i can stand to hear it. I'm still too angry right now.." "Okay." "I knew i'd fucked up. I was getting on my bike, coming after you-and then you were running up the driveway. When he tackled you...i wanted to kill him. I think if Charles hadn't stopped me, i would have killed him.
Tammara Webber (Easy (Contours of the Heart, #1))
Stop her!" Matthias bellowed as he thundered downstairs. Blake's mouth twisted sideways, hand tightened on the knob. What little breath I'd regained, caught. Heart sputtered to a standstill. Then he swung the door open with a sweep of his arm. "After you, milday." My legs didn't hesitate. I vaulted off the porch and hit the driveway running. "What the bloody hell did you do that for?!" "I'm her knight in shining armor. Seriously, dude, your chivalry needs some work. Ow!
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
I’m pregnant.” Brent dropped his bag on the driveway. “What?” “I’m pregnant and you almost got blown up, you ass,” Hayden said shakily. “I’m never speaking to you again.” He went toward her slowly, laying a reverent hand on her belly. “There could be a mini-duchess in here?” His exhale sounded shaky. “Holy shit.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
People spend their lives searching for their one true love, their other half. I found mine in college, dancing in a fraternity house driveway. Lucky for me, she found me right back.
J. Sterling (The Game Changer (The Perfect Game, #2))
That scene in the office stayed with me. Those cigars, the fine clothes. I thought of good steaks, long rides up winding driveways that led to beautiful homes. Ease. Trips to Europe. Fine women. Were they that much more clever than I? The only difference was money, and the desire to accumulate it. I'd do it too! I'd save my pennies. I'd get an idea, I'd spring a loan. I'd hire and fire. I'd keep whiskey in my desk drawer. I'd have a wife with size 40 breasts and an ass that would make the paperboy on the corner come in his pants when he saw it wobble. I'd cheat on her and she'd know it and keep silent in order to live in my house with my wealth. I'd fire men just to see the look of dismay on their faces. I'd fire women who didn't deserve to be fired.
Charles Bukowski (Factotum)
I walked up the driveway. The cats were sprawled about, pooped. In my next life I want to be a cat. To sleep 20 hours a day and wait to be fed. To sit around licking my ass. Humans are too miserable and angry and single-minded.
Charles Bukowski (On Cats)
She'd come running up the driveway and into the kitchen, bringing the spring morning behind her like a trail of hope.
Loretta Nyhan (Empire Girls)
And when I started to cry as I pulled into my driveway,it was coming down hard enough that I could pretend that it was only the rain hitting my face, and not the fact that I'd just lost another friend.
Morgan Matson (Since You've Been Gone)
Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage-teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?
Allen Ginsberg
When you fly across the country in an airplane the country seems vast; but it isn't vast. It's all connected by roads one can ride a bike down. If you watch the news and there's a tragedy at a house in Kansas, that guy's driveway connects with yours, and you'd be surprised by how few roads it takes to get there.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
Dan was heading for the blue car in the driveway. He tossed Amy the car keys. "Don't drive like you! Make it fast!
Peter Lerangis (The Dead of Night (The 39 Clues: Cahills vs. Vespers, #3))
None of them had cars, either. There was no future in which most of these families would ever have cars. There was maybe one car for every thousand people, yet almost everyone had a driveway. It was almost like building the driveway was a way of willing the car to happen. The story of Soweto is the story of the driveways. It’s a hopeful place. —
Trevor Noah (Born a Crime: Stories From a South African Childhood)
They were always coming together in surprising moments, going from easygoing to urgent in the space of a few breaths. She watched them kiss messily in the car in the driveway and she watched them tangle around each other in the laundry room and she watched Adam unbuckle Ronan’s belt and slide his hand against skin. With intellectual curiosity, she watched ribs and hips and arms and legs and spines.
Maggie Stiefvater (Opal (The Raven Cycle, #4.5))
Life is made of moments. and choices. Not all of them matter, or have any lasting impact. Skipping class in favor of a taste of freedom, picking a prom dress because of the way it transforms you into a princess in the mirror. Even the nights you steal away from an open window, tiptoe silent to the end of the driveway, where darkened headlights and the pull of something unknown beckon. These are all small choices, really. Insignificant as soon as they’re made. Innocent. But then. Then there’s a different kind of moment. One when things are irrevocably changed by a choice we make. A moment we will play endlessly in our minds on lonely nights and empty days. One we’ll search repeatedly for some indication that what we chose was right, some small sign that tells us the truth isn’t nearly as awful as it feels. Or as awful as anyone would think if they knew. So we explain it to ourselves, justify it enough to sleep. And then we bury it deep, so deep we can almost pretend it never happened. But as much as we wish it were different, the truth is, our worlds are sometimes balanced on choices we make and the secrets we keep.
Jessi Kirby (Golden)
It's just going to add to him thinking that I am a crazy, wanky, greenie, hybriddriving hippie," I complained. "Has he seen your bomb of a car?" Fran asked in disbelief. "Greenpeace arranges a protest every time it leaves your driveway.
Sean Kennedy (Tigers and Devils (Tigers and Devils #1))
She sits in the driveway, freezing, for thirty-six minutes. Arguing with herself. Because she thinks she's in love with him too. And there are two ways she can be a fool in love right now. She chooses the harder one. And knocks on the door.
