Drawing By My Daughter Quotes

Meghan,” whispered a voice, heart wrenchingly familiar, drawing me out of the void. I recognized it immediately, just as I realized it was a figment of my desperate imagination, because the real owner of that voice would never be here, talking to me. Ash? “Wake up,” he murmured, his deep voice cutting through the layers of the darkness. “Don’t do this. If you don’t come out of this soon, you’ll fade away and drift forever. Fight it. Come back to us.” I didn’t want to wake up. There was nothing but pain waiting for me in the real world. If I was asleep, I couldn’t feel anything. If I was asleep, I didn’t have to face Ash and the cold contempt on his face when he looked at me. Darkness was my retreat, my sanctuary. I drew back from Ash’s voice, deeper into the comforting blackness. And, through the layer of dreams and delirium, I heard a quiet sob. “Please.” A hand gripped mine, real and solid, anchoring me to the present. “I know what you must think of me, but…” The voice broke off, took a ragged breath. “Don’t leave,” it whispered. “Meghan, don’t go. Come back to me.

All great artists draw from the same resource: the human heart, which tells us all that we are more alike than we are unalike.

Puck and Ironhorse each grabbed a rope and began drawing the platform up the side of the building. The dark, mirrored walls reflected a strange party back at us: a cat, two elf-boys, a girl in a slightly tattered gown, and a monstrous black man with glowing red eyes. I contemplated how strange my life had become, but was interrupted by a soft hiss overhead.

I was taught to be queen by Margaret of Anjou, and perhaps I have taught you how to be queen in turn. This is fortune’s wheel indeed." With my forefinger I draw a circle in the air, the sign of fortune’s wheel. "You can go very high and you can sink very low, but you can rarely turn the wheel at your own bidding.

If you want to draw some advantage from your history, you must accept not only this miracle but also many others. In memory, everything can become miraculous. All you have to do is wish it, and freezing winter turns into spring, miserable rooms fill up with golden tapestries, murderers turn good, and children who cry out of loneliness receive caring teachers who are really the children themselves moved back from adulthood to their early years. Yes, my daughter, the past is not fixed and unalterable. With faith and will we can change it, not erasing its darkness but adding lights to it to make it more and more beautiful, the way a diamond is cut.

On the evenings when my parents held parties, the drawing-room mirrors multiplied to infinity the scintillations of a crystal chandelier. Mama would take her seat at the grand piano to accompany a lady dressed in a cloud of tulle who played the violin and a cousin who performed on a cello. I would crack between my teeth the candied shell of an artificial fruit, and a burst of light would illuminate my palate with a taste of blackcurrant or pineapple: all the colours, all the lights were mine, the gauzy scarves, the diamonds, the laces; I held the whole party in my mouth.

The King and Queen did the best they could. They hired the most superior tutors and governesses to teach Cimorene all the things a princess ought to know— dancing, embroidery, drawing, and etiquette. There was a great deal of etiquette, from the proper way to curtsy before a visiting prince to how loudly it was permissible to scream when being carried off by a giant. (...) Cimorene found it all very dull, but she pressed her lips together and learned it anyway. When she couldn’t stand it any longer, she would go down to the castle armory and bully the armsmaster into giving her a fencing lesson. As she got older, she found her regular lessons more and more boring. Consequently, the fencing lessons became more and more frequent. When she was twelve, her father found out. “Fencing is not proper behavior for a princess,” he told her in the gentle-but-firm tone recommended by the court philosopher. Cimorene tilted her head to one side. “Why not?” “It’s ... well, it’s simply not done.” Cimorene considered. “Aren’t I a princess?” “Yes, of course you are, my dear,” said her father with relief. He had been bracing himself for a storm of tears, which was the way his other daughters reacted to reprimands. “Well, I fence,” Cimorene said with the air of one delivering an unshakable argument. “So it is too done by a princess.

I rested my forehead against the wall and closed my eyes. It wasn’t just my curiosity, or my fascination with anatomy, or how I could unhesitatingly chop a rabbit’s head off with an ax when a roomful of boys couldn’t. Those things were all symptoms of the same sickness - a kind of madness inherited from my father. It was a dangerous pull in my gut drawing me toward the dark possibilities of science, toward the thin line between life and death, toward the animal impulses hidden behind a corset and a smile.

Her father sat her down and spoke to her with great seriousness. "You are not a witch, Katerina. There is magic in the world, and some of it is wholesome, and some of it is not, but it is a thing that is in the blood, and it is not in yours. "The foolish will always treat you badly, because they think you are not beautiful," he said, and she knew this was true. Plain Kate. She was a plain as a stick and thin as a stick and flat as a stick. Her nose was too long and her brows too strong. Her father kissed her twice, once above each brow. "We cannot help what fools think. But understand, it is your skill with a blade that draws this talk. If you want to give up your carving, you have my blessing." "I will never give it up," she answered.

How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.

Panic always comes to me in the same way. First, I get a knot in the pit of my stomach that turns to nausea, then a fluttery breathlessness that no amount of deep breathing can cure. But what causes my fear is different every day, I never know what will set me off. It could be a kiss from my husband, or the lingering look of sadness in his eyes when he draws back. Sometimes I know he's already grieving for me, missing me even while I'm still here. Worse yet is Marah's quiet acceptance of everything I say. I would give anything for another of our old knock-down drag-out fights. That's one of the first things I'd say to you now, Marah: Those fights were real life. You were struggling to break free of being my daughter but unsure of how to be yourself, while I was afraid to let you go. It's the circle of love. I only wish I'd recognized it then. Your grandmother told me I'd know you were sorry for those years before you did, and she was right. I know you regret some of the things you said to me, as I regret my own words. None of that matters, though. I want you to know that. I love you and I know you love me.

And maybe love is terrifying. I'm terrified now, but not in the way she would think. I'm terrified because I hate who she is and what she's done, I do, and yet there is still something strong and powerful between us, some kind of deep, primal bond that won't end, won't snap or break or change, it just remains there inside me, as sold and factual as my blood and bones - she is my mother, I am her daughter - and I don't know what to call it because it doesn't feel like love, not the good kind I felt for Ellie, with all my heart, but instead an instinctual pull that's been there from the beginning, drawing me back to her again and again, the woman who has hurt me like no one else ever could, and now she's dying and the bond is still here, inside me, and I won't call it love or hate because emotions has nothing to do with the fact that she is my mother and I am her daughter, and we will be connected in that way forever.

It will take so long for you to understand this, but you can’t punish yourself for someone else’s pain. You have to learn to separate, to draw boundaries. It’s the hardest thing, loving your mother. It’s the most profound and heartbreaking, the most important, love of my life. But I also couldn’t let it define me. I had another daughter. I had grandchildren. I had my own sense of self. And now I have Saul too.

Thornton Wilder’s one-act play “The Angel That Troubled the Waters,” based on John 5:1-4, dramatizes the power of the pool of Bethesda to heal whenever an angel stirred its waters. A physician comes periodically to the pool hoping to be the first in line and longing to be healed of his melancholy. The angel finally appears but blocks the physician just as he is ready to step into the water. The angel tells the physician to draw back, for this moment is not for him. The physician pleads for help in a broken voice, but the angel insists that healing is not intended for him. The dialogue continues—and then comes the prophetic word from the angel: “Without your wounds where would your power be? It is your melancholy that makes your low voice tremble into the hearts of men and women. The very angels themselves cannot persuade the wretched and blundering children on earth as can one human being broken on the wheels of living. In Love’s service, only wounded soldiers can serve. Physician, draw back.” Later, the man who enters the pool first and is healed rejoices in his good fortune and turning to the physician says: “Please come with me. It is only an hour to my home. My son is lost in dark thoughts. I do not understand him and only you have ever lifted his mood. Only an hour.… There is also my daughter: since her child died, she sits in the shadow. She will not listen to us but she will listen to you.”13 Christians who remain in hiding continue to live the lie. We deny the reality of our sin. In a futile attempt to erase our past, we deprive the community of our healing gift. If we conceal our wounds out of fear and shame, our inner darkness can neither be illuminated nor become a light for others. We cling to our bad feelings and beat ourselves with the past when what we should do is let go. As Dietrich Bonhoeffer said, guilt is an idol. But when we dare to live as forgiven men and women, we join the wounded healers and draw closer to Jesus.

My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!

I study my daughter's sleeping face. She curves her body the way I do when I sleep and draws her knees up close to her chest. She stretches her legs and her eyes flutter open as if to look at me, but then she closes them again. I hope she dreams in colour.

what I’d really like to know is how it feels to be on my own. Not someone’s daughter or wife, I mean…but my own person.” “Oh.” It seemed I’d surprised him. “There isn’t a lot of that kind of thinking around here.” “Of course there is,” I told him, trying to draw a smile. “It’s just usually a man who’s doing it.” —

Like a gold ring in a pig’s snout is a beautiful woman who shows no discretion. PROVERBS 11:22 Heavenly Father, I fear I haven’t been representing the dignity that You’ve given me. You have called me to be a woman of noble character who is respected. You have instructed me to present myself with beautiful modesty and a wise spirit. Lord, forgive me for trading in Your admirable qualities for worldly trends. My culture has glamorized provocative women with loose morals. I know You have higher standards for us because You cherish us more than we can understand. You’ve placed Your beauty inside of me, that I wouldn’t allow it to be slandered or trampled on. It breaks Your heart to see Your precious daughters throwing themselves at guys, accepting crude comments as compliments, and drawing inappropriate attention to their bodies. You created me for more than that, Lord. Remind me of my worth. Make my heart feel instantly sick the moment I present myself with less value than You’ve given me. You have crowned me as Your daughter and princess; You have inscribed Your royalty on my heart.

