Drip Harder Quotes

We've searched our database for all the quotes and captions related to Drip Harder. Here they are! All 34 of them:

We experience the externalities of the attention economy in little drips, so we tend to describe them with words of mild bemusement like “annoying” or “distracting.” But this is a grave misreading of their nature. In the short term, distractions can keep us from doing the things we want to do. In the longer term, however, they can accumulate and keep us from living the lives we want to live, or, even worse, undermine our capacities for reflection and self-regulation, making it harder, in the words of Harry Frankfurt, to “want what we want to want.” Thus there are deep ethical implications lurking here for freedom, wellbeing, and even the integrity of the self.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
For the first time since I was a little kid, hot tears burned in my eyes and dripped down one of my cheeks. Unable to restrain myself, I reached out for Abby, wrapped her small frame in my arms, and planted my lips on hers. Her mouth was cold and stiff, so I cradled her face in my hands, kissing her harder, desperate to get a reaction. “Kiss me,” I begged.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Let go!” I insisted. He ignored me. I staggered along sideways across the wet sidewalk until we reached the Volvo. Then he finally freed me – I stumbled against the passenger door. “You are so pushy!” I grumbled “It’s open,” was all he responded. He got in the driver’s side. “I am perfectly capable of driving myself home!” I stood by the car, fuming. It was raining harder now, and I’d never put my hood up, so my hair was dripping down my back. He lowered the automatic window and leaned toward me across the seat. “Get in, Bella.” I didn’t answer. I was mentally calculating my chances of reaching the truck before he could catch me. I had to admit it, they weren’t good. “I’ll just drag you back,” he threatened, guessing my plan.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
A part of them must be relieved they no longer have front-row seats watching as the world breaks you. It’s hard to die. Harder to watch someone else do it, and make no mistake, that’s what you two were doing before now. Dying in plain sight, inch by inch, dream by dream, drip by drip. You’ve given them the gift of letting them look away, and I’m just warning you they might not like you returning that gift for store credit.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
The blades touched my abdomen. A cold shock ran through me, and my head began to spin. If he had pressed just a bit harder, the scissors might have pierced my soft belly. The skin would have peeled back, the fat beneath laid bare. Blood would have dripped on the bedspread.
Yōko Ogawa (Hotel Iris)
I love you, Jacks.' He closed his eyes as she said the word love. She hoped a little harder. She wanted to ask him to look at her, but all that mattered was that he didn't let her go. 'I used to wonder if fate was real,' she said gently. 'I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was your true love. But now I don't care if fate is real- because I don't need it to decide for me. I don't it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart- including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.' 'I think I already am.' He opened his eyes as they dripped red tears. 'Let me go, Evangeline.' 'Tell me you won't set fire to your heart, and I will let you go.' 'Don't ask me to do that.' 'Then don't ask me to let you go!
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Oh, God, I would give anything to change the past,” he gasped. “To make it so that the last thing you saw was not me walking away from you. In your memories I am forever one and twenty, and cocky, and sneering, and looking self-righteous. And I’ve changed, Beth,” he gasped, choking on a sob he could not hide. “I want so damn much for you to see how I’ve changed. To see me now. There are no lies in my eyes. No motives other than to show you that I am not the callous man I was. And that I love you…. I love you so damn much.” He was crying. The tears trickled unchecked down his cheeks, dripping onto his lips. She touched them, wiped them away, which only caused them to spill faster and harder.
Charlotte Featherstone (Temptation & Twilight (The Brethren Guardians, #3))
still dripped down my naked torso as I brushed my teeth in the vanity mirror. My dark hair looked
Kirsty Dallas (Decker's Wood (Kink Harder Presents #1))
Drip of a drop, Don't name it a tear, It's hard to cry with tears, harder without, To smother a sob without a sound, to bite your forefinger in helplessness, and cry out Hey! Where's the pill I can take to cure this? What's the doctor's name? What operation can save me?
