Dread It Run From It Quotes

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The worst part is wondering how you’ll find the strength tomorrow to go on doing what you did today and have been doing for much too long, where you’ll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows. And maybe it’s treacherous old age coming on, threatening the worst. Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasn’t enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I’ve never been able to kill myself.
Louis-Ferdinand Céline
... in spite of being happier than I ever dreamed I could be, I'm also soberer. The fear that something may happen to you rests like a shadow on my heart. Always before I could be frivolous and carefree and unconcerned, because I had nothing precious to lose. But now -- I shall have a Great Big Worry all the rest of my life. Whenever you are away from me I shall be thinking of all the automobiles that can run over you, or the signboards that can fall on your head or the dreadful, squirmy germs that you may be swallowing.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
Normality in our part of the world is a bit like a boiled egg: its humdrum surface conceals at its heart a yolk of egregious violence. It is our constant anxiety about that violence, our memory of its past labours and our dread of its future manifestations, that lays down the rules for how a people as complex and as diverse as we continue to coexist – continue to live together, tolerate each other and, from time to time, murder one another. As long as the centre holds, as long as the yolk doesn’t run, we’ll be fine. In moments of crisis it helps to take the long view.
Arundhati Roy (The Ministry of Utmost Happiness)
When dreaded outcomes are actually imminent we don't worry about themwe take action. Seeing lava from the local volcano make its way down the street toward our house does not cause worry it causes running. Also we don't usually choose imminent events as subjects for our worrying and thus emerges an ironic truth: Often the very fact that you are worrying about something means that it isn't likely to happen.
Gavin de Becker (Protecting the Gift: Keeping Children and Teenagers Safe (and Parents Sane))
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me. I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
...Or we can blaze! Become legends in our own time, strike fear in the heart of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race dark Satan himself till he wheezes fiery cinders down the back straightaway....They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a gut, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by God, let our demons loose and just wail on!
John L. Parker Jr. (Once a Runner)
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
About suffering they were never wrong, The Old Masters; how well, they understood Its human position; how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer’s horse Scratches its innocent behind on a tree. In Breughel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water; and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, had somewhere to get to and sailed calmly on.
W.H. Auden
The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.
George Orwell (The Road to Wigan Pier)
Hamlet's Cat's Soliloquy "To go outside, and there perchance to stay Or to remain within: that is the question: Whether 'tis better for a cat to suffer The cuffs and buffets of inclement weather That Nature rains on those who roam abroad, Or take a nap upon a scrap of carpet, And so by dozing melt the solid hours That clog the clock's bright gears with sullen time And stall the dinner bell. To sit, to stare Outdoors, and by a stare to seem to state A wish to venture forth without delay, Then when the portal's opened up, to stand As if transfixed by doubt. To prowl; to sleep; To choose not knowing when we may once more Our readmittance gain: aye, there's the hairball; For if a paw were shaped to turn a knob, Or work a lock or slip a window-catch, And going out and coming in were made As simple as the breaking of a bowl, What cat would bear the houselhold's petty plagues, The cook's well-practiced kicks, the butler's broom, The infant's careless pokes, the tickled ears, The trampled tail, and all the daily shocks That fur is heir to, when, of his own will, He might his exodus or entrance make With a mere mitten? Who would spaniels fear, Or strays trespassing from a neighbor's yard, But that the dread of our unheeded cries And scraches at a barricaded door No claw can open up, dispels our nerve And makes us rather bear our humans' faults Than run away to unguessed miseries? Thus caution doth make house cats of us all; And thus the bristling hair of resolution Is softened up with the pale brush of thought, And since our choices hinge on weighty things, We pause upon the threshold of decision.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
The worst part is wondering how you’ll find the strength tomorrow, to go on doing what you did today and have been doing for much too long, where you’ll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows.
Louis-Ferdinand Céline (Journey to the End of the Night)
Get married, my friend, you don't know what it means to live alone, at my age. Nowadays feeling alone fills me with appalling anguish; being alone at home, by the fire, in the evening. It seems to me then that I'm alone on the earth, dreadfully alone, but surrounded by indeterminate dangers, by unknown, terrible things; and the wall, which divides me from my neighbour, whom I do not know, separates me from him by as great a distance as that which separates me from the stars I see through my window. A kind of fever comes over me, a fever of pain and fear, and the silence of the walls terrifies me. It is so profound, so sad, the silence of the room in which you live alone. It isn't just a silence of the body, but a silence of the soul, and, when a piece of furniture creaks, a shiver runs through your whole body, for in that dismal place you expect to hear no sound.
Guy de Maupassant (Bel-Ami)
With his coming are the dread fires born again. The hills burn, and the land turns sere. The tides of men run out, and the hours dwindle. The wall is pierced, and the veil of parting raised. Storms rumble beyond the horizon, and the fires of heaven purge the earth. There is no salvation without destruction, no hope this side of death. -fragment from The Prophecies of the Drqagon believed translated by N'Delia Basolaine First Maid and Swordfast to Raidhen of Hol Cuchone (circa 400 AB)
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
Philip K. Dick (A Scanner Darkly)
I was deprived of the ability to feel so I wouldn’t be able to feel how dreadfully vile is that vileness, so I wouldn’t retreat from it, wouldn’t run horror-stricken from it. Yes, I was stripped of feelings. But not utterly. Whoever did it made a botch of it, Yen.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
for the existentialists, what generated anxiety was not the godlessness of the world, per se, but rather the freedom to choose between God and godlessness. Though freedom is something we actively seek, the freedom to choose generates anxiety. “When I behold my possibilities,” Kierkegaard wrote, “I experience that dread which is the dizziness of freedom, and my choice is made in fear and trembling.” Many people try to flee anxiety by fleeing choice. This helps explain the perverse-seeming appeal of authoritarian societies—the certainties of a rigid, choiceless society can be very reassuring—and why times of upheaval so often produce extremist leaders and movements: Hitler in Weimar Germany, Father Coughlin in Depression-era America, or Jean-Marie Le Pen in France and Vladimir Putin in Russia today. But running from anxiety, Kierkegaard believed, was a mistake because anxiety was a “school” that taught people to come to terms with the human condition.
Scott Stossel (My Age of Anxiety: Fear, Hope, Dread, and the Search for Peace of Mind)
Because people who live their lives this way can look forward to a single destiny, shared with others of this type - though such people do not believe they represent a type, but feel themselves distinguished from the common run of man, who they see as held down by the banal anchors of the world. But while others actually build a life in which things gain meaning and significance, this is not true of the puer. Such a person inevitably looks back on life as it nears its end with a feeling of emptiness and sadness, aware of what they have built: nothing. In their quest for a life without failure, suffer, or doubt, that is what they achieve: a life empty of all those things that make a human life meaningful. And yet they started off believing themselves too special for this world! But - and here is the hope - there is a solution for people of this type, and it's perhaps not the solution that could have been predicted. The answer for them is to build on what they have begun and not abandon their plans as soon as things start getting difficult. They must work - without escaping into fantasies about being the person who worked. And I don't mean work for its own sake, but they must choose work that begins and ends in a passion, a question that is gnawing at their guts, which is not to be avoided but must be realized and live through the hard work and suffering that inevitably comes with the process. They must reinforce and build on what is in their life already rather than always starting anew, hoping to find a situation without danger. Puers don't need to check themselves into analysis. If they can just remember this - It is their everlasting switching that is the dangerous thing, and not what they choose - they might discover themselves saved. The problem is the puer ever anticipates loss, disappointment, and suffering - which they foresee at the very beginning of every experience, so they cut themselves off at the beginning, retreating almost at once in order to protect themselves. In this way, they never give themselves to life - living in constant dread of the end. Reason, in this case, has taken too much from life. They must give themselves completely to the experience! One things sometimes how much more alive such people would be if they suffered! If they can't be happy, let them at least be unhappy - really, really unhappy for once, and then the might become truly human!
Sheila Heti (How Should a Person Be?)
Fear is the vigilance and the need to escape from something real. Anxiety is about dread and foreboding and your imagination running away with you. Much as with depression, anxiety is rooted in a cognitive distortion. In this case, people prone toward anxiety overestimate risks and the likelihood of a bad outcome.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
A scream so loud it shattered and splintered into a dreadful chorus that rattled and shook my brain and bones and cells and soul. I grabbed the telegram from Mama’s hand, threw it on the fire, ran out of the room into the hallway, and then outside into the square, and I continued running, zigzagging down streets, through mews, and on and on, as though I could escape from that moment; escape my brother’s death and run back through time.
Judith Kinghorn (The Last Summer)
I dream of the man, but it’s fragmented: he’s there, but he isn’t. He’s always one room away, in a place with more rooms than seems possible. I run down endless halls, longing for and dreading him being around the corner. I hear him call out for me and the skin on the back of my neck tightens and prickles. I don’t know if I’m running to him, or from him.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
It seems so dreadful to be a bachelor, to become an old man struggling to keep one's dignity while begging for an invitation whenever one wants to spend an evening in company, having to carry one's meal home in one's hand, unable to expect anyone with a lazy sense of calm confidence, able only with difficulty and vexation to give a gift to someone, having to say good night at the front door, never being able to run up a stairway beside one's wife, to lie ill and have only the solace of the view from one's window when one can sit up, to have only side doors in one's room leading into other people's living rooms, to feel estranged from one’s family, with whom one can keep on close terms only by marriage, first by the marriage of one's parents, then, when the effect of that has worn off, by one's own, having to admire other people's children and not even being allowed to go on saying: “I have none myself,” never to feel oneself grow older since there is no family growing up around one, modeling oneself in appearance and behavior on one or two bachelors remembered from our youth.
Franz Kafka (Diaries, 1910-1923)
Perhaps one may be out late, and had got separated from one's companions. Oh horrors! Suddenly one starts and trembles as one seems to see a strange-looking being peering from out of the darkness of a hollow tree, while all the while the wind is moaning and rattling and howling through the forest—moaning with a hungry sound as it strips the leaves from the bare boughs, and whirls them into the air. High over the tree-tops, in a widespread, trailing, noisy crew, there fly, with resounding cries, flocks of birds which seem to darken and overlay the very heavens. Then a strange feeling comes over one, until one seems to hear the voice of some one whispering: "Run, run, little child! Do not be out late, for this place will soon have become dreadful! Run, little child! Run!" And at the words terror will possess one's soul, and one will rush and rush until one's breath is spent—until, panting, one has reached home.
Fyodor Dostoevsky (Poor Folk)
I was deprived of the ability to feel so I wouldn't be able to feel how dreadfully vile is that vileness, so I wouldn't retreat from it, wouldn't run horror-stricken from it. Yes, I was stripped of feelings, But not utterly. Whoever did it made a botch of it, Yen.
Andrzej Sapkowski
It's interesting that penny-pinching is an accepted defense for toxic food habits, when frugality so rarely rules other consumer domains. The majority of Americans buy bottled drinking water, for example, even though water runs from the faucets at home for a fraction of the cost, and government quality standards are stricter for tap water than for bottled. At any income level, we can be relied upon for categorically unnecessary purchases: portable-earplug music instead of the radio; extra-fast Internet for leisure use; heavy vehicles to transport light loads; name-brand clothing instead of plainer gear. "Economizing," as applied to clothing, generally means looking for discount name brands instead of wearing last year's clothes again. The dread of rearing unfashionable children is understandable. But as a priority, "makes me look cool" has passed up "keeps arteries functional" and left the kids huffing and puffing (fashionably) in the dust.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
The worst part is wondering how you'll find the strength tomorrow to go on doing what you did today and have been doing for much too long, where you'll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows.
Louis-Ferdinand Céline (Journey to the End of the Night)
I found that even when a situation seems dreadful or impossible to comprehend, it is an experience, and being present in the experiences, rather than removing myself and running away, is part of living a fulfilled life. Complaining keeps us from connecting to our true self and keeps us in the shadows of life. Feeling life is the connection to being happy.
Shannon Kaiser (Find Your Happy: An Inspirational Guide to Loving Life to Its Fullest)
But here I became more psychologically imprisoned than I was before. In running from the past—from my fear—I didn’t find freedom. I made a cell of my dread and sealed the lock with silence.
Edith Eger (The Choice: Embrace the Possible)
She had almost felt relieved when she was arrested. The thing she had dreaded, feared, run from had happened. When it came, she was strangely liberated from the fear. She couldn't dread what had already come to pass. She didn't have to anticipate the horror when the horror was right there. With her arrest came a certain calm, a quiet comfort. It had come. She had known it would and she could stop fighting.
