Drama Of The Gifted Child Quotes

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Experience has taught us that we have only one enduring weapon in our struggle against mental illness: the emotional discovery and emotional acceptance of the truth in the individual and unique history of our childhood.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
The grandiose person is never really free; first because he is excessively dependent on admiration from others, and second, because his self-respect is dependent on qualities, functions, and achievements that can suddenly fail.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
The art of not experiencing feelings. A child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother's love of her substitute in order to feel, then she will repress emotions.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
One is free from depression,” writes Alice Miller in The Drama of the Gifted Child, “when self-esteem is based on the authenticity of one’s own feelings and not on the possession of certain qualities.
John Bradshaw (Healing the Shame that Binds You)
One can only remember what has been consciously experienced.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
We become free by transforming ourselves from unaware victims of the past into responsible individuals in the present, who are aware of our past and are thus able to live with it.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Without realizing that the past is constantly determining their present actions, they avoid learning anything about their history. They continue to live in their repressed childhood situation, ignoring the fact that is no longer exists, continuing to fear and avoid dangers that, although once real, have not been real for a long time.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Where there had been only fearful emptiness or equally frightening grandiose fan­tasies, an unexpected wealth of vitality is now discovered. This is not a homecoming, since this home has never before existed. It is the creation of home.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
For one is free from it only when self-esteem is based on the authenticity of ones own feelings and not on the possession of certain qualities.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Child abuse is still sanctioned — indeed, held in high regard — in our society as long as it is defined as child-rearing. It is a tragic fact that parents beat their children in order to escape the emotions from how they were treated by their own parents.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Many people suffer all their lives from this oppressive feeling of guilt, the sense of not having lived up to their parents' expectations. This feeling is stronger than any intellectual insight they might have, that it is not a child's task or duty to satisfy his parents needs. No argument can overcome these guilt feelings, for they have their beginnings in life's earliest periods, and from that they derive their intensity and obduracy.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
they are aware of having been misunderstood as children, they feel that the fault lay with them and with their inability to express themselves appropriately.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
In order to become whole we must try, in a long process, to discover our own personal truth, a truth that may cause pain before giving us a new sphere of freedom. If we choose instead to content ourselves with intellectual “wisdom,” we will remain in the sphere of illusion and self-deception.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
People who, as children, were intellectually far beyond their parents and therefore admired by them, but who also therefore had to solve their own problems alone. These people, who give us a feeling of their intellectual strength and will power, also seem to demand that we, too, ought to fight off any feeling of weakness with intellectual means. In their presence one feels one cannot be recognized as a person with problems just as they and their problems were unrecognized by their parents, for whom he always had to be strong.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
The true opposite of depression is neither gaiety nor absence of pain, but vitality—the freedom to experience spontaneous feelings. It is part of the kaleidoscope of life that these feelings are not only happy, beautiful, or good but can reflect the entire range of human experience, including envy, jealousy, rage, disgust, greed, despair, and grief. But this freedom cannot be achieved if its childhood roots are cut off. Our access to the true self is possible only when we no longer have to be afraid of the intense emotional world of early childhood. Once we have experienced and become familiar with this world, it is no longer strange and threatening.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Depression as Denial of the Self Depression consists of a denial of one’s own emotional reactions. This denial begins in the service of an absolutely essential adaptation during childhood and indicates a very early injury. There are many children who have not been free, right from the beginning, to experience the very simplest of feelings, such as discontent, anger, rage, pain, even hunger—and, of course, enjoyment of their own bodies.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
They recount their earliest memories without any sympathy for the child they once were,
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
tragic and painful state of being separated from his true self, to which doctors refer offhandedly as depression.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Only the never-ending work of mourning can help us from lapsing into the illusion that we have found the parent we once urgently needed—empathic and open, understanding and understandable, honest and available, helpful and loving, feeling, transparent, clear, without unintelligible contradictions. Such a parent was never ours, for a mother can react empathically only to the extent that she has become free of her own childhood; when she denies the vicissitudes of her early life, she wears invisible chains.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
[On Chopin's Preludes:] "His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky. ... The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.
