“
That's the problem with drinking, I thought, as I poured myself a drink. If something bad happens you drink in an attempt to forget; if something good happens you drink in order to celebrate; and if nothing happens you drink to make something happen.
”
”
Charles Bukowski (Women)
“
Laugh whenever you can. Keeps you from killing yourself when things are bad. That and vodka.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
Water that never moves." I say to him. "Its fine for a little while. You can drink from it and it'll sustain you. But if it sits too long it goes bad. It grows stale. It becomes toxic." I shake my head. "I need waves. I need waterfalls. I want rushing currents.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away
”
”
Will Smith
“
There is no bad whiskey. There are only some whiskeys that aren't as good as others.
”
”
Raymond Chandler
“
She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.
”
”
David Nicholls (One Day)
“
So much the worse for those who fear wine, for it is because they have some bad thoughts which they are afraid the liquor will extract from their hearts.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
Never be ashamed,’ he said. ‘Accept what life offers you and try to drink from every cup. All wines should be tasted; some should only be sipped, but with others, drink the whole bottle.’
‘How will I know which is which?’
‘By the taste. You can only know a good wine if you have first tasted a bad one.
”
”
Paulo Coelho (Brida)
“
There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
”
”
Bret Easton Ellis (American Psycho)
“
No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.
”
”
Carrie Fisher (Wishful Drinking)
“
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.
”
”
Holly Black (Black Heart (Curse Workers, #3))
“
He and I would end up like water going nowhere. Water that never moves-- It's fine for a little while. You can drink from it and it'll sustain you. But if it sits too long it goes bad. It grows stale. It becomes toxic.
I need waves. I need waterfalls. I want rushing currents.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
It's like when my doctor told me the story of these two brothers whose dad was a bad alcoholic. One brother grew up to be a successful carpenter and never drank. The other brother ended up being a drinker as bad as his dad was. When they asked the first brother why he didn't drink, he said that after he saw what it did to his father, he could never bring himself to even try it. When they asked the other brother, he said that he guessed he learned how to drink on his father's knee. So, I guess we are who we are for a lot of reasons. And maybe we'll never know most of them. But even if we don't have the power to choose where we come from, we can still choose where we go from there. We can still do things. And we can try to feel okay about them.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
I'm beneath no man!" she replies harshly. Then, with a mischievous quirk to her mouth, she adds, "At least not without dinner and a drink first.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
Too much of anything is bad, but too much Champagne is just right.
”
”
F. Scott Fitzgerald
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
It's up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they're going well ... For I've heard that what they call fortune is a flighty woman who drinks too much, and, what's more, she's blind, so she can't see what she's doing, and she doesn't know who she's knocking over or who she's raising up.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
I thought I would inaugurate a Bipolar Pride Day. You know, with floats and parades and stuff! On the floats we would get the depressives, and they wouldn’t even have to leave their beds - we’d just roll their beds out of their houses, and they could continue staring off miserably into space. And then for the manics, we’d have the manic marching band, with manics laughing and talking and shopping and fucking and making bad judgment calls.
”
”
Carrie Fisher (Wishful Drinking)
“
Hadrian shook his head and sighed. “Why do you have to make everything so difficult? They’re probably not bad people—just poor. You know, taking what they need to buy a loaf of bread to feed their family. Can you begrudge them that? Winter is coming and times are hard.” He nodded his head in the direction of the thieves. “Right?”
“I ain’t got no family,” flat-nose replied. “I spend most of my coin on drink.”
“You’re not helping,” Hadrian said.
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
how come you're so ugly?"
"my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall.
sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
”
”
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
“
When life gives you lemons, you don't make lemonade. You use the seeds to plant a whole orchard - an entire franchise! Or you could just stay on the Destiny Bus and drink lemonade someone else has made, from a can.
”
”
Anthon St. Maarten
“
The biggest potential for helping us overcome shame is this: We are “those people.” The truth is…we are the others. Most of us are one paycheck, one divorce, one drug-addicted kid, one mental health illness, one sexual assault, one drinking binge, one night of unprotected sex, or one affair away from being “those people”–the ones we don’t trust, the ones we pity, the ones we don’t let our kids play with, the ones bad things happen to, the ones we don’t want living next door.
”
”
Brené Brown (I Thought It Was Just Me (But It Isn't): Making the Journey from "What Will People Think?" to "I Am Enough")
“
Water is very bad for one’s health. People in third world countries seem to drink nothing but water, and they are always dying.
”
”
Bauvard (The Prince Of Plungers)
“
Having waited my entire life to get an award for something, anything...I now get awards all the time for being mentally ill. It’s better than being bad at being insane, right? How tragic would it be to be runner-up for Bipolar Woman of the Year?
”
”
Carrie Fisher (Wishful Drinking)
“
Ugh," he said after a few swallows. "Dead blood."
Jace's eyebrows went up. " Isn't all blood dead?"
"The longer the animal whose blood I'm drinking has been dead, the worse the blood tastes," Simon explained. "Fresh is better."
"But you've never drunk fresh blood. Have you?"
Simon raised his own eyebrows in response.
"Well, aside from mine, of course," Jace said. "And I'm sure my blood is fan-tastic.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
You drink to escape the emotional pain you’re in, and then the next day you do it all over again to get rid of the physical pain. So you drink more and your drink more often and pretty soon you’re drunk all the time and it becomes just as bad, if not worse, than the reality you were attempting to escape from in the first place. Only now, you need an escape from the escape, so you find something even stronger than the alcohol. And maybe that’s what turns alcoholics into addicts.
”
”
Colleen Hoover (Confess)
“
I think he just loved being with the bears because they didn't make him feel bad. I get it too. When he was with the bears, they didn't care that he was kind of weird, or that he'd gotten into trouble for drinking too much and using drugs(which apparently he did a lot of). They didn't ask him a bunch of stupid questions about how he felt, or why he did what he did. They just let him be who he was.
”
”
Michael Thomas Ford (Suicide Notes)
“
Earthly goods are given to be used, not to be collected. In the wilderness God gave Israel the manna every day, and they had no need to worry about food and drink. Indeed, if they kept any of the manna over until the next day, it went bad. In the same way, the disciple must receive his portion from God every day. If he stores it up as a permanent possession, he spoils not only the gift, but himself as well, for he sets his heart on accumulated wealth, and makes it a barrier between himself and God. Where our treasure is, there is our trust, our security, our consolation and our God. Hoarding is idolatry.