Amy Harmon (From Sand and Ash)
If running taught me anything, it was how to turn things around. So many times, I had dreaded a workout, only for it to turn out splendid. So many days I had been convinced I would get lost. only to be thrilled by new scenery as I found my way. So many mornings I growled about rising at the butt-crack of dawn, then wound up laughing with my friends. This was no different. The doldrums wouldn’t last, especially if I took action.
Nita Sweeney (Depression Hates a Moving Target: How Running With My Dog Brought Me Back From the Brink)
You'll stay," he said firmly. "But-" He crossed his arms. "Do I look like a man in the mood to be argued with?" She stared at him mutinously. "If you run," he warned, "I will catch you." Sophie eyed the distance between them, then tried to judge the distance back to My Cottage.If he stopped to pull on his clothing she might have a chance of escaping, but if he didn't... "Sophie," he said, "I can practically see the steam coming out of your ears. Stop taxing your brain with useless mathematical computations and do as I asked." One of her feet twitched. Whether it was itching to run home or merely turn around, she'd never know. "Now," he ordered. With a loud sigh and grumble, Sophie crossed her arms and turned around to stare at a knothole in the tree trunk in front of her as if her very life depended on it The inferal man wasn't being particularly quiet as he went about his business, and she couldn't seem to keep herself from listening to and trying to identify every sound that rustled and splashed behind her.Now he was emerging from the water, now he was reaching for his breeches, now he was... It was no use.She had a dreadfully wicked imagination, and there was no getting around it. He should have just let her return to the house. Instead she was forced to wait, utterly mortified, while he dressed. Her skin felt like it was on fire, and she was certain her cheeks must be eight different shades of red. A gentleman would have let her weasle out of her embarrassment and hole up in her room back at the house for at least three days in hopes that he'd just forget about the entire affair.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
I was deprived of the ability to feel so I wouldn't be able to feel how dreadfully vile is that vileness, so I wouldn't retreat from it, wouldn't run horror-stricken form it. Yes, I was stripped of feelings. But not utterly. Whoever did it made a botch of it, Yen.
Andrzej Sapkowski
But now—I shall have a Great Big Worry all the rest of my life. Whenever you are away from me I shall be thinking of all the automobiles that can run over you, or the sign-boards that can fall on your head, or the dreadful, squirmy germs that you may be swallowing.
Jean Webster (Daddy Long Legs)
Have you ever known there was something you needed to do, but found yourself dreading it with everything you were?" "Once or twice," he said. "What did you do?" Runach looked at her steadily. "I did what needed to be done." "Was the price steep?" "Very." Aisling clutched her own bow, wishing her task was nothing more than learning to place an arrow where she wanted it to land. "Did you ever want to run?" She whispered. He smiled, but it was a pained smile. "I'm not sure I want to answer that." "Do you think Heroes ever want to run...?" "Only if they come from Neroche." She blinked, then smiled.
Lynn Kurland (Dreamspinner (Nine Kingdoms #7))
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
Some day I should like to run a competition to find out the unfunniest clown in Shkespeare. There's a lot of choice from that dreadful lancelot Gobbo to the superlatively unfunny Feste. Nobody can make me believe that even the groundlings laughed at them, unless, as I suspect, the dire lines were enlivened by rude gestures,
Michael Frederick Green (The Art of Coarse Acting, Or, How To Wreck An Amateur Dramatic Society)
Never, ever apologize if you haven't done anything wrong. Keep your sorrys and your excuse mes and your please forgive mes, above all keep your please, please forgive mes for the one moment in life when you'll really need them, need those words. And you will be in dire need of entreaties like these, oh you will be praying for those words, blessing yourself for not having wasted them on something spurious and unworthy. You will someday be kneeling, kneeling down in front of a pair of accusing eyes, threatening feet, feet that might kick you or feet that might do something worse. At times what we should dread most are feet that will run away, that will run away and leave us everlastingly alone. Loneliness is what should terrify you most, more than a slap or a kick or hunger even. And that's when those words, please, please forgive me, will be all that separates you from the pit and swamp of the deepest despair. So don't squander them on matters of no consequence. The world is cursed because people do not apologize for theirs sins or crimes or merely their cowardice, but it's even more cursed because people apologize much too much-- they use their regrets as a way of not really probing what the have done, as permission to persevere in their blindness, absolving themselves without having atoned or understood.
Ariel Dorfman
Only after many years did I come to understand that running away doesn’t heal pain. It makes the pain worse. In America I was farther geographically than I had ever been from my former prison. But here I became more psychologically imprisoned than I was before. In running from the past—from my fear—I didn’t find freedom. I made a cell of my dread and sealed the lock with silence.
Edith Eger (The Choice: Embrace the Possible)
When I first envisioned myself running, I saw myself as Jodie Foster’s Clarice Starling in the opening scenes of The Silence of the Lambs. So strong, so focused, so proud. She is utterly confident, completely single-minded about her training run across a terrifying assault course. At one point she runs past a tree with the sign HURT AGONY PAIN LOVE IT stapled to it. She doesn’t care what she looks like; she has shit to do, and she is going to get it done. And yet . . . she is wearing a phenomenally impractical outfit. She is in a heavy cotton sweatshirt and tracksuit bottoms and is drenched in sweat. The top is sticking to both her chest and back and looks painfully heavy. She is summoned by a colleague and heads inside past a roomful of people dressed in khaki, faffing around with guns, and then gets into an elevator. All in the heavy, damp cotton. That wet fabric must have gotten incredibly cold the minute she stopped running, and it bothers me whenever I think of the poor woman in that meeting. For years the scene was my running inspiration, yet now I am unable to watch the first hour of the film without worrying about whether Clarice is shivering from the horrors of Hannibal Lecter or because she caught a dreadful chill.
Alexandra Heminsley (Running Like a Girl: Notes on Learning to Run)
Over the previous few years, Vigil had become convinced that the next leap forward in human endurance would come from a dimension he dreaded getting into: character. Not the “character” other coaches were always rah-rah-rah-ing about; Vigil wasn’t talking about “grit” or “hunger” or “the size of the fight in the dog.” In fact, he meant the exact opposite. Vigil’s notion of character wasn’t toughness. It was compassion. Kindness. Love. That’s right: love.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
There is one thing that ought to be taught in all the colleges, Which is that people ought to be taught not to go around always making apologies. I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet, Because I think that is sort of sweet; No, I object to one kind of apology alone, Which is when people spend their time and yours apologizing for everything they own. You go to their house for a meal, And they apologize because the anchovies aren't caviar or the partridge is veal; They apologize privately for the crudeness of the other guests, And they apologize publicly for their wife's housekeeping or their husband's jests; If they give you a book by Dickens they apologize because it isn't by Scott, And if they take you to the theater, they apologize for the acting and the dialogue and the plot; They contain more milk of human kindness than the most capacious diary can, But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American. I dread these apologizers even as I am depicting them, I shudder as I think of the hours that must be spend in contradicting them, Because you are very rude if you let them emerge from an argument victorious, And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious, And what particularly bores me with them, Is that half the time you have to politely contradict them when you rudely agree with them, So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf, Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.
Ogden Nash
I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?' 'Tis I' said a voice. 'Who art thou?' 'I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees. A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold. I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")
James Hain Friswell
We were not there when these dreadful things happened, when women were accused of being crows and messengers from hell. We were neither the judge nor the accused, but we carry these things with us, and we have to fight them. The best way to do this is to be who you are, every part of you, the good and the bad, the sorrowful and the joyous. You can never run away. There is nowhere to run to. I think your mother knew that in the end, and that is why she came back here to be buried. We are who we are from the start.
Alice Hoffman (The Rules of Magic)
As for bringing the Necronomicon into objective existence—I wish indeed I had the time and imagination to assist in such a project...but I’m afraid it’s a rather large order—especially since the dreaded volume is supposed to run something like a thousand pages! I have ‘quoted’ from pages as high as 770 or thereabouts. Moreover, one can never produce anything even a tenth as terrible and impressive as one can awesomely hint about. If anyone were to try to write the Necronomicon, it would disappoint all those who have shuddered at cryptic references to it.
H.P. Lovecraft
And lastly were the single women. They would run the gamut from somewhat pretty to somewhat plain, dreadful, incurable diseases that had relegated them to lives of obscurity and boredom. They were hardly unattractive, each having something special to offer, but their figures and faces were more real than the latest Hollywood celebrity gracing the magazine cover at their local supermarket checkout. Outcasts in a non-substantive culture which worshipped only facade, they were hoping for the romance found in the pages of the Harlequins and Harold Robbins novels they read in their bedrooms, a pint of ice cream at their side. Their bedroom was their sanctuary, a place where they could dream of being taken and loved, worshipped and lusted after. If they were lucky, they would take home from Cozumel a sweet memory they would make last a lifetime. Evidence that they had lived. If they were unlucky, they would cross paths with a swarthy local Lothario or worse, a butch cruising for the vulnerable. The unsafe mix of inexperience and loneliness would lead them to acts so shameful and degrading they would never be able to enjoy the innocence of another Harlequin.
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
The psychological condition of fear is divorced from any concrete and true immediate danger. It comes in many forms: unease, worry, anxiety, nervousness, tension, dread, phobia, and so on. This kind of psychological fear is always of something that might happen, not of something that is happening now. You are in the here and now, while your mind is in the future. This creates an anxiety gap. And if you are identified with your mind and have lost touch with the power and simplicity of the Now, that anxiety gap will be your constant companion. You can always cope with the present moment, but you cannot cope with something that is only a mind projection — you cannot cope with the future. Moreover, as long as you are identified with your mind, the ego runs your life, as I pointed out earlier. Because of its phantom nature, and despite elaborate defense mechanisms, the ego is very vulnerable and insecure, and it sees itself as constantly under threat. This, by the way, is the case even if the ego is outwardly very confident. Now remember that an emotion is the body’s reaction to your mind. What message is the body receiving continuously from the ego, the false, mind-made self? Danger, I am under threat. And what is the emotion generated by this continuous message? Fear, of course.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
Then stole into her the hint of ecstasy. She pressed her face to her knees. The very terribleness of the winters-the very fear and dread subduced her and filled her veins with strong wine. And the beauty-the fierce, dreadful beauty of winter! The summers-Oh, the summers! The unbelievable deep blue of the mountain sky-the huge sculptured skies, the green grass-the young animals, wild and free with startled eyes, the swift-running heels kicking, the perfume, smell of sage and mint and pine and grass and clover and snow, clean from the sweep of hundreds of miles of emptiness-and the loneliness-ah, not loneliness, but serene, deep, tranquil solitude.
Mary O'Hara (Thunderhead (Flicka, #2))
All in the wicked darkest eve In blood and shadows alike; We strive to live through mighty pain, By mighty arms unite, Oft mighty hands make plain romance, A traveling heart's plight. Ah, cruel Nine! In such an hour, Beneath such dreadful weather, To beg a tale of life so bleak To stir bound wings of feathers! Yet what can one lone voice avail Against ten tongues together? Imperious Alice tumbles forth Her edict “we will end it”— In wistful tones her people hope “There will be justice in it”— While her men carry on the tale And also help begin it. Shit, this sudden war's begun, In ire giving chase The young woman moving through a land Of wonders dark and base, In friendly tryst with man and beast— The darkness she would face. And ever, as the story changed The wells of knowledge lie, And hearty strove that weary one To put her subjects by, “I am not brave—” “True fear is fine!” The frightened voices cry. Thus grew the tale of Underland: Thus slowly, one by one, Its queer events are fucking wrote— The tale is far from done, And home is where, the girl may ask, As she debates to run. Alice! A terrifying story, And with a skeleton hand Lay it where graveyard's nightmares bury The rebels no longer stand, Like magic's withered throne of corpses Plucked from a far-off land.
