Drill Song Quotes

she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps, inhaled at each momentary recovery, lost finally in the dark caverns of her throat, bruised by the ripple of unseen muscles. An elderly waiter with trembling hands was hurriedly spreading a pink and white checked cloth over the rusty green iron table, saying: "If the lady and gentleman wish to take their tea in the garden, if the lady and gentleman wish to take their tea in the garden ..." I decided that if the shaking of her breasts could be stopped, some of the fragments of the afternoon might be collected, and I concentrated my attention with careful subtlety to this end.

War shapes itself around them, gunfire that sounds like pneumatic drilling, shelling that drums the earth and sends shudders into the house, the windows and the wooden floors rattling...

One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child. When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.

Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!

After four years of playing [the school fight song] for every pep rally, at the start of every half of every football game, after every score, at the end of the game, and at random times when the team needed a boost, it was forever drilled into my psyche.

somebody had taken an old disk of McCartney and the Wings - as in the historical Beatles's McCartney - taken and run it through a Kurtzweil remixer and removed every track on the songs except the tracks of poor old Mrs. Linda McCartney singing backup and playing tambourine. ... Poor old Mrs. Linda McCartney just fucking could not sing, and having her shaky off-key little voice flushed from the cover of the whole slick multitrack corporate sound and pumped up to solo was to Gately unspeakably depressing - her voice sounding so lost, trying to hide and bury itself inside the pro backups' voices; Gately imagined Mrs. Linda McCartney - in his Staff room's wall's picture a kind of craggy-face blonde - imagined her standing there lost in the sea of her husband's pro noise, feeling low esteem and whispering off-key, not knowing quite when to shake her tambourine: C's depressing CD was past cruel, it was somehow sadistic-seeming, like drilling a peephole in the wall of a handicapped bathroom.

It is we, the thinking-sensing ones, who really and continually make something that is not yet there: the whole perpetually growing world of valuations, colours, weights, perspectives, scales, affirmations, and negations. This poem that we have invented is constantly internalized, drilled, translated into flesh and reality, indeed, into the commonplace, by the so-called practical human beings (our actors).

I recognized the emphasis on “grit” as a final throwing up of hands. Kids too young to speak would be held responsible for their own problems. It didn’t matter how they were wronged, or how preventable the harm; their job was to contain the damage, making the blast zone smaller by absorbing all the impact. When flagrant affronts drew the ire of society—like migrant children separated from their families and detained in tent cities, oil fields, and a converted Walmart—I found myself numb. Maybe it’s for the better, I thought. Maybe the adversity will make them stronger. The doctrine of “anything bad can be alchemized into something good” had been so drilled into me that it seemed to apply even in this extreme situation. I was horrified by the logic I’d internalized. The whole song and dance of resilience chipped away at my humanity. It required a profound lack of empathy. It erased any pain, no matter how great, as long as it resulted in productivity.

Youuuuuuuuuuuuuuuuuu left me. It’s a song about being abandoned. This was the message drilled into us during those endless sessions: Whoever you were counting on—family, friends, anyone who ever said they cared about you—just forget them. They lied. They left you. Just when you needed them most. Anyone who says they love you—they don’t. Because you are not worthy of love, and if you love yourself, you’re just fucking delusional. You are helpless. You are worthless. You will never be loved. Your family has rejected you. We’re your family now, and the only way to survive is to be like us.

These memories of former times do not awaken desire so much as sorrow - a vast, inapprehensible melancholy. Once we had such desires - but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers' songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong - but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us--for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity. Perhaps it was only the privilege of our youth, but as yet we recognised no limits and saw nowhere an end. We had that thrill of expectation in the blood which united us with the course of our days. To-day we would pass through the scenes of our youth like travellers. We are burnt up by hard facts; like tradesmen we understand distinctions, and like butchers, necessities. We are no longer untroubled--we are indifferent. We might exist there; but should we really live there? We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial - I believe we are lost.

