“
Remind me," he paused, drawing in a stuttered gasp, "to never piss you off again. Christ, are you secretly a ninja?
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
You bitch!"
Why is it that whenever I draw blood, I'm a bitch?
”
”
Rachel Vincent (Stray (Shifters, #1))
“
Perfect,” he groaned. “You are perfect.” He sank his teeth into her ass, hard, drawing blood. “And now you wear my mark,” he finished proudly. “Your ass is mine.
”
”
Hanna Lui (Suck)
“
He took a long draw then asked, “What’d I do?”
“You knew about the guy threatening my dad?”
He paused, shifted in his chair, so freaking busted, it wasn’t funny. “They told you?”
“Why, no, Swopes, they didn’t. Instead, they waited until the guy knocked the fuck out of my dad and readied him for spaceflight with duct tape then tried to kill me with a butcher’s knife.
”
”
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
“
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand.
"Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..."
But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper.
"Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum."
His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life.
"Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..."
But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
You could still be lying,” says the Roach. He turns to Cardan. “Try her.”
“Your pardon?” Cardan says, drawing himself up, and the Roach seems to suddenly remember to whom he’s speaking in such an offhanded way.
“Don’t be such a prickly rose, Your Majesty,” the Roach says with a shrug and a grin. “I’m not giving you an order. I’m suggesting that if you tried to glamour Jude, we could find out the truth.”
Cardan sighs and walks toward me. I know this is necessary. I know that he doesn’t intend to hurt me. I know he can’t glamour me. And yet I draw back automatically.
“Jude?” he asks.
“Go ahead,” I say.
I hear the glamour enter his voice, heady and seductive and more powerful than I expected. “Crawl to me,” he says with a grin. Embarrassment pinks my cheeks.
I stay where I am, looking at all their faces. “Satisfied?”
The Bomb nods. “You’re not charmed.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
The ones who constantly make us laugh are the hardest of friends to know - for comedians are the caricatures among us.
”
”
Criss Jami (Killosophy)
“
You read a book for the story, for each of its words," Gordy said, "and you draw your cartoons for the story, for each of the words and images. And, yeah, you need to take that seriously, but you should also read and draw because really good books and cartoons give you a boner."
I was shocked:
"Did you just say books should give me a boner?"
"Yes, I did."
"Are you serious?"
"Yeah... don't you get excited about books?"
"I don't think that you're supposed to get THAT excited about books."
"You should get a boner! You have to get a boner!" Gordy shouted. "Come on!"
We ran into the Reardan High School Library.
"Look at all these books," he said.
"There aren't that many," I said. It was a small library in a small high school in a small town.
"There are three thousand four hundred and twelve books here," Gordy said. "I know that because I counted them."
"Okay, now you're officially a freak," I said.
"Yes, it's a small library. It's a tiny one. But if you read one of these books a day, it would still take you almost ten years to finish."
"What's your point?"
"The world, even the smallest parts of it, is filled with things you don't know."
Wow. That was a huge idea.
Any town, even one as small as Reardan, was a place of mystery. And that meant Wellpinit, the smaller, Indian town, was also a place of mystery.
"Okay, so it's like each of these books is a mystery. Every book is a mystery. And if you read all of the books ever written, it's like you've read one giant mystery. And no matter how much you learn, you keep on learning so much more you need to learn."
"Yes, yes, yes, yes," Gordy said. "Now doesn't that give you a boner?"
"I am rock hard," I said.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
She can hold her own" he says
"So can I" I argue
He draws back to look into my face. "I know," he says. "I just don't want you to have to".
”
”
Emily Henry (Funny Story)
“
You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.
”
”
John Green (Paper Towns)
“
Everyone returns us to a different sense of ourselves, for we become a little of who they think we are. Our selves could be compared to an amoeba, whose outer walls are elastic, and therefore adapt to the environment. It is not that the amoeba has no dimensions, simply that it has no self-defined shape. It is my absurdist side that an absurdist person will draw out of me, and my seriousness that a serious person will evoke. If someone thinks I am shy, I will probably end up shy, if someone thinks me funny, I am likely to keep cracking jokes.
”
”
Alain de Botton (On Love)
“
why they studied economics, and they’d explain that it was the most practical course of study, even while they spent their time drawing funny little graphs.
”
”
Michael Lewis (Liar's Poker)
“
. . . Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what's inside you, to make your soul grow.
Seriously! I mean starting right now, do art and do it for the rest of your lives. Draw a funny or nice picture of Ms. Lockwood, and give it to her. Dance home after school, and sing in the shower and on and on. Make a face in your mashed potatoes. Pretend you're Count Dracula.
Here's an assignment for tonight, and I hope Ms. Lockwood will flunk you if you don't do it: Write a six line poem, about anything, but rhymed. No fair tennis without a net. Make it as good as you possibly can. But don't tell anybody what you're doing. Don't show it or recite it to anybody, not even your girlfriend or parents or whatever, or Ms. Lockwood. OK?
Tear it up into teeny-weeny pieces, and discard them into widely separated trash recepticals [sic]. You will find that you have already been gloriously rewarded for your poem. You have experienced becoming, learned a lot more about what's inside you, and you have made your soul grow.
”
”
Kurt Vonnegut Jr.
“
Accents are funny in that they have this odd draw for us, yet we forget we have one, too. No one is without an accent, but the one you’ve got seems like oatmeal to their caviar.
”
”
Deb Caletti (Stay)
“
What about you? What do you do?” I needed to ask questions, draw him out. I needed to find out all the information I could. My voice sounded strong and smooth, but my hands were shaking. I put them in my lap so he couldn’t see.
“I prey on innocent villagers and terrify their children,” he said with a nasty smile. “And sometimes when I’m feeling really evil, I read books or paint.
”
”
Kate Avery Ellison (The Curse Girl)
“
If you're lucky, in some point in the future when you're in need of guidance or perhaps moral support, you may cross paths with a suitable mentor. Even luckier, you'll realize you had one in your life all along and you'll gain a new appreciation for how you benefited from that relationship. The luckiest relationship of all, of course, is a combination of the two. You've had help all along, and as the path widens or narrows, whatever the case may be, new and powerful influences will enter your life and aid your progress. In my experience, a mentor doesn't necessarily tell you what to do, but more importantly: tells you what they did or might do, then trusts you to draw your own conclusions and act accordingly. If you succeed, they'll take one step back and if you fail, they'll take one step closer. Whatever it is they teach you, pass it on.
”
”
Michael J. Fox (A Funny Thing Happened on the Way to the Future...)
“
It's a funny thing that people are always quite ready to admit it if they've no talent for drawing or music, whereas everyone imagines that they themselves are capable of true love, which is a talent like any other, only far more rare.
”
”
Nancy Mitford (Christmas Pudding (Mitford, Nancy))
“
I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be.
”
”
Joey Comeau (We all got it coming)
“
I grunted, hauling the rope hand over hand. A plaintive squeak came from the pulley system with each draw, as if I had strapped some unfortunate mouse to a torture device and was twisting with glee.
”
”
Brandon Sanderson (Steelheart (The Reckoners, #1))
“
Magnus had grown used to a lot of things about spending time with Shadowhunters, but the five solid minutes of drawing on one another that preceded every battle continued to be just a little bit funny to him every time.
”
”
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
“
I'm a Baroque person. More than Baroque, I'm a Rococo person. I don't draw straight lines.
”
”
Nuno Roque
“
Dudifer, you are saddest dude I have ever met.” Matthew told him. “It’s like you’re always wet. Seems to me that if I had to learn to be sad, you have to learn to be happy. Why don’t you draw a, I dunno, chinchilla or something, instead of that, uh, thing. Not that its not good.” ”What’s a chinchilla?” “You’re sort of a funny person,” Matthew told him. “You know a lot of stuff but you’re also pretty stupid.