The decades that she devoted to conserving her husband’s legacy made Eliza only more militantly loyal to his memory, and there was one injury she could never forget: the exposure of the Maria Reynolds affair, for which she squarely blamed James Monroe. In the 1820s, after Monroe had completed two terms as president, he called upon Eliza in Washington, D.C., hoping to thaw the frost between them. Eliza was then about seventy and staying at her daughter’s home. She was sitting in the backyard with her fifteen-year-old nephew when a maid emerged and presented the ex-president’s card. Far from being flattered by this distinguished visitor, Eliza was taken aback. “She read the name and stood holding the card, much perturbed,” said her nephew. “Her voice sank and she spoke very low, as she always did when she was angry. ‘What has that man come to see me for?’” The nephew said that Monroe must have stopped by to pay his respects. She wavered. “I will see him,” she finally agreed. So the small woman with the upright carriage and the sturdy, determined step marched stiffly into the house. When she entered the parlor, Monroe rose to greet her. Eliza then did something out of character and socially unthinkable: she stood facing the ex-president but did not invite him to sit down. With a bow, Monroe began what sounded like a well-rehearsed speech, stating “that it was many years since they had met, that the lapse of time brought its softening influences, that they both were nearing the grave, when past differences could be forgiven and forgotten.” Eliza saw that Monroe was trying to draw a moral equation between them and apportion blame equally for the long rupture in their relationship. Even at this late date, thirty years after the fact, she was not in a forgiving mood. “Mr. Monroe,” she told him, “if you have come to tell me that you repent, that you are sorry, very sorry, for the misrepresentations and the slanders and the stories you circulated against my dear husband, if you have come to say this, I understand it. But otherwise, no lapse of time, no nearness to the grave, makes any difference.” Monroe took in this rebuke without comment. Stunned by the fiery words delivered by the elderly little woman in widow’s weeds, the ex-president picked up his hat, bid Eliza good day, and left the house, never to return.

I love you, Papa,” I said. “And I love you,” my father replied. “I have loved you every day of your life. I will love you for every day of mine and more. My love will never diminish, no matter how many steps you take throughout the world, no matter how many years you wander until your task is done.” “I will love you as long as I draw breath,” I replied. “And the moment I stop breathing, I will find you. Wherever you are.

Someday, I’ll gain telepathic powers like every other regular movie ghost and I will go all Freddie Krueger on his bony, little, rat arse!” I rolled my eyes, but kept marching down the street. “Then I’d have to go all Ghostbusters on yours.”, I tried to keep my voice low to keep from drawing attention to myself. “No, you wouldn’t. You love my arse, darling!”, he walked backwards few feet in front of me. His big smile was enough to make me grin and roll my eyes again at him.

In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32

Miss Wooding turned the nervous shade of pink that Rosaline found people often turned when her sexuality went from an idea they could support to a reality they had to confront. “I appreciate this is a sensitive topic and one that different people have different beliefs about. Which is why I have to be guided by the policies of our academy trust, and they make it quite clear that learners shouldn’t be taught about LGBTQ until year six.” “Oh do they?” asked Rosaline, doing her best to remember that Miss Wooding was probably a very nice person and not just a fuzzy cardigan draped over some regressive social values. “Because Amelie’s in year four and she manages to cope with my existence nearly every day.” Having concluded this was going to be one of those long grown-up conversations, Amelie had taken her Panda pencil case out of her bag and was diligently rearranging the contents. “I do,” she said. “I’m very good.” Miss Wooding actually wrung her hands. “Yes, but the other children—” “Are allowed to talk about their families as much as they like.” “Yes, but—” “Which,” Rosaline went on mercilessly, “when you think about it, is the definition of discrimination.” Amelie looked up again. “Discrimination is bad. We learned that in year three.” The d-word made Miss Wooding visibly flinch. “Now Mrs. Palmer—” “Ms. Palmer.” “I’m sure this is a misunderstanding.” “I’m sure it is.” Taking advantage of the fact that Miss Wooding had been temporarily pacified by the spectre of the Equality Act, Rosaline tried to strike a balance between defending her identity and catching her train. “I get that you have a weird professional duty to respect the wishes of people who want their kids to stay homophobic for as long as possible. But hopefully you get why that isn’t my problem. And if you ever try to make it Amelie’s problem again, I will lodge a formal complaint with the governors.” Miss Wooding de-flinched slightly. “As long as she doesn’t—” “No ‘as long as she doesn’t.’ You’re not teaching my daughter to be ashamed of me.” There was a long pause. Then Miss Wooding sighed. “Perhaps it’s best that we draw a line under this and say no more about it.” In Rosaline’s experience this was what victory over institutional prejudice looked like: nobody actually apologising or admitting they’d done anything wrong, but the institution in question generously offering to pretend that nothing had happened. So—win?

...I drag the kids to the farmers' market and fill out the week's cheap supermarket haul with a few vivid bunches of organic produce...Once home, I set out fresh flowers and put the fruit in a jadeite bowl. A jam jar of garden growth even adorns the chartreuse kids' table...I found some used toddler-sized chairs to go around it...It sits right in front of the tall bookcases...When the kids are eating or coloring there, with the cluster or mismatched picture frames hanging just to their left, my son with his mop of sandy hair, my daughter just growing out of babyhood...they look like they could be in a Scandinavian design magazine. I think to myself that maybe motherhood is just this, creating these frames, the little vistas you can take in that look like pictures from magazines, like any number of images that could be filed under familial happiness. They reflect back to you that you're doing it - doing something - right. In my case, these scenes are like a momentary vacation from the actual circumstances of my current life. Children, clean and clad in brightly striped clothing, snacking on slices of organic plum. My son drawing happy gel pen houses, the flourishing clump of smiley-faced flowers beneath a yellow flat sun. To counter the creeping worry that I am a no-good person, I must collect a lot of these images, postage-stamp moments I can gaze upon and think, I can't be fucking up that bad. Can I?

I rest my head on his shoulder, feeling his heart beating against me. I wish I could gather time around us, slowing the minutes, making them last a lifetime. “I was born on the island kingdom of Ghedda,” I whisper. This is a story I never told even to you, Habiba. I tell it now only because I cannot bear to leave him without the truth, knowing only half of me. I raise my head and meet his eyes. “That was more than four thousand years ago. I was the eldest daughter of a wise and generous king.” Aladdin stares at me, his eyes soft and curious, encouraging me to go on. “When I was seventeen, I became queen of Ghedda. In those days, the jinn were greater in number, and the Shaitan held greater sway over the realms of men. He demanded we offer him twenty maidens and twenty warriors in sacrifice, in return for fair seas and lucrative trade. I was young and proud and desired, above all else, to be a fair ruler. I would not bow to his wishes, so he shook our island until it began to fall into the sea.” I shudder, and Aladdin draws me closer. “I climbed to the alomb at the top of the Mountain of Tongues, and there offered myself to the Shaitan, if he would only save my city from the sea.” My voice falls to a whisper, little more than a ripple on the water. “So he took me and made me jinn and put me in the lamp. And then he caused the Mountain of Tongues to erupt, and Ghedda was lost to fire. For he had sworn only to save my people from the sea, not from flame.

We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall. I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”. Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world. “Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real” And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student. Which is, I sometimes think, the way it was meant to be. ~~~~~ art is always real. all of it. even the stuff you don’t understand. even the stuff you don’t like. even the stuff that you made that you would be embarrassed to show your best friend that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder? still art. the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death? it’s art. the story you are holding in your heart and so desperately want to tell the world? definitely art. the scarf you knit for your son with the funky messed up rows? art. art. art. the poem scrawled on your dry cleaning receipt at the red light. the dress you want to sew. the song you want to sing. the clay you’ve not yet molded. everything you have made or will one day make or imagine making in your wildest dreams. it’s all real, every last bit. because there is no such thing as art that is not real.

As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.

Is the missing object a lover’s token you shouldn’t have?” “Gracious!” She sat back, looking dismayed but not insulted. “Investigating must call for a vivid imagination, Mr. Hazlit.” “Hardly. Human nature seems to draw most people into the same predictable peccadilloes over and over. So which misstep have you taken? Do you need to locate the child’s father? Pay off his wife to keep her mouth shut? Those aren’t strictly investigatory matters, but I can see where the need for discretion… What?” “I should slap you.” The words weren’t offered with any particular animosity, more a tired acceptance. “You are a man, though, and allowances must be made.” “I beg your pardon.” “And well you should.” She sipped her tea then tipped her head back to regard him. “Despite the foul implications of your questions, Mr. Hazlit—questions I doubt you would have put to any of my sisters—I still need your help, and I still intend to retain you. I have committed no indiscretion; I have no ill-conceived child on the way; I need not go for a tour of the Continent to eschew my dependence on laudanum.” “So

A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.

The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen

Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know

I challenge you to invite the Word of God into your life experience. To begin this process right now, let’s arrest this moment with prayer. Dear heavenly Father, I thank you that I am all that you say about me. Forgive me for reducing your image and for the times I bowed down to idols of my own making. I refuse to worship limited images set up by human hands. Holy Spirit, reveal any area in my life where these idols yet have sway. You are love, and therefore not only am I loved, but I can also love others as you do. You are my source of life and the very reason I draw breath. You are able to finish what you begin in my life, and you have made me capable of all that you have set before me. In Christ I am your daughter, and because my heavenly Father is almighty, I have all the might I need by your Spirit. You are my ultimate healer; I will no longer look to the world to heal the very wounds it inflicted. Because you are the source of all wisdom, I will lean into your counsel. Forgive me for the times I allowed your expression in my life to be limited to the crusts and crumbs of others. I want to know you intimately and profoundly. I believe that you are more than I have ever imagined, and I invite you to lead me into a life of unrivaled wonder. Because of who you are, I am who you say I am. Regardless of what I feel in this moment, I am fearfully and wonderfully made. In the name of Jesus, amen.

