Dress Compliments Quotes

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Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
We have a long way to go to being the perfect couple, we certainly don’t live the fairy tale marriage, he doesn’t shower me with rose petals and fly me to Paris on weekends but when I get my hair cut, he notices. When I dress up to go out at night, he compliments me. When I cry, he wipes my tears. When I feel lonely, he makes me feel loved. And who needs Paris, when you can get a hug?
Cecelia Ahern (Love, Rosie)
You know you're young when someone asks you for money and you take it as a compliment.
David Sedaris (Dress Your Family in Corduroy and Denim)
Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely -- "I shall make but a poor figure in your journal tomorrow." My journal!" Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings -- plain black shoes -- appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense." Indeed I shall say no such thing." Shall I tell you what you ought to say?" If you please." I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him -- seems a most extraordinary genius -- hope I may know more of him. That, madam, is what I wish you to say." But, perhaps, I keep no journal." Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
Jane Austen (Northanger Abbey)
His(Luc) eyes widened appreciatively as he took in my dress, heels, hair. “You look beautiful.” Ethan beat me to a response. “Thank you. But you should compliment Merit as well. She cleans up nicely.” Luc snorted, glanced at me. “And you don’t look half-bad yourself, Sentinel.” “Thank you, Luc. He’s just jealous. He prefers to be the arm candy.
Chloe Neill (Dark Debt (Chicagoland Vampires, #11))
As Vice President of Acquisitions, Mr. Lang,” she asked. “Just what is it you are supposing to acquire?” At the very most, are you seeking a compliment in return? Of course, you are! Men are always hoping for what they seldom get.” With that, she reached up to kiss him on the cheek—the freight train of doom had passed him by on a parallel track. Doubt is good. It keeps the doors open to proof of promise. Is that why she had changed into that incredibly tantalizing little blue-black dress driving the Whaler bar crowd toward a frenzy?
Tom Baldwin (Macom Farm)
She watched his throat move, and then, he reached out and touched her face. "You sure are pretty," he said. "It's the stone," she replied immediately. Her skin felt warm; his fingertip touched just the very edge of her mouth. "It's flattering." Adam gently pulled the stone out of her hand and a set it on the floorboards between them. Through his ingers he threaded one of the flyaway hairs by her cheek. "My mother used to say, 'Don't throw compliments away, so long as they're free." HIs face was very earnest. "That one wasn't mean tho cost you anything, Blue." Blue plucked at the hem on her dress, but she didn't look away from him. "I don't know what to say when you say things like that." "You can tell me if you want me to keep saying them." She was torn by the desire to encourage him and the fear of where it would lead. "I like when you say things like that." Adam asked, "But what?" "I didn't say but." "You meant to. I heard it.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I smiled, sipped deliciously at my drink, and made a new rule for myself: if life hands you a compliment, take it.
James Patterson (Little Black Dress)
Never has it been inappropriate for a girl to wear a red dress.
Caroline George (The Vestige)
Trippers and askers surround me, People I meet.... the effect upon me of my early life..... of the ward and city I live in....of the nation, The latest news....discoveries, inventions, societies.... authors old and new, My dinner, dress, associates, looks, business, compliments, dues, The real or fancified indifference of some man or woman I love, The sickness of one of my folks- or of myself....or ill-doing....or loss or lack of money....or depressions or exaltations, They come to me days and nights and go from me again, But they are not the Me myself.
Walt Whitman (Song of Myself)
Not keep a journal! How are your absent cousins to understand the tenor of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal?
Jane Austen (Northanger Abbey)
Trippers and askers surround me, People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.
Walt Whitman (Song of Myself)
I see. And who is this author?” “Neil Fucking Gaiman.” “His second name is Fucking?” “No, Leif, that’s the honorary second name all celebrities are given by their fans. It’s not an insult, it’s a huge compliment, and he’s earned it. You’d like him. He dresses all in black like you. Read a couple of his books, and then when you meet him, you’ll squee too.” Leif found the suggestion distasteful. “I would never behave with so little dignity. Nor would I wish to be confronted in such a manner by anyone else. Vampires inspire screams, not squees. Involuntary urination is common, I grant, but it properly flows from a sense of terror, not an ecstatic sense of hero worship.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
I think I’m allowed to compliment my wife.” “Only if you behave.” “So is me telling you that your ass in that dress makes my cock hard as a rock behaving?
Aubrey Irons (Player)
You look like a black American" was his ultimate compliment, which he told her when she wore a nice dress, or when her hair was done in large braids.
Chimamanda Ngozi Adichie (Americanah)
But, perhaps, I keep no journal." Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
Jane Austen (Northanger Abbey)
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
My eyes went straight to a soft woman who sat facing the wrong way at the bar top. Soft, because I knew if I were to touch her skin, it would feel like a peach, the kind of woman you could almost smell from inside the building. Instead of facing Andy, she had her back to him, keeping an eye on the door. That must be her. Her hair was exquisite. She was really the most beautiful woman I had ever seen. A golden crown of braids and curls complimented her sun-kissed skin. Her dress draped perfectly over her body, and in that moment, I needed her more than I needed air.
Chelsie Shakespeare (The Pull)
Charlotte, dressed in a very short-skirted policewoman's outfit, was leading a dancing brigade, jumping around at the front of the room, her long red hair flapping up and down like a matador's cape. She was head girl, and she would shows us how to party if she had to. I wasn't really sure why Charlotte had decided to come to the party as a stripper. I found myself at a loss for words as she complimented us on our costumes. "You're a..." I tried to find the right thing to say. "Really...hot cop?" "I'm Amy Pond," she said. "From Doctor Who. This is her kissogram outfit.
Maureen Johnson (The Name of the Star (Shades of London, #1))
The intensity of her pleasure at this compliment surprised her, and she dropped her eyes. "I but wear the only dress I own, and I misdoubt whether mine hair be well-combed even now.
Werner A. Lind
This is my friend Veronica,” I told him. “And this is Kaidan.” “Oh, I've heard all about you.” Veronica gave him a big smile. His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose. Veronica let out a loud cackle, proving she should be the one in my costume. “I told you it was stupid!” She gloated. With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me. “Your hair's grown a lot,” I said to him. “So has your bottom.” My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor. I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress. “Dude, you can get away with anything,” said the pirate to the straight-faced ape. “I meant it as a compliment.” “That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.” She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something. “My dad gave me a cell phone.” And a car. And a ton of money. Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands. “Here,” I said, taking his phone. Saving my number for him gave me a thrill.
Wendy Higgins (Sweet Evil (Sweet, #1))
The latest news . . . . discoveries, inventions, societies . . . . authors old and new, My dinner, dress, associates, looks, business, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks . . . . or of myself . . . . or ill-doing . . . . or loss or lack of money . . . . or depressions or exaltations, They come to me days and nights and go from me again, But they are not the Me myself.
Walt Whitman (Song of Myself)
Which outfits do you get the most compliments on when you are wearing them? What colors make you feel healthy, vibrant, and alive?
Susan C. Young (The Art of Preparation: 8 Ways to Plan with Purpose & Intention for Positive Impact (The Art of First Impressions for Positive Impact, #2))
I remember that dress. It is quite old, isn’t it? Didn’t you wear it to one of the parties you gave to announce Keffria’s wedding to Kyle? It takes years off your face. You must be quite proud to be able to squeeze yourself into it still.” Ronica shook her head at the old family friend. “Davad Restart. Only you can so completely ruin so many compliments in one brief speech.