”
”
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
“
He picked up the sketchbook, turning it so she could see his work - a gorgeous rendition of a stone bridge they'd passed, surrounded by the drooping boughs of oak trees.
"You could sketch me," said Emma. She flung herself down onto her seat, leaning her head on her hand. "Draw me like one of your french girls.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
O woman,
father says natural is beautiful
so why do you redden your cheeks
and blacken your eyes?
Why do you remove the hair on your legs
and draw them into your brows?
Why do you hold your breath
lest your stomach show
and hold your fart
lest they know
that you’re a human? O woman,
father says natural is beautiful
so why do you straighten your hair
to curl it next
and pretend to orgasm
so they think you enjoyed the sex?
Why do you dumb yourself down
and push your breasts up?
Why do you smile when you’re told to
and love when you don’t want to?
When? When
will you stop, woman?
Father says natural is beautiful
but that is doubtful
for what does father know
he’s only a fellow.
”
”
Kamand Kojouri
“
TRACY MARANDER: [Kurt Cobain] was a really good artist. He would draw cartoons with funny sayings. I have this huge picture of this homeless guy, and it’s a satirical thing on how homeless people are mentally ill, they’re alcoholics, they had messed up childhoods — but they’re expected to fend for themselves in a box in the snow.
”
”
Greg Prato (Grunge Is Dead: The Oral History of Seattle Rock Music)
“
It is a funny paradox of design: utility breeds beauty. There is elegance in efficiency, a visual pleasure in things that just barely work.
”
”
Ben Orlin (Math with Bad Drawings)
“
Jacks reclined in a throne of ice as he glared down at a fox that looked more corporeal than ghost- all fluffy white fur, save for a circle of tawny surrounding one of its coal-dark eyes.
He appeared horrified by the animal, as if it's adorableness might somehow soften some of his nasty edges. Evangeline wished it would as she stood back a little to watch, enjoying that for once, Jacks was the one in the uncomfortable position.
He flinched when the creature nuzzled his scuffed boots.
She laughed, finally drawing his attention. 'I think it likes you.'
'I don't know why,' Jacks scowled at the beast.
It responded by affectionately licking the buckle at his ankle.
Evangeline continued to smile. 'You should name it.'
'If I do that, it will think it's a pet.' Jacks words dripped with disgust, which only further convinced Evangeline this fox might be the best thing that had ever happened to this Fate.
'How about I name her for you? What do you think of Princess of the Fluffikins?'
'Don't ever say that again.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Setne laughed. “Nice try, dol. You guys sit tight. If you make it through the big shake-up, I’ll come
back and get you. Maybe you can be my jesters or something. You two crack me up! But in the
meantime, I’m afraid we’re done here. No miracle’s gonna drop from the sky and save you.”
A rectangle of darkness appeared in the air just above the ghost’s head. Sadie dropped out of it.
I’ll say this for my sister: she has great timing, and she’s quick on the draw. She crashed into the ghost
and sent him sprawling.
”
”
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
“
Maybe your aunt is funny in quiet moments with her friends because like many women her age, she was taught to not draw attention to herself. And maybe she also noticed how men of her generation weren't attracted to the women who spoke out of turn and uttered their own opinions out loud. And certainly these types of men weren't attracted to women who were funnier than them. Women have always been funny. They just weren't interested in sharing their jokes with you. Truth in point, my mom is hilarious. She has also been single since 1974.
”
”
W. Kamau Bell (The Awkward Thoughts of W. Kamau Bell: Tales of a 6' 4", African American, Heterosexual, Cisgender, Left-Leaning, Asthmatic, Black and Proud Blerd, Mama's Boy, Dad, and Stand-Up Comedian)
“
If you like being cuffed, I have no problem accommodating you, baby.” “Actually,” she returned, drawing the word out, “I was thinking I would cuff you.” She held her breath. Any minute now, he’d scoff at her request and this charade would be over. Funny, she wasn’t quite as ready to walk away as she had been moments ago. In fact, the thought of Brent’s big body, restrained by handcuffs, was surprisingly appealing. That fluttering in her stomach had graduated into a constant tug, confusing her further. “Done.” Hayden hid her shock as Brent leaned close and spoke gruffly near her ear. “Be warned, though. If you take away the use of my hands, I’ll only make up for it with my mouth.
”
”
Tessa Bailey (Asking for Trouble (Line of Duty #4))
“
Coraline tried drawing the mist. After ten minutes of drawing she still had a white sheet of paper with "MIST" written on it one corner in slightly wiggly letters. She grunted and passed it to her mother.
"Mm. Very modern, dear," said Coraline's mother.
”
”
Neil Gaiman (Coraline)
“
The door to the situation room door opened, drawing her attention to a tall, lean man with eyes as sharp as razors.
The sound of a metal chair scraping on the tile floor filled the room as Reed shot to his feet, stood at attention, and saluted crisply.
The man stopped, scowled, and heaved a heavy sigh. "All right you clown. At ease. It hasn't been that long since I've been here."
"Just showing my respect, sir," Reed said with a smart-ass grin. "It's not often we're fortunate enough to be in the company of such greatness.
”
”
Cindy Gerard (With No Remorse (Black Ops Inc., #6))
“
Yeah, it’s funny because you humans always draw us with a Bar. So basically every picture of an Angel you have ever seen is a picture of a convict.
”
”
Lola St. Vil (The Turn (Guardians, #3))
“
Two artists had an art contest...It ended in a draw.
”
”
Santosh Kalwar (Gags and Extracts)
“
Are you done pushing me away?'
He draws back, searching my eyes in the moonlight before glancing over my shoulder. 'You done putting yourself in harm's way to get your point across?'
'Probably not.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Too soon did she find herself at the drawing room door. And after pausing a moment for what she knew would not come, for a courage which the outside of no door had ever supplied to her, she turned the lock in desperation and the lights of the drawing room and all the collected family were before her.
”
”
Jane Austen (Mansfield Park)
“
My mind blurs to a ripple of pleasure when his soft, full lips at last make contact with mine. He starts to deepen the kiss, but pauses, intent on the glass behind me. “You gotta be kidding.”
I glance over my shoulder. Outside, Morpheus hangs on the glass in moth form, level with my head, glaring at us with his bulbous gaze. Even without a face, his smugness is apparent. His favorite pastime is interrupting Jeb’s romantic moments. I try not to laugh, but can’t help myself.
“Cocky son of a bug.” Jeb sets me on the floor and draws the dropcloth tighter around me.
A barn owl swoops from the sky and skims the glass. Morpheus launches off in a tizzy, trying to outrun the bird. Now Jeb’s the one laughing.
I slap his shoulder. “Hey, that’s not funny.”
“Ah, he’ll be okay.” Jeb raises an eyebrow, watching the aerial pursuit taking place outside the glass. “It’s a new genus of vegetarian owls. They’re only in it for the chase. Besides, Morphie-boy can change to his other form anytime he wants.”
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
In this world, the thing people fear the most, and what pains people the most— is giving more than they receive. God forbid I cut off more of my fingernail for you than you cut from your fingernail, for me! Heaven forbid I hold my breath in longer while thinking about you, than the amount of time your breath is held in for me! Not a second longer! It is sad fact of the human nature that there you stand as an Infinite Soul and yet your greatest fear is not receiving from another person in proportion to what you give. Your viewpoint is low, your vision is clouded. You have become, in your eyes, a funny little drawing on the paper pad of the universe. Indeed, this race is yet to evolve. And yet, I am surrounded by such fear, to such a great extent that I begin to fear the same!
”
”
C. JoyBell C.
“
Girl’s Night Out still on for tonight?” Kitty Sue asked me.
“Yep,” I said.
“I’ll take some of that action,” Tex said.
We all looked at him.
“It’s Girl’s Night Out, Tex,” I explained.
“So? What? Are there rules?” Tex asked.