”
”
Dietrich Bonhoeffer (The Cost of Discipleship)
“
I gestured my frustration. “I don’t know. She’s much better already. She wasn’t talking half an hour ago.
Look at her now.”
We all turned, finding Ceri sobbing quietly and drinking her tea in small reverent sips as the pixy girls
hovered over her. Three were plating her long, fair hair and another was singing to her.
Okay,” I said as we turned back. “Bad example.
”
”
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
“
Have you ever wanted something so bad you think you’d die if you don’t have it? That the mere thought of it keeps you up at night. You can’t sleep, you can’t eat, you can’t drink. You are so consumed by that desire nothing else matters, and you’re not sure life is worth living if you can’t have it.
”
”
Katie Ashley (The Proposition (The Proposition, #1))
“
My life had taken a stranger turn than I could've ever imagined. What was I doing on this path? Where was I headed really? Who was I to take on a battle between powers I didn't understand— armed with a runaway cat, a uniquely bad drummer, a pair of garden shears, and an Ovaltine-drinking teen Galileo?
To save a girl who didn't want to be saved?
”
”
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
“
And my own affairs were as bad, as dismal, as the day I had been born. The only difference was that now I could drink now and then, though never often enough. Drink was the only thing that kept a man from feeling forever stunned and useless. Everything else just kept picking and picking, hacking away. And nothing was interesting, nothing. The people were restrictive and careful, all alike. And I've got to live with these fuckers for the rest of my life, I thought. God, they all had assholes and sexual organs and their mouths and their armpits. They shit and they chattered and they were dull as horse dung. The girls looked good from a distance, the sun shining through their dresses, their hair. But get up close and listen to their minds running out of their mouths, you felt like digging in under a hill and hiding out with a tommy-gun. I would certainly never be able to be happy, to get married, I could never have children. Hell, I couldn't even get a job as a dishwasher.
”
”
Charles Bukowski (Ham on Rye)
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
Drink it,” I told her. “It’s good for what ails you. Caffeine and sugar. I don’t drink it, so I ran over to your house and stole the expensive stuff in your freezer. It shouldn’t be that bad. Samuel told me to make it strong and pour sugar into it. It should taste sort of like bitter syrup.”
She gave me a smile smile, then a bigger one, and plugged her nose before she drank it down in one gulp. “Next time," she said in a hoarse voice, “I make the coffee.
”
”
Patricia Briggs (Moon Called (Mercy Thompson, #1))
“
If your arteries are good, eat more ice cream. If they are bad, drink more red wine. Proceed thusly.
”
”
Sandra Byrd (Bon Appetit (French Twist #2))
“
I mean, drink driving is bad, drug driving is bad, but what is driving whilst under the influence of a fuc%ing nymphomaniac in your lap? How many years will this get me, if I do manage to keep my eyes on the road and not drive us off it first?
”
”
Jimmy Tudeski (Uck It List)
“
And not that it matters, but my mother is not a lesbian! She's just a really, really bad heterosexual.
”
”
Carrie Fisher (Wishful Drinking)
“
Right now everyone is drinking bad wine made of sour grapes and hysteria. Let them drink it, and let them regret it in the morning.
”
”
Sarah Addison Allen (The Peach Keeper)
“
Sex is like a drink, it's bad to start brooding about it too early in the day.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
Hitch: making rules about drinking can be the sign of an alcoholic,' as Martin Amis once teasingly said to me. (Adorno would have savored that, as well.) Of course, watching the clock for the start-time is probably a bad sign, but here are some simple pieces of advice for the young. Don't drink on an empty stomach: the main point of the refreshment is the enhancement of food. Don't drink if you have the blues: it's a junk cure. Drink when you are in a good mood. Cheap booze is a false economy. It's not true that you shouldn't drink alone: these can be the happiest glasses you ever drain. Hangovers are another bad sign, and you should not expect to be believed if you take refuge in saying you can't properly remember last night. (If you really don't remember, that's an even worse sign.) Avoid all narcotics: these make you more boring rather than less and are not designed—as are the grape and the grain—to enliven company. Be careful about up-grading too far to single malt Scotch: when you are voyaging in rough countries it won't be easily available. Never even think about driving a car if you have taken a drop. It's much worse to see a woman drunk than a man: I don't know quite why this is true but it just is. Don't ever be responsible for it.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
You couldn't get a decent drink in either of them, for a start. And the boredom you got in Heaven was almost as bad as the excitement you got in Hell.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?'
'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.'
'Sounds to me like a euphemism for "freaky cult." '
'Freaky, you say?'
'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!'
Langdon scanned the class. 'Does that sound freaky to anyone else?'
'Yes!' they all chimed in.
Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.'
Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?'
Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.'
The class looked horrified.
Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.'
The classroom remained silent.
Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
”
”
Dan Brown (The Lost Symbol (Robert Langdon, #3))
“
Have a drink, and try to relax. All right, have another drink. There are times when getting drunk's not a bad idea.
”
”
John Christopher (When the Tripods Came)
“
Rosethorn had gone to her room the moment Niko started to cough. Now she returned with her syrup and a firm look in her eye. "I thought you were having trouble last night. Drink this." She poured some into a cup and held it out to him.
Niko looked at it as if she offered him rotten fish. "I am fine. I am per-" He couldn't even finish the sentence for coughing.
"It's not bad," said Tris, crossing her fingers behind her back. "Really, tastes like-like mangoes."
Niko looked at her, then took the cup and downed its contents. The four watched with interest as his cheeks turned pale, then scarlet. "That's terrible (exclamation point)" he cried, his voice a thin squeak.
"Maybe I was thinking of some other syrup," Tris remarked with a straight face.
”
”
Tamora Pierce (Daja's Book (Circle of Magic, #3))
“
I turn to head outside when the boys make their way back into the house. Kel stops in the doorway and puts his hands on his hips, then looks up at me.
“Are you my sister’s boyfriend?”
I’m thrown off by his directness. I pull my jacket on and shake my head. “Um, no. Just her friend.”
“She told my mom you were taking her on a date. I thought only boyfriends took girls on dates.”