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts #1))
Imagine such a happiness. Like drinking wine your whole life, instead of water. Like having Achilles to run your errands.” I did not know the name. His voice rolled like a bard’s: Achilles, prince of Phthia, swiftest of all the Greeks, best of the Achaian warriors at Troy. Beautiful, brilliant, born from the dread nereid Thetis, graceful and deadly as the sea itself. The Trojans had fallen before him like grass before the scythe, and the mighty Prince Hector himself perished at his ash-spear’s end. “You did not like him,” I said. Some inward amusement touched his face. “I appreciated him, in his way. But he made a terrible soldier, however many men he could bleed. He had a number of inconvenient ideas about loyalty and honor. Every day was a new struggle to yoke him to our purpose, keep him straight in his furrow. Then the best part of him died, and he was even more difficult after that. But as I said, his mother was a goddess, and prophecies hung on him like ocean-weed. He wrestled with matters larger than I will ever understand.” It was not a lie, but it was not truth either. He had named Athena as his patron. He had walked with those who could crack the world like eggs. “What was his best part?” “His lover, Patroclus. He didn’t like me much, but then the good ones never do. Achilles went mad when he died; nearly mad, anyway.
Madeline Miller (Circe)
I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy—at all events hoping on in some degree—even after his throat was cut. But in the case of an execution, that last hope—having which it is so immeasurably less dreadful to die,—is taken away from the wretch and certainty substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death—which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him—and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary—why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!
Fyodor Dostoevsky (The Idiot)
Here at the creek mouth the fields run on to the river, the mud deltaed and baring out of its rich alluvial harbored bones and dread waste, a wrack of cratewood and condoms and fruitrinds. Old tins and jars and ruined household artifacts that rear from the fecal mire of the flats like landmarks in the trackless vales of dementia praecox. A world beyond all fantasy, malevolent and tactile and dissociate, the blown lightbulbs like shorn polyps semitranslucent and skullcolored bobbing blindly down and spectral eyes of oil and now and again the beached and stinking forms of foetal humans bloated like young birds mooneyed and bluish or stale gray. Beyond in the dark the river flows in a sluggard ooze toward southern seas, running down out of the rainflattened corn and petty crops and riverloam gardens of upcountry landkeepers, grating along like bonedust, afreight with the past, dreams dispersed in the water someway, nothing ever lost.
Cormac McCarthy (Suttree)
Men as a rule do everything at women's expense, from their first day to the last. They come into the world at our expense, and at our expense they're able to do whatever work they please uninterrupted. We keep their homes pleasant fro them and provide them with all creature comforts, We satisfy both their loves and their lusts, and at our expense again they have the children they desire. When they's ill we nurse them; they recover at our expense; and when they die, we lay them out and see that they leave the world respectably. If ever we can get anything out of them, or use them in any way that make things the least bit more even, it's not only our right to do it, it's a duty we owe to ourselves." [...]"really Virginia, to hear you talk one would think you'd suffered a dreadful injury at the hands of some man or other- and yet you're always telling me that all your best friends were men until the war came". "So they were," said Virginia. "but all my friends were absolute exceptions to the general run of men".
Vera Brittain (The Dark Tide)
Witch Mildred was invited to the wondrous Witches’ Wobble, a Halloween festivity where witches go to gobble. Her snakeskin invitation read: Feasting Starts at Eight! A Grand Buffet (with Skunk Filet!) Hopping on her broomstick, She took off from a thicket. She raced along the back roads to dodge a speeding ticket. A skeleton soon hailed her. (His bones could use some meat!) He pled, “Please! I’m so hungry, I rattle head to feet.” A jack-o’-lantern hollered, “Please take me from this wall, for some, I dread, might use my head as a soccer ball.” Soon the three encountered a ghost who was in tears. “Please take me from this graveyard. It’s much too spooky here.” A shaky, quaky mummy called, “I’m ready to collapse. Please find me a warm hearthside, for I forgot my wraps!” A bat swooped down upon them. He squeaked, “Please wait for me! I’ll go batty when the sexton bongs the bells in my belfry.” A black cat yowled, “Please take me. I need some company, for when I cross their pathways, people run from me!
Elizabeth Spurr (Halloween Sky Ride)
Lament for the Makaris (Makers) I who enjoyed good health and gladness am overwhelmed now by life’s terrible sickness and enfeebled with infirmity ... how the fear of Death dismays me! our presence here is mere vainglory; the false world is but transitory; the flesh is frail; the Fiend runs free ... how the fear of Death dismays me! the state of man is changeable: now sound, now sick, now blithe, now dull, now manic, now devoid of glee ... how the fear of Death dismays me! no state on earth stands here securely; as the wild wind shakes the willow tree, so wavers this world’s vanity ... how the fear of Death dismays me! Death leads the knights into the field (unarmored under helm and shield) sole Victor of each red mêlée ... how the fear of Death dismays me! that strange, despotic Beast tears from its mother’s breast the babe, full of benignity ... how the fear of Death dismays me! He takes the champion of the hour, the captain of the highest tower, the beautiful damsel in her tower ... how the fear of Death dismays me! He spares no lord for his elegance, nor clerk for his intelligence; His dreadful stroke no man can flee ... how the fear of Death dismays me! artist, magician, scientist, orator, debater, theologist, must all conclude, so too, as we: “how the fear of Death dismays me!” in medicine the most astute sawbones and surgeons all fall mute; they cannot save themselves, or flee ... how the fear of Death dismays me! i see the Makers among the unsaved; the greatest of Poets all go to the grave; He does not spare them their faculty ... how the fear of Death dismays me! i have seen the Monster pitilessly devour our noble Chaucer, poetry’s flower, and Lydgate and Gower (great Trinity!) ... how the fear of Death dismays me! since He has taken my brothers all, i know He will not let me live past the fall; His next prey will be — poor unfortunate me! ... how the fear of Death dismays me! there is no remedy for Death; we all must prepare to relinquish breath so that after we die, we may be set free from “the fear of Death dismays me
William Dunbar
Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!” But really, how can a picture hurt you? Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction. Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time. In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Wit­ness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing. Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.
Robert Brown Butler (Architecture Laid Bare!: In Shades of Green)
Arithmetic Matilda longed for her parents to be good and loving and understanding and honourable and intelligent. The fact that they were none of these things was something she had to put up with. It was not easy to do so. But the new game she had invented of punishing one or both of them each time they were beastly to her made her life more or less bearable. Being very small and very young, the only power Matilda had over anyone in her family was brain-power. For sheer cleverness she could run rings around them all. But the fact remained that any five-year-old girl in any family was always obliged to do as she was told, however asinine the orders might be. Thus she was always forced to eat her evening meals out of TV-dinner-trays in front of the dreaded box. She always had to stay alone on weekday afternoons, and whenever she was told to shut up, she had to shut up. Her safety-valve, the thing that prevented her from going round the bend, was the fun of devising and dishing out these splendid punishments, and the lovely thing was that they seemed to work, at any rate for short periods. The father in particular became less cocky
Roald Dahl (Matilda)
The Ideal Man! Oh, the Ideal Man should talk to us as if we were goddesses, and treat us as if we were children. He should refuse all our serious requests, and gratify every one of our whims. He should encourage us to have caprices, and forbid us to have missions. He should always say much more than he means, and always mean much more than he says. He should never run down other pretty women. That would show he had no taste, or make one suspect that he had too much. No; he should be nice about them all, but say that somehow they don't attract him. If we ask him a question about anything, he should give us an answer all about ourselves. He should invariably praise us for whatever qualities he knows we haven't got. But he should be pitiless, quite pitiless, in reproaching us for the virtues that we have never dreamed of possessing. He should never believe that we know the use of useful things. That would be unforgiveable. But he should shower on us everything we don't want. He should persistently compromise us in public, and treat us with absolute respect when we are alone. And yet he should be always ready to have a perfectly terrible scene, whenever we want one, and to become miserable, absolutely miserable, at a moment's notice, and to overwhelm us with just reproaches in less than twenty minutes, and to be positively violent at the end of half an hour, and to leave us for ever at a quarter to eight, when we have to go and dress for dinner. And when, after that, one has seen him for really the last time, and he has refused to take back the little things he has given one, and promised never to communicate with one again, or to write one any foolish letters, he should be perfectly broken-hearted, and telegraph to one all day long, and send one little notes every half-hour by a private hansom, and dine quite alone at the club, so that every one should know how unhappy he was. And after a whole dreadful week, during which one has gone about everywhere with one's husband, just to show how absolutely lonely one was, he may be given a third last parting, in the evening, and then, if his conduct has been quite irreproachable, and one has behaved really badly to him, he should be allowed to admit that he has been entirely in the wrong, and when he has admitted that, it becomes a woman's duty to forgive, and one can do it all over again from the beginning, with variations. His reward? Oh, infinite expectation. That is quite enough for him.
Oscar Wilde (A Woman of No Importance)
Gánga fram to go forward, blöthr to stop, hlaupa if needs you must run, and gánga aptr to go back. You can give more precise instructions if you know more of the ancient language.” He led Eragon to a horse and said, “This is Folkvír. Hold out your hand.” Eragon did, and the stallion snorted, flaring his nostrils. Folkvír sniffed Eragon’s palm, then touched it with his muzzle and allowed Eragon to stroke his thick neck. “Good,” said Narí, appearing satisfied. The elf had Orik do the same with the next horse. As Eragon mounted Folkvír, Saphira drew closer. He looked up at her, noting how troubled she still seemed from the night. One more day, he said. Eragon … She paused. I thought of something while I was under the influence of the elves’ spell, something that I have always considered of little consequence, but now looms within me like a mountain of black dread: Every creature, no matter how pure or monstrous, has a mate of their own kind. Yet I have none. She shuddered and closed her eyes. In this regard, I am alone. Her statements reminded Eragon that she was barely more than eight months old. On most occasions, her youth did not show—due to the influence of her hereditary instincts and memories—but, in this arena, she was even more inexperienced than he was with his feeble stabs at romance in Carvahall and Tronjheim. Pity
Christopher Paolini (Eldest (Inheritance, #2))
I am first affrighted and confounded with that forelorn solitude, in which I am plac'd in my philosophy, and fancy myself some strange uncouth monster, who not being able to mingle and unite in society, has been expell'd all human commerce, and left utterly abandon'd and disconsolate. Fain wou'd I run into the crowd for shelter and warmth; but cannot prevail with myself to mix with such deformity. I call upon others to join me, in order to make a company apart; but no one will hearken to me. Every one keeps at a distance, and dreads that storm, which beats upon me from every side. I have expos'd myself to the enmity of all metaphysicians, logicians, mathematicians, and even theologians; and can I wonder at the insults I must suffer? I have declar'd my disapprobation of their systems; and can I be surpriz'd, if they shou'd express a hatred of mine and of my person? When I look abroad, I foresee on every side, dispute, contradiction, anger, calumny and detraction. When I turn my eye inward, I find nothing but doubt and ignorance. All the world conspires to oppose and contradict me; tho' such is my weakness, that I feel all my opinions loosen and fall of themselves, when unsupported by the approbation of others. Every step I take is with hesitation, and every new reflection makes me dread an error and absurdity in my reasoning.
David Hume (A Treatise of Human Nature)
THE FAIRY REEL If I were young as once I was, and dreams and death more distant then, I wouldn’t split my soul in two, and keep half in the world of men, So half of me would stay at home, and strive for Fäerie in vain, While all the while my soul would stroll up narrow path, down crooked lane, And there would meet a fairy lass and smile and bow with kisses three, She’d pluck wild eagles from the air and nail me to a lightning tree And if my heart would run from her or flee from her, be gone from her, She’d wrap it in a nest of stars and then she’d take it on with her Until one day she’d tire of it, all bored with it and done with it She’d leave it by a burning brook, and off brown boys would run with it. They’d take it and have fun with it and stretch it long and cruel and thin, They’d slice it into four and then they’d string with it a violin. And every day and every night they’d play upon my heart a song So plaintive and so wild and strange that all who heard it danced along And sang and whirled and sank and trod and skipped and slipped and reeled and rolled Until, with eyes as bright as coals, they’d crumble into wheels of gold…. But I am young no longer now; for sixty years my heart’s been gone To play its dreadful music there, beyond the valley of the sun. I watch with envious eyes and mind, the single-souled, who dare not feel The wind that blows beyond the moon, who do not hear the Fairy Reel. If you don’t hear the Fairy Reel, they will not pause to steal your breath. When I was young I was a fool. So wrap me up in dreams and death.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
We were on a family holiday to Cyprus to visit my aunt and uncle. My uncle Andrew was then the brigadier to all the British forces on the island, and as such a senior military figure I am sure he must have dreaded us coming to town. After a few days holed up in the garrison my uncle innocently suggested that maybe we would enjoy a trip to the mountains. He already knew the answer that my father and I would give. We were in. The Troodos Mountains are a small range of snowy peaks in the center of the island, and the soldiers posted to Cyprus use them to ski and train in. There are a couple of ski runs, but the majority of the peaks in winter are wild and unspoiled. In other words, they are ripe for an adventure. Dad and I borrowed two sets of army skis and boots from the garrison up in the hills and spent a great afternoon together skiing down the couple of designated runs. But designated runs can also be quite boring. We both looked at each other and suggested a quick off-piste detour. It was all game…age eleven. It wasn’t very far into this between-the-trees deep-powder detour that the weather, dramatically, and very suddenly, took a turn for the worse. A mountain mist rolled in, reducing visibility to almost zero. We stopped to try and get, or guess, our directions back to the piste, but our guess was wrong, and very soon we both realized we were lost. (Or temporarily geographically challenged, as I have learned to call it.) Dad and I made the mistake that so many do in that situation, and plowed on blind, in the vain hope that the miraculous would occur. We had no map, no compass, no food, no water, no mobile telephone (they hadn’t even been invented yet), and in truth, no likelihood of finding our way. We were perfect candidates for a disaster.