He shifted so he was kneeling before her on the hard ground, as much to stop her from leaving as because it seemed the only thing left to do. “Tell me what you wished for, Sophie. Tell me, please.” “I wanted—” She paused and dashed the back of her hand against her cheek. “I wished for some Christmas of my own. I wished for a man who will care for me and stand by me no matter what inconvenient baby I’ve attached myself to. A man who will love me, love our children, and sojourn through life with me. I wished, and then you appeared, and I wished—” “What did you wish, Sophie?” “I wished you were my Christmas, wished you could be all my Christmases.” He wondered if maybe those shepherds on that long ago, faraway hillside had heard not the beating wings of the heavenly hosts but nothing more celestial than the beating of their own hearts, thundering with hope, wonderment, and joy. “Happy Christmas, Lady Sophie.” He framed her face in his hands and kissed her, slowly, reverently. “Be all my Christmases, mine and Kit’s, forever and ever.” She wrapped her fingers around his wrists and tried to draw his hands away when he brushed his thumbs over her damp cheeks. “I cannot,” she said. “It isn’t enough that we both care for the child or that I care for you.” He kissed her, kissed to silence her, kissed her to gather his courage. “Then let it be enough that I love you, you and the child both, and I will always love you. Please, I pray you, let it be enough.” She

And the old man groaned, and beat his head With his hands, and stretched out his arms To his beloved son, Hector, who had Taken his stand before the Western Gate, Determined to meet Achilles in combat. Priam's voice cracked as he pleaded: "Hector, my boy, you can't face Achilles Alone like that, without any support— You'll go down in a minute. He's too much For you, son, he won't stop at anything! O, if only the gods loved him as I do: Vultures and dogs would be gnawing his corpse. Then some grief might pass from my heart. So many fine sons he's taken from me, Killed or sold them as slaves in the islands. Two of them now, Lycaon and Polydorus, I can't see with the Trojans safe in town, Laothoë's boys. If the Greeks have them We'll ransom them with the gold and silver Old Altes gave us. But if they're dead And gone down to Hades, there will be grief For myself and the mother who bore them. The rest of the people won't mourn so much Unless you go down at Achilles' hands. So come inside the wall, my boy. Live to save the men and women of Troy. Don't just hand Achilles the glory And throw your life away. Show some pity for me Before I go out of my mind with grief And Zeus finally destroys me in my old age, After I have seen all the horrors of war— My sons butchered, my daughters dragged off, Raped, bedchambers plundered, infants Dashed to the ground in this terrible war, My sons' wives abused by murderous Greeks. And one day some Greek soldier will stick me With cold bronze and draw the life from my limbs, And the dogs that I fed at my table, My watchdogs, will drag me outside and eat My flesh raw, crouched in my doorway, lapping My blood. When a young man is killed in war, Even though his body is slashed with bronze, He lies there beautiful in death, noble. But when the dogs maraud an old man's head, Griming his white hair and beard and private parts, There's no human fate more pitiable." And the old man pulled the white hair from his head, But did not persuade Hector.

Then I’ll sing, though that will likely have the child holding his ears and you running from the room.” This, incongruously, had her lips quirking up. “My father isn’t very musical. You hold the baby, I’ll sing.” She took the rocking chair by the hearth. Vim settled the child in his arms and started blowing out candles as he paced the room. “He shall feed his flock, like a shepherd…” More Handel, the lilting, lyrical contralto portion of the aria, a sweet, comforting melody if ever one had been written. And the baby was comforted, sighing in Vim’s arms and going still. Not deathly still, just exhausted still. Sophie sang on, her voice unbearably lovely. “And He shall gather the lambs in his arm… and gently lead those that are with young.” Vim liked music, he enjoyed it a great deal in fact—he just wasn’t any good at making it. Sophie was damned good. She had superb control, managing to sing quietly even as she shifted to the soprano verse, her voice lifting gently into the higher register. By the second time through, Vim’s eyes were heavy and his steps lagging. “He’s asleep,” he whispered as the last notes died away. “And my God, you can sing, Sophie Windham.” “I had good teachers.” She’d sung some of the tension and worry out too, if her more peaceful expression was any guide. “If you want to go back to your room, I can take him now.” He didn’t want to leave. He didn’t want to leave her alone with the fussy baby; he didn’t want to go back to his big, cold bed down the dark, cold hallway. “Go to bed, Sophie. I’ll stay for a while.” She frowned then went to the window and parted the curtain slightly. “I think it’s stopped snowing, but there is such a wind it’s hard to tell.” He didn’t dare join her at the window for fear a chilly draft might wake the child. “Come away from there, Sophie, and why haven’t you any socks or slippers on your feet?” She glanced down at her bare feet and wiggled long, elegant toes. “I forgot. Kit started crying, and I was out of bed before I quite woke up.” They shared a look, one likely common to parents of infants the world over. “My Lord Baby has a loyal and devoted court,” Vim said. “Get into bed before your toes freeze off.” She gave him a particularly unreadable perusal but climbed into her bed and did not draw the curtains. “Vim?” “Hmm?” He took the rocker, the lyrical triple meter of the aria still in his head. “Thank you.” He

My bisnonno is such a man...Fine, you laugh again. Not so handsome,I think,but just as proud. He struts through the square with his new shoes. He buys a carriage. But he gives to the poor,too, to the Church.He is kind to his siters; he is a friend to many.He is raffinato, a gentleman. And the girl he chooses? Hmm? Hmm?" "I don't know, Nonna. Elizabeth Benedetto?" "Hah!" Nonna slapped her hand hard against her knee. It bounced soundlessly off the leopard plush. "Elisabetta. Elisabetta, daughter of a man who works on another's boat. Elisabetta who has many sisters and who is intended for the Church if she does not marry. I don't remember her family name, if I ever knew. Maybe Benedetto.Why not? It does not matter.What matters is that no one understands why Michelangelo Costa chooses this girl. No one can...oh,the word...to say a picture of: descrivere." "Describe?" "Si. Describe.No one can describe her.Small,they think. Brown, maybe. Maybe not so pretty, not so ugly. Just a girl. She sits by the seawall mending nets her family does not own. She is odd,too,her neighbors think.They think it is she who leaves little bit of shell and rock when she is done with the nets, little mosaico on the wall. So why? the piu bella girls ask, the ones with long,long necks, and long black hair, and noses that turn up at the end. Why this odd, nobody girl in her ugly dresses, with her dirty feet? "Michelangelo sends his cousins to her with gifts. A cameo, silk handkerchiefs, a fine pair of gloves. Again,the laugh.Then, you would not have laughed at a gift of gloves, piccola. Oh,you girls now. You want what? E-mails and ePods?" "That's iPods,Nonna." "Whatever. See,that word I know. Now, Elisabetta sends back the little girst. So my bisnonno sends bigger: pearls, meters of silk cloth, a horse. These,too,she will not take. And the people begin to look,and ask: Who is she, this nobody girl,to refuse him? No money,no beauty,no family name.You are a fool,they tell her. Accept. Accept! "And my proud bisnonno does not understand. He can have any girl in the town.So again,he gathers the gifts, he carries them himself, leads the horse. But Elisabetta is not to be found. She is not at her papa's house or in the square or at the seawall. Michelangelo fears she has gone to the convent. But no. As he stands at the seawall, a seabird,a gull, lands on his shoulder and says-" "Nonna-" "Shh! The girl tells him to follow the delfino....delfin? Dolphin! So he looks, and there, a dolphin with its head above the water says, 'Follow!' So he follows,the sack with gifts for Elisabetta on his back,like a peddler, the horse trailing behind.The dolphin leads him around the bay to a beach, and there is Elisabetta, old dress covered in sand,feet bare, just drawing circles in the sand. She starts to run, but Michelangelo calls to her. 'Why,' he asks her. 'Why do you hide? Why will you not take my gifts?' And she says..." I'd been fighting a losing battle with yawning for a while. I was failing fast. "I have no idea. 'I'm in love with someone else.'?

Perhaps I ought to stuff up these sleeping things and go to bed. But I’m still too wide awake I’d only writhe about. If I had got him on the phone if we’d talked pleasantly I should have calmed down. He doesn’t give a fuck. Here I am torn to pieces by heartbreaking memories I call him and he doesn’t answer. Don’t bawl him out don’t begin by bawling him out that would muck up everything. I dread tomorrow. I shall have to be ready before four o’clock I shan’t have had a wink of sleep I’ll go out and buy petits fours that Francis will tread into the carpet he’ll break one of my little ornaments he’s not been properly brought up that child as clumsy as his father who’ll drop ash all over the place and if I say anything at all Tristan will blow right up he never let me keep my house as it ought to be yet after all it’s enormously important. Just now it’s perfect the drawing room polished shining like the moon used to be. By seven tomorrow evening it’ll be utterly filthy I’ll have to spring-clean it even though I’ll be all washed out. Explaining everything to him from a to z will wash me right out. He’s tough. What a clot I was to drop Florent for him! Florent and I we understood one another he coughed up I lay on my back it was cleaner than those capers where you hand out tender words to one another. I’m too softhearted I thought it was a terrific proof of love when he offered to marry me and there was Sylvie the ungrateful little thing I wanted her to have a real home and a mother no one could say a thing against a married woman a banker’s wife. For my part it gave me a pain in the ass to play the lady to be friends with crashing bores. Not so surprising that I burst out now and then. “You’re setting about it the wrong way with Tristan” Dédé used to tell me. Then later on “I told you so!” It’s true I’m headstrong I take the bit between my teeth I don’t calculate. Maybe I should have learned to compromise if it hadn’t been for all those disappointments. Tristan made me utterly sick I let him know it. People can’t bear being told what you really think of them. They want you to believe their fine words or at least to pretend to. As for me I’m clear-sighted I’m frank I tear masks off. The dear kind lady simpering “So we love our little brother do we?” and my collected little voice: “I hate him.” I’m still that proper little woman who says what she thinks and doesn’t cheat. It made my guts grind to hear him holding forth and all those bloody fools on their knees before him. I came clumping along in my big boots I cut their fine words down to size for them—progress prosperity the future of mankind happiness peace aid for the underdeveloped countries peace upon earth. I’m not a racist but don’t give a fuck for Algerians Jews Negroes in just the same way I don’t give a fuck for Chinks Russians Yanks Frenchmen. I don’t give a fuck for humanity what has it ever done for me I ask you. If they are such bleeding fools as to murder one another bomb one another plaster one another with napalm wipe one another out I’m not going to weep my eyes out. A million children have been massacred so what? Children are never anything but the seed of bastards it unclutters the planet a little they all admit it’s overpopulated don’t they? If I were the earth it would disgust me, all this vermin on my back, I’d shake it off. I’m quite willing to die if they all die too. I’m not going to go all soft-centered about kids that mean nothing to me. My own daughter’s dead and they’ve stolen my son from me.