“Well,” I pause. “Sometimes boys take girls on dates to see if they want them to be their girlfriend.”
I notice Caulder standing beside me, taking in the conversation as if he’s just as curious. I wasn’t prepared to have to explain the rules of dating right now.
“So it’s like a test?” Caulder asks. “To see if you want Layken to be your girlfriend?”
I shrug and nod. “Yeah, I guess you could say that.”
Kel laughs. “You aren’t gonna like her. She burps a lot. And she’s bossy. And she never lets me drink coffee, so she probably won’t let you have any, either. And she has really bad taste in music and sings way too loud and leaves her bras all over the house. It’s gross.”
I laugh. “Thanks for the warning. You think it’s too late to back out now?”
Kel shakes his head, missing my sarcasm completely. “No, she’s already dressed so you have to take her now.”
I sigh, pretending to be annoyed. “Well, it’s just a few hours. Hopefully she won’t burp a lot and boss me around and steal my coffee and sing to her really bad music and leave her bra in my car.”
Or hopefully she will.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
''Just think, never to be glad or disappointed. Never to like anyone and get cross at him and forgive him. Never to sleep or feel cold, never to make a mistake and have a stomach-ache and be cured from it, never to have a birthday party, drink beer, and have a bad conscience...
How terrible.
”
”
Tove Jansson (Tales from Moominvalley (The Moomins, #7))
“
This was a dream. A very bad, bad dream, brought on by liver poisoning from too many gin and tonics. Here it was, a deal with the devil. At what price my soul? He watched me expectantly and threateningly all at the same time. If I said no, I knew what would happen.
Save the glass, waitress, I’m drinking from the bottle! Happy hour, with my neck on tap.
If I said yes, I’d be agreeing to a partnership with pure evil.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Whoa, got it bad for your cousin's girl already, huh? You gonna try to get with that?"
I eyed Cassi in Ty's arms and shook my head as I brought my beer up to take another long drink. "Nope." Yes, yes, I am.
”
”
Molly McAdams (From Ashes (From Ashes, #1))
“
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
”
”
Nikki Giovanni
“
War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle.
For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe.
They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world.
And the man breaks.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
“
What's silly is paying five bucks for hot milk and flavored syrup! But now I see what's really been going on all this time! They charge you all that money because they need it for the R & D! Somewhere on the outskirts of Seattle, there's a secret facility with higher security than Area 51, and inside there are men with poor eyesight and bad haircuts wearing white coats, and they're trying to make the Holy Grail of all coffee drinks.
The bacon latte?
No, Atticus, I already told you those exist! I'm talking about the prophecy! 'Out of the steam and the foam and the froth, a man in white with poor eyesight will craft a liquid paradox, and it shall be called the Triple Nonfat Double Bacon Five-Cheese Mocha!'
Oberon, what the F---?
”
”
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
“
Take care of your physical being. Feed it what it needs, not what the conscience tells you it wants. Giving in to cravings of the mind that ultimately hurt the body is like a weak parent giving in to her child. “Oh, you had a bad day? Do you want an entire box of cookies? Okay, sweetie. Eat it. And drink this soda while you’re at it.” Caring for your body is no different from caring for a child. Sometimes it’s hard, sometimes it sucks, sometimes you just want to give in, but if you do, you’ll pay for the consequences eighteen years down the road.
”
”
Colleen Hoover (Verity)
“
Why", he asked. "Why did you save her?"
She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn't even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him.
"Because that golden-haired witch, Asterin...," Aelin said. "She screamed Manon's name the way I screamed yours."
Rowan stilled. His queen gazed at the floor, as if recalling the moment.
"How can I take away somebody who means the world to someone else? Even if she's my enemy." A little shrug. "I thought you were dying. It seemed like bad luck to let her die out of spite. And..." she snorted. "Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly."
Rowan smiled, drinking in the sight of her: pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. "You make me proud to serve you."
A jaunty slant to her lips, but silver lined her eyes. "I know.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
That's when it happens. The moment of death is full of heat and sound and pain bigger than anything, a funnel of burning heat splitting me in two, something searing and scorching and tearing, and if screaming were a feeling it would be this.
Then nothing. I know some of you are thinking maybe I deserved it. Maybe I shouldn't have sent that rose to Juliet or dumped my drink on her at the party. Maybe I shouldn't have copied off of Lauren Lornet's quiz. Maybe I shouldn't have said those things to Kent. There are probably some of you who think I deserved it because I was going to let Rob go all the way--because I wasn't going to save myself.
But before you start pointing fingers, is what I did really so bad? So bad I deserved to die? So bad I deserved to die like THAT?
Is what I did really so much worse than what anybody else does?
Is it really so much worse than what YOU do?
Think about it.
”
”
Lauren Oliver (Before I Fall)
“
Don't talk to strangers. Don't do drugs. Don't smoke. Don't drink and drive. Don't have sex. Wear a condom. Wear sunblock. Wear a seat belt. Wear a helmet. If you see something, say something. Just say no. Stop, drop, and roll. Stop, look, and listen. Look both ways before you cross the street...
Safety is an illusion. Bad things can happen to anyone at any time, whether you follow the rules or not. You can check left, check right, check left again before you step off the curb and into the crosswalk, but that won't stop an anonymous asshole in his shitty pickup from putting you in intensive care...
”
”
Megan McCafferty (Perfect Fifths (Jessica Darling, #5))
“
If you're a coward--and let's just say that you are, for the sake of argument--it means nothing. My Aunt Peg, she's an alcoholic. She can't handle drinking. It ruins her life and turns her into a mess--and do you know what that means? It means nothing. Do you think it makes her a bad person? Of course not--it's just the way she is. Alcoholism just happened to her, Frank. Things happen to people. We are the way we are--there's nothing to be done for it. My Uncle Billy--he couldn't keep a promise or stay faithful to a woman. It meant nothing. He was a wonderful person, Frank, and he was completely untrustworthy. It's just how he was. It didn't mean anything. We all still loved him.
”
”
Elizabeth Gilbert (City of Girls)
“
Abstaining from sex, hitting the books, and wearing loose-fitting clothes are common ways that girls try to molt their "slutty" image. But more often their shame leads them to self-destructive behavior. They become willing to do things that they wouldn't have dreamed of doing before they were scandalized because they now feel they have so little to offer. Some girls do drugs or drink to excess in an attempt to blot away their stigma. Others become depressed and anorexic. And others think so little of themselves that they date boys who insult or beat them.