Piri Thomas
Single parenthood: Where you bite every bullet Suck up spells of pouring rain And wake with open wounds Still dripping with the liquid of yesterday's pain The objective being to simply get up, withstand, endure Fight an inch harder, love a little more And draw a smile on your face Tie a ribbon of calm around your racing heart For the one(s) that you so beautifully adore
Christine Evangelou (Diamonds Through The Dark: The Poetry I Am in Love, Faith and Fire)
She came towards me with a juicy gash between her legs that smelled like my best friend's sister" Just when I thought I'd escaped them all She comes reeling herself in pulling at my strings her hand quick to find my zipper She moaned the way a drunk old lady does And I wasn't even inside her yet "You don't have anywhere else to be," she managed to say... "My wounds have been reopened tonight already," I muttered I caught wind of the gully ...the part of her she once kept sacred as a Christian I smelled the information I lifted my hand into the air and hailed a cab He rolled down his window and saw her "Find another cab," he said, and sped off into the night I took her home because she said she was lonely really she was drunk off something some memory or some choice she walked funny... -one of her heels had broken On the couch I left her, Before I could go, she grabbed my cock I slapped her across the face and she pulled harder Her eyes stayed closed Her lips dripped Her grip clenched I wasn't getting out of this one unscathed "If I take my pants off, will you let me go?" I asked "If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..." I slapped her again, because she needed it She laughed Saying her cousin beat her harder Saying her father knew how to really... ...make things happen I asked her what her father's number was Let's get his motherfucking self up here to take you away, that's what I said She said he died, or killed himself "What's the difference really," she said, chewing on her hair She let go of my cock on her own accord And she opened her eyes for a moment She closed them again And I could tell she was sleeping Her eyes opened once more Her face red where I'd hit her She tasted the blood on her lip "Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?" I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes- the sweetness of a strawberry, it’s juice dripping onto her chin; a buttery pastry melting in her mouth. Smells - flowers on a front lawn, a colleague‘s perfume, seaweed washed up on the shore, Matt’s sweaty body in bed at night. Sounds – the strings on a cello, the screech of a car, her nephew’s laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She’s become hyper-present. When people delude themselves into believing they have all the time in the world, she noticed, they get lazy. She hadn’t expected to experience this pleasure in her grief, to find it invigorating, in a way. But even as she’s dying, she’s realized, life goes on - even as the cancer invades her body, she still checks Twitter. At first she thought, why would I waste even ten minutes of the time I have left checking Twitter? And then she thought, why wouldn’t I? I like Twitter! She also tries not to dwell on what she’s losing. “I can breathe fine now, “Julie says, “but it’ll get harder, and I’ll grieve for that. Until then, I breathe.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
I moaned. “Gonna make this fast and hard,” he murmured against my skin. He lifted up my leg and pushed inside of me, stretching and filling me in two hard long thrusts. He started pumping into me before my body was ready for him and the bite of pain made each stroke torturously erotic. “Never felt nothing like this, Ti. Wanna fuck you and smack the living shit out of you all at the same time. Don’t know what this is, but it makes me want to keep you filled with my cock all day long and dripping with my cum. I want to mark you. I want to fucking own you.” He grunted as his thrusts became harder, more frantic, more erratic. Just more. “What the fuck are you doing to me?” he asked on a ragged exhale. Sparks
T.M. Frazier (King Series Bundle (King, #1-4))
The arrival of winter made the matter even more acute, for it multiplied the daily hardships imposed by the German air campaign. Winter brought rain, snow, cold, and wind. Asked by Mass-Observation to keep track of the factors that most depressed them, people replied that weather topped the list. Rain dripped through roofs pierced by shrapnel; wind tore past broken windows. There was no glass to repair them. Frequent interruptions in the supply of electricity, fuel, and water left homes without heat and their residents without a means of getting clean each day. People still had to get to work; their children still needed to go to school. Bombs knocked out telephone service for days on end. What most disrupted their lives, however, was the blackout. It made everything harder, especially now, in winter, when England’s northern latitude brought the usual expansion of night. Every December, Mass-Observation also asked its panel of diarists to send in a ranked list of the inconveniences caused by the bombings that most bothered them. The blackout invariably ranked first, with transport second, though these two factors were often linked. Bomb damage turned simple commutes into hours-long ordeals, and forced workers to get up even earlier in the darkness, where they stumbled around by candlelight to prepare for work. Workers raced home at the end of the day to darken their windows before the designated start of the nightly blackout period, a wholly new class of chore. It took time: an estimated half hour each evening—more if you had a lot of windows, and depending on how you went about it. The blackout made the Christmas season even bleaker. Christmas lights were banned. Churches with windows that could not easily be darkened canceled their night services.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