Their stillness is the reason why these memories of former times do not awaken desire so much as sorrow—a vast, inapprehensible melancholy. Once we had such desires—but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers’ songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong—but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us—for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity.

Modern armies no longer line up in neat rows and charge each other from opposite sides of a battlefield. Strangely, however, they still train that way, for example, during marching drills. This practice is useful, it turns out, not to prep for actual battle conditions, but to build trust and solidarity among soldiers in a unit. Our species, for reasons that aren’t entirely clear, is wired to form social bonds when we move in lockstep with each other.48 This can mean marching together, singing or chanting in unison, clapping hands to a beat, or even just wearing the same clothes. In the early decades of the 20th century, IBM used corporate songs to instill a sense of unity among their workers.49 Some companies in Japan still use these practices today.

hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you

The horoscope loomed in my thoughts. Perhaps it had been right all this time. A marriage that partnered me with death. My wedding, sham though it was, would bring more than just my end. I breathed deeply and a calm spiraled through me. This was my final taste: a helix of air, smacking of burnt things and bright leaves. I pulled the vial from my bangles, fingers shaking. This was my last sight: purling fire and windows that soared out of reach. I raised the vial to my lips. My chest was tight, silk clinging damply to my back, my legs. This was my last sound: the cadence of a heart still beating. “May Gauri live a long life,” I mouthed. The poison trickled thickly from the rim and I tilted my head back, eyes on the verge of shutting-- And then: a shatter. My eyes opened to empty hands clutching nothing. Spilled poison seeped into the rug and shards of glass glinted on the floor, but all of that was obscured by the shadow of a stranger. “There’s no need for that,” said the stranger. He wiped his hands on the front of his charcoal kurta, his face partially obscured by a sable hood studded with small diamonds. All I could see was his tapered jaw, the serpentine curve of his smile and the straight bridge of his nose. Like the suitors, he wore a garland of red flowers. And yet, all of that I could have forgotten. Except his voice… It drilled through the gloaming of my thoughts, pulled at me in the same way the mysterious intruder’s voice had tugged. But where the woman’s voice brought fury, this was different. The hollow inside me shifted, humming a reply in melted song. I could have been verse made flesh or compressed moonlight. Anything other than who I was now. A second passed before I spoke. By then, the stranger’s lips had bent into a grin. “Who are you?” “One of your suitors,” he said, not missing a beat. He adjusted his garland. I backed away, body tensing. I had never seen him before. I knew that with utmost certainty. Did he mean to harm me? “That’s not an answer.” “And that wasn’t a thank you,” he said.

Botticelli’s St. Sebastian" I have seen a robin cock his head so, Listening for the change in weather, Feeling in the field’s pale grass turning paler The moment of his own departure. I have seen the bird throw his whole body In the air, and go, the small bird go. And the bared ground at once lose heart, As if taken by a sudden grippe. And I have seen blood wood, fire-grained As the stripped flesh, seen the long Boards of strong wood—when seen bound And bitten by the drill—spew up phases As curled and as extravagant as Sebastian’s gaze, The way the lover does at consummation, Lost to himself and the world, but still Safley shaded by the tree he rose from. I have seen, I have seen the lake’s heart When the rain comes through, when the water’s Dark flesh is driven, I have seen the heart Move like a doe through the woods, move Like a stunned doe, deeper and deeper, Through trees that turn and close behind her, The way water closes over a dropped stone, Or a torn limb, or a lasting wound … Oh, the forgotten traveler! Brigit Pegeen Kelly, Song. (BOA Editions; 1st edition 1995)

Nearly all children nowadays were horrible. What was worst of all was that by means of such organizations as the Spies they were systematically turned into ungovernable little savages, and yet this produced in them no tendency whatever to rebel against the discipline of the Party. On the contrary, they adored the Party and everything connected with it. The songs, the processions, the banners, the hiking, the drilling with dummy rifles, the yelling of slogans, the worship of Big Brother—it was all a sort of glorious game to them. All their ferocity was turned outwards, against the enemies of the State, against foreigners, traitors, saboteurs, thought-criminals. It was almost normal for people over thirty to be frightened of their own children. And with good reason, for hardly a week passed in which the Times did not carry a paragraph describing how some eavesdropping little sneak—'child hero' was the phrase generally used—had overheard some compromising remark and denounced its parents to the Thought Police.

