Dried Petals Quotes

Love is like dried flowers sometimes. Even though you watch the petals shrink and change colour, you cannot help treasuring them

Thunder rumbled. My heart beat faster. I turned away from Evernight for the last time and looked back at the flower as it trembled upon its branch. A single petal was torn away by the wind. Pushing my hands through the thorns, I felt lashes of pain across my skin, but i kept going determined. But when my fingertip touched the flower, it instantly darkened, withering and drying as each petal turned black.

Salt is added to dried rose petals with the perfume and spices, when we store them away in covered jars, the summers of our past.

I am alone. They have gone into the house for breakfast, and I am left standing by the wall among the flowers. It is very early, before lessons. Flower after flower is specked on the depths of green. The petals are harlequins. Stalks rise from the black hollows beneath. The flowers swim like fish made of light upon the dark, green waters. I hold a stalk in my hand. I am the stalk. My roots go down to the depths of the world, through earth dry with brick, and damp earth, through veins of lead and silver. I am all fibre. All tremors shake me, and the weight of the earth is pressed to my ribs. Up here my eyes are green leaves, unseeing.

The stains on the mattress. Like dried flower petals. Not recent. Old love; there's no other kind of love in this room now.

Learn from your past and shut the door behind to live in present.Our past is just like a dry rose which was once a rose with all colors of life, with sweet fragrance, with soft petal, with thorns but now it is left with only thorns which could still hurt.

Don't close your door when someone walks away. Your wounds will heal and summer wind will dry your tears. Don't close your heart, surrender to the sea of silky rose petals and let the sun tickle you. Don't lose hope, life still believes in you. Darling, raindrops are nothing but diamonds tears from heaven and when your sky is cloudy, stars are painting sparkly scenery for you. Be patient.

So much hatred, so much cruelty . . . I don't understand,' said Victor. His mouth was dry and the ords stuck in his throat. 'We can all turn into savages if we're given a rifle and an order,' said another prisoner who had come over to them.

There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.

Her gaze dims as her nostalgia for Palermo overcomes her. Those smells of seaweed dried by the sun, of capers, of ripe figs, she will never find them anywhere else; those burnt and scented shores, those waves slowly breaking, jasmine petals flaking in the sun.

MOTHER – By Ted Kooser Mid April already, and the wild plums bloom at the roadside, a lacy white against the exuberant, jubilant green of new grass and the dusty, fading black of burned-out ditches. No leaves, not yet, only the delicate, star-petaled blossoms, sweet with their timeless perfume. You have been gone a month today and have missed three rains and one nightlong watch for tornadoes. I sat in the cellar from six to eight while fat spring clouds went somersaulting, rumbling east. Then it poured, a storm that walked on legs of lightning, dragging its shaggy belly over the fields. The meadowlarks are back, and the finches are turning from green to gold. Those same two geese have come to the pond again this year, honking in over the trees and splashing down. They never nest, but stay a week or two then leave. The peonies are up, the red sprouts, burning in circles like birthday candles, for this is the month of my birth, as you know, the best month to be born in, thanks to you, everything ready to burst with living. There will be no more new flannel nightshirts sewn on your old black Singer, no birthday card addressed in a shaky but businesslike hand. You asked me if I would be sad when it happened and I am sad. But the iris I moved from your house now hold in the dusty dry fists of their roots green knives and forks as if waiting for dinner, as if spring were a feast. I thank you for that. Were it not for the way you taught me to look at the world, to see the life at play in everything, I would have to be lonely forever.

The dried yellow petals of St. John's wort, which Old Marie called 'chase-devil' for the way it could drive the megrims away. Gaudy calendula, bright as the sun. Sweet-smelling lemon balm, guaranteed to lift the spirits with its aroma alone.

I jump to my feet in this dream within a dream. Although I am quite dry, I discover that the trees of the forest in which I have slept stand rooted in water. Beyond them, at the forest's edge, stretches a tarn. From the steely face of the tarn rises a mist, and there, where the mist swirls thickest, shimmering like a pale column risen from its depths, dripping tarn water and rotted rose petals, stands Gunther.

Sugar understood the permanence of being Sugar or Lotty or Lucy or whoever you might be, trapped on a square of card to be shown at will to strangers. Whatever violations she routinely submits to in the privacy of bedroom, they vanish the moment they're over, half-forgotten with the drying of sweat. But to be chemically fixed in time and passed hand to hand forever: that is a nakedness which can never be clothed again

Why Roses Crave Thorns" Petals detach from a wilting bud—a single stem plucked before fully blossomed. They descend in hesitant swirls, too soft and limp to shatter like teardrops. One by one they light to blanket a single shadow below. She is a rose, young and innocent, with beauty incomparable to shame all others. She has flowered enough to stop the observer in his tracks, awestruck. He is compelled to reach out and touch. The petals delight at a silken caress, her bud everything desirable but defenseless—without a sharp edge to make an admirer pause, to warn the intrusive hand. ‘Stay back! Stay back!’ His fingers curl around the stem to tug, and suddenly the rose craves a thorn. It is madness not to want her and yet madness to cut her down. Let the flower thrive and blush to someday flaunt layers of silken favors! But the world will not have it. A single stem is severed in a selfish moment of desire—a yearning to hold and possess. Alone and forgotten her petals cry, raining in hesitant swirls where they accumulate to blanket her shadow below. Dry, withered, craving the thorns. Beautiful no more.

If with the water’s rosy hue comparison be made, Carmine tears and dewy flowers seem of the self-same shade. Yet lady’s tears and flowers in this unalike I find, That the flowers are still and smiling, but the tears flow unallayed. As she gazes on the smiling flowers, her tears at last grow dry; But as they dry, the springtime ends and the flowers fade. The flowers fade, and an equal blight the lady’s fair cheek palls. The petals drift; she is weary; and soon the darkness falls. A nightingale is singing a dirge for the death of spring, And moonlight steals through the casement and dapples the silent walls.

