Dreamy Girl Quotes

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We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
I can always tell when you're thinking about food. You forget to be the Serious Wolf and you get this dreamy look in your eyes. You know, most people would think you were thinking about a girl. They have no idea that her name is bacon.
Ilona Andrews (Magic Stars (World of Kate Daniels, #9.5))
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we allexisted in space like animals with identical skins, and that they knew everything about us though we couldn'y fathom them at all. We knew finally that the girls were really woman in diquise, that they understood love even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Thorne waved his hand. "They already showed the clips. And now you've achieved the dream of every red-blooded girl under the age of twenty five" "Right, my life is a real dream come true." Thorne wiggled his eyebrow. "Maybe not, but at least dreamy Prince Kai knows your name.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together.
Jeffrey Eugenides (The Virgin Suicides)
The shy girl she had known at Riverrun had grown into a woman who was by turns proud, fearful, cruel, dreamy, reckless, timid, stubborn, vain, and, above all, inconstant.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
With a dreamy sigh, I prop my chin on my fists. “Who knew that one day I’d be on a date with the lead singer from a famous boy band?” He scowls. “Infinite Gray was not a boy band.” “Were there any girls in the band?” “No.” “That makes you a boy band.” “It made us an all-male rock group.” I bite back my smile. He’s so cute when he’s irritated. “Right, like ’N Sync.” He winces. “Not like ’N Sync. Jesus, watch where you hurl those things. Words hurt, Maggie.
Lexi Ryan (Unbreak Me (Splintered Hearts, #1))
Feelings, she learned, were hard to fight. She treasured his smiles and compliments and tried not to dwell on the fact that he gave this things to his friend Kel. His dreamy-eyed gazes, poems, and fits of passionate melancholy were for Uline. It was hard not to resent the older girl.
Tamora Pierce (Page (Protector of the Small, #2))
The sky is postcard dreamy now, the clouds less full of rain, the sun a little stronger every day.
Kathleen Glasgow (Girl in Pieces)
The shy girl she had known at Riverrun had grown into a woman who was by turns proud, fearful, cruel, dreamy, reckless, timid, stubborn, vain, and, above all inconstant.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Because she looks to the sky so often, people think that her life is sweet, that her eyes are dotted with dreamy stars. But quite the opposite is true and I wish they could see— she looks up so much because all around her it's hard to see without breaking her heart. She once saw in a movie a window sign that said "We're all in the gutter; but some of us are looking at the stars." From that movie onwards, she decided to look up! Doesn't mean her life is sweet, doesn't mean her eyes are dotted with dreamy stars.
C. JoyBell C.
Incredible. Drew, you really are a girl’s worst nightmare. I mean, you look great. You have this amazing body and your eyes are such a dreamy blue, but you behave like a total jerk.” “I think I liked it better when you were saying how great my eyes are,” , Loving Summer by Kailin Gow
Kailin Gow (Loving Summer (Loving Summer, #1))
Zooey was in dreamy top form. The announcer had them off on the subject of housing developments, and the little Burke girl said she hated houses that all look alike-meaning a long row of identical 'development' houses. Zooey said they were 'nice.' He said it would be very nice to come home and be in the wrong house. To eat dinner with the wrong people by mistake, sleep in the wrong bed by mistake, and kiss everybody goodbye in the morning thinking they were your own family. He said he even wished everybody in the world looked exactly alike. He said you'd keep thinking everybody you met was your wife or your mother or father, and people would always be throwing their arms around each other wherever they went, and it would look 'very nice.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
We became acquainted with starry skies the girls had gazed at while camping years before, and the boredom of summers traipsing from back yard to front to back again, and even a certain indefinable smell that arose from toilets on rainy nights, which the girls called "sewery." We knew what it felt like to see a boy with his shirt off, and why it made Lux write the name Kevin in purple Magic Marker all over her three-ring binder and even on her bras and panties, and we understood her rage coming home one day to find that Mrs. Lisbon had soaked her things in Clorox, bleaching all the "Kevins" out. We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
Justin Cronin (The Passage (The Passage, #1))
Do you like Cam?” the girl asked me casually. I wondered how she knew him—I thought he’d been a nobody just like me. “I barely even know him,” I told her, and her face relaxed. She was relieved. I recognized that look in her eyes—dreamy and hopeful. It must have been the way I looked when I used to talk about Conrad, used to try to think of ways to insert his name into conversation. It made me sad for her, for me.
Jenny Han
The moon rose above the canopy and a dreamy mist swirled around our knees as we danced, fingers entwined and hearts in sync with the universe; just a prince and his princess, a boy and a girl, learning to love in a beautiful world.
Aishabella Sheikh (Entwined (Gift of Dreams #4))
He moves me to madness. He's an indescribable poetic impression. He's Persian blood re-defined by Parisian culture, softened in the right places, yet, fierce where it counts. Dreamy. The kind of boy you can't get too close to, because you might get lost in his brown eyes and melancholy.
Michael Ben Zehabe (Persianality)
We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
She used to tell you fairy tales at night, remember? Once upon a time. When you were a sad, dreamy little girl. Each night you lay in your princess bed, surrounded by your glassy-eyed dolls, waiting for her like a wish
Mona Awad (Rouge)
He was almost twenty and Ree knew most girls would call him handsome or dreamy or some such. Sandy hair, blue eyes, put together strong, with bright teeth and one of those smiles.