Lisa McMann (Wake (Wake, #1))
This is the autumn of wonders, yet every day, every single day, I go back to that burned afternoon in August when T. Ray left. I go back to that one moment when I stood in the driveway with small rocks and clumps of dirt around my feet and looked back at the porch. And there they were. All these mothers. I have more mothers than any eight girls off the street. They are the moons shining over me.
Sue Monk Kidd (The Secret Life of Bees)
I let myself out and climb onto my bike, putting on my helmet. As soon as it’s clipped tight I push up the kickstand and I’m pedaling hard down Jake’s driveway. Once my heart finds a comfortable pounding rhythm, I remember how it almost beat out of my chest when I confessed to cheating on Jake. I’d never felt so trapped in my life. I thought I’d feel the same way in his living room today, waiting for him to tell me again I’m not good enough. But I didn’t, and I don’t. For the first time in a long time, I feel free.
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
I want to be with you,” he says. “But I can’t if you won’t let me.” “Why?” I drop my bag in the driveway. “Why do you want to be with this?” I wave my arm up and down the length of my body. Immediately, I hate myself for this. The only person making this about my body is me. “Because I like you. I think I might feel a lot more than that for you, Willowdean. How is that so hard to believe?
Julie Murphy (Dumplin' (Dumplin', #1))
I can see the gentle roll of her throat as she swallows, but just as fast as she let her guard down, it flies back up. "Good luck with that," she says, facing forward again. "I'm pretty sure you'll be the first guy to ever compete with hiimself over the affection of a girl." "Maybe so," I say as we pull into my driveway. "But my money's on me.
Colleen Hoover (Never Never (Never Never, #1))
After you left I stared at the driveway Feeling its emptiness Wondering if you’d return. After you left I thought about your questions Wishing I hadn’t been so blunt Wondering if I scared you away. After you left I remembered how you felt in my arms. How you fit so perfectly there. Like my guitar. Wondering if I should have kissed you when I had the chance. After you left I sat in my room Remembering all the things you said, and Wondering about all the things you didn’t. After you left I sat in silence. Missing you in a way I didn’t quite understand. Wondering if you’d ever come back.
Tamara Ireland Stone (Every Last Word)
What did heartbroken people do before phones? Come home and stare at the mailbox? Stand in their driveway and wait for the stagecoach? Run to the Western Union to see if anyone had Morse Coded them? Stare into the sky waiting for the messenger pigeon?
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
Where did you go?" "To the end of the driveway," my mother says. "I was nine months pregnant; that was the maximum distance I could waddle without feeling as if my uterus was falling out." I wince. "Do you have to be quite so graphic?" "What would you like me to call it, Zoe? A fetal living room?
Jodi Picoult (Sing You Home)
He meets me where I am, and because of the downward tilt of the driveway, we are toe to toe, nose to nose. “Willowdean Opal Dickson, you are beautiful. Fuck anyone who’s ever made you feel anything less.” His chest heaves. “When I close my eyes, I see you. I can talk to you. In a way I never have with anyone else.
Julie Murphy (Dumplin' (Dumplin', #1))
When you arrive in your driveway and turn off the car, you remain behind the wheel another ten minutes. You fear the night is being locked in and coded on a cellular level and want time to function as a power wash. Sitting there staring at the closed garage door you are reminded that a friend once told you there exists the medical term—John Henryism—for people exposed to stresses stemming from racism. They achieve themselves to death trying to dodge the buildup of erasure. Sherman James, the researcher who came up with the term, claimed the physiological costs were high. You hope by sitting in silence you are bucking the trend.
Claudia Rankine (Citizen: An American Lyric)
She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.
Jonathan Franzen (The Corrections)
When I saw the car pulling into the driveway and I saw her getting out and walking towards the house, can you imagine Nadezhda, I performed involuntary excretion in my trousers.
Marina Lewycka (A Short History of Tractors in Ukrainian)
love doesn’t exist without sacrifice. Sometimes those sacrifices are waking up ten minutes early to make your partner coffee. Sometimes it’s taking on a second job to support your family. Sometimes it’s staying up all night with a newborn so your significant other can finally sleep. Sometimes it’s shoveling the other person’s car out of the driveway after a snowstorm.” She places her palm against my wet cheek and smiles softly. “And sometimes it’s making the ultimate sacrifice and walking away for the greater good.
Jennifer Hartmann (Still Beating)
I slip her shirt over her head and she tries to cover herself, but I move her arms out of the way and kiss up her neck while I talk about all the things that are no longer just mine. 'Will, stop.' She laughs and attempts to pull my hands away from her bra. 'You can't take off my bra, we're in our driveway. What if they come outside?' 'It's dark,' I whisper. 'And it's not your bra. It's our bra and I want it off.' I slip it off her, pulling her against me as I rub my hands down the length of her back, then around to the button on the front of her jeans. 'And I want to take off our pants.