I owe you nothing.” “You’ve given me less than that, all my life, but you’ll give me this. What did you do with Tysha?” “Tysha?” He does not even remember her name. “The girl I married.” “Oh, yes. Your first whore.” Tyrion took aim at his father’s chest. “The next time you say that word, I’ll kill you.” “You do not have the courage.” “Shall we find out? It’s a short word, and it seems to come so easily to your lips.” Tyrion gestured impatiently with the bow. “Tysha. What did you do with her, after my little lesson?” “I don’t recall.” “Try harder. Did you have her killed?” His father pursed his lips. “There was no reason for that, she’d learned her place… and had been well paid for her day’s work, I seem to recall. I suppose the steward sent her on her way. I never thought to inquire.” “On her way where?” “Wherever whores go.” Tyrion’s finger clenched. The crossbow whanged just as Lord Tywin started to rise. The bolt slammed into him above the groin and he sat back down with a grunt. The quarrel had sunk deep, right to the fletching. Blood seeped out around the shaft, dripping down into his pubic hair and over his bare thighs. “You shot me,” he said incredulously, his eyes glassy with shock. “You always were quick to grasp a situation, my lord,” Tyrion said. “That must be why you’re the Hand of the King.” “You… you are no… no son of mine.” “Now that’s where you’re wrong, Father. Why, I believe I’m you writ small. Do me a kindness now, and die quickly. I have a ship to catch.” For once, his father did what Tyrion asked him. The proof was the sudden stench, as his bowels loosened in the moment of death. Well, he was in the right place for it, Tyrion thought. But the stink that filled the privy gave ample evidence that the oft-repeated jape about his father was just another lie. Lord Tywin Lannister did not, in the end, shit gold.
Anonymous
For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
I tell Jack by accident. We’re talking on the phone about unprotected sex, how it isn’t good for people with our particular temperament, our anxiety like an incorrigible weed. He asks if I’ve had any sex that was “really stressful,” and out the story comes, before I can even consider how to share it. Jack is upset. Angry, though not at me. I’m crying, even though I don’t want to. It’s not cathartic, or helping me prove my point. I still make joke after joke, but my tears are betraying me, making me appear clear about my pain when I’m not. Jack is in Belgium. It’s late there, he’s so tired, and I’d rather not be having this conversation this way. “It isn’t your fault,” he tells me, thinking it’s what I need to hear. “There’s no version of this where it’s your fault.” I feel like there are fifty ways it’s my fault. I fantasized. I took the big pill and the small pill, stuffed myself with substances to make being out in the world with people my own age a little bit easier. To lessen the space between me and everyone else. I was hungry to be seen. But I also know that at no moment did I consent to being handled that way. I never gave him permission to be rough, to stick himself inside me without a barrier between us. I never gave him permission. In my deepest self I know this, and the knowledge of it has kept me from sinking. I curl up against the wall, wishing I hadn’t told him. “I love you so much,” he says. “I’m so sorry that happened.” Then his voice changes, from pity to something sharper. “I have to tell you something, and I hope you’ll understand.” “Yes?” I squeak. “I can’t wait to fuck you. I hope you know why I’m saying that. Because nothing’s changed. I’m planning how I’m going to do it.” “You’re going to do it?” “All different ways.” I cry harder. “You better.” I have to go put on a denim vest for a promotional appearance at Levi’s Haus of Strauss. I tell Jack I have to hang up now, and he moans “No” like I’m a babysitter wrenching him from the arms of his mother who is all dressed up for a party. He’s sleepy now. I can hear it. Emotions are exhausting to have. “I love you so much,” I tell him, tearing up all over again. I hang up and go to the mirror, prepared to see eyeliner dripping down my face, tracks through my blush and foundation. I’m in LA, so bring it on, universe: I can only expect to go down Lohan style. But I’m surprised to find that my face is intact, dewy even. Makeup is all where it ought to be. I look all right. I look like myself.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot. “My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.” He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!” “I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam. There was a loud splash and a splatter of water drops. Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away. “My lord?” she asked gingerly. “Did you… did you just fall into the fountain?” “No,” came his sour reply. “You pushed me into the fountain.” “It was entirely unintentional, I assure you.” Daisy forced herself to look at him. Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably. He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk. Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes. The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.” Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips. His eyes widened at the gesture. “You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I hurried into the living room, and the kernel grew until it filled my sternum. They weren’t there. The play mat was empty. “Elliot?” I called. “Where are you?” Only a second or two passed, but it felt like an eternity. Finally, Elliot appeared in the kitchen doorway, Joey in his arms. “We’re here,” he answered. My heart was still lodged firmly in my throat. “You’re holding her.” He had my daughter against his chest, facing outward, his hand on her belly to keep her stable. She seemed content, her head resting against him, his suit sleeve clenched in her fist. Somehow, this was different than when Raymond held her. Ray loved Joey, and they were buddies. It made me smile to see them together. But this…I wasn’t smiling. Despite myself, my thighs pressed together, and heat flooded my core. What is this? “She seemed bored, so I took her out back to see the birds.” He patted her round middle. “If I measure her enjoyment by the amount of drool that dripped on my arm, she liked it very much.” A slightly hysterical laugh bubbled out of me. This was all so surreal. “My daughter drooled on you?” “She did.” “You don’t seem mad.” He lifted a shoulder. “I’m not a monster, Catherine. I knew the risks of holding a baby and picked her up anyway.” He jiggled her softly, and she settled even more in his arms. I didn’t know how to handle this man holding my daughter so delicately—or my body’s immediate reaction. I walked toward them, intent on taking her back, giving him the schematics, and hustling him out of there so I could regain a semblance of equilibrium. “You’re limping.” I stopped moving. “Yes. I stubbed my toe. I’m fine, though.” He closed the distance between us. When Joey alighted on me, she gave me my favorite smile: open-mouthed with the sweetest little coo. “Hi, Joey-Girl,” I cooed back. “Did you get a ride with Elliot? He’s so tall, isn’t he? You’ve never been that high up before.” “Her father’s short?” I huffed. “No. He’s pretty tall too.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
This was just crying. Soft, quiet tears slipping down my cheek, dripping off my chin. They were quiet, understated. And yet, somehow they went deeper, struck harder, cut more sharply. Sobbing was a bludgeoning blow, crushing you and crushing you, blunt force trauma to your soul. This kind of crying, this was a razor blade to the flesh. So sharp you didn’t even feel it slicing down to the bone in a single motion.
Jasinda Wilder (Beta (Alpha, #2))
It's easy to hate evil when it's ugly. A bit harder when it's got a pretty face and lips that drip sugar.
Daniel Arenson (The Gods of Dream: An Epic Fantasy)
January 2013 Continuation of Andy’s Message (part two)   …It was great to skinny dip in such a beautiful environment. It was difficult not to fall prey to these two attractive, brown-skinned boys with their enticing brown eyes, exotic smiles and seductive charms. In turn, they found my masculinity irresistible. That evening we frolicked under the silvery moon.               Amidst the gentle rolling waves, we lay on the shoreline. I was in heaven when they enveloped me in a dizzying spell of unbridled resignation. Both of them took turns lapping at the fiber of my existence, teasing and caressing my engorgement with agile dexterity. I could no longer hold off my essence and sprayed on their faces. We shared my dripping rivulets in a passionate three-way kiss. When they continued suckling my penis, I was steered back to life. I had to possess their tenderness. I took turns pleasuring their puckering fissures as they begged for my stiffness with irrepressible gusto. Boy, did they love my proclivity! The louder their groans, the harder I pounded. When I withdrew from one, the other was poised for insertion. They couldn’t get enough of my onslaught. I was in ecstasy as I whisked back and forth between these two insatiable accomplices.               The more acute my plundering, the more uncontrollable their hardness throbbed. Anak, no longer able to withhold his enthusiasm, spewed into Taer’s throat while I plucked away at his friend’s rucking furrow. Taer’s twitching tightness had me deposit my fill into his receiving orifice. Anak wasted no time in devouring the oozing drippage around my pulsating phallus, still enshrouded within his buddy’s tunnel.               To pleasure himself, the unquenchable Taer wanted my bobbing organ down his throat. I obliged. In a trancelike delirium, the Filipino released jets of potent effusions onto his slender abdomen. Our tongues swirled in erotic kisses as we shared our libations in frantic elation.               Unwilling to relinquish this enchanted evening, we dove into the shimmering ocean, only to emerge rejuvenated, ready to resume the sequel of our sexcapade.