What would the ton do without us to feed them scandal broth?” Grey returned her grin. “The lot of them would starve.” They chuckled and as the humor faded, Grey tilted his head to look at her. “You look beautiful tonight.” She flushed, pleasure lighting the dark depths of her eyes. “You don’t have to say such things.” “I know I don’t, but you are my fiancée and it’s perfectly acceptable for me to voice my thoughts aloud. It’s rather refreshing after keeping them to myself for so long.” That got her attention. One of her fine, high brows twitched. “How long?” He grinned. “Since you were old enough for me to think such thoughts without being lecherous.” They stood no more than six inches apart. Close enough that he could see how amazingly flawless her skin was-not a freckle in sight. Close enough that she could see every twist and knot in his scar-and yet she barely glanced at it. Her gaze was riveted on his. She didn’t care that he was disfigured-at least not on the outside. Not on the inside either, so it seemed. “I’ve never been a good man,” he confessed-a little more hoarse than he liked-“but I promise to be a faithful husband.” It was the best he could offer, because as much as he would like to be the man she wanted, it wasn’t going to happen. Her smooth brow puckered. “I haven’t actually consented, you know.” “Rose, we have to marry.” “No.” She raised sparkling eyes to his. “I want you to ask me to marry you-not demand it. I don’t care if it has to be done. I want to feel like I have a choice.” “If you did have a choice, what would it be?” He was on dangerous ground with her, inching into territory better left unexplored for both their sakes. Rose smiled, and everything was right with the world. “Ask me and find out.” His hands came up, seemingly of their own volition, to cup her face. She was so delicate, yet so strong. Her entire world had been turned upside down, and yet she faced him with a teasing glint in her eyes and a soft flush of color in her cheeks. “Rose Danvers, will you do me the extreme honor of becoming my wife?” Were those tears dampening her eyes? And was it joy or sorrow that put them there? “I will.” He knew that they had to marry regardless, but hearing her say those two little words was like someone kicking his heart through his ribs. It hurt, but there was such unfathomable joy that came with it-such terrible happiness that Grey had no idea what to do with it. He’d never felt anything like it before. Holding her face, he lowered his head and hungrily claimed her mouth with his own. Her lips parted for his tongue as her fingers bit into his arms. A trickle of warm wetness brushed against his thumb. She was crying. A sharp gasp came from the open door. “What the devil is going on here?” The kiss and its magic were broken. Rose stepped back, and Grey dropped his hands, but he wasn’t willing to let her go just yet. He placed one arm behind her back, holding her close so that they faced her mother together. Camilla did not look happy. In fact, she looked like any mother would to walk into a room and find her daughter being molested. “Mama,” Rose begun. “It’s not what you think.” “It is exactly what you think,” Grey countered, drawing his friend’s stormy and narrow gaze. “I have asked Rose for her hand in marriage and she has accepted. I regret that you had to find out this way, but I was too overcome with joy to contain my feelings.” He could feel Rose gaping at him. He didn’t look at her, not because the words were a lie, but because they were all too damnably true.

Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.

Our Lord further instructed Ven. Conchita on the fact that the closer we draw to Mary, the more she helps us to imitate Christ. Jesus said: “In my life for souls, My daughter, My Mother is never separated from Me; that is, the imitation of our lives on earth has to be simultaneous, although hers was founded on Mine. Moreover, just as I was the Redeemer, she was the Co-Redeemer; and the souls that love her more, and that make themselves more like her, are those that most perfectly take on My likeness.

So here I was, about to put a bullet in my own sweet little daughter’s head. I looked at her through the white mists, which seemed to press memories into my head: Mandy dressed as Christopher Columbus at her preschool play, running offstage into the audience to hug her big sister Beth. Mandy as a toddler, drawing on the wall with lipstick. Mandy as a nursing infant. We’d shared a blissful bond. I’d spent hours holding her, sniffing her cotton-candy-sweet hair. Her life meant more to me than my own.

When my daughter was about seven years old, she asked me one day what I did at work. I told her I worked at the college — that my job was to teach people how to draw. She stared at me, incredulous, and said, “You mean they forget?

Writers write about what obsesses them. You draw those cards. I lost my mother when I was 14. My daughter died at the age of 6. I lost my faith as a Catholic. When I'm writing, the darkness is always there. I go where the pain is.

Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.

I want to annihilate that man,” her father growled. “He has taken my house. He has taken my drawings. I swear by all that is holy he is trying to take my daughter.” At Libby’s gasp, her father whirled to fix her with an angry glare. “Yes, my daughter! That man has more tricks up his sleeve than a traveling magician. Don’t think he is fascinated by your charms, Libby. The man only wants to take whatever is mine.

Without having to confine my dreams to the destiny outlined in one’s name and the expectations bestowed during one’s naming, I was left free to embrace the natural turns of my character and to determine my own future, drawing from the deepest well on unnamed possibilities.

That brings us to the nub of the issue. The second reason for drawing lines even when drawing lines is not “cool” (as my daughter and son would say) is that the New Testament documents model the distinction between orthodoxy and heresy, even if these terms are not deployed exactly in their English sense. Despite the faddish popularity of religious pluralism, despite the erroneous historical reconstructions of Walter Bauer and others, despite the common practice of treating other religions with more deference than a Christianity that tries to conform to the Bible, the fact remains that there is something disturbingly unfaithful about forms of expression that attempt to be more “broadminded” than the New Testament documents themselves. True, most who read these pages will want to avoid the kind of obscurantist “fundamentalism” that is less concerned with fundamentals than with fences. But most who read these pages will not be tempted down that path, and so they scarcely need to be warned against it. It is a cheap zeal that reserves its passions to combat only the sins and temptations of others. We are more likely to squirm when we read words like these: Do you agree with those who say that a spirit of love is incompatible with the negative and critical denunciation of blatant error, and that we must always be positive? The simple answer to such an attitude is that the Lord Jesus Christ denounced evil and denounced false teachers. I repeat that He denounced them as “ravening wolves” and “whited sepulchres,” and as “blind guides.” The Apostle Paul said of some of them, “whose god is their belly, and whose glory is in their shame”. That is the language of the Scriptures. There can be little doubt but that the Church is as she is today because we do not follow New Testament teaching and its exhortations, and confine ourselves to the positive and the so-called “simple Gospel”, and fail to stress the negatives and the criticism. The result is that people do not reconize error when they meet it. It is not pleasant to be negative; it is not enjoyable to have to denounce and to expose error. But any pastor who feels in a little measure, and with humility, the responsibility which the Apostle Paul knew in an infinitely greater degree for the souls and the well-being spiritually of his people is compelled to utter these warnings. It is not liked and appreciated in this modern flabby generation.29

A silvery light filtered through the trees; a few scattered shards finding their way into the dark interiors of the Anderson’s house, or what remained of it. Amanda sat in her chair, bolt upright and still, feeling the shadows of the night close in about her. The war had left havoc in its wake and there seemed to be nothing left in her world worth living for. Ian, her husband, had lost his life in a meaningless battle, leaving Amanda completely bereft, and not being satisfied with that, even her home had been laid bare. ‘Amanda?’ her mother Joan called, drawing her out of her thoughts. She placed a lamp on a table. ‘Go to bed. You need to sleep, my child.’ Amanda didn’t answer, though she looked gratefully at her mother in the half light, silently thanking her for being there when she was at her lowest ebb. Joan hesitated a moment and then reached into her pocket for a letter she had been carrying around for several days. ‘Amanda,’ she said gently, ‘I have a letter here, which I think you should know about.’ ‘Why? Does it contain more bad news?’ Amanda asked, her features still stoic. The lamplight cast a golden glow about her and Joan thought to herself how very lovely her daughter still was, despite having endured so much heartache. Joan cleared her throat. ‘It is a letter from one Mister Edmund Moore,’ she said. ‘I do not know anyone by that name Mama,’ Joan said.

Much of the negation poisoning the democratic process has stemmed from a confusion of the personal and the statistical. I may hold down an excellent job, but the failure of the stimulus to meet its targets infuriates me. I may live in peaceful Vienna, Virginia, safe from harm—but a report that several Americans have died violently in Kabul appears like a fatal failure of authority. By dwelling on the plane of gross statistics, I become vulnerable to grandiose personal illusions: that if I compel the government to move in this direction or that, I can save the Constitution, say, or the earth, or stop the war, or end poverty now. Though my personal sphere overflows with potentiality, I join the mutinous public and demand the abolition of the established order. This type of moral and political displacement is nothing new. The best character in the best novel by Dickens, to my taste, is Mrs. Jellyby of Bleak House, who spent long days working to improve “the natives of Borrioboola-Gha, on the left bank of the Niger,” while, in her London home, her small children ran wild and neglected. Dickens termed this “telescopic philanthropy”—the trampling of the personal sphere for the sake of a heroic illusion. Mrs. Jellyby, sitting in quite a nest of waste paper, drank coffee all the evening and dictated at intervals to her eldest daughter. She also held a discussion with Mr. Quale, the subject of which seemed to be—if I understood it—the brotherhood of humanity, and gave utterance to some beautiful sentiments. I was not so attentive an auditor as I might have wished to be, however, for Peepy and the other children came flocking about Ada and me in a corner of the drawing-room to ask for another story; so we sat down among them and told them in whispers “Puss in Boots” and I don’t know what else until Mrs. Jellyby, accidentally remembering them, sent them to bed.3 The revolt of the public has had a telescopic and Jellybyan aspect to it. Though they never descended to details, insurgents assumed that, by symbolic gestures and sheer force of desire, they could refashion the complex systems of democracy and capitalism into a personalized utopia. Instead, unknowingly, they crossed into N. N. Taleb’s wild “Extremistan,” where “we are subjected to the tyranny of the singular, the accidental, the unseen, and the unpredicted.” In that unstable country, “you should always be suspicious of the knowledge you derive from data.”4 I can’t command a complex social system like the United States, but I can control my political expectations of it: I can choose to align them with reality. To seize this alternative, I must redirect the demands I make on the world from the telescopic to the personal, because actionable reality resides in the personal sphere. I can do something about losing my job, for example, but I have no clue what could or should be done about the unemployment rate. I know directly whether a law affects my business for better or worse, but I have no idea of its effect on the gross domestic product. I can assist a friend in need, but I have little influence over the natives of Borrioboola-Gha, on the left bank of the Niger. Control, however tenuous, and satisfaction, however fleeting, can only be found in the personal sphere, not in telescopic numbers reported by government. A

So for people who do not wish to vaccinate their children, let me say that raising children seems very difficult. My job, as I see it, is to support my friends in their child-rearing decisions. They want to send their toddler off to a Swiss boarding school? That’s great! Four-year-olds who know how to play polo inspire not only admiration but terror, which in my mind means respect! They’re going to let their daughter choose her own name and send her to a hippie academy where the students learn to draw instead of read? Also great! It sounds like Princess Jellybean Frostina Elsa will be very creative or, as she would write, “!!☺ ☺****☺!!