George Sand (Story of My Life: The Autobiography of George Sand (Women Writers in Translation))
These people have all developed the art of not experiencing feelings, for a child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother’s love or the love of her substitute in order to feel, then she will repress her emotions. She cannot even experience them secretly, “just for herself”; she will fail to experience them at all. But they will nevertheless stay in her body, in her cells, stored up as information that can be triggered by a later event.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
As soon as he is regarded as a possession for which one has a particular goal, as soon as one exerts control over him, his natural growth will be violently interrupted.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
I've spoken of the patient Peter who was obsessively forced to make conquests with women, to seduce and then to abandon them, until he was at last able to experience how he himself had repeatedly been abandoned by his mother.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Hesse, like so many gifted children, was so difficult for his parents to bear not despite but because of his inner riches. Often a child’s very gifts (his great intensity of feeling, depth of experience, curiosity, intelligence, quickness—and his ability to be critical) will confront his parents with conflicts that they have long sought to keep at bay by means of rules and regulations.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Narcissistic cathexis of the child by the mother does not exclude emotional devotion. On the contrary, she loves the child as her self-object, excessively, though not in the manner that he needs, and always on the condition that he presents his "false self." This is no obstacle to the development of intellectual abilities, but it is one to the unfolding of an authentic emotional life.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
The automatic, natural contact with his own emotions and needs gives an individual strength and self-esteem. He may experience his feelings—sadness, despair, or the need for help—without fear of making the mother insecure. He can allow himself to be afraid when he is threatened, angry when his wishes are not fulfilled. He knows not only what he does not want but also what he wants and is able to express his wants, irrespective of whether he will be loved or hated for it.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
the function all expressions of contempt have in common is the defense against unwanted feelings. Contempt simply evaporates, having lost its point, when it is no longer useful as a shield—against the child’s shame over his desperate, unreturned love; against his feeling of inadequacy; or above all against his rage that his parents were not available. Once we are able to feel and understand the repressed emotions of childhood, we will no longer need contempt as a defense against them. On the other hand, as long as we despise the other person and over-value our own achievements (“he can’t do what I can do”), we do not have to mourn the fact that love is not forthcoming without achievement. Nevertheless, if we avoid this mourning it means that we remain at bottom the one who is despised, for we have to despise everything in ourselves that is not wonderful, good, and clever. Thus we perpetuate the loneliness of childhood: We despise weakness, helplessness, uncertainty—in short, the child in ourselves and in others. The contempt for others in grandiose, successful people always includes disrespect for their own true selves, as their scorn implies: “Without these superior qualities of mine, a person is completely worthless.” This means further: “Without these achievements, these gifts, I could never be loved, would never have been loved.” Grandiosity in the adult guarantees that the illusion continues: “I was loved.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
I think Alice Miller's Drama of the Gifted Child is one of the books read by nearly every therapist. Everyone's jaw drops when they read Miller's dead-on description of why we became therapists. (...) I wish more people were familiar with her work.
Ryan Howes
The grandiose person is never really free; first, because he is excessively dependent on admiration from others, and second, because his self-respect
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Hesse in his mature years suffered from the tragic and painful state of being separated from his true self, to which doctors refer offhandedly as depression.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
We discover that we are no longer compelled to follow the former pattern of disappointment, suppression of pain, and depression, since we now have another possibility of dealing with disappointment: namely, experiencing the pain. In this way we at last gain access to our earlier experiences—to the parts of ourselves and our fate that were previously hidden from us.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Gradually, she realizes how she is forced to look for distraction when she is moved, upset, or sad. (When a six-year-old’s mother died, his aunt told him: “You must be brave; don’t cry;
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
These people have all developed the art of not experiencing feelings, for a child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
The Drama of the Gifted Child. Sean’s inborn gift coming into this life was his compassion and his sense that if he studied his mother enough and figured out what she needed, he could provide for her needs.
Pete Walker (Complex PTSD: From Surviving to Thriving)
The child must adapt to ensure the illusion of love, care, and kindness, but the adult does not need this illusion to survive. He can give up his amnesia and then be in a position to determine his actions with open eyes. Only this path will free him from his depression. Both the depressive and the grandiose person completely deny their childhood reality by living as though the availability of the parents could still be salvaged: the grandiose person through the illusion of achievement, and the depressive through his constant fear of losing “love.” Neither can accept the truth that this loss or absence of love has already happened in the past, and that no effort whatsoever can change this fact.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
She needs a constant thrill to keep boredom at bay; not even one moment of quiet can be permitted during which the burning loneliness of her childhood experience might be felt, for she fears that feeling more than death. She will continue in her flight unless she learns that the awareness of old feelings is not deadly but liberating.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Unless the heir casts off his “inheritance” by becoming fully conscious of his true past, and thus of his true nature, loneliness in the parental home will necessarily be followed by an adulthood lived in emotional isolation.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
What is unconscious cannot be abolished by proclamation or prohibition. One can, however, develop sensitivity toward recognizing it and begin to experience it consciously, and thus eventually gain control over it. A mother cannot truly respect her child as long as she does not realize what deep shame she causes him with an ironic remark, intended only to cover her own uncertainty. Indeed, she cannot be aware of how deeply humiliated, despised, and devalued her child feels, if she herself has never consciously suffered these feelings, and if she tries to fend them off with irony.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
child. This ability to grieve—that is, to give up the illusion of his “happy” childhood, to feel and recognize the full extent of the hurt he has endured—can restore the depressive’s vitality and creativity and free the grandiose person from the exertions of and dependence on his Sisyphean task. If a person is able, during this long process, to experience the reality that he was never loved as a child for what he was but was instead needed and exploited for his achievements, success, and good qualities—and that he sacrificed his childhood for this form of love—he will be very deeply shaken, but one day he will feel the desire to end these efforts. He will discover in himself a need to live according to his true self and no longer be forced to earn “love” that always leaves him empty-handed, since it is given to his false self—something he has begun to identify and relinquish.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
True autonomy is preceded by the experience of being dependent. True liberation can be found only beyond the deep ambivalence of infantile dependence.
