Dreaming In Cuban Quotes

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No wonder. Puerto Rican, Italian and Cuban – the perfect ingredients for a hot, bossy, badass cocktail.
Kristen Ashley (Mystery Man (Dream Man, #1))
You have to live in the world to say anything meaningful about it.
Cristina García (Dreaming In Cuban)
Investors don’t care about your dreams and goals. They love that you have them. They love that you are motivated by them. Investors care about how they are going to get their money back and then some. Family cares about your dreams. Investors care about money.
Mark Cuban (How to Win at the Sport of Business: If I Can Do It, You Can Do It)
Do you have any other siblings?" I asked. "Yeah," he answered. "What? A sister? Brother? Two? Twelve?" I pressed. "Another brother," he answered. Good God. There were three Italian, Cuban, Puerto Rican male Delgados roaming the earth. How did I not know this? As a woman, I should have instinctually felt their presence.
Kristen Ashley (Mystery Man (Dream Man, #1))
Mirrors are for misery, nothing more...they record decay.
Cristina García (Dreaming in Cuban)
Every major city has a section like this one. If a piebald dwarf with advanced leprosy wants to have sex with a kangaroo and a teenage choir, he'll find his way here and get a room. When he's done he might take the whole gang next door for a cup of Cuban coffee and a medianoche sandwich. Nobody would care, as long as he tipped.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
I have met only a very few people - and most of these were not Americans - who had any real desire to be free. Freedom is hard to bear. It can be objected that I am speaking of political freedom in spiritual terms, but the political institutions of any nation are always menaced and are ultimately controlled by the spiritual state of that nation. We are controlled here by our confusion, far more than we know, and the American dream has therefore become something much more closely resembling a nightmare, on the private, domestic, and international levels. Privately, we cannot stand our lives and dare not examine them; domestically, we take no responsibility for (and no pride in) what goes on in our country; and, internationally, for many millions of people, we are an unmitigated disaster. Whoever doubts this last statement has only to open his ears, his heart, his mind, to the testimony of - for example - any Cuban peasant or any Spanish poet, and ask himself what he would feel about us if he were the victim of our performance in pre-Castro Cuba or in Spain. We defend our curious role in Spain by referring to the Russian menace and the necessity of protecting the free world. It has not occurred to us that we have simply been mesmerized by Russia, and that the only real advantage Russia has in what we think of as a struggle between the East and the West is the moral history of the Western world. Russia's secret weapon is the bewilderment and despair and hunger of millions of people of whose existence we are scarecely aware. The Russian Communists are not in the least concerned about these people. But our ignorance and indecision have had the effect, if not of delivering them into Russian hands, of plunging them very deeply in the Russian shadow, for which effect - and it is hard to blame them - the most articulate among them, and the most oppressed as well, distrust us all the more... We are capable of bearing a great burden, once we discover that the burden is reality and arrive where reality is. Anyway, the point here is that we are living in an age of revolution, whether we will or no, and that America is the only Western nation with both the power, and, as I hope to suggest, the experience that may help to make these revolutions real and minimize the human damage.
James Baldwin (The Fire Next Time)
I wish I could live underwater. Maybe then my skin would absorb the sea’s consoling silence.
Cristina García (Dreaming in Cuban)
There are white people who know how to act politely to blacks, but deep down you know they're uncomfortable. They're worse, more dangerous than those who speak their minds, because they don't know what they're capable of.
Cristina García (Dreaming in Cuban)
For me, the sea was a great comfort, Pilar. But it made my children restless. It exists now so we can call and wave from opposite shores.
Cristina García (Dreaming in Cuban)
I am Cuban, and yet, I am not. I don’t know where I fit here, in the land of my grandparents, attempting to recreate a Cuba that no longer exists in reality. Perhaps we’re the dreamers in all of this. The hopeful ones. Dreaming of a Cuba we cannot see with our eyes, that we cannot touch, whose taste lingers on our palates, with the tang of memory. The exiles are the historians, the memory keepers of a lost Cuba, one that’s nearly forgotten.
Chanel Cleeton (Next Year in Havana (The Perez Family #1))
His full name is Ricardo Carlos Mañoso. Second generation Cuban-American. Was Special Forces. Works for Vinnie now. He makes apprehensions other agents only dream about. He gets a little creative sometimes, but hey, that’s the way it is with a genius, right?