Colleen Hoover (This Girl (Slammed, #3))
I smelled smoke right before hearing the "pop" like a firecracker had gone off. Splatters of something thick coated my back even as a thud reverberated behind me. I whirled around to gape at what was left of the ghoul. His body pitched forward on the drive-way, nothing but a smoldering mess left where his head had been. Much slower, I turned around to see Vlad examining his fingernails, as if his hands weren't still ablaze in the flames that had blasted the ghoul's head off moments before. "What the hell was that?" I gasped. "Premature inflamation," he replied. "Happens sometimes. Very embarrassing. I don't like to talk about it.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
I bent down over my neighborhood, taking in the people there. At first, they'd just seemed arranged the same way they were everywhere else: in random formations, some in groups, some alone. Then, though, I saw the single figure at the back of my house, walking away from the back door. And another person, a girl, running through the side yard, where the hedge would have been, while someone else, with a badge and flashlight followed. There were three people under the basketball goal, one lying prone on the ground. I took a breath, then moved in closer. Two people were seated on the curb between Dave's and my houses: a few inches away two more walked up the narrow alley to Luna Blu's back door. A couple stood in the driveway, facing each other. And in that empty building, the old hotel, a tiny set of cellar doors had been added, flung open, a figure standing before them. Whether they were about to go down, or just coming up, was unclear, and the cellar itself was a dark square. But I knew what was down below. He'd put me everywhere. Every single place I'd been, with him or without, from the first time we'd met to the last conversation. It was all there, laid out as carefully, as real as the buildings and streets around it. I swallowed, hard, then reached forward, touching the girl running through the hedge. Not Liz Sweet. Not anyone, at that moment, not yet. But on her way to someone. To me.
Sarah Dessen (What Happened to Goodbye)
Remember that every person who you come into contact to on any given day has a story that is probably far more amazing than you will imagine and no one is going to just offer up their entire life's worth of experiences to you because you want them to. It takes time to draw someone's story out from within them. It takes trust. It takes sincerity and dedication. Keep in mind that each and every interaction you have with all those people on a daily basis is a unique opportunity to develop any kind of relationship with that person that the two of you might want to be a part of. It doesn't matter how you meet them or what it is that you do with them. It can be as mundane as waving to them in the morning as they leave their driveway, or it can be as huge as saving someone's life in a moment of uncertainty and sacrifice. Each person has the potential to become a friend or a lover or to simply teach you something important and then slip back into the endless rush of other bodies moving about the planet around us. Don't pass these chances up too often, or you'll get lost in the tide yourself.
Ashly Lorenzana
All right." He straightened up and seemed to be true to his promise to let it go. "I will be a man about this." That lasted until he saw the scratches on the hood from the mountain lion and the front fender, Where Abigail had dragged it off the driveway. Wailing, he went to it and sank to his knees. He sprawled over the hood and laid his head on the damaged fender. "I'm so sorry, Bets. I should of hidden the keys. Booted your tires. Something. I had know idea anyone would hurt you so, baby. I swear I'll never let anyone hurt you again. Ayyy, how could they do this to you? How? Oh the humanity!
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
It haunted him all night, while he slept alone; it was still there in the morning, when he swallowed his coffee and backed down the driveway in the crumpled old Ford. And riding to work, one of the youngest and healthiest passengers on the train, he sat with the look of a man condemned to a very slow, painless death. He felt middle-aged.
Richard Yates (Revolutionary Road)
Temporary Insanity had come a-knocking and I had shouted "Come on in the door is open." Luckily, Reality had come unexpectedly and found Temporary Insanity roaming the corridors of my mind unchecked, going into rooms, opening cupboards, reading my letters, looking in my underwear drawer, that kind of thing. Reality had run and got Sanity. And after a tussle, they both had managed to throw out Temporary Insanity and slam the door in his face. Temporary Insanity now lay on the gravel in the driveway of my mind, panting and furious, shouting, "She invited me in, you know. She asked me in. She wanted me there.
Marian Keyes (Watermelon (Walsh Family, #1))
My new apartment might be a place where there are lots of children. They might gather on my porch to play, and when I step out for groceries, they will ask me, "Hi, do you have any kids?" and then, "Why not, don't you like kids?" "I like kids," I will explain. "I like kids very much." And when I almost run over them with my car, in my driveway, I will feel many different things.
Lorrie Moore (Anagrams)
If this were a war year, if this were 1918 or 1944, I wouldn't be the only girl whose dad was never coming home. Think of that: a whole generation of us, daughters and young wives, waiting for a car that will never roll into the driveway. Waiting for a door that will never open again.
Jordan K. Weisman (Cathy's Book (Cathy Vickers Trilogy, #1))
With a quick check, he pulls out onto the road and we roar off in a trail of dust, leaving my stomach still somewhere on his driveway and my heart completely in his hands.
Samantha Towle (First Bitten (Alexandra Jones, #1))
The pleasures of my life here are simple – simple, inexpensive and democratic. A warm hill of Marmande tomatoes on a roadside vendor’s stall. A cold beer on a pavement table of the Café de France – Marie Thérèse inside making me a sandwich au camembert. Munching the knob of a fresh baguette as I wander back from Sainte-Sabine. The farinaceous smell of the white dust raised by a breeze from the driveway. A cuckoo sounding the perfectly silent woods beyond the meadow. A huge grey, cerise, pink, orange and washed-out blue of a sunset seen from my rear terrace. The drilling of the cicadas at noon – the soft dialing-tone of the crickets at dusk slowly gathers. A good book, a hammock and a cold, beaded bottle of blanc sec. A rough red wine and steak frites. The cool, dark, shuttered silence of my bedroom – and, as I go to sleep, the prospect that all this will be available to me again, unchanged, tomorrow.