He would spend the day in the rear of the store writing wild notes, which he would send to Amaranta with flower petals and dried butterflies, and which she would return unopened.

The dusk twilit leaves me tipsy. Rain lashing down to trashed. Moon sailing through dries up snooze. He in spring holds the breath. And raining petals a warm hug craved for.

A MAN FINDS happiness so fleetingly, like the petals melting off a prairie rose. Even as you touch that feeling it dries up, leaving only the dust of that emotion, a powder of hope.

The Geranium When I put her out, once, by the garbage pail, She looked so limp and bedraggled, So foolish and trusting, like a sick poodle, Or a wizened aster in late September, I brought her back in again For a new routine - Vitamins, water, and whatever Sustenance seemed sensible At the time: she'd lived So long on gin, bobbie pins, half-smoked cigars, dead beer, Her shriveled petals falling On the faded carpet, the stale Steak grease stuck to her fuzzy leaves. (Dried-out, she creaked like a tulip.) The things she endured!- The dumb dames shrieking half the night Or the two of us, alone, both seedy, Me breathing booze at her, She leaning out of her pot toward the window. Near the end, she seemed almost to hear me- And that was scary- So when that snuffling cretin of a maid Threw her, pot and all, into the trash-can, I said nothing. But I sacked the presumptuous hag the next week, I was that lonely.

What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out.

This was to be his most stubborn, persistent memory of the war: that fifteen- or sixteen-year-old boy, still smooth-cheeked, filthy with the dirt of battle and dried blood, laid out on a stretcher with his heart exposed to the air.

I drew my bath and scattered dried rose petals in the water. I stepped into the tub, pinned up my hair, dipped into the bowl of mayonnaise that had been mixed with fennel and rosemary and soaked secretly in the refrigerator for two days.

Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.

History that is presented only as ink-embalmed data is as a flower pressed in a book. Although the dry petals still hold all the elements of the original flower, they cannot show us how it looked blooming in the field. The color and fragrance - the true reality - or the flowers are gone.

If you fall for a dark-eyed beauty, pretty as a picture, with lips as sweet as a luscious rasberry, and a gentle face, unrumpled by kisses, like an apple-blossom petal in May, and she becomes your love—then do not say that love is yours: even though you cannot tire of her rounded breasts, of her slender frame that melts in your embrace like wax before a flame. . . . The day will come, that cruel hour will come, the fatal moment will come, when he face will fade, rumpled by kisses, her breasts will no longer quiver at your touch: all this will come to pass; and you will be alone with your own shadow amidst the sunscorched deserts and the dried up springs, where flowers do not bloom and the sunlight plays on the dry skin of a lizard; and you might even see the hairy black tarantula’s lair, all enmeshed in the threads of its web . . . And then your thirsting voice will be raised from the sands, calling longingly to your homeland. --- But if your love is otherwise, if her browless face has once been touched by the black blemish of the pox, if her hair is red, her breasts sagging, her bare feet dirty, and to any extent at all her stomach protrudes, and still she is your love—then that which you have sought and found in her is the sacred homeland of your soul.

Tom O’ Bedlam among the Sunflowers" To have gold in your back yard and not know it. . . I woke this morning before your dream had shredded And found a curious thing: flowers made of gold, Six-sided—more than that—broken on flagstones, Petals the color of a wedding band. You are sleeping. The morning comes up gold. Perhaps I made those flowers in my head, For I have counted snowflakes in July Blowing across my eyes like bits of calcium, And I have stepped into your dream at night, A stranger there, my body steeped in moonlight. I watched you tremble, washed in all that silver. Love, the stars have fallen into the garden And turned to frost. They have opened like a hand. It is the color that breaks out of the bedsheets. This morning the garden is littered with dry petals As yellow as the page of an old book. I step among them. They are brittle as bone china.

Descending the stairs from her room, I was tempted to go outside and find out if the shivering gut-wrench I’d felt as I came in really meant what I thought it did. But I stayed in the warmth of the house. I felt like I knew something about myself that I hadn’t before, a bit of knowledge so new that if I became a wolf now, I might lose it and not remember it whenever I became Cole again. I wandered down the main stairs, mindful that her father was somewhere in the house’s depths while Isabel stayed up in her tower alone. What would it be like, growing up in a house that looked like this? If I breathed too hard it would knock some decorative bowl off the wall or cause the perfectly arranged dried flowers to weep petals. Sure, my family had been affluent growing up—successful mad scientists generally are—but it never looked like this. Our lives had looked…lived in.

Rose Caramels 2 1/2 cups sweet milk 1 teaspoon vanilla extract 2 teaspoons chopped dried rose petals 1/2 c up molasses 1 cup granulated sugar Heat milk, vanilla, and rose petals in a small saucepan and simmer for 5 minutes. Strain petals and cool milk mixture. Then in separate saucepan boil molasses, sugar, and milk mixture for 15 to 20 minutes. Pour mixture into greased tin and cut into small squares once cooled. An excellent hostess gift!

Rose Caramels 2 1/2 cups sweet milk 1 teaspoon vanilla extract 2 teaspoons chopped dried rose petals 1/2 c up molasses 1 cup granulated sugar Heat milk, vanilla, and rose petals in a small saucepan and simmer for 5 minutes. Strain petals and cool milk mixture. Then in separate saucepan boil molasses, sugar, and milk mixture for 15 to 20 minutes. Poor mixture into greased tin and cut into small squares once cooled. An excellent hostess gift!

I go back into the kitchen. There are mendiants cooling on a sheet of greaseproof paper; little discs of chocolate, scattered with pieces of crystallized fruit; chopped almonds and pistachios; dried rose petals and gold leaf. Mendiants were always my favorites; so simple to make that even a child- even Anouk at five years old- was able to make them unsupervised. A sour cherry for the nose; a lemon slice for the mouth. Even her mendiants were smiling.