Bear Grylls (Mud, Sweat and Tears)
No matter what level of instruction Marlboro Man gave me, no matter how many pointers, a horse trot for me meant a repeated and violet Slap! Slap! Slap! on the seat of my saddle. My feet were fine--they’d stay securely in the stirrups. But I just couldn’t figure out how to use the muscles in my legs correctly, and I hadn’t yet learned how to post. It was so unpleasant, the whole riding-a-horse business: my bottom would slap, my torso would stiffen, and I’d be sore for days--not to mention that I looked like a complete freak while riding--kind of like a tree trunk with red, stringy hair. Short of taking the rectal temperatures of cows, I’d never felt more out of place doing anything in my life. All of this rushed to the surface when I saw Marlboro Man walking toward me with two of his horses, one of which was clearly meant for me. Where’s my Jeep? I thought. Where’s my torch? I don’t want a horse. My bottom can’t take it. Where’s my Jeep? I’d never wanted to drive a Jeep so much. “Hey,” I said, walking toward him and smiling, trying to appear not only calm but also totally unconcerned about the reality that faced me. “Uh…I thought we were going burning.” I clearly sounded out the g. It was a loud, clanging cymbal. “Oh, we are,” he said, smiling. “But we’ve got to get to some areas the Jeep can’t reach.” My stomach lurched. For more than a couple of seconds, I actually considered feigning illness so I wouldn’t have to go. What can I say? I wondered. That I feel like I’m going to throw up? Or should I just clutch my stomach, groan, then run behind the barn and make dramatic retching sounds? That could be highly effective. Marlboro Man will feel sorry for me and say, “It’s okay…you just go on up to my house and rest. I’ll be back later.” But I don’t think I can go through with it; vomiting is so embarrassing! And besides, if Marlboro Man thinks I vomited, I might not get a kiss today… “Oh, okay,” I said, smiling again and trying to prevent my face from betraying the utter dread that plagued me. I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
I am first affrighted and confounded with that forelorn solitude, in which I am plac'd in my philosophy, and fancy myself some strange uncouth monster, who not being able to mingle and unite in society, has been expell'd all human commerce, and left utterly abandon'd and disconsolate. Fain wou'd I run into the crowd for shelter and warmth; but cannot prevail with myself to mix with such deformity. I call upon others to join me, in order to make a company apart; but no one will hearken to me. Every one keeps at a distance, and dreads that storm, which beats upon me from every side. I have expos'd myself to the enmity of all metaphysicians, logicians, mathematicians, and even theologians; and can I wonder at the insults I must suffer? I have declar'd my disapprobation of their systems; and can I be surpriz'd, if they shou'd express a hatred of mine and of my person? When I look abroad, I foresee on every side, dispute, contradiction, anger, calumny and detraction. When I turn my eye inward, I find nothing but doubt and ignorance. All the world conspires to oppose and contradict me; tho' such is my weakness, that I feel all my opinions loosen and fall of themselves, when unsupported by the approbation of others. Every step I take is with hesitation, and every new reflection makes me dread an error and absurdity in my reasoning. For with what confidence can I venture upon such bold enterprises, when beside those numberless infirmities peculiar to myself, I find so many which are common to human nature? Can I be sure, that in leaving all established opinions I am following truth; and by what criterion shall I distinguish her, even if fortune shou'd at last guide me on her foot-steps? After the most accurate and exact of my reasonings, I can give no reason why I shou'd assent to it; and feel nothing but a strong propensity to consider objects strongly in that view, under which they appear to me. Experience is a principle, which instructs me in the several conjunctions of objects for the past. Habit is another principle, which determines me to expect the same for the future; and both of them conspiring to operate upon the imagination, make me form certain ideas in a more intense and lively manner, than others, which are not attended with the same advantages. Without this quality, by which the mind enlivens some ideas beyond others (which seemingly is so trivial, and so little founded on reason) we cou'd never assent to any argument, nor carry our view beyond those few objects, which are present to our senses. Nay, even to these objects we cou'd never attribute any existence, but what was dependent on the senses; and must comprehend them entirely in that succession of perceptions, which constitutes our self or person. Nay farther, even with relation to that succession, we cou'd only admit of those perceptions, which are immediately present to our consciousness, nor cou'd those lively images, with which the memory presents us, be ever receiv'd as true pictures of past perceptions. The memory, senses, and understanding are, therefore, all of them founded on the imagination, or the vivacity of our ideas.
David Hume (A Treatise of Human Nature)
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
Here at the creek mouth the fields run on to the river, the mud deltaed and baring out of its rich alluvial harbored bones and dread waste, a wrack of cratewood and condoms and fruitrinds. Old tins and jars and ruined household artifacts that rear from the fecal mire of the flats like landmarks in the trackless vales of dementia praecox. A world beyond all fantasy, malevolent and tactile and dissociate, the blown lightbulbs like shorn polyps semitranslucent and skullcolored bobbing blindly down and spectral eyes of oil and now and again the beached and stinking forms of foetal humans bloated like young birds mooneyed and bluish or stale gray. Beyond in the dark the river flows in a sluggard ooze toward southern seas, running down out of the rain flattened corn and petty crops and riverloam gardens of upcountry land keepers, grating along like bonedust,
Cormac McCarthy (Suttree)
I ran through the streets as though I were running away from a nightmare, running faster and faster toward the Inner City, not knowing why I was running in that direction, since to get home I would have had to go in the opposite direction, but perhaps I did not want to go home. If only I’d spent this winter in London! I said to myself. It was four in the morning, and I was running in the direction of the Inner City when I should have been going home. I should have stayed in London at all costs, I told myself, and I kept on running in the direction of the Inner City, without knowing why, and I told myself that London had always brought me happiness and Vienna unhappiness, and I went on running, running, running, as though now, in the eighties, I was once more running away from the fifties, running into the eighties, the dangerous, benighted, mindless eighties, and again it struck me that instead of going to this tasteless artistic dinner I ought to have read my Gogol or my Pascal or my Montaigne, and as I ran it seemed to me that I was running away from the Auersberger nightmare, and with ever greater energy I ran away from the Auersberger nightmare and toward the Inner City, and as I ran I reflected that the city through which I was running, dreadful though I had always felt it to be and still felt it to be, was still the best city there was, that Vienna, which I found detestable and had always found detestable, was suddenly once again the best city in the world, my own city, my beloved Vienna, and that these people, whom I had always hated and still hated and would go on hating, were still the best people in the world: I hated them, yet found them somehow touching—I hated Vienna, yet found it somehow touching—I cursed these people, yet could not help loving them—I hated Vienna yet could not help loving it. And now, as I ran through the streets of the Inner City, I thought: This is my city and always will be my city, these are my people and always will be my people, and as I went on running, I thought: I’ve survived this dreadful artistic dinner, just as I’ve survived all the other horrors. I’ll write about this artistic dinner in the Gentzgasse, I thought, without knowing what I would write—simply that I would write something about it. And as I went on running I thought: I’ll write something at once, no matter what—I’ll write about this artistic dinner in the Gentzgasse at once, now. Now, I thought—at once, I told myself over and over again as I ran through the Inner City—at once, I told myself, now—at once, at once, before it’s too late.
Thomas Bernhard
But I dealt with it. I handled it the same way I handled every wave of dread. I stayed at work until midnight on Friday and went in at seven a.m. on Sunday. I went to work on Christmas and on New Year’s Day. I sometimes worked with tears running down my cheeks, blurring the computer screen. I downed Diet Coke after Diet Coke and ran down to the Korean deli for kimbap and ate two rolls over the course of a day, and then I worked some more. I checked my email and cut my tape or logged my music, and then I texted everyone I knew asking where the next party was. I told myself that everything was fine, that my life was incredible and I wasn’t sad and I’d just send more emails and swig whiskey in order to fall asleep at two a.m. every night, empty bottles lining the foot of my bed.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Fear is generally considered a negative emotion that occurs in response to a threat of danger or harm. This is a natural response meant to protect the human being from pain, injury, or death. Experiencing a sense of fear in worldly life leads a person to run away with dread or to avoid situations where the feared object may be present. The important point, however, is that nothing should be feared more than Allah (سبحانه وتعالى).
Aisha Utz (Psychology from the Islamic Perspective)
Horseman is the haunting sequel to the 1820 novel The Legend of Sleepy Hollow by Washington Irving and takes place two decades after the events that unfolded in the original. We are introduced to 14-year-old trans boy Bente “Ben” Van Brunt, who has been raised by his idiosyncratic grandparents - lively Brom “Bones” Van Brunt and prim Kristina Van Tassel - in the small town of Sleepy Hollow, New York, where gossip and rumour run rife and people are exceedingly closed-minded. He has lived with them on their farm ever since he was orphaned when his parents, Bendix and Fenna, died in suspicious and enigmatic circumstances. Ben and his only friend, Sander, head into the woodland one Autumn day to play a game known as Sleepy Hollow Boys, but they are both a little startled when they witness a group of men they recognise from the village discussing the headless, handless body of a local boy that has just been found. But this isn't the end; it is only the beginning. From that moment on, Ben feels an otherworldly presence following him wherever he ventures, and one day while scanning his grandfather’s fields he catches a fleeting glimpse of a weird creature seemingly sucking blood from a victim. An evil of an altogether different nature. But Ben knows this is not the elusive Horseman who has been the primary focus of folkloric tales in the area for many years because he can both feel and hear his presence. However, unlike others who fear the Headless Horseman, Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman who says he is there to protect him. Ben soon discovers connections between the recent murders and the death of his parents and realises he has been shaded from the truth about them his whole life. Thus begins a journey to unravel the mystery and establish his identity in the process. This is an enthralling and compulsively readable piece of horror fiction building on Irvings’ solid ground. Evoking such feelings as horror, terror, dread and claustrophobic oppressiveness, this tale invites you to immerse yourself in its sinister, creepy and disturbing narrative. The staggering beauty of the remote village location is juxtaposed with the darkness of the demons and devilish spirits that lurk there, and the village residents aren't exactly welcoming to outsiders or accepting of anyone different from their norm. What I love the most is that it is subtle and full of nuance, instead of the usual cheap thrills with which the genre is often pervaded, meaning the feeling of sheer panic creeps up on you when you least expect, and you come to the sudden realisation that the story has managed to get under your skin, into your psyche and even into your dreams (or should that be nightmares?) Published at a time when the nights are closing in and the light diminishes ever more rapidly, not to mention with Halloween around the corner, this is the perfect autumnal read for the spooky season full of both supernatural and real-world horrors. It begins innocuously enough to lull you into a false sense of security but soon becomes bleak and hauntingly atmospheric as well as frightening before descending into true nightmare-inducing territory. A chilling and eerie romp, and a story full of superstition, secrets, folklore and old wives’ tales and with messages about love, loss, belonging, family, grief, being unapologetically you and becoming more accepting and tolerant of those who are different. Highly recommended.