Alice Miller
EMOTIONAL ABANDONMENT AND NARCISSISTIC DEPRIVATION Children need mirroring and echoing. These come from their primary caregiver’s eyes. Mirroring means that someone is there for them and reflects who they really are at any given moment of time. In the first three years of our life each of us needed to be admired and taken seriously. We needed to be accepted for the very one we are. Having these mirroring needs met results in what Alice Miller calls our basic narcissistic supplies. These supplies result from good mirroring by a parent with good boundaries. When this is the case, as Miller states in The Drama of the Gifted Child, the following dynamics take place: 1. The child’s aggressive impulses can be neutralized because they do not threaten the parent. 2. The child’s striving for autonomy is not experienced as a threat to the parent.
John Bradshaw (Healing the Shame that Binds You)
Theoretically, I can imagine that someday we will regard our children not as creatures to manipulate or to change but rather as messengers from a world we once deeply knew, but which we have long since forgotten, who can reveal to us more about the true secrets of life, and also our own lives, than our parents were ever able to.
Alice Miller
No one can heal by maintaining or fostering illusion. The paradise of preambivalent harmony, for which so many patients hope, is unattainable. But the experience of one’s own truth, and the postambivalent knowledge of it, make it possible to return to one’s own world of feelings at an adult level—without paradise, but with the ability to mourn. And this ability does, indeed, give us back our vitality. It is one of the turning points in therapy when the patient comes to the emotional insight that all the love she has captured with so much effort and self-denial was not meant for her as she really was, that the admiration for her beauty and achievements was aimed at this beauty and these achievements and not at the child herself. In therapy, the small and lonely child that is hidden behind her achievements wakes up and asks: “What would have happened if I had appeared before you sad, needy, angry, furious? Where would your love have been then? And I was all these things as well. Does this mean that it was not really me you loved, but only what I pretended to be? The well-behaved, reliable, empathic, understanding, and convenient child, who in fact was never a child at all? What became of my childhood? Have I not been cheated out of it? I can never return to it. I can never make up for it. From the beginning I have been a little adult. My abilities—were they simply misused?
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Oppression and the forcing of submission do not begin in the office, factory, or political party; they begin in the very first weeks of an infant’s life. Afterward they are repressed and are then, because of their very nature, inaccessible to argument. Nothing changes in the character of submission or dependency, when it is only their object that is changed.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
As adults we don’t need unconditional love, not even from our therapists. This is a childhood need, one that can never be fulfilled later in life, and we are playing with illusions if we have never mourned this lost opportunity. But there are other things we can get from good therapists: reliability, honesty, respect, trust, empathy, understanding, and an ability to clarify their emotions so that they need not bother us with them. If a therapist promises unconditional love, we must protect ourselves from him, from his hypocrisy and lack of awareness.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
We cannot, simply by an act of will, free ourselves from repeating the patterns of our parents’ behavior—which we had to learn very early in life. We become free of them only when we can fully feel and acknowledge the suffering they inflicted on us. We can then become fully aware of these patterns and condemn them unequivocally.
Alice Miller
Both the depressive and the grandiose person completely deny their childhood reality by living as though the availability of the parents could still be salvaged: the grandiose person through the illusion of achievement, and the depressive through his constant fear of losing “love.” Neither can accept the truth that this loss or absence of love has already happened in the past, and that no effort whatsoever can change this fact.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
If Bob had been able as a child to express his disappointment with his mother—to experience his rage and anger—he could have stayed fully alive. But that would have led to the loss of his mother’s love, and that, for a child, can mean the same as death. So he “killed” his anger, and with it a part of himself, in order to preserve the love of his mother.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
If the repression stays unresolved, the parents’ childhood tragedy is unconsciously continued on in their children.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
You can drive the devil out of your garden but you will find him again in the garden of your son.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Experience has taught us that we have only one enduring weapon in our struggle against mental illness: the emotional discovery of our truth about the unique history of our childhood.
Alice Miller
Fawn types seek safety by merging with the wishes, needs and demands of others. They act as if they unconsciously believe that the price of admission to any relationship is the forfeiture of all their needs, rights, preferences and boundaries. They often begin life like the precocious children described in Alice Miler’s 'The Drama Of The Gifted Child', who learn that a modicum of safety and attachment can be gained by becoming the helpful and compliant servants of their parents. They are usually the children of at least one narcissistic parent who uses contempt to press them into service- scaring and shaming them out of developing a healthy sense of self: an egoic locus of self-protection, self-care and self-compassion.
Pete Walker
At first it will be mortifying to see that she is not always good, understanding, tolerant, controlled, and, above all, without needs, for these have been the basis of her self-respect.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Intellectualization is very commonly encountered as well, since it is a defense mechanism of great power. It can have disastrous results, however, when the mind ignores the vital messages of the body (see my reflections on Nietzsche’s illness in The Untouched Key [1990] and Breaking Down the Wall of Silence [1991]). All these defense mechanisms are accompanied by repression of the original situation and the emotions belonging to it. Accommodation to parental needs often (but not always) leads to the “as-if personality.” This person develops in such a way that he reveals only what is expected of him and fuses so completely with what he reveals that one could scarcely guess how much more there is to him behind this false self. He cannot develop and differentiate his true self, because he is unable to live it. Understandably, this person will complain of a sense of emptiness, futility, or homelessness, for the emptiness is real. A process of emptying, impoverishment, and crippling of his potential actually took place. The integrity of the child was injured when all that was alive and spontaneous in him was cut off. In childhood, these patients have often had dreams in which they experienced themselves as at least partly dead. A young woman, Lisa, reported a recurrent dream:
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
I was so moved that she remembered my birthday that I cried harder than I had in years. When I returned her call, she told me her computer was broken and she couldn't afford to replace it. My heart fell. As I had done so many times before, I went to her rescue. Still on the phone, I went online and bought her a new laptop, top-of-the-line. That was what she had really called for, She thanked me and hung up. I went to Casey, sobbing. Soon afterward, I closed the bank account and asked my mom to not ask me for any more gifts or money. Now my relationship with my mom is very limited, and it's still very painful for me. She continues to occasionally send me bills she can't pay. I respond by telling her that I love her but I cannot pay her bills.