There’s our homecoming picture. Last Halloween, when I dressed up as Mulan and Peter wore a dragon costume. There’s a receipt from Tart and Tangy. One of his notes to me, from before. If you make Josh’s dumb white-chocolate cranberry cookies and not my fruitcake ones, it’s over. Pictures of us from Senior Week. Prom. Dried rose petals from my corsage. The Sixteen Candles picture. There are some things I didn’t include, like the ticket stub from our first real date, the note he wrote me that said, I like you in blue. Those things are tucked away in my hatbox. I’ll never let those go. But the really special thing I’ve included is my letter, the one I wrote to him so long ago, the one that brought us together. I wanted to keep it, but something felt right about Peter having it. One day all of this will be proof, proof that we were here, proof that we loved each other. It’s the guarantee that no matter what happens to us in the future, this time was ours. When he gets to that page, Peter stops. “I thought you wanted to keep this,” he said. “I wanted to, but then I felt like you should have it. Just promise you’ll keep it forever.” He turns the page. It’s a picture from when we took my grandma to karaoke. I sang “You’re So Vain” and dedicated it to Peter. Peter got up and sang “Style” by Taylor Swift. Then he dueted “Unchained Melody” with my grandma, and after, she made us both promise to take a Korean language class at UVA. She and Peter took a ton of selfies together that night. She made one her home screen on her phone. Her friends at her apartment complex said he looked like a movie star. I made the mistake of telling Peter, and he crowed about it for days after. He stays on that page for a while. When he doesn’t say anything, I say, helpfully, “It’s something to remember us by.” He snaps the book shut. “Thanks,” he says, flashing me a quick smile. “This is awesome.

COMMITMENT is like rain in Oregon. You wake up every morning and there it is. It cups your house in its liquid hands and fills your gutters to overflowing. It makes green things grow tall and lush, rivers run deep and invincible. On sunny days it seeps up through petals and pine needles, roots and aqueducts. Other days, it makes mud too thick for walking, and you cannot leave the house. You pace the house, restless and lonely. Then you smell its perfume in a dry, empty room and part the curtains, watch it finger the window with long, slow rivulets. From 'A Compendium of Miniatures

When I arrived in the stables, he startled me from behind the door. Without a word, he grabbed me up in his arms and carried me into the loft. There he had lit a dozen candles, and strewn rose petals and blankets over a bed of sweet-smelling hay.” “A dozen lit candles in a stable full of dry hay? You’re lucky you survived the experience, sweetheart. You could have been tinder.” Sophia raised her eyebrows and stiffened her posture. “Our love was an inferno. I thought I would go up in flames, so glorious was our pleasure that night.” He covered his eyes with a hand and laughed, loud and long. “What a vivid romantic imagination you have.

I pull out the blue spool of thread and the sharp needle I always keep in the left pocket of my dress--because old seams have a way of popping, thread unspooling, and you never know when you'll need it--and begin stitching my arm back into place. It takes longer than usual; some of the linen has begun to fray along the seam, and I need to gather a few spare dead leaves from the graveyard to fill my shoulder socket all the way. It's a ghastly thing to lose an arm--or any part of yourself, really--to feel disconnected from your body. Not quite whole. And I've always wished Dr. Finkelstein had stuffed my insides with something other than dried, shriveled leaves, tossed aside by the trees. Cotton perhaps, or rose petals. Something silken and ladylike.

Spread over what must have been at least a hectare or two was the most beautiful garden he had ever seen. There was an entire miniature forest of cedar, cypress, and other sweet-smelling pines that couldn't normally live in the hot and dry Agrabah. There were formal rows of roses and other delicately petaled flowers. There was a garden just of mountain plants. There was a pool filled with flowering white lilies and their pads, and pink lotuses taller than most men. There was a fountain as big as a house and shaped like an egg. There was a delicate white aviary that looked like a giant's birdcage. Strangely, there were no birds in it. And everywhere, entwined around every tiny building and every balustrade and every topiary ball, was jasmine. White jasmine, pink jasmine, yellow jasmine, night-flowering jasmine... the smell was heady enough to make Aladdin feel a little drunk. Jasmine. This was her garden.

Drying herself with the hem of her shift, she notes that her two candles are dimming; one of them is already a guttering stub. Will she light new ones? Well, that depends on what time of night it is, and Caroline has no clock. Few people in Church Lane do. Few know what year it is, or even that eighteen and a half centuries are supposed to have passed since a Jewish troublemaker was hauled away to the gallows for disturbing the peace. This is a street where people go to sleep not at a specific hour but when the gin takes effect, or when exhaustion will permit no further violence. This is a street where people wake when the opium in their babies’ sugar-water ceases to keep the little wretches under. This is a street where the weaker souls crawl into bed as soon as the sun sets and lie awake listening to the rats. This is a street reached only faintly, too faintly, by the bells of church and the trumpets of state.

(From Chapter 9: Hearts and Gizzards) I’m lying on the hard and narrow bed, on the mattress made of coarse ticking, which is what they call the covering of a mattress, though why do they call it that as it is not a clock. The mattress is filled with dry straw that crackles like a fire when I turn over, and when I shift it whispers to me, hush hush. It’s dark as a stone in this room, and hot as a roasting heart; if you stare into the darkness with your eyes open you are sure to see something after a time. I hope it will not be flowers. But this is the time they like to grow, the red flowers, the shining red peonies which are like satin, which are like splashes of paint. The soil for them is emptiness, it is empty space and silence. I whisper, Talk to me; because I would rather have talking than the slow gardening that takes place in silence, with the red satin petals dripping down the wall. I think I sleep. [...] I’m outside, at night. There are the trees, there is the pathway, and the snake fence with half a moon shining, and my bare feet on the gravel. But when I come around to the front of the house, the sun is just going down; and the white pillars of the house are pink, and the white peonies are glowing red in the fading light. My hands are numb, I can’t feel the ends of my fingers. There’s the smell of fresh meat, coming up from the ground and all around, although I told the butcher we wanted none. On the palm of my hand there’s a disaster. I must have been born with it. I carry it with me wherever I go. When he touched me, the bad luck came off on him. I think I sleep. I wake up at cock crow and I know where I am. I’m in the parlour. I’m in the scullery. I’m in the cellar. I’m in my cell, under the coarse prison blanket, which I likely hemmed myself. We make everything we wear or use here, awake or asleep; so I have made this bed, and now I am lying in it.