Robin Hobb (Mad Ship (Liveship Traders, #2))
For example, consider the importance of insincere compliments. We all know the gold standard of white lies, in which a woman who is less than svelte puts on a slinky new dress and asks her husband, “Do I look fat in this?” The man does a quick cost-benefit analysis; he sees his whole life pass before his eyes if he answers with the brutal truth. So he tells her, “Darling, you look beautiful.” Another evening (marriage) saved.
Dan Ariely (The Honest Truth About Dishonesty: How We Lie to Everyone—Especially Ourselves)
Make It a Treat” is similar in spirit to “everything in moderation,” but still very distinct. “Moderation” suggests a regular, low-level intake of something. MIAT asks for more austerity; it encourages you to keep the special things in life special. I apply this rule in a variety of ways. For instance, I wear makeup and high heels on special occasions. But if I dressed up all the time, it would become ordinary, and I would receive fewer compliments.
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
Brutes, those cops were, talking about me that way. Didn’t they know I’d been the wife of a scientist? Didn’t they know I’d worn the most elegant silk blend dresses, gone to dinners at the university? The wife of a state senator had complimented me on my hairdo. They’d printed my picture in the paper a few times. I’d sung in a chorus at college. I’d studied Japanese calligraphy. I once saved a kitten that had crawled up into the wheel well of an old man’s car. And what were those cops good for? Pulling people over for speeding? I pictured their mindspace crawling with headless rats, spewing blood, white flashing neck bones, severed heads gnawing at dead headless bodies. It made me sick to imagine their thoughts, those monsters.
Ottessa Moshfegh (Death in Her Hands)
Someone claims that I once hit on them at a convention by “complimenting their skin in a very racist way.” (All I said was that their red dress really brought out the yellow undertones in their skin. Jesus, I was just being nice. I didn’t even like the dress that much.)
R.F. Kuang (Yellowface)
You look...” His chest rises and falls faster, and a muscle feathers his jaw when his eyes jerk to meet mine. “You want me to kill someone tonight?” “Any complaints should be directed at your brother and his husband-to-be. I didn’t buy the dress. Also... I’ll take that as a compliment.
I.A. Dice (Too Much (Hayes Brothers #1))
I’d thought the guy last Thursday was super cute in complimenting my shoes until he confessed he liked to dress up in women’s clothes at the weekend and would like to see if my pink suede five-inch heels came in his size. Maybe I was being too picky, but I just didn’t want to fight with my boyfriend over who wore what when we went for dinner.
Louise Bay (Duke of Manhattan (The Royals, #3))
Thank you,” I managed to say. Replying with a nod, he approached my horse. “Here, let me help you—” I slipped down myself before he could lend a hand, keeping the fur hide in my possession. “I’m not suddenly incapable because I wear a dress, Thaddeus.” “I wasn’t suggesting...” Wisely, he let the issue drop. Lifting an arm, he offered it to me. That’s when I noticed my sword in sheath belted to his waist. “That’s mine!” I declared, reaching for the hilt. Thaddeus managed a quick side-step. He hardened his jaw at my look of incredulity. I would only wait momentarily for an explanation. “I know the sword is yours, Catherine, everyone knows that. But you’re too beautiful tonight to ruin that radiant look with an ugly, leather belt strapped about you.” I was starting to think the man was using compliments as a weapon to defend himself against me. It did work to temper my anger somewhat. “I brought the sword as a cautionary act, just in case those nasty werewolves show up. Seeing how I’ll be standing beside you all evening, the blade will be at your disposal if needed.” I accepted his reasoning and stood down. “Besides,” Thaddeus added, apparently feeling safe, “what’s yours is mine now anyway.” I glared at the fool. “That works both ways, you know.” He rolled his eyes and shrugged. “If it must.” Again, he offered me his arm which I grudgingly accepted.
Richelle E. Goodrich (The Tarishe Curse)
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
Well,' Lucien said, his remaining russet eye fixed on me, 'you don't look half as bad now. A relief, I suppose, since you're to live with us. Though the tunic isn't as pretty as a dress.' Wolves ready to pounce- that's what they were, just like their friend. I was all too aware of my diction, of the very breath I took as I said, 'I'd prefer not to wear that dress.' 'And why not?' Lucien crooned. It was Tamlin who answered for me. 'Because killing us is easier in pants.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Just as I dress and go out to visit the professor and exchange a few more or less insincere compliments with him, without really wanting to at all, so it is with the majority of men day by day and hour by hour in their daily lives and affairs. Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track. Let no one think that I blame other men, though now and then in these pages I scorn and even deride them, or that I accuse them of the responsibility of my personal misery. But now that I have come so far, and standing as I do on the extreme verge of life where the ground falls away before me into bottomless darkness, I should do wrong and I should lie if I pretended to myself or to others that that machine still revolved for me and that I was still obedient to the eternal child's play of that charming world.
Hermann Hesse
Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
Jane Austen (Northanger Abbey)
Do you know why I remembered you?” he asked me suddenly. It was a question so out of nowhere that it took me a little while to figure out what he was talking about. “You mean from Latin Convention?” “Yeah.” “Was it my Coliseum model?” I was only half-joking. Steven had helped me build it; it had been pretty impressive. “No.” Cam ran his hand through his hair. He wouldn’t look at me. “It’s because I thought you were really pretty. Like, maybe the prettiest girl I’d ever seen.” I laughed. In the car, it sounded really loud. “Yeah, right. Nice try, Sextus.” “I mean it,” he insisted, his voice rising. “You’re making that up.” I didn’t believe it could be true. I didn’t want to let myself believe it. With the boys any compliment like this would always be the first part of a joke. He shook his head, lips tight. He was offended that I didn’t believe him. I hadn’t meant to hurt his feelings. I just didn’t see how it could be true. It was almost mean of him to lie about it. I knew what I looked like back then, and I wasn’t the prettiest girl anybody had ever seen, not with my thick glasses and chubby cheeks and little-girl body. Cam looked me in the eyes then. “The first day, you wore a blue dress. It was, like, corduroy or something. It made your eyes look really blue.” “My eyes are gray,” I said. “Yes, but that dress made them look blue.” He looked so sweet, the way he watched me, waiting for my reaction. His cheeks were flushed peach. I swallowed hard and said, “Why didn’t you come up to me?” He shrugged. “You were always with your friends. I watched you that whole week, trying to get up the nerve. I couldn’t believe it when I saw you at the bonfire that night. Pretty bizarre, huh?” Cam laughed, but he sounded embarrassed. “Pretty bizarre,” I echoed. I couldn’t believe he’d noticed me. With Taylor by my side, who would have even bothered to look at me? “I almost messed up my Catullus speech on purpose, so you’d win,” he said, remembering. He inched a little closer to me. “I’m glad you didn’t,” I said. I reached out and touched his arm. My hand shook. “I wish you had come up to me.” That’s when he dipped his head low and kissed me. I didn’t let go of the door handle. All I could think was, I wish this had been my first kiss.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself.