The Metamorphosis of Prime Intellect
Over the next weeks and months, my daughters had to learn to live without their father, and me without my husband. In addition to the overwhelming, everyday tasks like buying groceries, making meals, and getting the girls to their activities, I suddenly had to navigate the legal system and file for divorce. I had to figure out the nearly impossible feat of owning a small business and solo parenting two active, preteen girls. I learned the hard way that you have to remove the leaves from the gutter if you don’t want your basement to flood. I had to muster the courage to pull the hair out of the shower drain. I had to somehow find the time and energy to decontaminate the entire house when the dreaded scourge that is lice made its unwanted appearance. And I had to do it all with the added anger, sadness, and sheer frustration that these were all things John used to take care of. As tempting as it was to collapse, I had two girls who needed me now more than ever. I needed my business to survive. I had a mountain of legal bills—tens of thousands of dollars and increasing daily. As a business owner, if I didn’t work, I didn’t get paid. Stepping away to take care of my mental and emotional state was a luxury I couldn’t afford. I had to balance what was best for my business in the long term with what the girls and I needed in the short term. I had to get through each day and keep moving forward. This meant I toggled back and forth between dealing with this trauma and running a business. I lived in a constant state of holding it all together, while simultaneously watching it all fall apart.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
Normality in our part of the world is a bit like a boiled egg: its humdrum surface conceals at its heart a yolk of egregious violence. It is our constant anxiety about that violence, our memory of its past labors and our dread of its future manifestations, that lays down the rules for how a people as complex and as diverse as we are continue to coexist—continue to live together, tolerate each other and, from time to time, murder one another. As long as the center holds, as long as the yolk doesn’t run, we’ll be fine. In moments of crisis it helps to take the long view.
Arundhati Roy (The Ministry of Utmost Happiness)
The gelding had a broad back, making for a comfortable ride. Yedan rode at a canter. Ahead, the hills thickened with scrub, and beyond was a forest of white trees, branches like twisted bones, leaves so dark as to be almost black. Just before them and running the length of the wooded fringe rose dolmens of grey granite, their edges grooved and faces pitted with cup-shaped, ground-out depressions. Each stone was massive, twice the height of a grown man, and crowding the foot of each one that he could see were skulls. He slowed his mount, reined in a half-dozen paces from the nearest standing stone. Sat motionless, flies buzzing round the horse’s flickering ears, and studied those grisly offerings. Cold judgement was never short of pilgrims. Alas, true justice had no reason to respect secrets, as those close-fisted pilgrims had clearly discovered. A final and fatal revelation. Minute popping sounds in the air announced the approach of dread power, as the buzzing flies ignited in mid-flight, black bodies bursting like acorns in a fire. The horse shied slightly, muscles growing taut beneath Yedan, and then snorted in sudden fear. ‘Hold,’ Yedan murmured, his voice calming the beast. Those of the royal line among the Shake possessed ancient knowledge, memories thick as blood. Tales of ancient foes, sworn enemies of the uncertain Shore. More perhaps than most, the Shake rulers understood that a thing could be both one and the other, or indeed neither. Sides possessed undersides and even those terms were suspect. Language itself stuttered in the face of such complexities, such rampant subtleties of nature. In this place, however, the blended flavours of compassion were anathema to the powers that ruled. Yet the lone figure that strode out from the forest was so unexpected that Yedan Derryg grunted as if he had been punched in the chest. ‘This realm is not yours,’ he said, fighting to control his horse. ‘This land is consecrated for adjudication,’ the Forkrul Assail said. ‘I am named Repose. Give me your name, seeker, that I may know you—’ ‘Before delivering judgement upon me?’ The tall, ungainly creature, naked and weaponless, cocked his head. ‘You are not alone. You and your followers have brought discord to this land. Do not delay me—you cannot evade what hides within you. I shall be your truth.’ ‘I am Yedan Derryg.’ The Forkrul Assail frowned. ‘This yields me no ingress—why is that? How is it you block me, mortal?’ ‘I will give you that answer,’ Yedan replied, slipping down from the horse. He drew his sword. Repose stared at him. ‘Your defiance is useless.’ Yedan advanced on him. ‘Is it? But, how can you know for certain? My name yields you no purchase upon my soul. Why is that?’ ‘Explain this, mortal.’ ‘My name is meaningless. It is my title that holds my truth. My title, and my blood.’ The Forkrul Assail shifted his stance, lifting his hands. ‘One way or another, I will know you, mortal.’ ‘Yes, you will.’ Repose attacked, his hands a blur. But those deadly weapons cut empty air, as Yedan was suddenly behind the Forkrul Assail, sword chopping into the back of the creature’s elongated legs, the iron edge cutting between each leg’s two hinged knees, severing the buried tendons—Repose toppled forward, arms flailing. Yedan chopped down a second time, cutting off the Assail’s left arm. Blue, thin blood sprayed on to the ground. ‘I am Shake,’ Yedan said, raising his sword once more. ‘I am the Watch.’ The sudden hiss from Repose was shortlived, as Yedan’s sword took off the top of the Forkrul Assail’s head.
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
Do not run away from the thought you may be an idiot as if this were a rare and dreadful insight. Accept the certainty with good grace, in full daylight. You are an idiot but there is no other alternative for a human being. We are on a planet of seven billion comparable fools.
The School of Life
in believing that anxiety disorders typically arise from failed efforts to resolve basic existential dilemmas, Dr. W. is, as we will see, running against the grain of modern psychopharmacology (which proffers the evidence of sixty years of drug studies to argue that anxiety and depression are based on “chemical imbalances”), neuroscience (whose emergence has demonstrated not only the brain activity associated with various emotional states but also, in some cases, the specific structural abnormalities associated with mental illness), and temperament studies and molecular genetics (which suggest, rather convincingly, a powerful role for heredity in the determination of one’s baseline level of anxiety and susceptibility to psychiatric illness). Dr. W. doesn’t dispute the findings from any of those modes of inquiry. He believes medication can be an effective treatment for the symptoms of anxiety. But his view, based on thirty years of clinical work with hundreds of anxious patients, is that at the root of almost all clinical anxiety is some kind of existential crisis about what he calls the “ontological givens”—that we will grow old, that we will die, that we will lose people we love, that we will likely endure identity-shaking professional failures and personal humiliations, that we must struggle to find meaning and purpose in our lives, and that we must make trade-offs between personal freedom and emotional security and between our desires and the constraints of our relationships and our communities. In this view, our phobias of rats or snakes or cheese or honey (yes, honey; the actor Richard Burton could not bear to be in a room with honey, even if it was sealed in a jar, even if the jar was closed in a drawer) are displacements of our deeper existential concerns projected onto outward things. Early
Scott Stossel (My Age of Anxiety: Fear, Hope, Dread, and the Search for Peace of Mind)
When man lost his faith in God and in reason, existentialists like Kierkegaard and Sartre believed, he found himself adrift in the universe and therefore adrift in anxiety. But for the existentialists, what generated anxiety was not the godlessness of the world, per se, but rather the freedom to choose between God and godlessness. Though freedom is something we actively seek, the freedom to choose generates anxiety. “When I behold my possibilities,” Kierkegaard wrote, “I experience that dread which is the dizziness of freedom, and my choice is made in fear and trembling.” Many people try to flee anxiety by fleeing choice. This helps explain the perverse-seeming appeal of authoritarian societies—the certainties of a rigid, choiceless society can be very reassuring—and why times of upheaval so often produce extremist leaders and movements: Hitler in Weimar Germany, Father Coughlin in Depression-era America, or Jean-Marie Le Pen in France and Vladimir Putin in Russia today. But running from anxiety, Kierkegaard believed, was a mistake because anxiety was a “school” that taught people to come to terms with the human condition. §
Scott Stossel (My Age of Anxiety: Fear, Hope, Dread, and the Search for Peace of Mind)
Inflation by Maisie Aletha Smikle Inflation is like a vampire Persistently sucking life from purchasing power Forcing purchasing power to expire And dwindle like pieces of eroded wire Inflation is like a parasite Infecting goods and services With all its might Stirring up fright and causing a fight Escalation and Appreciation Have permanently replace Deflation Pushing up Valuation to get more Taxation Even with full Depreciation Whether demand goes up Or whether demand goes down Prices spiral up like a dreaded tornado And prices remain up like floating cirrus clouds Prices never return To where they started Prices are like wandering nomads Always moving and never settling Inflation Inflation Inflation Controllable by all nations Is running repetitive marathons Around every nation Forcing purchasing power into extinction Causing deflation abandonment Shoving deflation into exile To retire for a very long while
Maisie Aletha Smikle
If she knew I went out again,' he said, 'I could get youth custody.' 'If she shopped you, you mean?' He nodded. 'But... sod it... to cut a foot off a horse...' Perhaps the better nature was somewhere there after all. Stealing cars was OK, maiming racehorses wasn't. He wouldn't have blinded those ponies: he wasn't that sort of lout. 'If I fix it with your aunt, will you tell me?' I asked. 'Make her promise not to tell Archie. He's worse.' 'Er,' I said, 'who is Archie?' 'My uncle. Aunt Betty's brother. He's Establishment, man. He's the flogging classes.' I made no promises. I said, 'Just spill the beans.' 'In three weeks I'll be sixteen.' He looked at me intently for reaction, but all he'd caused in me was puzzlement. I thought the cut-off age for crime to be considered 'juvenile' was two years older. He wouldn't be sent to an adult jail. Jonathan saw my lack of understanding. He said impatiently, 'You can't be underage for sex if you're a man, only if you're a girl.' 'Are you sure?' 'She says so.' 'Your Aunt Betty?' I felt lost. 'No, stupid. The woman in the village.' 'Oh... ah.' 'Her old man's a long-distance truck driver. He's away for nights on end. He'd kill me. Youth custody would be apple pie,' 'Difficult,' I said. 'She wants it, see? I'd never done it before. I bought her a gin in the pub.' Which, at fifteen, was definitely illegal to start with. 'So... um...,' I said, 'last night you were coming back from the village... When, exactly?' 'It was dark. Just before dawn. There had been more moon light earlier, but I'd left it late. I was running. She-Aunt Betty-she wakes with the cocks. She lets the dogs out before six.' His agitation, I thought, was producing what sounded like truth. I thought, and asked, 'Did you see any ramblers?' 'No. It was earlier than them.' I held my breath. I had to ask the next question, and dreaded the answer.
Dick Francis (Come to Grief (Sid Halley, #3))
Line of AuNor, dragon bold Flows to me from days of old, And through years lost in the mist My blood names a famous list. By Air, by Water, by Fire, by Earth In pride I claim a noble birth. From EmLar Gray, a deadly deed By his flame Urlant was freed, Of fearsome hosts of blighters dark And took his reward: a golden ark! My Mother’s sire knew battle well Before him nine-score villages fell. When AuRye Red coursed the sky Elven arrows in vain would fly, He broke the ranks of men at will In glittering mines dwarves he’d kill. Grandsire he is through Father’s blood A river of strength in fullest flood. My egg was one of Irelia’s Clutch Her wisdom passed in mental touch. Mother took up before ever I woke The parent dragon’s heavy yoke; For me, her son, she lost her life Murderous dwarves brought blackened knife. A father I had in the Bronze AuRel Hunter of renown upon wood and fell He gave his clutch through lessons hard A chance at life beyond his guard. Father taught me where, and when, and how To fight or flee, so I sing now. Wistala, sibling, brilliant green Escaped with me the axes keen We hunted as pair, made our kill From stormy raindrops drank our fill When elves and dwarves took after us I told her “Run,” and lost her thus. Bound by ropes; by Hazeleye freed And dolphin-rescued in time of need I hid among men with fishing boats On island thick with blown sea-oats I became a drake and breathed first fire When dolphin-slaughter aroused my ire. I ran with wolves of Blackhard’s pack Killed three hunters on my track The Dragonblade’s men sought my hide But I escaped through a fangèd tide Of canine friends, assembled Thing Then met young Djer, who cut collar-ring. I crossed the steppes with dwarves of trade On the banks of the Vhydic Ironriders slayed Then sought out NooMoahk, dragon black And took my Hieba daughter back To find her kind; then took first flight Saw NooMoahk buried in honor right. When war came to friends I long had known My path was set, my heart was stone I sought the source of dreadful hate And on this Isle I met my fate Found Natasatch in a cavern deep So I had one more promise to keep. To claim this day my life’s sole mate In future years to share my fate A dragon’s troth is this day pledged To she who’ll see me fully fledged. Through this dragon’s life, as dragon-dame shall add your blood to my family’s fame.
E.E. Knight (Dragon Champion (Age of Fire, #1))
It may seem amazing that these men, in the habit of exposing their life every day in their expeditions over the glaciers in pursuit of wild beasts, should lose heart so soon; but let no one forget that in vulgar hearts courage is purely local. A man may laugh at shot and shell, and shiver in the dark or on the edge of a precipice; a man may face fierce animals daily, leap across fearful abysses, and yet run from a volley of artillery. Fearlessness is often only a habit; and one who has ceased to fear death under certain forms, dreads it none the less.
