Draw A Line In The Sand Quotes

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He who draws noble delights from sentiments of poetry is a true poet, though he has never written a line in all his life.
George Sand
When you draw a line in the sand, be careful it is not low tide.
Dixie Waters
You draw a line in the sand and say you won’t cross it, you won’t believe or do a particular thing. But once you’ve grown accustomed to the unbelievable, or you’ve done what you’ve sworn you’d never do, you redraw the line a little farther back. You let the waves wash the first away like it never existed.
Sarah Lyons Fleming (Mordacious (The City, #1))
I didn't despise myself for being who I was, and I never would. I wouldn't allow anyone to make me feel bad about that. That was a line I could draw in the sand.
Z.A. Maxfield (Jacob's Ladder (St. Nacho's #3))
We don't come to the table to fight or to defend. We don't come to prove or to conquer, to draw lines in the sand or to stir up trouble. We come to the table because our hunger brings us there. We come with a need, with fragility, with an admission of our humanity. The table is the great equalizer, the level playing field many of us have been looking everywhere for. The table is the place where the doing stops, the trying stops, the masks are removed, and we allow ourselves to be nourished, like children. We allow someone else to meet our need. In a world that prides people on not having needs, on going longer and faster, on going without, on powering through, the table is a place of safety and rest and humanity, where we are allowed to be as fragile as we feel.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie (Peter Pan)
How did we know when behavior was inappropriate? We just did. Any woman over the age of fourteen probably did. Believe it or not, we didn't want to be offended. We weren't sitting around twiddling our thumbs waiting for someone to show up and offend us so that we would have something to do that day. In fact, we made dozens of excuses not to be. We gave the benefit of the doubt. We took a man's comment about the way our heels made our calves look as well-intentioned. We understood the desire for us to draw a line in the sand - this was okay, this was not okay. No such line existed.
Chandler Baker (Whisper Network)
Don’t just ask questions. Know how the answers to the questions will change your behavior. In other words, draw a line in the sand before you run the survey.
Alistair Croll (Lean Analytics: Use Data to Build a Better Startup Faster (Lean (O'Reilly)))
...where were answers to the truly deep questions? Religion promised those, though always in vague terms, while retreating from one line in the sand to the next. Don't look past this boundary, they told Galileo, then Hutton, Darwin, Von Neumann, and Crick, always retreating with great dignity before the latest scientific advance, then drawing the next holy perimeter at the shadowy rim of knowledge.
David Brin (Kiln People)
We are all different. God made us that way. Drawing a line in the sand due to that is indeed unfortunate.
Jill Telford
If I can write, who possibly can’t. Even drawing a line in the sand is writing
Bangambiki Habyarimana (Pearls Of Eternity)
But that's the problem with drawing lines in the sand. When you're not looking, a wave, aa wind or a petulant child can easily wash them away.
Diana Elliot Graham (When We Were)
know when you need to draw your lines in the sand. know when you need to lock your windows & your doors. know when you need to put your fences up. (& when you need to lace them with barber wire.) truth is, we have control over very little but we have every say in who gets our love. - boundaries
Amanda Lovelace (Dragonhearts)
If you don’t make the commitment today to start becoming the person you need to be to create the extraordinary life you really want, what makes you think tomorrow—or next week, or next month, or next year—are going to be any different? They won’t. And that’s why you must draw your line in the sand.
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
Knowing the difference between right and wrong sometimes did not serve to clarify much of anything. Just because a man is able to draw his line in the sand, it doesn’t mean he’ll know what to do when his only course of action requires crossing it.
Graham Moore (The Last Days of Night)
Running away from your past is not an answer, it’s only a temporary remedy just like the drawing lines in the sand, a small breath makes it disappear.
Dr. Patricia Dsouza Lobo (When Roses are Crushed)
If you don’t draw a line in the sand, you will just keep drifting. You have to know what you’re willing to do and not willing to do right now.
Glenn Beck
I'm not your guardian angel." "Understood." "I have to draw a line in the sand." "I comprehend." "And I'm never sleeping with you again, either." "Amen.
Lee DeBourg (Young, Only Once)
you know what happens whenever I draw a line in the sand? The tide always washes it away.
Sariah Wilson (The Paid Bridesmaid)
Leaders with principles are less likely to get bullied or pushed around because they can draw clear lines in the sand…The softest pillow is a clear conscience. —Narayana Murthy, founder and CEO, Infosys
Bill George (Discover Your True North)
I wanted tolerance. I wanted everybody to leave everybody else alone, regardless of their religious beliefs, regardless of their political affiliation. I wanted people to like each other. Hatred seemed, to me, the product of ignorance. I was tired of biblical ethic being used as a tool with which to judge people rather than heal them. I was tired of Christian leaders using biblical principles to protect their power, to draw a line in the sand separating the good army from the bad one. The truth is I had met the enemy in the woods and discovered they were not the enemy. I wondered whether any human being could be an enemy of God.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Sometimes they come back stronger and happier than ever.  But remember it takes two, to make a relationship work.  If both parties are unwilling to put forth the effort you have to be able to recognize this.  Know when to draw the line in the sand and let go.  Have the courage to say enough is enough and move on. When you can finally let go is when you will be at peace with yourself.  And this is usually the time Mr. Ex decides to get his act together. It takes four to eight weeks for a man to realize what he has lost.  By that time you may not want him back. Women may take longer to make up their minds, but once we do we stick with it.