In a steamer chair, under a manuka tree that grew in the middle of the front grass patch, Linda Burnell dreamed the morning away. She did nothing. She looked up at the dark, close, dry leaves of the manuka, at the chinks of blue between, and now and again a tiny yellowish flower dropped on her. Pretty—yes, if you held one of those flowers on the palm of your hand and looked at it closely, it was an exquisite small thing. Each pale yellow petal shone as if each was the careful work of a loving hand. The tiny tongue in the centre gave it the shape of a bell. And when you turned it over the outside was a deep bronze colour. But as soon as they flowered, they fell and were scattered. You brushed them off your frock as you talked; the horrid little things got caught in one's hair. Why, then, flower at all? Who takes the trouble—or the joy—to make all these things that are wasted, wasted... It was uncanny. On the grass beside her, lying between two pillows, was

Dame Aline, somewhat younger than her husband, was a short, sturdily built woman with fair hair beneath a white lace coif, small square hands, a merry giggle. She had a mask of light freckles across her face that on feast days she hid beneath a powder of rice mixed with dried white rose-petal: a faint scent of rose hung about her even tonight, when she wore no powder. Her cheeks were full, making Hob think at first of a squirrel with acorns in its cheeks. He thought her plain, especially next to the ivory perfection of Lady Isabeau. As the evening wore on, though, she seemed more appealing to him, by reason of her blithe chatter, her delight in each jest, and above all the contrast she made with the dire ominous bulk of her husband. He sat beside her and cut her meat, as was polite: men cut for women, the younger for the elder, the lesser for the greater. When he had done, she placed her hand on his arm affectionately; she smiled in his face. Her rounded cheek, her easy laugh, lent her a childlike prettiness, and Hob wondered that she had no fear of the sinister castellan, who made even the tough-as-gristle sergeant Ranulf uneasy.

As soon as he was out of sight, Gui pulled the macaron mixture towards him, and took a deep breath. He whipped it back and forth, beads of sweat springing on his forehead as his arm muscles released and contracted. When it was almost ready, he reached up for the shelf where the spices and colors were kept. Carefully, he brought down the bottle of 'creme de violette,' the jar of delicate, dried violets, their petals sparkling with sugar. In tiny drops, he measured the purple liqueur into the mixture. He was acting on impulse, yet at the same time he felt certain, as though his first teacher, Monsieur Careme, was with him, guiding his steps. The scent reached up as he stirred, heady and sweet as a meadow, deep as lingering perfume in a midnight room. Hands shaking, he piped the mixture onto a tray in tiny rounds, enough to make six, one for each day that he and Jeanne would have to make it through before they could be together for the rest of their lives. Maurice was delayed talking to Josef, and by the time he returned, Gui was putting the finishing touches to his creations, filling them with a vanilla cream from the cold room, balancing one, tiny, sugar-frosted violet flower upon each.

FROM THE WAVERLEY KITCHEN JOURNAL Angelica - Will shape its meaning to your need, but it is particularly good for calming hyper children at your table. Anise Hyssop - Eases frustration and confusion. Bachelor’s Button - Aids in finding things that were previously hidden. A clarifying flower. Chicory - Conceals bitterness. Gives the eater a sense that all is well. A cloaking flower. Chive Blossom - Ensures you will win an argument. Conveniently, also an antidote for hurt feelings. Dandelion - A stimulant encouraging faithfulness. Frequent side effects are blindness to flaws and spontaneous apologies. Honeysuckle - For seeing in the dark, but only if you use honeysuckle from a brush of vines at least two feet thick. A clarifying flower. Hyacinth Bulb - Causes melancholy and thoughts of past regrets. Use only dried bulbs. A time-travel flower. Lavender - Raises spirits. Prevents bad decisions resulting from fatigue or depression. Lemon Balm - Upon consumption, for a brief period of time the eater will think and feel as he did in his youth. Please note if you have any former hellions at your table before serving. A time-travel flower. Lemon Verbena - Produces a lull in conversation with a mysterious lack of awkwardness. Helpful when you have nervous, overly talkative guests. Lilac - When a certain amount of humility is in order. Gives confidence that humbling yourself to another will not be used against you. Marigold - Causes affection, but sometimes accompanied by jealousy. Nasturtium - Promotes appetite in men. Makes women secretive. Secret sexual liaisons sometimes occur in mixed company. Do not let your guests out of your sight. Pansy - Encourages the eater to give compliments and surprise gifts. Peppermint - A clever method of concealment. When used with other edible flowers, it confuses the eater, thus concealing the true nature of what you are doing. A cloaking flower. Rose Geranium - Produces memories of past good times. Opposite of Hyacinth Bulb. A time-travel flower. Rose Petal - Encourages love. Snapdragon - Wards off the undue influences of others, particularly those with magical sensibilities. Squash and Zucchini Blossoms - Serve when you need to be understood. Clarifying flowers. Tulip - Gives the eater a sense of sexual perfection. A possible side effect is being susceptible to the opinions of others. Violet - A wonderful finish to a meal. Induces calm, brings on happiness, and always assures a good night’s sleep.

Joe had always pretended indifference to flowers. He preferred fruit trees, herbs and vegetables, things to be picked and harvested, stored, dried, pickled, bottled, pulped, made into wine. But there were always flowers in his garden all thee same. Planted as if on an afterthought: dahlias, poppies, lavender, hollyhocks. Roses twined among the tomatoes. Sweet peas among the bean poles. Part of it was camouflage, of course. Part of it a lure for bees. But the truth was that Joe liked flowers, and was reluctant even to pull weeds. Jay would not have seen the rose garden if he had not known where to look. The wall against which the roses had once been trained had been partly knocked down, leaving an irregular section of brick about fifteen feet long. Greenery had shot up it, almost reaching the top, creating a dense thicket in which he hardly recognized the roses themselves. With the shears he clipped a few briars free and revealed a single large red rose almost touching the ground. "Old rose," remarked Joe, peering closer. "Best kind for cookin'. You should try makin' some rose petal jam. Champion." Jay wielded the shears again, pulling the tendrils away from the bush. He could see more rosebuds now, tight and green away from the sun. The scent from the open flower was light and earthy.