Victor Hugo (Complete Works of Victor Hugo)
As often as possible, sometimes at all costs, and often times in spite of good reason, we are both compelled by our psyche and pressured by our social circumstances to always be right. And when we aren’t, it hurts. So much so that it can often create horrible sensations in the brain akin to real physical pain. And so, we of course try to avoid it, or at least admitting it, at all costs. And yet, it is impossible to avoid. And furthermore, it is possibly the case that fundamentally, we are never actually right at all. In the words of St. Augustine, “I err, therefore I am.” As a consciousness, in the form that we are born into, we are all put up against the imperative of our mind to desire absolute truth, while simultaneously, the seeming imperative of the natural world that prohibits us from obtaining it. We will all cling to reason and answers and worldviews just to have them smashed to pieces time and time again, whether we know it or admit it to ourselves or not. We will all likely not only be wrong often but right rarely, even in the meta, subjective sense. And so, perhaps we can and must learn how to be ok with this if we wish to be ok with consciousness. Perhaps we must learn how to fundamentally be ok with being wrong, or we will loath ourselves until the end. Perhaps we must love and accept the hypocrisy that runs through the very veins of the human condition, or we will hate all of humankind. Perhaps we must learn how to dial back our expectations and the degree in which we dread over the inevitable failure of everything we believe, and the beliefs of others just the same. This is not to make light of the immense challenge of such an arduous endeavor. It is an endless upward climb of surpassing one’s default mode and understanding of the world. But perhaps if we can, at least some of the time, succeed in doing so, we can feel a little less embarrassed, disgusted, miserable, ashamed, bitter, angry, and all the rest, and perhaps we can be a little less wrong a little more often. This apparent impossibility of successfully thinking paired with the inability to ever not be thinking, seems to beg the question: is consciousness a gift or a curse? Or perhaps some combination of both? Perhaps the answer depends on whether or not all of this, the ability to be curious about and discuss things like the possible impossibility of ever truly being right is worth possibly never being right about anything. And perhaps such a truth can only be answered by you.
Robert Pantano
Aghi!" His name was raw in my throat. His chin lifted at the strangled sound and his eyes searched the body-littered expanse. When they found me, they transfigured from worry to fear. He dropped his shield and ran to me. I sank to my knees, my head swimming. He fell beside me, hands running over my body and fingers sliding over blood and sweat-soaked skin. He looked me over carefully, dread pushing its way onto his face.
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
So, the whole reason you feel “condemned” all the time could simply be your failure to accept and embrace what is written in the Scriptures. On the other hand, there could be a very different reason for the uncomfortable feelings you are experiencing. It could be that the Spirit is dealing with you because of unconfessed, unforsaken sin in your life, but you are mistaking conviction for condemnation. This confusion can be fatal, since conviction is something we must have if we become insensitive to sin. Conviction is good, not bad, something sent from heaven, not manufactured in hell.               If we can continue in sin without conviction, that is a real danger sign. Either our hearts have become so hard that we no longer sense the prodding and reproving of the Spirit, or, worse than that, the Spirit has simply left us alone–an absolutely dreadful prospect. You should thank God when His conviction breaks your heart, fully yielding to the Spirit, since heeding His rebuke always brings life.               Maybe there’s something wrong in your life and you know it. That’s why there is that gnawing pain deep within. Unfortunately, many believers who confuse conviction with condemnation are driven away from the Lord, always feeling rejected and therefore dejected. Other believers, also mistaking conviction for condemnation, react in the opposite way, saying, “That feeling is not from God. I rebuke you, Satan![64] That’s just legalism at its worst.” And so, rather than repent, they run. And this means that neither group responds correctly to the conviction of the Spirit!               What then is the difference between conviction and condemnation? Conviction is like the work of the prosecuting attorney, proving his case against the defendant and exposing his crime.[65] Condemnation is like the judge’s gavel coming down with a final, irreversible verdict of “Guilty!”[66] Conviction says, “You have sinned. Come back to Me!” Condemnation says, “You are guilty. Get away from Me!”               When God convicts the unsaved, He does it to bring them to conversion. As long as they are being convicted, they are not yet hopelessly condemned. When God convicts the saved, He does it to bring His straying saints back to Himself. Conviction for us means that we are still part of the family, since, “If you are not disciplined (and everyone undergoes discipline), then you are illegitimate children and not true sons” (Heb. 12:9). When we are convicted and even chastised by our Father, that is the time to come to Him and confess our sins, finding mercy through the blood of Jesus and receiving grace to turn from sin. But condemnation is an entirely different story. There is no mercy there! It is a place where judgment rules and damnation reigns. It has nothing to do with us!
Michael L. Brown (Go and Sin No More: A Call to Holiness)
If the human race ever wishes to master time travel then the answer is through chemical and not mechanical means. Speed is time travel. It will pilfer away at the space-time around you without your consent, propelling you forward through time. The human body is a vehicle of flux. It is exhilarating to move rhythmically, pulsing, stepping through pockets of your existence in fluid motions. The time that speed steals from you, it gives back with interest, cold and hard on a Monday morning. It brings with it a terrifying despair that creeps upon you. It is a black, slow-motion suicide. The ceiling begins to drip and ooze grey-brown sludge. Aural hallucinations, the demons of psychosis, speak wordless words of pure dread... Sometimes I would laugh and giggle hysterically at inane nonsensical stories that would play out in my mind. I would watch them unfold, like a lucid dream, weird images, Boschian forms, twisted nightmares... And I would weep. I would weep for nothing with salty tears, rivers of anguish and existential pain running down my face, dripping quietly onto the carpet. Day after day, I would unravel myself, dissect, and analyse my life over and over until I was exhausted and insane. Speed is not an insightful drug. It will not delude you into a false sense of spirituality like hallucinogens. It is the aftermath and the come down from speed that will rip open your ego and show you the bare, horrible bones of yourself. It will open the beautiful black doorway inside you and it will show you nothing. Through the darkness of internal isolation, the amphetamine comedown will show you no god, no spirituality, no soul, just your own perishable flesh, and your own animal self-preservation. It will show you clearly just how ugly you really are inside. In the emptiness of yourself, there is only the knowledge of your eventual death. When you have truly faced yourself and recognised yourself as purely animal then you become liberated from the societal pretence that you are above or better than any other creature. You are a human animal. You are naturally motivated to be selfish. Everything you do, every act you partake of, is in its essence an act of survival. No act of the human-animal happens without the satisfaction of the ego’s position in existence…
Steven LaVey (The Ugly Spirit)
September 15 “And a man shall be as an hiding-place from the wind, and a covert from the tempest.” Isaiah 32:2 WHO this man is we all know. Who could he be but the Second Man, the Lord from Heaven, the Man of sorrows, the Son of man? What a hiding-place he has been to his people! He bears the full force of the wind himself, and so he shelters those who hide themselves in him. We have thus escaped the wrath of God, and we shall thus escape the anger of men, the cares of this life, and the dread of death. Why do we stand in the wind when we may so readily and so surely get out of it by hiding behind our Lord? Let us this day run to him, and be at peace. Often the common wind of trouble rises in its force and becomes a tempest, sweeping everything before it. Things which looked firm and stable rock in the blast, and many and great are the falls among our carnal confidences. Our Lord Jesus, the glorious Man, is a covert which is never blown down. In him we mark the tempest sweeping by, but we ourselves rest in delightful serenity. This day let us just stow ourselves away in our hiding-place, and sit and sing under the protection of our covert. Blessed Jesus! Blessed Jesus! How we love thee! Well we may, for thou art to us a shelter in the time of storm.
Charles Haddon Spurgeon (The Chequebook of the Bank of Faith: Precious Promises Arranged for Daily Use with Brief Comments)
7 Traits you Need in an Employee to Really Help You Build Your Business As a counsel to new businesses, and a tutor many desiring business visionaries, despite everything i’m shocked at the number who are resolved to go at only it. Surprisingly more dreadful, when they make sense of that they truly require enable, the primary spot they to look is for an understudy or untrained helpers. They don’t understand that these lone increment their workload, because of preparing and administration, as opposed to offloading genuine work. Partners do what you say, while individuals more astute than you in their space do what you require, with no consideration from you. Truth be told, if you are focusing, you can really gain from what they do. For instance, creators need to stay with their imaginative abilities, and discover an accomplice who knows how to construct a business around it. That is a win-win for the two accomplices. In this manner top business people invest as much energy getting the correct group set up to maintain the business as building the item or administration. Tragically, some are so enamored with themselves (narcissistic), that they can’t be persuaded that any other person could run their accounts, or go up against marketing.True pioneers know how to appoint and tune in, and let others do what they know best.
Businessplans
7 Traits you Need in an Employee to Really Help You Build Your Business As a counsel to new businesses, and a tutor many desiring business visionaries, despite everything i’m shocked at the number who are resolved to go at only it. Surprisingly more dreadful, when they make sense of that they truly require enable, the primary spot they to look is for an understudy or untrained helpers. They don’t understand that these lone increment their workload, because of preparing and administration, as opposed to offloading genuine work. Partners do what you say, while individuals more astute than you in their space do what you require, with no consideration from you. Truth be told, if you are focusing, you can really gain from what they do. For instance, creators need to stay with their imaginative abilities, and discover an accomplice who knows how to construct a business around it. That is a win-win for the two accomplices. In this manner top business people invest as much energy getting the correct group set up to maintain the business as building the item or administration. Tragically, some are so enamored with themselves (narcissistic), that they can’t be persuaded that any other person could run their accounts, or go up against marketing.True pioneers know how to appoint and tune in, and let others do what they know best. So, in case you’re executing yourself with work, and following up on everything about, might need to take a gander at your group to guarantee you’ve encircle yourself with the privilege people.Of course, the correct ones may cost you value, yet a little level of a major business is worth much more to you than a substantial piece of nothing. Here are a few ascribes to search for in the general population you require: 1. Related knowledge and abilities to supplement your qualities Would you endeavor to fabricate the place you had always wanted, with arbitrary assistants demonstrating no involvement? Discover an accomplice who has managed the substances of innovation, devices, and financing. A startup has enough questions, without numbness of the nuts and bolts. Try not to rehash the oversights of others. 2. Demonstrated reputation of completing things Diligent work is important, however not adequate to begin another business. Building a decent arrangement, and measuring against that arrangement is pivotal to developing any business. Regularly individuals with cutting edge degrees have scholarly smarts, however are not closers. You can’t stand to settle on each choice, or follow-up on each activity. 3. Create and propose their own concern arrangements How regularly do the general population around you prescribe arrangements, as opposed to feature issues? In case you’re cooperating with individuals who are more astute than you, you ought to be as often as possible amazed with their new thoughts and arrangements. You may not generally concur, but rather you will be always gaining from them. 4. Reliably enthusiastic and positive in a part The savvy individuals you need are as positive and enthusiastic about your business as you seem to be. They assume possession and liability for their activities. They persuade you with their activities that they comprehend the master plan. They contend unhesitatingly and intentionally, as opposed to protectively. 5. Invest more energy tuning in than talking It’s hard for colleagues to learn while they are talking. Search for colleagues who are attentive people, where you end up searching them out, as opposed to dependably the a different way. It’s awesome to group with individuals that you can imagine working for sometime in the not so distant future, or taking control of your business. 6. Push you to concentrate on vital components and being a superior pioneer You require individuals around you asking the correct inquiries, and testing you on key issues, as opposed to the emergency of the day.
Businessplans
The country no longer felt like the innocent place it was said to be in the Eisenhower fifties. Political murder, economic injustice and institutionalized racism were all powerfully and brutally present. These were issues that had previously been relegated to the margins of American life. Dread—the sense that things might not work out, that the moral high ground had been swept out from underneath us, that the dream we had of ourselves had somehow been tainted and the future would forever be uninsured—was in the air.
