Dredg Quotes

We've searched our database for all the quotes and captions related to Dredg. Here they are! All 100 of them:

The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn’t shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of this is necessary. There will always be one more thing.
Toni Morrison
Because ‘boys will be boys’ is a self-fulfilling prophecy,” said Lundy. “They’re too loud, on the whole, to be easily misplaced or overlooked; when they disappear from the home, parents send search parties to dredge them out of swamps and drag them away from frog ponds. It’s not innate. It’s learned. But it protects them from the doors, keeps them safe at home. Call it irony, if you like, but we spend so much time waiting for our boys to stray that they never have the opportunity. We notice the silence of men. We depend upon the silence of women.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
I love to kill fish,' Sayle went on. 'But when I saw this specimen of Physalia physalis, I knew I had to capture it and keep it. You see, it reminds me of myself.' 'It's ninety-nine per cent water. It has no brain, no guts and no anus.' Alex had dredged up the facts from somewhere and spoken them before he knew what he was doing.
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
I tried to dredge up the same reaction other girls had around Marcus, but nothing happened. No matter how hard I tried, I just didn't have that same attraction His hair was too blond, I decided. And his eyes needed a little more green.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence-- words you have dreaded and needed in order to know you exist.
Adrienne Rich
As some find picking on people a treasured entertainment, ‘recreational bullying’ has become their devious tool, to satisfy an exhibitionist urge to outdo themselves, by dredging up acerbic stories for score-settling and airing dirty laundry. ("On a doggy day")
Erik Pevernagie
If someone told me that I could live my life again free of depression provided I was willing to give up the gifts depression has given me--the depth of awareness, the expanded consciousness, the increased sensitivity, the awareness of limitation, the tenderness of love, the meaning of friendship, the apreciation of life, the joy of a passionate heart--I would say, 'This is a Faustian bargain! Give me my depressions. Let the darkness descend. But do not take away the gifts that depression, with the help of some unseen hand, has dredged up from the deep ocean of my soul and strewn along the shores of my life. I can endure darkness if I must; but I cannot lie without these gifts. I cannot live without my soul.' (p. 188)
David Elkins (Beyond Religion: A Personal Program for Building a Spiritual Life Outside the Walls of Traditional Religion)
These are the moments which are not calculable, and cannot be assessed in words; they live on in the solution of memory, like wonderful creatures, unique of their own kind, dredged up from the floors of some unexplored ocean.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
When Christopher finished, there was a moment of silence. Leo looked at Cam expectantly. “Well?” “Well what?” “Now is the time when you dredge up one of your blasted Romany sayings. Something about roosters laying eggs, or pigs dancing in the orchard. It’s what you always do. Let’s have it.” Cam gave him a sardonic glance. “I can’t think of one right now.” “By God, I’ve had to listen to hundreds of them. And Phelan doesn’t have to hear even one?
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Nothing fires the warrior’s heart more with courage than to find himself and his comrades at the point of annihilation, at the brink of being routed and overrun, and then to dredge not merely from one’s own bowels or guts but from one’s discipline and training the presence of mind not to panic, not to yield to the possession of despair, but instead to complete those homely acts of order which Dienekes had ever declared the supreme accomplishment of the warrior: to perform the commonplace under far-from-commonplace conditions.
Steven Pressfield (Gates of Fire)
that the hardest truths never rest on the surface. They must be dredged up, held to the light and rinsed clean.
Sarah Penner (The Lost Apothecary)
Once in my life I knew a grief so hard I could actually hear it inside, scraping at the lining of my stomach, an audible ache, dredging with hooks as rivers are dredged when someone’s been missing too long.
Leif Enger (Peace Like a River)
Here the clock in the hall dredged up seconds like stones and dropped them again into the pool of the day, letting each ripple widen before the next one fell.
Bridget Collins (The Binding)
Once in my life I knew a grief so hard I could actually hear it inside, scraping at the lining of my stomach, an audible ache, dredging with hooks as rivers are dredged when someone's been missing too long. I have to think my mother felt something like that.
Leif Enger
Perhaps you considered yourself an oracle, Mouthpiece of the dead, or of some god or other. Thirty years now I have labored To dredge the silt from your throat. I am none the wiser.
Sylvia Plath (Plath: Poems)
As I would soon learn myself, cleaning up what a parent leaves behind stirs up dust, both literal and metaphorical. It dredges up memories. You feel like you’re a kid again, poking around in your parents’ closet, only this time there’s no chance of getting in trouble, so you don’t have to be so sure that everything gets put back exactly where it was before you did your poking around. Still, you hope to find something, or maybe you fear finding something, that will completely change your conception of the parent you thought you knew.
Roz Chast
Alma is in a painting phase, and the people she paints are all the color of mold, look like they've just been dredged from the bottom of a lake. Her last painting was of you, slouching against the front door: only your frowning I-had-a-lousy-Third-World-childhood-and-all-I-got-was-this-attitude eyes recognizable.
Junot Díaz (This Is How You Lose Her)
It is neither easy nor agreeable to dredge this abyss of viciousness, and yet I think it must be done, because what could be perpetrated yesterday could be attempted again tomorrow, could overwhelm us and our children. One is tempted to turn away with a grimace and close one's mind: this is a temptation one must resist. In fact, the existence of the death squads had a meaning, a message: 'We, the master race, are your destroyers, but you are no better than we are; if we so wish, and we do so wish, we can destroy not only your bodies, but also your souls, just as we have destroyed ours.
Primo Levi
Let us not neglect the forbidden. Let us not sophisticate ourselves out of the cheap thrill and chill of it: the story told for perversity's sake, and all the better for that; the image created because an artist gets tired of reasons sometimes, and wants to dredge up some picture he's been haunted by, and parade it like a new tattoo. I go with it, readily.
Clive Barker
The ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement." [Nobel Prize Acceptance Speech]
John Steinbeck
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
...the answer is not in the damn blank page - it's in the days or years before and you have to dredge it up - exhume the past again ...
John Geddes (A Familiar Rain)
Aelin,” said Aedion, dredging up a drawl as best he could, even as the lie choked him, “has her own plans that she’ll only tell us about when the time is right.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Far in the back of her mind she was thinking. But she could not dredge up these half-formed feelings, these obscure bits of ideas, into clear, definite thoughts. . . . Her mind ticked away, singing a song she could not decipher.