Leslie Braswell (Ignore the Guy, Get the Guy: The Art of No Contact: A Woman's Survival Guide to Mastering a Breakup and Taking Back Her Power)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
In the sand I draw a double parallel line as a sign of the infinite duration of this dream
José Ángel Valente (Landscape with Yellow Birds)
You know the problem with drawing lines in the sand? With a breath of fresh air, they disappear.
Raymond 'Red' Reddington
I draw two warriors with swords made of starlight, pointing their weapons at each other and drawing lines in the sand.
Akemi Dawn Bowman (Starfish)
Draw your line in the sand. Take a stand for a better life...moving forward each and every day :) www.bullyingben.com
Timothy Pina (Bullying Ben: How Benjamin Franklin Overcame Bullying)
Be what you are, all that you are. Wear yourself proudly. It will require that you draw a line, but that line in the sand is your courage.
Christy Hall (The Little Silkworm)
You tell people they’re right, tell ’em what they want to hear, you listen—really listen, not pretend listen—but then the whole time you’re doing that listening, you’re pushing the boundaries forward. Reshaping morality. Drawing a new line in the sand while nobody else is watching, then wiping away the old one. And the whole time you know . . . You know where it’s all leading.
Adam Cesare (Clown in a Cornfield)
Jade and Henry stuck it out, but I drove my rental car back to my Brooklyn apartment that evening and downloaded a stack of self-help books on living with crazy families, and skimmed them late into the night, taking from all of them a single idea that resonated as both wise and comforting: I was allowed to draw a line in the sand. I was allowed to stop involving myself in their drama. And so that’s what I did.
Mary Adkins (When You Read This)
Have your standards, Basilia. Stick to those standards, but always be ready to flow into a different path. That’s why we draw lines in the sand, so we can move them as we grow. Rigid idiots snap in half, and my granddaughter is no idiot.
Kelly St. Clare (Death Game (Supernatural Battle: Vampire Towers, #3))
The sun is high, the day hot, and she lays the dress out in the grass to dry, sinks onto the slope besides it in her shift. They sit, side by side in silence, one a ghost of the other. And she realizes, looking down, that this is all she has. A dress. A slip. A pair of stolen shoes. Restless, she takes up a stick and begins to draw absent patterns in the silt along the bank. But every stroke she makes dissolves, the change too quick to be the river's doing. She draws a line, watches it begin to wash away before she even finishes the mark. Tries to write her name, but her hand stills, pinned under the same rock that held her tongue. She carves a deeper line, gouges out the sand, but it makes no difference, soon that groove is gone, too, and an angry sob escapes her throat as she casts the stick away.
V.E. Schwab (The Invisible Life of Addie LaRue)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
I am asking why the white evangelical leaders of the religious right haven’t drawn a moral line in the sand on the racial idolatry of white nationalism and supremacy that is directly and distinctively anti-Christ—as they have with issues like abortion and same-sex marriage. That choice not to draw a moral line sends a clear signal to people of color around the world in the body of Christ as to what is a political deal breaker for American white evangelical Christians and what is not.
Jim Wallis (Christ in Crisis: Why We Need to Reclaim Jesus)
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
The Big Book’s chapter We Agnostics draws a line in the sand: God either is or He isn’t. What was our choice to be (Alcoholics Anonymous, 53)? Nature abhors a vacuum and a state of nothing can’t exist in either the material or spiritual world. This kind of binary thinking made sense in the autocratic world of 1939. But in a democratic, pluralist society, all-or-nothing thinking is a cognitive distortion—a philosophical assumption that everything is right or wrong, good or evil, superior or inferior. In this millennium, people can hold opposing views and be equals in the same community. Our Traditions, lovingly and tolerantly, make room for more than one truth. That’s a good thing, because the only problem with the truth is that there are so many versions of it.
Joe C. (Beyond Belief: Agnostic Musings for 12 Step Life: finally, a daily reflection book for nonbelievers, freethinkers and everyone)
Look, you are my father and I love you. I will always love you. But that love is not an all or nothing proposition. Brianna is my wife. Will and Gianni are my sons. You are all my family, but if you push me, Father, if you force me to choose between you and them you will not like the choice I make. You are never to treat William the way you did today, ever. Am I making myself clear?” “Is that a threat, Alessandro?” Bernardo asked, his voice cold. Bree felt her body stiffen with nervous tension. Her heart was racing, both with nervousness and joy that Alessandro was drawing a line in the sand with his father and that he was sticking up for them over Bernardo. “Remember, Father, you raised me. You raised me to be a Dardano. That’s who I am and I’m sure you know exactly what that means.
E. Jamie (The Betrayal (Blood Vows, #2))
Ö  Lack of Urgency Arguably the single most significant cause of mediocrity and unfulfilled potential, which prevents 95% of our society from creating and living the life they truly want, is that most people have no sense of urgency to improve themselves so they can improve their lives. Human nature is to live with a “someday” mindset and think life will work itself out. How’s that working out for everybody?   This someday mindset is perpetual, and it leads to a life of procrastination, unfulfilled potential and regret. You wake up one day and wonder what the heck happened; how did your life end up like this? How did you end up like this?   One of the saddest things in life is to live with regret, knowing that you could have, be, and do so much more.   Remember this truth:  now matters more than any other time in your life, because it’s what you are doing today that is determining who you’re becoming, and who you’re becoming will always determine the quality and direction of your life.   If you don’t make the commitment today to start becoming the person you need to be to create the extraordinary life you really want, what makes you think tomorrow—or next week, or next month, or next year—are going to be any different?  They won’t. And that’s why you must draw your line in the sand.