Janet Evanovich (One for the Money (Stephanie Plum, #1))
I still love you, Gustavo, but it's a habitual love, a wound in the knee that predicts rain.
Cristina García (Dreaming in Cuban)
I resent the hell out of the politicians and generals who force events on us that structure our lives, that dictate the memories we'll have when we're old.
Cristina García (Dreaming in Cuban)
We speak in Spanish when we make love. English seems an impossible language for intimacy.
Cristina García (Dreaming in Cuban)
Solitude, Celia realizes now, exists for us not to remember but to forget.
Cristina García (Dreaming in Cuban)
There was not just one American dream, in a nation of immigrants, there are countless versions of the dream; the Mexican American dream, the African American dream, the Cuban American dream, etc. I've always thught that was such a beautiful lesson and I've carried it with me throughout my life.
Jenni Rivera (Unbreakable: My Story, My Way)
That we can see and understand everything just as well alive as dead, only when we're alive we don't have the time, or the peace of mind, or the inclination to see and understand what we could. We're too busy rushing to our graves.
Cristina García (Dreaming in Cuban)
I’ve started dreaming in Spanish, which has never happened before. I wake up feeling different, like something inside me is changing, something chemical and irreversible. There’s a magic here working its way through my veins. There’s something about the vegetation, too, that I respond to instinctively - the stunning bougainvillea, the flamboyants and jacarandas, the orchids growing from the trunks of the mysterious ceiba trees. And I love Havana, its noise and decay and painted ladyness. I could happily sit on one of those wrought-iron balconies for days, or keep my grandmother company on her porch, with its ringside view of the sea. I’m afraid to lose all this, to lose Abuela Celia again. But sooner or later I’d have to return to New York. I know now it’s where I belong - not instead of here, but more than here. How can I tell my grandmother this?
Cristina García (Dreaming in Cuban)
Puerto Rican, Italian and Cuban—the perfect ingredients for a hot, bossy, badass cocktail.
Kristen Ashley (Mystery Man (Dream Man, #1))
The American dream is actually Cuban.
Andrés Aloi (Black Wolf)
Felicia stayed on the fringe of life because it was free of everyday malice. It was more dignified there.
Cristina García (Dreaming in Cuban)
Papi, I don't know what to do anymore." Lourdes begins to cry. "No matter what I do, Pilar hates me." "Pilar doesn't hate you, hija. She just hasn't learned to love you yet.
Cristina García (Dreaming in Cuban)
Who chooses what we know or what's important? I know I have to decide these things for myself.
Cristina García (Dreaming in Cuban)
In Cuba, everything seemed temporal, distorted by the sun.
Cristina García (Dreaming in Cuban)
Her past, she fears, is eclipsing her present.
Cristina García (Dreaming in Cuban)
Frustrated, El Líder went home, rested his pitching arm, and started a revolution in the mountains.
Cristina García (Dreaming in Cuban)
The war that killed my grandfather and great-uncles and thousands of other blacks is only a footnote in our history books.
Cristina García (Dreaming in Cuban)
I imagine these men sitting in fashion control centers around the world thinking of new ways to torture women, new ways to make them wince twenty years from now when they look at old photographs of themselves.
Cristina García (Dreaming in Cuban)
We don't speak at night anymore, but she's left me her legacy nonetheless--a love for the sea and the smoothness of pearls, an appreciation of music and words, sympathy for the underdog, and a disregard for boundaries.
Cristina García (Dreaming in Cuban)
She ponders the transmigrations from southern latitudes. the millions moving north. What happens to their languages? The warm burial grounds they leave behind? What of their passions lying stiff and untranslated in their breasts?
Cristina García (Dreaming in Cuban)
Bissell fingered his napkin. "I do, Mr. Boyd. And I know how generous Mr. Hoffa, Mr. Marcello and a few other Italian gentlemen have been to the Cause, and I know that you possess a certain amount of influence in the Kennedy camp. And as the President's chief Cuban-issue liaison, I also know that Fidel Castro and Communism are a good deal worse than the Mafia, although I wouldn't dream of asking you to intercede on our friends' behalf, because it might cost you credibility with your sacred Kennedys." Stanton dropped his soup spoon. Pete let a big breath out eeeasy. Boyd put out a big shit-eating grin. "I'm glad you feel that way, Mr. Bissell. Because if you did ask me, I'd have to tell you to go fuck yourself.