The intensity of my sensations has always been less than the intensity of my awareness of them. I've always suffered more from my consciousness that I was suffering than from the suffering of which I was conscious. The life of my emotions moved early on to the chambers of thought, and that's where I've most fully lived my emotional experience of life. And since thought, when it shelters emotion, is more demanding than emotion by itself, the regime of consciousness in which I began to live what I felt made how I felt more down-to earth, more physical, more titillating. By thinking so much, I became echo and abyss. By delving within, I made myself into many. The slightest incident — a change in the light, the tumbling of a dry leaf, the faded petal that falls from a flower, the voice speaking on the other side of the stone wall, the steps of the speaker next to those of the listener, the half-open gate of the old country estate, the courtyard with an arch and houses clustered around it in the moonlight — all these things, although not mine, grab hold of my sensory attention with the chains of longing and emotional resonance. In each of these sensations I am someone else, painfully renewed in each indefinite impression. I live off impressions that aren't mine. I'm a squanderer of renunciations, someone else in the way I'm I.

Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.

All that was left of the Navane was a dark orange film, hardened against the plastic walls of the dropper bottle, segmented and flaking like dried earth. I remembered this stuff. It was the worst of the worst. It came with all kinds of warnings about going out into the sun and what to use on your skin to protect yourself from the extra sensitivity, which seemed like jokes to me, like they had to be meant as jokes. I think it was years before I stood outside in the sun at all for longer than the few minutes it took me to get from a transport van into the cool shade of the indoors. I sniffed at the bottle. There wasn’t a whole lot of scent left; just enough for me to grab hold of the memory of what it had been like getting this stuff from the dropper to my tongue. Like forcing a cadaver to drool something sweet into my mouth. Whole sweeping narratives had formed inside me around this medication, I remembered: stories I’d told myself to make taking it less numbing, to give not just meaning but intrigue to my dull condition. Explorers on distant South American mountainsides retrieving flowers from rock cliffs whose petals alone could yield the essence that would make the nauseating syrup in the tinted bottle: but you couldn’t get the essence directly from the petals; it was far too potent for human beings, it’d kill you; first you had to feed it to sparrows, whose livers filtered out the toxins, then cut out the livers and boil all the remaining organs in water. Then you strained the resulting decoction through cheesecloth and diluted it in a ten-to-one solution, and capped the bottles you’d drained it into and kept them away from light, because what you were left with was thiothixene HCl, known commercially as Navane, which I took in oral suspension because the doctor thought without it I might see or hear bad things.

A woman lay before the exhausted flames of her dying fire, and he could see at once that she, as was the habit of mortals, was dying too. But in her arms she held a new-born child, covered by a shawl. “Why do you weep?” Azhrarn inquired in fascination as he leant at the door, marvelously handsome, with hair that shone like blue-black fire, and clothed in all the magnificence of night. “I weep because my life has been so cruel, and because now I must die,” said the woman. “If your life has been cruel, you should be glad to leave it, therefore dry your tears, which will, in any case, avail you nothing.” The woman’s eyes grew dry indeed, and flashed with anger almost as vividly as the coal-black eyes of the stranger. “You vileness! The gods curse you that you come mocking me in my last moments. All my days have been struggle and torment and pain, but I should perish without a word if it were not for this boy that I have brought into the world only a few hours since. What is to become of my child when I am dead?” “That will die, too, no doubt,” said the Prince, “for which you should rejoice, seeing he will be spared all the agony you tell me of.” At this the mother shut her eyes and her mouth and expired at once, as if she could no longer bear to linger in his company. But as she fell back, her hands left the shawl, and the shawl unfolded from the baby like the petals of a flower.

Their fingers are long, like flower stems, ending in leaves where nails should be. Snow-white women with skin like leather and smooth, hairless heads wear crowns of thorns and pale roses. Dresses made of thousands and thousands of dry flower petals that rustle in the breeze like unearthly ghouls. I

Rose petals.” Katharine swept her arm toward a huddle of stalls farther up the street. “Can you see the sacks? They’re full of dried petals and rosebuds. They use them to flavor the food here as well as for perfume. You can get rose-tasting water and ice cream if you fancy it.

Indeed, social media, represent a global garden, where one can actualize various flowers, with its fragrances. However, one cannot exclude the thorns, dry petals and insects in several dimensions; otherwise, it may feel an awkward feeling.

Love is like dried flowers sometimes. Even though you watch the petals shrink and change color, you cannot help treasuring them.

Petals must be dried out over 4-6 weeks.

I keep a flower hidden between the pages of every journal in my house petalled bookmarks dried yet alive in a different way much like my soul awakened to a new forever-melody that sounds something like this joy! joy! joy!

He dug his thumbnail into the blushing peel and pulled until the dark red fruit appeared, spraying citrus oil everywhere. As he pulled the fruit into its sections, it glowed like rubies. It made the fruit I'd bought at the supermarket for our ill-fated experiment look dry and stale in comparison. "Why do you have to show me now?" I stopped cold, because he'd grabbed my chin. His fingers were soft, insistent. "Because I want to. Open," he said. He was smiling, but there was something in his eyes I hadn't seen before. Determination? When I gaped at him, he popped the orange segment in my mouth. I bit down, and my eyes fluttered shut. Sweet-sour fireworks exploded across my tongue, and I couldn't help but moan a little bit. I tasted orange, of course, but there were raspberries and a little bit of rose petal, too. "That's incredible," I said once I'd swallowed. "Like eating a sunset." When I opened my eyes, he was staring at my mouth. I felt fireworks again, this time in my stomach. But a second later, he smiled big and said, "I was going to say a party in my mouth, but I guess that's why you're the writer.