”
”
Leora Tanenbaum (Slut!: Growing Up Female with a Bad Reputation)
“
Let me guess,” Eli said, his voice that low, even timbre, as always. “Drinking from kegs also falls under outdoor activity.”
I just looked at him, standing there in jeans and the same blue hoodie he’d had on the first time I met him. Maybe it was the embarrassment, which had been bad enough before I had an audience, but I was instantly annoyed. I said, “Are we outside?”
He glanced round, as if needing to confirm this. “Nope.”
“Then no.” I turned my attention back to the keg.
”
”
Sarah Dessen (Along for the Ride)
“
The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.
You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.
But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.
This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.
It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.
”
”
Billy Collins
“
Tuesday, 5 July 2005 Trying to work out a seventy-year-old lady’s alcohol consumption to record in the notes. I’ve established that wine is her poison. Me: ‘And how much wine do you drink per day, would you say?’ Patient: ‘About three bottles on a good day.’ Me: ‘OK . . . And on a bad day?’ Patient: ‘On a bad day I only manage one.
”
”
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
“
Just shut up. Shut the fuck up, you stupid, uptight, don't drink, don't smoke, don't fuck, don't do anything that might almost be interpreted as fun, sanctimonious little fucking virgin. Fuck, fuck, fucking fuck, I've had enough. I'm not going to this fucking meeting, I don't care what happens to the fucking family, you can tell Athena what the fuck you like, just as long as you get out of my fucking face and stay out of it. - Apollo
”
”
Marie Phillips (Gods Behaving Badly)
“
And even then, it's not like you did all that much," I said, talking over him, because it was the only way to get a word in edgeways with Pritkin sometimes.
He had filched the bottle back to take a drink, but at that he lowered it and looked at me, his eyes very green next to the amber liquor. "What?"
"I just meant, it wasn't all that and a bag of chips. You know?"
He blinked at me.
"No offense," I added, because he was looking kind of poleaxed. Like maybe he hadn't had a whole lot of complaints before. Which was, frankly, pretty damn understandable. But I feigned indifference. "I mean, it couldn't have been that bad if -"
"Bad?"
"Well, not bad bad."
He just looked at me.
"I mean, I came and everything, so that has to count for some -"
I cut off because I was suddenly enveloped in a strong pair of arms, and my head was crushed to a hard chest. A chest that appeared to be vibrating. It took me a few moments to get it, and even then I wasn't so sure, because Pritkin's face was buried in my hair. But I kind of thought - as impossible as it seemed - that he might be ... laughing?
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Most everybody had made at least one bad, drunken decision in their lives. Called an ex at two in the morning. Or perhaps has a little too much to drink on a second date and wept inconsolably while revealing how simply damaged one was, while nonetheless retaining an uncommonly large capacity for love. That kind of thing was, while regrettable, at least comprehensible. But waking up with someone generationally inappropriate, like your grandfather's best buddy?
”
”
Augusten Burroughs (You Better Not Cry: Stories for Christmas)
“
When a woman does not want to have a child, she usually has good reason. She may be unmarried or in a bad marriage. She may consider herself too poor to raise a child. She may think her life is too unstable or unhappy, or she may think that her drinking or drug use will damage the baby’s health. She may believe that she is too young or hasn’t yet received enough education. She may want a child badly but in a few years, not now. For any of a hundred reasons, she may feel that she cannot provide a home environment that is conducive to raising a healthy and productive child.
”
”
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
“
The idea of someone who can play with their emotions, who can 'mystically' get them to do certain things, makes them uncomfortable. What they do not realize-and what you must realize-is that manipulating others is something that all people do. In fact, manipulation is at the core of our social interaction." He settled back, raising his dueling cane and gesturing with it slightly as he spoke. "Think about it. What is a man doing when he seeks the affection of a young lady? Why, he is trying to manipulate her to regard him favorably. What happens when two old friends sit down for a drink? They tell stories, trying to impress each other. Life as a human being is about posturing and influence. This isn't a bad thing-in fact, we depend upon it. These interactions teach us how to respond to others." -Breeze
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me."
That makes me nearly spit out beer, I laugh so hard.
"No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat."
That only makes me laugh harder.
"Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope."
"Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound.
"It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy."
"I am a nice guy."
I try to be.
Sam snorts. "She liked you because you scared her. And then you scared her too much.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Emma leaned over to where their faces were only inches apart. “Since you think you know everything, tell me if you understand this. Have you ever wanted something so bad you think you’d die if you don’t have it? That the mere thought of it keeps you up at night. You can’t sleep, you can’t eat, you can’t drink. You are so consumed by that desire nothing else matters, and you’re not sure life is worth living if you can’t have it.
”
”
Katie Ashley (The Proposition (The Proposition, #1))
“
If an intelligent, educated, and healthy man begins to complain of his lot and go down-hill, there is nothing for him to do but to go on down until he reaches the bottom--there is no hope for him. Where could my salvation come from? How can I save myself? I cannot drink, because it makes my head ache. I never could write bad poetry. I cannot pray for strength and see anything lofty in the languor of my soul. Laziness is laziness and weakness weakness. I can find no other names for them. I am lost, I am lost; there is no doubt of that.
”
”
Anton Chekhov (Ivanov)
“
Here's what vampires shouldn't be: pallid detectives that drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers that can't get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance.
(
American Vampire Vol. 1
: Introduction-"SUCK ON THIS" by Stephen King)
”
”
Stephen King
“
His voice gentled and his touch became more like a caress. "I love you," he whispered.
"Romeo..."
"I love your glasses, your clumsiness, your wild hair, even the way you snort when you laugh." He smiled. "I love you in spite of yourself, Rim. Can't you love me in spite of myself?"
I couldn't help it, I smiled.
"You do come with a lot of baggage." I sighed. "You're impossibly good-looking, terrible at math, and you like to drink that swill you call beer." I mock shuddered.
He smiled, but I saw the relief in his eyes.
"Me being good-looking is a bad thing?" he teased.