“Yes. The rule is, it’s a night out, for girls,” I answered.
“Woman, you think I’m missin’ another bar fight or quick draw, you’re crazy. I’m comin’ out with you tonight.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
I'm almost finished," said Wilhelm, wiping out a line with his sleeve and drawing over it.
"I never doubted you for a moment," said Vex, then looked at Aurora and spoke more softly. "I actually doubted him the whole time. He's really not very good."
Wilhelm turned. "I'm standing right in front of you. I can hear literally every sound you make."
"Wilhelm, please," said Vex, "this is a private conversation.
”
”
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
“
It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually.
Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.
”
”
Charles Dickens (Oliver Twist)
“
One of my great wishes is that people of the present will see those of the past as friendly (or irritating) acquaintances they can look to for advice. It’s easy to forget that people from the past weren’t the two-dimensional black-and-white photos or line drawings you might encounter in some dry textbooks. They weren’t just gray-faced guys in top hats. They were living, breathing, joking, burping people, who could be happy or sad, funny or boring, cool or the lamest people you ever met in your life. They had no idea they were living in the past. They all thought they were living in the present. Accordingly, like any person, past or present, could be, some of them were smart and kind and geniuses about medicine and also completely dull on a personal level. (I’m trying to come to terms with loving John Snow’s deductive brilliance and being absolutely certain I would never want to spend more than ten minutes talking to him.)
”
”
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
“
As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what
”
”
Clayton M. Christensen (How Will You Measure Your Life?)
“
I need a watchman to tell me this is what a man says but this is what he means, to draw a line down the middle and say here is this justice and there is that justice and make me understand the difference. I need a watchman to go forth and proclaim to them all that twenty-six years is too long to play a joke on anybody, no matter how funny it is.
”
”
Harper Lee (Go Set a Watchman)
“
Hold the mail, I could swear that was funny. He must draw his powers from the others. A malevolent synergy, like when you multiply negative numbers.
”
”
Gordon Highland (Major Inversions)
“
What if you didn't have time to draw them on one day? Or what if it rained and your eyebrows started dripping off? Hopefully her eye pencil is waterproof.
”
”
Lauren Barnholdt (Aces Up)
“
Predicting tornadoes is like drawing straws. Blindfolded. With mittens on.
”
”
Mark Becker (The Darkest Skies)
“
A tie is what you get after ice cubes have wrestled with hot water.
”
”
Mokokoma Mokhonoana
“
Seeing thou hast now given me the way, I will proceed to speak before thee: for our mother, of whom thou hast told me that she is young, draw now nigh unto age.
”
”
COMPTON GAGE
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
One funny image can sometimes save an otherwise mediocre strip. At least that's what I tell myself so I don't feel quite as crappy when I've just wasted four hours drawing and coloring a Sunday strip.
”
”
Stephan Pastis
“
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly.
“Yes,” she said simply.
“I see,” he said tightly.
“Would you like a specific date?”
“You are teasing me,” he realized suddenly.
“No, I’m dead serious. I have an exact date in mind.”
Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief.
“What date is that? And why are you thinking of pink elephants?”
“The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.”
Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body.
“You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?”
“Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!”
“But . . . he healed you just a few days ago! Why not tell you then?”
“Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.”
“Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden.
He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse.
So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere.
“That is not funny,” he grumbled indignantly.
“Yeah? You should see what you look like from over here,” she teased.
“If you laugh at me I swear I am going to take you over my knee.”
“Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap.
“Did you ask . . . I mean, does he know what it is?”
“It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.”
“Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Maddie squirmed out from under him. “I’m sorry. So sorry. I know this is supposed to be physical. Impersonal. It’s only that I keep thinking of lobsters.”
He flipped onto his back and lay there, blinking up at the ceiling. “Until just now, I would have said there was nothing remaining that could surprise me in bed. I was wrong.”
She sat up, drawing her knees to her chest. “I am the girl who made up a Scottish lover, wrote him scores of letters, and kept up an elaborate ruse for years. Does it really surprise you that I’m odd?”
“Maybe not.”
“Lobsters court for months before mating. Before the male can mate with her, the female has to feel secure enough to molt out of her shell. If a spiny sea creature is worth months of effort, can’t I have just a bit more time? I don’t understand the urgency.
”
”
Tessa Dare
“
And then came the three-toed sloth. Stupid sloth. It was a crazy-looking beastie, all arms and bristling grey fur; its body was a blob, the kind of shape a six-year-old would draw for a pig, and its face was flattened like a racoon that had run full tilt into a brick wall. A triangular stub of a nose jutted out at an angle beneath a fringe that must have been difficult to see through. In fact, from side-on it looked disturbingly like John Lennon.
”
”
Tony James Slater (That Bear Ate My Pants!: Will Boy Become Man? Or Will Boy Become Breakfast...)
“
It's a funny thing that people are always quite ready to admit if they've no talent for drawing or music, whereas everyone imagines that they themselves are capable of true love, which is a talent like any other, only far more rare.
”
”
Nancy Mitford (Christmas Pudding (Mitford, Nancy))
“
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh.
I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains.
Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school.
Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix.
Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
There is a gay agenda?" he asked. "Naturally. Although marriage is the second item. Draw two." "So what's the first?" Jackson asked, grinning. He seemed to be the only person at the table besides Levi who realized Jaime was kidding. Everybody else was staring at Jaime with open-mouthed shock. "Recruitment. Especially of children. That's why I'm here, in fact. We're having a membership drive this month, and whoever recruits the most minors wins two free tickets to see Kathy Griffin live.
”
”
Marie Sexton (Between Sinners and Saints)
“
It was kindly meant. But kindly meant was complicated. There were lines you had to draw. There were correct responses. On the one hand there was laugh and say something funny back, on the other there was how dare you talk to me like that. It depended.
”
”
Ali Smith (Spring (Seasonal Quartet, #3))
“
There is a philosophy by which many people live their lives, and it is this: life is a shit sandwich, but the more bread you've got, the less shit you have to eat.
These people are often selfish brats as kids, and they don't get better with age: think of the shifty-eyed smarmy asshole from the sixth form who grow up to be a merchant banker, or an estate agent, or one of the Conservative Party funny-handshake mine's a Rolex brigade.
(This isn't to say that all estate agents, or merchant bankers, or conservatives are selfish, but that these are ways of life that provide opportunities of a certain disposition to enrich themselves at the expense of others. Bear with me.)
There is another philosophy by which people live their lives, and it goes thus: You will do as I say or I will hurt you.
. . . Let me draw you a Venn diagram with two circles on it, denoting sets of individuals. They overlap: the greedy ones and the authoritarian ones. Let's shade in the intersecting area in a different color and label it: dangerous. Greed isn't automatically dangerous on its won, and petty authoritarians aren't usually dangerous outside their immediate vicinity -- but when you combine the two, you get gangsters and dictators and hate-spewing preachers.
”
”
Charles Stross (The Fuller Memorandum (Laundry Files, #3))
“
She smiled at me with those brilliant sparkling eyes, the kind that draw you in, that take part of your soul. Her lips twitched halfway, egging me on to kiss her and complete the smile.
The smile was completed. We did not leave that parking lot for a while.
”
”
Finn Eccleston (The Community: A Funny and Disturbing Conspiracy Mystery Novel (Project M Book 1))
“
Attraction is a funny thing, isn’t it? You have never looked my brother in the eye, but you are drawn to him. He doesn’t get it. He doesn’t want to admit that the draw is there because it is so unbelievably ridiculous to him that a pretty, sweet, girl like yourself with all the options in the world would choose him.
”
”
Sarah Brocious (More Than Scars)
“
In my experience, a mentor doesn’t necessarily tell you what to do, but more importantly, tells you what they did or might do, then trusts you to draw your own conclusions and act accordingly. If you succeed, they’ll take one step back, and if you screw up, they’ll take one step closer. Whatever it is they teach you…pass it on.