William Boyd (Any Human Heart)
Aly smiles nervously. "So where you taking me?" By the grace of God, I choke down the response I'd like to give - back to my room - and force a nice, lighthearted smile as I back out of her long driveway. "All will be revealed in time.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
I'm thinking that it will be autumn soon," she said, lifting her gaze to his. "Autumn is my absolute favorite season. Spring is overrated. It's soggy and the trees are still bare from winter. Winter drags on and on, and summer is nice, but it's all the same. Autumn is different. I mean, is there any perfume in the world that can compare with the smell of burning leaves?" she asked with an engaging smile. Matt thought she smelled a hell of a lot better than burning leaves, but he let her continue. "Autumn —is thexincgitsinagre changing. It's like dusk." "Dusk?" "Dusk is my favorite time of day, for the same reason. When I was young, I used to walk down our driveway at dusk in the summer and stand at the fence, watching all the cars going by with their headlights on. Everyone had a place to go, something to do. The night was just beginning ..." She trailed off in embarrassment. "That must sound incredibly silly." "It sounds incredibly lonely.
Judith McNaught (Paradise (Paradise, #1))
When they separated, the freckleless spot between Pete's eyes was bright red. Before anything else could be said or done, May grabbed her bike and hopped on. She waited until she was six houses down to turn and see if he was still standing in the driveway watching her. He was. She stopped for just a moment, and they caught each other's eyes. Then he slowly started walking backward toward the house. May couldn't see that well, considering that her eyes were still a little blurry and he was far away, but it looked like he was smiling.
Maureen Johnson (The Key to the Golden Firebird)
Autumn is always a time of Fear and Greed and Hoarding for the winter coming on. Debt collectors are active on old people and fleece the weak and helpless. They want to lay in enough cash to weather the known horrors of January and February. There is always a rash of kidnapping and abductions of schoolchildren in the football months. Preteens of both sexes are traditionally seized and grabbed off the streets by gangs of organized perverts who traditionally give them as Christmas gifts to each other to be personal sex slaves and playthings. Most of these things are obviously Wrong and Evil and Ugly — but at least they are Traditional. They will happen. Your driveway will ice over, your furnace will blow up, and you will be rammed in traffic by an uninsured driver in a stolen car. But what the hell? That's why we have Insurance, eh? And the Inevitability of these nightmares is what makes them so reassuring. Life will go on, for good or ill. But some things are forever, right? The structure may be a little Crooked, but the foundations are still strong and unshakable.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
The time of dangling insects arrived. White houses with caterpillars dangling from the eaves. White stones in driveways. You can walk at night down the middle of the street and hear women talking on the telephone. Warmer weather produces voices in the dark. They are talking about their adolescent sons. How big, how fast. The sons are almost frightening. The quantities they eat. The way they loom in doorways. These are the days that are full of wormy bugs. They are in the grass, stuck to the siding, hanging in the hair, hanging from the trees and eaves, stuck to the window screens. The women talk long-distance to grandparents of growing boys. They share the Trimline phone, beamish old folks in hand-knit sweaters on fixed incomes. What happens to them when the commercial ends?
Don DeLillo (White Noise)
The house was quiet. Silently, I walked down the stairs and passed the peacock room where I found Mr. Kadam sitting and waiting for me. He took my bag and walked with me out to the car, then he opened my door, and I slid in to the seat and buckled my seatbelt. Starting the car, he circled the stone driveway slowly. I turned to take one last look at the beautiful place that felt like home. As we started down the tree-lined road, I watched the house until the trees blocked my view. Just then, a deafening, heartrending roar shook the trees. I turned in my seat and faced the desolate road ahead.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Question." "Yes," Candace asked expectantly, eyes fixed on the dark street ahead. "Have you ever had to chose sides between a friend and a boyfriend?" Candace nodded. "Which side are you suppose to pick?" "The right one." "What if they're both right?" "They're not." "But they are," Melody insisted. "That's the problem." "No." Candace slowly rolled past a police cruiser. "They both think they're right. But who do you think is right? Which side represents the thing you think is worth fighting for?" Melody glanced out the window as though she was expecting the answer to be revealed on a neighbor's lawn. Every house except hers had the lights turned off. "I dunno." "You do," Candace insisted. "You just don't have the courage to be honest with yourself. Because then you'd have to do the thing you don't want to do, and you hate doing anything that's hard. Which is why you gave up singing and why you have no life and why you've always been a -" "Um okay! Can we get back to the part where you were sounding like Oprah?" "I'm just saying, Melly, what would you do if you weren't afraid? That's your answer. That's your side." She turned into the circular driveway and put the SUV in PARK. "And if you don't choose it, you're lying to yourself and everyone around you." She opened the door and grabbed her purse. "Oprah out!" The door slammed behind her.