"You have a lot of options," I said seriously. "I'm not the best one."
"No." He agreed. "You're not."
Geez, he could have said it a little nicer.
"You're the only one."
Oh, well, that was much better.
- Romeo & Rimmel
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
You know those days when you've got the means reds?’
‘Same as the blues?’
‘No,’ she said slowly. ‘No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re sad that’s all. But the mean reds are horrible. You’re afraid, and you sweat like hell, but you don’t know what you’re afraid of. Except something bad is going to happen, only you don’t know what it is. You’ve had that feeling?’
‘Quite often. Some people call it angst.’
‘All right. Angst. But what do you do about it?’
‘Well, a drink helps.’
‘I’ve tried that. I’ve tried aspirin, too. Rusty thinks I should smoke marijuana, and I did for a while, but it only makes me giggle. What I’ve found does the most good is to just get into a taxi and go to Tiffany’s. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany’s, then I’d buy some furniture and give the cat a name.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
Here is the last thing, and a shameful admission it is. When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splatter wet fart of foul-smelling mead right in Suttung's face, blinding the giant and throwing him off Odin's trail.
No one, then or now, wanted to drink the mead that came out of Odin's ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads the have tasted.
”
”
Neil Gaiman (Norse Mythology)
“
A man worth being with is one…
That never lies to you
Is kind to people that have hurt him
A person that respects another’s life
That has manners and shows people respect
That goes out of his way to help people
That feels every person, no matter how difficult, deserves compassion
Who believes you are the most beautiful person he has ever met
Who brags about your accomplishments with pride
Who talks to you about anything and everything because no bad news will make him love you less
That is a peacemaker
That will see you through illness
Who keeps his promises
Who doesn’t blame others, but finds the good in them
That raises you up and motivates you to reach for the stars
That doesn’t need fame, money or anything materialistic to be happy
That is gentle and patient with children
Who won’t let you lie to yourself; he tells you what you need to hear, in order to help you grow
Who lives what he says he believes in
Who doesn’t hold a grudge or hold onto the past
Who doesn’t ask his family members to deliberately hurt people that have hurt him
Who will run with your dreams
That makes you laugh at the world and yourself
Who forgives and is quick to apologize
Who doesn’t betray you by having inappropriate conversations with other women
Who doesn’t react when he is angry, decides when he is sad or keep promises he doesn’t plan to keep
Who takes his children’s spiritual life very seriously and teaches by example
Who never seeks revenge or would ever put another person down
Who communicates to solve problems
Who doesn’t play games or passive aggressively ignores people to hurt them
Who is real and doesn’t pretend to be something he is not
Who has the power to free you from yourself through his positive outlook
Who has a deep respect for women and treats them like a daughter of God
Who doesn’t have an ego or believes he is better than anyone
Who is labeled constantly by people as the nicest person they have ever met
Who works hard to provide for the family
Who doesn’t feel the need to drink alcohol to have a good time, smoke or do drugs
Who doesn't have to hang out a bar with his friends, but would rather spend his time with his family
Who is morally free from sin
Who sees your potential to be great
Who doesn't think a woman's place has to be in the home; he supports your life mission, where ever that takes you
Who is a gentleman
Who is honest and lives with integrity
Who never discusses your private business with anyone
Who will protect his family
Who forgives, forgets, repairs and restores
When you find a man that possesses these traits then all the little things you don’t have in common don’t matter. This is the type of man worth being grateful for.
”
”
Shannon L. Alder
“
Karma has been a pop culture term for ages. But really, what the heck is it?
Karma is not an inviolate engine of cosmic punishment. Rather, it is a neutral sequence of acts, results, and consequences.
Receiving misfortune does not necessarily indicate that one has committed evil. But it is a sufficient indicator of something else.
And that something else can be anything, as long as it is a logical consequence of what has come before.
Consider: if you fall into a well, you are not a bad person who deserves to suffer—you are merely someone who took a wrong step. Or someone who had one drink too many. Or got a head rush due to poor circulation. Or forgot to wear your glasses. Or—
The reasons are plentiful, and all plausible. But the chain of cause and effect goes way, way back into the deepest hoariest recesses of your personal past.
So never rule out retribution. But never expect it.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
Paine suffered then, as now he suffers not so much because of what he wrote as from the misinterpretations of others...
He disbelieved the ancient myths and miracles taught by established creeds. But the attacks on those creeds - or on persons devoted to them - have served to darken his memory, casting a shadow across the closing years of his life.
When Theodore Roosevelt termed Tom Paine a 'dirty little atheist' he surely spoke from lack of understanding. It was a stricture, an inaccurate charge of the sort that has dimmed the greatness of this eminent American. But the true measure of his stature will yet be appreciated. The torch which he handed on will not be extinguished. If Paine had ceased his writings with 'The Rights of Man' he would have been hailed today as one of the two or three outstanding figures of the Revolution. But 'The Age of Reason' cost him glory at the hands of his countrymen - a greater loss to them than to Tom Paine.
I was always interested in Paine the inventor. He conceived and designed the iron bridge and the hollow candle; the principle of the modern central draught burner. The man had a sort of universal genius. He was interested in a diversity of things; but his special creed, his first thought, was liberty.
Traducers have said that he spent his last days drinking in pothouses. They have pictured him as a wicked old man coming to a sorry end. But I am persuaded that Paine must have looked with magnanimity and sorrow on the attacks of his countrymen. That those attacks have continued down to our day, with scarcely any abatement, is an indication of how strong prejudice, when once aroused, may become. It has been a custom in some quarters to hold up Paine as an example of everything bad.
The memory of Tom Paine will outlive all this. No man who helped to lay the foundations of our liberty - who stepped forth as the champion of so difficult a cause - can be permanently obscured by such attacks. Tom Paine should be read by his countrymen. I commend his fame to their hands.
{The Philosophy of Paine, June 7, 1925}
”
”
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
“
Is he good? Or is he bad? That's the only thing I ask nowadays. And as I grow older—I'd swear this on the last crust I eat—I feel I shan't even go on asking that! Whether a man's good or bad, I'm sorry for him, for all of 'em. The sight of a man just rends my insides, even if I act as though I don't care a damn! There he is, poor devil, I think, he also eats and drinks and makes love and is frightened, whoever he is: he has his God and his devil just the same, and he'll peg out and lie as stiff as a board beneath the ground and be food for worms, just the same. Poor devil! We're all brothers! All worm-meat!