Daniel Woodrell (Winter's Bone)
I'm again a twelve-year old dreamer, a girl fascinated by an ancient piano and with Rona Lubliner's fingers.
Victoria Avilan (A Small Country about to Vanish)
You look dazzling," Rose said with a dreamy smile. "Like an angry princess.
Kate Avery Ellison (The Curse Girl)
My grandmother lived a remarkable life. She watched her nation fall to pieces; and even when she became collateral damage, she believed in the power of the human spirit. She gave when she had nothing; she fought when she could barely stand; she clung to tomorrow when she couldn’t find footing on the rock ledge of yesterday. She was a chameleon, slipping into the personae of a privileged young girl, a frightened teen, a dreamy novelist, a proud prisoner, an army wife, a mother hen. She became whomever she needed to be to survive, but she never let anyone else define her. By anyone’s account, her existence had been full, rich, important—even if she chose not to shout about her past, but rather to keep it hidden. It had been nobody’s business but her own; it was still nobody’s business.
Jodi Picoult (The Storyteller)
He grinned back at me, and I remembered how normal he’d made me feel the first time we’d met. Here, once again, he wasn’t bothered by my silence. And I suddenly realized what made me feel so uncomfortable about Elizabeth’s exploits. The people she attracted were drawn to the same thing everyone else was: our glowing skin, dreamy eyes, and air of secrecy. But this boy? He seemed to see more than that. He saw me not just as a mysterious beauty, but as a girl he wanted to know. He didn’t stare at me. He spoke to me.
Kiera Cass (The Siren)
Those boys at the counter are too dreamy and young to do anything but drool as they watch Gillian. And, to her credit, Gillian is especially kind to them, even when Ephraim, the cook, suggests she kick them out. She understands that theirs might just be the last hearts she will break. When you're thirty-six and tired, when you've been living in places where the temperature rising to a hundred and ten and the air is so dry you have to use gallons of moisturizer, when you've been smacked around, late at night, by a man who loves bourbon, you start to realize that everything is limited, including your own appeal. You begin to look at young boys with tenderness, since they know so little and think they know so much. You watch teenage girls and feel shivers up and down your arms - those poor creatures don't know the first thing about time or agony or the price they're going to have to pay for just about anything.
Alice Hoffman (Practical Magic (Practical Magic, #1))
I used to be so dreamy about a man's love as a girl, and think that, for good or evil, love must be the great thing. But it hasn't been; it has been itself a dream.
E.M. Forster (Howards End)
There was no way I was mugging for the camera if I hadn’t checked off all the boxes in the hotly contested “having it all” category: cool job, impressive zip code; hungry body, and the kicker—dreamy, loaded fiancé.
Jessica Knoll (Luckiest Girl Alive)
Dear you, take some time away from the clouds, the butterflies and the dreamy nights, take some time away from the cozy feelings, warm thoughts and the wild imaginations, see the truth, the reality. - To a girl with the wrong guy
Jyoti Patel (ANAMIKA: BEYOND WORDS)
Because tonight is perfect. The sun is really setting now and it’s beautiful. The oranges and reds and golds are shining over the horizon and onto our skin and everything is romantic and dreamy. It’s like a dream, actually. I lean up and kiss Dante’s cheek and he smells like the ocean and the salt and the sun. And maybe the woodsy scent of the olive groves. I sigh. There’s no way that life gets any better than this. I settle back into his side for the drive and he wraps his arm around me.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways. I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever. And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says. I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first--paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes...Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music.
Shauna Cross (Derby Girl)
So when a little girl asks her father where the moon came from, he might tell her that the moon circles around the earth and reflects light from the sun. He might tell her that the moon likes to play hide-and-seek with the sun, so sometimes the moon looks like it’s peeking out from behind a black curtain; sometimes all you can see is the top of its head, and sometimes you can’t even see it at all! He might tell her about how the moon has invisible arms that can pull the oceans back and forth, making tides rise and fall. He might tell her that astronauts have walked on the moon and played golf on the moon and collected rocks from the moon. He might tell her that the moon has dimples and craters and basins that we can see only with a telescope and that there’s a special place on the moon called the Sea of Tranquility that isn’t really a sea. Then the father might take the little girl outside, hoist her up onto his shoulders, and let her stare at the moon for a while. He might recite a poem about a cow jumping over the moon or sing a song about a dreamy-eyed kid slow-dancing with it. Soon the little girl will become so lost in her father’s beautiful stories that she will forget she ever had a question to begin with.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
You’re the smartest girl I know. You can’t help knowing everything and being constantly brilliant—and I wouldn’t have it any other way.” I kissed her lips again, but after several moments, she pulled back slightly. “Hey,” she murmured. “There are people in the house.” “There are always people in the house,” I reminded her. “That’s why we escaped up here to the castle tower. Escape plan number . . . hell, I don’t know. I lost count. We haven’t had to come up with some dreamy escape plan in a while.” Sydney trailed her fingers down the side of my face. “That’s because we’re living it, Adrian. This is the only escape plan we need.” “Are you sure?” I asked, propping myself up on one elbow. I tried to put on a thoughtful, speculative expression. “Because there are things that could be tweaked. Like a bigger house. Or maybe—” “Adrian,” she interrupted. “Didn’t you just say I’m brilliant and know everything? Then trust me on this.” “Always,” I said, letting her pull me back down to her. “Always.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
We sat in a dreamy silence for a few moments, the lights softening all our edges, filling in our holes.