”
”
Michael J. Fox (A Funny Thing Happened on the Way to the Future: Twists and Turns and Lessons Learned)
“
Blind, that’s what I am. I never opened my eyes. I never thought to look into people’s hearts, I looked only in their faces. Stone blind . . . Mr. Stone. Mr. Stone set a watchman in church yesterday. He should have provided me with one. I need a watchman to lead me around and declare what he seeth every hour on the hour. I need a watchman to tell me this is what a man says but this is what he means, to draw a line down the middle and say here is this justice and there is that justice and make me understand the difference. I need a watchman to go forth and proclaim to them all that twenty-six years is too long to play a joke on anybody, no matter how funny it is.
”
”
Harper Lee (Go Set a Watchman)
“
I need a watch man, to tell me this is what a man says but this is what he means, to draw a line down the middle and say here is this justice and there is that justice and make me understand the difference. I need a watchman to go forth and proclaim to them all that twenty-six years is too long to play a joke on anybody, no matter how funny it is
”
”
Harper Lee
“
I want to like people, i want to share in stories and collaborate on ideas but these empty vessels disguised as humans have me drawing the animals instead.
Isn't funny, a being without the use of language has a better concept of earth than us who have lived and designed this place for millions of years.
We've become a backwards society, going nowhere really fast.
”
”
Nikki Rowe
“
Pierce and I decided to take advantage of that special situation by getting our hands on a piece of coal. Then we started writing and drawing stuff on Arthur’s face. It was so funny when he woke up. He walked around with a drawing of a heart on his forehead and Autumn’s name in the middle. It took him a minute to figure out why everyone was laughing and pointing at his head.
”
”
Steve the Noob (Diary of Steve the Noob 36 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
“
Whatever you want," he said. "Will you please come here now?"
I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge."
I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know."
"Verry funny."
"Very true." He grinned. "The translation. That's what it says. Old-fashionedly."
I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos."
Alex cupped my face in his hands. "Que tu est belle, tu le sais."
"Oh,I am not-"
"Shh," he shushed me, and leaned in.
The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force.
"I have physics," he told me. "We're studying weak interaction."
I sandwiched his open hand between mine. "You know absolutely nothing about that."
"Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks."
The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat through a term of introductory physics before switching to basic biology. I'd forgotten most of that as soon as I'd been tested on it,too.
"I gotta go." Alex pushed me to my feet and followed. "Last person to get to class always gets the first question, and I didn't do the reading."
"Go," I told him. "I have history. By definition, we get to history late."
"Ha-ha. I'll talk to you later." He kissed me again, then walked out, closing the door quietly behind him.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Run. Eat. Drink. Eat more. Don't throw up. Instead, take a piss. Then take a crap. Wipe your butt. Make a phone call. Open a door. Rid your bik. Ride in a car. Ride in a subway. Talk. Talk to people. Read. Read maps. Make maps. Make art. Talk about your art. Sell your art. Take a test. Get into a school. Celebrate. HAve a party. Write a thank-you note to someone. Hug your mom. Kiss your dad. Kiss your little sister. Make out with Noelle. Make out with her more. Touch her. HOld her hand. Take her out somewhere. Meet her friends. Run down a street with her. Take her on a picnic. Eat with her. See a movie with her. See a move with Aaron. Heck, see a movie with Nia, once you're cool with her. Get cool with more people.. Drink coffee in little coffee-drinking places. Tell people your story. Volunteer. Go back to Six North. Walk in as a volunteer and say hi to everyone who waited on you as a patient. Help people. Help people like Bobby. Get people books and music that they want when they're in there. Help people like Muqtada. Show them how to draw. Draw more. Try drawing a landscape. Try drawing a person. Try drawing a naked person. Try drawing Noelle naked. Travel. Fly. Swim. Meet. Love. Dance. Win. Smile. Laugh. Hold. Walk. Skip. Okay, it's gay, whatever, skip.
Ski. Sled. Play basketball. Jog. Run. Run. Run. Run home. Run home and enjoy. Enjoy. Take these verbs and enjoy them. They're yours, Craig. You deserved them because you chose them. You could have left the all behind but you chose to stay here.
So now live for real, Craig. Live. Live. Live. Live.
Live.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
Yes, a gay man calling a straight sex hotline is very eighth- grade funny, O’Halloran, but at least my sexual partners have never needed to draw me an anatomical map with an X marking the spot that, at best, you only found by accident while you were motorboating her—a tip you probably read about on a wildly hetero blog called something like Manliness 101, where that same expert also said, with absolute conviction, that the alphabet trick works.
”
”
C.S. Poe (Subway Slayings (Memento Mori, #2))
“
Funny how such innocuous details—the red blip of a voicemail, the single-page letter from a bank requesting a meeting to discuss the foreclosure, the subtle appearance of moving boxes in the garage—can upend your world. Unlike monsters or faeries or kidnappers, you never see these details coming. They don't draw blood or leave visible scars or bruises. You can't fight against them or use magick to fix them. You can only wait to see if you survive them.
”
”
M.A. Grant (Prince of Air and Darkness (The Darkest Court, #1))
“
I want to draw you,' I said. 'As my birthday present to me.'
His smile was positively feline.
I added, flipping open my sketchbook and turning to the first page, 'You said once that nude would be best.'
Rhys's eyes glowed, and a whisper of his power through the room had the curtains parting, flooding the space with midmorning sunshine. Showing every glorious naked inch of him sprawled across the bed, illuminating the faint reds and golds of his wings. 'Do your worst, Cursebreaker.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
I feel, in my singular passions and furies, that I become a gargoyle, and that people will point. One thing, I certainly prefer being alone; I shun people like poison; I simply don’t want them; I sit and answer the countless questions of the new girls at table; I find myself being funny and making them laugh with descriptions of people & events, and wonder that I can operate so mechanically, with such little feeling, still retaining the habits of a sane person, without being discovered.
”
”
Sylvia Plath (Sylvia Plath: Drawings)
“
Well, that night we had our show; but there warn’t only about twelve people there – just enough to pay expenses. And they laughed all the time, and that made the duke mad; and everybody left, anyway, before the show was over, but one boy which was asleep. So the duke said these Arkansaw lunkheads couldn’t come up to Shakespeare; what they wanted was low comedy – and maybe something ruther worse than low comedy, he reckoned. He said he could size their style. So next morning he got some big sheets of wrapping paper and some black paint, and drawed off some handbills, and stuck them up all over the village. The bills said:
AT THE COURT HOUSE!
FOR 3 NIGHTS ONLY!
The World-Renowned Tragedians
DAVID GARRICK THE YOUNGER!
AND
EDMUND KEAN THE ELDER!
Of the London and Continental Theatres,
In their Thrilling Tragedy of
THE KING’S CAMELEOPARD,
OR
THE ROYAL NONESUCH ! ! !
Admission 50 cents.
Then at the bottom was the biggest line of all, which said:
LADIES AND CHILDREN NOT ADMITTED.
“There,” says he, “if that line don’t fetch them, I don’t know Arkansaw!
”
”
Mark Twain
“
I need a watchman to lead me around and declare what he seeth every hour on the hour. I need a watchman to tell me this is what a man says but this is what he means, to draw a line down the middle and say here is this justice and there is that justice and make me understand the difference. I need a watchman to go forth and proclaim to them all that twenty-six years is too long to play a joke on anybody, no matter how funny it is. 14 “Aunty,” said Jean Louise, when they had cleared away the rubble of the morning’s devastation, “if you don’t want the car I’m going around to Uncle Jack’s.