Bruce Springsteen (Born to Run)
Some of the stitches have come out,” she fussed to Sing Cho, who was squinting in the darkness and giving his handiwork a solemn inspection. “Should not ride,” Sing Cho scolded. “Should not herd cattle.” He trotted away to fetch his satchel from the supply wagon. “Should not make babies,” Steven whispered, bending toward a worried Emma and kissing her on the tip of her nose. Emma was blushing, remembering how wanton she’d been—she the seducer, and Steven the seduced. It was probably her fault that his sutures had come open. “Be quiet!” she said, out of guilt and impatience. He grinned. “I hope I put a child inside you tonight,” he said in a voice that was just a tone too loud for Emma’s comfort. She lowered her eyes, hoping the same thing, and more. She wanted the baby, but she needed for Steven to be with her all the while it was growing up, too. She had borne so much loss in her life: Grammie, her mother, Lily, Caroline. She could not lose Steven, too; the thought was incomprehensible. “We can’t go to New Orleans,” she whispered. “We have to run—make a new start somewhere else—” He laid an index finger to her lips just as Sing Cho returned with the dreaded needle and spool of catgut. “I want my birthright, Emma,” he said with quiet sternness. “I want my share of Fairhaven.” “Enough to die for it?” Emma said in a strangled voice, as Sing Cho edged her aside to sew up the place where Steven’s wound had split. This time there was no whiskey to deaden the pain, and he grimaced as the needle bit into already tender, inflamed flesh. “I’m through running,” he insisted. “It’s time I fought for what’s mine.” Emma turned away, unable to bear his suffering anymore, covering her eyes against the terrible images that flashed through her mind. Ignoring
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
I’d been proud of the parlor, over which I had spent a great deal of time. The ceiling had inlaid tiles in the same summer-sky blue that comprised the main color of the rugs and cushions and the tapestry on the wall opposite the newly glassed windows. Now I sneaked a look at the Marquis, dreading an expression of amusement or disdain. But his attention seemed to be reserved for the lady as he led her to the scattering of cushions before the fireplace, where she knelt down with a graceful sweeping of her skirts. Bran went over and opened the fire vents. “If I’d known of your arrival, it would have been warm in here.” Bran looked over his shoulder in surprise. “Well, where d’you spend your days? Not still in the kitchens?” “In the kitchens and the library and wherever else I’m needed,” I said; and though I tried to sound cheery, it came out sounding resentful. “I’ll be back after I see about food and drink.” Feeling very much like I was making a cowardly retreat, I ran down the long halls to the kitchen, cursing my bad luck as I went. There I found Julen, Oria, the new cook, and his assistant all standing in a knot talking at once. As soon as I appeared, the conversation stopped. Julen and Oria turned to face me--Oria on the verge of laughter. “The lady can have the new rose room, and the lord the corner suite next to your brother. But they’ve got an army of servants with them, Countess,” Julen said heavily. Whenever she called me Countess, it was a sure sign she was deeply disturbed over something. “Where’ll we house them? There’s no space in our wing, not till we finish the walls.” “And who’s to wait on whom?” Oria asked as she carefully brought my mother’s good silver trays out from the wall-shelves behind the new-woven coverings. “Glad we’ve kept these polished,” she added. “I’d say find out how many of those fancy palace servants are kitchen trained, and draft ‘em. And then see if some of the people from that new inn will come up, for extra wages. Bran can unpocket the extra pay,” I said darkly, “if he’s going to make a habit of disappearing for half a year and reappearing with armies of retainers. As for housing, well, the garrison does have a new roof, so they can all sleep there. We’ve got those new Fire Sticks to warm ‘em up with.” “What about meals for your guests?” Oria said, her eyes wide. I’d told Oria last summer that she could become steward of the house. While I’d been ordering books on trade, and world history, and governments, she had been doing research on how the great houses were currently run; and it was she who had hired Demnan, the new cook. We’d eaten well over the winter, thanks to his genius. I looked at Oria. “This is it. No longer just us, no longer practice, it’s time to dig out all your plans for running a fine house for a noble family. Bran and his two Court guests will need something now after their long journey, and I have no idea what’s proper to offer Court people.” “Well, I do,” Oria said, whirling around, hands on hips, her face flushed with pleasure. “We’ll make you proud, I promise.” I sighed. “Then…I guess I’d better go back.” As I ran to the parlor, pausing only to ditch my blanket in an empty room, I steeled myself to be polite and pleasant no matter how much my exasperating brother inadvertently provoked me--but when I pushed aside the tapestry at the door, they weren’t there. And why should they be? This was Branaric’s home, too.
Sherwood Smith (Court Duel (Crown & Court, #2))
At the corner he stopped in the liquor store to buy a pint. He pretended to deliberate a moment, considering the various brands, knowing all the while he would buy the bottle that was just under a dollar as he always did, no matter how much money he had in his pocket; for he had a dread of running out of cash and being cut off from drink and so bought only the cheapest, to make it last. Liquor was all one anyway.
Charles Jackson (The Lost Weekend (Vintage))
PRAY: Veni Creator Come, 0 Creator Spirit blest! And in our souls take up Thy rest; Come with Thy grace and heavenly aid, To fill the hearts which Thou hast made. Great Paraclete! To Thee we cry, Highest gift of God Most High! O font of life! O fire of love! And sweet anointing from above. Thou in Thy sevenfold gifts art known, The finger of God's hand we own; The promise of the Father, Thou! Who dost the tongue with power endow. Kindle our senses from above, And make our hearts o'erflow with love; With patience firm and virtue high The weakness of our flesh supply. Far from us drive the foe we dread, And grant us Thy true peace instead; So shall we not, with Thee for guide, Turn from the path of life aside. Oh, may Thy grace on us bestow The Father and the Son to know, And Thee, through endless times confessed, Of both, the eternal Spirit blest. In glory while the ages run Be to the Father and the Son Who rose from death; the same to Thee, Holy Ghost, eternally. Amen.
Louis de Montfort (True Devotion to Mary: With Preparation for Total Consecration)
SHREK Written by William Steig & Ted Elliott SHREK Once upon a time there was a lovely princess. But she had an enchantment upon her of a fearful sort which could only be broken by love's first kiss. She was locked away in a castle guarded by a terrible fire-breathing dragon. Many brave knights had attempted to free her from this dreadful prison, but non prevailed. She waited in the dragon's keep in the highest room of the tallest tower for her true love and true love's first kiss. (laughs) Like that's ever gonna happen. What a load of - (toilet flush) Allstar - by Smashmouth begins to play. Shrek goes about his day. While in a nearby town, the villagers get together to go after the ogre. NIGHT - NEAR SHREK'S HOME MAN1 Think it's in there? MAN2 All right. Let's get it! MAN1 Whoa. Hold on. Do you know what that thing can do to you? MAN3 Yeah, it'll grind your bones for it's bread. Shrek sneaks up behind them and laughs. SHREK Yes, well, actually, that would be a giant. Now, ogres, oh they're much worse. They'll make a suit from your freshly peeled skin. MEN No! SHREK They'll shave your liver. Squeeze the jelly from your eyes! Actually, it's quite good on toast. MAN1 Back! Back, beast! Back! I warn ya! (waves the torch at Shrek.) Shrek calmly licks his fingers and extinguishes the torch. The men shrink back away from him. Shrek roars very loudly and long and his breath extinguishes all the remaining torches until the men are in the dark. SHREK This is the part where you run away. (The men scramble to get away. He laughs.) And stay out! (looks down and picks up a piece of paper. Reads.) "Wanted. Fairy tale creatures."(He sighs and throws the paper over his shoulder.)
Lois Lowry (The Giver (The Giver, #1))
Sméagol,’ he said, ‘I will trust you once more. Indeed it seems that I must do so, and that it is my fate to receive help from you, where I least looked for it, and your fate to help me whom you long pursued with evil purpose. So far you have deserved well of me and have kept your promise truly. Truly, I say and mean,’ he added with a glance at Sam, ‘for twice now we have been in your power, and you have done no harm to us. Nor have you tried to take from me what you once sought. May the third time prove the best! But I warn you, Sméagol, you are in danger.’ ‘Yes, yes, master!’ said Gollum. ‘Dreadful danger! Sméagol’s bones shake to think of it, but he doesn’t run away. He must help nice master.’ ‘I did not mean the danger that we all share,’ said Frodo. ‘I mean a danger to yourself alone. You swore a promise by what you call the Precious. Remember that! It will hold you to it; but it will seek a way to twist it to your own undoing. Already you are being twisted. You revealed yourself to me just now, foolishly. Give it back to Sméagol you said. Do not say that again! Do not let that thought grow in you! You will never get it back. But the desire of it may betray you to a bitter end. You will never get it back. In the last need, Sméagol, I should put on the Precious; and the Precious mastered you long ago. If I, wearing it, were to command you, you would obey, even if it were to leap from a precipice or to cast yourself into the fire. And such would be my command. So have a care, Sméagol!’ Sam looked at his master with approval, but also with surprise: there was a look in his face and a tone in his voice that he had not known before. It had always been a notion of his that the kindness of dear Mr. Frodo was of such a high degree that it must imply a fair measure of blindness. Of course, he also firmly held the incompatible belief that Mr. Frodo was the wisest person in the world (with the possible exception of Old Mr. Bilbo and of Gandalf). Gollum in his own way, and with much more excuse as his acquaintance was much briefer, may have made a similar mistake, confusing kindness and blindness. At any rate this speech abashed and terrified him. He grovelled on the ground and could speak no clear words but nice master. Frodo waited patiently for a while, then he spoke again less sternly. ‘Come now, Gollum or Sméagol if you wish, tell me of this other way, and show me, if you can, what hope there is in it, enough to justify me in turning aside from my plain path. I am in haste.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
I don’t particularly care what they say,” I admitted to him one afternoon in late Fructis as we walked in the garden. “I have the chance to go abroad and see dragons; I do not think anything they say could steal that happiness from me.”   Jacob sighed. “Isabella, my dear—I am sure it feels that way now, when you are to go see dragons, but do remember that we will be returning to Scirland when the expedition is done. If you snub society ladies now, you will have to face them again later.”   “Perhaps I could bring back a dragon to frighten them with. Just a small one, nothing extravagant; Lord Hilford has caught them before.”   “Isabella—”   I laughed and twirled a few steps down the path, arms wide in the sunlight. “Of course I’m not serious, dear. Where would we keep a dragon? In my sparkling shed? It would make a dreadful mess, and undo all my careful work.”   Despite himself, Jacob laughed. “You’re like a little girl who’s been told for the first time that she may have a pony.”   “Ponies!” I dismissed these with a snort. “Can ponies fly, or breathe particles of ice upon those who vex them? I think not. Ponies, indeed.”   “Perhaps I shall tell the society gossips that you have become deranged,” Jacob mused, “and that I am installing you in a sanatorium for your own safety. I’m sure they would believe that.”   “Tell them I am deranged; tell them I am dead; tell them I have run off to be a dancing girl in Chiavora. I don’t care.
Marie Brennan (A Natural History of Dragons (The Memoirs of Lady Trent, #1))
Nothing is definite, nothing precise. Evil is a free-floating force and can inhabit the most commonplace objects. Fear of the dark is essentially unspecific; like darkness itself, it is formless, engulfing, full of menace, full of death. The rest is child's play: naming the demons (Satan, Beelzebub, Hecate, Lucifer) and filling in the details (fangs, claws, bats' wings, goats' horns, toad's skin, dragon's tail) are ways of sanitising the nameless dread, of containing the uncontainable. In horror movies, no matter how brilliant the special effects, the moment where the monster is finally revealed is invariably a disappointment. The creature from the black lagoon or the morgue or the pit or outer space is always easier to live with, however dangerously, than the nebulous shapes created by the imagination running free. Once you can put a face on evil, it becomes, as Hannah Arendt said, banal.
A. Alvarez (Night: An Exploration of Night Life, Night Language, Sleep and Dreams)
During the next two weeks Trurl fed general instructions into his future electropoet, then set up all the necessary logic circuits, emotive elements, semantic centers. He was about to invite Klapaucius to attend a trial run, but thought better of it and started the machine himself. It immediately proceeded to deliver a lecture on the grinding of crystallographical surfaces as an introduction to the study of submolecular magnetic anomalies. Trurl bypassed half the logic circuits and made the emotive more electromotive; the machine sobbed, went into hysterics, then finally said, blubbering terribly, what a cruel, cruel world this was. Trurl intensified the semantic fields and attached a strength of character component; the machine informed him that from now on he would carry out its every wish and to begin with add six floors to the nine it already had, so it could better meditate upon the meaning of existence. Trurl installed a philosophical throttle instead; the machine fell silent and sulked. Only after endless pleading and cajoling was he able to get it to recite something: "I had a little froggy." That appeared to exhaust its repertoire. Trurl adjusted, modulated, expostulated, disconnected, ran checks, reconnected, reset, did everything he could think of, and the machine presented him with a poem that made him thank heaven Klapaucius wasn't there to laugh — imagine, simulating the whole Universe from scratch, not to mention Civilization in every particular, and to end up with such dreadful doggerel! Trurl put in six cliché filters, but they snapped like matches; he had to make them out of pure corundum steel. This seemed to work, so he jacked the semanticity up all the way, plugged in an alternating rhyme generator — which nearly ruined everything, since the machine resolved to become a missionary among destitute tribes on far-flung planets. But at the very last minute, just as he was ready to give up and take a hammer to it, Trurl was struck by an inspiration; tossing out all the logic circuits, he replaced them with self-regulating egocentripetal narcissistors. The machine simpered a little, whimpered a little, laughed bitterly, complained of an awful pain on its third floor, said that in general it was fed up, through, life was beautiful but men were such beasts and how sorry they'd all be when it was dead and gone. Then it asked for pen and paper.