Jessica Knoll (Luckiest Girl Alive)
So her missing person's poster features a girl with long hair and dreamy eyes that don't see the fracture coming.
Helen Oyeyemi (White Is for Witching)
mostly they just stayed round in this languid paradise of dreamy skies and firefly evenings and noisy niggery street fairs—and especially of gracious, soft-voiced girls, who were brought up on memories instead of money.
F. Scott Fitzgerald (The Curious Case of Benjamin Button and Other Jazz Age Stories (Penguin Classics))
The more she thought about it, imagining those soft lips opening around her tongue, those long lashes fluttering in dreamy anticipation, the more she realized that no specific moment, no single touch, was to blame. What mattered was that she’d broken the silent rule. She’d touched a girl before the girl touched her, had laid her violent hands on tender skin. She should have known better. Self-pity pressed against her mouth and nostrils like a sodden rag. I’m a girl until a real one decides I’m not.
Gretchen Felker-Martin (Manhunt)
We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in a space like animals with identical skins, and that they knew everything about us through we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Nothing was out there that this sister-girl did not provide in abundance: a racing heart, dreaminess, society, danger, beauty. She swallowed twice to prepare for the telling, to construct out of the strings she had heard all her life a net to hold beloved.
Toni Morrison (Beloved (Beloved Trilogy, #1))
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
He is totally dreamy Grace. You see that don’t you?” Sarah gave me more Caylie learned lingo. “Oh, don’t I know. I just don’t want anyone else dreaming about him.” “He’s far from ugly Grace. He’s gorgeous.” I gave her a glare. She kept on, “I will tell you this because you are my friend. He is so gorgeous every girl in this court has fantasized about him, including me. But you don’t see the way we see him look at you. The way he stops everything when you come in the room. They way his eyes pop when you speak the first time to him when you approach. It’s how he breathes too Grace. He seems to hold his breath until you are close enough for him to touch. He is completely and utterly in love with you girl.
Cyndi Goodgame
No dreamy reality could ever equal my first ever concert in São Paulo, when the crowd lifted a girl over their heads towards me, and as she came closer I could see that she held a white stick, and closer still I could see that she was blind, and as the crowd placed her gently on the stage she handed me a note which read, 'I cannot see you, but I love you.
Morrissey (Autobiography)
The world was cruel and sudden. This he knew for sure. Relax for a moment, breathe in the scent of a rose, rest in the shade, pet a dog, take a sip of lemonade, fall in love with a dreamy-eyed girl or a haunted faced man, and you are just waiting for the other shoe to drop. Buzzing around the lemonade, you'll find flies. Follow the flies and you'll find death.
Kathy Hepinstall (Blue Asylum)
These last weeks, since Christmas, have been odd ones. I have begun to doubt that I knew you as well as I thought. I have even wondered if you wished to keep some part of yourself hidden from me in order to preserve your privacy and your autonomy. I will understand if you refuse to give me an answer tonight, and although I freely admit I will be hurt by such a refusal, you must not allow my feelings to influence your answer." I looked up into his face. "The question I have for you, then is this: How are the fairies in your garden?" By the yellow streetlights, I saw the trepidation that had been building up in face give way to a flash of relief, then to the familiar signs of outrage: the bulging eyes, the purpling skin, the thin lips. He cleared his throat. "I am not a man much given to violence," he began, calmly enough, "but I declare that if that man Doyle came before me today, I should be hard-pressed to avoid trouncing him." The image was a pleasing one, two gentlemen on the far side of middle age, one built like a bulldog and the other like a bulldong, engaging in fisticuffs. "It is difficult enough to surmount Watson's apparently endless blather in order to have my voice heard as a scientist, but now, when people hear my name, all they will think of is that disgusting dreamy-eyed little girl and her preposterous paper cutouts. I knew the man was limited, but I did not even suspect that he was insane!" "Oh, well, Holmes," I drawled into his climbing voice. "Look on the bright side. You've complained for years how tedious it is to have everyone with a stray puppy or a stolen pencil box push through your hedges and tread on the flowers; now the British Public will assume that Sherlock Homes is as much a fairy tale as those photographs and will stop plaguing you. I'd say the man's done you a great service." I smiled brightly. For a long minute, it was uncertain whether he was going to strike me dead for my impertinence or drop dead himself of apoplexy, but then, as I had hoped, he threw back his head and laughed long and hard.
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together.
Jeffrey Eugenides (The Virgin Suicides)
way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.” I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything. He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best. Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?” “I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colours went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them all. We knew, finally that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
THE VIRGIN SUICIDES “We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides
Arthur Schieble died in August 1955, after the adoption was finalized. Just after Christmas that year, Joanne and Abdulfattah were married in St. Philip the Apostle Catholic Church in Green Bay. He got his PhD in international politics the next year, and then they had another child, a girl named Mona. After she and Jandali divorced in 1962, Joanne embarked on a dreamy and peripatetic life that her daughter, who grew up to become the acclaimed novelist Mona Simpson, would capture in her book Anywhere but Here. Because Steve’s adoption had been closed, it would be twenty years before they would all find each other.