It was a dangerous pull in my gut drawing me toward the dark possibilities of science, toward the thin line between life and death, toward the animal impulses hidden behind a corset and a smile.

the reason for his arrival. “If it isn’t, then…” Before he could finish, the older man, who went by the name Ferran Basara, began to speak. “It is ready, as I promised your superior.” Ferran raised the briefcase from his desk. “Now you must keep your end of the bargain.” “Your family’s safety will depend upon the successful deployment of your device. Then and only then will you know peace, my friend.” Ferran shed his gaze from the man. “I doubt that it will bring me peace. Please—you must go now, before you draw unwanted attention.” “Of course.” The man turned and proceeded to exit the shop where Ferran’s daughter remained standing behind the front counter. Her eyes followed him, but he didn’t give her a second look and pushed his way through the door. At his departure, Izzah, Izzy to her friends, walked toward her father. Her petite frame stood firm inside the opened door. “Who was that?” She placed her

What's this?" I asked, putting her cup on the counter next to the plate. "Rocky Road Bars," she supplied with a shrug. "Is that some kind of message?" I asked, head dipped. "Message?" she asked, her brows drawing together and proving that it wasn't. "Never mind," I said, shaking my head, feeling a small wave of relief even if she was standing there wound like a clock for some untold reason. Maybe that was the reason that when she shrugged at me and went to reach for her coffee, I reached over the counter, snagged her chin in my thumb and forefinger and leaned in to lick a small bit of chocolate from beside her lips from where she had smudged it. Her entire body stiffened then trembled at the contact. It was all the encouragement I needed. So right there, a dozen eyes no doubt on us, I framed her face in my hands and pressed my lips to hers. There was nothing sweet or chaste about it. I fucking devoured her mouth, my tongue moving to invade, drawing a quiet whimper from her as her hands slammed down on the counter. The sound was enough to remind me that I couldn't take it any further right then and there and better stop before either of us got too worked up. But as I pulled away and her eyes fluttered open and all I could see was a deep desire there, I knew she was a little bit more worked up than I intended. There were a couple chuckles and one brave soul let out a loud whistle as we pulled apart, making my smile tip up slightly, knowing I had just, whether I truly intended it or not, staked a claim. I let the whole town know that I was messing around with one of their favorite daughters. "I hate you right now," she said, her voice airy, her cheeks pink, her lips swollen. "No you don't," I countered, shaking my head. "You just hate that you can't climb over this counter and let me fuck you right here and now. Don't worry, you can have me all to yourself in just a couple of hours. If you can control yourself until then..." "Control myself," she hissed, both looking slightly outraged and equally amused. "I believe you were the one half-mauling me in public." "And I'm pretty sure it was your tongue moving over mine and your whimper I heard, right? Or was that Old Mildred. Hey, Milly..." I started to call, making Maddy's eyes bulge comically as she slammed her hand into my shoulder hard enough to send me back a foot. "Shut up!" she hissed, making me let out a chuckle. "Alright fine. You made your point," she said, shaking her head as she reached for her coffee. "What was my point, exactly?" I asked, curious. "You just like... marked your territory or whatever," she said, rolling her eyes at the very idea, but a small smile pulled at her lips. "So, what, you're mine now?" "Oh, I, well... I thought..." she fumbled, shaking her head at her lack of explanations. "Relax, sweetheart," I said, saving her from her misery. "Like I said last night, I'm in. You were the one who came in all anti-social this morning." "That had nothing to do with you," she informed me, looking almost pained. "Alice?" "My mom needs to find some friends to talk to about sex, Brant. I can't take it. I can't," she said, looking horrified. "I thought I was a cool, mature, experienced, metropolitan woman. But when your mom starts talking about blowjobs, it makes you really, really want to stick your fingers in your ears and scream 'I'm not hearing this, I'm not hearing this' until she shuts up." "Traumatized for life, huh?" "He's coming over tonight. Did I mention that part? He's coming to dinner and then, ah, staying the night. Because apparently it's... serious. Do they still sell earplugs at the pharmacy? I think I might actually die if I have to listen to them doing it.'' I laughed at that, finding myself charmed by her embarrassment. "Tell you what, why don't you come to my place for dinner.

You are being nonsensical, Benjamin. Why are you wearing those clothes?” “Because I did not want my pocket picked, today of all days.” His tone was sober enough that she glanced over at him in puzzlement. “I don’t understand.” “I’m carrying valuables for my lady.” He withdrew a little box from an inside pocket, and Maggie’s heart started trotting around nervously in her rib cage. “Benjamin, what are you about?” “Come.” He took her by the wrist and led her to a low stone wall circling a fountain. “I want to do this properly.” Foreboding mixed with an odd, sentimental thrill as Maggie seated herself on the stone wall. Benjamin took the place beside her, his expression still somber. He flipped open the box, withdrew a gorgeous emerald ring, and tucked the box out of sight again. “With this ring, I plight thee my troth, Maggie Windham.” She watched, dumbstruck, while he took her hand and slid the ring onto the appropriate finger. It was the stone she had picked out—she was almost sure of it—but the setting was nothing she recognized. “You should not be doing this.” She stared at the golden love knot crafted into the setting, stared at it until a teardrop splattered onto the back of her hand. “Oh, Benjamin, this is foolishness. We are not engaged, not truly.” He folded her into his embrace, resting his cheek against her temple. “It has been two weeks, Maggie, or nearly so. I think we are truly engaged.” She shook her head and tried to draw back, but he did not let her go. “I am not with child.” “Your menses have started then?” And still he did not let her go, but damn him, he understood her well enough to make a direct inquiry. “Not yet, but they will. I can feel it.” She would will it to happen, of that she was certain. No woman could conceive a child with this much tension and anxiety swirling in her vitals. “Then we’re still engaged.” “Must you be so stubborn?” He let her go and pulled back far enough to aim a look at her that asked silent, pointed questions about who was being stubborn with whom. “I got a ring for myself, too,” he said. “It’s not fashionable, but my parents observed this custom, and I noted yours do, as well.” “You don’t miss much of anything, do you?” He passed her a gold band that would have been plain, except it was chased with a swirling, interlocking pattern reminiscent of the love knot. “You don’t have to say the words, Maggie, but if you’d oblige me?” He held out his hand, and Maggie felt her heart—already fractured into a hundred sharp, miserable pieces—splinter further. Wordlessly, she took the ring from him and slid it onto the fourth finger of his left hand. “This is not a real engagement, Benjamin Portmaine. I wish it could be, but it cannot.” He kissed her, a sweet, gentle, heartrendingly tender pressing of his lips over hers. “It’s real to me, Maggie Windham. In this moment, sitting here with you, I am betrothed to the only woman I’ve ever wanted for my countess, my wife, and my love.” She

They are already like you, my lady. They have that fascinating, unknowable quality.” Fascinating? Unknowable? Heat that had nothing to do with embarrassment curled up from Louisa’s middle. “His Grace used to call me his abacus.” This admission slipped out as Louisa noticed that Sir Joseph was smiling at her again. There was a wistful tenderness in his smile that made it difficult to draw a full breath. “You are not an abacus, Louisa Windham. Any man with eyes can deduce that.” He

He kept moving, not reclining on his side of the bed but shifting and rocking the mattress as he maneuvered himself to Louisa’s side. “Hello, Husband.” She was on her back. He was plastered against the length of her, a particular part of him prodding her hip. “Greetings, Wife, and as much as I admire the embroidery on your nightgown, I will wish that article of clothing farewell without a pang—at your earliest convenience.” She covered her face with both hands. “Must you sound so merry?” “A merry season is upon us.” He peeled her hands away and kissed her nose. “‘Oh why does that eclipsing hand of thine deny the sunshine of the Sun’s enlivening eye?’” “You have that Wilmot fellow on the brain.” “No, I do not. I have something else entirely—someone else—on my brain.” He spoke gently, but there was happiness for him in what he contemplated. Louisa could hear it in his voice. “Joseph, there are things we must discuss.” He untied the top bow of her nightgown. “We can discuss them naked.” A second bow came free. “We can discuss them tomorrow.” A third, a fourth. “We can discuss them naked tomorrow, but, Louisa, you are my lawfully wedded wife, and the time has come for me to pleasure you to the utmost, which I am enthusiastically willing to do.” Those were not lines penned by any long-dead earl. More of Louisa’s bows came undone, until there were no more bows to undo. Joseph pulled the covers up around her shoulders and slid a hand across her bare belly. “I did not feel the cold in Surrey, Louisa, not as long as I thought of what these moments with you might hold.” God in heaven. “Joseph, what am I supposed to do?” He shifted back to regard her, his dark brows drawing down. “You do whatever you please, with one exception.” He kissed her collarbone, a sweet little tasting that might have involved the tip of his tongue. “You do not think your way through this, Louisa Carrington. A plague on me if you’re able to cling to ratiocination at such a time. You put your prodigious mind with all its thoughts, languages, ciphering, and blasphemy aside, and let the damned thing rest while I love you.” The

Watching you and my daughter, seeing how you’ve survived things other women couldn’t--” She licked her lips. “That steel in your backbones came from your bringin’ up, from me. I’ve taught you to stand up and fight back. I’ve raised you proud. Lately, I’ve been staring into my looking glass, wondering where the old Rachel has got off to.” “Oh, Aunt Rachel, you’ve only done what you felt you had to for me and Amy.” Rachel nodded. “Yes. But there comes a time when a body must draw the line." She sighed and rolled her eyes, a reluctant smile tugging at her mouth. “If it’s a draw between a baby and Henry, I’ll kick his ornery butt all the way to the fancy house in Jacksboro and tell him to stay there this time.” Appalled and uncertain how to react, Loretta said, “Fancy house?” “You don’t really think he goes there to get tobacco and coffee and the Godey’s Lady’s Book for us, do you?” Rachel touched Loretta’s shoulder. “Don’t look so woebegone. He leaves me alone for nigh on a month after. I consider it a blessing.” Loretta threw back her head and gave a weak laugh. “Uncle Henry visiting a fancy house? Oh, Aunt Rachel, I bet those ladies double their rates when they see the likes of him coming!” “No doubt,” Rachel said grimly. “A lover, Henry ain’t. I’ve wasted a lot of years kowtowing to him. I don’t plan to waste any more. I can make it without a man. Just you watch me.” She pushed to her feet and extended Loretta a helping hand. “Come on, little mother. I’ll fix you some remedy for that rolling tummy.” “Oh, Aunt Rachel, do you think it’s for sure?” “Sure enough that we’d best start cutting out nightshirts. I got flannel tucked away in my barrel. That’ll make up nice.” Loretta smiled, and taking a deep breath, she passed a hand over her brow. “I am powerful pleased, Aunt Rachel!” “Just keep thinkin’ that way until I get Henry told.” “Do we have to tell him right now?” “Honey, if you go to upchucking of a morning before you can reach the privacy, he’s gonna know anyway. May as well light his fuse when we’re expecting the explosion.