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
Bohr advanced a heavyhanded remedy: evolve probability waves according to Schrodinger's equation whenever you're not looking or performing any kind of measurement. But when you do look, Bohr continued, you should throw Schrodinger's equation aside and declare that your observation has caused the wave to collapse. Now, not only is this prescription ungainly, not only is it arbitrary, not only does it lack a mathematical underpinning, it's not even clear. For instance, it doesn't precisely define "looking" or "measuring." Must a human be involved? Or, as Einstein once asked, will a sidelong glance from a mouse suffice? How about a computer's probe, or even a nudge from a bacterium or virus? Do these "measurements" cause probability waves to collapse? Bohr announced that he was drawing a line in the sand separating small things, such as atoms and their constituents, to which Schrodinger's equation would apply, and big things, such as experimenters and their equipment, to which it wouldn't. But he never said where exactly that line would be. The reality is, he couldn't. With each passing year, experimenters confirm that Schrodinger's equation works, without modification, for increasingly large collections of particles, and there's every reason to believe that it works for collections as hefty as those making up you and me and everything else. Like floodwaters slowly rising from your basement, rushing into your living room, and threatening to engulf your attic, the mathematics of quantum mechanics has steadily spilled beyond the atomic domain and has succeeded on ever-larger scales.
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
C.G. Jung (The Red Book: Liber Novus)
Draw a line in the sand As you get going, keep in mind why you’re doing what you’re doing. Great businesses have a point of view, not just a product or service. You have to believe in something. You need to have a backbone. You need to know what you’re willing to fight for. And then you need to show the world. A strong stand is how you attract superfans. They point to you and defend you. And they spread the word further, wider, and more passionately than any advertising could. Strong opinions aren’t free. You’ll turn some people off. They’ll accuse you of being arrogant and aloof. That’s life. For everyone who loves you, there will be others who hate you. If no one’s upset by what you’re saying, you’re probably not pushing hard enough. (And you’re probably boring, too.) Lots of people hate us because our products do less than the competition’s. They’re insulted when we refuse to include their pet feature. But we’re just as proud of what our products don’t do as we are of what they do. We design them to be simple because we believe most software is too complex: too many features, too many buttons, too much confusion. So we build software that’s the opposite of that. If what we make isn’t right for everyone, that’s OK. We’re willing to lose some customers if it means that others love our products intensely. That’s our line in the sand. When you don’t know what you believe, everything becomes an argument. Everything is debatable. But when you stand for something, decisions are obvious. For example, Whole Foods stands for selling the highest quality natural and organic products available. They don’t waste time deciding over and over again what’s appropriate. No one asks, “Should we sell this product that has artificial flavors?” There’s no debate. The answer is clear. That’s why you can’t buy a Coke or a Snickers there. This belief means the food is more expensive at Whole Foods. Some haters even call it Whole Paycheck and make fun of those who shop there. But so what? Whole Foods is doing pretty damn well. Another example is Vinnie’s Sub Shop, just down the street from our office in Chicago. They put this homemade basil oil on subs that’s just perfect. You better show up on time, though. Ask when they close and the woman behind the counter will respond, “We close when the bread runs out.” Really? “Yeah. We get our bread from the bakery down the street early in the morning, when it’s the freshest. Once we run out (usually around two or three p.m.), we close up shop. We could get more bread later in the day, but it’s not as good as the fresh-baked bread in the morning. There’s no point in selling a few more sandwiches if the bread isn’t good. A few bucks isn’t going to make up for selling food we can’t be proud of.” Wouldn’t you rather eat at a place like that instead of some generic sandwich chain?
Jason Fried (ReWork)
Only is a powerful word. It is extreme. It picks a fight. It draws a line in the sand.
Rob Rienow (Limited Church: Unlimited Kingdom: Uniting Church and Family in the Great Commission)
it occurred to him that this caveat might draw Husein’s attention and so he toned it down. The final version of the letter stated that, subject to the modifications he had stipulated, ‘we accept these limits of boundaries; and in regard to those portions of the territories therein in which Great Britain is free to act without detriment to the interests of her ally France’ McMahon said he was ‘empowered, in the name of the Government of Great Britain, to give the following assurances
James Barr (A Line in the Sand: Britain, France and the struggle that shaped the Middle East)
Dude, you got to draw your lines in the sand somewhere and hold them. It’s especially important when the sand keeps shifting beneath your feet.
Karen Marie Moning (Iced (Fever, #6))
So do not throw your pearls before swine, Instead in the sand go and draw your line. For this love you have is rare dear girl, A guide and blessing in the name of Estelle. I sat and woke to see it all clear, A stage I was seeking, no longer to fear. For I've spent too long wasting precious time, Never again will I throw pearls before swine.