Walter Isaacson (Steve Jobs)
Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.” “I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.” “Answers,” I practically sighed. “About freaking time.” Jenna gave me a funny look. “Soph, are you…grinning?” I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.” “My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned. Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.” “Deal,” I said as Archer nodded. “Are we all going to high-five now?” Jenna asked after a pause. “No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other. But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.” “Good idea,” I said. Archer reached out and brushed his fingers over mine. “See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me. “Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere. He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.” I elbowed her gently in the side. “Thanks.” Jenna started to walk to the stairs. “You coming?” “Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.” “Why, so you can be even more depressed?” Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here? To Jenna, I just said, “Yeah, you know me. I like poking bruises.” “Okay. Get your Nancy Drew on.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
And now the wolf commanded and the man obeyed. At the word of command the man sank on his knees, let his tongue loll out and tore his clothes off with his filed teeth. He went on two feet or all-fours just as the wolf ordered him, played the human being, lay for dead, let the wolf ride on his back and carried the whip after him. With the aptness of a dog he submitted gladly to every humiliation and perversion of his nature. A lovely girl came on to the stage and went up to the tamed man. She stroked his chin and rubbed her cheek against his; but he remained on all fours, remained a beast. He shook his head and began to show his teeth at the charming creature—so menacingly and wolfishly at last, that she ran away. Chocolate was put before him, but with a contemptuous sniff he thrust it from him with his snout. Finally the white lamb and the fat mottled rabbit were brought on again and the docile man gave his last turn and played the wolf most amusingly. He seized the shrieking creatures in his fingers and teeth, tore them limb from limb, grinningly chewed the living flesh and rapturously drank their warm blood while his eyes closed in a dreamy delight.
Hermann Hesse (Steppenwolf)
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
Ashley Woodfolk (When You Were Everything)
You know those statistics people are always spouting off, about teenage boys thinking about sex every seven seconds? Is that really true?” “Nope. And I just want to point out that you’re the one who keeps bringing up sex. I think teenage girls might be more obsessed than boys.” “Maybe,” I say, and his eyes widen, all excited. Hastily I add, “I mean, I’m definitely curious about it. It’s definitely a thought. But I don’t see myself doing it anytime soon. With anybody. Including you.” I can tell Peter is embarrassed, the way he rushes to say, “Okay, okay, I got it. Let’s just change the subject.” Under his breath he mutters, “I didn’t even want to talk about it in the first place.” It’s sweet that he’s embarrassed. I didn’t think he would be, with all his experience. I tug on his sweater sleeve. “At some point, when I’m ready, if I’m ready, I’ll let you know.” And then I pull him toward me and press my lips against his softly. His mouth opens, and so does mine, and I think, I could kiss this boy for hours. Mid-kiss, he says, “Wait, so we’re never having sex? Like ever?” “I didn’t say never. But not now. I mean, not until I’m really, really sure. Okay?” He lets out a laugh. “Sure. You’re the one driving this bus. You have been from the start. I’m still catching up.” He snuggles closer and sniffs my hair. “What’s this new shampoo you’re wearing?” “I stole it from Margot. It’s juicy pear. Nice, right?” “It’s all right, I guess. But can you go back to the one you used to wear? The coconut one? I love the smell of that one.” A dreamy look crosses his face, like evening fog settling over a city. “If I feel like it,” I say, which makes him pout. I’m already thinking I should buy a bottle of the coconut hair mask, too, but I like to keep him on his toes. Like he said, “I’m the one driving this bus. Peter pulls me against him so he’s curved around my back like shelter. I let my head rest on his shoulder, rest my arms on his kneecaps. This is nice. This is cozy. Just me and him, just for a while, apart from the rest of the world.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Here he was in the old dilemma. How often before now had he halted on the threshold of Catholicism, sounding himself thoroughly and finding always that he had no faith. Decidedly there had been no effort on the part of God to reclaim him, and he himself had never possessed the kind of will that permits one to let oneself go, trustingly, without reserve, into the sheltering shadows of immutable dogma. Momentarily at times when, after reading certain books, his disgust for everyday life was accentuated, he longed for lenitive hours in a cloister, where the monotonous chant of prayers in an incense-laden atmosphere would bring on a somnolence, a dreamy rapture of mystical ideas. But only a simple soul, on which life's wear and tear had left no mark, was capable of savouring the delights of such a self-abandon, and his own soul was battered and torn with earthly conflict. He must admit that the momentary desire to believe, to take refuge in the timeless, proceeded from a multitude of ignoble motives: from lassitude with the petty and repeated annoyances of existence, quarrels with the laundress, with the waiter, with the landlord; the sordid scramble for money; in a word, from the general spiritual failure of a man approaching forty. He thought of escaping into a monastery somewhat as street girls think of going into a house where they will be free from the dangers of the chase, from worry about food and lodging, and where they will not have to do their own washing and ironing. Unmarried, without settled income, the voice of carnality now practically stilled in him, he sometimes cursed the existence he had shaped for himself. At times, weary of attempting to coerce words to do his bidding, he threw down his pen and looked into the future. He could see nothing ahead of him but bitterness and cause for alarm, and, seeking consolation, he was forced to admit that only religion could heal, but religion demanded in return so arrant a desertion of common sense, so pusillanimous a willingness to be astonished at nothing, that he threw up his hands and begged off.