Olga Trujillo (The Sum of My Parts: A Survivor's Story of Dissociative Identity Disorder)
He, too, admires himself, for his qualities—his beauty, cleverness, talents—and for his success and achievements. Beware if one of these fails him, for then the catastrophe of a severe depression is imminent. It is usually considered normal when sick or aged people who have suffered the loss of much of their health and vitality or women who are experiencing menopause become depressive. There are, however, many people who can tolerate the loss of beauty, health, youth, or loved ones and, although they grieve, do so without depression. In contrast, there are those with great gifts, often precisely the most gifted, who do suffer from severe depression. For one is free from it only when self-esteem is based on the authenticity of ones own feelings and not on the possession of certain qualities.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Individuals who do not want to know their own truth collude in denial with society as a whole, looking for a common "enemy" on whom to act out their repressed rage. But as the inhabitants of this shrinking planet near the end of the twentieth century, the danger inherent in self-deception is growing exponentially- and we can afford it less than ever. Fortunately, at the same time, we now have the tools we need to truly understand ourselves, as we were and as we are.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Nationalism, racism, and fascism are in fact nothing other than ideological guises of the flight from painful, unconscious memories of endured contempt into the dangerous, destructive disrespect for human life, glorified as a political program.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Every one' of the psychoanalytic trainees she [Alice Miller] has supervised has the same history: An insecure parent who did not appear to be insecure, but who depended on the child behaving in a particular way. And an 'amazing ability' on the part of the child to perceive this and take on the assigned role. "This role secured 'love' for the child-that is, his parents' narcissistic cathexis. He could sense he was needed and this, he felt, guaranteed him a measure of existential...[as quoted by Alice Miller]
Alison Bechdel (Are You My Mother? A Comic Drama)
A child can never see through unconscious manipulation. It is like the air he breathes; he knows no other, and it appears to him to be the only breathable air. What happens if we don’t recognize the harmful quality of this air, even in adulthood? We will pass this harm on to others, while pretending that we are acting only for their own good. The more insight I gain into the unconscious manipulation of children by their parents, the more urgent it seems to me that we resolve our repression. Not only as parents but also as therapists, we must be willing to face our history. Only after painfully experiencing and accepting our own truth can we be free from the hope that we might still find an understanding, empathic “parent”—perhaps in a patient—who will be at our disposal.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
This is beautifully illustrated in one of Donald Winnicott’s images: the mother gazes at the baby in her arms, and the baby gazes at his mother’s face and finds himself therein . . . provided that the mother is really looking at the unique, small, helpless being and not projecting her own expectations, fears, and plans for the child. In that case, the child would find not himself in his mother’s face, but rather the mother’s own projections. This child would remain without a mirror, and for the rest of his life would be seeking this mirror in vain.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
They do well, even excellently, in everything they undertake; they are admired and envied; they are successful whenever they care to be—but behind all this lurks depression, a feeling of emptiness and self-alienation, and a sense that their life has no meaning. These dark feelings will come to the fore as soon as the drug of grandiosity fails, as soon as they are not “on top,” not definitely the “superstar,” or whenever they suddenly get the feeling they have failed to live up to some ideal image or have not measured up to some standard. Then they are plagued by anxiety or deep feelings of guilt and shame. What are the reasons for such disturbances in these competent, accomplished people?
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Today it is hardly possible for any group to remain so isolated from others who have different values. Therefore it is necessary today for the individual to find support within himself. . . This strength within himself—through access to his own real needs and feelings and the possibility of expressing them—thus becomes crucially important for him on the one hand, and on the other made enormously more difficult through living in contact with various different value systems. These factors can probably explain the rapid increase of depression in our time and also the general fascination with various groups.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
What is missing above all is the framework within which the child could experience his feelings and emotions. Instead, he develops something the mother needs, and although this certainly saves his life (by securing the mother’s or the father’s “love”) at the time, it may nevertheless prevent him, throughout his life, from being himself.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
•  The child has a primary need from the very beginning of her life to be regarded and respected as the person she really is at any given time. •  When we speak here of “the person she really is at any given time,” we mean emotions, sensations, and their expression from the first day onward. •  In an atmosphere of respect and tolerance for her feelings, the child, in the phase of separation, will be able to give up symbiosis with the mother and accomplish the steps toward individuation and autonomy. •  If they are to furnish these prerequisites for the healthy development of their child, the parents themselves ought to have grown up in such an atmosphere. If they did, they will be able to assure the child the protection and well-being she needs to develop trust. •  Parents who did not experience this climate as children are themselves deprived; throughout their lives they will continue to look for what their own parents could not give them at the appropriate time—the presence of a person who is completely aware of them and takes them seriously. •  This search, of course, can never fully succeed, since it relates to a situation that belongs irrevocably to the past, namely to the time right after birth and during early childhood.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
These people have all developed the art of not experiencing feelings, for a child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother's love or the love of her substitute in order to feel, then she will repress her emotions.