Helen Wells (Cherry Ames, Veterans' Nurse (Cherry Ames, #6))
Genealogy becomes a mania, an obsessive struggle to penetrate the past and snatch meaning from an infinity of names. At some point the search becomes futile – there is nothing left to find, no meaning to be dredged out of old receipts, newspaper articles, letters, accounts of events that seemed so important fifty or seventy years ago. All that remains is the insane urge to keep looking, insane because the searcher has no idea what he seeks. What will it be? A photograph? A will? A fragment of a letter? The only way to find out is to look at everything, because it is often when the searcher has gone far beyond the border of futility that he finds the object he never knew he was looking for.
Henry Wiencek (The Hairstons: An American Family in Black and White)
It was amazing to Knox that they all knew, instinctively, how to build implements of pain. It was something even shadows knew how to do at a young age, knowledge somehow dredged up from the brutal depths of their imagination, this ability to deal harm to one another.
Hugh Howey (Wool (Silo, #1))
Kairos moment. An' it means," and from somewhere in his soused brain he dredged up words of surprising clarity, "the telling moment. The special moment. The supreme moment.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Too many things have changed. Too much time has passed. I'm different now, a man with a pocketful of unconnected but terribly vivid memories. I was looking to dredge up what I'd long forgotten. Most of all, I am wishing for something to fasten all these gems, maybe something to hold them in a continuity that I can comprehend.
Andrew X. Pham (Catfish and Mandala: A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam)
Hat manufacturers once used a bright orange mercury wash to separate fur from pelts, and the common hatters who dredged around in the steamy vats, like the mad one in Alice in Wonderland, gradually lost their hair and wits.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Paths are the habits of a landscape. They are acts of consensual making. It's hard to create a footpath on your own...Paths connect. This is their first duty and their chief reason for being. They relate places in a literal sense, and by extension they relate people. Paths are consensual, too, because without common care and common practice they disappear: overgrown by vegetation, ploughed up or built over (through they may persist in the memorious substance of land law). Like sea channels that require regular dredging to stay open, paths NEED walking.
Robert Macfarlane (The Old Ways: A Journey on Foot)
It was twelve years ago. Can you give me one good reason why we should dredge all of that up tonight?” “I can,” Kingsley said. “Because you fucked a nun.
Tiffany Reisz (The Virgin (The Original Sinners, #7))
dredged up a quote from someone I rarely agreed with about anything. “What’s the point of free will, if not to spit in the eye of destiny?
Jim Butcher (Battle Ground (The Dresden Files, #17))
Thirty years now I have laboured to dredge the slit from your throat. I am none the wiser.
Sylvia Plath (The Colossus (Faber Poetry))
...when the past dredges up a memory capable of opening old wounds, suddenly other wounds appear and make the soul bleed more deeply, until you have to kneel down and cry.
Paulo Coelho (The Spy)
I find what’s pure and clean and see that it gets all mucked up. But that’s what people call information. And when you dredge up every bit of dirt from every corner of the living environment, that’s what you call enhanced information.
Haruki Murakami (Dance Dance Dance (The Rat Series, #4))
Inteligente. For years it had been enough to be the intelligent one. All that had meant, in the beginning, was that you could answer the kinds of questions that your teachers asked. The whole world appeared to be fact-based, and that had been a relief to Greer, who could dredge up facts with great ease, a magician pulling coins from behind any available ear. Facts appeared before her, and the she simply articulated them, and in this way she became known as the smartest one in her glass.
Meg Wolitzer (The Female Persuasion)
I remembered only the good and loveable things about him, not the wretchedness he caused me, and the dope, and the resentments and silence and the half-crazy outbursts. I remembered his smell and the colour of his eyes and his head thrown back to laugh; these things were a second away, in time, but the others I dredged up dutifully, knowing that I must, for the sake of truth and sanity, try to keep a balance.
Helen Garner (Monkey Grip)
Alongside the liberating relief of the veteran who tells us his story, I now felt in the writing a complex, intense, and new pleasure, similar to that I felt as a student when penetrating the solemn order of differentials calculus. It was exalting to search and find, or create, the right word, that is, commensurate, concise, and strong; to dredge up events from my memory and describe them with the greatest rigor and the least clutter.
Primo Levi (The Periodic Table)
The Pentagon was built because World War Two was coming, and because World War Two was coming it was built without much steel. Steel was needed elsewhere, as always in wartime. Thus the giant building was a monument to the strength and mass of concrete. So much sand was needed for the mix it was dredged right out of the Potomac River, not far from the rising walls themselves. Nearly a million tons of it. The result was extreme solidity.
Lee Child (The Affair (Jack Reacher, #16))
an image flashes sharply into my mind, distracting as a jab from a stray pin when you’re dredging for your purse in your handbag.
Ruth Ware (The Lying Game)
Have you ever just laid in bed unable to dredge up the will to get out of it?
Neal Shusterman (Game Changer)
She was flanked by a skinny redhead and an older girl, dressed with the same shabby afterthought. As if dredged from a lake.
Emma Cline (The Girls)
The past doesn't go away, buy there's no need to dredge it up; you can try to let it rest, hold your peace. The one thing I've learned from life is survival.
Rosella Postorino (At the Wolf's Table)
It is the poet who goes further than any human scientist. The poet who with her dredging net must haul up difficult things and return them to the present.
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
The warning rhyme flickered in my heart, dredging up old nightmares: I know the monster in your bed. So did I-- Death.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
For the artist himself art is not necessarily therapeutic; he is not automatically relieved of his fantasies by expressing them. Instead, by some perverse logic of creation, the act of formal expressions may simply make the dredged-up material more readily available to him.
Al Álvarez (The Savage God: A Study of Suicide)
You know, I know I should be just as panicky as you about the filthy work - one wants to do nothing in the evenings, certainly not spread rotten books around & dredge for a 'line'. It must be like still being a student, with an essay to do after a week's drinking, only you haven't had the drinking. Quite clearly, to me, you aren't a voluntary worker, from the will: you do it by intuitive flashes, more like an act of creation, & when the flashes don't come, as of course they don't, especially when the excess energy of undergraduate days is gone, then it is a hideous unnatural effort.
Philip Larkin (Philip Larkin: Letters to Monica)
I’m not certain what I notice first, the bright flickering light that illuminates the darkness underneath my eyelids, or the shrill screams that pull me form the dredges of sleep. Either way, I’m awake. And afraid.