Joris-Karl Huysmans (Là-Bas (Down There))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
They both shifted their gazes to Charlotte. The woman was about ten years younger than Alice but had a similar build: tall and thin with long limbs and shoulders that were a touch too broad. However, Charlotte, unlike Alice, carried her willowy frame with an easy grace that, combined with a delicate bone structure in her face, turned her into a dreamy Romantic painting.
Brianna Labuskes (Girls of Glass)
Paeng leans back and rests his hand flat on the table. “Vince.” Blushing, he snaps at his friend. “I dropped the bra on the wet tarp and I guess I must have accidentally gotten paint on it and touched it to my cheek, okay?” Paeng is silent as Vince sighs. “I didn’t mean to take my upset out on you, sorry.” “No big. So, you fondled it. Was it good for you?” Paeng’s eyes glitter, making Vince’s anxiety flare. “I couldn’t help myself! The girl’s smoking hot and yet she doesn’t appear to own trashy underwear.” He feels all dreamy just thinking about it. “It’s simple and soft . . . it felt so nice. She’s not like any of the girls I’ve met before. She’s direct, feisty and artistic and I bet she’s really smart. She’s nothing like the usual MOM Girl and she’s not even my type. But her underwear is beautiful. She doesn’t wear slutty underwear because she doesn’t put on airs, and oh, God, that’s so attractive. What I wouldn’t give to see—” Paeng face palms Vince. “Dude. You are waxing poetic about cotton underwear like my sisters wear when they get their periods. It’s just underwear. It is not the key to Dani’s psyche. You are making the kind of assumptions about her that lead to expensive rings, one point two kids, and minivans. You are in trouble.
Jess Molly Brown (Moms on Missions (Mommageddon #1))
Can I ask you a question?” he asks as we complete our first loop on the train. “Okay,” I say, warily, not sure what to expect from him at this point. I mean, he arranged a date that I had no idea about. The possibilities here are endless. “You’re writing this big love story,” he says, his arm casually slung over my shoulder. “What do you think love is?” I can’t help the laugh that escapes. “What?” he asks. “That’s not a question, that’s thequestion,” I say, shaking my head at him. “Okay,” he starts again. “Can I ask you the question?” I look at him for a minute, trying to think if I’m ready to answer this question considering all the things that are happening right now. “Do you know who my favourite fictional character is?” I ask him instead. He shakes his head. “Mr. Darcy,” I answer. “He’s every girl’s favourite character,” Travis says. “And there is a reason why,” I say. “Mr. Darcy was a self-important man. He met Elizabeth Bennet and immediately dismissed her because she didn’t fit into the life that he was comfortable with. Once he got to know her, he discovered that what he should have wanted and what he actually wanted were two completely different things.” “That’s every chick flick I’ve ever watched,” Travis says as he we pass the bumper cars again. “Yes, but here’s the kicker. Hechanges. Not because Elizabeth wants him to, or tells him to. He changes because he wants to be a different person, a better person. Someone who is worthy of her. And in order to do that he has to act in a selfless way with absolutely no hope of reward,” I say, and I know my voice has taken on a slightly dreamy tone. “That’s what I think love is. Loving someone who makes you want to be a better person.” As we make the final turn and the train comes to a stop, Travis still hasn’t said anything. I lightly laugh. “At least I hope that’s what love is. I dart my eyes in Travis’s direction, expecting him to be a little uncomfortable with my declaration, but his face is soft and he seems pleased with my answer. As we stand in line waiting to get on the Merry-Go-Round I turn to him. “So, who is your favourite fictional couple?” I ask. Travis seems to think about it, scrunching up his mouth with the effort. “Mickey and Minnie,” he nods decisively. “As in Mouse?” I laugh. “They like each other, they’re nice to each other, and they always look like they’re having a fun time,” he says, shrugging at his explanation. And the more I think about it, it’s actually a pretty good choice. I mean, obviously it isn’t Elizabeth and Mr. Darcy, but it has some worth.