Walt Whitman (Leaves of Grass)
The fumes of society mount to the head. You lavish the wealth of your soul and spirit, the treasures of your time, the noblest efforts of your will, upon a crowd of people who repay you in smiles and jealousy. The false coin of their pretty speeches, compliments, and flattery is the only return they give for the solid gold of your courage and sacrifices, and all the thought that must go to keep up without flagging the standard of beauty, dress, sparkling talk, and general affability. You are perfectly aware how much it costs, and that the whole thing is a fraud, but you cannot keep out of the vortex.
Honoré de Balzac (Works of Honore de Balzac)
Polly, who made a point of finding the good in everyone, didn’t like Seela either. She practiced a set of showy good manners that were actually bad manners, such as explaining why she couldn’t accept an invitation or complimenting someone’s dress. She’d even brought some sort of loaf to a luncheon at Gay Burk’s. “It’s a pound cake with lime zest,” she’d said to the assembled group. Gay received it as if she’d been handed a dead squirrel, and rushed it to the kitchen, where it disappeared and was never heard from again. Polly wished Agnes had been there to see Gay’s face, but Agnes never went out in the day due to her writing.
Alice Elliott Dark (Fellowship Point)
One of the most striking differences between a well-dressed American woman and a well-dressed Parisienne is in the size of their respective wardrobes. The American would probably be astonished by the very limited number of garments hanging in the Frenchwoman’s closet, but she would also be bound to observe that each one is of excellent quality, expensive perhaps by American standards, and perfectly adapted to the life the Frenchwoman leads. She wears them over and over again, discarding them only when they are worn or outmoded, and she considers it a compliment (as it is meant to be) when her best friend says, ‘I’m so glad you decided to wear your red dress – I’ve always loved it!’.
Geneviève Antoine Dariaux
I twirled in front of the mirror slowly, wanting to see the full effect of my new dress front and back. It was a daring little thing made of black silk, its front held by thin strings tied behind my neck and completely backless.  I did another twirl, asking out loud, “Do you think this looks good on me?” I wanted my friends’ opinions before they left to have dinner with their families and I had to leave for my second date with my week-old boyfriend. “Everything looks good on you,” Alyx said, rolling her eyes. She was on the armchair in the corner, one leg tossed carelessly over the side. Slender with boyishly cut hair, she could always be counted on to say the truth, no matter how harsh it was. Even so, I still felt insecure. I always was when it came to the boy I loved. Glancing at the other girl who made up our close-knit trio, I asked Yanna, “What do you think?” “It’s what I always think,” Yanna said simply. Petite and curvy, she was lying on her stomach on the floor, flipping through the latest issue of Teen Vogue. Seeing that I was waiting for an explanation, she laughed and elaborated obediently, “You look drop dead gorgeous.”  The words should have comforted me, but it didn’t. I knew Yanna meant what she said, and not just because she happened to be the nicest and most polite person I knew. She was also hopeless when it came to lying, and that was probably why I felt worse now. Doubt had shadowed her gaze as she uttered the compliment, and the sight made it harder for me to stay deaf to the warning inside my head.
Marian Tee (A Fling with the Greek Billionaire: Prequel (Mediterranean Affairs 0.5))
Rosie’s heart swelled with pride. She had poured her heart, her soul, and her life savings into this venture. Rosie had spent hours painstakingly deliberating over every inch of the shop. Her past life as an interior designer meant she knew just how to make the shop into the welcoming time capsule that made her heart soar every time she stepped inside. There was a herringbone floor, finished with a walnut stain, which was complimented by the dark wallpaper adorning the walls, covered with floral blooms in muted pinks, blues, yellows, oranges, and whites. It was dramatic - the perfect backdrop to selling snippets of people’s lives. Velvet pink lampshades with tassels hanging from the ceiling flooded the shop with light. Rosie had displayed the vintage clothes, jewellery, shoes, bags, and accessories in several ways. From shelves made of driftwood, an up-cycled antique sideboard, and brass clothes rails.
Elizabeth Holland (The Cornish Vintage Dress Shop)
Gossip about us will abound tomorrow,” he said quietly. “I suspect it will abound tonight.” “And you don’t care.” “Not one whit. I have wanted to dance with you since the first ball I ever saw you attend.” “You looked so young and innocent that night, dressed in white. Who would have thought you were such a hellion?” She wasn’t certain whether he was striving to compliment or insult her, but it didn’t matter. What mattered was that he appeared to recall as many details about that night as she did. “You remember what I was wearing?” “I remember everything about you that night. You wore pink ribbons in your hair and pearls against your throat.” “The pearls were my mother’s.” “You were standing amongst a gaggle of girls, and you stood out not because of your beauty—which far exceeded theirs—but because of your refusal to be cowed. No one has ever challenged me as you do, Catherine.” “No one has ever intrigued me as you do, my lord.
Lorraine Heath (In Bed with the Devil (Scoundrels of St. James, #1))
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: ‘I like strong women.’ If he says that to you, he will at some point fuck someone else. Because ‘I like strong women’ is code for ‘I hate strong women.’)
Gillian Flynn (Gone Girl)
form of Banks. “I’m not a dog, Banks. My name’s Sophia.” Craig Banks, head guard and all-around asshole, grinned as his eyes traveled the length of her. Sophia fought the shiver running down her spine as the six-foot-one guard puffed out his broad chest, trying to impress her. The man could be dressed in the finest wool suit instead of the camo pants, blank t-shirt, and combat boots he was wearing, and she’d still want to throw up at the sight of him. The man enjoyed hurting others. Last month when he’d tortured that poor bear shifter for information, Banks had been cracking jokes the entire time. “No, cupcake, you’re certainly not a dog, not with that body and that gorgeous face.” Banks ran his fingers across her bruised cheek. She flinched, but not from the pain of her cheek. “And that’s a compliment. I don’t usually go for brunettes, but you’re the exception.” Lucky me. For once, she was glad for all the people still hanging out talking nearby. Banks wouldn’t touch her here, well, no more than he had already. Her eyes started to drift in the direction of the prison, but she caught herself. Ironic how the shifter felt trapped in there and she felt trapped out here. Right now, she’d gladly switch places with him. “I’m still waiting for that walk in the woods you promised me,” Banks added, letting his hand slide down her neck to the top of her blouse. Resisting the urge to bite his hand, Sophia subtly stepped out of his reach.
Julie K. Cohen (Lethal Wolf (White Wolves #2))
Just as I dress and go out to visit the professor and exchange a few more or less insincere compliments with him, without really wanting to at all, so it is with the majority of men day by day and hour by hour in their daily lives and affairs. Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track. Let no one think that I blame other men, though now and then in these pages I scorn and even deride them, or that I accuse them of the responsibility of my personal misery. But now that I have come so far, and standing as I do on the extreme verge of life where the ground falls away before me into bottomless darkness, I should do wrong and I should lie if I pretended to myself or to others that that machine still revolved for me and that I was still obedient to the eternal child's play of that charming world.