She was pleasantly surprised at how much remained. Her parents had abandoned a heap of old Caltreyan clothes. Selecting one of the island dresses, Kiela shook it out. Dust plumed in the air. The skirt was a quilt of blue--- sky blue, sapphire blue, sea blue--- all stitched together with silvery thread and hemmed with silver ribbon, and the bodice was a soft white blouse. Not at all a city style, but it was perfect for a picnic in a garden or a stroll on a shore. With a few repairs, she could wear a lot of her mother's abandoned clothes, and she could use her father's for... She wasn't sure what, but they were nice to have. She'd find a use for them. If nothing else, she could chop the fabric up into cleaning rags. Or perhaps learn to quilt? There was a moth-eaten blanket in one closet, in addition to the old quilts on the daybed and her parents' bed. Each quilt had its own pattern--- one was comprised of colors of the sunset and sewn in strips like rays of light, while another was the brown and pale green of a spring garden with pieces cut like petals and sewn like abstract flowers. We left so many beautiful things behind. She'd had no idea. She'd been too little to help much with the packing, though she remembered she'd tried. Carrying an armful of clothes into the kitchen, Kiela dumped them into the sink to soak in water. She planned to use the excess line from the boat to hang them out in the sun to dry. They'll be even more beautiful once they're clean. The kitchen cabinet produced more treasures: a few plates, bowls, and cups. Each bowl was painted with pictures of strawberries and raspberries, and the plates were painted with tomatoes and asparagus. The teacups bore delicate pictures of flowers.

Home Remedies For Chapped Lips Home Remedies For Chapped Lips Dry and chapped lips occur all of the time without warning. It might cause annoyance and affect the way that people live their lives, although this really is not life threatening. There are different indications that may be observed, for example, existence of one or several of these symptoms: sores, tenderness, flaking, cracking, redness and dryness. When left untreated, dry and chapped lips can worsen and affect the other elements of the oral orifice. Causes Reasons for developing dryness on the lips comprise an excessive amount of exposure to sunlight licking of lips, smoking, dehydration, allergy, vitamin deficiency and rigorous climate. Home Remedies for Chapped Lips There are over-the-counter ointments to remedy chapped lips, but there also other home remedies which are thought to be more effective and safer. Among them are: Natural oils Natural oils like olive oil, coconut oil or mustard oil are excellent in keeping the affected area moist. These oils are best for those instances where the offender is either dry or cold weather. Cucumber Slathering the area that is affected with the liquid and juicing cucumber slices is an excellent means of alleviating the discomfort of dry lips. It's recommended to keep the lips moistened by doing this several times per day. Aloe vera There is no doubt about the healing properties of aloe vera although its scent and taste are disagreeable. It'll be easy enough lather the lips with the juice and to simply pluck a leaf when the need arises. Rose petals When there's no aloe vera plant available, rose petal infusion is a great choice for relief of chapped lips. This extract mixed with raw milk can serve as a moisturizing agent. The recommended regimen is always to apply the mixture two to three times a day prior to going to bed, and after that once. If raw milk isn't accessible, glycerin is a great replacement. Water The calming and hydrating effects of water can alleviate the pain. Petroleum Jelly Petroleum jelly could be utilized several times a day before climbing the bed and also once. Coating the lips with honey before cleaning with petroleum may only do just fine if the concentrated greasiness of petroleum feels uneasy or if it's causing more pain. Milk cream Milk cream is a superb skin softener, and it has the aptitude hasten the elimination of dead skin. Judgment The key is to moisturize chapped lips as soon as possible to help hasten the healing by avoiding the thing that is certainly causing it in the first place. Keep hydrated, eat succulent foods or cruciferous, avoid sunlight and keep warm within your room during chilly nights. Must Read More ALL Friends tkplanet.com

Nobody wants to share in your PAINS, but they think they have a right to partake of your GAINS. Task your BRAIN too and see if it's that easy to enjoy RAIN in dry season.

Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.

Renaissance Rice Balls SERVES 10 (APPROXIMATELY 36 RICE BALLS) RICE BALLS like these, today known as “arancine,” or little oranges, are still made in many parts of Italy. During the Renaissance these savory balls would have been colored purple or yellow with dried edible flower petals or saffron. This dish can be easily re-created using food coloring to produce the different colored balls. Of course, they are delicious without the coloring!

Mystic Moon Dreaming Pillows Sometimes, when we are in need of extra rest, or when we just want to reach a deeper sleep state, we can achieve this by the use of dreaming pillows—small sachet like pillows that we can tuck inside of our pillow cases. Depending on the herbs, the pillows can encourage vivid dreams, astral work, or restful sleep. This recipe is designed to help promote peaceful slumber, since so many of us don’t get enough time in bed in this fast-paced world. You will need: 2 seven-inch squares of sturdy, purple material—linen works well Gold thread and needle or sewing machine Cotton batting 1/2 cup each: dried lavender mugwort rose petals lemon balm chamomile valerian root 3 drops lavender essential oil 3 drops lemon essential oil 2 drops rosemary essential oil Small spike of quartz crystal Mix herbs together in a bowl, focusing on your desire to encourage deep slumber and to work with your Higher Self while asleep. Focus on the nature of dreams, how they can solve problems, and ask that this energy infuse the herbs and bring out their natural magical tendencies. Add drops of essential oil and mix again. Place quartz spike in the middle of the herbs and set aside (in a bottle with a lid if you are going to wait to finish this charm). Place cloth pieces together, wrong sides out, and sew to form a pouch (use a 3/8” seam allowance), leaving on side open. Iron seams open, then reverse so pouch is right side out. Fill halfway with cotton batting. Add herb mixture and crystal, then pack with rest of cotton batting. Sew the end shut. Place this inside your pillowcase at night and, before you go to bed, focus on some thought you’d like to explore in the dream-state, then go to sleep as usual. Write down your dreams when you wake up and eventually, you should see them responding to your requests. You can recharge this pillow by adding two drops each of lavender oil, lemon oil, and rosemary oil when the fragrance starts to fade. Remember: It is up to us to solve our own problems, but we can call on the power of our Higher Self when we need help, or when we seek more information on a subject. Eventually, through focus and determination, we can enter the Dream-Time and learn to hear our inner guidance when we’re awake, not just during our sleep.