Lisi Harrison (Monster High (Monster High, #1))
• At 1 A.M. I'd pull on my coat, my boots. Walk down the stairway, out the door, down the long driveway to the road. Sometimes, I'd go to the stoned boy's house. We'd sit and watch TV. We'd have sex, sometimes. I remember only that the bedroom had two windows through which blue light spilled, and it smelled sticky sweet. His guitar leaned against the wall. Sometimes, I'd just walk. Down roads and up roads, through hills, through the neighborhoods, cold. Counting the small squares of lamplight in the houses where someone was still awake. I wondered who they were, and what kept them up. I went down to the little strip mall, the all-night 7-Elevena single glow beside the dark bluegrass bar, the dark deli, the dark beauty salon, Acrylic's Only $19. I bought a thirty-two-ounce cup of coffee, black. I sat outside on the bench, smoking, holding the cup in both hands.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
In a spirit of mutinous resistance, she climbed the steep grassy slope to the bridge, and qhen she stood on the driveway, she decided she would stay there and wait until something significant happened to her. This was the challenge she was putting to existence – she would not stir, not for dinner, not ever for her mother calling her in. She would simply wait on the bridge, calm and obstinate, until events, real events, not her own fantasies, rose to her challenge, and dispelled her insignificance.
Ian McEwan (Atonement)
She was getting used to his rhythms and his moods, recognizing the quiet signals that telegraphed who he was. Good and bad, strengths and faults, he was hers forever. As she pulled into the driveway, she spotted Logan coming down the steps from the house, and she waved. She was his forever, too—imperfect as she was. Take it or leave it, she thought. She was who she was. As Logan walked toward her, he smiled as if reading her mind and opened his arms.
Nicholas Sparks
Sara noticed my hesitation and grabbed my hand to drag me down the stairs. 'Bye.' I waved before I disappeared. 'You are so full of shit,' Sara accused when we pulled out of the driveway. My jaw dropped. 'If there was any more sexual tension in that room...' 'What?' I interrupted with a laugh. 'You are definitely seeing things that aren't there.
Rebecca Donovan (Reason to Breathe (Breathing, #1))
Jack had been a jerk that night, even though I tried not to remember that part. It felt like I wasn't missing him properly if I let myself remember how much I'd despised him sometimes. Instead I tried to remember what he looked like grinning and dirty in the driveway, though these days it felt more like I was remembering a memory of a memory of his smile instead of the smile itself. When I thought too hard about that, it made me feel weightless and untethered.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
I own guns. Fortunately, I have never had to use them, but, believe me, I feel a lot safer knowing that they are there. I also have a concealed-carry permit that allows me to carry a concealed weapon. I took the time and the effort to get that permit because the constitutional right to defend yourself doesn’t stop at the end of your driveway. That doesn’t apply just to me either. It applies to all our driveways or front doors.
Donald J. Trump (Great Again: How to Fix Our Crippled America)
I had to get out. Move. I ran through neighborhoods, other lives, other worlds. Solipsism. A man on his lawn mower. Green and yellow. A high-school kid with earphones, washing his car, suds creeping down the driveway. High in the bright blue sky the moon showed like a fading fingerprint. It seemed so weak, so out of place, as if it stumbled into broad daylight by mistake. Unseen protons dying by the billions.
Jerry Spinelli (Smiles to Go)
How is Mia, anyway?” I ask. Ansel looks up at me with the most goofy, dimpled smile I’ve ever seen. “Perfect.” “Ugh,” Oliver says, setting his fork down. “Do not get him started. Lola says she’s had to start warning them before she comes over. Last time she could hear them all the way down Julianne’s driveway.” Ansel only shrugs, looking disgustingly pleased with himself. “What can I say? I am quite the vocal lover, and would never stifle the loud, satisfied cries of my wife during what is possibly the best sex anyone has ever had.” He leans in, looks us both in the eye in turn, and repeats, “Ever”.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Though she would have preferred long ago to have died, fled, gotten it all over with, the body--Jesus, how the body!--took its time. It possessed its own wishes and nostalgias. You could not just turn neatly into light and slip out the window. You couldn't go like that. Within one's own departing but stubborn flesh, there was only the long, sentimental, piecemeal farewell. Sir? A towel. Is there a towel? The body, hauling sadness, pursued the soul, hobbled after. The body was like a sweet, dim dog trotting lamely toward the gate as you tried slowly to drive off, out the long driveway. Take me, take me, too, barked the dog. Don't go, don't go, it said, running along the fence, almost keeping pace but not quite, its reflection a shrinking charm in the car mirrors as you trundled past the viburnium, past the pin grove, past the property line, past every last patch of land, straight down the swallowing road, disappearing and disappearing. Until at last it was true: you had disappeared.
Lorrie Moore (Birds of America: Stories)
You've passed like three stores that sell batteries," she says. "We need to get one now in case it's too late on our way back." “You don’t need a battery. Your battery is fine,” I say. I avoid looking over at her but I can see her watching me, waiting for more explanation. I don’t immediately respond. I flick the blinker on and turn onto my grandparent’s street. When I pull into their driveway, I turn the car off and tell her the truth. What harm could it do at this point? “I unhooked your battery cable before you tried to leave today.” I don’t wait for her reaction as I get out of the car and slam the door. I’m not sure why I slam the car door. I’m not mad at her, I’m just frustrated. Frustrated that she doubts me after all this time. “You what!?” she yells. When she gets out of the car, she slams her door intentionally. I keep walking, shielding the wind and snow with my jacket until I reach the front door. She rushes after me. I almost walk inside without knocking but remember how it feels, so I knock. “I said I unhooked your battery cable. How else was I going to convince you to ride with me?” "That's real mature, Will.