Nicole Bonomi
HAWAII is drawing a line in the sand, right where it hopes to build a presidential library for native son President Obama. The oceanfront library would have a dramatic view of the Diamond Head volcanic crater and Hawaii’s abundant sunshine would generate solar power to support on-site vegetable gardens. "You can’t beat waterfront land in Honolulu, with all due respect for the other cities," Sen. Brian Schatz (D-Hawaii) said Thursday.
Anonymous
We can’t go ahead with God to new and exciting places if we’re spending too much time looking back. We must leave our past behind, draw a line in the sand, and determine to proceed forward with God.
Lysa TerKeurst (What Happens When Women Walk in Faith: Trusting God Takes You to Amazing Places)
Draw a line in the sand. "I will no longer be a stumbling block for my husband." With God's help, you'll find yourself being supportive, encouraging. You become his partner rather than his opponent. This attitude of obedience unfolds blessings without end, reaching your heart, his, your children, and the watching world.
Amy Williams (Why Is She Smiling)
Snuggling comfortably in her corner, Beatrix gave her older sister a perplexed glance. “Win? You have the oddest look on your face. Is something the matter?” Win had frozen in the act of lifting a teacup to her lips, her blue eyes round with alarm. Following her sister’s gaze, Amelia saw a small reptilian creature slithering up Beatrix’s shoulder. A sharp cry escaped her lips, and she moved forward with her hands raised. Beatrix glanced at her shoulder. “Oh, drat. You’re supposed to stay in my pocket.” She plucked the wriggling object from her shoulder and stroked him gently. “A spotted sand lizard,” she said. “Isn’t he adorable? I found him in my room last night.” Amelia lowered her hands and stared dumbly at her youngest sister. “You’ve made a pet of him?” Win asked weakly. “Beatrix, dear, don’t you think he would be happier in the forest where he belongs?” Beatrix looked indignant. “With all those predators? Spot wouldn’t last a minute.” Amelia found her voice. “He won’t last a minute with me, either. Get rid of him, Bea, or I’m going to flatten him with the nearest heavy object I can find.” “You would murder my pet?” “One doesn’t murder lizards, Bea. One exterminates them.” Exasperated, Amelia turned to Merripen. “Find some cleaning women in the village, Merripen. God knows how many other unwanted creatures are lurking in the house. Not counting Leo.” Merripen disappeared at once. “Spot is the perfect pet,” Beatrix argued. “He doesn’t bite, and he’s already house-trained.” “I draw the line at pets with scales.” Beatrix stared at her mutinously. “The sand lizard is a native species of Hampshire—which means Spot has more right to be here than we do.” “Nevertheless, we will not be cohabiting.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
IF you draw a line in the sand you betray the loyalty of your cause
Robert Wesley Miller
A good metric changes the way you behave. This is by far the most important criterion for a metric: what will you do differently based on changes in the metric? Drawing a line in the sand is a great way to enforce a disciplined approach. A good metric changes the way you behave precisely because it’s aligned to your goals of keeping users, encouraging word of mouth, acquiring customers efficiently, or generating revenue. Unfortunately, that’s not always how it happens. At one company, Alistair saw a sales executive tie quarterly compensation to the number of deals in the pipeline, rather than to the number of deals closed, or to margin on those sales. Salespeople are coin-operated, so they did what they always do: they followed the money. In this case, that meant a glut of junk leads that took two quarters to clean out of the pipeline—time that would have been far better spent closing qualified prospects. Of course, customer satisfaction or pipeline flow is vital to a successful business. But if you want to change behavior, your metric must be tied to the behavioral change you want. If you measure something and it’s not attached to a goal, in turn changing your behavior, you’re wasting your time. Worse, you may be lying to yourself and fooling yourself into believing that everything is OK. That’s no way to succeed.
Alistair Croll (Lean Analytics: Use Data to Build a Better Startup Faster)
This is the time you draw a line on the sand and say, "All the negativity ends here." Start seeing a new horizon. Start believing in greater possibilities. And know that Go is by your side, listening to every prayer you make to Him.
Mizi Wahid (The Art of Letting God)
Let’s draw a line in the sand here. From this day forward, you will be a bulldog. No backing up or backing off, no giving up or giving in.