Hermann Hesse (Steppenwolf)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
...but my favorite already-discovered aspect of critical thinking in cooking is the demand for thought experimentation when trying to innovate with food. For instance, today, I made you that crab salad (although the crab was actually just imitation crab), but anyways, I observed that there was this sweetness to the imitation crab, so I conducted a thought experiment with myself. I thought that the sweetness of the crab made the crab delicate, so I deduced that it would be best to use iceberg lettuce in the salad to enhance the delicacy of the crab, because iceberg lettuce is light and crisp, as opposed to cabbage, which is thicker and has a stronger and most likely overpowering flavor that may be incompatible with the delicacy of the crab. In that same thought experiment, I also thought that bell peppers would go well with the salad, because they also have a sweetness similar to the imitation crab, and they have a fresh flavor to them, so I thought it would compliment the crab. I also added that lite ranch dressing, because I knew that the lightness of the dressing would still be cohesively connected to the overall delicacy of the salad, and plus, a lot of the components in the salad were sweet, so the ranch balanced the ratio of sweetness to savoriness. Then, in the thought experiment, I reasoned that if I sprinkle sunflower seeds on it, the dish would be more elevated because of the nuttiness of the seeds. Overall, because of my experiment, the dish had most of the flavors that you and I wanted, but you did say that you wanted more vegetables to balance out the crab, so while we were eating, I conducted another thought experiment, where I thought, of course, about adding more vegetables, and I also thought about the possibilities of adding lemon juice or some citrus fruit like tangerines into my revised version of the salad.
Lucy Carter (The Reformation)
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.
Gillian Flynn (Gone Girl)
After Marcus had wiped her perspiring body with a cool, damp cloth, he dressed her in his discarded shirt, which held the scent of his skin. He brought her a plate containing a poached pear, and a glass of sweet wine, and even allowed her to feed him a few bites of the silky-soft fruit. When her appetite was sated, Lillian set aside the empty plate and spoon, and turned to snuggle against him. He rose on one elbow and looked down at her, his fingers playing idly in her hair. “Are you sorry that I wouldn’t let St. Vincent have you?” She gave him a puzzled smile. “Why would you ask such a thing? Surely you’re not having pangs of conscience.” Marcus shook his head. “I am merely wondering if you had any regrets.” Surprised and touched by his need for reassurance, Lillian toyed with the dark curls on his chest. “No,” she said frankly. “He is attractive, and I do like him… but I didn’t want him.” “You did consider marrying him, however.” “Well,” she admitted, “it did cross my mind that I would like to be a duchess— but only to spite you.” A smile flashed across his face. He retaliated with a punishing nip at her breast, causing her to yelp. “I couldn’t have borne it,” he admitted, “seeing you married to anyone but me.” “I don’t think Lord St. Vincent will have any difficulty finding another heiress to suit his purposes.” “Perhaps. But there aren’t many women with fortunes comparable to yours… and none with your beauty.” Smiling at the compliment, Lillian crawled halfway over him and hitched one leg over his. “Tell me more. I want to hear you wax lyrical about my charms.” Levering himself to a sitting position, Marcus lifted her with an ease that made her gasp, and settled her until she straddled his hips. He stroked a fingertip along the pale skin that was exposed at the open vee of the shirt. “I never wax lyrical,” he said. “Marsdens are not a poetic sort. However…” He paused to admire the sight of the long-limbed young woman who sat astride him while her hair trailed to her waist in tangled streamers. “I could at least tell you that you look like a pagan princess, with your tangled black hair and your bright, dark eyes.” “And?” Lillian encouraged, linking her arms loosely around his neck. He set his hands at her slender waist and moved them down to grasp her strong, sleek thighs. “And that every erotic dream I’ve ever had about your magnificent legs pales in comparison to the reality.” “You’ve dreamed about my legs?” Lillian wriggled as she felt his palms slide up her inner thighs in a lazy, teasing path. “Oh yes.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
She found it difficult to discuss physics, much less debate it, with her predominantly male classmates. At first they paid a kind of selective inattention to her remarks. There would be a slight pause, and then they would go on as if she had not spoken. Occasionally they would acknowledge her remark, even praise it, and then again continue undeflected. She was reasonably sure her remarks were not entirely foolish, and did not wish to be ignored, much less ignored and patronized alternately. Part of it—but only a part—she knew was due to the softness of her voice. So she developed a physics voice, a professional voice: clear, competent, and many decibels above conversational. With such a voice it was important to be right. She had to pick her moments. It was hard to continue long in such a voice, because she was sometimes in danger of bursting out laughing. So she found herself leaning toward quick, sometimes cutting, interventions, usually enough to capture their attention; then she could go on for a while in a more usual tone of voice. Every time she found herself in a new group she would have to fight her way through again, just to dip her oar into the discussion. The boys were uniformly unaware even that there was a problem. Sometimes she would be engaged in a laboratory exercise or a seminar when the instructor would say, “Gentlemen, let’s proceed,” and sensing Ellie’s frown would add, “Sorry, Miss Arroway, but I think of you as one of the boys.” The highest compliment they were capable of paying was that in their minds she was not overtly female. She had to fight against developing too combative a personality or becoming altogether a misanthrope. She suddenly caught herself. “Misanthrope” is someone who dislikes everybody, not just men. And they certainly had a word for someone who hates women: “misogynist.” But the male lexicographers had somehow neglected to coin a word for the dislike of men. They were almost entirely men themselves, she thought, and had been unable to imagine a market for such a word. More than many others, she had been encumbered with parental proscriptions. Her newfound freedoms—intellectual, social, sexual—were exhilarating. At a time when many of her contemporaries were moving toward shapeless clothing that minimized the distinctions between the sexes, she aspired to an elegance and simplicity in dress and makeup that strained her limited budget. There were more effective ways to make political statements, she thought. She cultivated a few close friends and made a number of casual enemies, who disliked her for her dress, for her political and religious views, or for the vigor with which she defended her opinions. Her competence and delight in science were taken as rebukes by many otherwise capable young women. But a few looked on her as what mathematicians call an existence theorem—a demonstration that a woman could, sure enough, excel in science—or even as a role model.
Carl Sagan (Contact)
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
You have no idea how well you are doing,” John complimented me just a few minutes after he mentioned the Christmas card. What did that mean: That I was doing well? That I’d come to a family gathering? That I’d remembered to bring food? That I was dressed, and my hair combed? That I was wearing shoes? I wasn’t sure, but maybe just making an appearance at a family event meant I was handling things well.