Christine Fonseca (Winter Wonders (Anthology))
Younger people could dredge up an impressive number of dark words to express their pain. As writers got older and older, their negative emotion vocabulary diminished and their positive emotion word count skyrocketed. As
James W. Pennebaker (The Secret Life of Pronouns: What Our Words Say About Us)
Yeah, said the Kid. He dredged up his watch and checked the time. Maybe you’d better go eat. You need to keep your strength up if you aim to wrest the secrets of creation from the gods. They’re a testy lot by all accounts.
Cormac McCarthy (The Passenger (The Passenger #1))
Darkness at high altitude, the midflight quietude, always makes him think of the bottom of the ocean. There’s a submarine quality to the experience, a sense of dredging the bottom instead of scraping up against the stratosphere.
Dominic Smith (The Last Painting of Sara de Vos)
There is talk in the village that there is more in these sewers than sewerage. Yes, I say, Yes. But not only these sewers. There is more in your heart than can be spoken. More in your eyes than you will tell. More in the mind of you than anyone can know. More in the night than darkness. More in the river than can be dredged. What more ? The hate, envy, malice, greed, stupidity and evil that lie under the floor of everything. If I have secrets so do you.
Jeanette Winterson (The World and Other Places: Stories)
There is talk in the village that there is more in these sewers than sewage. Yes, I say, Yes. But not only these sewers. There is more in your heart than can be spoken. More in your eyes than you will tell. More in the mind of you than anyone can know. More in the night than darkness. More in the river than can be dredged. [...] If I have secrets so do you.
Jeanette Winterson
It didn't take inspiration to dredge up a list of plot points, but to find that moment — the perfect moment that defined a book, that made it come alive as something greater then the sum of its words — that required an alchemy you couldn't fake.
Emily Henry (Beach Read)
Do reflections also travel at the speed of light? What does your buddy Albert think? When the light hits the glass and starts back in the opposite direction doesnt it have to come to a full stop first? And so everything is supposed to hang on the speed of light but nobody wants to talk about the speed of dark. What’s in a shadow? Do they move along at the speed of the light that casts them? How deep do they get? How far down can you clamp your calipers? You scribbled somewhere in the margins that when you lose a dimension you’ve given up all claims to reality. Save for the mathematical. Is there a route here from the tangible to the numerical that hasnt been explored? I dont know. Me either. Photons are quantum particles. They’re not little tennisballs. Yeah, said the Kid. He dredged up his watch and checked the time. Maybe you’d better go eat. You need to keep your strength up if you aim to wrest the secrets of creation from the gods. They’re a testy lot by all accounts.
Cormac McCarthy (The Passenger (The Passenger #1))
Dredge up a hostile, sulfurous silicate lava sink slaloming between two phlegmy suns well into their shuffleboard years, a miserable wad of hell-spit, free-range acid clouds, and the gravitational equivalent of untreated diabetes, a stellar expletive that should never be forced to cope with something as toxic and flammable as a civilization, and before you can say no, stop, don’t, why? the place will be crawling with postcapitalist glass balloons filled with sentient gases all called Ursula.
Catherynne M. Valente (Space Opera (Space Opera, #1))
Some of the very same people who deny the reality of climate change being caused by our energy choices are the same people who say, ‘We want you to fix this,’ ” she said. “So on the one hand they say mankind is too small to impact Mother Nature—that forces of nature are much stronger than the impacts of man. Yet they somehow turn around and say, ‘OK, governments: put a plug in—engineer something, dredge something, dig out, blow up, modify.’ They don’t think man is too weak to engineer a fix, but they somehow say we’re not responsible for the cause.
Dan Egan (The Death and Life of the Great Lakes)
That's something every islander knows--there's always going to be another hurricane. Another storm. Everything buried will surface again, and everything you thought would last forever will come down eventually. But you rebuild. You dredge. You keep moving, keep adding new. That's how we go on living.
Roseanna M. White (Yesterday's Tides)
For myself I have now no faith in miraculous conception. I have given it every chance. I have spent many mornings at Lord’s hoping that inspiration would come, many days on golf courses; I have even gone to sleep in the afternoon, in case inspiration cared to take me by surprise. In vain. The only way I can get an "idea" is to sit at my desk and dredge for it. This is the real labour of authorship with which no other labour in the world is comparable.
null
He tried to dredge up the familiar, comforting truths: The Copy would survive, it would live his life for him. This body was always destined to perish; he’d accepted that long ago. Death was the irreversible dissolution of the personality; this wasn’t death, it was a shedding of skin. There was nothing to fear.
Greg Egan (Permutation City)
He thought dawdling, protective thoughts, sitting under the lamp, but he knew that pretty soon his name would be called and he would have to go up before the bench with himself as judge and his own crimes as jurors. And his name was called, shrilly in his ears. His mind walked in to face the accusers: Vanity, which charged him with being ill dressed and dirty and vulgar; and Lust, slipping him the money for his whoring; Dishonesty, to make him pretend to talent and thought he did not have; Laziness and Gluttony arm in arm. Tom felt comforted by these because they screened the great Gray One in the back seat, waiting—the gray and dreadful crime. He dredged up lesser things, used small sins almost like virtues to save himself. There were Covetousness of Will’s money, Treason toward his mother’s God, Theft of time and hope, sick Rejection of love. Samuel spoke softly but his voice filled the room. “Be good, be pure, be great, be Tom Hamilton.” Tom ignored his father. He said, “I’m busy greeting my friends,” and he nodded to Discourtesy and Ugliness and Unfilial Conduct and Unkempt Fingernails. Then he started with Vanity again. The Gray One shouldered up in front. It was too late to stall with baby sins. This Gray One was Murder.
John Steinbeck (East of Eden)
If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay." "No, you don't." Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you." Narrowing his eyes, he studied her. "Will you marry me?" "Yes." "Will you give me children?" "If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours." "In this town that we move to, wherever it is, will you walk down the street with me?" "Of course." "Holding my hand?" "Yes." "And the hands of my children?" "Yes." He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her. "And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home." "I don't think that. I love you." He spun around. "You don't believe in that love, you don't believe in me." "Yes, I do." He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze. "How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?" He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past. "If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow? "If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced? "If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron? "If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?" He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side." He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned. "You don't believe in me," he said quietly. "How can you believe in our love?