How long had his widow lived on here, beside the silent forge, with the grass growing up against the closed double doors, and six-feet-tall mallows drowning the hen-run, the potato-plot, the drying-ground? Piles of washing there must have been in the old days - husbands toiling with horses in smoke, children in and out of dikes and marshes. I imagined her coming through the tall grass of the orchard, with an apronful of windfalls, petals and pollen, and a wispy moth stuck to her skirt.

The moment he’d finally let go and watch as his bud bloomed into his savage rose, bleeding nothing but strength and courage from her petals. The stem, built with the most destructive thorns of empowerment they’d ever known. A warrior arising from the soiled dirt of the institution meant to choke me dry.

INGREDIENTS: 1 clean jam jar with airtight lid 2 cups rose petals, red or pink, washed, dried and shredded (be careful to use only rose petals that have not been sprayed with insecticides) 1 cup white sugar (or rock sugar) ½ teaspoon cardamom seeds, crushed (optional) DIRECTIONS: Layer the bottom of the jar with some shredded dried petals. Add a layer of sugar. Repeat the process until you’ve used up all the petals and sugar. At this point, you can add the crushed cardamom seeds if desired. Close the jar tightly with a lid. Place the jar in sunlight for 7 to 10 days. Every day, use a clean spoon to stir the contents, which will start to become moist. On the last day, stir and store the jar in the refrigerator. It should last up to a year. Enjoy on toast, ice cream, in milk or even just out of the jar! Some folks add it to paan, a popular Indian snack and breath freshener made with betel leaves and stuffed with areca nuts, lime paste, cardamom, coconut, fennel and other spices. A PERFUME PRIMER Perfume.

Those days spent with Aero alone at his cabin were nothing short of an educational experience set to bring me to this moment. We wasted not a minute of time spent together. I’d learned a lifetime of information crammed into a single week. Everything was a game to him, or so I’d thought. The chase into the woods, being tied up and used at his mercy, being cared for afterwards as everything I’d learned during our lessons was broken down. From the flick of my wrist throwing the blades to the ability to escape his traps, here I sit, contorted into the back of this trunk, sitting on a gold mine of skills set to free us. To free him. He’d always known it’d come to this moment. The moment he’d finally let go and watch as his bud bloomed into his savage rose, bleeding nothing but strength and courage from her petals. The stem, built with the most destructive thorns of empowerment they’d ever known. A warrior arising from the soiled dirt of the institution meant to choke me dry.

I first imagined each moment separate, inspired, consecutive. I could have cast the film—myself the female lead, you the star. I wore color—magenta. lavender, lime. You were in white, something textured that moved with your body. The music was sensuous, full orchestra scored for harp, piccolo, twelve double basses, a chime. The premiere, well-attended, prices high. Those who didn't like it find little to like in this world. The critics, through careful eyes, decided our performance was fresh, the location on the cliff above the ocean a splendid choice on someone's part, the humor warm. But time extracts. After the blast, the slow boil, the few grains cupped in the palm. The orchestra was really scored for wind and pelican, the dry flick of lizard. The lily, with petals like white tongues, appeared from nowhere, and the gull remained stone-still. as gulls do not do. The costumes were too simple: sun and salt on skin, and the actors kept changing roles, crawling into one another’s lines, saying the wrong words when they spoke at all, finding it hard to think in vertigo, their love clouded with a retinue of men and women, former actors who wanted the parts. The critics made no sense of the film, double-exposed, sprocket holes on either side and a garbled sound track that wove ‘always’ and ‘never’ into one word. The beginning appeared in the last scene, and the climax was a whorl of color, like looking too long at the sun through closed eyelids. One thing someone found to praise: a clear shot of a shining feather lying on a stone in the path.

You have chosen again and again to disrespect the other spirits, and so I have no choice but to discipline you, Orenna. From hence onward, you will only grow in dry, heartsick ground where the water may deny you, and the wind can make you bend to its might. In order to bloom, you will have to give your life source; you will have to cut your finger on a thorn, and let your golden ichor flow like sap, down to the ground. And last of all, the mortal kind of the isle will learn your secrets by consuming your petals. This is your punishment, which may last as short as a day should you truly repent, or an eternity should your heart turn hard and cold.

I fix my eyes on the field of gold as I take the dried flower I am holding and raise my hand above my head. I watch the tall stalks bend and sway when I roll the papery petals between my fingers and release each tiny piece into the breeze. All our firsts, and our lasts, and everything in between. They swirl and dance on the invisible currents, and then one by one, they disappear to a place they will always be a part of.

I stood in a round garden with high white walls. I felt that I had seen it before, but I couldn't remember where. Trees ringed the edge of the garden; all around me were great hedges of rosebushes, blossoming in cascades of crimson, white, and red-tipped gold flowers. Overflowing petals lay spattered on the ground beneath them. The light was a liquid, living thing that swirled and eddied through the leaves, rustling them like wind. In the corner of my eye, I thought it had shaped itself into figures that stood watching with still, perilous attention-- but when I looked, they were gone. Before me stood a dried bush, barely more than a skeleton, just a few brown leaves clinging to its twigs. On the topmost branch perched a brown-and-gray sparrow, its black eyes bright. Thank you for the crumbs, it said. My throat itched and stuck to itself as I swallowed. "You," I whispered. "You're the Lar of this house.