Alice Miller
empathic and open, understanding and understandable, honest and available, helpful and loving, feeling, transparent, clear,
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Even as an older child, she was not allowed to say, or even to think: “I can be sad or happy whenever anything makes me sad or happy; I don’t have to look cheerful for someone else, and I don’t have to suppress my distress or anxiety to fit other people’s needs. I can be angry and no one will die or get a headache because of it. I can rage when you hurt me, without losing you.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
A child who has been denied the experience of connecting with his own emotions is first consciously and then unconsciously (through the internal identification with the parent) dependent on his parents. Alice Miller writes: He cannot rely on his own emotions, has not come to experience them through trial and error, has no sense of his own real needs and is alienated from himself to the highest degree. Such a person cannot separate from his parents. He is fantasy bonded with them. He has an illusion (fantasy) of connection, i.e., he really thinks there is a love relationship between himself and his parents. Actually he is fused and enmeshed. This is an entrapment rather than a relationship. Later on this fantasy bond will be transferred to other relationships. This fantasy-bonded person is still dependent on affirmation from his partner, his children, his job. He is especially dependent on his children. A fantasy-bonded person never has a real connection or a real relationship with anyone. There is no real, authentic self there for another to relate to. The real parents, who only accepted the child when he pleased them, remain as introjected voices. The true self hides from these introjected voices just as the real child did. The “loneliness of the parental home” is replaced by “isolation within the self.” Grandiosity is often the result of all this. The grandiose person is admired everywhere and cannot live without admiration. If his talents fail him, it is catastrophic. He must be perfect, otherwise depression is near. Often the most gifted among us are driven in precisely this manner. Many of the most gifted people suffer from severe depression. It cannot be otherwise because depression is about the lost and abandoned child within. “One is free from depression,” writes Alice Miller in The Drama of the Gifted Child, “when self-esteem is based on the authenticity of one’s own feelings and not on the possession of certain qualities.” Emotional abandonment is most often multigenerational. The child of the narcissistically deprived parent becomes an adult with a narcissistically deprived child and will use his children as he was used for his narcissistic supplies. That child then becomes an adult child and the cycle is repeated.
John Bradshaw (Healing the Shame that Binds You)
Often a whole life is devoted to this substitute. As long as the true need is not felt and understood, the struggle for the symbol of love will continue. It is for this very reason that an aging, world-famous photographer who had received many international awards could say to an interviewer, “I’ve never felt what I have done was good enough.” And he does not question why he has felt this way. Apparently, it has never occurred to him that the depression he reports could be related to his fusion with the demands of his parents.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Many people suffer all their lives from this oppressive feeling of guilt, the sense of not having lived up to their parent's expectations. This feeling is stronger than any intellectual insight they might have, that it is not a child's task or duty to satisfy his parent's needs.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
If a woman is to give her child what he will need throughout his life, it is absolutely fundamental that she not be separated from her newborn, for the hormones that foster and nourish her motherly instinct are released immediately after birth and continue in the following days and weeks as she grows more familiar with her baby When a newborn is separated from his mother—which was the rule not so long ago in maternity hospitals and still occurs in the majority of cases, out of ignorance and for the sake of convenience—then a great opportunity is missed for both mother and child.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
It is not only the “beautiful,” “good,” and pleasant feelings that make us really alive, deepen our existence, and give us crucial insight, but often precisely the unacceptable and unadapted ones from which we would prefer to escape: helplessness, shame, envy, jealousy, confusion, rage, and grief.
Alice Miller
[The mutually dependent child] cannot rely on his own emotions, has not come to experience them through trial and error, has no sense of his own real needs, and is alienated from himself to the highest degree. Under these circumstances he cannot separate from his parents, and even as an adult he is still dependent on affirmation from his partner, from groups, and especially from his own children ... Unless the heir casts off his 'inheritance' by becoming fully conscious of his true past, and thus of his true nature, loneliness in the parental home will necessarily be followed by an adulthood lived in emotional isolation.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Most people do exactly the opposite. Without realizing that the past is constantly determining their present actions, they avoid learning anything about their history. They continue to live in their repressed childhood situation, ignoring the fact that it no longer exists. They are continuing to fear and avoid dangers that, although once real, have not been real for a long time. They are driven by unconscious memories and by repressed feelings and needs that determine nearly everything they do or fail to do. The repression of brutal abuse experienced during childhood drives many people to destroy their lives and the lives of o
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
In therapy, the small and lonely child that is hidden behind her achievements wakes up and asks: “What would have happened if I had appeared before you sad, needy, angry, furious? Where would your love have been then? And I was all these things as well. Does this mean that it was not really me you loved, but only what I pretended to be? The well-behaved, reliable, empathic, understanding, and convenient child, who in fact was never a child at all? What became of my childhood? Have I not been cheated out of it? I can never return to it. I can never make up for it. From the beginning I have been a little adult. My abilities—were they simply misused?