”
”
Harper Lee (Go Set a Watchman)
“
But if my father could stand up to schoolmasters and if he inherited some of his own father's gifts as a teacher, he himself could never have become one. He could teach and loved teaching. He could radiate enthusiasm, but he could never impose discipline. He could never have taught a dull subject to a dull boy, never have said: "Do this because I say so." Enthusiasm spread knowledge sideways, among equals. Discipline forced it downwards from above. My father's relationships were always between equals, however old or young, distinguished or undistinguished the other person. Once, when I was quite little, he came up to the nursery while I was having my lunch. And while he was talking I paused between mouthfuls, resting my hands on the table, knife and fork pointing upwards. "You oughtn't really to sit like that," he said, gently. "Why not?" I asked, surprised. "Well..." He hunted around for a reason he could give. Because it's considered bad manners? Because you mustn't? Because... "Well," he said, looking in the direction my fork was pointing, "Suppose somebody suddenly fell through the ceiling. They might land on your fork and that would be very painful." "I see," I said, though I didn't really. It seemed such an unlikely thing to happen, such a funny reason for holding your knife and fork flat when you were not using them... But funny reason or not, it seems I have remembered it. In the same sort of way I learned about the nesting habits of starlings. I had been given a bird book for Easter (Easter 1934: I still have the book) and with its help I had made my first discovery. "There's a blackbird's nest in the hole under the tiles just outside the drawing-room window," I announced proudly. "I've just seen the blackbird fly in." "I think it's probably really a starling," said my father. "No, it's a blackbird," I said firmly, hating to be wrong, hating being corrected. "Well," said my father, realizing how I felt but at the same time unable to allow an inaccuracy to get away with it, "Perhaps it's a blackbird visiting a starling." A blackbird visiting a starling. Someone falling through the ceiling. He could never bear to be dogmatic, never bring himself to say (in effect): This is so because I say it is, and I am older than you and must know better. How much easier, how much nicer to escape into the world of fantasy in which he felt himself so happily at home.
”
”
Christopher Milne (The Enchanted Places)
“
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their—
“Holy ballsacks!” I yelped. I dropped the book like I’d been bitten.
“How far did you get?” Quentin said.
He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment.
I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play.
In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me.
The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California.
“That’s who you think I am?” I said to Quentin.
“That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.”
“Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.”
“The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.”
“This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.”
“Wait, what?” Quentin squinted at me in confusion.
“I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.”
Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter.
“mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!”
“What the hell is so funny?”
“You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?”
It did not. But then again I wasn’t the one trying to make a case here.
“Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.”
I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off.
“You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.”
I punched Quentin as hard as I could in the face.
”
”
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
“
Shaya looked up at him. “I’d like that. Is that okay for you?” Nick shrugged. “If you want us to have the ceremony there, I’m good with that.” Trey chuckled, drawing Nick’s attention. “What’s funny?” “I just find myself reminded of that time when you visited my territory and the subject of a mating ceremony for Taryn and me was brought up. I said if she wanted to have one, we’d have one, but that if she didn’t, we wouldn’t. What was it you said? Oh, that’s it. You said I shouldn’t let my mate have her own way all the time. Hmm. Right back atcha.” Nick scowled at him. “Whatever, asshole—you mated a psycho.” Trey nodded in agreement, looking proud. Twisted.
”
”
Suzanne Wright (Carnal Secrets (The Phoenix Pack, #3))
“
They dated," Frank says, with just a little too much relish. "For two years. They were the shiniest golden couple of our class. What a match, you know? Both gorgeous. She's super smart--does student government, debate, choir, all that business. He does the sports and volunteers with his dad's church, has those puppy eyes that make you want to buy him a boat--"
"Do they?"
"Yes, gaze deeply into his eyes next time--you'll feel it." He takes a long draw from his drink and then continues. "Anyway, they were the kind of couple where it's like, separate--they're great. But together, it's . . . star magic."
"Star magic?"
"From the universe. Celestial bodies aligning and shit. That kind of magic.
”
”
Emma Mills (This Adventure Ends)
“
Emma has been meaning to read more ever since she was twelve years old. I have seen a great many lists of her drawing up at various times of books that she meant to read regularly through - and very good lists they were - very well chosen, and very neatly arranged - sometimes alphabetically, and sometimes by some other rule. The list she drew up when only fourteen - I remember thinking it did her judgment so much credit, that I preserved it some time; and I dare say she may have made out a very good list now. But I have done with expecting any course of steady reading from Emma.
She will never submit to any thing requiring industry and patience, and a subjection of the fancy to the understanding.
”
”
Jane Austen (Emma)
“
Smiling doesn’t mean she doesn’t care. It’s only a symptom of life carrying on, which inevitably it does. No matter how cataclysmic the events, and even in light of the worst tragedies, hearts continue to beat, lungs continue to draw air, and sometimes things continue to be funny. Some pain changes you, alters you permanently and tattoos your soul. “Forever pain,” her grandmother called it, but amazingly you still live through it. And eventually, even forever pain recedes and grows less sharp. You wake up one day to discover it no longer fills every corner of your mind. It’s still there, lurking in the background, but it’s less present and pronounced, a throb deep within you that almost takes focus to feel.
”
”
Suzanne Redfearn (Hadley & Grace)
“
The boarding school memoir or novel is an enduring literary subgenre, from 1950s classics such as The Catcher in the Rye to Curtis Sittenfeld’s Prep. Doust’s recognisably Australian contribution to the genre draws on his own experiences in a West Australian boarding school in this clever, polished, detail-rich debut novel. From the opening pages, the reader is wholly transported into the head of Jack Muir, a sensitive, sharp-eyed boy from small-town WA who is constantly measured (unfavourably) against his goldenboy brother. The distinctive, masterfully inhabited adolescent narrator recalls the narrator in darkly funny coming-of-age memoir Hoi Polloi (Craig Sherborne)—as does the juxtaposition of stark naivety and carefully mined knowingness.’ — Bookseller+Publisher
”
”
Jon Doust (Boy on a Wire)
“
When the sun peeped into the girls' room early next morning...he saw a comical sight. Each had made such preparation for the fete as seemed necessary and proper. Meg had an extra row of little curl papers across her forehead, Jo had copiously anointed her afflicted face with cold cream. Beth had taken Joanna to bed with her to atone for the approaching separation, and Amy had capped the climax by putting a clothespin on her nose, to uplift the offending feature. It was one of the kind artists use to hold their paper on the drawing boards, therefore quite appropriate and effective for the purpose to which it was now put. This funny spectacle appeared to amuse the sun, for he burst out with such radiance that Jo woke up, and roused the girls with a hearty laugh at Amy's ornament.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
Nous avons ete amies," I added. "There,that's two in French, and using past perfect, no less."
I couldn't see his expression clearly. It flet like a long time before he said anything. "Ella..." He paused, then, "What happened? Between you and Anna?"
"Other than the fact that I'm a fashion-impaired poor kid who draws doorknobs? Haven't a clue."
Alex leaned forward. Now I could see his face. He looked annoyed. "Why do you do that? Diminish yourself?"
"I don't-"
"Bullshit."
I could feel my cheeks flaming, feel my shoulders curving inward. "I don't-"
"Right.Don't.Just don't, with me, anyway. I like you better feisty."
I couldn't help it; that made me smile. "Did you really just say 'feisty'?"
"I did.It's a good word."
"It's am old word, favored by granddads and pirates."
"Yar," Alex sighed.
"Face it.You're just an old-fashioned guy."
"Whatever.Three...?"
"Three," I said, and changed my mind midthought. "I haven't been able to decide if Willing is the second best thing that ever happened to me, or the second worst."
"What are the firsts?"
"Nope.Uh-uh.It is not for you to ask, Alexander Bainbridge, but to reveal."
He drained his glass and rolled it back and forth between his hands. "I had all these funny admissions planned, but you've screwed up my plans. Hey. Don't go all wounded-wide-eyed on me. It's cute, that Bambi thing you have going, but beside the point.Now I have to rethink."
