Drawing Appreciation Quotes

Nope.' He sat back. 'Just been there, done that. Done that getting hauled to the police station thing because of it, too.I appreciate your quest and everything, but I have to draw the line somewhere.' 'Wait,' I said, holding up my hand. 'My quest?' He turned to look at me. We were at a red light, no other cars were anywhere in sight. 'Yeah,' he said. 'You know, like in Lord of the Rings, or Star Wars. You're searching for something you lost or need. It's a quest.' I just looked at him. 'Maybe it's a guy thing,' he said. 'Fine, don't call it a quest. Call it chicken salad, I don't care. My point is, I'm in, but within reason. That's all I'm saying.

God freely created us so that we might know, love, and serve him in this life and be happy with him forever. God's purpose in creating us is to draw forth from us a response of love and service here on earth, so that we may attain our goal of everlasting happiness with him in heaven. All the things in this world are gifts of God, created for us, to be the means by which we can come to know him better, love him more surely, and serve him more faithfully. As a result, we ought to appreciate and use these gifts of God insofar as they help us toward our goal of loving service and union with God. But insofar as any created things hinder our progress toward our goal, we ought to let them go.

I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.

Please understand, Conception of a Dialysis Patient (the untold truths), is for those who have never crossed over, and experienced this world first hand. Tethered to a machine for survival, takes an emotional toll, yes on the patient, but family and friends as well. Anyone who draws breath needs to take this expedition. Dialysis patients, unfortunately, know their untold truths, so this may simply be confirmation of sorts, acknowledgement of their not being alone. This is the point of view of one patient, not a physician. I ask that you and others hear our voices. As the creator of the opus, I have first-hand experience. Removed from the machine, with my second transplant of a lifetime, I am certainly blessed. My objective is to open everyone’s eyes and minds, especially those of you who never been tethered to a dialysis machine. From my perception, you will value the emotional charge, and destruction dialysis forces upon patients, and their families. Again, the goal is to enlighten, in a manner that is sure to linger, and have you examining your own predicaments. I so appreciate you passing the word. Please take that breath with us -Fayton

If you're lucky, in some point in the future when you're in need of guidance or perhaps moral support, you may cross paths with a suitable mentor. Even luckier, you'll realize you had one in your life all along and you'll gain a new appreciation for how you benefited from that relationship. The luckiest relationship of all, of course, is a combination of the two. You've had help all along, and as the path widens or narrows, whatever the case may be, new and powerful influences will enter your life and aid your progress. In my experience, a mentor doesn't necessarily tell you what to do, but more importantly: tells you what they did or might do, then trusts you to draw your own conclusions and act accordingly. If you succeed, they'll take one step back and if you fail, they'll take one step closer. Whatever it is they teach you, pass it on.

But everything changes when you tell about life; it's a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. You seem to start at the beginning: "It was a fine autumn eveningin 1922." And in reality you have started at the end. It was there, invisible and present, it is the one which gives to words the pomp and value of a beginning... And the story goes on in reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: "It was night, the street was deserted." The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice. I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail.

Please understand, Conception of a Dialysis Patient (the untold truths), is for those who have never crossed over, and experienced this world first hand. Tethered to a machine for survival, takes an emotional toll, yes on the patient, but family and friends as well. Anyone who draws breath needs to take this expedition. Dialysis patients, unfortunately, know their untold truths, so this may simply be confirmation of sorts, acknowledgement of their not being alone. This is the point of view of one patient, not a physician. I ask that you and others hear our voices. As the creator of the opus, I have firsthand experience. Removed from the machine, with my second transplant of a lifetime, I am certainly blessed. My objective is to open everyone’s eyes and minds, especially those of you who never been tethered to a dialysis machine. From my perception, you will value the emotional charge, and destruction dialysis forces upon patients, and their families. Again, the goal is to enlighten, in a manner that is sure to linger, and have you examining your own predicaments. I so appreciate you passing the word, Please take that breath with us… -Fayton

There is something about the act of studying an unclothed body, as an artist does, that allows a person to appreciate it as pure form, regardless of the kinds of traits traditionally regarded as imperfections. In a figure drawing class, an obese woman's folds of flesh take on a kind of beauty. You can look at a man's shrunken chest or legs or buttocks with tenderness. Age is not ugly, just poignant.

We are not great connoisseurs of the two twilights. We miss the dawning, exclusably enough, by sleeping through it, and are as much strangers to the shadowless welling-up of day as to the hesitant return of consciousness in our slowly waking selves. But our obliviousness to evening twilight is less understandable. Why do we almost daily ignore a spectacle (and I do not mean sunset but rather the hour, more or less, afterward) that has a thousand tonalities, that alters and extends reality, that offers, more beautifully than anything man-made, a visual metaphor or peace? To say that it catches us at busy or tired moments won't do; for in temperate latitudes it varies by hours from solstice to solstice. Instead I suspect that we shun twilight because if offers two things which, as insecurely rational beings, we would rather not appreciate: the vision of irrevocable cosmic change (indeed, change into darkness), and a sense of deep ambiguity—of objects seeming to be more, less, other than we think them to be. We are noontime and midnight people, and such devoted camp-followers of certainly that we cannot endure seeing it mocked and undermined by nature. There is a brief period of twilight of which I am especially fond, little more than a moment, when I see what seems to be color without light, followed by another brief period of light without color. The earlier period, like a dawn of night, calls up such sights as at all other times are hidden, wistful half-formless presences neither of day nor night, that draw up with them similar presences in the mind.

EAMES: Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind... EAMES: (draws a diagram) Then we take Fischer down another level and his own subconscious feeds it right back to him. ARTHUR: (impressed) So he gives himself the idea. EAMES: Precisely. That's the only way to make it stick. It has to seem self-generated. ARTHUR: Eames, I'm impressed. EAMES: Your condescension, as always, is much appreciated, Arthur.

Don’t forget to be specific…Details. Put in all the details. The boys appreciate all that detailed daily life sh*t they don’t get anymore. If you’ve got a teacher you’re hot for, tell ‘em what her hair looks like, what her legs look like, what she eats for lunch. If she’s teaching you geometry, tell ‘em how she draws a bloody triangle on the blackboard. If you went down the shop for a bag of sweets yesterday, did you ride your pushee? Did you go by foot? Did you see a rainbow along the way? Did you buy gobstoppers or clinkers or caramels? If you had a good meat pie last week was it steak and peas or curry or mushroom and beef? You catchin’ my drift? Details.

The Psalms draw a hard and fast distinction between the righteous and the wicked, something that is not appreciated in a period of religious syncretism.

The only problem they had ... was in drawing the fine differences between war-mass murder of people wearing a uniform not your own; justifiable loss-mass murder of your own troops, but with substantial gains; and criminal negligence-mass murder of your own troops, without appreciable benefit.

Perhaps the most general and most important mental habit to instill is an appreciation of the folly of trying to draw conclusions from incomplete and unrepresentative evidence. An essential corollary of this appreciation should be an awareness of how often our everyday experience presents us with biased samples of information.

when I can show the sensuality of those so-called imperfections. How we can appreciate ourselves and desire each other not when we’re perfect but when we’re us. So I started drawing, then painting, lovers together, individuals loving themselves

What I got out of that story was something still very new to me: I understood at last what art is really for, at least in certain respects. It gives somebody, individually, pleasure. You can make something that somebody likes so much that they’re depressed, or they’re happy, on account of that damn thing you made! In science, it’s sort of general and large: You don’t know the individuals who have appreciated it directly. I understood that to sell a drawing is not to make money, but to be sure that it’s in the home of someone who really wants it; someone who would feel bad if they didn’t have it. This was interesting.

We can learn personal humility from episodes that generate shame and guilt. After retiring from worldly affairs and drawing useful lessons from personal disgrace, we must resume living an expedient life devoted to appreciating truth, beauty, and love.

What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.

1: There are at least six of them:     Sight, which embraces space itself, and tells us by means of light of the existence of the objects which surround us, and of their colors. Hearing, which absorbs through the air the vibrations caused by agreeably resonant or merely noisy bodies. Smell, by means of which we savor all odorous things. Taste, by which we appreciate whatever is palatable or only edible. Touch, by which we are made aware of the surfaces and the textures of objects. Finally physical desire, which draws the two sexes together so that they may procreate.

The [ military ] lawyers I saw there had about as much in common with the man who had defended me at fifteen as automated machine rifle fire has with farting. They were cold, professionally polished and well on their way up a career ladder which would ensure that despite the uniforms they wore, they would never have to come within a thousand kilometres of a genuine firefight. The only problem they had, as they cruised sharkishly back and forth across the cool marble floor of the court, was in drawing the fine differences between war (mass murder of people wearing a uniform not your own), justifiable loss (mass murder of your own troops, but with substantial gains) and criminal negligence (mass murder of your own troops, without appreciable benefit). I sat in that courtroom for three weeks listening to them dress it like a variety of salads, and with every passing hour the distinctions, which at one point I'd been pretty clear on, grew increasingly vague. I suppose that proves how good they were.

To draw close to Divinity is to come to appreciate man as a divine creation, for “If men do not comprehend the character of God, they do not comprehend themselves” (Teachings of the Prophet Joseph Smith, 343).