Lorraine Heath (Always to Remember)
(Currently, we count ourselves fortunate to have functional toilets. I don’t know what your living conditions are at Lattimore—tidy and sterile, I suspect—but here, given a construction project initiated on behalf of our Economics faculty, who Must Be Kept Comfortable at All Times, we are alternately frozen and nearly smoked, via pestilent fumes, out of our building. Between the construction dust and the radiators emitting erratic bursts of steam heat, the intrepid faculty members who have remained in their offices over the winter break are humid with sweat and dusted with ash and resemble two-legged cutlets dredged in flour.)
Julie Schumacher (Dear Committee Members)
In bed that night, in the darkness, with the illuminated dial of her alarm clock glowing from the bedside table, she asked herself whether one could force oneself to like somebody, or whether one could merely create conditions for affection to come into existence and hope that it did, spontaneously. Open then our hearts - these words came into her mind, dredged from somewhere in her memory, from some unknown context. If one opened one's heart, then friendship, and love, too, might alight and make their presence known. It was the act of opening that came first; that was the important thing, the first thing. But who was it who said, Open then our hearts? Where did that come from?
Alexander McCall Smith (The Right Attitude to Rain (Isabel Dalhousie, #3))
It seemed necessary just then to touch base with the Lord. Shutting my eyes, I leaned into the horse. I prayed in words for a little while . . . and then language went away and I prayed in a soft high-pitched lament any human listener would’ve termed a whine. We serve a patient God. . . . Andreeson, who I’d despised, now appeared to my mind as he might’ve to a worried brother. Talk about an unwelcome change. There in the cold, curled against Mr. Ford’s sighing horse, I repented of hatred in general and especially that cultivated against the putrid fed. A pain started up, as of live coals inside, and like that I knew where he was. Knew, with certainty, why he hadn’t come back out of the blizzard. I began to weep. Not only for Andreeson—weeping seems to accompany repentance most times. No wonder. Could you reach deep in yourself to locate that organ containing delusions about your general size in the world—could you lay hold of this and dredge it from your chest and look it over in daylight—well, it’s no wonder people would rather not.
Leif Enger (Peace Like a River)
We are not human beings having a spiritual experience. We are spiritual beings having a human experience.” The only quote I could dredge up by the French priest-philosopher.
Kathy Reichs (Speaking in Bones (Temperance Brennan, #18))
Some nights are three nights long, some days a mere noon hour, then whistled back to work, the heart dredging sludge.
Jim Harrison (Braided Creek)
I’ve known several men who believe women are only interested in relationships for money and comfort, and they aren’t capable of really loving. And I’ve known women who insist men only want sex and don’t know how to love. White people used to insist that blacks weren’t capable of ‘noble’ emotions, that they were little more than animals. The same was said about Jews, Native Americans, you name it. It’s an ancient argument. People keep dredging it up, trying to prove to themselves that people they don’t understand are alien and don’t warrant being treated well. And it is always—always—wrong. Despite our differences, all people are basically built from the same template. We are all equally admirable and equally flawed.
Jamie Fessenden (By That Sin Fell the Angels)
He said he was not afraid because years before a witch doctor gave him a charm against evil spirits. "Let me see that charm," I asked. "It's words," he said. "It's a word charm." "Can you say them to me?" "Sure," he said and he droned, "In nomine Patris et Filli et Spiritus Sancti." "What does it mean?" He raised his shoulder. "I don't know," he said. "It's a charm against evil spirits so I am not afraid of them." I've dredged this conversation out of a strange-sounding Spanish but there is no doubt one of his charm, and it worked for him.
John Steinbeck (Travels with Charley: In Search of America)
R’bin,” he said, giving up and gazing down at her. “R’bin, d’you know wadda kairos mo…” He hiccoughed. “Mo…moment is?” “A kairos moment?” she repeated, hoping against hope it was not something sexual, something that she would not be able to forget afterwards, especially as the kebab shop owner was listening in and smirking behind them. “No, I don’t. Shall we go back to the office?” “You don’t know whadditis?” he asked, peering at her. “No.” “ ’SGreek,” he told her. “Kairos. Kairos moment. An’ it means,” and from somewhere in his soused brain he dredged up words of surprising clarity, “the telling moment. The special moment. The supreme moment.” Oh please, thought Robin, please don’t tell me we’re having one. “An’ d’you know what ours was, R’bin, mine an’ Charlotte’s?” he said, staring into the middle distance, his unlit cigarette hanging from his hand. “It was when she walk’d into the ward—I was in hosp’tal f’long time an’ I hadn’ seen her f’two years—no warning—an’ I saw her in the door an’ ev’ryone turned an’ saw her too, an’ she walked down the ward an’ she never said a word an,” he paused to draw breath, and hiccoughed again, “an’ she kissed me aft’ two years, an’ we were back together. Nobody talkin’. Fuckin’ beautiful. Mos’ beaut’ful woman I’ve ’ver seen. Bes’ moment of the whole fuckin’—’fmy whole fuckin’ life, prob’bly. I’m sorry, R’bin,” he added, “f’r sayin’ ‘fuckin’.’ Sorry ’bout that.” Robin felt equally inclined to laughter and tears, though she did not know why she should feel so sad.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
The winds of change blew through the dream factories of make-believe, tore at its crinoline tatters ... The hedonists, the homosexuals, the hemophiliac bleeding hearts, the God-haters, the quick-buck artists who substituted shock for talent, all cried: "Shake 'em! Rattle 'em! God is dead. Long live pleasure! Nudity? Yea! Wife-swapping? Yea! Liberate the world from prudery. Emancipate our films from morality!" ... Kill for thrill—shock! Shock! To hell with the good in man, Dredge up his evil—shock! Shock! "Practically all the Hollywood film-making of today is stooping to cheap salacious pornography in a crazy bastardization of a great art to compete for the 'patronage' of deviates and masturbators.
Frank Capra (The Name Above The Title)
Depression speaks. It screams. It’s not like actually hearing voices. I know the voice in my head isn’t real and I know that it’s lying, but knowing those things doesn’t make it go away. I still hear it, and it dredges up my worst fears and yells them at me until it drowns out everything else.