”
”
Nikos Kazantzakis (Zorba the Greek)
“
But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
Suddenly, in the space of a moment, I realized what it was that I loved about Britain - which is to say, all of it. Every last bit of it, good and bad - Marmite, village fetes, country lanes, people saying 'mustn't grumble' and 'I'm terribly sorry but', people apologizing to me when I conk them with a nameless elbow, milk in bottles, beans on toast, haymaking in June, stinging nettles, seaside piers, Ordnance Survey maps, crumpets, hot-water bottles as a necessity, drizzly Sundays - every bit of it.
What a wondrous place this was - crazy as fuck, of course, but adorable to the tiniest degree. What other country, after all, could possibly have come up with place names like Tooting Bec and Farleigh Wallop, or a game like cricket that goes on for three days and never seems to start? Who else would think it not the least odd to make their judges wear little mops on their heads, compel the Speaker of the House of Commons to sit on something called the Woolsack, or take pride in a military hero whose dying wish was to be kissed by a fellow named Hardy? ('Please Hardy, full on the lips, with just a bit of tongue.') What other nation in the world could possibly have given us William Shakespeare, pork pies, Christopher Wren, Windsor Great Park, the Open University, Gardners' Question Time and the chocolate digestive biscuit? None, of course.
How easily we lose sight of all this. What an enigma Britain will seem to historians when they look back on the second half of the twentieth century. Here is a country that fought and won a noble war, dismantled a mighty empire in a generally benign and enlightened way, created a far-seeing welfare state - in short, did nearly everything right - and then spent the rest of the century looking on itself as a chronic failure. The fact is that this is still the best place in the world for most things - to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, use the bank, get lost, seek help, or stand on a hillside and take in a view.
All of this came to me in the space of a lingering moment. I've said it before and I'll say it again. I like it here. I like it more than I can tell you.
”
”
Bill Bryson (Notes from a Small Island)
“
Kiss me,” I whispered slowly, a desperate plea, and I stroked my thumb across his bottom lip. My heart pounded, and I wanted him so badly it felt like I’d jump out of my skin.
His mouth parted, and his eyes fell to my lips before flickering back up. His hands slid around my hips, and he pulled me against him. “No,” he said, but his body betrayed his pledge.
“I order you to kiss me,” I said into his lips. My fingers dipped into his waistband and began to unbuckle his belt and jeans. He took a deep breath and his hands tightened on my hips, but he didn’t stop me.
He turned his face into my neck and let out a long, frustrated groan, burning my skin with his breath and sending shivers through me. He nuzzled my hair, drinking in my scent as my fingernails ran softly down the back of his neck. “You can’t do that to me,” he said huskily, his lips brushing my skin.
I slipped my hands under his shirt, and I smoothed them over his solid abdomen. “Then kiss me because you want to.
”
”
Courtney Allison Moulton
“
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world.
Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs.
It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone.
It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been.
Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen?
We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth.
It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
”
”
Tom Robbins
“
is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
”
”
George R.R. Martin
“
Grow up with me,Let’s run in fields and through the dark together,Fall off swings and burn special things,And both play outside in bad weather,Let’s eat badly,Let’s watch adults drink wine and laugh at their idiocy,Let’s sit in the back of the car making eye contact with strangers driving past,Making them uncomfortable,Not caring, not swearing, don’t look,Let’s both reclaim our superpowers, The ones we all have and lose with our milk teeth,The ability not to fear social awkwardness,The panic when locked in the cellar, still sure there’s something down there,And while picking through pillows each feather,Let’s both stay away from the edge of the bed,Forcing us closer together,Let’s sit in public, with ice-cream all over both our faces,Sticking our tongues out at passers-by,Let’s cry, let’s swim, let’s everything,Let’s not find it funny, lest someone falls over,Classical music is boring,Poetry baffles us both,There’s nothing that’s said is what’s meant,Plays are long, tiresome, sullen and filled With hours that could be spent rolling down hills and grazing our knees on cement,Let’s hear stories and both lose our innocence,Learn about parents and forgiveness,Death and morality,Kindness and heart,Thus losing both of our innocent hearts,But at least we wont do it apart,Grow up with me.
”
”
Keaton Henson
“
On May 26th, 2003,
Aaron Ralston was hiking,
a boulder fell on his right hand,
he waited four days,
he then amputated
his own arm with a pocketknife.
On New Year’s Eve,
a woman was bungee jumping,
the cord broke,
she fell into a river
and had to swim back to land
in crocodile-infested waters
with a broken collarbone.
Claire Champlin was smashed in the face
by a five-pound watermelon
being propelled by a slingshot.
Mathew Brobst was hit by a javelin.
David Striegl was actually
punched in the mouth by a kangaroo.
The most amazing part of these stories
is when asked about the experience
they all smiled, shrugged and said
“I guess things could’ve been worse.”
So go ahead,
tell me you’re having a bad day.
Tell me about the traffic.
Tell me about your boss.
Tell me about the job you’ve been trying to quit for the past four years.
Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher.
Tell me the alarm clock
stole the keys to your smile,
drove it into 7 am
and the crash totaled your happiness.
Tell me.
Tell me how blessed are we to have tragedy
so small it can fit on the tips of our tongues.
When Evan lost his legs he was speechless.
When my cousin was assaulted
she didn’t speak for 48 hours.
When my uncle was murdered,
we had to send out a search party
to find my father’s voice.
Most people have no idea
that tragedy and silence
often have the exact same address.
When your day is a museum of disappointments,
hanging from events that were outside of your control,
when you feel like your guardian angel put in his two weeks notice two months ago
and just decided not to tell you,
when it seems like God
is just a babysitter that’s always on the phone,
when you get punched in the esophagus by a fistful of life.
Remember,
every year
two million people die of dehydration.
So it doesn’t matter if
the glass is half full or half empty.
There’s water in the cup.
Drink it and stop complaining.
Muscle is created by lifting things
that are designed to weigh us down.
When your shoulders are heavy
stand up straight and call it exercise.
Life is a gym membership
with a really complicated cancellation policy.
