Dread Monday Quotes

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The universe contains any amount of horrible ways to be woken up, such as the noise of the mob breaking down the front door, the scream of fire engines, or the realization that today is the Monday which on Friday night was a comfortably long way off. A dog's wet nose is not strictly speaking the worst of the bunch, but it has its own peculiar dreadfulness which connoisseurs of the ghastly and dog owners everywhere have come to know and dread. It's like having a small piece of defrosting liver pressed lovingly against you.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut - this indescribably emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner.
Hugh Howey (Visitor (Beacon 23, #5))
The evening passes somehow; I watch television with Nancy, or I write. It is difficult, not having a family, and it is difficult to explain. I always go to bed early. And I am always ready for Monday morning, that time that other people dread.
Anita Brookner (Look at Me)
It was a Wednesday, I think. Yes, a Wednesday, that miserable day sandwiched between the dreadful Monday and Tuesday and the 'all right' Thursday and Friday, which ultimately gave way to what I hoped woud be a glorious weekend.
Gauri Jhangiani (The Extraordinary Lives of Ordinary People)
In addition to conformity as a way to relieve the anxiety springing from separateness, another factor of contemporary life must be considered: the role of the work routine and the pleasure routine. Man becomes a 'nine to fiver', he is part of the labour force, or the bureaucratic force of clerks and managers. He has little initiative, his tasks are prescribed by the organisation of the work; there is even little difference between those high up on the ladder and those on the bottom. They all perform tasks prescribed by the whole structure of the organisation, at a prescribed speed, and in a prescribed manner. Even the feelings are prescribed: cheerfulness, tolerance, reliability, ambition, and an ability to get along with everybody without friction. Fun is routinised in similar, although not quite as drastic ways. Books are selected by the book clubs, movies by the film and theatre owners and the advertising slogans paid for by them; the rest is also uniform: the Sunday ride in the car, the television session, the card game, the social parties. From birth to death, from Monday to Monday, from morning to evening - all activities are routinised, and prefabricated. How should a man caught up in this net of routine not forget that he is a man, a unique individual, one who is given only this one chance of living, with hopes and disappointments, with sorrow and fear, with the longing for love and the dread of the nothing and separateness?
Erich Fromm (The Art of Loving)
The universe contains any amount of horrible ways to be woken up, such as the noise of the mob breaking down the front door, the scream of fire engines, or the realization that today is the Monday which on Friday night was a comfortably long way off. A dog’s wet nose is not strictly speaking the worst of the bunch, but it has its own peculiar dreadfulness which connoisseurs of the ghastly and dog owners everywhere have come to know and dread. It’s like having a small piece of defrosting liver pressed lovingly against you.
Terry Pratchett (Moving Pictures (Discworld, #10))
I dreaded Mondays. They always loomed up before their time, like some quiet, inescapable, energy-sucking demon.
M.K. Schiller (The Other C-Word (In Other Words, #1))
There is nothing more dreadful than having to go walking on one’s own on Monday.
Thomas Bernhard (Gehen)
At the end of our lives, He is going to look into hearts. What is it He will find there, I wonder? Will he find that we used the geography lesson, the dreaded math test, the teetering laundry pile and the boiling-over pot of soup to draw closer to Him? Did we use these gifts to teach our children to lift their eyes heavenward? Were the tedious details of a homeschooling day offered up as a way for us to love Him, or were they merely gotten through, checked off and accomplished? Did we even realize that every Monday, every Thursday, we were standing on holy ground? No task is too trivial, no assignment too small. Educating our children is an offering of love we make to the God Who was so gracious to bestow them upon us in the first place. Every moment of the daily grind in raising and teaching and loving on them is hallowed, because we do it for Him and because there would be no point of doing it without Him.