Shaun David Hutchinson (Brave Face: A Memoir)
Unwinding isn’t just good medicine—it’s the right idea.” It was the very rightness of the idea that made Nelson become a Juvey-cop to begin with. The knowledge that he would leave the world a cleaner, brighter place by dredging the dregs from the streets was what propelled him into the police academy
Neal Shusterman (UnWholly (Unwind, #2))
You cannot dredge the depths of the soul with the meagre light of self analysis. The inner world never reveals itself cheaply. Perhaps analysis is the wrong way to approach our inner dark ... There is a healing for each of our wounds, but this healing is waiting in the indirect, oblique, and nonanalytic side of our nature.
John O'Donohue, Anam Cara: A Book of Celtic Wisdom
Billy tried to imagine the birth of Cyril's wife's baby. It would happen in grim lights violently. A dripping thing trying to clutch to its hole. Dredged up and beaten. Blood and drool and womb mud. How cute, this neon shrieker made to plunge upward, odd-headed blob, this marginal electric glow-thing. Dressed and powdered now. Engineered to abstract design. Cling, suck and cry. Follow with the eye. Gloom and drought of unprotected sleep. Had there been a light in her belly, dim briny light in that pillowing womb, dusk enough to light a page, bacterial smear of light, an amniotic gleam that I could taste, old, deep, wet and warm? Return, return to negative unity.
Don DeLillo (Ratner's Star)
She did not know that far beyond the green mountains where the lightning frightens, but does not strike, hundreds more of Brother Gabriel's kind were making their way from the sea, emerging from great hollow beasts whose bellies craved only the darkest of flesh, dredging through seaweed until they met the unwelcoming rock of shore, armed with weapons that pulled the very thunder out of the sky. . . Friendly tribe or hostile tribe, these greedy people would not discriminate, could not, in fact, discriminate. To them, her people were all living pieces of ore: fuel for engines of the most ungodly kind but, bafflingly, in the name of a god that they claimed was peaceful.
Robert Jones Jr. (The Prophets)
And more important, all the life-potentialities that we never managed to bring to adult realization, those other portions of ourself, are there; for such golden seeds do not die. If only a portion of that lost totality could be dredged up into the light of day, we should experience a marvelous expansion of our powers, a vivid renewal of life.
Joseph Campbell (The Hero With a Thousand Faces)
Science is still evolving. So is our understanding of what it’s dredged up. And most importantly, there’s no magic-pill diet that will work equally well for all people. It’s a reality just as frustrating as it is liberating, and one many health gurus will never admit to you (or to themselves, perhaps). After all, uncertainty isn’t very profitable.
Denise Minger (Death by Food Pyramid: How Shoddy Science, Sketchy Politics and Shady Special Interests Have Ruined Our Health)
How many words grace the pages of this book! They are supposed to bestir memory. As if words could remember! For words are miserable mountain climbers and miserable miners of meaning. They do not retrieve the hidden treasures from the heights or dredge them from the depths! But there is a living commemoration that softly strokes everything worthy of remembering with its caress. And when a red-hot flame leaps forth, poignant and piercing, from such retrospective ash, and you fix your gaze upon it, as if gripped by its magic spell, then... But how with a shaky hand and coarse writing instrument can one possibly inscribe oneself in such pure remembrance, other than to stain these white unassuming pages?
Franz Kafka (Konundrum: Selected Prose of Franz Kafka)
The hero is the man of self-achieved submission. But submission to what? That precisely is the riddle that today we have to ask ourselves and that it is everywhere the primary virtue and historic deed of the hero to have solved. Only birth can conquer death—the birth, not of the old thing again, but of something new. Within the soul, within the body social, there must be a continuous “recurrence of birth” a rebirth, to nullify the unremitting recurrences of death. For it is by means of our own victories, if we are not regenerated, that the work of Nemesis is wrought: doom breaks from the shell of our very virtue. Peace then is a snare; war is a snare; change is a snare; permanence a snare. When our day is come for the victory of death, death closes in; there is nothing we can do, except be crucified—and resurrected; dismembered totally, and then reborn. The first step, detachment or withdrawal, consists in a radical transfer of emphasis from the external to the internal world, macro- to microcosm, a retreat from the desperation's of the waste land to the peace of the everlasting realm that is within. But this realm, as we know from psychoanalysis, is precisely the infantile unconscious. It is the realm that we enter in sleep. We carry it within ourselves forever. All the ogres and secret helpers of our nursery are there, all the magic of childhood. And more important, all the life-potentialities that we never managed to bring to adult realization, those other portions of our self, are there; for such golden seeds do not die. If only a portion of that lost totality could be dredged up into the light of day, we should experience a marvelous expansion of our powers, a vivid renewal of life. We should tower in stature. Moreover, if we could dredge up something forgotten not only by ourselves but by our whole generation or our entire civilization, we should indeed become the boon-bringer, the culture hero of the day—a personage of not only local but world historical moment. In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted, direct experience and assimilation of what C. G. Jung has called “the archetypal images.” This is the process known to Hindu and Buddhist philosophy as viveka, “discrimination.
Joseph Campbell (The Hero With a Thousand Faces)
Joe stepped in front of them, blocking it from their view. "All of you listen to me." Three pairs of eyes locked on his face: hopeful, expectant, still dark with anger and fear. Protectiveness erupted , so strong Joe wanted to shout with it. He drew one breath, then another, but Jesus it didn't help. "You're mine now," he told them, and he knew his voice was hoarse, trembling with furious conviction. He hadn't meant to rush Luna, to spill his guts so soon. He'd meant to give himself time, to give her and the kids time. But he couldn't hold it in. "All of you. I protect what's mine. No one is going to hurt you, and no one is going to run us off. I'll find the son of a bitch, I swear it. And when I do, he'll pay." Luna's eyes, narrowed with rage only a moment ago, now softened with an expression far too close to concern. She gave a reluctant nod and spoke very softly. "All right, Joe." He had an awful suspicion she agreed more to soothe him than because she believed what he said. Willow swallowed, nodded, then gave him a trembling smile. "All right," she said, agreeing with Luna, and she, too, seemed to want to comfort him. Women. Austin launched himself forward, hugging himself around Joe's knees and hanging on tight. Joe almost fell over. He felt as though he'd been stomped on already, his muscles, his mind, his deepest emotions. Hell, he hadn't known he had deep emotions until the kids and Luna had dredged them from a dark, empty place. He wasn't all that steady on his feet, and Austin hit him with the impact of a small tank. But it was more the punch to his heart than the impetus against his legs that threw him off balance. Joe touched the tangled mop of blond hair. "Austin?" Austin squeezed him, then said against Joe's knees, "Okay." He finally tipped up his face to give Joe a crooked, admiring grin. "I sure like it when you're disrespectful." That ridiculous comment lightened Joe's mood, and he laughed. "Rodent.