Young (Turpitude (A Harem Boy's Saga Book 4))
Sloane pulled off Dex, gave his nipple a tweak, before he sat back on his heels. He slowly removed the dildo and replaced it with his cock. He buried himself inch by inch until he was settled against Dex’s ass. Taking hold of Dex’s legs, Sloane began to move, pumping into Dex, his groin slapping against Dex’s ass. The couch moved beneath them, but Dex held on tight as Sloane pounded into him. “Oh fuck! Oh God, oh God, oh fuck!” Dex cried out, his back arching up off the couch, his cock spurting come across his chest, with some landing on his neck and chin. Sloane bent over Dex, grabbing his shoulders, jerking Dex toward him as he drove into him. His hair fell over his face, sweat dripping down his neck as he fucked Dex wildly, his hips losing all rhythm. White heat spread through Sloane, exploding in front of his eyes as his orgasm barreled through him. His muscles tensed, and he pumped into Dex even harder as he spilled himself inside Dex’s hole. It seemed to go on forever, until Sloane was sore and collapsed on top of Dex. Sloane
Charlie Cochet (Smoke & Mirrors (THIRDS, #7))
The Deliverator does not know for sure what happens to the driver in such cases, but he has heard some rumors. Most pizza deliveries happen in the evening hours, which Uncle Enzo considers to be his private time. And how would you feel if you bad to interrupt dinner with your family in order to call some obstreperous dork in a Burbclave and grovel for a late fucking pizza? Uncle Enzo has not put in fifty years serving his family and his country so that, at the age when most are playing golf and bobbling their granddaughters, he can get out of the bathtub dripping wet and lie down and kiss the feet of some sixteenyear- old skate punk whose pepperoni was thirty-one minutes in coming. Oh, God. It makes the Deliverator breathe a little shallower just to think of the idea. But he wouldn't drive for CosaNostra Pizza any other way. You know why? Because there's something about having your life on the line. It's like being a kamikaze pilot. Your mind is clear. Other people -- store clerks, burger flippers, software engineers, the whole vocabulary of meaningless jobs that make up Life in America -- other people just rely on plain old competition. Better flip your burgers or debug your subroutines faster and better than your high school classmate two blocks down the strip is flipping or debugging, because we're in competition with those guys, and people notice these things. What a fucking rat race that is. CosaNostra Pizza doesn't have any competition. Competition goes against the Mafia ethic. You don't work harder because you're competing against some identical operation down the street. You work harder because everything is on the line. Your name, your honor, your family, your life. Those burger flippers might have a better life expectancy -- but what kind of life is it anyway, you have to ask yourself. That's why nobody, not even the Nipponese, can move pizzas faster than CosaNostra. The Deliverator is proud to wear the uniform, proud to drive the car, proud to march up the front walks of innumerable Burbclave homes, a grim vision in ninja black, a pizza on his shoulder, red LED digits blazing proud numbers into the night: 12:32 or 15:15 or the occasional 20:43.
Neal Stephenson (Snow Crash)
Don’t Invent Job Titles I used to make up job titles because, as a bootstrapper, I didn’t particularly care what someone’s title was. I didn’t want it to matter—but it really does. When we realized we needed an architect to scale our infrastructure at Drip, we asked our internal recruiter to hire for the job of “Senior Scaling Architect.” She eventually talked us into the title of “Senior Architect.” Why? Because when she ran the data, she couldn’t find enough salary information on the title we’d given her. Not only that, but if we’d used a made-up job title, qualified candidates wouldn’t have known what we were hiring for. There are standard SaaS job titles. Use them. Your ideal candidates have saved job searches for things like “Engineer,” “Customer Service Lead,” and, yes, “Senior Architect.” Ignoring that makes it harder to connect with people searching for the job you’re hiring for. It also does a disservice to whomever you end up hiring. They’ll have a much tougher time explaining their qualifications to their next employer when their job title was “Code Wizard” rather than “Senior Engineer.” Although a treatise on organizational structure is beyond the scope of this book, here’s a typical hierarchy of engineering titles (in descending order of authority) that can be easily translated into other departments: Chief Technical Officer VP of Engineering Director of Engineering Manager of Engineering Senior Software Engineer Software Engineer Junior Software Engineer Entry-Level Software Engineer Note: These titles assume the typical path is to move into management, which doesn’t have to be the case. Individual contributor titles above Senior exist, such as Principal Engineer and Distinguished Engineer. But for the sake of simplicity, I’m laying out the above hierarchy, which will work for companies well into the millions of ARR. Another note on titles: be careful with handing out elevated job titles to early employees. One company I know named their first customer service person “Head of Customer Success.” When they inevitably grew and added more customer service people, they didn’t want him managing them and ended up in a tough situation. Should they demote him and have him leave? Or come up with an even more elevated title for the real manager?