There’s a Schopenhauer quote that compares love passion with the blinding sun. When it dims in later years, we suddenly become aware of the wondrous starry heavens that had been obscured, or hidden, by the sun. So for me the vanishing of youthful, sometimes tyrannical, passions has made me appreciate the starry skies more and all wonders of being alive, wonders that I had previously overlooked. I’m in my eighties, and I’ll tell you something unbelievable: I’ve never felt better or more at peace with myself. Yes, I know my existence is drawing to a close, but the end has been there since the beginning. What is different now is that I treasure the pleasures of sheer awareness.

The pieces of ourselves we leave behind may not be appreciated by all in the now but they deserve to be immortal, whether it be drawings, stories, wisdom, love ...” his eyes veer back to me “ ... because one day, it’s time will come.

I think it was Asimov who once compared prose to windows. Some authors, he said— like Asimov himself— wrote in a style devoid of flourishes or lyricism, telling the story in a just the facts, ma’am kinda way. This is your standard clear-window prose; you don’t appreciate it, you don’t even notice it, but at least you’ve got a clear view of what’s going down on the other side. Others (Samuel Delany and China Miéville come to mind) write “stained-glass-window” prose: the words contain a kind of beauty in the way they’re put together, they draw attention to their own construction and invite whistles of admiration. The only problem with stained-glass windows is, the more ornate the pane, the tougher it is to see what’s on the other side.

If you love people, and they hate you, esteem them anyway. If you help people, and they hurt you, sustain them anyway. If you embrace people, and they shun you, cherish them anyway. If you console people, and they hate you, respect them anyway. If you trust people, and they betray you, appreciate them anyway. If you teach people, and they ignore you, enlighten them anyway. If you adore people, and they shun you, honor them anyway. If you applaud people, and they despise you, regard them anyway. If you forgive people, and they offend you, shelter them anyway. If you defend people, and they attack you, uphold them anyway. If you raise people, and they lower you, inspire them anyway. If you draw people, and they repel you, encourage them anyway.

I would later make large detailed drawings of these humorously humiliating moments for Robert. He delighted in them, seeming to appreciate all the qualities that repelled or alienated me from others. Through this visual dialogue my youthful memories became his.   I

You do not want to marry me, my lord. I would be the worst wife imaginable. I'm forgetful and stubborn, and I can never sit still for more than five minutes. I'm always doing things I shouldn't. I eavesdrop on other people, I shout and run in public, and I'm a clumsy dancer. And I've lowered my character with a great deal of unwholesome reading material." Pausing to draw breath, she noticed that Lord St. Vincent didn't appear properly impressed by her list of faults. "Also, my legs are skinny. Like a stork's." At the indecent mention of body parts, Lord Chaworth gasped audibly, while Lord Westcliff developed a sudden keen interest in the nearby cabbage roses. Lord St. Vincent's mouth worked against a brief tremor, as if he were amused despite himself. "I appreciate your candor," he said after a moment.

Dance Report in the old east there was a dance in which young girls at the age of 12 or 13 wore special intoxicating flowers inducing them to sleep while standing. the girls went on standing for hours while people watched and appreciated the delicate swaying of the bodies

Live a Focused Life Live your life with focus and an appreciation for life; it’s the people that are focused on spending their time and energy creating positive things in life; the ones with a vibe for living the good life. This positive energy will draw people toward you.

Twofold kind of equality. The craving for equality can be expressed either by the wish to draw all others down to one's level (by belittling, excluding, tripping them up) or by the wish to draw oneself up with everyone else (by appreciating, helping, taking pleasure in others' success).

A tallow dip, of the long-eight description, is an excellent thing in the kitchen candlestick, and Betty’s nose and eye are not sensitive to the difference between it and the finest wax; it is only when you stick it in the silver candlestick, and introduce it into the drawing-room, that it seems plebeian, dim, and ineffectual. Alas for the worthy man who, like that candle, gets himself into the wrong place! It is only the very largest souls who will be able to appreciate and pity him – who will discern and love sincerity of purpose amid all the bungling feebleness of achievement.

The only sustainable approach to thinking today about problems, he argues, “is thinking without a box.” Of course, that doesn’t mean having no opinion. Rather, it means having no limits on your curiosity or the different disciplines you might draw on to appreciate how the Machine works. Wells calls this approach—which I will employ in this book—being “radically inclusive.” It involves bringing into your analysis as many relevant people, processes, disciplines, organizations, and technologies as possible—factors that are often kept separate or excluded altogether. For instance, the only way you will understand the changing nature of geopolitics today is if you meld what is happening in computing with what is happening in telecommunications with what is happening in the environment with what is happening in globalization with what is happening in demographics. There is no other way today to develop a fully rounded picture.

Above him were stars. Beneath him was grass. There was wonder here, even if Regan no longer saw it. Even if she no longer felt it, he would feel it for both of them. He would translate it for her later. He would learn to draw it for her, he thought, or to write it, or graph it. She seemed to appreciate things she could see.

The universe and the events in it are thus perfect examples to imitate. However, no matter how perfect the example is, everyone will draw and interpret objects according to their abilities. Charles Lako, commenting on aesthetics once said, that the magnificent scene at sunset would remind a farmer of the rather unaesthetic thought of dinner; the physicist, not of beauty or ugliness, but of the rightness or wrongness of the analysis of a matter. Thus, for Lalo, the sunset is beautiful only for those who are aware of beauty. Therefore, only those who see with God and hear with God can appreciate the beauty that spreads throughout existence as their senses are tuned to the spiritual realms.

Humankind’s perpetual affinity for telling stories that depict the weal of life shapes and reflects human consciousness. Stories are the most ancient form of art. All societies, from the tribes scratching the earliest cave drawings, employed the art of storytelling. We hunger to hear other people’s stories and to tell our own stories to an appreciative audience.

Above him were stars. Beneath him was grass. There was wonder here, even if Regan no longer saw it. Even if she no longer felt it, he would feel it for both of them. He would translate it for her later. He would learn to draw it for her, he thought, or to write it, or graph it. She seemed to appreciate things she could see. He thought of her gaze traveling over the scars on his shoulders, taking him in. Yes, he would draw it for her, and then she would see it. She would watch it take shape and he would know he’d said it in a way she could understand, and then she would know that even this, with its ordinary features, was wonder and glory, too. He didn’t blame her for not seeing it. He blamed everyone else for letting her forget.

For the first time I understood the dogma of eternal pain -- appreciated "the glad tidings of great joy." For the first time my imagination grasped the height and depth of the Christian horror. Then I said: "It is a lie, and I hate your religion. If it is true, I hate your God." From that day I have had no fear, no doubt. For me, on that day, the flames of hell were quenched. From that day I have passionately hated every orthodox creed. That Sermon did some good. In the Old Testament, they said. God is the judge -- but in the New, Christ is the merciful. As a matter of fact, the New Testament is infinitely worse than the Old. In the Old there is no threat of eternal pain. Jehovah had no eternal prison -- no everlasting fire. His hatred ended at the grave. His revenge was satisfied when his enemy was dead. In the New Testament, death is not the end, but the beginning of punishment that has no end. In the New Testament the malice of God is infinite and the hunger of his revenge eternal. The orthodox God, when clothed in human flesh, told his disciples not to resist evil, to love their enemies, and when smitten on one cheek to turn the other, and yet we are told that this same God, with the same loving lips, uttered these heartless, these fiendish words; "Depart ye cursed into everlasting fire, prepared for the devil and his angels." These are the words of "eternal love." No human being has imagination enough to conceive of this infinite horror. All that the human race has suffered in war and want, in pestilence and famine, in fire and flood, -- all the pangs and pains of every disease and every death -- all this is as nothing compared with the agonies to be endured by one lost soul. This is the consolation of the Christian religion. This is the justice of God -- the mercy of Christ. This frightful dogma, this infinite lie, made me the implacable enemy of Christianity. The truth is that this belief in eternal pain has been the real persecutor. It founded the Inquisition, forged the chains, and furnished the fagots. It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain. Like a venomous serpent it crawls and coils and hisses in every orthodox creed. It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge. Nothing could add to the horror of hell, except the presence of its creator, God. While I have life, as long as I draw breath, I shall deny with all my strength, and hate with every drop of my blood, this infinite lie.

Some people who struggled through them have even described these very difficult times as bringing about important, good things like drawing people closer together, building strength of character, learning to appreciate the basics, etc. For example, Tom Brokaw called the people who went through the 1930–45 period “the Greatest Generation” because of the strength of character it gave them.

What you love defines you better than what you hate. What you need defines you better than what you want. What you give defines you better than what you take. What you do defines you better than what you say. What you create defines you better than what you destroy. What you gain defines you better than what you lose. What you heed defines you better than what you ignore. What you help defines you better than what you hinder. What you esteem defines you better than what you dishonor. What you trust defines you better than what you fear. What you grasp defines you better than what you disbelieve. What you hold defines you better than what you release. What you draw defines you better than what you repel. What you face defines you better than what you avoid. What you finish defines you better than what you start. What you admire defines you better than what you despise. What you welcome defines you better than what you shun. What you heal defines you better than what you hurt. What you praise defines you better than what you condemn. What you cherish defines you better than what you disregard. What you appreciate defines you better than what you despise. What you strengthen defines you better than what you weaken. What you encourage defines you better than what you denounce. What you support defines you better than what you oppose. What you honor defines you better than what you violate. What you consider defines you better than what you ignore. What you accept defines you better than what you reject. What you conceive defines you better than what you abort. What you comprehend defines you better than what you misunderstand.