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
At the same time, she often felt lonely. Books became her refuge. When she was unhappy, she withdrew with her books and shut herself off from the rest of the world. This is what she had already done as a child. With the help of books she could create a world of her own, where she could do as she wanted, and where no one could bother her.
Martin Miller (The True “Drama of the Gifted Child”: The Phantom Alice Miller — The Real Person)
The legacy of the parents is yet another generation condemned to hide from the true self while operating unconsciously under the influence of repressed memories. Unless the heir casts off his “inheritance” by becoming fully conscious of his true past, and thus of his true nature, loneliness in the parental home will necessarily be followed by an adulthood lived in emotional isolation.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
An emotional outbreak may follow, accompanied by strong, legitimate reproaches, and only after this outbreak will a new link with repressed experience become clear and new vitality felt. As long as these reproaches are directed toward those who are responsible for harming us, a great relief is the result. If, however, they are unjust, or transferred onto innocent person, the depression will continue until fill clarification becomes possible.
Alice Miller
Pia, age forty, after a long depressive phase accompanied by suicidal thoughts, was at last able to experience and justify her long-suppressed rage toward her father, who had severely mistreated her. This experience was followed immediately not by visible relief, but by a period full of grief and tears. At the end of this period she said: The world has not changed. There is so much evil and meanness all around me, and I see it even more clearly than before. Nevertheless, for the first time I find life really worth living. Perhaps this is because, for the first time, I have the feeling that I am really living my own life. And that is an exciting adventure. On the other hand, I can understand my suicidal ideas better now, especially those I had in my youth—when it seemed pointless to carry on—because in a way I had always been living a life that wasn’t mine, that I didn’t want, and that I was ready to throw away.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Is it possible, then, to free ourselves altogether from illusions? History demonstrates that they sneak in everywhere, that every life is full of them—perhaps because the truth often seems unbearable to us. And yet the truth is so essential that its loss exacts a heavy toll, in the form of grave illness. In order to become whole we must try, in a long process, to discover our own personal truth, a truth that may cause pain before giving us a new sphere of freedom. If
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
If we want to participate in this Advent and Christmas event, we cannot simply sit there like spectators in a theater and enjoy all the friendly pictures. Rather, we must join in the action that is taking place and be drawn into this reversal of all things ourselves. Here we too must act on the stage, for here the spectator is always a person acting in the drama. We cannot remove ourselves from the action. With whom, then, are we acting? Pious shepherds who are on their knees? Kings who bring their gifts? What is going on here, where Mary becomes the mother of God, where God comes into the world in the lowliness of the manger? World judgment and world redemption—that is what’s happening here. And it is the Christ child in the manger himself who holds world judgment and world redemption. He pushes back the high and mighty; he overturns the thrones of the powerful; he humbles the haughty; his arm exercises power over all the high and mighty; he lifts what is lowly, and makes it great and glorious in his mercy.
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
The true self cannot communicate because it has remained unconscious, and therefore undeveloped, in its inner prison. The company of prison warders does not encourage lively development. It is only after it is liberated that the self begins to be articulate, to grow, and to develop its creativity. Where there had been only fearful emptiness or equally frightening grandiose fantasies, an unexpected wealth of vitality is now discovered. This is not a homecoming, since this home has never before existed. It is the creation of home.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Because the victims are “only children,” their distress is trivialized. But in twenty years’ time these children will be adult who will feel compelled to pay it all back to their own children. They may consciously fight with vigor against cruelty in the world yet carry within themselves an experience of cruelty that they may unconsciously inflict on others. As long as it remains hidden behind their idealized picture of a happy childhood, they will have not awareness of it and will therefore be unable to avoid passing it on. It is absolutely urgent that people become aware of the degree to which this disrespect of children is persistently transmitted from one generation to the next, perpetuating destructive behavior. Someone who slaps or hits another adult or knowingly insults her is aware of hurting her. Even if he doesn’t know why he is doing this, he has some sense of what he is doing. But how often were our parents, and we ourselves toward our own children, unconscious of how painfully, deeply, and abidingly they and we injured a child’s tender, budding self?
Alice Miller
Often a child's very gifts (his great intensity of feeling, depth of experience, curiosity, intelligence, quickness-and his ability to be critical) will confront his parents with conflicts that they have long sought to keep at bay by means of rules and regulations. These regulations must then be rescued at the cost of the child's development. All of this can lead to an apparently paradoxical situation when parents are proud of their gifted child and who admire him are forced by their own repression to reject, suppress, or even destroy what is best, because truest, in that child.