Anthony Iannarino (The Only Sales Guide You'll Ever Need)
Let’s assume the Americans and their allies eventually defeat ISIS and roll back the caliphate. What then? Will Syria be put back together again? Will Iraq? Will the Americans stay this time to ensure the peace? Unlikely, which means there’s going to be several million disaffected and disenfranchised Sunni Muslims living between the Tigris and the Euphrates. They will be a source of regional instability for generations to come.” “They were artificial countries to begin with, Iraq and Syria. Maybe it’s time to draw new lines in the sand.” “Another failed Arab state in the making,” said Gabriel. “Just what the Middle East needs.” “Perhaps
Daniel Silva (House of Spies (Gabriel Allon #17))
Other Kinds of Fun LARGE MOTOR SKILLS ♦  Take a walk on a balance beam, along the curb, or even down a line on the sidewalk. ♦  Play catch (start with a large, slightly deflated ball). ♦  Jump over things (anything more than a few inches, though, will be too high for most kids this age). ♦  Throw, kick, roll, and toss balls of all sizes. ♦  Ride a tricycle. ♦  Spin around till you drop. ♦  Pound, push, pull, and kick. ♦  Make music using drums, xylophones, flutes, and anything else you have handy. ♦  Play Twister. SMALL MOTOR SKILLS ♦  Puzzles (fewer than twenty pieces is probably best). You might even want to cut up a simple picture from a magazine and see whether your toddler can put it back together. ♦  Draw on paper or with chalk on the sidewalk. ♦  Sculpt with clay or other molding substance. ♦  Finger paint. ♦  Play with string and large beads. ♦  Pour water or sand or seeds from one container to another. ♦  Get a big box (from a dishwasher or refrigerator), then build, paint and decorate a house together. THE BRAIN ♦  Matching games. ♦  Alphabet and number games (put colorful magnetic letters and numbers on the fridge and leave them low enough for the child to reach). ♦  Lots of dress-up clothes. ♦  Dolls of all kinds (including action figures). ♦  Pretending games with “real” things (phones, computer keyboards). ♦  Imaginary driving trips where you talk about all the things you see on the road. Be sure to let your toddler drive part of the way. ♦  Sorting games (put all the pennies, or all the triangles, or all the cups together). ♦  Arranging games (big, bigger, biggest). ♦  Smelling games. Blindfold your toddler and have him identify things by their scent. ♦  Pattern games (small-big/small-big). ♦  Counting games (How many pencils are there?). A FEW FUN THINGS FOR RAINY DAYS (OR ANYTIME) ♦  Have pillow fights. ♦  Make a really, really messy art project. ♦  Cook something—kneading bread or pizza dough is especially good, as is roasting marshmallows on the stove (see pages 214–20 for more). ♦  Go baby bowling (gently toss your toddler onto your bed). ♦  Try other gymnastics (airplane rides: you’re on your back, feet up in the air, baby’s tummy on your feet, you and baby holding hands). ♦  Dance and/or sing. ♦  Play hide-and-seek. ♦  Stage a puppet show. ♦  If it’s not too cold, go outside, strip down to your underwear, and paint each other top-to-bottom with nontoxic, water-based paints. Otherwise, get bundled up and go for a long, wet, sloppy, muddy stomp in the rain. If you don’t feel like getting wet, get in the car and drive through puddles.
Armin A. Brott (Fathering Your Toddler: A Dad's Guide To The Second And Third Years (New Father Series))
8. Stop somewhere and realize that perfection is unattainable. I could have kept writing both books forever if I wanted to. At some point, you have to draw a line in the sand and publish the book. As soon as you finish it there will be some new research, some new story, or some new perspective that you should have covered. Don’t worry about it; just use it for your next book.
Joe Pulizzi (Epic Content Marketing: How to Tell a Different Story, Break through the Clutter, and Win More Customers by Marketing Less)
The phosphorescence was particularly good that night. By plunging your hand into the water and dragging it along you could draw a wide golden-green ribbon of cold fire across the sea, and when you dived as you hit the surface it seemed as though you had plunged into a frosty furnace of glinting light. When we were tired we waded out of the sea, the water running off our bodies so that we seemed to be on fire, and lay on the sand to eat. Then, as the wine was opened at the end of the meal, as if by arrangement, a few fireflies appeared in the olives behind us – a sort of overture to the show. First of all there were just two or three green specks, sliding smoothly through the trees, winking regularly. But gradually more and more appeared, until parts of the olive-grove were lit with a weird green glow. Never had we seen so many fireflies congregated in one spot; they flicked through the trees in swarms, they crawled on the grass, the bushes and olive-trunks, they drifted in swarms over our heads and landed on the rocks, like green embers. Glittering streams of them flew out over the bay, swirling over the water, and then, right on cue, the porpoises appeared, swimming in line into the bay, rocking rhythmically through the water, their backs as if painted with phosphorus. In the centre of the bay they swam around, diving and rolling, occasionally leaping high in the air and falling back into a conflagration of light. With the fireflies above and illuminated porpoises below it was a fantastic sight. We could even see the luminous trails beneath the surface where the porpoises swam in fiery patterns across the sandy bottom, and when they leapt high in the air drops of emerald glowing water flicked from them, and you could not tell if it was phosphorescence or fireflies you were looking at. For an hour or so we watched this pageant, and then slowly the fireflies drifted back inland farther down the coast. Then the porpoises lined up and sped out to sea, leaving a flaming path behind them flickered and glowed, and then died slowly, like a glowing branch laid across the bay.
Gerald Durrell (My Family and Other Animals: Abridged Version)
I believe that there comes a point in every man's life when, like you, he can draw his sword and trace a line in the sand. I think that every man has a choice.