This peculiar psychotic material cannot be derived from the conscious mind, because the latter lacks the premises which would help to explain the strangeness of the ideas. Neurotic contents can be integrated without appreciable injury to the ego, but psychotic ideas cannot. They remain inaccessible, and ego-consciousness is more or less swamped by them. They even show a distinct tendency to draw the ego into their “system.

There had never been any talent, any talent to draw or paint or to make music or to write or to make any of the wonderful and beautiful things he'd loved. There was only the keen eye to appreciate it, the heartbreaking capacity to perceive talent in others all around...only a gentleman's means could have kept him close to the talent of others, kept him close to all that was fine and enduring and filled life with daily grace.

The critic's aim should be to interpret the work they are writing about and help readers appreciate it, by defining and analysing those qualities that make it precious and by indicating the angle of visions from which its beauties are visible. But many critics do not realize their function. They aim not to appreciate, but to judge; they seek first to draw lines about literature and then bully readers into accepting these laws.

(1) Stand erect. (2) Inhale a Complete Breath, and retain same. (3) Extend the arms straight in front of you, letting them be somewhat limp and relaxed, with only sufficient nerve force to hold them out. (4) Slowly draw the hands back toward the shoulders, gradually contracting the muscles and putting force into them, so that when they reach the shoulders the fists will be so tightly clenched that a tremulous motion is felt. (5) Then, keeping the muscles tense, push the fists slowly out, and then draw them back rapidly (still tense) several times. (6) Exhale vigorously through the mouth. (7) Practice the Cleansing Breath. The efficiency of this exercise depends greatly upon the speed of the drawing back of the fists, and the tension of the muscles, and, of course, upon the full lungs. This exercise must be tried to be appreciated. It is without equal as a "bracer," as our Western friends put it.

You may not realize it, but it’s in the dark places that you really grow. They’re where your character is developed, where you learn to trust God and to persevere, and where your spiritual muscles are made strong. In the dark places you pray more, you draw closer to God, and you take time to get quiet and listen to what He’s saying. In those dark places you reevaluate your priorities, you slow down and take time for family, and you get a new appreciation for what God has given you.

I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It’s difficult to describe because it’s an emotion. It’s analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there’s a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run “behind the scenes” by the same organization, the same physical laws. It’s an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It’s a feeling of awe—of scientific awe—which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.

A society with a crabbed spirit and a cynical urge to discount and devalue will find that one day when it needs to draw upon the reservoirs of excellence, the reservoirs have run dry. A society in which the capacity for warm appreciation of excellence atrophies will find that its capacity for excellence diminishes. Happiness, too, diminishes as the appreciation of excellence diminishes. That is no small loss, least of all to a nation in which the pursuit of happiness was endorsed in the founding moment.

When he spoke, it was to ask her the sort of questions that didn’t demand much. She liked his deep voice and the strangeness of his eyes, so pale a gray that they seemed barely a color at all. She appreciated that he hadn’t hit on her. And he wasn’t bad looking. Objectively, he was far hotter than the guys to whom she usually was attracted—pretty, sad, skinny, whippet-faced fast-talkers. Objectively, he looked like he could snap them in half. Maybe she needed something different. A nicotine patch of a man. Something to draw off her worst impulses, at least for one night.

You have such strength," she said softly, "but you have never hurt me. I find that remarkable." "I am very careful not to hurt you," he said, his voice thick. Rycca nodded. "I appreciate that." She touched his lean hips and beyond, lightly caressing the hard muscles of his buttocks. He gritted his teeth and swore to himself that he could bear this. She was very close to him now, the thin cloth of her chemise brushing against him.He found that barrier intolerable. Plucking at the fabric, he muttered, "Take it off." She looked a little surprised, then smiled. "The truth is,I feel safer with it on, a little bolder." "Little?" He wanted to say more, something about her being any bolder and he would burst, but he couldn't get the words out. Probably because he wasn't breathing very well. Rycca hesitated but only a moment. With the gracefulness so natural to her, she lifted the chemise over her head and discarded it. In the silvery moonlight, her skin glowed like polished alabaster, pale but for the rosy fullness of her nipples and the fiery curls between her thights. He reached for her urgently, but once again she eluded his grasp. "Please..." she said again and took his thick wrists in her hands. Drawing them away from her body, she reaised her head and met his eyes. "You can't realize how much I want to..." "Thor's thunder,lady,do whatever you will before I perish!" Her eyes widened yet more and a startled laugh broke from her. Then her expression was suddenly wistful. "Do not think badly of me." Badly? How in all creation could he manage that? She was a dream brought to life, the most exquisitely seductive enchantress he had ever imagined. And she was his by the law of man and God. In all the wide world, how could a man ask for more?

Miss Wooding turned the nervous shade of pink that Rosaline found people often turned when her sexuality went from an idea they could support to a reality they had to confront. “I appreciate this is a sensitive topic and one that different people have different beliefs about. Which is why I have to be guided by the policies of our academy trust, and they make it quite clear that learners shouldn’t be taught about LGBTQ until year six.” “Oh do they?” asked Rosaline, doing her best to remember that Miss Wooding was probably a very nice person and not just a fuzzy cardigan draped over some regressive social values. “Because Amelie’s in year four and she manages to cope with my existence nearly every day.” Having concluded this was going to be one of those long grown-up conversations, Amelie had taken her Panda pencil case out of her bag and was diligently rearranging the contents. “I do,” she said. “I’m very good.” Miss Wooding actually wrung her hands. “Yes, but the other children—” “Are allowed to talk about their families as much as they like.” “Yes, but—” “Which,” Rosaline went on mercilessly, “when you think about it, is the definition of discrimination.” Amelie looked up again. “Discrimination is bad. We learned that in year three.” The d-word made Miss Wooding visibly flinch. “Now Mrs. Palmer—” “Ms. Palmer.” “I’m sure this is a misunderstanding.” “I’m sure it is.” Taking advantage of the fact that Miss Wooding had been temporarily pacified by the spectre of the Equality Act, Rosaline tried to strike a balance between defending her identity and catching her train. “I get that you have a weird professional duty to respect the wishes of people who want their kids to stay homophobic for as long as possible. But hopefully you get why that isn’t my problem. And if you ever try to make it Amelie’s problem again, I will lodge a formal complaint with the governors.” Miss Wooding de-flinched slightly. “As long as she doesn’t—” “No ‘as long as she doesn’t.’ You’re not teaching my daughter to be ashamed of me.” There was a long pause. Then Miss Wooding sighed. “Perhaps it’s best that we draw a line under this and say no more about it.” In Rosaline’s experience this was what victory over institutional prejudice looked like: nobody actually apologising or admitting they’d done anything wrong, but the institution in question generously offering to pretend that nothing had happened. So—win?

... Above him were stars. Beneath him was grass. There was wonder here, even if Regan no longer saw it. Even if she no longer felt it, he would feel it for both of them. he would translate it for her later. He would learn to draw it for her, he thought, or to write it, or graph it. She seemed to appreciate things she could see. He thought of her gaze traveling over the scars on his shoulders, taking him in. Yes, he would draw it for her, and thens he would see it. She would watch it take shape and he would know he'd said it ina way she could understand, and then she would know that even things, with its ordinary features, was wonder and glory too.

Properly aware that much can and will go wrong, the wise are unusually alive to moments of calm and beauty, even extremely modest ones, of the kind that those with grander plans rush past. With the dangers and tragedies of existence firmly in mind, they can take pleasure in a single, uneventful sunny day, or some pretty flowers growing by a brick wall, the charm of a three- year-old playing in a garden or an evening of intimate conversation among friends. It isn’t that they are sentimental and naive; in fact, precisely the opposite. Because they have seen how hard things can get, they know how to draw the full value from the peaceful and the sweet – whenever and wherever these arise.

[I] Appreciation. To glorify God is to set God highest in our thoughts, and to have a venerable esteem of him... There is in God all that may draw forth both wonder and delight; there is a constellation of all beauties; he is prima causa, the original and springhead of being, who sheds a glory upon the creature. We glorify God when we are God-admirers; admire his attributes, which are the glistening beams by which the divine nature shines forth; his promises which are the charter of free grace, and the spiritual cabinet where the pearl of price is hid; the noble effects of his power and wisdom in making the world, which is called 'the work of his fingers.' Psa 8:3. To glorify God is to have God-admiring thoughts; to esteem him most excellent, and search for diamonds in this rock only.