James Ellroy (American Tabloid (Underworld USA #1))
Down the street, the trees are imprisoned equidistantly in square plots of dirt. Everything else is concrete. Lourdes remembers reading somewhere about how Dutch elm disease wiped out the entire species on the East Coast except for a lone tree in Manhattan surrounded by concrete. Is this, she wonders, how we'll all survive?
Cristina García (Dreaming in Cuban)
Santería was traditionally an unacknowledged and underappreciated aspect of what it meant to be Cuban. Yet the syncretism between the Yoruban religion that the slaves brought to the island and the Catholicism of their masters is, in my opinion, the underpinning of Cuban culture. Every artistic realm--music, theater, literature, etc.--owes a huge debt to santería and the slaves who practiced it and passed it on, largely secretively, for generations.
Cristina García (Dreaming in Cuban)
July 11. She had always liked those numbers, seven and eleven. In charada, the mystical significance of dream images. There were charadas all around the world. In the santería charada, Angayú was eleven and Yemayá was seven. In the Cuban charada, matchbox was eleven and excrement was seven. In the American one, mechanic shop was eleven and socks was seven. In the Chinese one, rooster was eleven and seashell, seven. In the Texas charada, horse was eleven and hog, seven. In the Indian charada, rain was eleven and sleep was seven. In the Aztec charada, factory was eleven and mariachis, seven.
Zoé Valdés (Dear First Love)
For many years in Cuba, nobody spoke of the problem between blacks and whites. It was considered too disagreeable to discuss. But my father spoke to me clearly so that I would understand what happened to his father and his uncles during the Little War of 1912, so that I would know how our men were hunted down day and night like animals, and finally hung by their genitals from the lampposts in Guáimaro. The war that killed my grandfather and great-uncles and thousands of other blacks is only a footnote in our history books. Why, then, should I trust anything I read? I trust only what I see, what I know with my heart, nothing more.
Cristina García (Dreaming in Cuban)
We are controlled here by our confusion, far more than we know, and the American dream has therefore become something much more closely resembling a nightmare, on the private, domestic, and international levels. Privately, we cannot stand our lives and dare not examine them; domestically, we take no responsibility for (and no pride in) what goes on in our country; and, internationally, for many millions of people, we are an unmitigated disaster. Whoever doubts this last statement has only to open his ears, his heart, his mind, to the testimony of—for example—any Cuban peasant or any Spanish poet, and ask himself what he would feel about us if he were the victim of our performance in pre-Castro Cuba or in Spain.
James Baldwin (The Fire Next Time)
He was now wealthy beyond his wildest dreams and wanted for nothing, so Columbus retired to Valladolid, which at one time was considered the capital of Castile and Leon, a historic region of northwestern Spain. On October 19, 1469, Queen Isabella and King Ferdinand had been married at the Palacio de los Vivero, in the city of Valladolid, giving it great significance for Columbus. It was only a year and a half after retiring, on May 20, 1506, that Christopher Columbus quietly died. Dr. Antonio Rodriguez Cuartero, a professor of Internal Medicine at the University of Granada, stated that the Admiral died of a heart attack caused by Reiter's Syndrome, also known as reactive arthritis. He was only 54 years of age; however, he had been suffering from arthritis for quite some time prior to his death.
Hank Bracker
No nation in Latin America is weak-- because each forms part of a family of 200 million brothers, who suffer the same miseries, who harbour the same sentiments, who have the same enemy, who dream about the same better future and who count upon the solidarity of all honest men and women throughout the world. Great as was the epic of Latin American independence, heroic as was that struggle, today's generation of Latin Americans is called upon to engage in an epic which is even greater and more decisive for humanity. For that struggle was for liberation from Spanish colonial power, from a decadent Spain invaded by the armies of Napoleon. Today the call for struggle is for liberation from the most powerful world imperialist centre, from the strongest force of world imperialism, and to render humanity a greater service than that rendered by our predecessors.
Fidel Castro (The Declarations of Havana (Revolutions))
There were Italians, Finns, Jews, Negroes, Shropshiremen, Cubans—anyone who had heeded the voice of liberty—and they were dressed with that sumptuary abandon that European caricaturists record with such bitter disgust. Yes, there were grandmothers in shorts, big-butted women in knitted pants, and men wearing such an assortment of clothing that it looked as if they had dressed hurriedly in a burning building. But this, as I say, is my own country and in my opinion the caricaturist who vilifies the old lady in shorts vilifies himself. I am a native and I was wearing buckskin jump boots, chino pants cut so tight that my sexual organs were discernible, and a rayon-acetate pajama top printed with representations of the Pinta, the Niña, and the Santa María in full sail. The scene was strange—the strangeness of a dream where we see familiar objects in an unfamiliar light.