Colleen Hoover (Point of Retreat (Slammed, #2))
I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.
Iain Banks (The Crow Road)
You’re awfully quiet.” Her head snapped the other way, heat creeping up into her cheeks as she focused on the ocean below. “Just waiting for all of this to sink in.” “Oh.” He chuckled. “I was hoping you were staring at me because you liked what you saw.” Clio grinned, shaking her head. “I thought you were concentrating on the road.” He pulled into a cobblestone driveway. The truck vibrated as they rumbled over the uneven surface. When he stopped in front of a cottage, he turned off the engine and met her eyes. “I have a hard time concentrating on anything but you when you’re around.” Her heart pounded. “No one’s ever had that problem around me before.” “I call bullshit.” He rolled his eyes. “I’ve been wishing you’d notice me since the day we met.” Her jaw dropped. “I always notice you. Why do you think I’m at the theater site so often?” He reached over to run a finger along her jawline. “You’re beautiful, Clio. But you’re so busy with your books and reading about the past, you must not notice the effect you have on everyone in the present.
Lisa Kessler (Devoted to Destiny (Muse Chronicles, #5))
As Tuck reverses out of the driveway, my gaze rests on Garrett’s black Jeep, all shiny in its parking space while its owner spends the night with the coolest girl on the planet and— And enough. This obsession with Hannah Wells is really starting to mess with my head. I need to get laid. ASAP. Tucker is noticeably quiet during the drive to Omega Phi. He might also be frowning, but it’s hard to tell considering someone shaved off all of Hugh Jackman’s body hair and pasted it on Tuck’s face.
Elle Kennedy (The Mistake (Off-Campus, #2))
Selfish as this sounds, I meant what I said earlier,” he finally says. I try to remember what he said, but everything is kind of a blur. “Which part?” “The ‘I’m glad you came tonight’ part.” So I’m not imagining the nudging or the sparks or what I could have sworn was his thumb tracing circles on the back of my hand while we walked to his car. “Mmm. Well in that case, I meant what I said, too.” He kicks a rock I’m two steps from tripping over out of my path. “You said the potholes in Leslie’s driveway suck.
Kate Avelynn (Flawed)
Weeks later, she said: 'The guy was about middle-aged. All his things right there in his yard. No lie. We got real pissed and danced. In the driveway. Oh, my God. Don't laugh. He played us these records. Look at this record-player. The old guy gave it to us. And all these crappy records. Will you look at this shit?' She kept talking. She told everyone. There was more to it, and she was trying to get it talked out. After a time, she quit trying
Raymond Carver
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
Terrifying things happen in even ordinary houses, with ordinary families. Terrifying things come in very small pieces, slowly seeping in. I took a walk down the driveway on our land, just to feel the trees reach for me in the dark. I touched their leaves. Those trees whispered, You are a conduit. That’s what they said! To me. And I understood--I was between mother and child, between the natural world and the concrete overtaking us, between the living and the dead, and I could hear history talking to me, showing me its stories in code. It sounded crazy, but not as crazy as pretending our lives were new, and separate from all the people who had come and died before.
Monica Drake (The Folly of Loving Life)
So let’s talk a little about April May’s theory of tiered fame. Tier 1: Popularity You are a big deal in your high school or neighborhood. You have a peculiar vehicle that people around town recognize, you are a pastor at a medium-to-large church, you were once the star of the high school football team. Tier 2: Notoriety You are recognized and/or well-known within certain circles. Maybe you’re a preeminent lepidopterist whom all the other lepidopterists idolize. Or you could be the mayor or meteorologist in a medium-sized city. You might be one of the 1.1 million living people who has a Wikipedia page. Tier 3: Working-Class Fame A lot of people know who you are and they are distributed around the world. There’s a good chance that a stranger will approach you to say hi at the grocery store. You are a professional sports player, musician, author, actor, television host, or internet personality. You might still have to hustle to make a living, but your fame is your job. You’ll probably trend on Twitter if you die. Tier 4: True Fame You get recognized by fans enough that it is a legitimate burden. People take pictures of you without your permission, and no one would scoff if you called yourself a celebrity. When you start dating someone, you wouldn’t be surprised to read about it in magazines. You are a performer, politician, host, or actor whom the majority of people in your country would recognize. Your humanity is so degraded that people are legitimately surprised when they find out that you’re “just like them” because, sometimes, you buy food. You never have to worry about money again, but you do need a gate with an intercom on your driveway. Tier 5: Divinity You are known by every person in your world, and you are such a big deal that they no longer consider you a person. Your story is much larger than can be contained within any human lifetime, and your memory will continue long after your earthly form wastes away. You are a founding father of a nation, a creator of a religion, an emperor, or an idea. You are not currently alive.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
You sure you won't come?' she asks. She always asks when she's going out with Drew. But I won't subject myself to that, even to be close to her. Drew pulls into the driveway and saves me from having to answer. 'Nice boots. I like it. Maybe I'll let you keep those on.' She flips him off but it means nothing. 'You should come,' he says to me. 'I can hook you up.' 'Hook yourself up. I'm good.' 'Yeah, we know.' He looks at Nastya. 'I'm good, too. I have my own personal Sunshine to keep me warm.' Something in me snaps with that. He goes out with her; he touches her; he says shit no one should be allowed to get away with to her. But he cannot call her Sunshine. I'm nailing a board down over my anger so I don't blow up. They'll be out of here in a minute and it'll be over. I wish they'd get out of here now. 'Call me Sunshine again, and I will murder you, cocksucker.