We will not know, none of us, until the moment it is upon us, and we cannot truly and in good conscience convince another of our beliefs. It is a road we travel alone, but a road that I no longer fear, for in accepting the inevitable, I have freed myself from it. In coming to recognize my mortality, I have found the secret to enjoying those centuries, years, months, days, or even hours, that I have left to draw breath. This is the existence I can control, and to throw away the precious hours over fear of the inevitable is a foolish thing indeed. And to subconsciously think ourselves immortal, and thus not appreciate those precious few hours that we all have, is equally foolish. I cannot control the truth of death, whatever my desperation. I can only make certain that those moments of my life I have remaining are as rich as they can be. —Drizzt Do’Urden

For those who are discouraged by their circumstances and are therefore tempted to feel they cannot serve the Lord this day, I make you two promises. Hard as things seem today, they will be better in the next day if you choose to serve the Lord this day with your whole heart. Your circumstances may not be improved in all the ways which you desire. But you will have been given new strength to carry your burdens and new confidence that when your burdens become too heavy, the Lord, whom you have served, will carry what you cannot. He knows how. He prepared long ago. He suffered your infirmities and your sorrows when He was in the flesh so that He would know how to succor you. The other promise I make to you is that by choosing to serve Him this day, you will feel His love and grow to love Him more. You may remember the scripture: “I say unto you, I would that ye should remember to retain the name written always in your hearts … that ye hear and know the voice by which ye shall be called, and also, the name by which he shall call you. “For how knoweth a man the master whom he has not served, and who is a stranger unto him, and is far from the thoughts and intents of his heart?” 9 By serving Him this day, you will come to know Him better. You will feel His love and appreciation. You would not want to delay receiving that blessing. And feeling His love will draw you back to His service, wiping away both complacency and discouragement. As you serve Him, you will come to know better the voice by which you shall be called. When you go to sleep at the end of a day, the words may come back in memory: “Well done, thou good and faithful servant: thou hast been faithful over a few things.” 10 I pray for that benediction on this day, on every day, and on our lives.

Recent studies indicate that boys raised by women, including single women and lesbian couples, do not suffer in their adjustment; they are not appreciably less “masculine”; they do not show signs of psychological impairment. What many boys without fathers inarguably do face is a precipitous drop in their socioeconomic status. When families dissolve, the average standard of living for mothers and children can fall as much as 60 percent, while that of the man usually rises. When we focus on the highly speculative psychological effects of fatherlessness we draw away from concrete political concerns, like the role of increased poverty. Again, there are as yet no data suggesting that boys without fathers to model masculinity are necessarily impaired. Those boys who do have fathers are happiest and most well adjusted with warm, loving fathers, fathers who score high in precisely “feminine” qualities.

Ultimately, this cosmologem is not just a piece of funerary geography, but conveys basic truths about the nature of human existence. It relates that the dead have no need for their memories, having passed beyond the realm in which those memories have value. But the memories of the departed are not without value for those who are yet living. The accumulated memories of the dead comprise the totality of human history. Preserved and appreciated, they are the source of true wisdom, the wisdom that is based on the full sweep of human experiences rather than the idiosyncratic events of one human life. In the last analysis, the present depends upon the past, the living upon the dead, and this world upon the other. Those who die do not just pass on but continue to contribute to the sustenance of this world, as the world of the living draws strength, meaning, and wisdom from the world of the dead, much as one draws water from a spring.

I want you to cook more. It's good for you. You know exactly what you're nourishing yourself with (which for me almost always includes a healthy dose of fresh vegetables). It allows you to feel the natural rhythms of life in a way that microwaved frozen dinners never can. And cooking often draws people to the table, encouraging dialogue and providing a moment to appreciate the good (and truly tasty) things in life. I know: if I want you to cook more, I need to make it easy for you. And to my way of thinking, that means I need to help you with three things: First I need to help wean you from a slavish dependency on recipes - I need to hand you a few go-to recipes that are easily varied depending on what you have on hand, and teach you to look at other recipes with an eye to how they can be varied to suit your own tastes and kitchen. Second, I need to help you know what ingredients and basic preparations to have on hand so that a good meal is never more than a few minutes away. And third, I need to help you know which kitchen equipment will enable you to create delicious food fast (and, of course, I need to guide you in how to use it to its best advantage). I can do all that.

You really don’t mind that I can learn everything about you so easily?” “As I don’t plan to keep secrets from you again, no, I really don’t mind. But I would appreciate it if you promised to come to me, talk to me, if anything you learn about me disturbs you.” A promise like that implied she would be around for a while. Though she knew she shouldn’t, she said, “I promise.” And she meant it. Starting now. “Your psychiatrist believes you are wrong to push people out of your life.” A muscle ticked below his eye and a rosy flush overtook his cheeks. “Every agent has to see a shrink periodically.” “Well, you’re not going to drive me insane with your darkness. I told you, I like it.” “That doesn’t mean—” “Your father was wrong, Sean. Not once have I thought I was losing my mind.” “But it has happened to others,” he insisted harshly. “I’m different. Remember? My brain operates on a different wavelength.” They stared at each other as he considered her words. Then, slowly, a smiled curved his lips, and the clouds cleared from his eyes. “Then I won’t hold anything back from you. I won’t push you away,” he said. “God help you, I’ll only draw you closer. I didn’t have much fight left in my anyway. I want you too damn bad.

His gaze lingered on her mouth, wide and sweet. A sudden hunger to kiss her made him draw Maggie close. He pressed his mouth against hers, softly, a gently caress, not a searing kiss, for he didn't want to frighten her away. Her hand on his arm tightened. Caleb ran his tongue smoothly over her lips until she opened to him, making a small sound. He wanted to plunge his tongue into her mouth and deepen the kiss, to pull her against him and slide his hands over her curves, but he knew that brute of a husband had hurt her. This was only supposed to be a light flirtation, so he held back and waited for her to lead. Maggie pulled back a few inches. Her eyes fluttered open, dark and luminous, the gold flecks sparkling in the sun. She swallowed and moistened her lips. She studied his face. Her generous mouth trembled, and then her lips turned up. "Why did you kiss me? "Because I enjoyed your enjoyment in our drive today. I know how seldom pleasures come your way, and I was glad to give you the experience. Because I lack appreciation of my blessings..." 'Because you are mine.' Caleb didn't want to delve deeper inside himself to find his true feelings, so he resorted to some light banter. He touched the tip of her nose with one finger. "This is the month of May. A man is supposed to steal kisses in May.

The Manifestation Manifesto Meditation” "Right now, I find a quiet and comfortable space where I can easily concentrate on these words as I gently read them aloud. "With the sound of my voice I soothe my nervous system … calm my entire body and relax my thoughts. I speak slowly … with a gentle but resonant tone. And as I do, I start to relax now. "I keep my eyes open and let them blink naturally when they want to … and they might start to feel slightly heavy and droopy … as they would feel when I read a book before going to sleep. “I use my imagination so that with every word I become more relaxed and drowsier. (Imagine feeling drowsy.). I keep my eyes open just enough to take in the following words. "I turn my attention to my breathing, and use this opportunity to relax my mind and body more deeply. "As I count my exhalations backwards from five to one, I let each number represent a gradually deeper level of relaxation and heightened focus. (Draw a breath before reading each number, and count as you exhale.) "Five … I double my relaxation and increase my concentration. "Four … With every number and every breath, I relax. "Three … I count slowly as I meditate deeper … deeper still. "Two … I use my imagination to double this meditative state. "One … My body is relaxed as my mind remains focused. (Pause for five seconds and breathe normally.) "At this level of meditation, people experience different things. Some notice interesting body sensations … such as a warmth or tingling in their fingers. I might also have that experience. (Pause five seconds.) "Some people feel a floating sensation … with a dreamy quality. I may experience that. (Pause five seconds.) "Whatever sensations I experience are exactly right for me at this moment. Whether I feel something unusual now or at some other time, I let that process happen on its own as I focus on the following manifesto. “I allow my subconscious to absorb the manifesto as I read each affirmation with purpose and conviction. (Pause for five seconds.) “The power to manifest is fully mine, here and now. “I acknowledge and embrace my power to manifest. “All human beings have this power, yet I choose to use it consciously and purposefully. “From the unlimited energy of the Universe, I attract all that I need to experience joy and abundance. “I recognize and consider the consequences of all that I manifest. I take full responsibility. “With awareness and intention, I apply my power for my highest good and for the welfare of others. “All of my manifestations reflect my inner state of being. Therefore, I ever seek to grow in wisdom and to become a better person. “With relaxed confidence, I employ the powers of Thought, Emotion and Vital Energy to manifest my desires.  “I let go of beliefs and ideas that suppress or encumber me and I cultivate those which empower me. “I accept what I manifest with appreciation and satisfaction. I am thankful. “I go forth with great enthusiasm with the realization that I manifest my life and circumstances. “I am ready to take charge of my manifestations from this moment onward.” “Day by day, I grow in awareness of my power to manifest my desires with speed and accuracy.” RECOMMENDED READING * Mastering Manifestation: A Practical System for Rapidly Creating Your Dream Reality - Adam James * Banned Manifestation Secrets - Richard Dotts * Manifesting: The Secret behind the Law of Attraction - Alexander Janzer * The Secret Science Behind Miracles - Max Freedom Long * The Kybalion - Three Initiates

Although parents and teachers are forever telling children to “grow up,” maturation cannot be commanded. One cannot teach a child to be an individual or train a child to be his own person. This is the work of maturation and maturation alone. We can nurture the process, provide the right conditions, remove the impediments, but we can no more make a child grow up than we can order the plants in our garden to grow. Dealing with immature children, we may need to show them how to act, draw the boundaries of what is acceptable, and articulate what our expectations are. Children who do not understand fairness have to be taught to take turns. Children not yet mature enough to appreciate the impact of their actions must be provided with rules and prescriptions for acceptable conduct. But such scripted behavior mustn't be confused with the real thing. One cannot be any more mature than one truly is, only act that way when appropriately cued. To take turns because it is right to do so is certainly civil, but to take turns out of a genuine sense of fairness can only come from maturity. To say sorry may be appropriate to the situation, but to assume responsibility for one's actions can come only from the process of individuation. There is no substitute for genuine maturation, no shortcut to getting there. Behavior can be prescribed or imposed, but maturity comes from the heart and mind. The real challenge for parents is to help kids grow up, not simply to look like grownups. If discipline is no cure for immaturity and if scripting is helpful but insufficient, how can we help our children mature? For years, develop-mentalists puzzled over the conditions that activated maturation. The breakthrough came only when researchers discovered the fundamental importance of attachment. Surprising as it may be to say, the story of maturation is quite straightforward and self-evident. Like so much else in child development, it begins with attachment.