John Cheever (The Stories of John Cheever)
Hardy reinforces his narrative with stories of heroes who didn’t have the right education, the right connections, and who could have been counted out early as not having the DNA for success: “Richard Branson has dyslexia and had poor academic performance as a student. Steve Jobs was born to two college students who didn’t want to raise him and gave him up for adoption. Mark Cuban was born to an automobile upholsterer. He started as a bartender, then got a job in software sales from which he was fired.”8 The list goes on. Hardy reminds his readers that “Suze Orman’s dad was a chicken farmer. Retired General Colin Powell was a solid C student. Howard Schultz, the CEO of Starbucks, was born in a housing authority in the Bronx … Barbara Corcoran started as a waitress and admits to being fired from more jobs than most people hold in a lifetime. Pete Cashmore, the CEO of Mashable, was sickly as a child and finished high school two years late due to medical complications. He never went to college.” What do each of these inspiring leaders and storytellers have in common? They rewrote their own internal narratives and found great success. “The biographies of all heroes contain common elements. Becoming one is the most important,”9 writes Chris Matthews in Jack Kennedy, Elusive Hero. Matthews reminds his readers that young John F. Kennedy was a sickly child and bedridden for much of his youth. And what did he do while setting school records for being in the infirmary? He read voraciously. He read the stories of heroes in the pages of books by Sir Walter Scott and the tales of King Arthur. He read, and dreamed of playing the hero in the story of his life. When the time came to take the stage, Jack was ready.
Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
During this time my father was in a labor camp, for the crime of wanting to leave the country, and my mother struggled to care for us, alone and with few provisions. One day she went out to the back patio to do the wash and saw a cute little frog sitting by the door to the kitchen. My mother has always liked frogs, and this frog by the kitchen door gave her an idea. She began to spin wonderful stories about a crazy, adventurous frog named Antonica who would overcome great odds with her daring and creativity. Antonica helped us dream of freedom and possibilities. These exciting tales were reserved for mealtime. We ate until our bowls were empty, distracted from the bland food by the flavor of Antonica’s world. Mamina knew her children were well nourished, comforted, and prepared for the challenges and adventures to come. In 2007, I was preparing to host a TV show on a local station and was struggling with self-doubt. With encouragement and coaching from a friend, I finally realized that I had been preparing for this opportunity most of my life. All I needed was confidence in myself, the kind of confidence Antonica had taught me about, way back in Cuba. Through this process of self-discovery, the idea came to me to start cooking with my mother. We all loved my Mamina’s cooking, but I had never been interested in learning to cook like her. I began to write down her recipes and take pictures of her delicious food. I also started to write down the stories I had heard from my parents, of our lives in Cuba and coming to the United States. At some point I realized I had ninety recipes. This is a significant number to Cuban exiles, as there are ninety miles between Cuba and Key West, Florida. A relatively short distance, but oh, so far! My effort to grow closer to my mother through cooking became another dream waiting to be fulfilled, through a book called 90 Miles 90 Recipes: My Journey to Understanding. My mother now seemed as significant as our journey to the United States. While learning how she orchestrated these flavors, I began to understand my mother as a woman with many gifts. Through cooking together, my appreciation for her has grown. I’ve come to realize why feeding everyone was so important to her. Nourishing the body is part of nurturing the soul. My mother is doing very poorly now. Most of my time in the last few months has been dedicated to caring for her. Though our book has not yet been published, it has already proven valuable. It has taught me about dreams from a different perspective—helping me recognize that the lives my sisters and I enjoy are the realization of my parents’ dream of freedom and opportunity for them, and especially for us.
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
The social policy of the Revolution did not differentiate between racial groups. All benefited, but those whose lives were least privileged still remained in a state of inequality. Having improved their situations noticeably, they still had not attained sufficient stability or were left at a halfway house to dream about a better life. When the crisis at the end of the eighties crisis occurred, all this inequality manifested with special crudity clearly evident to the black and racially mixed population. The economic crisis seriously affected the developing model of welfare in Cuban society, which was barely consolidated or initiated for those Cubans, generally black and mulatto, who came from the lowest stratum.