NOT A BOOK (The Drama of the Gifted Child: The Search for the True Self)
Often a child's very gifts (his great intensity of feeling, depth of experience, curiosity, intelligence, quickness-and his ability to be critical) will confront his parents with conflicts that they have long sought to keep at bay by means of rules and regulations. These regulations must then be rescued at the cost of the child's development. All of this can lead to an apparently paradoxical situation when parents are proud of their gifted child and who admire him are forced by their own repression to reject, suppress, or even destroy what is best, because truest, in that child.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Once upon a time there was a child who had a golden brain. His parents only discovered this by chance when he injured his head and gold instead of blood flowed out. They then began to look after him carefully and would not let him play with other children for fear of being robbed. When the boy was grown up and wanted to go out into the world, his mother said: “We have done so much for you,we ought to be able to share your wealth.” Then her son took a large piece of gold out of his brain and gave it to his mother. He lived in great style with a friend who, however, robbed him one night and ran away. After that the man resolved to guard his secret and to go out to work, because his reserves were visibly dwindling. One day he fell in love with a beautiful girl who loved him too, but no more than the beautiful clothes he gave her so lavishly. He married her and was very happy, but after two years she died and he spent the rest of his wealth on her funeral, which had to be splendid. Once, as he was creeping through the streets,weak,poor, and unhappy, he saw a beautiful little pair of boots that would have been perfect for his wife. He forgot that she was dead- perhaps because his emptied brain no longer worked- and entered the shop to buy the boots. But in that very moment he fell, and the shopkeeper saw a dead man lying on the ground. This story sounds as though it were invented, but it is true from beginning to end. There are people who have to pay for the smallest things in life with their very substance and their spinal cord. That is a constantly recurring pain, and then when they are tired of suffering… Does not mother love belong to the ‘smallest’, but also indispensable, things in life, for which many people paradoxically have to pay by giving up their living selves?
Alice Miller
Although the outward picture of depression is quite the opposite of that of grandiosity and has a quality that expresses the tragedy of the loss of self in a more obvious way, they have many points in common: - The false self that has led to the loss of the potential true self - A fragility of self-esteem because of a lack of confidence in one’s own feelings and wishes - Perfectionism - Denial of rejected feelings - A preponderance of exploitative relationships - An enormous fear of loss of love and therefore a great readiness to conform - Split-off aggression - Oversensitivity - A readiness to feel shame and guilt - Restlessness
Alice Miller
Even at this point, say Ressler and others, these potential hosts of monsters can be turned around through the (often unintentional) intervention of people who show kindness, support, or even just interest. I can say from experience that it doesn’t take much. Ressler’s theories on the childhoods of the worst killers in America have an unlikely ideological supporter, psychiatrist and child-advocate Alice Miller. Her emotionally evocative books (including The Drama Of The Gifted Child and The Untouched Key) make clear that if a child has some effective human contact at particularly significant periods, some recognition of his worth and value, some “witness” to his experience, this can make an extraordinary difference. I have learned that the kindness of a teacher, a coach, a policeman, a neighbor, the parent of a friend, is never wasted. These moments are likely to pass with neither the child nor the adult fully knowing the significance of the contribution. No ceremony attaches to the moment that a child sees his own worth reflected in the eyes of an encouraging adult. Though nothing apparent marks the occasion, inside that child a new view of self might take hold. He is not just a person deserving of neglect or violence, not just a person who is a burden to the sad adults in his life, not just a child who fails to solve his family’s problems, who fails to rescue them from pain or madness or addiction or poverty or unhappiness. No, this child might be someone else, someone whose appearance before this one adult revealed specialness or lovability, or value. This value might be revealed through appreciation of a child’s artistic talent, physical ability, humor, courage, patience, curiosity, scholarly skills, creativity, resourcefulness, responsibility, energy, or any of the many attributes that children bring us in such abundance.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
The child within me...appeared...late in life, wanting to tell me her secret. She approached very hesitantly, speaking first to me in an inarticulate way, but she took me by the hand and led me into territory I had been avoiding all my life because it frightened me. Yet I had to go there; I could not keep on turning my back, for it was my territory, my very own. It was the place I had attempted to forget so many years ago, the same place where I had abandoned the child I once was. There she had to stay, alone with her knowledge, waiting until someone would come at last to listen to her and believe her. Now I was standing at an open door, ill-prepared, filled with an adult's fear of the darkness and menace of the past, but I could not bring myself to close the door and leave the child alone again until my death. Instead, I made a decision that was to change my life profoundly; to let the child lead me, to put my trust in this nearly autistic being who had survived the isolation of decades.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
In such cases the natural needs appropriate to the child’s age cannot be integrated, so they are repressed or split off. This person will later live in the past without realizing it and will continue to react to past dangers as if they were present. People who have asked for my assistance because of their depression have usually had to deal with a mother who was extremely insecure and who often suffered from depression herself. The child, most often an only child or the first-born, was seen as the mother’s possession. What the mother had once failed to find in her own mother she was able to find in her child: someone at her disposal who could be used as an echo and could be controlled, who was completely centered on her, would never desert her, and offered her full attention and admiration. If the child’s demands became too great (as those of her own mother once did), she was no longer so defenseless: she could refuse to allow herself to be tyrannized; she could bring the child up in such a way that he neither cried nor disturbed her. At last she could make sure that she received consideration, care, and respect.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Tiger Mother felt like reliving a childhood trauma; The Drama of the Gifted Child felt like going through the therapy to cure it.
William Deresiewicz (Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life)
Alice Miller, in her powerful book, The Drama of the Gifted Child, has described the paradoxical fact that many good, kind, devoted parents abandon their children. She also outlines the equally paradoxical fact that many highly gifted, superachieving and successful people are driven by a deep-seated chronic depression, resulting from their true and authentic selves being shamed through abandonment in childhood. I referred to this earlier as the “hole in your soul” phenomena. Alice Miller’s work has expanded my understanding of the abandonment trauma. She does not use shame as a major organizing principle of her work. However, it is easy to see that the loss of authentic selfhood, with its accompanying depression, is another way to describe toxic shame.