How did you convince her to remarry you?” Tomas asked curiously, drawing Radcliffe from his thoughts. Making a face, he admitted, “I had to draw up a contract stating that I would never again condescend to her. That I would discuss business with her on a daily basis were she interested, and…” “And?” He sighed unhappily. “And that I would take her to my club dressed as a man.” Tomas gave a start. “What?” “Shh,” Radcliffe cautioned, glancing nervously around to be sure that they had not been overheard. No one seemed to be paying attention to them. Most of the guests were casting expectant glances toward the back of the church, hoping to spot the brides who should have been there by now. Glancing back to Tomas, he nodded. “She was quite adamant about seeing the club. It seems she was jealous of Beth’s getting with those ‘hallowed halls’-her words, not mine-and she was determined to see inside for herself.” “Have you taken her there yet?” “Nay, nay. I managed to put her off for quite some time, and then by the time she lost her patience with my stalling, she was with child and did not think the smoky atmosphere would be good for the baby. I am hoping by the time it is born and she is up and about again, she will have forgotten-“ A faint shriek from outside the church made him pause and stiffen in alarm. “That sounded like Charlie.” Turning, he hurried toward the back of the church with Tomas on his heel. Crashing through the church doors, they both froze at the top of the steps and gaped at the spectacle taking place on the street below. Charlie and Beth, in all their wedding finery, were in the midst of attacking what appeared to be a street vendor. Flowers were flying through the air as they both pummeled the man with their bouquets and shouted at him furiously. “Have I mentioned, Radcliffe, how little I appreciate the effect your wife has had on mine?” Tomas murmured suddenly, and Radcliffe glanced at him with amazement. “My wife? Good Lord, Tomas, you cannot blame Beth’s sudden change on Charlie. They grew up together, for God’s sake. After twenty years of influence, she was not like this.” Tomas frowned. “I had not thought of that. What do you suppose did it, then?” Radcliffe grinned slightly. “The only new thing in her life is you.” Tomas was gaping over that truth when Stokes slipped out of the church to join them. “Oh, dear. Lady Charlie and Lady Beth are hardly in the condition for that sort of behavior.

And now we come to the Scriptures to see what they teach on the subject; for while we believe, as suggested above, that invention and the increase of knowledge, etc., among men are the results of natural causes, yet we believe that these natural causes were all planned and ordered by Jehovah God long ago, and that in due time they have come to pass-by his overruling providence, whereby he 'worketh all things after the counsel of his own will.' (Eph. 1:11) According to the plan revealed in his Word, God purposed to permit sin and misery to misrule and oppress the world for six thousand years, and then in the seventh millennium to restore all things, and to extirpate evil-destroying it and its consequences by Jesus Christ, whom he hath afore ordained to do his work. Hence, as the six thousand years of the reign of evil began to draw to a close, God permitted circumstances to favor discoveries, in the study of both his Book of Revelation and his Book of Nature, as well as in the preparation of mechanical and chemical appliances useful in the blessing and uplifting of mankind during the Millennial age, now about to be introduced. That this was God's plan is clearly indicated by the prophetic statement: 'O Daniel, shut up the words and seal the book, even to the time of the end; [then] many shall run to and fro, and knowledge [not capacity] shall be increased,' and 'none of the wicked shall understand [God's plan and way], but the wise shall understand;' 'and there shall be a time of trouble such as never was since there was a nation, even to that same time' - Dan.12:1, 4, 10. To some it may appear strange that God did not so arrange that the present inventions and blessings should sooner have come to man to alleviate the curse. It should be remembered, however, that God's plan has been to give mankind a full appreciation of the curse, in order that when the blessing comes upon all they may forever have decided upon the unprofitableness of sin. Furthermore, God foresaw and has foretold what the world does not yet realize, namely, that his choicest blessings would lead to and be productive of greater evils if bestowed upon those whose hearts are not in accord with the righteous laws of the universe. Ultimately it will be seen that God's present permission of increased blessings is a practical lesson on this subject, which may serve as an example of this principle to all eternity -to angels as well as to restored men.

Heartened up by this story, I began to draw upon his more comprehensive knowledge as to the ages of the pictures and as to certain of the stories connected with them, upon which I was not clear; and I likewise inquired into the causes of the decadence of the present age, in which the most refined arts had perished, and among them painting, which had not left even the faintest trace of itself behind. "Greed of money," he replied, "has brought about these unaccountable changes. In the good old times, when virtue was her own reward, the fine arts flourished, and there was the keenest rivalry among men for fear that anything which could be of benefit to future generations should remain long undiscovered. Then it was that Democritus expressed the juices of all plants and spent his whole life in experiments, in order that no curative property should lurk unknown in stone or shrub. That he might understand the movements of heaven and the stars, Eudoxus grew old upon the summit of a lofty mountain: three times did Chrysippus purge his brain with hellebore, that his faculties might be equal to invention. Turn to the sculptors if you will; Lysippus perished from hunger while in profound meditation upon the lines of a single statue, and Myron, who almost embodied the souls of men and beasts in bronze, could not find an heir. And we, sodden with wine and women, cannot even appreciate the arts already practiced, we only criticise the past! We learn only vice, and teach it, too. What has become of logic? of astronomy? Where is the exquisite road to wisdom? Who even goes into a temple to make a vow, that he may achieve eloquence or bathe in the fountain of wisdom? And they do not pray for good health and a sound mind; before they even set foot upon the threshold of the temple, one promises a gift if only he may bury a rich relative; another, if he can but dig up a treasure, and still another, if he is permitted to amass thirty millions of sesterces in safety! The Senate itself, the exponent of all that should be right and just, is in the habit of promising a thousand pounds of gold to the capitol, and that no one may question the propriety of praying for money, it even decorates Jupiter himself with spoils'. Do not hesitate, therefore, at expressing your surprise at the deterioration of painting, since, by all the gods and men alike, a lump of gold is held to be more beautiful than anything ever created by those crazy little Greek fellows, Apelles and Phydias!

Nothing happens while you live. The scenery changes, people come in and go out, that’s all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I’ve been travelling for three years, I’ve been in Bouville for three years. Neither is there any end: you never leave a woman, a friend, a city in one go. And then everything looks alike: Shanghai, Moscow, Algiers, everything is the same after two weeks. There are moments—rarely—when you make a landmark, you realize that you’re going with a woman, in some messy business. The time of a flash. After that, the procession starts again, you begin to add up hours and days: Monday, Tuesday, Wednesday. April, May, June. 1924, 1925, 1926. That’s living. But everything changes when you tell about life; it’s a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. [...] “I was out walking, I had left the town without realizing it, I was thinking about my money troubles.” This sentence, taken simply for what it is, means that the man was absorbed, morose, a hundred leagues from an adventure, exactly in the mood to let things happen without noticing them. But the end is there, transforming everything. For us, the man is already the hero of the story. His moroseness, his money troubles are much more precious than ours, they are all gilded by the light of future passions. And the story goes on in the reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: “It was night, the street was deserted.” The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice. I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail.

Gray burst into the galley. “Miss Turner is not eating.” The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam. “And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up. “She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently. “Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?” “Her dress no longer fits properly. The neckline of her bodice is too loose.” Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter. “Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.” “It’s not that she’s a beautiful lady-“ Gabriel looked up sharply. “It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.” “Wouldn’t that be the captain’s duty?” Gray narrowed his eyes. “And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.” Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?” “This, and biscuit.” “I’ll order the men to trawl for a fish.” “Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly. Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them. Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him. Gabriel stopped pounding. “Sit down, Gray. Rest your bones.” With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him. Milk. Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.” The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.