Mary Potter Kenyon (Refined by Fire: A Journey of Grief and Grace)
Ah, my dear,” Princess Elestra said to me in her fluting voice--that very same voice I remembered so well from my escape from Athanarel the year before. “How delighted we are to have you join us here. Delighted! I understand there will be a ball in your honor tomorrow, hosted by my nephew Russav.” She nodded toward the other side of the room, where the newly arrived Duke of Savona stood in the center of a small group. “He seldom bestirs himself this way, so you must take it as a compliment to you!” “Thank you,” I murmured, my heart now drumming. I was glad to move aside and let Branaric take my place. I didn’t hear what he said, but he made them both laugh; then he too moved aside, and the Prince and Princess presented us to the red-haired woman, who was indeed the Marquise of Merindar. She nodded politely but did not speak, nor did she betray the slightest sign of interest in us. We were then introduced to the ambassadors from Denlieff, Hundruith, and Charas al Kherval. This last one, of course, drew my interest, though I did my best to observe her covertly. A tall woman of middle age, her manner was polite, gracious, and utterly opaque. “Family party, you say?” Branaric’s voice caught at my attention. He rubbed his hands. “Well, you’re related one way or another to half the Court, Danric, so if we’ve enough people to hand, how about some music?” “If you like,” said Shevraeth. He’d appeared quietly, without causing any stir. “It can be arranged.” The Marquis was dressed in sober colors, his hair braided and gemmed for a formal occasion; though as tall as the flamboyantly dressed Duke of Savona, he was slender next to his cousin. He remained very much in the background, talking quietly with this or that person. The focus of the reception was on the Prince and Princess, and on Bran and me, and, in a strange way, on the ambassador from Charas al Kherval. I sensed that something important was going on below the surface of the polite chitchat, but I couldn’t discern what--and then suddenly it was time to go in to dinner. With a graceful bow, the Prince held out his arm to me, moving with slow deliberation. If it hurt him to walk, he showed no sign, and his back was straight and his manner attentive. The Princess went in with Branaric, Shevraeth with the Marquise, Savona with the Empress’s ambassador, and Nimiar with the southern ambassador. The others trailed in order of rank. I managed all right with the chairs and the high table. After we were served, I stole a few glances at Shevraeth and the Marquise of Merindar. They conversed in what appeared to be amity. It was equally true of all the others. Perfectly controlled, from their fingertips to their serene brows, none of them betrayed any emotion but polite attentiveness. Only my brother stood out, his face changing as he talked, his laugh real when he dropped his fork, his shrug careless. It seemed to me that the others found him a relief, for the smiles he caused were quicker, the glances brighter--not that he noticed.
Sherwood Smith (Court Duel (Crown & Court, #2))
You’re as pretty as Ewan said, and I like your dress.” “Adaira!” Ewan’s face was a bright shade of red. “Not everything is meant to be repeated.” Her eyebrows dipped low. “I didn’t tell anything bad.” She looked up at Laura. “You didn’t mind me saying that Ewan thinks you’re pretty, did you?” Laura bit back a grin. “I always enjoy hearing a lovely compliment, Adaira. However, I believe you’ve embarrassed your brother, so perhaps you shouldn’t repeat anything else unless you first gain his permission.
Judith McCoy Miller (The Brickmaker's Bride (Refined by Love Book #1))
She stood before him in a pale green dress, her hair unbound and tumbling down her back, her smile –the one he should have seen days ago –was enough to light up the darkest night. His mouth had suddenly become dry and paralyzed, as if he’d been born without the ability to speak. Or swallow. Or think any coherent thought. Graeme felt all at once foolish, immature and unworthy. He was about to turn and run away like a boy, when Josephine all but flung herself into his embrace, twining her slender arms around his waist and resting her head against his chest. “Graeme,”she said, a note of glee in her voice. “I’ve waited a very long time for you.” The sensation of feeling foolish, immature and unworthy fell away as he wrapped his own arms around her. Why did I resist this for all these years? She pushed away slightly to look up at him. He studied every inch of her lovely face. Josephine was quite beautiful, with her creamy skin and oval shaped face. Her green eyes reminded him at once of the summer grass that lined a French countryside. Dark lashes surrounded those eyes –eyes that were sparkling with joy and excitement as they looked into his. A pert, little nose and deliciously looking full, pink lips, which he was quite certain would feel as soft as a whisper against his own. He wondered then if anyone would object if he married her now. This very day. This very moment. “Ye’re beautiful,”he said. Those cream colored cheeks turned a lovely shade of pink when he gave her the compliment. “Jose—”he stopped himself. “Joie, I ken I am wholly unworthy of ye, but would ye do me the distinct honor of marryin’me?” Josephine had already agreed to such, more than four years ago. She had learned, however, through his letters, that it had been quite important to Graeme that he be able to marry a woman of his own choosing. Her heart felt close to bursting from her chest. He was choosing her of his own free will. A joy-filled smile curved on her face and she flung her arms around his neck. “Aye, Graeme MacAulay, I will marry you.
Suzan Tisdale (Isle of the Blessed)
Aerin stared down at her dress and blushed. Eveyrone kept saying how great she looked. As if she usually looked like shit. Assholes.
Sara Shepard (The Amateurs (The Amateurs, #1))
You look like her, in that dress,” our father told me shyly, unaccustomed to complimenting me. He added, as I stepped on his foot, “You don’t dance like her.” “I haven’t had her practice.” I said amiably.
Patricia A. McKillip (Winter Rose (Winter Rose, #1))
Louise, who at twenty-three could easily look like a sixteen-year-old boy, wore trousers, a vest, and a tie. Joan wore a chic dress with a nipped-in waist and wide skirt, her red hair in a wavy, shoulder-length pageboy. The juke box in the bar was a good one, with Ray Charles singing “Hey Now” and new records by B. B. King, whose performances on Beale Street were a Memphis sensation. The most popular song of the night, hands down, was Kitty Wells strumming “It Wasn’t God Who Made Honky Tonk Angels.” Wells was from Nashville, and the burgeoning country music industry in their home state was a subject of fascination for both women. Louise, intrigued by the fashion for cowboy costumes and yodeling, could do a fair imitation of Hank Williams. Louise had a new swagger that Joan hadn’t seen in her before. She was more assertive and suffered fools even less. When a pretty young woman stopped by their table to compliment Joan’s hair and flirtatiously ask, “Why don’t you cut it short?” Louise sent her on her way with a proprietary growl, saying, “Leave her alone. She’s not gay.
Leslie Brody (Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy)
I waited for her outside her house and saw her approaching in the aqua-blue dress I had gifted her on her last birthday. She obviously remembered my love for that colour on her and how I always told her that it complimented her skin beautifully. My heartbeat increased just a little as she sat in my car and the scent of her signature perfume- Chanel No 5- diffused in the air of my car. Her sleek-straight hair fell on her face. "Hi Neel. How have you been?" I thought about the first month of sleepless nights, crying, sulking and overthinking and said, "I've been okay.
Insha Juneja (Imperfect Mortals : A Collection of Short Stories)
Every day is a new day to start over again – tell your brother his new haircut is nice, compliment your sister on her new dress, and tell your family that you love them very dearly.
E.K. Barnes (A Brother's Sacrifice)
On the other hand, you were on the high horse in your last sermon and finished with quite a flourish of trumpets, and you feel considerable anxiety to know what impression you produced. Repress your curiosity: it will do you no good to inquire. If the people should happen to agree with your verdict, it will only feed your pitiful vanity, and if they think otherwise, your fishing for their praise will injure you in their esteem. In any case, it is all about yourself, and this is a poor theme to be anxious about; play the man, and do not demean yourself by seeking compliments like little children when dressed in new clothes who say, “See my pretty frock.” Have you not by this time discovered that flattery is as injurious as it is pleasant? It softens the mind and makes you more sensitive to slander.