Antoine B. Daniel (Incas: The Light of Machu Picchu (Incas, #3))
If you are easily upset, don’t continue year after year that way. If you allow little things like long lines, the weather, a grumpy salesman, or an inconsiderate receptionist to steal your joy, draw a line in the sand. Say, “You know what? That’s it. I’m not giving away my power anymore. I’m staying calm, cool, and collected. David J. Pollay, author of The Law of the Garbage Truck, was in a New York City taxicab when a car jumped out from a parking place right in front of it. His cabbie had to slam on the brakes, the car skidded, and the tires squealed, but the taxi stopped an inch from the other car. The driver of the other car whipped his head around, and honked and screamed in anger. But David was surprised when his cabbie just smiled real big, and waved at him. David said, “That man almost totaled your cab and sent us to the hospital. I can’t believe you didn’t yell back at him. How were you able to keep your cool?” The cab driver’s response, which David calls, “The Law of the Garbage Truck,” was this: “Many people are like garbage trucks. They run around full of garbage, full of frustration, full of anger, and full of disappointment. As their garbage piles up, they look for a place to dump it. And if you let them, they’ll dump it on you. So when someone wants to dump on you, don’t take it personally. It doesn’t have anything to do with you. Just smile, wave, wish them well, and move on. Believe me, you’ll be happier.” Successful people don’t allow garbage trucks to unload on them. If somebody dumps a load on you, don’t be upset. Don’t be angry. Don’t be offended. If you make that mistake, you’ll end up carrying their loads around and eventually you’ll dump them on somebody else. Keep your lid on. Sometimes you may need to have a steel lid. These days, though, so many people are dumping out poison through criticism, bad news, and anger, you’ll need to keep that lid on tight. We can’t stop people from dumping their garbage, but by keeping our lids on, we can tell them to recycle instead!
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
When you create a company culture, you are drawing your lines in the sand for you, first & then for anyone else who does business with you.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
Would you like to take a walk with me?” she asked. “I always walk on the beach in the mornings when you’re working. That is, if you aren’t too busy?” He caught her hand and brought it to his lips. “I’m not too busy for you and our child. But should you be resting?” An exasperated shriek left her lips, startling him with her ferocity. She yanked her hand from him and parked both of her fists on her hips. “Do I look like I need to be resting?” Anger and disappointment burned in her eyes. “Look, Chrysander, if you don’t want to spend time with me, just say so, but stop throwing out your pat ‘You need to be resting’ line.” She turned and stalked farther down the beach, leaving him there feeling like she’d punched him in the stomach. He ran a hand through his hair as he watched her hurry away, and then he strode after her, his feet kicking up sand as he closed the distance between them. “Marley! Marley, wait,” he called as he caught her elbow. When he turned her around, he was gutted by the tears streaking down her cheeks. She turned her face away and swiped blindly at her eyes with her other hand. “Please, just go away,” she choked out. “Go do whatever it is you do with your time. I’ll wait for my appointment with you in the afternoon.” It came out bitter and full of hurt, and he realized that he hadn’t fooled her at all with the distance he put between them. He reached for her chin and gently tugged until she faced him. With his thumb, he wiped at a tear that slipped over her cheekbone. “You aren’t an appointment, Marley.” “No?” She yanked away from his touch and retreated a few feet until there was a respectable distance between them. “I’ve tried to be patient and understanding even though I don’t understand any of it. Us. You or even me. I can’t figure you out, Chrysander, and I’m tired of trying. I’ve tried to be strong and undemanding, but I can’t do it anymore. I’m scared to death. I don’t know who I am. I wake up one day to find myself pregnant, and there’s a stranger by my bed who says he’s my fiancé and the father of my child. One would think this would tell me that at least I was loved and cherished, but nothing you’ve done has made me feel anything but confusion. You run hot and cold, and I never know which one to expect. I can’t do this.” Coldness wrapped around Chrysander’s chest, squeezing until he couldn’t draw a breath. “What are you saying?” he demanded.
Maya Banks (The Tycoon's Rebel Bride (The Anetakis Tycoons, #2))
Family is the group of people you choose to surround yourself with. You don’t have to draw a line in the sand and push some people away because you think society decided there are only certain people in this world who should be allowed to be called family.
Samantha Silver (A Baker's Coven (Spellford Cove, #3))
People of the spire, the line between minding your business and defending your freedom is thin as a razor blade. You can’t tiptoe along it. You have to make that cut, draw that line in the sand, and believe that you can make a change. That your choices can leave a mark. That you can serve something better. There’s a hero inside each of you, waiting for your moment of greatness.
Delilah S. Dawson (Black Spire (Star Wars: Galaxy's Edge, #2))
When we try to act like a pregnancy doesn’t involve human life, we wind up drawing stupid semantic lines in the sand: first trimester abortion vs. second trimester vs. late term, dancing around the issue trying to decide if there's a single magic moment when a fetus becomes a person. Are you human only when you're born? Only when you're viable outside of the womb? Are you less of a human life when you look like a tadpole than when you can suck on your thumb?
Nancy R. Pearcey (Love Thy Body: Answering Hard Questions about Life and Sexuality)
FROM OTHER SOURCES Pre–race and Venue Homework Get hold of any history of past events at the venue, plus any information that the conducting club may have about weather and expected conditions. Go to the weather bureau and get history for the area. Speak to sailors from your class who have this venue as their home club or who have sailed there on a number of occasions. Boat, Sails, Gear Preparation Checklist Many times the outcome of a race is as dependent on what you have done prior to the race as to what you do out on the course. Sometimes no matter how good your tactics and strategy are a simple breakage could render all that useless. Hull – make sure that your hull is well sanded and polished, centreboard strips are in good condition, venturis if fitted are working efficiently, buoyancy tanks are dry and there are no extraneous pieces of kit in your boat which adds unwanted weight. Update any gear that looks tired or worn especially control lines. Mast, boom and poles – check that all halyards, stays and trapeze wires are not worn or damaged and that pins are secure, knots tight and that anything that can tear a sail or injure flesh is taped. Mark the full hoist position on all halyards. Deck hardware – check all cam cleats for spring tension and tape anything that may cause a sail tear or cut legs hands and arms. Check the length of all sheets and control lines and shorten anything that is too long. This not only reduces weight but also minimises clutter. Have marks on sheets and stick or draw numbers and reference scales for the jib tracks, outhaul and halyards so that you can easily duplicate settings that you know are fast in various conditions. Centreboard and rudder – ensure that all nicks and gouges are filled and sanded and the surfaces are polished and most importantly that rudder safety clips are working. Sails – select the correct battens for the day’s forecast. Write on the deck, with a china graph pencil, things like the starting sequence, courses, tide times and anything else that will remind you to sail fast. Tools and spares – carry a shackle key with screwdriver head on your person along with some spare shackles and short lengths of rope or different diameters. A tool like a Leatherman can be very useful to deal with unexpected breakages that can occur even in the best prepared boat.