Lori Foster (Say No To Joe? (Visitation, North Carolina, #1))
Still—” Tigerishka temporized—"are things I will tell.” Then, at court-stenographer speed, and a little singsong, as if it were very boring to her: “I come superior galactic culture. Read minds, throw thoughts, sail hyperspace, live forever if want, blow up suns—all that sort stuff. Look like animal—resume ancestral shapes. Make brains small but really huge—(psychophysiosubmicrominiaturization! We stay superior.) You not believe? So listen. Plants eat inorganic: they superior! Animals eat plants: they superior. Cats eat fresh meat: we most superior! Monkeys try eat everything: a mess!”  Then without pause: “Wanderer sail hyperspace. Yes, star photos, I know. Need fuel—much matter for converters. Your moon good woodpile. Smash, pulverize, dredge. We fuel up, then go. No need you monkeys get hot and bothered.
Fritz Leiber (The Wanderer)
Every dish I cooked exhumed a memory. Every scent and taste brought me back for a moment to an unravaged home. Knife-cut noodles in chicken broth took me back to lunch at Myeondong Gyoja after an afternoon of shopping, the line so long it filled a flight of stairs, extended out the door, and wrapped around the building. The kalguksu so dense from the rich beef stock and starchy noodles it was nearly gelatinous. My mother ordering more and more refills of their famously garlic-heavy kimchi. My aunt scolding her for blowing her nose in public. Crispy Korean fried chicken conjured bachelor nights with Eunmi. Licking oil from our fingers as we chewed on the crispy skin, cleansing our palates with draft beer and white radish cubes as she helped me with my Korean homework. Black-bean noodles summoned Halmoni slurping jjajangmyeon takeout, huddled around a low table in the living room with the rest of my Korean family. I drained an entire bottle of oil into my Dutch oven and deep-fried pork cutlets dredged in flour, egg, and panko for tonkatsu, a Japanese dish my mother used to pack in my lunch boxes. I spent hours squeezing the water from boiled bean sprouts and tofu and spooning filling into soft, thin dumpling skins, pinching the tops closed, each one slightly closer to one of Maangchi's perfectly uniform mandu.
Michelle Zauner (Crying in H Mart)
Aided by the young George Pullman, who would later make a fortune building railway cars, Chesbrough launched one of the most ambitious engineering projects of the nineteenth century. Building by building, Chicago was lifted by an army of men with jackscrews. As the jackscrews raised the buildings inch by inch, workmen would dig holes under the building foundations and install thick timbers to support them, while masons scrambled to build a new footing under the structure. Sewer lines were inserted beneath buildings with main lines running down the center of streets, which were then buried in landfill that had been dredged out of the Chicago River, raising the entire city almost ten feet on average. Tourists walking around downtown Chicago today regularly marvel at the engineering prowess on display in the city’s spectacular skyline; what they don’t realize is that the ground beneath their feet is also the product of brilliant engineering.
Steven Johnson (How We Got to Now: Six Innovations That Made the Modern World)
Violet had carefully chosen some long-hanging, loose-fitting basketball shorts to wear over her swimsuit, in hopes of keeping her injuries at least partially hidden. But it didn’t take long before one . . . and then two . . . and then at least twenty of her friends had noticed her bandages peeking out from beneath the swishing fabric, and she was forced to recount her morning accident. Jay loved hearing her tell the story, and every time he heard her talking about it, he would come over so that he could interject, and of course embellish, his role in the events. In his version, he was her champion, practically carrying her from the woods and performing near-miraculous medical feats to save her legs from complete amputation. Violet, and annoyingly every other girl within earshot, couldn’t help but giggle while he jokingly sang his own praises. Violet happened to walk up just in time to hear Jay recounting his version once more to a group of eager admirers. “Hero? I wouldn’t say hero . . .” he quipped. Violet rolled her eyes, turning to Grady Spencer, a friend of theirs from school. “Can you believe him?” Grady gave her a concerned look. “Seriously, are you okay, Violet? It sounds like it was pretty bad.” Violet was embarrassed that Jay’s exaggerations were actually dredging up real sympathy from others. “It’s fine,” she assured him, and when Grady didn’t look convinced, she added, “Really, I just tripped.” She reached out and shoved Jay. “Will you knock it off, hero? You’re making an ass out of yourself.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Her endless complaining was finally too much for Sara to take. "Oh, good Lord, that's enough," she exclaimed impatiently. "I'm going to die," Joyce moaned. "Unfortunately that's not the case. The bullet passed cleanly through your shoulder, the bleeding's stopped, and whatever discomfort you feel isn't nearly enough to make up for all you've done," Sara continued with growing exasperation. "The first time I met Derek was on the night you had his face slashed, and ever since then you've harassed and tormented us both. You brought this on yourself!" "You're enjoying my suffering," Joyce whined. "Somehow I can't dredge up much sympathy for a woman who's just tried to kill me! And when I think of the cruel, callous way you destroyed Derek's club..." "He'll always hate me for that," Joyce whispered in satisfaction. "I'll always have that part of him, at least." "No," Sara said firmly. "I'm going to fill his life with such happiness that he'll have no room to hate anyone. He won't spare you a thought. You'll be nothing to him.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
It was the very rightness of the idea that made Nelson become a Juvey-cop to begin with. The knowledge that he would leave the world a cleaner, brighter place by dredging the dregs from the streets was what propelled him into the police academy. Eventually, though, his ideals were replaced by an abiding hatred for those marked for unwinding. They were all alike, these Unwinds; sucking valuable resources from those more deserving, and clinging to their pathetic individuality, rather than accepting peaceful division.
Neal Shusterman (UnWholly (Unwind, #2))
For what other reason do we choose anything over God if isn’t because we think it and not Him can give us what we need? How often have we looked to the creature and called it Savior, without words, but by faith? For every empty bottle of wine, drunk to the dredges without self-control’s restraint, there is the proof of a soul wanting to find peace in something that doesn’t have it to give. Even social media thrives most on our neediness and the way it makes us discontent in being known and loved by God and God alone.