Katja Millay (The Sea of Tranquility)
Ray, people will come Ray. They'll come to Iowa for reasons they can't even fathom. They'll turn up your driveway not knowing for sure why they're doing it. They'll arrive at your door as innocent as children, longing for the past. Of course, we won't mind if you look around, you'll say. It's only $20 per person. They'll pass over the money without even thinking about it: for it is money they have and peace they lack. And they'll walk out to the bleachers; sit in shirtsleeves on a perfect afternoon. They'll find they have reserved seats somewhere along one of the baselines, where they sat when they were children and cheered their heroes. And they'll watch the game and it'll be as if they dipped themselves in magic waters. The memories will be so thick they'll have to brush them away from their faces. People will come Ray. The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time. This field, this game: it's a part of our past, Ray. It reminds of us of all that once was good and it could be again. Oh.. people will come Ray. People will most definitely come.
Phil Robinson
Don't pretend you don't like it when I treat you as a lady.” “Maybe I don't.” Despite that, he still opened the car door for me, with his lips curving up into a careless grin. “Girls always do that,” he said, “—pretend they think you're taking their independence from them if you open a door. But that's not the case.” “Well, what is the case?” I sat down on the front seat—leaving my feet on the driveway. “Simply that we're demonstrating good-breeding; showing the girl we're worthy and capable of taking care of her—that we're polite, considerate and nurturing.” I folded my arms. “Women don't need nurturing—or to be taken care of. We can fend for ourselves. We're equal to men, you know.
Angela M. Hudson (Tears of the Broken (Dark Secrets, #0))
Would you like to know how Charlotte got those nine stitches?" I asked suddenly, in a tone of voice that sounded perfectly normal to me. "We were up at the Lake. Seymour had written to Charlotte, inviting her to come up and visit us, and her mother finally let her. What happened was, she sat down in the middle of our driveway one morning to pet Boo Boo's cat, and Seymour threw a stone at her. He was twelve. That's all there was to it. He threw it at her because she looked so beautiful sitting there in the middle of the driveway with Boo Boo's cat. Everybody knew that for God's sake-me, Charlotte, Boo Boo, Waker, Walt, the whole family." I stared at the pewter ashtray on the coffee table. "Charlotte never said a word to him about it. Not a word." I looked up at my guest, rather expecting him to dispute me, to call me a liar. I am a liar, of course. Charlotte never did understand why Seymour threw that stone at her. My guest didn't dispute me though.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
As we were about to cross the road, Davin suddenly grabbed my wrist and held me back a moment; a car peeled out of the driveway and roared past us. “Geez,” I gasped, and then, glancing at him curiously, I added, “Thanks.” He didn’t say anything, but slowly released my wrist. Before he completely withdrew, I took his hand and interlaced my fingers through his. He looked at me, his lips parted in surprise, but then he smiled shyly and gave my hand a squeeze as we kept walking. It gave me a feeling of nervous flutters in the best way. As we walked up to the doors, Jill and Laurel came bursting out the exit.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
He came cripping slowly back up the driveway - when an African remembrance flashed into his mind, and near the front of the house he bent down and started peering around. Determining the clearest prints that Kizzy's bare feet had left in the dust, scooping up the double handful containing those footprints, he went rushing toward the cabin: The ancient forefathers said that precious dust kept in some safe place would insure Kizzy's return to where she made the footprints. He burst through the cabin's open door, his eyes sweeping the room and falling upon his gourd on a shelf containing his pebbles. Springing over there, in the instant before opening his cupped hands to drop in the dirt, suddenly he knew the truth: His Kizzy was gone; she would not return. He would never see his Kizzy again. His face contorting, Kunta flung his dust toward the cabin's roof. Tears bursting, from his eyes, snatching his heavy gourd up high over his head, his mouth wide in a soundless scream, he hurled the gourd down with all his strength, and it shattered against the packed-Earth floor, his 662 pebbles representing each month of his 55 rains flying out, ricocheting wildly in all directions.
Alex Haley (Roots)
It took almost an hour to get to Bernard's house. Somewhere in Long Island. Beautiful trees. I'd never seen such beautiful trees. Out in the driveway, one of Bernard's nephews had slit his pants legs to the knee and was running up and down in the sunlight, watching how they caught the breeze. Inside the house, people stood around a table piled with food talking about Isaac. I knew I didn't belong there. I felt like a fool and an imposter. I stood by the window, making myself invisible. I didn't think it would be so painful. And yet. To hear people talk about the son I'd only been able to imagine as if he were as familiar to them as a relative was almost too much to bear. So I slipped away. I wandered through the rooms of Isaac's half-brother's house. I thought: My son walked on this carpet. I came to a guest bedroom. I thought: From time to time, he slept in this bed. This very bed! His head on these pillows. I lay down. I was tired, I couldn't help myself. The pillow sank under my cheek. And as he lay here, I thought, he looked out this very window, at that very tree.