TRY THIS! Create an “All About ME” Book: This is a lot of fun and incredibly easy to do. It can be as simple or elaborate as you’d like it to be. Step 1: Buy a scrapbook (or some interesting paper and bind it together to make a book) Step 2: Have your children start listing all sorts of facts about themselves. Try to list as many things that you can think of together: favorite song, favorite food, favorite movie, best vacation, funniest memory, etc. The most important part of this project is that you’re doing it together. There’s no better way to show your children that they’re valued than by sharing your time with them. The great thing about really drilling home messages about body image for kids at this age is that they still think their parents are brilliant. That’s only going to last a few more years, so we need to take advantage while we still can!

The grind is the traveling, the hotel food, whatever. It’s a hard drill sometimes. But once I hit the stage, all of that miraculously goes away. The grind is never the stage performance. I can play the same song again and again, year after year. When “Jumpin’ Jack Flash” comes up again it’s never a repetition, always a variation. Always. I would never play a song again once I thought it was dead. We couldn’t just churn it out. The real release is getting on stage.

On the contrary, they adored the Party and everything connected with it. The songs, the processions, the banners, the hiking, the drilling with dummy rifles, the yelling of slogans, the worship of Big Brother—it was all a sort of glorious game to them. All their ferocity was turned outwards, against the enemies of the State, against foreigners, traitors, saboteurs, thought-criminals. It was almost normal for people over thirty to be frightened of their own children. And

America for Me ‘Tis fine to see the Old World, and travel up and down Among the famous palaces and cities of renown, To admire the crumbly castles and the statues of the kings,— But now I think I’ve had enough of antiquated things. So it’s home again, and home again, America for me! My heart is turning home again, and there I long to be, In the land of youth and freedom beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man’s town, there’s power in the air; And Paris is a woman’s town, with flowers in her hair; And it’s sweet to dream in Venice, and it’s great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods, in green battalions drilled; I like the gardens of Versailles with flashing fountains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her way! I know that Europe’s wonderful, yet something seems to lack: The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free,— We love our land for what she is and what she is to be. Oh, it’s home again, and home again, America for me! I want a ship that’s westward bound to plough the rolling sea, To the blessed Land of Room Enough beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Henry Van

Nearly all children nowadays were horrible. What was worst of all was that by means of such organizations as the Spies they were systematically turned into ungovernable little savages, and yet this produced in them no tendency whatever to rebel against the discipline of the Party. On the contrary, they adored the Party and everything connected with it. The songs, the processions, the banners, the hiking, the drilling with dummy rifles, the yelling of slogans, the worship of Big Brother—it was all a sort of glorious game to them. All their ferocity was turned outwards, against the enemies of the State, against foreigners, traitors, saboteurs, thought-criminals. It was almost normal for people over thirty to be frightened of their own children.

Our modern species-history is one of remorselessly accelerated extraction, accompanied by compensatory small acts of preservation and elegiac songs. We have now drilled some 30 million miles of tunnel and borehole in our hunt for resources, truly riddling our planet into a hollow Earth.

Our modern species-history is one of remorselessly accelerated extraction, accompanied by compensatory small acts of preservation and elegiac songs. We have now drilled some 30 million miles of tunnel and borehole in our hunt for resources, truly riddling our planet into a hollow Earth.

they were systematically turned into ungovernable little savages, and yet this produced in them no tendency whatever to rebel against the discipline of the Party. On the contrary, they adored the Party and everything connected with it. The songs, the processions, the banners, the hiking, the drilling with dummy rifles, the yelling of slogans, the worship of Big Brother—it was all a sort of glorious game to them.