Sarah Mackenzie (Teaching from Rest: A Homeschooler's Guide to Unshakable Peace)
Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year
New Zealand Proverb
But the Easter sacrifice in their own homes - well, think it over. I used to think the same as you, and I still hate to see the lambs and calves going home to their deaths on Good Friday. But isn't it a million times better than the way we do it at home, however 'humane' we try to be? Here, the lamb's petted, unsuspicious, happy - you see it trotting along with the children like a little dog. Till the knife's in its throat, it has no idea it's going to die. Isn't that better than those dreadful lorries at home, packed full of animals, lumbering on Mondays and Thursdays to the slaughterhouses, where, be as humane as you like, they can smell the blood and the fear, and have to wait their turn in a place just reeking of death?
Mary Stewart (The Moon-Spinners)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut—this indescribable emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. Knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner.
Hugh Howey (Beacon 23 (Beacon 23, #1-5))
She deigned to asked me how ice queens reproduce. I grinned, and her mother looked horrified. “We procreate by way of ice cubes, of course. We put them in our nests and let them incubate for the period of about four months, and when the temperature is right, we put them out to roost and let them flake off into billions of snowflakes, rather like tadpoles breaking in droves from their eggs. And that, child,” I said, with a simulacrum of glee, “is how winter is born.” “Does it hurt?” “No more than the approach of Monday does to most of the world. It is a natural process, you understand, but it is dreadful hard work.
Michelle Franklin
Maybe you could tell us how you and Jordan met, Nick.” All conversation at the table stopped. Frankly, Nick was surprised it had taken this long for someone to ask. Out of the corner of his eye, he saw Jordan take a nervous sip of her wine. He knew this was the part of the evening she’d dreaded, the part where they told more lies to her friends. Perhaps he could help her out with that. “Jordan and I met two weeks ago, at her store,” he said. “On the night of the big snowstorm.” Pete chuckled. “You really must’ve been jonesing for wine to go out in that mess.” Nick reached across the table and linked his fingers through Jordan’s. “I think Fate had a higher purpose for bringing me to her store that night.” He winked at her. I’ve got this. Melinda melted. “That’s so sweet.” “Then what happened?” Corinne prompted. Nick faced Jordan’s friends. For her sake, he’d tell the truth—perhaps not the whole truth—but at least nothing but. “Well, I asked Jordan a few questions, some quips were exchanged, and I distinctly recall her making a sarcastic comment about chardonnay. I can’t tell you exactly what happened from there, but five days later I found myself at Xander Eckhart’s party drinking pink champagne.” Her friends laughed. Charles raised his glass. “That’s how it happens, Nick. A cute smile, a few clever words, and five years later you’re watching Dancing with the Stars on Monday nights instead of football.” “Hey, don’t knock it until you’ve tried it,” Pete said indignantly. As the group teased Pete, Nick felt Jordan squeeze his knee underneath the table. She spoke softly as she held his gaze. “Thank you.” It took far more effort than it should have to make his tone sound as cavalier as always. “Any time, Rhodes
Julie James (A Lot like Love (FBI/US Attorney, #2))
If the human race ever wishes to master time travel then the answer is through chemical and not mechanical means. Speed is time travel. It will pilfer away at the space-time around you without your consent, propelling you forward through time. The human body is a vehicle of flux. It is exhilarating to move rhythmically, pulsing, stepping through pockets of your existence in fluid motions. The time that speed steals from you, it gives back with interest, cold and hard on a Monday morning. It brings with it a terrifying despair that creeps upon you. It is a black, slow-motion suicide. The ceiling begins to drip and ooze grey-brown sludge. Aural hallucinations, the demons of psychosis, speak wordless words of pure dread... Sometimes I would laugh and giggle hysterically at inane nonsensical stories that would play out in my mind. I would watch them unfold, like a lucid dream, weird images, Boschian forms, twisted nightmares... And I would weep. I would weep for nothing with salty tears, rivers of anguish and existential pain running down my face, dripping quietly onto the carpet. Day after day, I would unravel myself, dissect, and analyse my life over and over until I was exhausted and insane. Speed is not an insightful drug. It will not delude you into a false sense of spirituality like hallucinogens. It is the aftermath and the come down from speed that will rip open your ego and show you the bare, horrible bones of yourself. It will open the beautiful black doorway inside you and it will show you nothing. Through the darkness of internal isolation, the amphetamine comedown will show you no god, no spirituality, no soul, just your own perishable flesh, and your own animal self-preservation. It will show you clearly just how ugly you really are inside. In the emptiness of yourself, there is only the knowledge of your eventual death. When you have truly faced yourself and recognised yourself as purely animal then you become liberated from the societal pretence that you are above or better than any other creature. You are a human animal. You are naturally motivated to be selfish. Everything you do, every act you partake of, is in its essence an act of survival. No act of the human-animal happens without the satisfaction of the ego’s position in existence…
Steven LaVey (The Ugly Spirit)
I don’t want to live for the weekend, dread Mondays or count down the days to vacation to enjoy my life.