It’s not safe,” she says. “Not then and not now.” “I know that,” he tells her. “I’m not safe,” she says. “You can’t trust me. I—” “I don’t need safe,” he says and leans down, putting his hands in her hair. She doesn’t move, looking up at him with lips that are slightly parted, as though she can’t quite believe what he’s doing. Then he kisses her. Kisses her like he’s wanted to for days and weeks and what feels like forever. It isn’t in a careful kiss. He can feel her teeth again his tongue, her dry lips. He can feel the sharp edges of her nails as they dig into his neck. He shivers with sensation. He doesn’t want careful any more than he wants safe. He wants her. Wren pulls him down, lower, until they are kneeling in the gardens. Oak feels dizzy with desire. All around them, the petals of night-blooming flowers have opened, and their thick perfume scents the air. “Do you want—?” he starts, but she is already pushing up her dress. “I want,” she says. “That’s my problem. I want and I want and I want.” “What do you want?” he asks, voice soft. “Everything. Charm me. Rip me open. Ruin me. Go too far.” He shudders at her words, shaking his head against them. She goes on, whispering against his skin. “You cannot understand. I am a chasm that will never be full. I am hunger. I am need. I cannot be sated. If you try, I will swallow you up. I will take all of you and want more. I will use you. I will drain you until you are nothing more than a husk.” “Use me, then,” he whispers, mouth on her throat. Then her lips are against his, and there is no more talking for a long time.

Pool of memories Like a dry flower petal that flies in the air, Feeling it belongs to the sky, I find her memories floating in my mind everywhere, Whether I am thinking of her or in a vacant state of my mind I lie, The memory, her memory, drifts from one neuron to another, Until it settles where all her memories lie piled up, And then these fragments and bits of memories condole each other, And they all say together, “Hey you amorous soul, never give up!” And all these memories rise and spread across my mind, Hitched to every thought that arises from my cerebral thinking, Though they think of now and sometimes of the future, eventually with her imaginations they all bind, And in this pool of memories, now, time appears to be sinking, So it doesn't matter whether it was yesterday or it is today, Because I have been granted my wish, That to lie immersed in her thoughts everyday, In this pool of her memories the only fish, That swims across it, Feeds on it, and lives in this pool, And then begins the true wonder of it, The wonder of the romantic pool, Where she assumes the form of every drop of memory, And like a fish I swim and dive into her soul freely, In a love’s own nursery, Where I love her and romance her freely!

On 12 May 1366, for example, Edward III entertained the great officers of his Council to breakfast. The ceremonies would have begun with hand-washing. A page would present to each guest a bowl of warm water scented with rose petals or some other sweet-smelling perfume. With considerable dexterity he would pour the water over the diner’s hands, catching it in the bowl below them. Then the diner could dry his hands on the towel slung over the page’s shoulder, and take his proper place at table.

He thought of Rue. A dried rose dropping brittle petals.

Two girls there are : within the house One sits; the other, without. Daylong a duet of shade and light Plays between these. In her dark wainscoted room The first works problems on A mathematical machine. Dry ticks mark time As she calculates each sum. At this barren enterprise Rat-shrewd go her squint eyes, Root-pale her meager frame. Bronzed as earth, the second lies, Hearing ticks blown gold Like pollen on bright air. Lulled Near a bed of poppies, She sees how their red silk flare Of petaled blood Burns open to the sun’s blade. On that green alter Freely become sun’s bride, the latter Grows quick with seed. Grass-couched in her labor’s pride, She bears a king. Turned bitter And sallow as any lemon, The other, wry virgin to the last, Goes graveward with flesh laid waste, Worm-husbanded, yet no woman.

The Vase The bouquet of flowers in the vase is two weeks old, Or maybe a little older? They are all wilted and dead now. The scene is much like a mass grave, Each flower has died in its own way. The first flower—the biggest in the bunch— Opened as widely as it could. Each of its petals dried up. The second one seemed as though it had tried To bend itself towards the end of her life, It broke her neck as she dried in silence. The third flower tried to close after opening, As she felt her life was coming to an end. She died closed. The fourth flower looked like she had started to sacrifice herself For the sake of everyone else around her. She, too, dropped most of her petals, And died naked, except for one or two petals. The fifth flower didn’t have time to open, Or perhaps she realized the futility of opening up in such a tight vase. She also wilted and dried prematurely and half-opened. The sixth flower died very young, Before having a chance to bloom. The colorless water in the vase is now yellowish and dead. Yes, waters die too. For colorless waters, death can be colorful. April 12, 2013

As you step up your awareness of beholding the awe, the abundance, the unconditional love, that which is not that will fall away like dried petals. As you forgive yourself, as you heal yourself, as you wake up from the illusion and you realize that you are worthy, that the kingdom of heaven is the core of who you are you will become that pure self, the true gold, the Light of a million suns. You will ride on the pure sound, the celestial melody.. As we have been told, that which you can behold you can become.

A smell of old incense permeated the fabrics of the covers and cushions of an immense divan such as might have been used by court-musicians. One fancied that dust rose from it, gently enveloping us in a dry benevolent mist in which hung minute particles of the leaves and petals of garlands of flowers: jasmine, roses, frangipani and marigold, and all the names of Allah. One observer: a mouse. Are you afraid? I asked. No,

On Saint Anthony's day, cut long branches of rue, collect the freshest flowers, and mix with the petals of the reddest rose in the garden. Dry in a secret place where they will be safe from the breath of others. When they are dry, grind them with a mortar and pestle to a fine powder, then pour it into a bag. Take the powder to the river on the Feast of Our Lady, think of your heart's desire, and toss the herbs into the water and ask the Lady's blessing on your love. If he is meant for you, he will come by the turn of the season. If he is not, your true love will appear.

EPITAPH The first time I died, I walked my ways; I followed the file of limping days. I held me tall, with my head flung up, But I dared not look on the new moon’s cup. I dared not look on the sweet young rain, And between my ribs was a gleaming pain. The next time I died, they laid me deep. They spoke worn words to hallow my sleep. They tossed me petals, they wreathed me fern, They weighted me down with a marble urn. And I lie here warm, and I lie here dry, And watch the worms slip by, slip by.