"You don't-"
"Quiet.One: My name isn't Alexander." He sat up straight and gave his chest a resounding thump. "Menya zavut Alexei Pavlovich Dillwyn Bainbridge. Not Alexander. I don't think anyone outside my family knows that.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
I’m going to have to start booking you guys a month in advance.”
“Or you could invite Ms. Rothschild over,” Kitty suggests. “Her weekends are pretty lonely too.”
He gives her a funny look. “I’m sure she has plenty she’d rather do than watch The Sound of Music with her neighbor.”
Brightly I say, “Don’t forget the tacos al pastor! Those are a draw, too. And you, of course. You’re a draw.”
“You’re definitely a draw,” Kitty pipes up.
“Guys,” Daddy begins.
“Wait,” I say. “Let me just say one thing. You should be going on some dates, Daddy.”
“I go on dates!”
“You’ve gone on, like, two dates ever,” I say, and he falls silent. “Why not ask Ms. Rothschild out? She’s cute, she has a good job, Kitty loves her. And she lives really close by.”
“See, that’s exactly why I shouldn’t ask her out,” Daddy says. “You should never date a neighbor or a coworker, because then you’ll have to keep seeing them if things don’t work out.”
Kitty asks, “You mean like that quote ‘Don’t shit where you eat’?” When Daddy frowns, Kitty quickly corrects herself. “I mean ‘Don’t poop where you eat.’ That’s what you mean, right, Daddy?”
“Yes, I suppose that’s what I mean, but Kitty, I don’t like you using cuss words.”
Contritely she says, “I’m sorry. But I still think you should give Ms. Rothschild a chance. If it doesn’t work out, it doesn’t work out.”
“Well, I’d hate to see you get your hopes up,” Daddy says.
“That’s life,” Kitty says. “Things don’t always work out. Look at Lara Jean and Peter.”
I give her a dirty look. “Gee, thanks a lot.”
“I’m just trying to make a point,” she says. Kitty goes over to Daddy and puts her arms around his waist. This kid is really pulling out all the stops. “Just think about it, Daddy. Tacos. Nuns. Nazis. And Ms. Rothschild.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.”
Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.”
Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.”
Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.”
Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.”
Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.”
The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.”
She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.”
(...)
“We are the ultimate expression of human rationality.”
She said: “We need humans to form a pool of individuality and innovation on which we can draw.”
He said, “And you’re funny.”
She said, “And we love you.
”
”
John C. Wright (The Phoenix Exultant (Golden Age, #2))
“
Kane ignored his brother and said, “You're seducing us.”
We all scratched our necks.
“That is ridiculous,” I said, waving Kane off.
“No,” Nico snarled, “It's not. I know you Bronagh. You're constantly touching me, bending over in front of me and drawing as much attention to your ass and body as possible. You know damn well what you're doing to me.”
Bronagh remained silent, as did the rest of us.
“You seduced me in the bathroom, Keela,” Alec hissed at me. “Then you stole my boxes right out from under me.”
I wanted to laugh so I bowed my head and cast my eyes to the floor to avoid doing so. I glanced at Kane when he crossed his arms across his chest and stared at Aideen.
“You grazed your ass against me five times. Five. Times. You evil bitch.”
I lifted my hand to my mouth and covered it when a snicker escaped.
“You think this is funny!” Ryder bellowed. “My cock was so hard for you Branna and you were all 'Stop it, we have to pack boxes.'“
I erupted into laughter at Ryder's impression of Branna, and so did the other girls.
”
”
L.A. Casey (Keela (Slater Brothers, #2.5))
“
Bloody hell,” Charlie gasped. “That’s twenty-five quid each, Isaac.”
“Language.”
“Shit.” Isaac blew out a breath. “A hundred quid, Mum.”
“Isaac, language.”
“Hey no,” Dex said, holding up a hand. “I mean a hundred each. I could use these as stencils. At this size I could pretty much charge double that, if not more, each time they’re used. Probably twice again if they have them in colour.”
The three of us looked at Dex in awe. He wanted to buy my talented boy’s drawings for a hundred pounds each.
“Well?” I prompted.
“Fuck yeah.”
“Language,” I said, barely above a whisper, still in a state of shock.
“It’s a deal.” Dex grinned. “Speaking of which, I said I’d show you my designs, but I gotta be honest, I’m not sure they’re as good as these.”
“Oh fuck,” I muttered.
“Language,” Charlie cried.
As Dex stripped off his shirt, I genuinely thought I heard a choir of angels sing and saw a shaft of light shine through the darkness outside and into my lounge.
There was only one word for what I was looking at – wondrous. He could honestly market himself as a tourist attraction and sell tickets.
”
”
Nikki Ashton (Pelvic Flaws (An American in the UK #2))
“
Maybe it was easier if you knew your child was dead. It was a thought that stopped him in his tracks sometimes but he knew that it was the truth. If the child was dead then you had to figure out a way forward. It was being locked in this permanent state of limbo that was keeping Sarah in bed.One night he had come home from the day with a story of one of the young lads sliding through some fairly big cow pats. The boy had landed on his butt and there had been laughter all round. Restrained laughter but, still, it was funny. He had sat on the edge of the bed and related the story to Sarah and she had smiled and then released a small giggle. Immediately he could see her regret it and he had watched her bite down hard on her lip. Hard enough to draw some blood.
‘It’s okay, Sarah,’ he had said gently. ‘It’s okay to laugh.’
‘Bullshit, Doug,’ she had spat back at him. ‘How can you laugh if he’s not laughing? How can I laugh knowing that he may be suffering?’
‘I . . . I . . .’ Doug had started, then he had left the room.
If a child died did it end this struggle? Could you put your faith in God and heaven and know he was in a better place, laughing with other children? Was that how you were able to move on?
”
”
Nicole Trope (The Boy Under the Table)
“
Neville’s mother had come edging down the ward in her nightdress. She no longer had the plump, happy-looking face Harry had seen in Moody’s old photograph of the original Order of the Phoenix. Her face was thin and worn now, her eyes seemed overlarge, and her hair, which had turned white, was wispy and dead-looking. She did not seem to want to speak, or perhaps she was not able to, but she made timid motions toward Neville, holding something in her outstretched hand. “Again?” said Mrs. Longbottom, sounding slightly weary. “Very well, Alice dear, very well — Neville, take it, whatever it is . . .” But Neville had already stretched out his hand, into which his mother dropped an empty Drooble’s Blowing Gum wrapper. “Very nice, dear,” said Neville’s grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, “Thanks Mum.” His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he’d ever found anything less funny in his life. “Well, we’d better get back,” sighed Mrs. Longbottom, drawing on long green gloves. “Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now . . .” But as they left, Harry was sure he saw Neville slip the wrapper into his pocket. The door closed behind them.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.”
Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?”
Elizabeth shook her head. “He wants me, he says, and he wants children.”
Alex swallowed embarrassed laughter. “He what?”
“He wants me, and he wants children.”
A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks.
“I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex.
“Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?”
“Yes, of course,” Elizabeth said without hesitation.
“Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.”
“I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly.
As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room.
Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
And once they have children, the most difficult times will seem to them happy, so long as there is love and courage. Even toil will be a joy, you may deny yourself bread for your children and even that will be a joy. They will love you for it afterward; so you are laying by for your future. As the children grow up you feel that you are an example, a support for them; that even after you die your children will always keep your thoughts and feelings, because they have received them from you, they will take on your semblance and likeness. So you see this is a great duty. How can it fail to draw the father and mother nearer? People say it’s a trial to have children. Who says that? It is heavenly happiness! Are you fond of little children, Liza? I am awfully fond of them. You know—a little rosy baby boy at your bosom, and what husband’s heart is not touched, seeing his wife nursing his child! A plump little rosy baby, sprawling and snuggling, chubby little hands and feet, clean tiny little nails, so tiny that it makes one laugh to look at them; eyes that look as if they understand everything. And while it sucks it clutches at your bosom with its little hand, plays. When its father comes up, the child tears itself away from the bosom, flings itself back, looks at its father, laughs, as though it were fearfully funny, and falls to sucking again. Or it will bite its mother’s breast when its little teeth are coming, while it looks sideways at her with its little eyes as though to say, ‘Look, I am biting!’ Is not all that happiness when they are the three together, husband, wife and child? One can forgive a great deal for the sake of such moments. Yes, Liza, one must first learn to live oneself before one blames others!