Jackie Hill Perry (Holier Than Thou: How God’s Holiness Helps Us Trust Him)
Were there two very different types of senator: on the one hand an unlucky, and maybe tiresome, few who refused to go along with the system, took the emperor’s jokes and displays far too seriously, made their opposition known and paid for it; on the other, the largely silent majority of men who were grateful to serve and prosper in the limelight of the imperial court, whoever the emperor was, were prepared to vote for book burning when required and did not think celebrating the emperor’s birthday or overseeing the dredging of the Tiber beneath them? In
Mary Beard (SPQR: A History of Ancient Rome)
It was slow at first, dead things slowly mouldering away. The flies in the corners, the dried flowers in their clay pots. The stuffed bird Alfie bought, only because he was both fascinated and disgusted by it in equal measures, was molting on it's perch. It's feathers falling like leaves then laying, parched and cracking dry. The sea shells I kept on my windowsill turned slowly back into sand and the wind filtering through the curtains blew the pieces into the creases of my bedsheets. When I pulled them over my head at night they felt like waves crashing against my ears. It made my thoughts sodden and heavy like impalpable clay, they dredged through my mind like half-forgotten things. Wave: a face, a feeling, the ghost of a name balancing on my teeth and ready to- crash: and now gone, like a dream I once tried to remember though it was already evaporating quick from my morning-shaking fingers. I started dreaming of crumbling sandcastles and the ocean lapping at my feet. I woke in waves and lay, rocking, until I got up to place my feet in the quiet carpet and watch through my down-turned, dream-filled lashes, as it exhaled dust at every step.
KI (The Dust Book)
Dressed and dirty and vulgar; and Lust, slipping him the money for his whoring; Dishonesty, to make him pretend to talent and thought he did not have; Laziness and Gluttony arm in arm. Tom felt comforted by these because they screened the great Gray One in the back seat, waiting—the gray and dreadful crime. He dredged up lesser things, used small sins almost like virtues to save himself. There were Covetousness of Will’s money, Treason toward his mother’s God, Theft of time and hope, sick Rejection of love. Samuel spoke softly but his voice filled the room. “Be good, be pure, be great,
John Steinbeck (East of Eden)
On 20 November, front-line troops got 500 grams of bread per day, factory workers received 250, and everyone else 125 (that is, two slices). ‘Twigs were collected and stewed,’ records an historian of the siege. ‘Peat shavings, cottonseed cake, bonemeal was pressed into use. Pine sawdust was processed and added to the bread. Mouldy grain was dredged from sunken barges and scraped out of the holds of ships. Soon Leningrad bread was containing 10% cottonseed cake that had been processed to remove poisons. Household pets, shoe leather, fir bark and insects were consumed, as was wallpaper paste which was reputed to be made with potato flour. Guinea pigs, white mice and rabbits were saved from vivisection in the city’s laboratories for a more immediately practical fate. ‘Today it is so simple to die,’ wrote one resident, Yelena Skryabina, in her diary. ‘You just begin to lose interest, then you lie on your bed and you never get up again. Yet some people were willing to go to any lengths in order to survive: 226 people were arrested for cannibalism during the siege. ‘Human meat is being sold in the markets,’ concluded one secret NKVD report, ‘while in the cemeteries bodies pile up like carcasses, without coffins.
Andrew Roberts (The Storm of War: A New History of the Second World War)
My sisters and brothers. Let the directional signs I left for you guide you and lead you to a treasure I found. The markers I left behind me in searching for wisdom and enlightenment, dredging my pathway through rocks and dust, sailing across seas, and climbing high mountains led to finding the greatest treasure. I found you. Therefore, I found unconditional love. Kind love, love that loves the unlovable, love that forgives and remembers no wrongs, love that always perseveres. I wish you all, my sisters and brothers, to find it. It is so close. It is within you. And always know that I love you with all that I am. K.A.
Kuona Ama
Driven by heartache, she beat the eggs even more vigorously until the glossy meringue quickly formed into stiff, bird's beak peaks. "Philippe, do you have any orange liqueur?" Marie asked, rummaging through her brother's pantry. "Here it is," Philippe said, handing a corked bottle to her. "What are you making?" "A bûche de Noël," Danielle said, concentrating on her task. Carefully measuring each rationed ingredient, she combined sugar and flour in another bowl, grated orange zest, added the liqueur, and folded the meringue into the mixture. "It's not Christmas without a traditional Yuletide log." Marie ran a finger down a page of an old recipe book, reading directions for the sponge cake, or biscuit. "'Spread into a shallow pan and bake for ten minutes.'" "I wouldn't know about that," Philippe said. "I don't celebrate your husband's holiday," he said pointedly to Marie. "Let's not dredge up that old argument, mon frère," Marie said, softening her words with a smile. "I converted for love." A knock sounded at the front door. Danielle threw a look of concern toward Philippe, who hurried to answer it. "Then we'll cool it," Danielle said, trying to stay calm. "And brush the surface with coffee liqueur and butter cream frosting, roll it like a log, and decorate." She thought about the meringue mushrooms she had made with Nicky last year, and how he had helped score the frosting to mimic wood grains.
Jan Moran (Scent of Triumph)
The citizens of Buffalo, then a smallish lakeside town, embarked on a brief campaign, led by a local judge named Wilkeson, to clear their own eponymous riverway and so tempt the canal engineers to route the Erie Canal to a terminus nearby. Energetic lobbying, together with the clearance of the creek, evidently worked, for the engineers did eventually end their labors there, and the fact that more than a million people now still brave one of the country’s cruelest climates (with roof-topping lake-effect snowfalls drowning the city each winter) to live in and around Buffalo is testimony to the wisdom of Judge Wilkeson and the city fathers of 1825 in doing all the persuading, as well as dredging and prettifying the banks of Buffalo Creek.