Emily Harper (My Sort-of, Kind-of Hero)
that moment, he shook his head. “Come on. You can’t fool me.” Isaac managed to spit out the truth. His brother’s mocking laughter filled the air. “Cinnamon buns? You looked all”—Andrew lowered his lids halfway and assumed a dreamy expression. “D-did not.” “Jah, you did.” In a falsetto voice, Andrew warbled, “Ach, Sovilla, you are the most beautiful girl I’ve ever seen.” He exhaled a long, shuddery breath. For the first time in his life, Isaac longed to punch his brother in the stomach. How dare he make fun of Sovilla! And of the tender feelings Isaac held for her. Andrew laughed. “You look like Mamm’s teakettle.” Huh? “All steamed.” With a snicker, he danced out of Isaac’s reach. That was probably for the best. Isaac would never forgive himself if he hit his twin. But he needed to find a way to get these feelings under control. If even remembering her cinnamon rolls made him as dreamy eyed as his brother said, he had to erase Sovilla from his mind. Yet the harder he tried, the more it proved impossible. In fact, he woke at dawn on Thursday hungering for cinnamon rolls and a glimpse of the angel who baked them. Her name replayed as a lilting melody. Sovilla, Sovilla, Sovilla. Had he ever heard a prettier name? Or seen a lovelier face? At breakfast, he missed his plate when he dished out scrambled eggs and almost knocked over his glass of milk when he tried to scoop up the slippery mess. “Goodness, Isaac, what’s gotten into you this morning?” Mamm peered at him over the top of her glasses. “Don’t mind him, Mamm. He’s in love.” Andrew sang the last word. Daed’s stern glance sobered Andrew, but everyone else stared at Isaac. He shook his head and lowered his gaze to his plate. “Leave your brother alone.” Mamm passed a bowl of applesauce. “Eat up so you won’t be late to market.” To Isaac’s relief, Daed turned the conversation to a new brand of chicken feed he’d heard about at the market. Mamm asked questions, and his brothers and sisters concentrated on eating. In his eagerness to see Sovilla again, Isaac practically inhaled his breakfast. Once they reached the auction, he waited impatiently for a chance. He intended to slip off without being noticed, but Andrew spied him and Snickers edging in the direction of the market. “Bet you’re going to get a cinnamon bun, right?” His brother waggled his eyebrows. “I’m hungry for one too.” Pinching his lips together as Andrew walked beside him, Isaac stewed.
Rachel J. Good (An Unexpected Amish Courtship (Surprised by Love #2))
This,” he murmured, nuzzling her inner thigh, “is the sweetest thing I have ever tasted.” “Better than cake?” she asked, a dreamy note to her voice that pleased him immensely. “Better than cake,” he agreed, unable to keep the smile from his face. “Better than strawberry jam or anything else you might have packed in that basket you keep filling for me. This is my feast, the thing I hunger for.
Emma V. Leech (To Experiment with Desire (Girls Who Dare #8))
If we find out why the Iveses died over that rock, I’ll make you all the bacon you want.” He startled. Julie shrugged and bit her jerky. “I can always tell when you’re thinking about food. You forget to be the Serious Wolf, and you get this dreamy look in your eyes. You know, most people would think you were thinking about a girl. They have no idea that her name is bacon.
Ilona Andrews (Magic Stars (Kate Daniels, #8.5, Grey Wolf, #1))
Ahhh…17. The age when love is the most important thing in the world. Well, at least having a boyfriend is, since all the other girls I saw seemed to float dreamy-eyed while being glued to a boy. Naturally, I fell in love for the first time in my life. Better still (in the other girls’ eyes), he was an older man—six years older than me. He was so gorgeous, with his athletic build, dark, touchable hair, ocean blue eyes that invited me to swim in them…sigh…. Then there was that dimpled smile that made me melt. And could he ever kiss! (p. 22)
Jackie O'Donnell (The Women in Me: How They Helped Me Survive and Thrive)
And Bush knew he had to keep it up to the end not just blood-roar, but the full measure, till the cup was dry, till he, too, was brainless. The system demanded totality. That's why this system of picking the chief retained its defenders, who'd concede right away that it was long-horrible, in fact; it cheapened the issues, or ignored them; it dumbed down the dialogue to noise; it was spendthrift, exhausting, hurtful, and it savaged its protagonists... that's why the savants would get those dreamy looks at the end of the talk shows, and say it wasn't such a bad way to pick a President–a stress test that was a match for the job. In the end, we have only one nonnegotiable demand for a President, the man we hire to watch the world at our backs: that is totality. We may differ on our seven-point plans for child care, the six-hundred-ship Navy, one-man-one-vote for Namibia. But every adult in the country knows instinctively: that job in the White House is brutal, and the bastard who gets it works for us. We will not allow anything to be put ahead of it-not friends, family, nor certainly rosy self-regard... nor ease, restoration of self-forget it! Gary Hart admitted adultery and asked us to forgive his sin. But unforgivable was his assumption that he was supposed to have any life "outside." Whatever he did with that lovely girl, he put his enjoyment ahead of our good opinion, and he was erased from consideration. He would not concede that his life was our chattel.
Richard Ben Cramer (What It Takes: The Way to the White House)
I don’t even know her.” “But you want to.” “She’s beautiful, but that’s the end of it.” “A lot of girls are beautiful, but Farah is beautiful in a different way,” he said, getting that dreamy look when talking about his girl. “She made me see her and not want to look at any other chick. Farah didn’t have to try either. That’s the thing about you and Lark. You two were breathing in rhythm at the reception dinner and never even said more than hello. Maybe you did at the wedding too, but I was sort of busy staring at my hot wife.” “Yeah, you were drooling all over the wedding reception. Hell, I saw a few people slip on the fucking dance floor. It was pretty disgusting.” “Nope. You’re not changing the subject. I’m sick of you hooking up with stupid bitches you don’t want because you’re afraid of getting played like you did by Kristen. Lark isn’t that bitch. She’ll treat you good and you need a chick to swoon over and write poetry for and paint and… Shit, you’re already painting her, aren’t you?” “Fuck off, Coop.” “Is she dressed in these paintings?” he asked, wiggling his brows. “How would I know what she looks like naked?” “Use your imagination. You know the parts on a chick.” “You’re an idiot.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
The world was cruel and sudden. This he knew for sure. Relax for a moment, breathe in the scent of a rose, rest in the shade, pet a dog, take a sip of lemonade, fall in love with a dreamy-eyed girl or a haunted-faced man, and you are just waiting for the other shoe to drop. Buzzing around the lemonade, you’ll find flies. Follow the flies and you’ll find death.