We chose not to discuss a world warmed beyond two degrees out of decency, perhaps; or simple fear; or fear of fearmongering; or technocratic faith, which is really market faith; or deference to partisan debates or even partisan priorities; or skepticism about the environmental Left of the kind I'd always had; or disinterest in the fates of distant ecosystems like I'd also always had. We felt confusion about the science and its many technical terms and hard-to-parse numbers, or at least an intuition that others would e easily confused about the science and its many technical terms and hard-to-parse numbers. we suffered from slowness apprehending the speed of change, or semi-conspiratorial confidence in the responsibility of global elites and their institutions, or obeisance toward those elites and their institutions, whatever we thought of them. Perhaps we felt unable to really trust scarier projections because we'd only just heard about warming, we thought, and things couldn't possibly have gotten that much worse just since the first Inconvenient Truth; or because we liked driving our cars and eating our beef and living as we did in every other way and didn't want to think too hard about that; or because we felt so "postindustrial" we couldn't believe we were still drawing material breaths from fossil fuel furnaces. Perhaps it was because we were so sociopathically good at collating bad news into a sickening evolving sense of what constituted "normal," or because we looked outside and things seemed still okay. Because we were bored with writing, or reading, the same story again and again, because climate was so global and therefore nontribal it suggested only the corniest politics, because we didn't yet appreciate how fully it would ravage our lives, and because, selfishly, we didn't mind destroying the planet for others living elsewhere on it or those not yet born who would inherit it from us, outraged. Because we had too much faith in the teleological shape of history and the arrow of human progress to countenance the idea that the arc of history would bend toward anything but environmental justice, too. Because when we were being really honest with ourselves we already thought of the world as a zero-sum resource competition and believed that whatever happened we were probably going to continue to be the victors, relatively speaking anyway, advantages of class being what they are and our own luck in the natalist lottery being what it was. Perhaps we were too panicked about our own jobs and industries to fret about the future of jobs and industry; or perhaps we were also really afraid of robots or were too busy looking at our new phones; or perhaps, however easy we found the apocalypse reflex in our culture and the path of panic in our politics, we truly had a good-news bias when it came to the big picture; or, really, who knows why-there are so many aspects to the climate kaleidoscope that transforms our intuitions about environmental devastation into n uncanny complacency that it can be hard to pull the whole picture of climate distortion into focus. But we simply wouldn't, or couldn't, or anyway didn't look squarely in the face of science.

The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.

The energetic heart is the servant of the soul. The soul is the receiving and distributing agent of divine love. Permeating and circulating throughout the sub-quantum field, divine love is the lifeblood of God that interconnects the entire multiverse. This divine love is intelligent and operates in the human world through six basic qualities. These are the six (energetic) heart virtues of appreciation, compassion, forgiveness, humility, understanding, and valor. Consequently, when we work with the six heart virtues, we are drawing the intelligence of love from the sub-quantum field of the soul, through the portal of the energetic heart and “outward” into our individual energy field in the form of the six virtues. Further, we can transmit these virtues into the fields of those around us and ultimately into the collective energy field of earth.

It is why it gets so heated and blocks my ears in philosophical arguments, becomes too often the block, won't draw an argument, or quietly compute because then that argument will either be right, in which it is good, or else wrong, in which case it won't matter because I will appreciate it even more.

Beauty is more than just pictures on a wall. It is also about colors that bring pleasure, smooth and nubby textures that reward the touch, the wafting fragrance of food in the oven that keeps us sniffing appreciatively, the comfort or excitement of music on the stereo. Beauty is found in the way we light the rooms (we keep a well-stocked shelf of candles and lighters in constant use), the books we open again and again, the way we arrange the furniture and set the table. It is found in natural objects we use for decorating potted plants, shells, autumn leaves, always fresh flowers or pine boughs brought in from our yard and open windows that draw the eye toward the beautiful outdoors.

It wasn't that Tyler had put Bay's drawing on his refrigerator that Claire appreciated; it was that he'd left it there.

In order to remain whole as persons, we must appreciate the wholeness of knowledge. Our nature craves after unity. The travail of thought, which is going on to-day and has gone on as long as we have any record of men’s thoughts, has been with a view to establishing some principle for the unification of life. Here we have the scheme of a magnificent unity. We are apt to think that piety is one thing, that our intellectual and artistic yearnings are quite another matter, and that our moral virtues are pretty much matters of inheritance and environment, and have not much to do with our conscious religion. Hence, there come discords into our lives, discords especially trying to young and ardent souls who want to be good and religious, but who cannot escape from the overpowering drawings of art and intellect and mere physical enjoyment; they have been taught to consider that these things are, for the most part, alien to the religious life, and that they must choose one or the other; they do choose, and the choice does not always fall upon those things which, in our unscriptural and unphilosophical narrowness, we call the things of God. (School Education, pp. 154–55)

In the long run there is a greater value for humanity in empowering folks to make and create than there is in teaching them the canon of great works. Nothing against those great works, but maybe they have been prioritized out of proportion to their lasting value. I have discovered many of them at various points in my life, and yes, they have had a profound impact. In my opinion, though, it’s more important that someone learn to make music, draw, photograph, write, or create in any form, regardless of the quality, than it is for them to understand and appreciate Picasso, Warhol, or Bill Shakespeare—to say nothing of opera as it is today.

I believe gazing is a form of prayer that lets things having no right to draw forth awe leave us awestruck. looked at the cracked asphalt. There it is. Why is it there? I don’t know why, but its mere being made me love it, made me appreciate it, made me thank it. [...] It was just beautiful because I let it be beautiful, or God let it be beautiful. I wasn’t looking for answers, I was just a ruminating mind, gazing, and the more I gazed without judgment, without analysis, without critique, the more beautiful everything became. We didn’t have one of our deep, blue New Mexico skies. It was pale blue but pretty, and it was enough. It was all more than enough. The nakedness of life in its nakedness becomes enough, and even brings forth a kind of praise.

I appreciated the text you sent me. I didn't even know that site existed. Riveting reading." "Wasn't it, though? You really can get a sense about people when you hear from those closest to them." "I couldn't agree more. In my experience, you can get a better sense by viewing them in their natural habitat." He glanced around the kitchen and dining room in my habitat. Game on. I lowered my tone. "For a real education, you should have showed up early, Deputy Douche." He gave a bark of laughter, drawing the attention of the whole room. "Javy, please. No need to be so formal." "Javy," I cooed. "Best be careful." I put my hand to cover my lips away from the others, all secret-agent like. "When becoming too comfortable with your prey, you can get a false sense of security and become devoured in seconds, never to be seen again.

Remember, God made us different because we needed suitable helpers. The more we understand and appreciate how we are different, the better we can draw on and receive the help that we need from one another.

Appreciating Your Work Before you can write your Achievement Stories, you need to appreciate your achievements. You cannot take your work for granted. Malcolm Forbes, Forbes’ magazine’s late publisher, said: Too many people overvalue what they are not and undervalue what they are. What usually happens is that if we do something, it seems commonplace, not special, just ordinary. However, when we see someone doing something we cannot do, we’re impressed. What we’re not considering is whether the person who impressed you can do what you can do. We’re also not asking ourselves: “Why did you keep your job so long?” “Why did you get raises?” “Why did you get promoted?” “Why did you receive those awards?” “Why did you get recognized as often as you did, via awards or complementary messages from your boss and others?” If you’re not getting raises, promotions, awards or complements, there could be a number of reasons. It might be that your company cannot afford to provide raises and promotions. It’s possible that a boss may think that if you get awards and compliments, you’ll ask for a raise, which her budget doesn’t permit. Unfortunately, there are also times when a boss may not want to draw attention to you because she’s afraid of you, afraid you’ll outshine her, afraid you’ll get her job. Of course, you need to be careful around someone like this. I once gave a presentation to a group of people, including my boss and her boss. After the presentation, my boss’s boss said it was excellent. All my boss did was look at me for what seemed like a long time. As long as she worked there, she never let me give another presentation.

To begin with, though being sensory sensitive can often be painful and overwhelming, it can also come with a unique set of advantages. Autistics like me with heightened sensory awareness tend to experience the world in a deeply enriched way which allows us to notice subtleties that others usually miss. This can lead to a greater appreciation of art, music, and nature, as we can perceive nuances in color, texture, sound, and flavor that are less apparent to others. Sensory-sensitive people also often exhibit heightened emotional empathy, as our keen perception enables us to pick up on smaller emotional cues. This makes many of us excellent listeners, as well as compassionate friends and partners. Moreover, our sensitivities can foster creativity and innovation, as we have rich sensory experiences to draw from for inspiration. So, while sensory sensitivity definitely has its challenges, it also opens the door to a world rich in detail and depth of experience and can even be a regular source of Autistic joy.

One should never make a show of one’s unhappiness: Good fortune alone creates good fortune among men, misfortune was never fortunate, and you cannot traffic in misery, or draw benefit from it, when it is real. No one was ever more respected or more appreciated by being more unhappy than others. And therefore it is expedient for the unfortunate one, if he wants to be well received and accepted, or to be liked, not only to hide his misfortunes but to pretend to be numbered among the fortunate, to assert this claim, to combat the rumor or anyone who challenges him on it, and take great pains to deceive others on this point.

analyses of the human condition ever fashioned by man’s mind. But ironically, it was not until the epoch of the scientific atheist Freud that we could see the scientific stature of the theologian Kierkegaard’s work. Only then did we have the clinical evidence to support it. The noted psychologist Mowrer summed it up perfectly two decades ago: “Freud had to live and write before the earlier work of Kierkegaard could be correctly understood and appreciated.”2 There have been several good attempts to show how Kierkegaard anticipated the data of modern clinical psychology. Most of the European existentialists have had something to say about this, along with theologians like Paul Tillich.3 The meaning of this work is that it draws a circle around psychiatry and religion; it shows that the best existential analysis of the human condition leads directly into the problems of God and faith, which is exactly what Kierkegaard had argued.