Simon Winchester (The Men Who United the States: America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible)
My voice comes from faraway, therefore it is faint and, also, because it is a woman’s voice, it is trembling of the emotion imposed by your presence, as much as of the honour of being listen to. My voice comes from faraway, but it hopes when you will listen to it that it will resound in your hearts. My voice comes from the midst of this nation, which having been placed on the threshold of Europe, will have loved and admired France and like France, and often through it, she would have strived for Freedom, vowed to have accomplished a splendid destiny and face bravely the changing mood of Fortune. You may well recognise in these qualities Romania, land of suffering, land of enlightenment and of valour placed across the promontory against the dredge of Asian invasions and like a beacon being mightily conscious of defending the civilization, which gave it its people and its laws. - Paris, 27th April 1925; addressing the League of Nations (translated Constantin Roman
Elena Văcărescu
You're trying to kiss Emma?" Rayna says, incredulous. "But you haven't even sifted yet, Galen." "Sifted?" Emma asks. Toraf laughs. "Princess, why don't we go for a swim? You know that storm probably dredged up all sorts of things for your collection." Galen nods a silent thank you to Toraf as he ushers his sister into the living room. For once, he's thankful for Rayna's hoard of human relics. He almost had to drag her to shore by her fin to get past all the old shipwrecks along this coast. "We'll split up, cover more ground," Rayna's saying as they leave. Galen feels Emma looking at him, but he doesn't acknowledge her. Instead, he watches the beach as Toraf and Rayna disappear in the waves, hand in hand. Galen shakes his head. No one should feel sorry for Toraf. He knows just exactly what he's doing. Something Galen wishes he could say of himself. Emma puts a hand on his arm-she won't be ignored. "What is that? Sifted?" Finally he turns, meets her gaze. "It's like dating to humans. Only, it goes a lot faster. And it has more of a purpose than humans sometimes do when they date." "What purpose?" "Sifting is our way of choosing a life mate. When a male turns eighteen, he usually starts sifting to find himself a companion. For a female whose company he will enjoy and ho will be suitable for producing offspring." "Oh," she says, thoughtful. "And...you haven't sifted yet?" He shakes his head, painfully aware of her hand still on his arm. She must realize it at the same time, because she snatches it away. "Why not?" she says, clearing her throat. "Are you not old enough to sift?" "I'm old enough," he says softly. "How old are you, exactly?" "Twenty." He doesn't mean to lean closer to her-or does he? "Is that normal? That you haven't sifted yet?" He shakes his head. "It's pretty much standard for males to be mated by the time they turn nineteen. But my responsibilities as ambassador would take me away from my mate too much. It wouldn't be fair to her." "Oh, right. Keeping a watch on the humans," she says quickly. "You're right. That wouldn't be fair, would it?" He expects another debate. For her to point out, as she did last night, that if there were more ambassadors, he wouldn't have to shoulder the responsibility alone-and she would be right. But she doesn't debate. In fact, she drops the subject altogether. Backing away from him, she seems intent on widening the space he'd closed between them. She fixes her expression into nonchalance. "Well, are you ready to help me turn into a fish?" she says, as if they'd been talking about this the whole time. He blinks. "That's it?" "What?" "No more questions about sifting? No lectures about appointing more ambassadors?" "It's not my business," she says with an indifferent shrug. "Why should I care whether or not you mate? And it's not like I'll be sifting-or sifted. After you teach me to sprout a fin, we'll be going our separate ways. Besides, you wouldn't care if I dated any humans, right?" With that, she leaves him there staring after her, mouth hanging open. At the door, she calls over her shoulder, "I'll meet you on the beach in fifteen minutes. I just have to call my mom and check in and change into my swimsuit." She flips her hair to the side before disappearing up the stairs. He turns to Rachel, who's hand-drying a pan to death, eyebrows reaching for her hairline. He shrugs to her in askance, mouth still ajar. She sighs. "Sweet pea, what did you expect?" "Something other than that.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Nothing fires the warrior’s heart more with courage than to find himself and his comrades at the point of annihilation, at the brink of being routed and overrun, and then to dredge not merely from one’s own bowels or guts but from one’s own discipline and training the presence of mind not to panic, not to yield to the possession of despair, but instead to complete those homely acts of order which Dienekes had ever declared the supreme accomplishment of the warrior: to perform the commonplace under far-from-commonplace conditions. Not only to achieve this for oneself alone, as Achilles or the solo champions of yore, but to do it as part of a unit, to feel about oneself one’s brothers-in-arms, in an instance like this of chaos and disorder, comrades whom one doesn’t even know, with whom one has never trained; to feel them filling the spaces alongside him, from spear side and shield side, fore and rear, to behold one’s comrades likewise rallying, not in a frenzy of mad possession-driven abandon, but with order and self-composure, each man knowing his role and rising to it, drawing strength from him as he draws it from them; the warrior in these moments finds himself lifted as if by the hand of a god. He cannot tell where his being leaves off and that of the comrade beside him begins. In that moment the phalanx forms a unity so dense and all-divining that it performs not merely at the level of a machine or engine of war but, surpassing that, to the state of a single organism, a beast of one blood and heart.
Steven Pressfield (Gates of Fire)
The Mississippi is surrounded by a vast network of concealed plumbing that underlies the whole of the American Midwest. As for the great river at the heart of this maze, it is now for all intents and purposes a man-made artifact. Every inch of its course from its headwaters to its delta is regulated by synthetic means—by locks and dams and artificial lakes, revetments and spillways and control structures, chevrons and wing dams and bendway weirs. The resulting edifice can barely be called a river at all, in any traditional sense. The Mississippi has been dredged, and walled in, and reshaped, and fixed; it has been turned into a gigantic navigation canal, or the world’s largest industrial sewer. It hasn’t run wild as a river does in nature for more than a hundred years. Its waters are notoriously foul. In the nineteenth century, the Mississippi was well known for its murkiness and filth, but today it swirls with all the effluvia of the modern age. There’s the storm runoff, thick with the glistening sheen of automotive waste. The drainage from the enormous mechanized farms of the heartland, and from millions of suburban lawns, is rich with pesticides and fertilizers like atrazine, alachlor, cyanazine, and metolachlor. A ceaseless drizzle comes from the chemical plants along the riverbanks that manufacture neoprene, polychloroprene, and an assortment of other refrigerants and performance elastomers. And then there are the waste products of steel mills, of sulfuric acid regeneration facilities, and of the refineries that produce gasoline, fuel oil, asphalt, propane, propylene, isobutane, kerosene, and coke. The Mississippi is one of the busiest industrial corridors in the world.
Lee Sandlin (Wicked River: The Mississippi When It Last Ran Wild)