Remember,
you will survive,
things could be worse,
and we are never given
anything we can’t handle.
When the whole world crumbles,
you have to build a new one
out of all the pieces that are still here.
Remember,
you are still here.
The human heart beats
approximately 4,000 times per hour
and each pulse,
each throb,
each palpitation is a trophy,
engraved with the words
“You are still alive.”
You are still alive.
So act like it.
”
”
Rudy Francisco (Helium (Button Poetry))
“
When a stranger on the street makes a sexual comment, he is making a private assessment of me public. And though I’ve never been seriously worried that I would be attacked, it does make me feel unguarded, unprotected.
Regardless of his motive, the stranger on the street makes an assumption based on my physique: He presumes I might be receptive to his unpoetic, unsolicited comments. (Would he allow a friend to say “Nice tits” to his mother? His sister? His daughter?) And although I should know better, I, too, equate my body with my soul and the result, at least sometimes, is a deep shame of both.
Rape is a thousand times worse: The ultimate theft of self-control, it often leads to a breakdown in the victim’s sense of self-worth. Girls who are molested, for instance, often go on to engage in risky behavior—having intercourse at an early age, not using contraception, smoking, drinking, and doing drugs. This behavior, it seems to me, is at least in part because their self-perception as autonomous, worthy human beings in control of their environment has been taken from them.
”
”
Leora Tanenbaum (Slut!: Growing Up Female with a Bad Reputation)
“
A naively formulated goal transmutes, with time, into the sinister form of the life-lie. One forty-something client told me his vision, formulated by his younger self: “I see myself retired, sitting on a tropical beach, drinking margaritas in the sunshine.” That’s not a plan. That’s a travel poster. After eight margaritas, you’re fit only to await the hangover. After three weeks of margarita-filled days, if you have any sense, you’re bored stiff and self-disgusted. In a year, or less, you’re pathetic. It’s just not a sustainable approach to later life. This kind of oversimplification and falsification is particularly typical of ideologues. They adopt a single axiom: government is bad, immigration is bad, capitalism is bad, patriarchy is bad. Then they filter and screen their experiences and insist ever more narrowly that everything can be explained by that axiom. They believe, narcissistically, underneath all that bad theory, that the world could be put right, if only they held the controls.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
After he saw God [Tony Amsterdam] felt really good, for around a year. And then he felt really bad. Worse than he ever had before in his life. Because one day it came over him, he began to realize, that he was never going to see God again; he was going to live out his whole remaining life, decades, maybe fifty years, and see nothing but what he had always seen. What we see. He was worse off than if he hadn’t seen God. He told me one day he got really mad; he just freaked out and started cursing and smashing things in his apartment. He even smashed his stereo. He realized he was going to have to live on and on like he was, seeing nothing. Without any purpose. Just a lump of flesh grinding along, eating, drinking, sleeping, working, crapping.”
“Like the rest of us.” It was the first thing Bob Arctor had managed to say; each word came with retching difficulty.
Donna said, “That’s what I told him. I pointed that out. We were all in the same boat and it didn’t freak the rest of us. And he said, ‘You don’t know what I saw. You don’t know.’
”
”
Philip K. Dick (A Scanner Darkly)
“
The hell to be endured hereafter, of which theology tells, is no worse than the hell we make for ourselves in this world by habitually fashioning our characters in the wrong way. Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. We are spinning our fates, good or evil, and never to be undone. Every smallest stroke of virtue or of vice leaves its never so little scar. The drunken Rip Van Winkle, in Jefferson’s play, excuses himself for every fresh dereliction by saying, “I won’t count this time!” Well! He may not count it, and a kind Heaven may not count it; but it is being counted none the less. Down among his nerve-cells and fibers the molecules are counting it, registering and storing it up to be used against him when the next temptation comes. Nothing we ever do is, in strict scientific literalness, wiped out. Of course this has its good side as well as its bad one. As we become permanent drunkards by so many separate drinks, so we become saints in the moral, and authorities and experts in the practical and scientific spheres, by so many separate acts and hours of work. Let no youth have any anxiety about the upshot of his education, whatever the line of it may be. If he keeps faithfully busy each hour of the working-day, he may safely leave the final result to itself. He can with perfect certainty count on waking up some fine morning, to find himself one of the competent ones of his generation, in whatever pursuit he may have singled out.
”
”
William James (The Principles of Psychology)
“
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops.
We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
”
”
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
“
There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.
”
”
Bret Easton Ellis (American Psycho)
“
Like other kinds of intelligence, the storyteller's is partly
natural, partly trained. It is composed of several qualities, most
of which, in normal people, are signs of either immaturity or
incivility: wit (a tendency to make irreverent connections);
obstinacy and a tendency toward churlishness (a refusal to
believe what all sensible people know is true); childishness (an
apparent lack of mental focus and serious life purpose, a fondness
for daydreaming and telling pointless lies, a lack of proper
respect, mischievousness, an unseemly propensity for crying
over nothing); a marked tendency toward oral or anal fixation
or both (the oral manifested by excessive eating, drinking,
smoking, and chattering; the anal by nervous cleanliness and
neatness coupled with a weird fascination with dirty jokes);
remarkable powers of eidetic recall, or visual memory (a usual
feature of early adolescence and mental retardation); a strange
admixture of shameless playfulness and embarrassing earnestness,
the latter often heightened by irrationally intense feelings
for or against religion; patience like a cat's; a criminal streak of
cunning; psychological instability; recklessness, impulsiveness,
and improvidence; and finally, an inexplicable and incurable
addiction to stories, written or oral, bad or good.
”
”
John Gardner (On Becoming a Novelist)
“
Doing nothing is the hardest torture that a person can put himself through. For he is always brought face to face with his own self, which demands that he gives account for the sun which he uselessly squanders, for the springs of energy in his organism, the gold of wisdom in the mines of his brains. The masses work, slog, forget. They drink the alcohol of their sweat. Work is a flight from responsibility and God. Since the mystic beliefs have been banned from Europe, pillars of glory have been erected to rationality in order to put something in place of the cross: the French Revolution named its goddess reason, the Russians named their Moloch work. But the machine called Europe is running idle: it fills stomachs with fake bread, builds artificial houses with iron paper, the products are bad, the pay meager, and at the end of the six holy work days is the unholy Sunday which one sleeps through out of fear of the great boredom which is infecting Europe. Sunday, the day of idleness, is nowadays a punishment for Christianity, the cities collapse into soulless ruins, nature is just a backdrop for dusty sports. Doing nothing out of principle, my dear, is nowadays the most violent form of revolt.