”
”
Fyodor Dostoevsky (Notes from the Underground)
“
my reworking of that marvellous list. 1. Live as enjoyably as you can within financial reason. 2. If you have a bath, draw an inch or two of cold water and splash about in it. A cold shower will have the same uplifting effect. 3. Never stay up all night watching Netflix Originals about serial killers. 4. DON’T THINK TOO FAR
AHEAD. EVENING IS FINE,
BUT TOMORROW CAN
LOOK AFTER ITSELF. 5. Keep reasonably busy. 6. See as much as you can of the friends who like you, support you and make you laugh. See as little as you can of the friends who judge you, compare you to others and tire you (and don’t pretend you don’t know who they are). 7. Apply the same rules to casual acquaintances. If your instincts tell you they are toxic, walk away and don’t look back. 8. If you are low in the water, do not pretend that you aren’t. It makes it so much worse, and A STIFF UPPER LIP
ONLY GIVES YOU
A SORE JAW. 9. Good coffee and tea are a genuine help. 10. DO NOT
UNDER ANY CIRCUMSTANCES
OR FOR ANY REASON
AT ANY TIME
COMPARE YOURSELF
TO ANYONE ELSE. 11. Cultivate a gentle, healthy pessimism. It can result in more nice surprises. 12. Avoid drama about what is wrong with the world (unless it is funny), emotionally powerful music, other sad people, and anything likely to make you feel anxious or that you are not doing enough. 13. RANDOM ACTS OF KINDNESS ARE
HUMAN ANTIDEPRESSANTS. 14. Form a close bond with a local tree. 15. Make the room you most like sitting in as much of a comfy nest as you can. 16. Listen to David Attenborough. 17. STOP JUDGING YOURSELF.
STOP PUNISHING YOURSELF.
IT’S NOT YOUR FAULT. 18. Keep warm. 19. Think as much as you can about space, infinity and the beyond. Anything that much bigger than you can be very relaxing. 20. Trust me.
”
”
Scarlett Curtis (It's Not OK to Feel Blue (and other lies): Inspirational people open up about their mental health)
“
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion.
Ssh, Potter, he whispered, into the back of my neck. Is only me.
It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children.
And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
”
”
Donna Tartt (The Goldfinch)
“
she had dark chestnut hair, a heart-shaped face, large wide eyes, full lips…and appeared about as miserable as he’d ever seen a young woman, a state he suspected had something to do with the older woman at her side. His gaze slid over the matron. Well-rounded with dark hair, she was pretty despite the bloom of youth being gone—or she would be if she weren’t wearing a pursed, dissatisfied expression as she surveyed the activity in the ballroom. Adrian glanced back to the girl.
“First season?” he queried, his curiosity piqued.
“Yes.” Reg looked amused.
“Why is no one dancing with her?” A beauty such as this should have had a full card.
“No one dares ask her—and you will not either, if you value your feet.” Adrian’s eyebrows rose, his gaze turning reluctantly from the young woman to the man at his side.
“She is blind as a bat and dangerous to boot,” Reg announced, nodding when Adrian looked disbelieving. “Truly, she cannot dance a step without stomping on your toes and falling about. She cannot even walk without bumping into things.” He paused, cocking one eyebrow in response to Adrian’s expression. “I know you do not believe it. I did not either…much to my own folly.” Reginald turned to glare at the girl and continued: “I was warned, but ignored it and took her in to dinner….” He glanced back at Adrian. “I was wearing dark brown trousers that night, unfortunately. She mistook my lap for a table, and set her tea on me. Or rather, she tried to. It overset and…” Reg paused, shifting uncomfortably at the memory. “Damn me if she did not burn my piffle.”
Adrian stared at his cousin and then burst into laughter.
Reginald looked startled, then smiled wryly. “Yes, laugh. But if I never sire another child—legitimate or not—I shall blame it solely on Lady Clarissa Crambray.”
Shaking his head, Adrian laughed even harder, and it felt so good. It had been many years since he’d found anything the least bit funny. But the image of the delicate little flower along the wall mistaking Reg’s lap for a table and oversetting a cup of tea on him was priceless.
“What did you do?” he got out at last. Reg shook his head and raised his hands helplessly. “What could I do? I pretended it had not happened, stayed where I was, and tried not to cry with the pain. ‘A gentleman never deigns to notice, or draw attention in any way to, a lady’s public faux pas,’” he quoted dryly, then glanced back at the girl with a sigh. “Truth to tell, I do not think she even realized what she’d done. Rumor has it she can see fine with spectacles, but she is too vain to wear them.”
Still smiling, Adrian followed Reg’s gaze to the girl. Carefully taking in her wretched expression, he shook his head.
“No. Not vain,” he announced, watching as the older woman beside Lady Clarissa murmured something, stood, and moved away.
“Well,” Reg began, but paused when, ignoring him, Adrian moved toward the girl. Shaking his head, he muttered, “I warned you.”
-Adrian & Reg
”
”
Lynsay Sands (Love Is Blind)
“
Where the bloody hell is my wife?” Godric yelled into the aether.
As if in response, a footman came up the stairs and handed Cedric a slip of paper. Dumbfounded, Cedric opened it and read it aloud.
My Dear Gentlemen,
We await you in the dining room. Please do not join us until you have decided upon a course of action regarding the threat to Lord Sheridan. We will be more than delighted to offer our opinions on the matter, but in truth, we suspect you do not wish to hear our thoughts. It is a failing of the male species, and we shan’t hold it against you. In the future, however, it would be advisable not to lock us in a room. We simply cannot resist a challenge, something you should have learned by now. Intelligent women are not to be trifled with.
Fondest Regards,
~ The Society of Rebellious Ladies ~
“Fondest regards?” Lucien scoffed.
A puzzled Jonathan added, “Society of Rebellious Ladies?”
“Lord help us!” Ashton groaned as he ran a hand through his hair. “They’ve named themselves.”
“I’ll wager a hundred pounds that Emily’s behind this. Having a laugh at our expense,” Charles said in all seriousness.
“Let’s go and see how rebellious they are when we’re done with them.” Cedric rolled up the sleeves of his white lawn shirt as he and the others stalked down the stairs to the dining room. They found it empty. The footman reappeared and Cedric wondered if perhaps the man had never left. At the servant’s polite cough he handed Cedric a second note.
“Another damn note? What are they playing at?” He practically tore the paper in half while opening it. Again he read it aloud.
Did you honestly believe we’d display our cunning in so simple a fashion? Surely you underestimated us. It is quite unfair of you to assume we could not baffle you for at least a few minutes. Perhaps you should look for us in the place where we ought to have been and not the place you put us.
Best Wishes,
~ The Society of Rebellious Ladies ~
“I am going to kill her,” Cedric said. It didn’t seem to matter which of the three rebellious ladies he meant.
The League of Rogues headed back to the drawing room. Cedric flung the door open. Emily was sitting before the fire, an embroidery frame raised as she pricked the cloth with a fine pointed needle. Audrey was perusing one of her many fashion magazines, eyes fixed on the illustrated plates, oblivious to any disruption.