Kathy Hepinstall (Blue Asylum)
sent him his list of dreamy-eyed ideals along with the birthday card she’d hand made with pressed flowers and a reminder to come home for the weekend to celebrate his milestone birthday. Thirty-five. Evan strode across the marble lobby leading to his law firm’s offices like a man in a hurry. In fact, he had ten minutes to spare before his next client meeting. A lot of people might use those minutes to grab a coffee, chat with a colleague or relax. Evan
Nancy Warren (Kiss a Girl in the Rain (Take a Chance, #1))
You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston."  The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...."  And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be!  You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
dreams pulled at him. His mom never should have sent him his list of dreamy-eyed
Nancy Warren (Kiss a Girl in the Rain (Take a Chance, #1))
How about naming a boy after his papa and his uncle Warrior?” Rachel asked. “Chase Kelly. Chase means hunter, Kelly means warrior.” Loretta lowered her sewing to her lap, her gaze dreamy. “Chase Kelly--Chase Kelly. It has a nice ring, doesn’t it?” “Be nicer with a proper surname,” Rachel commented. “Wolf!” Amy cried. “That’s as close to a last name for Hunter as you’ll get.” “Chase Kelly Wolf.” Loretta rolled the name off her tongue a few times, warming to it. “I like it. What do you think, Aunt Rachel? Wolf as a surname isn’t too strange, is it?” “Sounds like a wonderful name to me. And if Hunter comes back someday, he can’t complain too much. Hunter Warrior is a sight better than Leaky Drawers.” “Running Water,” Loretta corrected. “Whatever.” Rachel smiled. “For a girl, how about Nicole? It means a girl who’s victorious for her people.” “Oh, I like that,” Loretta whispered. “Hunter would love that.” Rachel smiled. “Nicole Wolf. If she has her daddy’s eyes, Indigo would go perfect with it. Nicole Indigo Wolf.” “Doesn’t sound right,” Amy argued. “Indigo Nicole Wolf! That, I like.” “Indigo Nicole.” Tears burned behind Loretta’s eyelids. A girl victorious for her people. “Yes, that’s beautiful, for both worlds.
Catherine Anderson (Comanche Moon (Comanche, #1))
The journey they took up the Negro and into the Agarapi River was very different from the dreamy voyage Finn and Maia had made the week before. “Faster--can’t we go faster?” Miss Minton kept saying. When their supply of wood ran low, she jumped ashore, grasping the machete which Furo had left with the other tools, and slashed her way through the undergrowth as though she had been born with a knife in her hand. Everything she had forbidden her pupils to do, she did herself--thinking gloomy thoughts, going off into black daydreams. One minute she thought that Maia had died in the fire, and the child seen on the Arabella was an Indian girl to whom Finn had given a ride. The next minute she thought that it had been Maia, but that she had now drowned, or had reached the Xanti, who had killed her. “You couldn’t blame them if they’d turned savage,” she said, “the way some of the tribes have been treated.” “Yara was a very gentle soul,” said the professor. “Finn’s mother.” “That was then,” said Miss Minton.
Eva Ibbotson (Journey to the River Sea)
Because time had taught me that kids weren’t kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tinted glasses. And actual, really thick glasses. Girls who…thought the world was beautiful, and who read too many books, and who never saw cruelty coming.
Ashley Woodfolk (When You Were Everything)
Resting a hand on her stomach, she felt a rush of heat fill her body. Though the child within didn't show yet, she would be born in a new world, a world where she had both a mother and a father and a ready-made unconventional family to cherish her, give her strength, love, protection and tell her oh-so-many marvelous stories. She would one day know pain- one could not live and grow without it- but, not abuse. She would never be abandoned, except to the sunshiny blessedness of wonderment. In her world, curiosity would be her breakfast, imagination her dinner and the dreamy silkiness of chocolate and words her supper.
Karen Brooks (The Chocolate Maker's Wife)
Rosie was a bright spot in all their lives. Even a decade ago, people would come to sit beside Herself at the roadside hoping for a chance to see the pretty, dreamy girl reading a book in the grass or walking slowly and lazily across the bridge from the island. If she talked back then, she talked about the characters in books, as though their adventures were real, or she'd say she saw a troll under the bridge.
Bonnie Jo Campbell (The Waters)
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together.
Jeffrey Eugenides, The Virgin Suicides
Avery was stretched out after breakfast on the bottom bunk, eyes glazed and dreamy, staring up at the names of the girls who had slept there before her, scrawled on the bottom of the bed above. Who knew there were so many names? Who was the first to sign it? Abby, Natasha, Tori, Latoya, and a few dozen more. Laying claim. Avery wanted to add her own name, but she wasn’t sure she existed yet like the rest of them. Or, for example, like snakes did. It was Snake Week at camp. They existed, because they knew their purpose. They slithered, they hunted their prey. Avery was twelve; what did she do? She ate, she breathed, she did her homework. But what did that accomplish? What if snakes were her purpose? She thought of those she loved, which Homo sapiens. Her mother, her father, her cousin Sadie, whom she never saw but texted with constantly, her grandmother, she supposed, her grandfather . . . The cabin door opened. It was a counselor, Gabrielle, the one who didn’t shave her bikini line.