My courses are late, Husband.” This merited her a sigh and a kiss to her cheek. Her cheek? “Being the sort of intimate husband I am—and being married to the lusty sort of wife you are—one noticed this.” She liked that he thought she was lusty… But he’d noticed? What else had he noticed? “Did you notice that I was scared to death on that horse today?” “Of course. The more frightened you are, the calmer you get. Usually.” Another kiss to her other cheek. “Though you were not particularly calm on our wedding night.” Oh, he would bring that up. Eve had wanted to ease into the topic, to whisk right over it, to drop hints and let him draw conclusions. Subtlety was wanted for the disclosure she had in mind. “I was not chaste.” God help her, she’d spoken those words aloud. Deene’s chin brushed over her right eyebrow then her left; his arms cradled her a little more closely. “You were chaste.” “No, I was not. I had given my virtue… Lucas, are you listening to me?” “I always listen to you. You did not give your virtue to anyone. It was taken from you by a cad and a bounder who’d no more right to it than he did to wear the crown jewels.” Eve’s husband spoke in low, fierce tones, even as the hand he smoothed over her hair was gentle. “How did you know?” He’d known? All this time he’d known and said nothing? “I thought at first you were simply nervous as any bride would be nervous of her first encounter with her husband, but then I realized you were not nervous, you were frightened. Of me, of what I would think of you. As if…” He rolled with her so she was sprawled on his chest and his arms were wrapped around her. By the limited light in the room, Eve met his gaze. “Your brother Bartholomew caught up with the fool man first, and the idiot was so stupid as to brag of the gift you’d bestowed on him. He was further lunatic enough to brag about the remittance his silence would cost your family. He bragged on his cleverness, duplicity, bad faith, and utter lack of honor to your own brother.” “Bart never said… Devlin never breathed a word.” “I don’t think Devlin knew. By the time Devlin arrived on the scene, Bart had beaten the man near to death and summoned a press gang. I know of this only because I happened to share a bottle—a few bottles—with Lord Bart the night before we broke the siege at Ciudad Rodrigo. He regretted the harm to you. He regretted not avenging your honor unto the death. He regretted a great deal, but not that you’d survived your ordeal and had some chance to eventually be happy.” “You have always known, and you have never breathed a word.” “I have always known, and I have done no differently than any other gentleman would do when a lady has been wronged. You are the one who has kept your silence, Evie, even from your own husband.” He was not accusing her of any sin; he was expressing his sorrow for her. Eve tucked herself tightly against him, mashed her nose against his throat, and felt relief, grief, and an odd sort of joy course through her. “All

Lady Jenny, your turn.” She passed her sketch pad over to him, feeling a pang of sympathy for accused criminals as they stood in the dock. And yet, she’d asked for this. Gotten together all of her courage to ask for this one moment of artistic communion. “Well,” Mr. Harrison said, “isn’t he a handsome fellow? What do you think, ladies?” “You look like a papa,” Fleur observed. “Though our papa doesn’t sketch. He reads stories.” “And hates his ledgers,” Amanda added. “Is my hair that long in back?” “Yes,” Jenny said, because she’d drawn not only Elijah Harrison’s hands, but all of him, looking relaxed, elegant, and handsome, with Amanda crouched at his side, fascinated with what he created on the page. “I look…” He regarded the sketch in silence, while Jenny heard a coach-and-four rumbling toward her vulnerable heart. “I look… a bit tired, slightly rumpled, but quite at home. You are very quick, Lady Genevieve, and quite good.” Quite good. Like saying a baby was adorable, a young gentleman well-mannered. “The pose was simple,” Jenny said, “the lighting uncomplicated, and the subject…” “Yes?” He was one of those men built in perfect proportion. Antoine had spent an entire class wielding a tailor’s measure on Mr. Harrison’s body, comparing his proportions to the Apollo Belvedere, and scoffing at the “mistakes” inherent in Michelangelo’s David. Jenny wanted to snatch her drawing from his hand. “The subject is conducive to a pleasing image.” He passed the sketch pad back, but Jenny had the sense that in some way, some not entirely artistic way, she’d displeased him. The disappointment was survivable. Her art had been displeasing men since she’d first neglected her Bible verses to sketch her brothers. “You

Lucas?” The bewilderment in her gaze when he lifted away from her tore at his heart. “Boots off, Evie. I have an idea. Trust me.” Three complete sentences, one declarative, two imperative. Quite an accomplishment when a man’s cock was rioting in his breeches. He tugged her up by one arm and knelt to pull off her boots. While she sat there looking puzzled and a trifle disgruntled, he untied her stock and eased her jacket from her shoulders, then started unbuttoning her shirt. “Will I like this idea?” “You will like it.” “Does it involve my undressing you as well?” He sat back on his heels, proud of her. “It can.” And then a cloud passed before the sun in her gaze. “Lucas, there must be a limit—” Ah, common sense was nipping at her heels too. He put one finger on her lips. “There must. Trust me to see to it. I promise you’re safe with me, Eve.” She didn’t hesitate for even an instant. She reached out and started unknotting his cravat. Before Deene could take three steadying breaths, his shirt was open and Eve was drawing a single, incendiary finger down the length of his sternum. “Back to my idea, Eve…” Her lips quirked up. “I liked it better when you were kissing me, not just spouting ideas.” Eve,

Elijah?” “Love?” She kissed him and peered at him with the sort of intensity Elijah suspected had to do with questions a newly engaged woman found difficult to keep to herself. How many children did he want? A special license or St. George’s or a wedding in the Morelands chapel? Would they reside with his family at Flint Hall, or live for a time at Bernward Manor? When would he speak to her father? She brushed his hair back from his forehead, a wifely caress if Elijah had ever felt one. “When I go to Paris, I will miss my family, but I will also miss… this.” She kissed him again, sweetly, gently. “I will miss you so very much.” Elijah’s hands stopped moving on her back; his lungs stopped drawing in air. When she went to Paris… When she went to Paris, exactly as planned, as if this night, as if he, meant nothing more than a passing whim. As if he’d completely misconstrued her words, her glances, her intentions, and seen them through a haze of lust and longing that had obliterated his judgment. But not his pride. Anger welled up, at her, at himself, at Paris, and following immediately after, like an undertow follows a wave, despair surged—for himself and for her. He did not want to go to Paris, much less in the company of a woman whose view of their dealings was radically different from his own. Jenny

As he forced himself to retreat from the world of his sketch, Elijah realized the boys were trying to start a squabble over some lower order of card—a three? “I-unts” became increasingly vocal, interspersed with “It’s not your turn,” until Elijah had to set his drawing aside and scoop William up in his arms. “What you want,” he informed the child, “is a stout tickling.” He scratched lightly at the boy’s round tummy, provoking peals of merriment. William’s laughter, surprisingly hearty coming from so small a body, sounded to Elijah exactly as Prudholm’s had when that worthy was still small enough to tease and tickle like this. “Elijah…” Jenny’s tone bore patience and a warning. Don’t get the little ones all wound up, Elijah. You’re the oldest, and they look to you for an example of proper decorum. He lifted the happy little fellow up over his head and slowly lowered him. “Enough, my lad. Time to go with nurse and have some bread and jam. You’d like that, wouldn’t you? Or maybe some of your mama’s delicious stollen. Mmmm.” “I want some of Mama’s Christmas bread too,” Kit announced. “Come along, Aunt Jen. We’ll share.” Elijah stood, passed Sweet William off to his nurse, and took Aunt Jen by the hand. “I’m sure your aunt longs to accompany you, Kit, but she must stay here and help me clean up this awful mess.” Kit’s gaze darted to the scattering of cards on the rug. To a small child, a deck held thousands of cards, none of which little hands found easy to stack. Such a pity, that. “I’ll save you a piece of stollen, Aunt Jen.” Kit took his nurse’s hand and towed her toward the door. “’Bye, Aunt, ’bye, Mr. Harrison.” “Au revoir,” Elijah murmured.

Lord Radnor is a man of great wealth and refinement,” Mrs. Howard continued. “He is highly educated and honorable in every regard. And if it weren’t for my daughter’s selfishness and your interference, Charlotte would now be his wife.” “You’ve omitted a few points,” Nick said. “Including the fact that Radnor is thirty years older than Lottie and happens to be as mad as cobbler’s punch.” The color on Mrs. Howard’s face condensed into two bright patches high on her cheeks. “He is not mad!” For Lottie’s sake, Nick struggled to control his sudden fury. He imagined her as a small, defenseless child, being closed alone in a room with a predator like Radnor. And this woman had allowed it. He vowed silently that Lottie would never again go unprotected. He gave Mrs. Howard a hard stare. “You saw nothing wrong in Radnor’s obsessive attentions to an eight-year-old girl?” he asked softly. “The nobility are allowed their foibles, Mr. Gentry. Their superior blood accommodates a few eccentricities. But of course, you would know nothing about that.” “You might be surprised,” Nick said sardonically. “Regardless, Lord Radnor is hardly a model for rational behavior. The social attachments he once enjoyed have withered because of his so-called foibles. He has withdrawn from society and spends most of his time in his mansion, hiding from the sunlight. His life is centered around the effort to mold a vulnerable girl into his version of the ideal woman— one who isn’t allowed even to draw breath without his permission. Before you blame Lottie for running from that, answer this question in perfect honesty— would you want to marry such a man?