Brett Bowden (Sailing To Win: Guaranteed Winning Strategies To Navigate From The Back To The Front Of The Fleet)
I’ve put my line in the sand.” “But you know the thing about sand? Every day, the tide comes in and washes the line away. You can draw it again, or choose not to.
Clare Lydon (It Started with a Kiss)
Now, I love to be an early adopter with all things technical but Alexa - and the Apple and Google equivalents - are where I draw my personal line in the sand.
Paul Teague (The Complete Sci-Fi Collection: Seven dystopian & sci-fi novels by Paul Teague, including the Secret Bunker Trilogy, The Grid Trilogy and Phase 6, the story that bridges both universes)
From Cairo, Casey’s successor as minister of state, Lord Moyne, argued that both these failings were unwise. ‘Opinion in these countries can hardly fail to draw a comparison with the prompt and stern action taken against the Arabs after the assassination of Mr Andrews in 1937,’ he said.27 A few days later, after he had failed to stir up London, he sent a further telegram. To demonstrate his fears, this time he quoted from a speech just given by David Ben-Gurion, in which the Jewish Agency executive’s chairman stated: ‘We shall migrate to Palestine in order to constitute a majority here. If there be need – we shall take by force; if the country be too small – we shall expand the boundaries.
James Barr (A Line in the Sand: Britain, France and the Struggle for the Mastery of the Middle East)
It’s not a lot of time, but it helps me draw a line in the sand that says, “No matter what, I’ll always make some time for me.
Julie Zhuo (The Making of a Manager: What to Do When Everyone Looks to You)
Contrary to what destructive people will say, the most loving thing we can do for them is hold them accountable for their actions. This indeed may cost us sacrifice and suffering. We do this not only for our benefit but with the hope that as we draw a line in the sand and say "no more" they will wake up to their own sinfulness and repent.
Leslie Vernick (The Emotionally Destructive Relationship: Seeing It, Stopping It, Surviving It)
Sending a child to college is drawing that line in the sand. Your child walks over it and she’s not your little girl anymore. She’s just not.
Carla Buckley (The Good Goodbye)
They give a lot of lip service to ‘diversity’ and open-mindedness—and most of them follow through—but there’s always this little, loudmouthed subset telling you how to behave and what to say. It starts out ‘all for one, and one for all,’ but by the end, somebody’s drawing lines in the sand, telling you to choose a side. You can’t be gay or bi or trans if you don’t vote a certain way, act a certain way, follow some ridiculous set of rules. They all want you to be a round little peg in a round fucking hole. They want you to pick a box and a label so they know just where to put you, rather than accepting that we’re all separate, unique people, and that our stories are all valid, no matter whether we fit in the box or not.
Marie Sexton (One Man's Trash (The Heretic Doms Club, #1))
Always without exception, the construct of freedom erodes under the threat of national security. It's the last line in the sand you will draw.
Sharky Rich
Looking back, it seems that was how Jude always was with me: keeping his distance, never asking for anything I might not want to give. That steadiness that I took to be a strength--his consistency--I realize now was a kind of boundary, a way of drawing a line in the sand. Like a sprinkling of salt at the threshold, it was a kind of spell to keep himself safe, unchanged. What he needed more than anything was to believe he needed nothing, that if I should ever leave, he'd remain the same man. But I had his key in my coat pocket and I was happy then, because it seemed like he was letting me in.
Madelaine Lucas (Thirst for Salt)
We’re still in the cave. It’s just bigger, and we wear nicer clothes. We make alliances and try to be civil, we save the weak instead of leaving them out in the cold to die. But guys like Sands, Quinn, Po…they play by the ancient rules. To them, life is a zero-sum game. You win or lose, live or die. And the most important rule of all is, you take everything you can, when you can, until somebody draws a line and says, ‘No more.
Greg Iles (The Devil's Punchbowl (Penn Cage #3))
yelling, snarling, Russian-bear fight about your fucking job and how much I want you to quit. Be prepared. It will not break us up, and I am not drawing a line in the sand, and I am not going to push you away, but I will be heard, do you understand me?
Amy Lane (Making Promises (Promises, #2))
You can’t just simply draw a line in the sand and hope everyone takes your boundaries seriously. With some folks you must carve that border in concrete.
Christine E. Szymanski
You can't draw lines in the sand like that. Humour's a tsunami that doesn't care about your little lines.