Esteban Morales Dominguez (Race in Cuba: Essays on the Revolution and Racial Inequality)
Every major city has a section like this one. If a piebald dwarf with advanced leprosy wants to have sex with a kangaroo and a teenage choir, he’ll find his way here and get a room. When he’s done, he might take the whole gang next door for a cup of Cuban coffee and a medianoche sandwich. Nobody would care, as long as he tipped.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
Inés de Bobadilla, Cuba’s first woman governor,
Cristina García (Dreaming in Cuban)
Mírame, miénteme, pégame, mátame si quieres Pero no me dejes. No, no me dejes, nunca jamás …
Cristina García (Dreaming in Cuban)
I started learning English from Abuelo Jorge's old grammar textbooks. I found them in Abuelo Celia's closet. They date back to 1919, the first year he started working for the American Electric Broom Company. At school, only a few students were allowed to learn English, by special permission. The rest of us had to learn Russian. I liked the curves of the Cyrillic letters, their unexpected sounds. I liked the way my name looked: Иван. I took Russian for nearly two years at school. My teacher, Sergey Mikoyan, praised me highly. He said I had an ear for languages, that if I studied hard I could be a translator for world leaders. It was true I could repeat anything he said, even tongue twisters like kolokololiteyshchiki perekolotili vikarabkavshihsya vihuholey "the church bell casters slaughtered the desmans that had scrambled out." He told me I had a gift, like playing the violin, or mastering chess.
Cristina García (Dreaming in Cuban)
Habana Eva" released in 2010, Habana Eva is a funny Romantic comedy. Eva works as a seamstress in a sweatshop where she dreams of becoming a fashion designer with her own a room. Her love is her longtime partner Angel, a charming yet lazy islander. Her dream of marrying Angel fades when she meets Jorge, a handsome and wealthy Cuban raised in Venezuela who returns to Cuba, with a more ambitious project than taking photos of Eva for a book. Eva who has been living with her aunts falls for him and has to decide which of the two men she will want to marry. Directed by Fina Torres, starring Prakriti Maduro as Eva and Juan Carlos García as Jorge and Carlos Enrique Almirante as Angel. Venezuelan produced and filmed in La Habana, Cuba. Habana Eva film won the Best Picture award at the New York International Latino Film Festival on August 2, 2010.
Hank Bracker
Americanah; Ayad Akhtar, American Dervish; Julia Alvarez, How the Garcia Girls Lost Their Accents; Sandra Cisneros, The House on Mango Street; Junot Díaz, The Brief Wondrous Life of Oscar Wao; Teju Cole, Open City; William Faulkner, As I Lay Dying; Nell Freudenberger, The Newlyweds; Cristina García, Dreaming in Cuban and King of Cuba; Chang-rae Lee, Native Speaker.
Cristina Henríquez (The Book of Unknown Americans)
Sara looked at the well-kept houses along the road. “These Communist pigs have beach clubs, good food, and access to foreign goods that the Cuban people can only dream about.
Nelson DeMille (The Cuban Affair)
So if you ever wonder what we, the disappeared, dream of in our darkest hours, know that it is you: those who remain.
Daniel José Older (The Book of Lost Saints: A Cuban American Family Saga of Love, Betrayal, and Revolution)
For some time now, Germany has had cruise ships visiting Cuba, such as the MS Deutschland, which can accommodate 513 passengers and has a crew of 260 members. She is known as das Traumschiff or the Dream Ship and is Germany’s television answer to the Love boat. With a displacement of 22,400 GT, the ship brought European tourists with their Euros as stimulus money to Cuba. However, on Monday, February 23, 2015, it was announced, that the operating company had declared bankruptcy. It was expected that finding new investors, and restructuring under the German debtor-in-possession management act, known as Eigenverwaltung, would allow the MS Deutschland to continue her scheduled visits. However, on July 27, 2015 with new owners it was announced that the ship would sail using two distinct names. For one part of the year the ship would be the MS World Odyssey having “Semesters at Sea” for students and for the other part of the year it would sail for the travel company Phoenix Reisen, using its regular name, the MS Deutschland.
Hank Bracker
What of their passions lying stiff and untranslated in their breasts?
Cristina García (Dreaming in Cuban)
His projects conduct electricity, engage motion with toothed wheels, react in concert with universal laws of physics.
Cristina García (Dreaming in Cuban)