Charles Haddon Spurgeon (Lectures to My Students: Practical and Spiritual Guidance for Preachers, Volume 2)
Why the devil do you dress like that,” he rasped, “when you’re easily the most beautiful woman in the territory?” Emma’s cheeks pulsed. She started to protest, then stopped herself in confusion. Had Steven’s question been a compliment or an insult? “What’s wrong with this dress?” she asked evenly, when she’d had a few moments to compose herself. “It’s plain enough for a missionary’s wife,” Steven replied. Although the words bit, Emma saw kindness in his eyes, and genuine curiosity. She wanted in the worst way for Steven to find her attractive, and the knowledge surprised and shamed her. After all, she was considering marrying Fulton, and she rarely gave his opinions a second thought. Uncharacteristic tears swelled along her lashes. “Hell and damnation,” Steven muttered. “I didn’t mean to make you cry.” Emma drew her lace-trimmed handkerchief from under her cuff and dried her eyes in the most dignified manner she could manage. “I do wish you wouldn’t swear.” He sighed heavily. “I’m sorry, Emma. It’s just that a woman like you—well, you should be dressed in silks and satins, with a lace ruffle here and there. And maybe some bosom showing.” He narrowed his gaze for a moment, as if envisioning the change. “Yes. You have a very nice chest.” Once again Emma’s cheeks burned. Shocked though she was, his words had set a fire racing through her insides, and she started out of her chair. “If you’re going to be vulgar…” He reached out and caught hold of her hand when she would have risen. It was as though she’d dragged her feet across a thick carpet, then touched the door knob. She flinched at the sweet shock. “Please,” he said in a low, husky voice. “Don’t go.” Emma sank back into the chair. His strong fingers relaxed around hers reluctantly, it seemed to her, then released their grasp entirely. “It must be terrible, being so grimy dirty.” His teeth flashed white against a suntanned face. “Kind of you to put it that way, Miss Emma.” She bit her lower lip for a moment. “I meant—well, you must be very uncomfortable. It’s a pity you couldn’t go downstairs and use Chloe’s bathtub.” He arched his golden brown eyebrows. “I could, Miss Emma,” he said quietly, “if you’d help me.” Emma’s heart set instantly to pounding, and she drew back in her chair. “Help you?” “Get down the stairs,” he said. “I didn’t mean you should help me bathe.” She smiled, much relieved, though her heart rate had hardly slowed and she still felt a little dizzy. “Oh.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Good evening, all.” The warm room was empty. Only the crackling fire and waiting furniture greeted him. His perfect posture dropped half an inch. So much for a triumphal entry.  He closed the door and removed his hat. “Did you all hear I was coming and decide to hide?” “Good evening, Nathaniel.” Kitty stepped into the parlor from the kitchen, removing her striped apron to reveal a yellow, rose-dotted dress that molded to her curves in a way Nathaniel hadn’t thought possible. Simple ringlets bobbed at her neck and an alluring grin threatened to topple his well-placed line of defense.  “Good evening, lovely lady.” Extinguishing every spark of emotion with the skill of a perfect marksman, Nathaniel draped himself in his cloak of dramatic charm and bowed deeply. He closed his eyes and inhaled through his nose. “Aw, Kitty, you have done it again. All I must do is savor that aroma to know this evening’s meal will very likely be the best I’ve ever tasted.” If he stayed jocular he wouldn’t be at risk of succumbing to the emotions that toyed with him so carelessly. Kitty rolled her eyes and started toward the fire. “Oh, Nathaniel. You’re always full of exaggerated compliments, though I thank you just the same.” The grin behind her eyes toyed with his humor. “Are you calling me a liar, Miss Campbell?” He stepped forward. Her lips twitched as if she held back a smile that yearned for exposure. “Should I be?” Before
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
that point one of them, a swarthy bald-headed man, demanded that she be stripped. The encanteur snapped a curt command, and Emily gingerly undid her dress and stepped out of it. Someone shouted up a lewd compliment that drew a round of laughter from the audience. The girl smiled weakly while the auctioneer grinned and added a comment of his own.
George R.R. Martin (Fevre Dream)
You fishing for compliments, Burke?” “From a hot young thang in a short red dress? You betcha.” “A hot young thang who’s about to go out with your friend.” “Ah. Right. That.” Tell me not to go. Tell me I should be dating you instead. But of course he wouldn’t. Only in her fantasies.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
To Polish the Gold & Help Others Shine . . . Be complimentary: Find something positive to say to compliment another person. Whether they are being a great parent, dressing nicely, maintaining a gorgeous yard, or winning a recent 5K run, pick something to acknowledge which is noteworthy.
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
To Polish the Gold & Help Others Shine . . . Acknowledge their achievements: Great achievements require great effort and usually come dressed as hard work. Move beyond merely recognizing the achievement and express admiration for the effort it took to get there.
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
Lottie left the room, her gown swishing and rustling as she moved. As she descended the grand staircase, she saw Nick waiting in the entrance hall, his body as tense as that of a panther about to strike. His broad-shouldered form was dressed to perfection in the formal scheme of a dark coat, silver waistcoat, and a charcoal silk necktie. With his dark brown hair neatly brushed and his face gleaming from a close shave, he was both virile and elegant. His head turned toward her, and suddenly his narrow-eyed impatience was replaced by an arrested expression. Lottie felt a rush of elation at the look in his eyes. She deliberately took her time about reaching him. “Do I look like a viscountess?” she asked. His lips quirked wryly. “No viscountess I’ve ever seen looks like you, Lottie.” She smiled. “Is that a compliment?” “Oh, yes. In fact…” Nick took her gloved hand and assisted her down the last step. He held her gaze compulsively, his fingers tightening around hers, and he answered her light question with a gravity that stunned her. “You are the most beautiful woman in the world,” he said huskily. “The world?” she repeated with a laugh. “When I say you’re beautiful,” he murmured, “I refuse to qualify the statement in any way. Except to add that the only way you could be more so is if you were naked.” She laughed at his audacity. “I am afraid that you will have to reconcile yourself to the fact that I’m going to remain fully clothed tonight.” “Until after the ball,” he countered. -Lottie & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
It is necessary to tell a woman at least once a week, and preferably three or four times, that we love her; and that it is also wise to bring her a few flowers, to pay her a few compliments, to tell her that she looks well in her new dress or new hat.
Agatha Christie (Dead Man's Folly (Hercule Poirot, #35))
When people compliment you, by all means say thank you. Politeness is recognizing that someone has extended a kindness to you. In your own mind, however, remind yourself that someone already confirmed that the dress was cute; you did--when you bought it. Part of the reason taking things personally is best avoided is because we can never know the source of the comment.
Samara O'Shea (Loves Me...Not: How to Survive (and Thrive!) in the Face of Unrequited Love)
Her light brown hair fell in the way that he liked, in a single braid that snaked down the back of her dress. Her dark-green silk skirt complimented his tunic and set off her deep blue eyes nicely. Such eyes any man in love could easily get lost in.