John Bradshaw (Healing the Shame that Binds You)
A patient with “antennae” for his therapist’s unconscious will react promptly. If he senses that it is important to his therapist to have patients who soon become autonomous and behave with self-confidence, he will quickly feel himself autonomous and react accordingly.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
The true opposite of depression is neither gaiety nor absence of pain, but vitality—the freedom to experience spontaneous feelings.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Almost every child will complain about their parents sometimes. It is natural, because when people stay together for a long time, they will start to have argument. But ignore about the unhappy time, our parents love us all the time. No matter what happen to us, they will stand by our sides. We should be grateful to them and try to understand them. 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 Nowadays, more and more middle-aged people are suffering from insomnia, as life for the middle-aged is stressful indeed. For one thing, as they are the backbones of their companies, they have plenty of things to do at work. And they usually have to work overtime. For another, they have to take great responsibilities at home, for their aged parents need to be supported and their little children need to be brought up. That's why they don't have enough time to have a good rest. 네노마정처방,네노마정판매,네노마정구매,네노마정구입방법,네노마정구매방법,프릴리지처방,프릴리지판매,프릴리지구매,프릴리지구입방법,프릴리지구매방법 I have a dream. When I grow up, I want to be an actor. Being an actor can play many roles and experience different lifestyles. It is so cool. What’s more, I can make a lot of money and then travel around the world. I have passion in performance and have joined many dramas. I hope someday I can realize my dream. Here are several reasons why you should train yourself for success like a champion boxer! You don’t practice in the arena, that’s where your skills and your abilities are evaluated. This also means that you don’t practice solving problems and developing yourself when problems occur, you prepare yourself to face them long before you actually face them. Talent is good but training is even better. Back in college, one of my classmates in Political Science did not bring any textbook or notebook in our classes; he just listened and participated in discussions. What I didn’t understand was how he became a magna cum laude! Apparently, he was gifted with a great memory and analytical skills. In short, he was talented. If you are talented, you probably need less preparation and training time in facing life’s challenges. But for people who are endowed with talent, training and learning becomes even important. Avoid the lazy person’s maxim: “If it isn’t broken, why fix it?” Why wait for your roof to leak in the rainy season when you can fix it right away. Training enables you to gain intuition and reflexes. Malcolm Glad well, in his book Outliers, said those artists, athletes and anyone who wants to be successful, need 10,000 hours of practice to become really great. With constant practice and training, you hone your body, your mind and your heart and gain the intuition and reflexes of a champion. Same thing is true in life.
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The best and most readable on the list is The Drama of the Gifted Child, by Alice Miller.
Joan Z. Rough (Scattering Ashes: A Memoir of Letting Go)
Even at this point, say Ressler and others, these potential hosts of monsters can be turned around through the (often unintentional) intervention of people who show kindness, support, or even just interest. I can say from experience that it doesn’t take much. Ressler’s theories on the childhoods of the worst killers in America have an unlikely ideological supporter, psychiatrist and child-advocate Alice Miller. Her emotionally evocative books (including The Drama Of The Gifted Child and The Untouched Key) make clear that if a child has some effective human contact at particularly significant periods, some recognition of his worth and value, some “witness” to his experience, this can make an extraordinary difference. I have learned that the kindness of a teacher, a coach, a policeman, a neighbor, the parent of a friend, is never wasted. These moments are likely to pass with neither the child nor the adult fully knowing the significance of the contribution. No ceremony attaches to the moment that a child sees his own worth reflected in the eyes of an encouraging adult. Though nothing apparent marks the occasion, inside that child a new view of self might take hold. He is not just a person deserving of neglect or violence, not just a person who is a burden to the sad adults in his life, not just a child who fails to solve his family’s problems, who fails to rescue them from pain or madness or addiction or poverty or unhappiness. No, this child might be someone else, someone whose appearance before this one adult revealed specialness or lovability, or value. This value might be revealed through appreciation of a child’s artistic talent, physical ability, humor, courage, patience, curiosity, scholarly skills, creativity, resourcefulness, responsibility, energy, or any of the many attributes that children bring us in such abundance. I had a fifth-grade teacher, Mr. Conway, who fought monsters in me. He showed kindness and recognized some talent in me at just the period when violence was consuming my family. He gave me some alternative designs for self-image, not just the one children logically deduce from mistreatment (“If this is how I am treated, then this is the treatment I am worthy of”). It might literally be a matter of a few hours with a person whose kindness reconnects the child to an earlier experience of self, a self that was loved and valued and encouraged.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Eski yara -yanılsamalara bel bağlayarak- başarının sarhoşluğu içinde inkâr edildiği sürece iyileşmez. Kişinin içine düştüğü bunalımlar, onu yaranın oldujça yakınına götürür. Fakat yara ancak yitirilenlerin, özellikle de yaşamın belli kritik bir evresinde yitirilmiş olanların yası yaşanabildiği zaman kapanır.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Because the victims are “only children,” their distress is trivialized. But in twenty years’ time these children will be adults who will feel compelled to pay it all back to their own children.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)