What’s ‘Anders’ short for?” He blinked his thoughts away and glanced to Valerie. She was looking more relaxed now that he wasn’t approaching, and her head was tipped curiously as she waited for his answer. Apparently he wasn’t quick enough answering, because she went on, “Or is it your last name like you call Justin by his last name Bricker?” “It’s a short form of my last name,” he answered. Her eyebrows rose. “Which is?” “Andronnikov.” That made her eyes widen. “What’s your first name?” He was silent for a moment, but suspected now that she knew she didn’t even know his first name, Valerie would hardly be willing to kiss him again, let alone anything else if he didn’t tell her. Women could be funny about wanting to know the name of the guy sticking their tongue down her throat while groping her. “My first name is Semen.” She blinked several times at this news, and then simply breathed, “Oh dear.” At least she wasn’t laughing, Anders thought wryly, and explained, “It’s Basque in origin. Based on the word for son.” “I see,” she murmured. “Everyone just calls me Anders.” “Yes, I can see why,” she muttered, and then cleared her throat and said, “So your father was Russian, and your mother Basque and neither of them spoke English?” “What makes you think that?” “Well it’s that or they had a sick sense of humor,” she said dryly. “That’s like naming a daughter Ova. Worse even. I’m surprised you survived high school with a name like that.” “Actually, I’ve met a couple of women named Ova over the years,” Anders said with amusement. “Dear God,” she muttered. Anders chuckled and moved sideways, not drawing any closer, but moving to grip the edge of the pool as she was doing so that they faced each other with their sides to the pool rim. Valerie smiled, and then said, “So were you raised in Basque Country or Russia or Canada?” “Russia to start,” he answered solemnly, easing a step closer in the water. She nodded, seemingly unsurprised and said, “You have a bit of an accent. Not a thick one, but a bit of it. I figured you weren’t raised here from birth.” “No, I came here later,” Anders acknowledged. Much later, but he kept that to himself for now and eased another step closer.

The first page held a picture of a hazel blossom that Catherine had drawn. It had been pulled from its file, laminated with clear plastic, and secured to the album with gold photo corners. Below the drawing was my daughter's name, Hazel Jones-Hastings, in Elizabeth's elegant script, and her birthday, March 1, which wasn't her birthday at all.

For two decades, our escape defined me. It dominated my personality and compelled my every decision. By college, half my life had led up to our escape and the other half was spent reliving it, in churches and retreats where my mother made it a hagiograpihc journey, on college applications where it was a plea, at sleepovers where it was entertainment, and in discussion groups after public viewings of xenophobic melodrama like China Cry and Not Without my Daughter, films about Christian women facing death and escaping to America. Our story was a sacred thread woven into my identity. Sometimes people asked, But don't a lot of Christians live there? or Couldn't your mother just say she was Muslim? It would take me a long time to get over those kinds of questions. They felt like a bad grade, like a criticism of my face and body...Once in an Oklahoma church, a woman said, "Well, I sure do get it. You came for a better life." I thought I'd pass out -- a better life? In Isfahan, we had yellow spray roses, a pool. A glass enclosure shot up through our living room, and inside that was a tree. I had a tree inside my house; I had the papery hand of Morvarid, my friend nanny, a ninety-year-old village woman; I had my grandmother's fruit leather and Hotel Koorosh schnitzels and sour cherries and orchards and a farm - life in Iran was a fairytale. In Oklahoma, we lived in an apartment complex for the destitute and disenfranchised. Life was a big gray parking lot with cigarette butts baking in oil puddles, slick children idling in the beating sun, teachers who couldn't do math. I dedicated my youth and every ounce of my magic to get out of there. A better life? The words lodged in my ear like grit. Gradually, all those retellings felt like pandering. The skeptics drew their conclusions based on details that I had provided them: my childhood dreams of Kit Kats and flawless bananas. My academic ambitions. I thought of how my first retelling was in an asylum office in Italy: how merciless that with the sweat and dust of escape still on our brows, we had to turn our ordeal into a good, persuasive story or risk being sent back. Then, after asylum was secured, we had to relive that story again and again, to earn our place, to calm casual skeptics. Every day of her new life, the refugee is asked to differentiate herself from the opportunist, the economic migrant... Why do the native-born perpetuate this distinction? Why harm the vulnerable with the threat of this stigma? ...To draw a line around a birthright, a privilege. Unlike economic migrants, refugees have no agency; they are no threat. Often, they are so broken, they beg to be remade into the image of the native. As recipients of magnanimity, they can be pitied. But if you are born in the Third World, and you dare to make a move before you are shattered, your dreams are suspicious. You are a carpetbagger, an opportunist, a thief. You are reaching above your station.

(Chastity speaking of the torments of Love) For no no vsuall fire, no vsuall rage It is, ô Nurse, which on my life doth feed, And suckes the bloud, which from my hart doth bleed. But since thy faithfull zeale lets me not hyde My crime, (if crime it be) I will it reed. Nor Prince, nor pere it is, whose loue hath gryde My feeble brest of late, and launched this wound wyde. Nor man it is, nor other liuing wight: For then some hope I might vnto me draw, But th’only shade and semblant of a knight, Whose shape or person yet I neuer saw, Hath me subiected to loues cruell law: The same one day, as me misfortune led, I in my fathers wondrous mirrhour saw, And pleased with that seeming goodly-hed, Vnwares the hidden hooke with baite I swallowed. Sithens it hath infixed faster hold Within my bleeding bowels, and so sore Now ranckleth in this same fraile fleshly mould, That all mine entrailes flow with poysnous gore. And th’vlcer groweth daily more and more; Ne can my running sore find remedie, Other then my hard fortune to deplore, And languish as the leafe falne from the tree, Till death make one end of my dayes and miserie. Daughter (said she) what need ye be dismayd, WHY MAKE YE SUCH A MONSTER OF YOUR MIND? Of much more vncouth thing I was affrayd; Of filthy lust, contrarie vnto kind: But this affection nothing straunge I find; For who with reason can you aye reproue, To loue the semblant pleasing most your mind, And yield your heart, whence ye cannot remoue? No guilt in you, but in the tyranny of loue.

That’s disappointing.” “You need me. You need this pendant,” she said, her voice a whimper. “I’m a gifted artist. You know that, don’t you? You saw those paintings and drawings all over my house. Those were mine.” Silence. “You touch a hair on my daughter’s head and I go straight to the police and draw you three different ways, one with a smile, one with a frown, and one with handcuffs on as you’re getting ass-raped in jail.

scan the pages quickly, feigning interest until I come upon a line drawing of a child next to a picture of a massive rifle, and then I really am interested. I read the associated paragraph: After the daughter was recovered, the M.E. examined the girl and found no evidence of bruising on her limbs or torso consistent with having fired a Winchester Magnum. Given the size of the weapon relative to the girl’s height and weight as well as the lack of physical evidence, the M.E. ruled that the daughter did not fire the rifle. My heart pounds. I place the folder carefully on the table and wipe my hands on my jeans and stick them under my legs to stop them from shaking. I don’t understand. I shot my mother. I killed her—I know I did. I’ve seen myself standing over her body with the rifle so many, many times.

Our history is not a continuous line; it's a circle we draw over and over on a blotter. Chicago, Fall River, Chicago. Thomas Carlyle, the man from Arkansas, my own daughter, Thomas Carlyle. Work, not work. The terrors of the sleeper and the helplessness of the awake. [Walt Kaplan/Rachel Plotkin]

She reaches in and pulls out the carved white marble box. My box of secrets. It has been years since she’s seen this box, though she could still sketch it from memory. It too looks smaller than she remembers. She wipes off a layer of dust and leaves her hand there for a moment, on the cool surface. She realizes she’s holding her breath, draws it in deeply, and opens the box. She unfolds the first letter inside, a small rectangular piece of faint pink stationery. Slowly, she reads the words written there in familiar childlike script: Dear Mom,         Today my teacher asked our class to write a letter to someone in another country. My father told me you are in India, but he doesn’t know your address. I am nine years old and in the fourth grade. I wanted to write you a letter to tell you I would like to meet you one day. Do you want to meet me? Your daughter, Asha The raw display of sentiment makes her cringe. She feels tears prick at the back of her eyes and the slow flood of emotions she has not experienced in a long time.

Demons could go long stretches without breathing or other mortal needs, but when Nyxis emerged, I wasn’t sure I’d ever known how to draw air into my lungs.

NOTE: The character of Aoleon is deaf. This conversation takes place in the book via sign language... “Feeling a certain kind of way Aoleon?” She snapped-to and quickly became defensive. “What in the name of the Goddess are you on about?” Shades of anger and annoyance. The old Aoleon coming out. “I’m sorry. I shouldn’t poke at you like that. It’s okay you know. There’s nothing wrong about the way you feel.” As if suddenly caught up in a lie, Aoleon cleared her throat and ran her fingers absentmindedly over her ear and started to fidget with one of the brass accents in her snowy hair. A very common nervous reaction. “No…I mean…well I was…uh...” “Aoleon, I know about you and Arjana.” he admitted outrightly as he pointed at the drawing. She coughed, stuttered, smiled, but could bring herself to fully say nothing. Words escaped her as she looked about the room for answers. “My sight is Dįvįnë, lest we forget. I knew you were growing close.” “Yes. Well…she’s…something else.” “Indeed?” he responded. Images flashed briefly in Aoleon’s head of her father’s old friend. Verging on her fiftieth decade of life. She was a fierce woman by all accounts. One who’d just as soon cut you with words as she would a blade. Yet, she was darling and caring towards those she held close to her. Lovely to a fault; in a wild sort of way. Dark skin, the colour of walnut stained wood. Thick, kinky hair fashioned into black locs that faded into reddish-brown tips that were dyed with Assamian henna; the sides of her head shaved bare in an undercut fashion. Tattoos and gauged ears. Very comfortable with her sexuality. Dwalli by blood, but a native of the Link by birth although she wasn’t a Magi. Magick was her mother’s gift. “I heard her say something very much the same about you once Aoleon.” “Really?” Aoleon perked up right away. “Did she?” “Yes. After she first met you in fact. Nearly exactly.” Aoleon’s smile widened and she beamed happiness. She sat up assertively and gave a curt nod. “Well, of course she did.” “She’s held such a torch for you for so long that I was starting to wonder if anything would actually come of it.” “Yeah. Both you and Prince Asshole.” Aoleon exclaimed with a certainty that was absolute as she once again tightened up with defensiveness. Samahdemn walked his statement back. “Peace daughter. I didn't know your brother had been giving you a row about her. Then again, he is your brother. So anything is possible.” Aoleon sighed and nodded. “Not so much problems as he’s been giving me the silent treatment over it. Na’Kwanza. It’s always Na’ Kwanza.” Samahdemn nodded knowingly and waived a dismissive hand. “He’s just jealous. He always has been.” “So I’ve noticed.” “Why would you hide it? Why not tell me?” “I don’t know.” she said; shrugging her shoulders. “I didn’t know how you’d take it I suppose.” “Seriously? You were afraid of rejection? From me? Love, have I ever held your individuality against you? Have I ever not supported you or your siblings?” She shook her head; a bit embarrassed that she hadn't trusted him. "No, I suppose not." -Reflections on the Dįvonësë War: The Dįvįnë Will Bear Witness to Fate

I could have stood up to the injustice of hanging a good woman, a loving mother, a caring healer who had helped so many people … but I did not, and I will regret it until I draw my last breath.” “But you do realize, don’t you, that she was not wrongly accused? She was a witch, William. Just as I am.” “Then if what a witch is sits before me, a woman I have loved all my life, I see no evil, no harm, no wickedness.