Nicole Krauss (The History of Love)
Sometimes, I guess, an over-valent idea enters the mind as a problem, or imaginary problem. This is not so rare. You are getting ready for bed, late at night, and all of a sudden the idea comes into your mind that you did not shut off your car lights. You look out the window at your car-which is parked in your driveway in plain sight-and you can see that it shows no lights. But then you think: Maybe I left the lights on and they stayed on so long that they ran the battery down. So to be sure, I must go out and check. You put on your robe and go out, unlock the car door, get in and pull on the headlight switch. The lights come on. You turn them off, get out, lock up the car and return to the house. What has happened is that you have gone crazy; you have become psychotic. Because you have discounted the testimony of your senses; you could see out the window that the car lights were not on, yet you went out to check anyhow. This is the cardinal factor: you saw but you did not believe. Or, conversely, you did not see something but you believed it anyhow. Theoretically, you could travel between your bedroom and the car forever, trapped in an eternal closed loop of unlocking the car, trying the light switch, returning to the house-in this regard you herewith are a machine. You are no longer human.
Philip K. Dick (The Transmigration of Timothy Archer)
When Batty got back home from walking the dogs, there were teenagers lounging all over the place, some left over from the basketball game, some arriving for the birthday dinner, some who fit into both categories. For once, she hardly cared, too delighted to see that Oliver's sleek car was no longer in the driveway. Hoping that he was gone forever, she rushed into the house and ended up in the kitchen, where dinner preparations were in full swing. Mr. Penderwick was chopping up vegetables for quesadillas, Rosalind was pulling a cake out of the oven, Jeffrey was shredding cheese, and Iantha was cooking up small, plain cheese quesadillas for Lydia, who was to be fed before the big dinner got rolling. Then there were the non-workers: Lydia in her high chair, wearing both her crown and her lamb bib, her new pink rabbit beside her; Jane sitting cross-legged on the floor, in everyone's way; Ben, strutting around, showing off his new Celtics T-shirt; and Asimov, sticking close to Jeffrey, hoping for falling cheese.
Jeanne Birdsall (The Penderwicks in Spring (The Penderwicks, #4))
Making Waves I would do anything for you. Would you be yourself? In the Hans Christian Anderson classic, The Little Mermaid, Ariel gives up her beautiful voice in exchange for legs. This is a seemingly innocent fable that captures our deal with the modern devil. For aren't we taught that mobility is freedom, whether it be moving from state to state, or from marriage to marriage, or from adventure to adventure? Aren't we convinced that upward mobility, moving from job to job, is the definition of success? Of course, there is nothing inherently wrong with change or variety or newness or with improving our condition. The catch is when we are asked to give up our voice in order to move freely, when we are asked to silence what makes us unique in order to be successful. When not making waves means giving up our chance to dive into the deep, then we are bartering our access to God for a better driveway. As a story about relationship, the lesson of Ariel is crucial. On the surface, her desire for legs seems touching and sweetly motivated by love and the want to belong. Yet here too is another false bargain that plagues everyone who ever tries it. For no matter how badly we want to love or be loved, we cannot alter our basic nature and survive inside, where it counts.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
But when I thought my mind was altogether taken up with other things, as I stood on a railway station platform, waited by a car, entered or left a house, walked up or down a driveway, went out into the cold, went back in out of the cold, I would suddenly remember the sweet smell of his skin, and I would miss his open arms, how perfectly still he was when he opened his arms to me, as though all his attention was on me and on taking me into his arms, whereas with another man before him, and then another, there had been no room for me, they were all hard surface, they were always moving too quickly, rushing here and there, usually away from me, or past me, intent on their own business, only now and then straight toward me, when I, too, became their business. He paid attention, he watched, he listened, he thought about me when he was not with me, nothing was lost on him, nothing of me as he perceived me. Even in his sleep, he was attentive, and woke up enough to tell me he loved me, whereas other men, intent on the business of sleeping, would be disturbed and hiss at me: “Stop moving!
Lydia Davis (The End of the Story)
It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
By the time she’d run full circle, reaching her house, her T-shirt was saturated in sweat, and she felt relaxed from head to toe. It was the car in the driveway, and the man-boy perched on the hood waiting for her, that made her lose some of her newfound tranquility. He was grinning at her in a way that made her legs feel like they were made her legs feel like they were made of nothing more solid then gelatin. They might have even quivered from something other than her early-morning run. “What are you doing here?” she asked as she slowed from a jog to a walk and places her hands on her hips. It would take her a few minutes to get her breathing back to normal. Longer if he kept smiling at her like that. He shrugged. “I couldn’t sleep. What about you?” She opted for the obvious and filled her voice with as much sarcasm as she could. “I live here, actually.” “Ha-ha, smart-ass. I was asking if maybe you couldn’t sleep too.” He shook his head at her wisecrack. “You know, since you were running at six-thirty in the morning? I was gonna see if you wanted to go for a walk or something.” He eyes her up and down, looking a little disappointed as he hopped down from the car’s hood. “But it looks like you already went without me. That’s okay, it was a long shot anyway.” Violet didn’t like the way she was suddenly so eager to be near him. Even though they’d been nearly inseparable for the past ten years, it now felt urgent to keep him close. “All right, let’s go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))