Stanisław Lem (The Cyberiad)
The law of large numbers explains why casinos always make money in the long run.
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
pg 41-42 The angels rejoice when we come home. We don't grieve when babies enter the world. The hosts of heaven don't weep when we leave it.... Do you dread your own death? Robbing you of life? Jesus came to deliver those who have lived all their lives as slaves to the fear of dying. Heb 2:15 Think of Lazarus called back to this place. Lazarus doesn't question the call. Everyone knows that voice. This showed who runs the show. A warmup for the big day when all those in Christ will rise. 1 Cor 15:54-44. Prepare for death by making sure Jesus refers to you with the same term of endearment as with Lazarus - friend. Ps 116:15, not relying on my own feeble strength (Prov 11:7). Dread of death ends when you know heaven is your true home. May your death find you pointing in the same direction. Give God your death. I entrust you with my departure from earth. Paraphrase
Max Lucado
Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.
Jorge Luis Borges
Raising his fist, Hayder knocked on the condo door but didn’t wait for an answer. Being the pride’s beta gave him certain liberties, such as access to all the units in the building— a building owned and managed by, you guessed it, the pride. Slapping his hand on the control panel alongside the door, he waited for the telltale click before turning the handle to open it. In he walked, uninvited, only to stop dead. Almost literally, and with good reason, given a gun wavered in front of his face. Bullets fired point-blank never boded well. However, the weapon wasn’t the most shocking thing he faced. No, that was reserved for the possessive growl of his lion and the unwavering sureness that gobsmacked him when he caught the scent of the gun wielder. A woman. But not just any woman. Mine. Our mate. Uh-oh. Like most shapeshifters, Hayder had heard of the so-called certainty that hit certain couples when they first met. The zing of awareness. The moment of recognition. Or, in his case, the slam and resounding clang of a door on a cell labeled Monogamy. Argh. Not the dreaded M word. A cowardly lion might have run away, but Hayder wasn’t one to fear anything, especially not the short and trembling woman in front of him. Barely reaching his chin with deep brown hair held back in a ponytail, she didn’t possess a fearsome mien. On the contrary, everything about her appeared soft and delicate, from the silky smoothness of her skin and the long lashes framing the biggest brown eyes to her cupid’s-bow lips, pursed and pink. She was also, judging by her scent, a Lycan. Cats and dogs aren’t supposed to mix. But tell that to his lion, who urged him to give her cheek a lick to say hello. Uh, no. Somehow slobbering over a woman, armed with a gun, didn’t seem appropriate. Introductions, though, might help. “Are you Jeoff’s sister?” he asked when she didn’t seem inclined to speak. Nor did she lower her weapon, but he allowed it for the moment. The acrid stink of fear rolled off her and agitated his lion. She fears. Feared him and Hayder didn’t like it one bit. “Who are you? What do you want?” Her words might have proven more forceful if they’d emerged less breathy and high pitched. “I’m Hayder.” He might have said more, like I am the most awesome beta the pride could ever hope for. He could have boasted he was a lion with a mane only slightly less impressive than that of Arik, the alpha king. He might have probably said something witty and flirty too, if she hadn’t almost shot him!
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Your Business Contingency Plan Something crazy is always happening. Just because you’re a business owner doesn’t mean you’re immune to this crazy ride called Life. Do you feel like you spend all your time putting out fires? It’s the dreaded stress/reaction cycle. Things are going well until… BAM! Something derails your life – which derails your business. If you want your business to run smoother – which will make your life run smoother – it’s time to come up with a contingency plan.
Liesha Petrovich (Creating Business Zen: Your Path from Chaos to Harmony)
Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.
Catherine Anderson (Comanche Moon (Comanche, #1))
Dread is the first and the strongest types of fear. It is that tension, that waiting that comes when you know there is something to fear but you have not yet identified what it is. The fear that comes when you first realize that your spouse should have been home an hour ago; when you realize that a window you are sure you closed is now open, the curtains billowing, and you're alone in the house. Terror only comes when you see the thing you're afraid of. The intruder is coming at you with a knife. The headlights coming toward you are clearly in your lane. The Klansmen have emerged from the bushes and one of them is holding a rope. This is when all the muscles of your body, except perhaps the sphincters, tauten and you stand rigid; or you scream; or you run. There is a frenzy to this moment, a climactic power-but it is the power of release, not the power of tension. And bad as it is, it is better than dread in this respect: Now, at lest, you know the face of the thing you fear. You know its borders, its dimensions. You know what to expect. Horror is the weakest of all. After the fearful thing has happened, you see its remainder, its relics. The grisly, hacked-up corpse. Your emotions range from nausea to pity for the victim. And even your pity is tinged with revulsion and disgust; ultimately you reject the scene and deny its humanity; with repetition, horror loses its ability to move you and, to some degree, dehumanizes the victim and therefore dehumanizes you. As the sonderkommandos in the death camps learned, after you move enough naked murdered corpses, it stops making you want to weep or puke. You just do it. They've stopped being people to you.
Orson Scott Card
There was every type of the genus sporting man; stout, square farmers, with honest bull-dog physique, characteristic of John Bull plebeian; wild young Cantabs, mounted showily from livery-stables, with the fair, fearless, delicate features characteristic of John Bull patrician; steady old whippers-in, very suspicious of brandy; wrinkled feeders, with stentorian voices that the wildest puppy had learned to know and dread; the courteous, cordial aristocratic M.F.H., with the men of his class, the county gentry; rough, ill-looking cads, awkward at all things save crossing country; no end of pedestrians, nearly run over themselves, and falling into everybody’s way; and last, but in our eyes not least, the ladies who had come to see the hounds throw off.
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
We must be crazy people," she said, "to live in a leaky mud hut, at the utter end of desolation, and put our money down a hole. The boys find their work here; emptiness has some strange pull, for men on horses. But it's a dreadful thing to be a woman, out on the prairie. A woman on the prairie is an unwanted thing. Nothing but a burden and a tie-down, keeping the ones she loves from doing what they want to do. Until they can't stand it any more, and run away. Cassius will be gone soon, and Andy too. And poor Ben-he'll feel he must stay by us, drawing into himself, and growing old too soon....
Alan LeMay (The Unforgiven)
What are you doing here, anyway?” Cass asked. Luca’s smile vanished. “I thought you’d be happy to see me,” he said. “And your aunt wanted to plan a betrothal ceremony. Didn’t she tell you?” Instantly, Cass’s good mood dissipated. A betrothal ceremony? Once she had undergone the official ritual, there would be no going back on her marriage. She would belong to Luca da Peraga. Like his fur-lined cloak or the feather in his hat, Cass would be just one more pretty thing for Luca to call his own. No more studying. No more adventures. She would become, as Falco said, a caged bird, beating its wings against the bars of its prison. “No, she didn’t tell me,” Cass said hoarsely, trying to push Falco from her mind. His sparkling eyes. The crooked smile. The tiny jagged scar under his right eye. “We can talk about it more tomorrow,” Luca said kindly, perhaps mistaking her dread for nervousness. “I’ll be out running some errands in the morning, but I’ll see you at dinner?” Cass nodded. A pair of servants came for Luca with armfuls of bed linens and towels. Cass fled the library in front of them. She didn’t want to watch Luca settle in to the bedroom next to her. She didn’t want to think about what it meant for the two of them, and for her future.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
THE WRATH TO COME. — MATTHEW 3:7 I t is pleasant to pass over a country after a storm has spent itself—to smell the freshness of the herbs after the rain has passed away, and to note the drops while they glisten like purest diamonds in the sunlight. That is the position of a Christian. He is going through a land where the storm has spent itself upon His Savior’s head, and if there be a few drops of sorrow falling, they distill from clouds of mercy, and Jesus cheers him by the assurance that they are not for his destruction. But how terrible it is to witness the approach of a tempest—to note the forewarnings of the storm; to mark the birds of heaven as they droop their wings; to see the cattle as they lay their heads low in terror; to discern the face of the sky as it grows black, and to find the sun obscured, and the heavens angry and frowning! How terrible to await the dread advance of a hurricane, to wait in terrible apprehension till the wind rushes forth in fury, tearing up trees from their roots, forcing rocks from their pedestals, and hurling down all the dwelling-places of man! And yet, sinner, this is your present position. No hot drops have fallen as yet, but a shower of fire is coming. No terrible winds howl around you, but God’s tempest is gathering its dread artillery. So far the water-floods are dammed up by mercy, but the floodgates will soon be opened: The thunderbolts of God are still in His storehouse, the tempest is coming, and how awful will that moment be when God, robed in vengeance, shall march forth in fury! Where, where, where, O sinner, will you hide your head, or where will you run to? May the hand of mercy lead you now to Christ! He is freely set before you in the Gospel: His pierced side is the place of shelter. You know your need of Him; believe in Him, cast yourself upon Him, and then the fury shall be past forever.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
It—he—runs at them from behind as they prepare to make entry into the bridge—an Obsidian, but larger than any I’ve ever seen. But it’s not just his size. It’s how he moves. A dread creature stitched from shadow and muscle and armor. Flowing, not running. Perverse. Like looking at a blade or a weapon made flesh. This is a creature that dogs would flee. That cats would hiss at. One that should never exist on any level above the first tier of hell.
Pierce Brown (Golden Son (Red Rising Trilogy, #2))
Today was to be my tortoise moment. Slow and steady, cautious and smart. The plan hatched by Chris Hauth was to break the run into an extremely conservative interval workout. Run four miles. Then walk a full mile. Repeat. It was a strategy devised to prevent my core temperature from rising beyond the point of no return. No one wanted to fall prey to the dreaded “Ironman shuffle”—that arresting corpse-like crawl brought on by overwhelming fatigue. But it was also a plan that required me to check my ego at the door. Walk? I’d specifically trained to run the entire distance. And having completed a forty-five-mile run just weeks prior, I knew I could do it. My pride revolted at a strategy that seemed to bespeak a lack of confidence in my abilities.
Rich Roll (Finding Ultra: Rejecting Middle Age, Becoming One of the World's Fittest Men, and Discovering Myself)
I was in a forest, the wind whipping around me. Everything seemed grey, as though the colour had seeped out of the world. But I could see something up ahead: a fire. It was burning brightly. I couldn’t feel the heat, but I knew in my mind that it was there, that I could feel it brushing my skin as I moved closer. When I set foot in the clearing, I realised that it wasn’t just a fire. It was hundreds, maybe thousands of candles, burning all around me. There was someone standing among them. I saw the shadow of a tall hat, a long black dress, sinister sharp fingernails. She was chanting words in a language I couldn’t understand. She turned to me and her face was a blur. But it was Ebony. It felt like Ebony. The figure wore Ebony’s boots and had her black and battered suitcase at her feet. The girl’s features shifted like someone was crafting them out of clay, and soon the face was Ebony’s too. She smiled her unnerving smile at me. “Ivy,” she said. “You’re just in time.” The flames roared behind her. “What are you doing?” I asked. She didn’t reply, but reached down towards the suitcase and flicked the catches open. I had no idea what was inside it, but I felt instant dread filling my entire body. I didn’t want to look. I couldn’t. “You really should look more closely,” her voice insisted, singsong and seductive. “Why?” I asked, my feet carrying me nearer, even though I urged them to turn and run. The smile remained. “Because I’m going to do a trick.” And as she said that, black plumes of smoke began rising from the suitcase, until they were enveloping me, filling my lungs, and I was pulled down inside … And I was falling … And falling …
Sophie Cleverly (The Curse in the Candlelight (Scarlet and Ivy, #5))