Rob Walling (The SaaS Playbook: Build a Multimillion-Dollar Startup Without Venture Capital)
For the one-hundred-and-eleventh day, I arrived at the office at eight a.m., sat down at my desk, flipped open a notepad, and neatly wrote Elliot Levy’s schedule in black ink. And at the bottom, following the notation for his last meeting of the day, I included a postscript—which I’d been doing for a hundred and one days. Yesterday’s had been: P.S. Are you even human? The day before: P.S. You remind me of porridge. Today’s: P.S. You’re intolerable. Then, like I always did, I precisely sliced that strip off the bottom, slid it inside an envelope with all one hundred and one of the others, and returned it to its place at the back of my desk drawer beneath my box of tampons. In my current condition, I absolutely did not need them, but I’d found tampons were the best deterrent for most men. Though I regularly questioned if Elliot was a cyborg, I couldn’t picture him willingly touching feminine hygiene products either. This was my only form of rebellion. Those postscripts allowed me to release a tiny drip of the anger I swallowed down on a daily basis. When Elliot’s demands became unbearable, I took out my envelope, ran my fingers over the one-inch strips of “fuck you very much,” and immediately calmed. The therapist I’d been forced to see when I was a teen would have been proud…ish.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
This is where it starts—where it always starts: you peer out over your long nose and see green. It brushes against your outer coat and tickles the smooth skin of your belly. It blankets the ground beneath your paws. In place of the endless stone boxes the men built, giant green trunks rise up around you. You sit on your hindquarters but still can’t quite tilt your head back far enough to see their leafy tops. This isn’t your home. There’s no way you could’ve been here before. But somehow, it feels familiar. And there is something else you recognize. . . . Meat. Your whole body seems to shout the word at once. Fur bristles along your spine. Your muzzle twitches and saliva drips from your jowls. You feel the smooth sharpness of your tearing teeth. It has been so long. Where is the meat? Your ears stand upright, the fine hairs taking in everything. You hear the crisp snap of a small branch, then the whisper of fur brushing against leaves. You think you can even hear the trill of a heartbeat. More than anything, though, you can smell the creature, hidden in the shadows, between the darker shades of green. It smells like fear and food, like everything you love about the chase. It smells like life. Out of the corner of your vision, you sense motion. You spring forward from your back legs, and the animal bolts, a tawny blur. It’s not like the rodents you’re used to. This is bigger. It bounds instead of skitters, leaps instead of burrows. It’s all speed and grace, and you love the energy it takes to chase after it. Your pack is with you suddenly—brothers and sisters and second cousins, alphas and omegas. As you tear through the forest, head nodding and eyes watering, they trail in lines behind you, and you know without looking that your tail is streaming out like a flag. With the blood pumping inside your ears, each second sounds like a bark. The creature is faster than you are, but it’s losing steam. You’re panting but not tired. You run and run and run, watching the spindly legs flick through the underbrush ahead of you. You were made for this. There’s a flick of white, a flash of a hoof. You drive harder, your nails churning up cool dirt. The pack fans out and starts to close in, herding your prey closer and closer. It’s slowing. You’re gaining. It stumbles, and you dive. You open your jaws. You sink in your teeth. You savor.
Devon Hughes (Unnaturals: The Battle Begins)
I've had to dig the crush from myself, tucked away behind my final rib, deeper than the emotion I felt. Have had to slide my fingers through pulp and innards to pluck it out, (have been) gutted. I want to exhume it from my soul, too, but that's proving harder. How do I wring an intangible thing? I can't even find my soul with my hands, let alone rinse it and hang it out to dry. I want to see the crush drip drip to the ground, just as the water drips from my hair to the pavement now on the walk back to my car, toes purpled with cold.
Tilly Lawless (Nothing but My Body)
I love you, Jacks.' He closed his eyes as she said the word love. She hoped a little harder. She wanted to ask him to look at her, but all that mattered was that he didn't let her go. 'I used to wonder if fate was real,' she said gently. 'I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was your true love. But now I don't care if fate is real- because I don't need it to decide for me. I don't it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart- including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.' 'I think I already am.' He opened his eyes as they dripped red tears. 'Let me go, Evangeline.' 'Tell me you won't set fire to your heart, and I will let you go.' 'Don't ask me to do that.' 'Then don't ask me to let you go!