Horatia had positioned herself on the window seat near a candle, so she could read her novel. Even at this distance Lucien could see the title, Lady Eustace and the Merry Marquess, the novel he’d purchased for her last Christmas. For some reason, the idea she would mock him with his own gift was damned funny. He had the sudden urge to laugh, especially when he saw a soft blush work its way up through her. He’d picked that particular book just to shock her, knowing it was quite explicit in parts since he’d read it himself the previous year.
“Ahem,” Cedric cleared his throat. Three sets of feminine eyes fixed on him, each reflecting only mild curiosity.
Emily smiled. "Oh there you are.
”
”
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
“
A Letter to the Reader
I thought my dog dying was going to kill me.
If I’m being honest, I still think it, some days. Most days. If I’m being honest, I still think it every day.
Soul-mutt. Best friend. Not everyone understands, or will. That’s fine. I’ve never been one to want to share in grief, never been one to share much of anything. Only child, writer. A dog removes itself from the pack to lick wounds clean. A dog goes off, alone, to die. But we all know it—a family member, a friend, the sudden glazing of the eyes, the feel of a heart stopping beneath our hand. Our souls and selves dropping pieces each time someone exits this earth. Our identities, foundations shaken. Even sometimes bulldozed to nothing.
This one brought me to my knees. At the time of writing this note, I can honestly say, I have never felt anything like this. I am truly surprised it hasn’t killed me.
I always knew Barghest was going to die.
Barghest’s death was (with the deaths of the others) the worst thing I could think of, and my job as I see it is to explore all the worsts. And all the bests, too. This book, or more accurately, an early, now unrecognizable version of it, was the first thing I ever seriously wrote. It was also what got me started on this path of Writer. Someone read this early snippet and believed in it, in me. This was a story that I wanted to tell from day one, ideas that hounded me then and have for all the years since.
It’s taken ten years, an education, all the events of a decade of life, and more drafts than I’d like to count for me to tell this story in a way that felt right. In a way that is (I hope) befitting of you, most precious reader. And these dogged questions of guilt, shame, faith have nipped at my heels through everything.
Funny, how they always draw just enough blood to keep us from running full tilt.
But now. In the wake of a loss that has shaken me more than any I’ve lived through before, in a moment in which I find myself, like Sophie, questioning everything, questioning what the point of being here is at all, I have to say,
It all feels very human and very small to confine and bind ourselves to anything that seeks to diminish us. This world and universe and existence is so expansive and evolving, and we choose to let ourselves be crippled by someone else’s ideas.
We share life with mortality. We will die. Everyone we love will die. We will all face the dark. Together, or separate. We just don’t know. There is no self-help book, no textbook, no how-to that can tell us, definitively, what comes after. By the time any of us has the answers, we won’t be here to write them. None of us knows, even if we think we do.
But here is what I do know: We live with death. And horror chooses not to turn away from it.
Horror looks the darkness in the eyes. Horror dances with the absence, the loss. Explores ways for us—you, the reader, and me—to take it in our arms and spin around together. Ways to embrace the centrifugal force that is human striving, human searching. Mortal life.
Dogs die. Humans die. We live with it, whether we want to or not.
But from choosing to look, choosing not to turn away, from our embrace in the darkness, I hope that guilt and shame and any idea invented to hold you down in this glorious, nearly blinding existence, will seem, at the end of it all, very, very small.
You, and me, spinning too fast for them to catch us.
Thank you for continuing on this journey with me. With my characters, who are of course, now yours. These questions and worlds that I humbly share with you. That now belong to you.
And while we keep hurtling through the unknown, as we spin round and round, I want to say,
Here’s to dancing, book by book, question by question, through this vast, shining existence.
Together.
”
”
C.J. Leede (American Rapture)
“
Know! I am the new age prophet of my pal up there, Mr. NOT. If you do not draw my picture my Mr. NOT shall butt-kick you nuts, as too your fancied bot up there nowhere, that silly naught!
”
”
Fakeer Ishavardas
“
Asa looked up, drawing a deep breath, and saw that his harpy wasn't amused by his laughter.
"I don't think why you find the thought of me helping with your books so funny," she said in a stiff little voice. "Or, for that matter, letting me paint you." Her mouth- the only soft part of her, as far as he could tell- trembled a bit.
Well, he hadn't meant to hurt her feelings.
"Don't worry about it, luv," he said, tearing off a bite of the bread with his teeth. "You'll find out soon enough when you see my books. As for the other-" he set down the piece of bread and shrugged off his coat- "do you want to start now?"
That got him a wide-eyed look, and he couldn't help but grin at her, mouth obnoxiously full, as he began unbuttoning his waistcoat. Had the lady bitten off more than she could chew?
"What are you doing?" she asked, her voice high and a bit panicked. He opened his eyes in mock innocence as he yanked his shirt from his breeches. "Stop that at once."
"Why?" he asked curiously, his fingers still on his lifted shirt. Her gaze darted to his bared navel and then away again like that of a sweet canary frightened by an ugly alley cat. "You said you wanted me to 'model' for you.
”
”
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
“
Are you writing in your diary?” Even through the whisper I can tell he’s laughing.
“No.” I feel in the dark for my backpack and cram the journal inside.
“Please. Just admit you were drawing hearts around someone’s name.”
“I didn’t even do that in junior high,” I say, my high-pitched whisper threatening to break into full voice.
“Like I believe that.” He whisper-laughs again.
A mattress spring creaks and I can hear movement near the head of his bed. A second later I can just make out Darren’s outline as he folds a pillow in half and lies on his side, facing me. I grab my own pillow and mirror him. Nina’s snoring deepens and Tate rolls over. I hold my head perfectly still and sense Darren do the same. It feels like we’re about to get caught breaking some kind of rule, lying on our beds the wrong direction.
We’re quiet for so long, I’m sure Darren’s fallen back to sleep. I let my eyes close and start counting my toes again.
“I keep a journal too.” His whisper seems much closer than I expected.
In the soft light from above, I can see the glisten of his eyes looking right at me.
I swallow and my throat makes an embarrassingly loud gurgling noise. “Is it full of hearts?” I manage to ask.
The corner of his mouth pulls up. “That’s pretty much all I put in there. Hearts and flowers and more hearts.”
My bed shakes from the chuckle I’m containing. “Hey, as long as it’s not poetry.”
“What’s wrong with poetry?”
“Nothing.” I bite my lip, worried I offended him. “You write poems?”
“Sure. I’ve won awards for it.”
“Oh. Wow. That’s…cool,” I manage, reluctant to admit that poetry’s one of those things I don’t understand. At all. And people who do “get” it enough to write their own make me nervous with their intellectual prowess.
“Kiddiiiiing,” he draws out in a gravelly breath.
“Make up your mind,” I tease, secretly hoping he really is kidding. “Do you or don’t you?”
Eyes completely adjusted now, I can see him raise his hand and cross his fingers. “Don’t. Scout’s honor.”
“Funny,” I say, snatching his hand and yanking it down. “Did you already forget how to promise?” I worm my pinkie around his and squeeze.
He squeezes back and lowers our joined hands to the bed. My heartbeat is strong in my ears. Do I pull away first? Do I wait for him to? What if he doesn’t? What if we fall asleep like this?
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
As Tim held the baby, I rested my head back on the pillow; I was too tired to hold it together much longer.
“How’s she eating?” Tim asked. A funny question. He seemed genuinely interested.
“Pretty good,” I said, squirming a little bit at the subject matter. “I think she’ll catch on after a while.”
Catch on? Latch on? I was so confused.
“You’re feeding her your own milk, right?” Tim asked awkwardly.
Feeding her your own milk?
Oh dear.
“Um, yes…,” I answered. “I’m br…I’m breast-feeding.” Tim, could you please go now?
Then he let me have it. “You know, you need to be careful not to get a sour bag.”
I sat there, staring blankly ahead. Little did I know it was but one of the many times my brother-in-law would draw a parallel between me and livestock.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)