Children make you see distances. What do you mean “distances”? Lazer paused and picked an olive from the plate. He spun it slowly on the toothpick. Well for example this morning I was sitting at my desk at home looking out on the acacia trees that grow beside the balcony beautiful trees very tall and my daughter was there she likes to stand beside me and draw pictures while I write in my journal. It was very bright this morning unexpectedly clear like a summer day and I looked up and saw a shadow of a bird go flashing across the leaves of the acacia as if on a screen projected and it seemed to me that I was standing on a hill. I have labored up to the top of this hill, here I am it has taken about half my life to get here and on the other side the hill slopes down. Behind me somewhere if I turned around I could see my daughter beginning to climb hand over hand like a little gold animal in the morning sun. That is who we are. Creatures moving on a hill. At different distances, said Geryon.

We could sit here and get super-high and talk about the illusory nature of reality, drawing back the veil, and so on, but what I'm learning is this: that loving anything or anyone this much requires you to hold conflicting thoughts in your head and heart. I want to look at [my daughter's] dear, dear little face forever; [but] nothing lasts forever...I will die, her father will die, my little family that is the whole heart of me is the tiniest of tiny blips in the sweep of space and time. We are nothing. We are part of something so grand we cannot hope to apprehend it. We are all lost. We are all floating in space. We were never lost. We will go home.

Lord Jesus, You came into the world to seek and to save those who were separated from Your love. It is with a heavy and aching heart that I come to You, the Savior of sinners, imploring You to restore to saving faith my erring child. O Lord, my heart is breaking as I realize that my son (daughter) is following the way of unrepentant sinners, which always leads to condemnation. Save him (her), O Lord, save him (her). You have, in Your vast mercy performed many wonders, and I pray that You would lead back all the erring lambs who have wandered away from Your fold. O Lord, if by any fault or neglect of my own I have caused him (her) to have strayed from You, I beg of Your mercy that You would forgive me. Guide me by Your Holy Word, and show me how to share Your love, mercy, and forgiveness. Draw all of us closer to You in faith. If it be Your will, let this erring child be returned so that our hearts are filled again with Your peace and Your joy. Unite us with You in faith, and abide in our hearts both now and forevermore as our loving, compassionate, and forgiving Savior. In Your holy name I pray. Amen. (132) FOR ONE WHO HAS STRAYED FROM THE FAITH Lord Jesus Christ, You are the friend of sinners, the shepherd who seeks the lost sheep. I come to You, Lord, in humble repentance, as one who was lost and dead in sin. Yet, by Your grace I was baptized into the name of the triune God and made an heir of everlasting life. You have blessed me with the nourishment of Word and Sacrament, where I receive constant forgiveness and the power of the Spirit to renew my life. As You have gifted me, O Lord, so work Your salvation for (name), who at this time seems far away from Your cross and the Word of God. Lord, You know all things; You know how Satan works to deceive, how he would lead even the elect away if he could. He uses our selfish natures to make us believe that it is okay to do things our way, to trust our own judgment, to ignore Your commands. Bring (name) to the judgment of Your Law, so that he (she) may see the condemnation of sin and

I mean, what is a family anyway but the organized cruelty of the state shrunk down, uppercase “Daddy” swapped for the lowercase? The silence of mothers to their daughters; the drunken absence of fathers; vicious sibling rivalries impinging upon the small, threatened field of love. Yes, there is love, and I don’t mean to dismiss it. But given form through the family, the love is so often not an exception to but a part of the disavowals of private citizenship. Circle the wagons, there’s not enough of our meager portion to share with others. My grandmother, a Brazilian expatriate, sat in a living room in Florida in 1980 and watched the footage on television of the Salvadoran military massacring people attending the funeral of Archbishop Óscar Romero. She commented to my father, her son-in-law, that that was what they got for rebelling against the government. Should such people be loved? In a world where we are not always forced to make our positions visible, we live warily with our enemies, fingering our weapons, waiting for the drawing of lines.

it’s her brother’s wedding. Julie hero-worships Pippa Bennett—or more accurately, her designs. My daughter loves to draw, and lately, she’s taken to drawing jewelry, which isn’t such a surprise since I sell jewelry for a living. Callahan’s Finest, of which I am the CEO, is the largest chain of high-end jewelry shops on the East Coast and has been for three generations. We work closely with Bennett Enterprises, and I admire the Bennett family. They started from nothing. Sebastian created Bennett Enterprises less than fifteen years ago, and it grew to be one of the most prestigious producers in the

what I’d really like to know is how it feels to be on my own. Not someone’s daughter or wife, I mean…but my own person.” “Oh.” It seemed I’d surprised him. “There isn’t a lot of that kind of thinking around here.” “Of course there is,” I told him, trying to draw a smile. “It’s just usually a man who’s doing it.

There’s no need to carry on as if Helen’s going to be dragged to the altar in chains. She’ll have a choice in the matter.” “The right words can bind someone more effectively than chains. You’ll manipulate her into doing what you want regardless of how she feels.” “Enjoy the view from your moral pedestal,” Devon said. “Unfortunately I have to keep my feet on the ground.” West stood and went to the window, scowling at the view. “There’s a flaw in your plan. Winterborne may decide that Helen isn’t to his taste.” “Oh, he’ll take her,” Devon assured him. “Marrying a daughter of the peerage is the only way for him to climb in society. Consider it, West: Winterborne is one of the richest men in London and half the nobility is in debt to him--and yet the same aristocrats who beg him to extend their credit refuse to welcome him into their drawing rooms. If he marries an earl’s daughter, however, doors that have always been closed to him would instantly open.” Devon paused reflectively. “Helen would do well for him.” “She may not want him.” “Would she rather become a penniless spinster?” “Perhaps,” Wes replied testily. “How should I know?” “My question was rhetorical. Of course Helen will agree to the match. Aristocratic marriages are always arranged for the benefit of the family.” “Yes, but the brides are usually paired with their social equals. What you’re proposing is to lower Helen by selling her to any common lout with deep pockets for your own benefit." “Not any common lout,” Devon said. “One of our friends.” West let out a reluctant laugh and turned back to face him. “Being a friend of ours doesn’t exactly recommend him. I’d rather let him have Pandora or Cassandra--at least they have enough spirit to stand up to him.

Isibel,” he began. Her sword moved so quickly even Dom could not see the steel, nor feel the blade as it plunged through his body. There was only the hole it left behind, through steel, cloth, and immortal flesh. The roaring in his head intensified, as if a hurricane tore through the castle. He blinked slowly, his knees going weak. Andry grabbed for Corayne, restraining her before she could lunge at his traitorous aunt. “My daughter is dead because of you,” Isibel screamed, her gray eyes gone to white fire. Dom only heard her as if through water, distant and muffled. “It is only fair I return the favor.” As her voice worked through his mind, so did the pain work through his shock. It was dull at first, then so sharp his vision spun. Dom expected the smack of his body hitting the ground, but it never came. Small, wiry arms caught him instead, lowering him to the ground with her, until his back rested against her chest. Bronze fingers worked at the buckles of his armor, tearing off the plates of steel and tossing them away to expose the wound beneath. The same hands ripped his shirt apart and pressed the scraps against the hole in his torso. Despite her quick thinking, blood bubbles through Sorasa’s fingers. Her face crumpled at the sight of it, and Dom knew. This would not be like a dagger to his ribs. Sorasa Sarn could not sew up this wound. “It’s fine,” she hissed, lying, one hand still holding pressure. The other went around his chest, drawing him to her, letting him lean back into her body. “It’s fine.” “That is what mortals say when they are in grave pain,” he sputtered, choking on his own blood. A tear hit his cheek, the only one Sorasa would spare.

I am proud that I am an Australian, a daughter of the Southern Cross, a child of the mighty bush. I am thankful I am a peasant, a part of the bone and muscle of my nation, and earn my bread by the sweat of my brow, as man was meant to do. I rejoice I was not born a parasite, one of the blood-suckers who loll on velvet and satin, crushed from the proceeds of human sweat and blood and souls. Ah, my sunburnt brothers!—sons of toil and of Australia! I love and respect you well, for you are brave and good and true. I have seen not only those of you with youth and hope strong in your veins, but those with pathetic streaks of grey in your hair, large families to support, and with half a century sitting upon your work-laden shoulders. I have seen you struggle uncomplainingly against flood, fire, disease in stock, pests, drought, trade depression, and sickness, and yet have time to extend your hands and hearts in true sympathy to a brother in misfortune, and spirits to laugh and joke and be cheerful. And for my sisters a great love and pity fills my heart. Daughters of toil, who scrub and wash and mend and cook, who are dressmakers, paperhangers, milkmaids, gardeners, and candle-makers all in one, and yet have time to be cheerful and tasty in your homes, and make the best of the few oases to be found along the narrow dusty track of your existence. Would that I were more worthy to be one of you—more a typical Australian peasant—cheerful, honest, brave! I love you, I love you. Bravely you jog along with the rope of class distinction drawing closer, closer, tighter, tighter around you: a few more generations and you will be as enslaved as were ever the moujiks of Russia. I see it and know it, but I cannot help you. My ineffective life will be trod out in the same round of toil—I am only one of yourselves, I am only an unnecessary, little, bush commoner, I am only a—woman!