Jami Attenberg (All This Could Be Yours)
She is such a pretty girl. Such a pretty girl. Everyone showers compliments on the pretty girl. She really has a delightful, dreamy quality to her.
Kate Zambreno (Green Girl)
This is heaven- sunshine, coffee, and muffin." "You're so different from everyone else," he teased. "How so?" she asked, and took another eager bite. "Other girls are so worried about the way they look." "What?" She sprayed out part of the muffin and coffee. "What's wrong with the way I look?" "Nothing," he answered, but there was amusement in his eyes. "You look great." She handed back the muffin and the coffee, wiping her mouth with the back of her hand. "Then why did you say I don't worry about the way I look?" "I just mean other girls spend hours in front of the mirror and you obviously don't. You seem like the right kind of person to go on adventures with," he answered in a dreamy kind of way. "That's what I want to do. Go on a dig, maybe. Wouldn't you like to uncover mummies or discover an unknown temple in the jungles of Cambodia?" "Why?" she asked with a rising sense of uneasiness. "When you're safe and at home, adventures might seem like fun, but when you're living them, they're not." "I thought you'd enjoy roughing it," he explained. "You don't seem to care about appearances.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
No, no, I’m not afraid of…of anything.” “Because some girls, they don’t like it much. I suppose with the wrong man, it could be uncomfortable, or even unpleasant.” “You really don’t need to—” “But the, um, conjugal act is really quite nice. You do understand what a man and woman do in bed together?” “Uh…” “No, no one has told you, have they? Well, men, they take their, their…thing.” Mrs. Begley made a vague gesture toward her waist. “And they put it, um, where it goes.” Another vague gesture to her waist. “The first time may hurt a bit, but after that it can be quite lovely. And there’s usually a bit of kissing and snuggling and…and kissing that goes on.” Mrs. Begley got an odd, almost dreamy expression on her face. “Squire is very good at it, you know.” “No! No, please, don’t feel—” Emma did not want to think about portly Squire Begley and Mrs. Begley doing anything that involved a bed and…things located anywhere near a person’s waist. Squire Begley didn’t even have a waist any longer. Mrs. Begley grinned. “Very good at it, indeed. Why, just last night…” She sighed and shook her head. “Well, that’s neither here nor there. The point is, Miss Peterson, that the marriage bed can be a very comfortable place. And I’m quite certain Lord Knightsdale knows how to please a lady. Why, if I didn’t have my Squire and if I were a few years younger…
Sally MacKenzie (The Naked Marquis (Naked Nobility, #3))
That girl is so peculiar, I wonder if she's feeling well. With a dreamy, far-off look, & her nose stuck in a book. What a puzzle to the rest of us.
Beauty and the Beast
I don’t know what was more exhausting—being forced to spew out overwrought poetry for hours on end or having that little girl gaze at me all night as if I hung the moon.” A wry smile touched Adrian’s lips. “Didn’t you?” “No,” Julian retorted, lifting the decanter to the sky in a mocking toast. “Only the stars.
Teresa Medeiros (After Midnight (Cabot, #1))
H'm, yes. What shall I tell you? I don't remember much indeed. She was such a sickly girl," he went on, growing dreamy and looking down again. "Quite an invalid. She was fond of giving alms to the poor, and was always dreaming of a nunnery, and once she burst into tears when she began talking to me about it. Yes, yes, I remember. I remember very well. She was an ugly little thing. I really don't know what drew me to her then--I think it was because she was always ill. If she had been lame or hunchback, I believe I should have liked her better still," he smiled dreamily.
Fyodor Dostoevsky (Crime and Punishment)
I broke your heart.” “Well, sort of.” “How did I ‘sort of’ break your heart.” “Uh . . . Remember Josh?” “Josh Metzger?” “In Hebrew school I thought you were in love with Josh.” “Why did you think that?” “I thought everyone in our class was in love with Josh.” “Josh was depressed all the time.” “No, he was all sullen and, uh . . . and dreamy.” “Greg, it sounds like you’re in love with Josh.
Jesse Andrews (Me and Earl and the Dying Girl)
Turtledoves They walk along together, A couple holding hands And never caring whether The sight of them demands Responses less than seemly: A point, a laugh, a stare. Her hazel eyes are dreamy; He loses himself there. Time melts away, revealing A boy and girl in love. With poplars for a ceiling, Heralded by doves, They stroll the cobbled pathway, A golden life ahead. The vision fades. It’s today, And standing there instead, Forever by his side, Is the woman he adores. He cherishes his bride More deeply than before In spite of all the creases, The creaks and silver strands. He knows nothing but peace as They wander, holding hands. Erin McCarty
Jack Canfield (Chicken Soup for the Soul Love Stories: Stories of First Dates, Soul Mates and Everlasting Love)