S.A. Tawks (Misadventurous)
If we draw a line in the sand, our love ought to be more evident to the world than our doctrine.
Joe Battaglia (The Politically Incorrect Jesus: Living Boldly in a Culture of Unbelief)
I’m a citizen of the world, aren’t I?  I deserve to eat, don’t I? Who has the right to draw an arbitrary line in the sand and tell me what I can and cannot do on one side of the line or the other—oh, the big ugly guy with the gun? That’s what we call civilization? I’d call myself an anarchist if it didn’t sound so organized. Seriously,
Cap'n Fatty Goodlander (Buy, Outfit, and Sail)
Are you facing giants today? Does your problem look too big? Do your dreams seem impossible? You need to get your staff out. Instead of going around discouraged, and thinking it’s never going to work out, start dwelling on your victories. Start thinking about how you killed the lion and bear in your own life. Start remembering how far God has brought you. Rehearse all the times He opened doors, gave you promotions, healed your family members, and put you in the right places with the right people. Don’t forget your victories. On a regular basis go back over your memorial stones, and read the victories etched on your staff. When those negative memories come up, they come to all of us--the things that didn’t work out, your hurts, your failures, and your disappointments. Many people mistakenly stay on that channel and they end up stuck in a negative rut and do not expect anything good. Remember, that’s not the only channel--get your remote control and switch over to the victory channel. Expect breakthroughs. Expect problems to turn around. Expect to rise to new levels. You haven’t seen your greatest victories. You haven’t accomplished your greatest dreams. There are new mountains to climb, new horizons to explore. Don’t let past disappointments steal your passion. Don’t let the way somebody treated you sour you on life. God is still in control. It may not have happened in the past, but it can happen in the future. Draw a line in the sand and say, “That’s it. I’m done with low expectations. I’m not settling for mediocrity. I expect favor, increase, and promotion. I expect blessings to chase me down. I expect this year to be my best so far.” If you raise your level of expectancy, God will take you places you’ve never dreamed. He’ll open doors no man can shut. He will help you overcome obstacles that looked insurmountable, and you will see His goodness in amazing ways.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
I know this disbelief I feel, the disbelief on the others’ faces, is a survival mechanism. You draw a line in the sand and say you won’t cross it, you won’t believe or do a particular thing. But once you’ve grown accustomed to the unbelievable, or you’ve done what you’ve sworn you’d never do, you redraw the line a little farther back. You let the waves wash the first away like it never existed.
Sarah Lyons Fleming (Mordacious (The City, #1))
We can never undo the past, but we can draw a line in the sand and decide to do what is right going forward.
Tesa K. Strasser (Love Never Fails: A Novel Based on Truth)
Activities to Develop the Visual System Making Shapes—Let your child draw or form shapes, letters, and numbers in different materials, such as playdough, finger paint, shaving cream, soap foam, sand, clay, string, pudding, or pizza dough. Mazes and Dot-to-Dot Activities—Draw mazes on paper, the sidewalk, or the beach. Have the child follow the mazes with his finger, a toy car, a crayon, a marker, or chalk. On graph paper, make dot-to-dot patterns for the child to follow. Peg Board—Have the child reproduce your design or make his own. Cutting Activities—Provide paper and scissors and have your child cut fringe and strips. Draw curved lines on the paper for her to cut. Cutting playdough is fun, too. Tracking Activities—Lie on your backs outside and watch birds or airplanes, just moving your eyes while keeping your heads still. Jigsaw Puzzles! Block Building!!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
An obvious step to working the Debt Snowball is to stop borrowing. Otherwise, you will just be changing the names of the creditors on your debt list. So you must draw a line in the sand and say, “I will never borrow again.” As soon as you make that statement, there will be a test. Trust me. Your transmission will go out. Your kid will need braces. It is almost as if God wants to see if you are really gazelle-intense. At this point, you are ready for a plastectomy—plastic surgery to cut up your credit cards. I’m often asked, “Dave, should I cut my cards up now or when I pay them off?” Cut them up NOW. A permanent change in your view of debt is your only chance. No matter what happens, you have to pursue the opportunity or solve the challenge without debt. It has to stop. If you think you can get out of debt without huge resolve to stop borrowing, you are wrong. You can’t get out of a hole by digging out the bottom.
Dave Ramsey (The Total Money Makeover: Classic Edition: A Proven Plan for Financial Fitness)
We carry our own worlds with us, and our realities are what we perceive them to be. We all draw our own lines in the sand.
Kyle St Germain (Dysfunction)
I am on sand in bright yellow daylight, yet there is no sun. Then I realize that I am the sun. My light shines out as a Golden Path. When I realize this, I move out of myself. I turn, expecting to see myself as the sun. But I am not the sun; I am a stick figure, a child's drawing with zigzag lightning lines for eyes, stick legs and stick arms. There is a scepter in my left hand, and it's a real scepter--much more detailed in its reality than the stick figure which holds it. The scepter moves, and this terrifies me. As it moves, I feel myself awaken, yet I know I'm still dreaming. I realize then that my skin is encased in something-an armor which moves as my skin moves. I cannot see this armor, but I feel it. My terror leaves me then, for this armor gives me the strength of ten thousand men.
Frank Herbert (Children of Dune (Dune #3))