Sydney Williams (Princes and Kings)
• “sounding much more like himself and at the same time nothing like himself at all” 28 “Pray tell,” Michael echoed, smirking at John with the confidence of a man who has just been catapulted miraculously out of trouble by someone else who has had the misfortune of stumbling into it.” 45 “She lay on her simple cot and stared up at the bare ceiling, a thousand thoughts and memories swirling through her mind like a rainbow of glittering debutantes, each idea more enticing that the last, all jostling for her attention.”46 “She met his regard with a confident, upward tilt of her chin, and discovered in doing so that his eyes were the exact blue of the forget-me-not. This irked her considerably. It wasn’t right that such an indecent man should have such a memorable gaze.” 56 “Wendy knew, however, that sometimes the best way to win an argument was to not engage in it.” 63 “Michael was dressed for the occasion in a pair of tall black boots, polished to such a shine that they could have turned Medusa herself to stone if no mirrors were handy, and the coat was his very best—which is to say, the one upon which he received the most frequent compliments from the ladies.” 67 “He would have burned the entire report to ash and returned it to her in a snuff box, just to make a point, but he couldn’t quite bring himself to do it.” 99 “Ever since the first time he had done so (which had been a bit of an accident), he had been practicing the move, trying to make it faster and even more heart-stopping every time and leaving knee-shaped depressions all across the southeastern fields of England.” 108 “Are you ready to come with me to the ship?” he asked, his voice more gentle than she had ever heard it.” 112 Contemplating the form of his [hook’s] punishment made for a welcome distraction. “Daily bootlicking at dawn. Literally,” he countered. “Followed by mornings of barnacle scraping, lunches of rock soup, afternoons of button polishing, and sea ration suppers.” 152 “I’m Lieutenant John Abbot.” John stressed the lieutenant bit, just for good measure. He knew Wendy had a predilection for science, and he found himself hoping that particular fondness did not extend equally to scientists.” 153 “She had waited so long and worked so hard to reach this place, to stand on the deck of this ship, that she hadn’t noticed how incredible her life had already become.” 169
Erin Michelle Sky (The Wendy (Tales of the Wendy, #1))
A celebrated Philadelphia neurologist had gone to bed after an exceptionally tiring day. Suddenly he was awakened by someone knocking on his door. Opening it he found a little girl, poorly dressed and deeply upset. She told him her mother was very sick and asked him if he would please come with her. It was a bitterly cold, snowy night, but though he was bone tired, the doctor dressed and followed the girl. As Reader’s Digest reports the story, he found the mother desperately ill with pneumonia. After arranging for medical care, he complimented the sick woman on the intelligence and persistence of her little daughter. The woman looked at him strangely and then said, “My daughter died a month ago.” She added, “Her shoes and coat are in the clothes closet there.” Amazed and perplexed, the doctor went to the closet and opened the door. There hung the very coat worn by the little girl who had brought him to tend to her mother. It was warm and dry and could not possibly have been out in the wintry night.
Billy Graham (Angels: God's Secret Agents)
receive is to fully accept compliments. Deflecting compliments is a really insidious way of devaluing yourself, and it’s unfortunately common. The next time someone tells you how beautiful you look or what a great job you did during the presentation, simply smile and say, “Thank you!” Then remain silent. It will feel uncomfortable. Do it anyway. You’ll want to tell them how much weight you’ve gained or how cheap the dress was or how nervous you were during the presentation or how you forgot an entire section. But what those things communicate is: “Actually, you’re wrong. I don’t look beautiful and I didn’t do that well on the presentation and I don’t feel worthy of your attention right now.
Kate Northrup (Do Less: A Revolutionary Approach to Time and Energy Management for Busy Moms)
Butterfly in a world of your own What will you do? Where are you off to today? Floating in between cars, hitchhiking through dreams. With miniature shades to block the sun from your eyes. Be careful to avoid the passing cars That you may not see coming & the children that chase you. Coming this much closer to catching you, in search Of how bright you’ve made their day. Butterfly in a world of its own. Do you know the beauty you possess? Shopping for orange & yellow dresses That compliment your wings, Barefoot in the wind. Often forgetting where you put your purse. Effortless & utterly flawless. Butterfly in a world of your own I too hope that your day is as golden As you are
Kewayne Wadley (Mumbo Jumbo... I Love You)
I let out a slow breath, looking at Darius’s mother instead. Holy fake tits! Mommy Acrux was stunningly beautiful and perfectly put together, her pale pink dress was cut with a sweetheart neckline which revealed a lot of cleavage. It was really hard to look away from it. I thought I had a pretty decent rack but beside her curvaceous glory I was a pancake with a face. Real flowers bloomed along the side of her dress, opening and closing their petals in various shades of blue to compliment her husband’s attire and I guessed that meant she held the Element of Earth, though I’d never seen magic used in such a pretty, pointless way before. Her face was painted with the exact right amount of makeup to accentuate her beauty. She had Darius’s dark hair, bronzed skin and deep brown eyes and she hung on her husband’s arm like the definition of arm candy. The men in the room were not so subtly checking her out but I couldn’t blame them. Hell, I even fancied her. The butler clearly had more work to do and he stepped forward to announce us to his High Lord and Lady. “May I present the Celestial Heirs, Max Rigel, Seth Capella, Caleb Altair and Master Acrux,” he said. The Heirs all moved forward to greet the Acruxes and I stifled my surprise as each of them bowed their heads to Daddy Acrux. Mommy Acrux offered out air kisses and embraces which pulled the Heirs against those breasts for a moment. Seth smirked as he moved aside and Darius approached last. His father barely spared him a glance and his mother didn’t offer him one of the hugs but she brushed a hand against his cheek. “How lovely to see you, Darius dear,” she murmured, her tone was sultry and she didn’t actually seem to be particularly pleased to see her son. “I’ve missed you, Mother,” Darius replied, his voice sounding like it was on autopilot even to me. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
You look beautiful,” he says. “You said that about the last dress.” “The clothes change, but the woman stays the same,” he says with a grin. “And she’s the one I’m complimenting.
Olivia Hayle (A Ticking Time Boss (New York Billionaires, #4))
On the table behind the built-in bar stood opened bottles of gin, bourbon, scotch, soda, and other various mixers. The bar itself was covered with little delicacies of all descriptions: chips, dips, and little crackers and squares of bread laced with the usual dabs of egg salad and sardine paste. There was a platter of delicious fried chicken wings and a pan of potato-and-egg salad dressed with vinegar. Bowls of lives and pickles surrounded the main dishes, along with trays of red crabapples and little sweet onions on toothpicks. But the centerpiece of the whole table was a huge platter of succulent and thinly sliced roast beef set into an underpan of cracked ice. Upon the beige platter each slice of rare meat had been lovingly laid out and individually folded up into a vulval pattern with a tiny dab of mayonnaise at the crucial apex. The pink-brown folded meat around the pale cream-yellow dot formed suggestive sculptures that made a great hit with all the women present. Petey– at whose house the party was being given and the creator of the meat sculptures– smilingly acknowledged the many compliments on her platter with a long-necked graceful nod of her elegant dancer’s head.
Audre Lorde (Zami: A New Spelling of My Name)
One of our housekeepers called him Eddie Haskell. We’d never seen that old TV show Leave It to Beaver, but years later when I saw a couple of reruns on late-night TV, I realized that our housekeeper really hadn’t liked Roger. Eddie Haskell was an unctuous, conniving brown-noser. He was the two-faced character who’d politely compliment Mrs. Cleaver on her lovely dress while instigating some evil prank that would inevitably get her son, the Beaver, in trouble.
Joseph Finder (Vanished (Nick Heller, #1))
Etta grins, compliments swallowed when she sees they’re clearly not required.
Menna Van Praag (The Dress Shop of Dreams)
He's dressed like a burglar, I think with a smile. 'You are the weirdest girl I've ever met,' he says, smiling broadly to offset the insult. I don't take it as one though. If anything, it's a compliment.