”
”
Yvan Goll
“
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot
of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.
A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes.
She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything.
There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
”
”
Holly Black (Black Heart (Curse Workers, #3))
“
Were you ever going to tell me?”
“About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.”
She knocked back the rum and swallowed, setting the empty glass on the table. Impressive.
She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.”
He took a swig, his gaze locked on hers. “Would you have believed me?”
“No.” She shrugged. “Just wondering how long you would have lied to me.”
“I could ask you the same thing.”
She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.”
“I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.”
She raised a brow. “Are you saying I should feel…special?”
“Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.”
“Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.”
He chuckled. “It’s less heroic when you’re certain you won’t die.”
“But you knew it would hurt.”
He nodded slowly. “True.”
She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.”
Her dark eyes sparkled with the mischief he was growing much too fond of.
“Not bad for a pirate.” He admitted.
”
”
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
“
Why Do People become Shadowhunters, by Magnus Bane
This Codex thing is very silly. Downworlders talk about the Codex like it is some great secret full of esoteric knowledge, but really itès a Boy Scout manual.
One thing that it mysteriously doesnèt address is why people become Shadowhunters. And you should know that people become Shadowhunters for many stupid reasons.
So here is an addition to your copy.
Greetings, aspiring young Shadowhunter-to-be- or possibly already technically a Shadowhunter. I canèt remember whether you drink from the Cup first or get the book first. Regardless, you have just been recruited by the Monster Police. You may be wondering, why? Why of all the mundanes out there was I selected and invited to this exclusive club made up largely, at least from a historical perspective, of murderous psychopaths?
Possible Reasons Why
1. You possess a stout heart, strong will, and able body.
2. You possess a stout body, able will, and strong heart.
3. Local Shadowhunters are ironically punishing you by making you join them.
4. You were recruited by a local institute to join the Nephilim as an ironic punishment for your mistreatment of Downworlders.
5. Your home , village, or nation is under siege by demons.
6. You home, village, or nation is under siege by rogue Downworlders.
7. You were in the wrong place at the wrong time.
8.You know too much, and should be recruited because the secrecy of the Shadow World has already been compromised for you.
9. You know too little; it would be helpful to the Shadowhunters if you knew more.
10. You know exactly the right amount, making you a natural recruit.
11. You possess a natural resistance to glamour magic and must be recruited to keep you quiet and provide you with some basic protection.
12. You have a compound last name already and have convinced someone important that yours is a Shadowhunter family and the Shadowhunteriness has just been weakened by generations of bad breeding.
13. You had a torrid affair with a member of the Nephilim council and now he's trying to cover his tracks.
14. Shadowhunters are concerned they are no longer haughty and condescending enough-have sought you out to add a much needed boost of haughty condescension.
15. You have been bitten by a radioactive Shadowhunter, giving you the proportional strength and speed of a Shadowhunter.
16. Large bearded man on flying motorcycle appeared to take you away to Shadowhunting school.
17. Your mom has been in hiding from your evil dad, and you found out you're a Shadowhunter only a few weeks ago.
That's right. Seventeen reasons. Because that's how many I came up with. Now run off, little Shadowhunter, and learn how to murder things. And be nice to Downworlders.
”
”
Cassandra Clare (The Shadowhunter's Codex)
“
My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn’t even get a proper date. I can’t even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let’s say, ‘incident’ I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn’t talk to anyone. I didn’t go outside. I just stayed inside and drew. I’d draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn’t really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that’s when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we’d do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfect woman ever. It’s like we share a wave-link or something. She just knows me without even knowing me, if you understand. And now, 2011, I have a beautiful baby girl, a caring wife and I get to perform for my adoring fans everyday. I am living proof that no matter how bad it gets, it gets better. I am Gerard Way, and I survived.
”
”
Gerard Way
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
The Tomorrow Man theory. It’s pretty basic. Today, right here, you are who you are. Tomorrow, you will be who you will be. Each and every night, we lie down to die, and each morning we arise, reborn. Now, those who are in good spirits, with strong mental health, they look out for their Tomorrow Man. They eat right today, they drink right today, they go to sleep early today–all so that Tomorrow Man, when he awakes in his bed reborn as Today Man, thanks Yesterday Man. He looks upon him fondly as a child might a good parent. He knows that someone–himself–was looking out for him. He feels cared for, and respected. Loved, in a word. And now he has a legacy to pass on to his subsequent selves…. But those who are in a bad way, with poor mental health, they constantly leave these messes for Tomorrow Man to clean up. They eat whatever the hell they want, drink like the night will never end, and then fall asleep to forget. They don’t respect Tomorrow Man because they don’t think through the fact that Tomorrow Man will be them. So then they wake up, new Today Man, groaning at the disrespect Yesterday Man showed them. Wondering why does that guy–myself–keep punishing me? But they never learn and instead come to settle for that behavior, eventually learning to ask and expect nothing of themselves. They pass along these same bad habits tomorrow and tomorrow and tomorrow, and it becomes psychologically genetic, like a curse. Looking at you now, Maven, I can see exactly where you fall on this spectrum. You are a man constantly trying to fix today what Yesterday Man did to you. You make up your bed, you clean those dirty dishes from the night before, and pledge not to start drinking until six, thinking that’s the way to keep an even keel. But in reality you’re always playing catch-up. I know this because I’ve been there. The thing is–you can’t fix the mistakes of Yesterday. Yesterday Man is dead, he’s gone forever, and blame and atonement aren’t worth a damn. What you can do is help yourself today. Eat a vegetable. Read a book. Cut that hair of yours. Leave Tomorrow Man something more than a headache and a jam-packed colon. Do for Tomorrow Man what you would have wanted Yesterday Man to do for you.
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Chuck Hogan
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It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A.
The last words I ever carved into myself, sixteen years after I started: vanish.
Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck.
Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist.
Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.
For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
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Gillian Flynn (Sharp Objects)
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...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.
See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.
The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.
And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
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Catherynne M. Valente