Until you confront the shadow of your own self-disapproval, you will always be gazing out at the world in fear of who might not love you completely, who might draw your awareness to the part of you that already believes you are unworthy of being appreciated, of being fully and truly known. You must find a way to make peace with yourself, even if you cannot madly love every last aspect of who you are. You must come to a place of believing you deserve respect, even if you are still a work in progress. You must learn to see yourself with kinder eyes.

The unique pairing of verbal and visual language in the form of picture books has fascinated me forever. Having now written my own text for the picture book, ‘Hasel and Rose’, I feel more respect than ever for what writers do. Oddly, it has made me also more appreciative of the image makers. Pictures have for me, been little emotional lightning rods. Going through the contortions of putting into words what I would normally express in drawings was quite uncomfortable. At one point I even tried to write in German, my first language. Anything to reach some kind of musical flow. In my frustration, I oozed drawings until there was an embarrassing pile of avoidance….but you get the idea. I am looking forward to doing it all again soon…

this body. But for some time now, she has struggled. She has become uncomfortable. She has begun to long for freedom from the pain of this body and has sensed that the world she inhabits is not where she ultimately belongs. Even now she does not fully appreciate the reality that is waiting on the other side of her struggle, but she is preparing to experience something new and wonderful that in her wildest imaginings could not be described. Right now . . . right this minute . . . she is getting ready to breathe. “And when she draws that first breath, it will be clean and clear and fresh, like nothing she has ever experienced. She will take another breath and another and another; and all around, her loved ones, her family and friends, will cheer in a joyous celebration of her arrival.

As India’s last wicket fell, the Chennai crowd rose to applaud the victorious Pakistanis. It was a reminder that some Indian fans could still appreciate a good game, whatever the result. Barely believing what they were witnessing, the Pakistani cricketers went on a slow victory lap of the stadium. Audibly moved, the Indian television commentator Harsha Bhogle intoned, ‘If you ever wanted to see a victory for sport, here it is in your television screens, in your drawing rooms.

Encourage One Another So encourage each other and build each other up, just as you are already doing. 1 THESSALONIANS 5:11 NLT Encouragement means literally to “put courage in.” When you encourage someone, you are putting courage into his or her heart. Christ calls us to encourage one another. This does not mean just to offer compliments or utter overused phrases in times of trouble such as, “It will all be okay,” or “I hope it all works out.” Biblical encouragement means instilling in someone’s heart the courage needed to face the world. The Greek root word translated “encourage” in the New Testament is paracollatos, the verb form of the noun paraclete. Paraclete means “to lay alongside.” We are called to come alongside those in need and encourage them. Just as the Holy Spirit encourages our hearts, we are to affirm others. Try to focus your encouragement on the person and not anything he or she has done. Build him or her up. Speak words of truth into his or her life. Steer clear of empty compliments or forms of encouragement that rely on actions. Try, “I believe in you. God will be faithful to complete the good work He has begun,” or “I really appreciate who you are.” When you need encouragement, does it sometimes seem that no one is there to offer it? Simply ask the Holy Spirit to draw near to you. He is your Comforter, sent by the Lord to strengthen and guide you. Lord, I want to put courage into others’ hearts. Amen.

I will still help ye, lass,” he said and winced at the desperate note in his voice. Firmer, he said, “Did ye hear me, Malina? I said I will keep my word to you.” Determined to face her wrath like the warrior he was, he caught her arm. She spun around, and to his dismay, tears stained her cheeks. She swatted at them and wouldn’t look him in the eye. His stomach contracted with regret. Och, he’d never meant to make her weep. He shouldna have pretended ire with her, even if it meant angering Steafan. “Malina—” Her shiny eyes flashed. “Don’t you call me that ever again! You bastard!” He nearly recoiled from the whip of her anger, but he’d faced enough Gunn and MacKay to stand his ground against a wee, fiery woman. “Haud your wheesht, wife,” he growled as he pulled her to him. She’d draw the attention of the whole village, and the last thing he wanted were more witnesses to the debacle he’d landed himself in. Come to think of it, he was not some repentant mutt who ought to be whimpering for his sins. He didn’t regret keeping her and her unborn bairn safe from Steafan’s stocks tonight. He didn’t regret taking full and permanent responsibility for a woman with child lost in a strange land. He didn’t exactly expect her thanks, but he didn’t appreciate his bride calling him a bastard on their wedding night, either. “I willna have ye maligning me for the whole of Ackergill to hear.” “Oh, you willna, will you? And just how do you plan to stop me? Will you dole out your husbandly discipline and make your uncle proud?” “Och, woman. I am not your enemy.” He darted a glance around the road to make sure no one was gawking at them. “You’re not my friend, either, Darcy Keith,” she said in a respectable volume, though the sparks in her eyes suggested she’d prefer yelling at him some more. “You betrayed me. You told me I had to meet the laird in order to spend the night here. You made it sound like a formality. You didn’t say anything about ending up married. Married! Damn it, Darcy.

Without a compelling vision to draw you away from your present and pull you through any challenges and into the future, it becomes easy to settle for a lesser life than the one you could achieve.

But now, after the news of Barthelme’s death, this simple fact of presence or absence, which I had begun to recognize in a small way already, now became the single most important supplemental piece of information I felt I could know about a writer: more important than his age when he wrote a particular work, or his nationality, his sex (forgive the pronoun), political leanings, even whether he did or did not have, in someone’s opinion, any talent. Is he alive or dead? — just tell me that. The intellectual surface we offer to the dead has undergone a subtle change of texture and chemistry; a thousand particulars of delight and fellow-feeling and forbearance begin reformulating themselves the moment they cross the bar. The living are always potentially thinking about and doing just what we are doing: being pulled through a touchless car wash, watching a pony chew a carrot, noticing that orange scaffolding has gone up around some prominent church. The conclusions they draw we know to be conclusions drawn from how things are now. Indeed, for me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo. The dead can be helpful, needless to say, but we can only guess sloppily about how they would react to this emergent particle of time, which is all the time we have. And when we do guess, we are unfair to them. Even when, as with Barthelme, the dead have died unexpectedly and relatively young, we give them their moment of solemnity and then quickly begin patronizing them biographically, talking about how they “delighted in” x or “poked fun at” y — phrases that by their very singsong cuteness betray how alien and childlike the shades now are to us. Posthumously their motives become ludicrously simple, their delights primitive and unvarying: all their emotions wear stage makeup, and we almost never flip their books across the room out of impatience with something they’ve said. We can’t really understand them anymore. Readers of the living are always, whether they know it or not, to some degree seeing the work through the living writer’s own eyes; feeling for him when he flubs, folding into their reactions to his early work constant subauditional speculations as to whether the writer himself would at this moment wince or nod with approval at some passage in it. But the dead can’t suffer embarrassment by some admission or mistake they have made. We sense this imperviousness and adjust our sympathies accordingly. Yet in other ways the dead gain by death. The level of autobiographical fidelity in their work is somehow less important, or, rather, extreme fidelity does not seem to harm, as it does with the living, our appreciation for the work. The living are “just” writing about their own lives; the dead are writing about their irretrievable lives, wow wow wow. Egotism, monomania, the delusional traits of Blake or Smart or that guy who painted the electrically schizophrenic cats are all engaging qualities in the dead.

How can we draw nearer to HaShem’s throne without a living parietal lobe to navigate space? How can we see his glorious light without the rods and cones that color our visual cortex? How can we learn and appreciate Torah with sages past without an all-too-human neocortex to effect higher thinking and comprehend language? How can we even register any reward at all without the dopamine receptors spiraling across our nervous system?8 We can’t, and we should not disrespect these serious teachings by taking them to mean something so scientifically backwards and absurd. Dare I say, we don’t have the time. As the Rambam implied and Rabbi Sacks stated, 'If a Biblical narrative is incompatible with established scientific fact, it is not to be read literally.

Learn to draw strength and inspiration from your past victories by keeping a victory journal where you capture all of your success experiences.

While the squire pulled out a flat weed she was beside herself with pity for humanity. This short, this fearful loveliness, in which men and women, heroic and baffled, struggling to wisdom, age as they struggle; wrestle upwards and drop into the ground. This marriage, this association, with matter, what a high-handed experiment, but what admirable victims! Man, with his eye on death, draws his foot from the womb. There is not time for anything, yet there is time for everything. No sooner appreciate love than skin withers, no sooner grow wise than we are unfit for wisdom. Learning to live and defeated by death. Discovery succeeds discovery, and nothing accumulates. We live haunted. We grasp and grasp; what we hold dissolves, our very hands dissolve.

I must say that the charm of the Arctic, its infinite diversity, its aloofness from the rest of the world, made it a field which gives its own reward. Only those who have seen the magnificent sunsets over the ice, who have…been buffeted by storms… can appreciate the spell which always draws us back there.

Charlotte Richmond says of herself: “I have few ladylike accomplishments. I cannot sing, I cannot draw, I cannot play the pianoforte or the harp and I cannot produce delicately beautiful embroideries. Sadly, the ability to do quantities of mending, to cook a good plain dinner and to shoot a marauding crocodile as I once did, is not appreciated in Polite Society.