Joni Mayhan (The Spirit Board (Winter Woods Book 1))
It was simply what you did: you made conversation in elevators, complimented small children in strollers, looked up from your magazine to greet the stranger who took the seat beside you on a bus. You said, with simple friendliness, That’s a lovely hat, or Isn’t it cold?—because it was another way of saying here we are, all of us, more or less in the same boat. It was the habit of friendliness, a lifetime of it. Mary Keane smiled. Her dress and her son’s jacket and the slipcover on the couch beneath her were soaked and the next contraction was already gathering strength in the small of her back. Mary Keane smiled politely as Mr. Persichetti poked his head around the door to the vestibule and said, “Hello.” He took her hand and then her pulse. He put his broad palm on her forehead and then took her hand again as her face flushed and she drew her legs up against the pain. He
Alice McDermott (After This)
They circulated through the room, greeting people they knew, which was most of the crowd. Several of Taylor’s mother’s friends came up and complimented her on her dress, asked how Kitty Jackson was faring these days. A few deigned to ask about Win, her father. She answered both with equal insouciance—Kitty was fine, she’d met a Swiss banker skiing in Gstaad over the winter and had elected to stay in Europe for the remainder of the spring. Win was in a minimum-security prison in West Virginia, a guest of the federal government.
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
Some' paintings are considered heretical," she said irritably. "Ah, but that isn't the fault of the painting. It's the prejudice of the viewer. For instance, isn't the fault of your 'dress' that when you turn it looks like a pond rippling beneath a full moon at midnight. Or that you resemble a naiad rising from the depths in it. It is the opinion of this particular viewer." Her head went back in shock. And instead of casting her eyes down bashfully again, or fluttering her lashes in coy confusion or responding with a mumbled thank-you... she locked her eyes with his. Her eyes were so soft. Like the hearts of pansies. But they were also surprisingly intensely searching, and he thought he could feel them probing his soul. Sorting through impressions. Hot color swept her cheekbones as she absorbed the impact of this observation. She was attempting to decode it. So she wasn't immune to the compliment. She simply didn't trust it. In truth, he hadn't fully expected to say it himself. Where on earth had it come from? This was what unnerved him. And to think he'd once thought her face ordinary.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
You clean up nice, for a werewolf.” “And you’re not so bad for a vamp,” he growled, his eyes roaming over my reflection in the mirror. “In fact, you look fucking gorgeous.” “Thanks.” I could feel myself blushing at the way he was looking at me. In the mirror, I could see my cheeks getting pink. “Hey,” he murmured stroking one finger lightly over my hot cheek. “What’s wrong—can’t take a compliment?” “You’re just embarrassing me,” I said, not meeting his eyes. “Stop looking at me like that.” “Like what?” His deep voice seemed to go right through me and the delicious scent of leather and fur invaded my senses, making it hard to think. “I don’t know,” I said. “Like… like you’re the big bad wolf and you want to eat me up.” The minute I said the words I regretted them. They were too charged with meaning—too easy to misconstrue. Especially when I could feel the heat of his big body climbing my skin like an electric current, and his warm, masculine scent was driving me crazy. “Of course I want to eat you, baby,” he murmured, catching my eyes in the mirror and holding them with his own, which had suddenly gone wolf gold. “There’s nothing I’d like more.” “Victor…” I shifted uneasily, pressing my thighs together tightly under the thin dress. “You know what I mean.” “And you know what I mean, too,” he growled softly.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
My niece, Anna, told about a poignant moment with her eight-year-old daughter. I love myself but I hate my thighs. I do. I also hate my post-baby, three-times-C-sectioned tummy. No matter how many planks, sit-ups, or miles I run, it will never be like it was when I was in college. And that makes me sad, frustrated, and sometimes angry. When my sweet husband tells me I look beautiful, instead of just thanking him, I answer back with a caveat: “Thanks, but I look fat.” I do this in front of my kids sometimes without realizing it. My boys always come back with, “No way, Mom. You look awesome” or “We think you’re beautiful!” But my daughter is just quiet. Watching. Listening. Later she’ll come up to me, hug me, and whisper, “I love you so much, Mommy.” A couple of months ago, when she was all dressed up, I saw her looking at herself in the mirror. I stopped and said, “Lillian, you look absolutely stunning!” She turned around and said to me very matter of fact, “No I don’t. I look fat.” I gasped! Doesn’t she know how precious she is? Doesn’t she know how beautiful she is? What a blessing she is? Doesn’t she know what a miracle her very existence is? And then I remembered all the times I answered her dad with the very same words. I was sad, ashamed, and most of all heartbroken. Lillian was eight years old. She understood that “fat” was how I felt about myself, so she decided she should feel that way too. Lillian and I had a long talk that day. I told her what a blessing her life is, and how God made her special, unique, and beautiful. I also apologized to her, my two sons, and my husband for not loving myself like I should. Lately, I’ve been saying “thank you” when I get compliments—something new to me—and it’s made all the difference. Now when I tell Lillian how gorgeous she is (which is all the time), she looks at me with her bright hazel eyes and says, “Thanks, Mommy! I think you’re really beautiful too!
Sharon Jaynes (Enough: Silencing the Lies That Steal Your Confidence)
Compliments are always a good way to break the ice. ‘My, isn’t your dress beautiful?’ or, to complete strangers, ‘I don’t believe we’ve met. I’m
Wendy Webb (Daughters of the Lake)
Thank you, Hermes, but I should warn you—you are complimenting Hades's handiwork. He made the dress." "Of course he did, and in his favorite color," Hermes mused. "Actually, Hermes," Hades said, "black is not my favorite color." "Then what is it?" someone shouted. Hades smirked as he answered, "Red." "Red?" another demanded. "Why red?" He looked down at Persephone, his hand splayed across her waist. "I think I began to favor the color when Persephone wore it at the Olympian Gala.
Scarlett St. Clair (A Game of Gods (Hades Saga, #3))
But they are so charming at first,” she went on, picking up a sparkly diamond necklace Austin had bought me a few months ago for no other reason than he thought I might like it. She draped it around my neck and fixed the clasp. “They compliment you endlessly, fawn all over you, tell you you’re pretty… The manipulation is gradual. First they blame you for something innocuous. Then they start telling you to calm down when you call them on something they did, or they ignore you when they think you’re behaving badly. They pick at you for the very things they once praised you for, right? ‘Why are you wearing so much makeup? Are you trying to entice other men?’ I got that one a lot. Or ‘Why are you so dressed up? You look like a slut.’ He got his hooks into me, bro. In the thick of it, he made me start to question reality. He gaslit the fuck out of me. Excuse my language.
K.F. Breene (Magical Midlife Awakening (Leveling Up, #9))
Precisely. Now, we should aim to get in a few good compliments at dinner. Petunia, any ideas?’ ‘Vernon tells me you’re a wonderful golfer, Mr Mason … Do tell me where you bought your dress, Mrs Mason …’ ‘Perfect … Dudley?’ ‘How about: “We had to write an essay about our hero at school, Mr Mason, and I wrote about you.”’ This was too much for both Aunt Petunia and Harry. Aunt Petunia burst into tears and hugged her son, while Harry ducked under the table so they wouldn’t see him laughing. ‘And you, boy?’ Harry fought to keep his face straight as he emerged. ‘I’ll be in my room, making no noise and pretending I’m not there,’ he said.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))