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
For a moment, the crawlspace seemed to glisten. Had something just dripped down from the floorboards? Were those teeth protruding from the concrete? No. Don’t be silly, Randy. They’re just shadows. And yet, the harder he stretched, the narrower the crawlspace seemed to get. Like it was compressing and darkening and… moistening. He could see the wine bottle on its side, resting beside what he had thought was a stack of flat cardboard. But now, it almost looked like a tongue.
Andrew Van Wey (By the Light of Dead Stars)
We experience the externalities of the attention economy in little drips, so we tend to describe them with words of mild bemusement like “annoying” or “distracting.” But this is a grave misreading of their nature. In the short term, distractions can keep us from doing the things we want to do. In the longer term, however, they can accumulate and keep us from living the lives we want to live, or, even worse, undermine our capacities for reflection and self-regulation, making it harder, in the words of Harry Frankfurt, to “want what we want to want.” Thus there are deep ethical implications lurking here for freedom, wellbeing, and even the integrity of the self.22
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
What's wrong?" said Milo. This was bad. When Milo asked what's wrong, he did not let go until the question was fully answered. He was like a bulldog. A big, gentle bulldog that clamped down on unexpressed emotions and shook with rabid fury until they'd been ripped free and were dripping wet in his powerful jaws of compassion. "It's nothing," I said, and winced at my error. It's nothing was bloodscent for Milo. Milo's emotional jaws squeezed harder. "Tell us what it is, Sunny Dae." I wrapped my arms around my ears. "Sorry, you guys are breaking up on me." "Not if we're texting," said Milo. Checkmate. I felt Milo's teeth pierce my psychic skin. I sagged limp like fresh kill. I gave in.
David Yoon (Super Fake Love Song)
Run, love,” I warn, as I prowl around the island towards her. Laughing harder, she tries to escape, but I grab her, capture her again, and yank her to me. “You should have run faster,” I murmur in her ear. “Maybe I wanted to be caught.” She laughs as she wiggles, trying to break free. Grabbing the eggs from the side, I crack one open right over her hair. She screams and lurches away. Watching it drip down her face, I can’t help but laugh. Her nostrils flare, her eyes narrowed. “Oh, you’re dead. Now it’s your turn to fucking run!
K.A. Knight (Den of Vipers)
Denial helps the bystander. . . We would rather not know about terror or be confronted with evil. . . But the victim, too, cannot bear to believe. She may bury or dissociate from or disown her pain. She may drink or take drugs, or become unwittingly promiscuous. Compelled to repeat the violation again and again. . . The impact of the violation drips lazily down, like that clock in Dalí's painting, pooling in the form of shame. She may remember the facts that transpired, but the outline is blurry. There is a haze in the brain, and the facts are detached from feeling. Certain sounds or scents may terrify the victim. But she may not notice her fear. . . For a very long time, I had forgotten or dissociated or forgotten the source of my terrors. To be raped or abused or threatened with violent death, to be treated as an object in a perpetrator's dream, rather than the subject of your own – these are bad enough. But when observers become complicit in the victim's desire to forget, they become perpetrators, too. This is why traumatized groups sometimes fare better than traumatized individuals. When the feeling of terror is shared, victims have a harder time forgetting what occurred or denying their terror. In the camps, what mattered most. . .was whether there were witnesses willing to share the burden of overwhelming emotion. Talking about what occurred with other survivors or witnesses was an essential part of recovery. . . When authorities disbelieve the victim, when bystanders refute what they cannot bear to know, they rob the victim of normal existence on the earth. Bystander and victim collude in denial or forgetting, and in so doing, repeat the abuse. . . In this new world, the victim can no longer trust the evidence of her senses. Something seems to have happened, but what? The ground disappears. This is the alchemy of denial. Terror, rage, and pain are replaced with free floating shame. The victim will begin to wonder, 'what did I do?' She will begin to believe 'I must have done something bad.' But the sensation of shame is shameful itself. So we dissociate that, too. In the end, a victim who has suffered the denial of others will come to see herself as a liar. The terrible truth is that once a person has been raped or abused, she seems to acquire a scent or a frequency that makes her an irresistible target for abusers. She may be haunted by a feeling of ungroundedness, by periods of hypervigilance. If she is lucky, as I was, she may find or fall into a career where hypervigilance is useful. Though, it is unlikely to be useful in her personal life. . . The dizziness brought on by the denial of others is often worse than the original crime. When I think about what denial does, I can understand why some victims, thank God a small number, take out a gun and find someone to shoot or maul or rape, sometimes in their own homes.
Jessica Stern (Denial: A Memoir of Terror)