When Galileo made his astonishing discovery of mountains on the moon, his telescope didn’t actually have enough magnifying power to support that finding. Instead, he recognized the zigzag pattern separating the light and dark areas of the moon. Other astronomers were looking through similar telescopes, but only Galileo “was able to appreciate the implications of the dark and light regions,” Simonton notes. He had the necessary depth of experience in physics and astronomy, but also breadth of experience in painting and drawing. Thanks to artistic training in a technique called chiaroscuro, which focuses on representations of light and shade, Galileo was able to detect mountains where others did not.

Kerry shifted her attention from Hardy to the rest of the still-milling crowd and tried to ignore the murmurs that included Cooper’s nickname for her and speculations on there being yet another McCrae family wedding. She needed to put an end to that before it even started. She clapped her hands, drawing everyone’s attention to her, then strode to the bar and hoisted herself right up on it, straight to her feet. She was no weakling herself. “Okay, listen up, everyone.” The noise abruptly wound down again, though not to the complete silence of before. “I’d like you to meet Cooper Jax, from Cameroo Downs cattle station, Northern Territory, Australia.” Heads swiveled and Cooper smiled, nodded several times, shifting his gaze around the room as he did, easily meeting everyone’s avidly curious gazes. But when that gaze went back to Kerry, despite the smile creasing his handsome face, the look in his eyes was anything but casual. Kerry ignored that. Or tried to. She shifted her attention back to the crowd. “I worked the Jax family’s station for close to a year, just before coming home for Logan’s wedding.” Blueberry Cove was small enough that everyone knew who Logan McCrae was. Not only due to his police chief status but, as it happened, the McCraes were also a founding family of the Cove. There wasn’t much the general populace didn’t know about the entire history of her family, past and present. “Long time for you,” came a voice from somewhere in the crowd. Kerry recognized the scratchy voice; Stokey Parker. A Rusty Puffin regular and one of Fergus’s cronies. “Heard tell you don’t stick in one place too long. Guess we know now what the draw was Down Under.” A chuckle went up in the crowd, and Kerry knew this wasn’t going as she’d planned. Not that she’d had much of a plan. “Thanks, Stokey. Australia is a beautiful country. I loved it there.” That much was sincere. All the same, she carefully kept from looking anywhere near Cooper’s direction. “But I’m home in the Cove now.” She expanded her gaze to encompass the full crowd again. “I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.

Perhaps the most general and most important mental habit to instill is an appreciation of the folly of trying to draw conclusions from incomplete and unrepresentative evidence. An essential corrollary of this appreciation should be an awareness of how often our everyday experience presents us with biased samples of information.

EACH RECRIMINATIVE DECADE POSES NEW riddles, how best to live, how best to write. One's fifties, in principle less acceptable than one's forties, at least confirm most worst suspicions about life, thereby disposing of an appreciable tract of vain expectation, standardized fantasy, obstructive to writing, as to living. The quinquagenarian may not be master of himself, he is, notwithstanding, master of a passable miscellany of experience on which to draw when forming opinions, distorted or the reverse, at least up to a point his own. After passing the half-century, one unavoidable conclusion is that many things seeming incredible on starting out, are, in fact, by no means to be located in an area beyond belief.

I’m not,” Ben said. “I’m careful. There’s a difference.” “Of course,” my father said. “I’d never—” “Save it for the paying customers, Arl,” Ben cut him off, irritation plain in his voice. “You’re too good an actor to show it, but I know perfectly well when someone thinks I’m daft.” “I just didn’t expect it, Ben,” my father said apologetically. “You’re educated, and I’m so tired of people touching iron and tipping their beer as soon as I mention the Chandrian. I’m just reconstructing a story, not meddling with dark arts.” “Well, hear me out. I like both of you too well to let you think of me as an old fool,” Ben said. “Besides, I have something to talk with you about later, and I’ll need you to take me seriously for that.” The wind continued to pick up, and I used the noise to cover my last few steps. I edged around the corner of my parents’ wagon and peered through a veil of leaves. The three of them were sitting around the campfire. Ben was sitting on a stump, huddled in his frayed brown cloak. My parents were opposite him, my mother leaning against my father, a blanket draped loosely around them. Ben poured from a clay jug into a leather mug and handed it to my mother. His breath fogged as he spoke. “How do they feel about demons off in Atur?” he asked. “Scared.” My father tapped his temple. “All that religion makes their brains soft.” “How about off in Vintas?” Ben asked. “Fair number of them are Tehlins. Do they feel the same way?” My mother shook her head. “They think it’s a little silly. They like their demons metaphorical.” “What are they afraid of at night in Vintas then?” “The Fae,” my mother said. My father spoke at the same time. “Draugar.” “You’re both right, depending on which part of the country you’re in,” Ben said. “And here in the Commonwealth people laugh up their sleeves at both ideas.” He gestured at the surrounding trees. “But here they’re careful come autumn-time for fear of drawing the attention of shamble-men.” “That’s the way of things,” my father said. “Half of being a good trouper is knowing which way your audience leans.” “You still think I’ve gone cracked in the head,” Ben said, amused. “Listen, if tomorrow we pulled into Biren and someone told you there were shamble-men in the woods, would you believe them?” My father shook his head. “What if two people told you?” Another shake. Ben leaned forward on his stump. “What if a dozen people told you, with perfect earnestness, that shamble-men were out in the fields, eating—” “Of course I wouldn’t believe them,” my father said, irritated. “It’s ridiculous.” “Of course it is,” Ben agreed, raising a finger. “But the real question is this: Would you go into the woods?” My father sat very still and thoughtful for a moment. Ben nodded. “You’d be a fool to ignore half the town’s warning, even though you don’t believe the same thing they do. If not shamble-men, what are you afraid of?” “Bears.” “Bandits.” “Good sensible fears for a trouper to have,” Ben said. “Fears that townsfolk don’t appreciate. Every place has its little superstitions, and everyone laughs at what the folk across the river think.” He gave them a serious look. “But have either of you ever heard a humorous song or story about the Chandrian? I’ll bet a penny you haven’t.” My mother shook her head after a moment’s thought. My father took a long drink before joining her. “Now I’m not saying that the Chandrian are out there, striking like lightning from the clear blue sky. But folk everywhere are afraid of them. There’s usually a reason for that.” Ben grinned and tipped his clay cup, pouring the last drizzle of beer out onto the earth. “And names are strange things. Dangerous things.” He gave them a pointed look. “That I know for true because I am an educated man. If I’m a mite superstitious too…” He shrugged. “Well, that’s my choice. I’m old. You have to humor me.

You’re home.” Emmie stopped her puttering, a luminous, beaming smile on her face, a pan of apple tarts steaming on the counter before her. “I am home”—he returned her smile—“though soaked and chilled to the bone.” “I thought I heard the door slam.” Val appeared at Emmie’s elbow. “It looks like a half-drowned friend of Scout’s has come to call. Come along, Devlin.” Val tugged at his wet sleeve. “Emmie had the bathwater heated in anticipation of your arrival. We’ll get you thawed and changed in time for dinner, and then you can regale us with your exploits.” “Behold,” Val announced when they returned forty-five minutes later, “the improved version of the Earl of Rosecroft. Scrubbed, tidied, and attired for supper. He need only be fed, and we’ll find him quite civilized.” Emmie smiled at them both, and Winnie looked up from the worktable where she was making an ink drawing. “I made you a picture,” she said, motioning St. Just over. “This is you.” She’d drawn Caesar and a wet, shivering, bedraggled rider, one whose hat drooped, whose boots sagged, and whose teeth chattered. “We must send this to Her Grace,” St. Just said, “but you have to send along something cheerier, too, Win. Mamas tend to worry about their chicks.” “I thought she wasn’t your mama,” Winnie countered, frowning at her drawing. “She is, and she isn’t.” St. Just tousled Winnie’s blond curls—so like Emmie’s—and blew a rude noise against the child’s neck. “But mostly she is.” “When will you go see her again?” “I just did see her in September. It’s hardly December.” “She’s your mother,” Winnie said, taking the drawing back. “Every now and then, even big children should be with their mothers.” In the pantry, something loud hit the tile floor and shattered. Val and his brother exchanged a look, but Emmie’s voice assured them it had just been the lid to the pan of apple tarts, and no real harm had been done. “That’s fortunate,” St. Just said, going to the pantry and taking the pan from Emmie’s hands. “Watch your step, though, as there’s crockery everywhere.” “I’m sorry.” Emmie stood in the middle of the broken crockery, her cheeks flushed, looking anywhere but at him. “It was my own pan, though, so you won’t need to replace anything of Rosecroft’s.” “Em.” He sighed and set the tarts aside. “I don’t give a tin whistle for the damned lid.” He lifted her by the elbows and hauled her against his chest to swing her out of the pantry. “We’ve a scullery maid, don’t we?” “Joan.” “Well, fetch her in there. I am ravenous, and I will not be deprived of your company while I sup tonight.” “You didn’t stay in York,” Emmie said, searching his eyes. “There is very little do in York on a miserable afternoon that could compare with the pleasure of my own home, your company, and a serving of hot apple tarts.” She blinked then offered him a radiant smile and sailed ahead of him to the dining parlor. “Winnie,” St. Just barked, “wash your paws, and don’t just get them wet. Val, it’s your turn to say grace, and somebody get that damned dog out of here.” Scout slunk out, Winnie washed her paws, Val went on at hilarious length about being appreciative of a brother who wasn’t so old he forgot his apple tart recipe nor how to stay clean nor find his way home. Except