Ritu Rao (The Light Shift: 21 Simple Ways to Make Your Days Interesting, Get Unstuck and Beat the Daily Grind)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut—this indescribable emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. Knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner. I call this the Relativistic Weekend Effect. We live in the present, but our happiness relies heavily on the future. Our mood is as much expectation as experience. Just like in the army, where life in the trenches worked the same way. It was the quiet that jangled the nerves. It was the lead-up before the push more than the push itself. To this day, I grow more faint at the scent of gun oil than I do at the sight of blood. Maybe
Hugh Howey (Beacon 23)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that?
Hugh Howey (Beacon 23)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A
Hugh Howey (Beacon 23)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut—this indescribable emptiness that I knew should be filled with fun, but instead left me casting about for something to do.
Hugh Howey (Beacon 23)
Go to bed within 30 minutes of the same time each night and wake up at the same time each day. Many people in our modern world try to “catch up” on sleep and sleep in on the days that they don’t have to get up for work. By throwing off your sleep schedule like this, you’ll usually find that you’re more tired than you want to be on your off days, and really dreading getting out of bed once Monday rolls around. Remember, a consistent sleep schedule is important for your health.
Shawn Stevenson (Sleep Smarter: 21 Essential Strategies to Sleep Your Way to A Better Body, Better Health, and Bigger Success)
I think when people say they dread going into work on Monday morning, it’s because they know they are leaving a piece of themselves at home. Why not to see what happens when you challenge your employees to bring all of their talents to their job and reward them?
Tony Hsieh
From birth to death, from Monday to Monday, from morning to evening—all activities are routinized, and prefabricated. How should a man caught in this net of routine not forget that he is a man, a unique individual, one who is given only this one chance of living, with hopes and disappointments, with sorrow and fear, with the longing for love and the dread of the nothing and of separateness?
Erich Fromm (The Art of Loving)
I used to dread Mondays. I thought of them as the broccoli of weekdays, harsh and bitter, only paying off in the long haul with no immediate rewards.
Iman Hariri-Kia (A Hundred Other Girls)
She can’t be the type of person who lives from happy hour to happy hour, dreads Monday mornings, and counts down the years until retirement.
Saumya Dave (Well-Behaved Indian Women)
By then I’d played with a couple of college bands, doing clumsy covers ofrock staples. There were other bands that would produce note-perfect imitationsof songs by Led Zeppelin or Pink Floyd and drive audiences wild. If a bandcould play something exactly as it was on tape, the consensus was that they mustbe good. But after a period of proving themselves this way, most bands became alittle more ambitious, and a day would come when they’d go up on stage duringa college festival and introduce a song with the dreaded words, ‘This is anoriginal composition.’ Almost always, these originals were listless pastiches ofthe covers the band played, the lyrics apparently not about anything at all. Thesewere skilled musicians, but their chosen form seemed to preclude any realengagement with their own lives or the lives of their audience. This was mostevident in the Death Metal bands, where you might have a good Hindu boygrowling menacingly about his affinity for Satan. This was a cargo-cult, amimicking of someone else’s rebellion.
Srinath Perur (If It’s Monday It Must Be Madurai: A Conducted Tour of India)