Drained Soul Quotes

Before you find your soul mate, you must first discover your soul.

Stop trying to be less of who you are. Let this time in your life cut you open and drain all of the things that are holding you back.

What drains your spirit drains your body. What fuels your spirit fuels your body.

Worry drains the mind of its power and, sooner or later, it injures the soul

I feel unspeakably lonely. And I feel - drained. It is a blank state of mind and soul I cannot describe to you as I think it would not make any difference. Also it is a very private feeling I have - that of melting into a perpetual nervous breakdown. I am often questioning myself what I further want to do, who I further wish to be; which parts of me, exactly, are still functioning properly. No answers, darling. At all.

Let this time in your life cut you open and drain all of the things that are holding you back. I’m going to help you forgive the things that you won’t let yourself forget.

Worry drains the mindof its power and, sooner or later, it injures the soul

Dementors are among the foulest creatures that walk this earth. They infest the darkest, filthiest places, they glory in decay and despair, they drain peace, hope, and happiness out of the air around them. Even Muggles feel their presence, though they can’t see them. Get too near a Dementor and every good feeling, every happy memory will be sucked out of you. If it can, the Dementor will feed on you long enough to reduce you to something like itself — soul-less and evil. You’ll be left with nothing but the worst experiences of your life.

My parents had torn through my innocence and left me with a tar-like substance that was corrupting what was left of me. I could feel it at night; slithering and curling around my soul as it slowly devoured me. It was draining my energy and replacing it with an evil I was afraid to confront.

True love doesn't grow on you, feed on you, drain you and spoil your heart. It nourishes, waters the soul and intensifies in absenses long and short.

But I am not sick, or crazy, or broken. I am Meda Melange, demon-saint monster girl. I make full-grown men scream in terror. I break bones and drain blood. I turn nightmares into reality. I am the most powerful creature on earth. I do not wear a leash.

Holding on to negative feelings and past circumstances is like placing a lock on your soul.

The whole idea of it makes me feel like I'm coming down with something, something worse than any stomach ache or the headaches I get from reading in bad light-- a kind of measles of the spirit, a mumps of the psyche, a disfiguring chicken pox of the soul. You tell me it is too early to be looking back, but that is because you have forgotten the perfect simplicity of being one and the beautiful complexity introduced by two. But I can lie on my bed and remember every digit. At four I was an Arabian wizard. I could make myself invisible by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince. But now I am mostly at the window watching the late afternoon light. Back then it never fell so solemnly against the side of my tree house, and my bicycle never leaned against the garage as it does today, all the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, as I walk through the universe in my sneakers. It is time to say good-bye to my imaginary friends, time to turn the first big number. It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine. But now when I fall upon the sidewalks of life, I skin my knees. I bleed.

There might have been prettier women in the room but, when she turned those babies on, fluttered her eyelashes, I was hers. It had taken me nearly fifteen years to extinguish their light. Now, when she looks at me, it's a vacuum. I had drained so much from her over the course of our marriage that every glance rips a little bit of my soul away to fill the void I had whittled within her.

And so it was that in the midst of chaos and color and light, in the glorious rebirth of a magical world, there remained two small vessels dark and drained. And those vessels were the heart and the soul of a brokenhearted young mage, sobbing alone in the sand.

She stood straight and still, her arms at her side. Her eyebrows had the graceful arch of a raptor's wings in flight. Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs. She held him with her gaze as surely as a grip of iron would, searching his eyes as if searching his soul, seeking an answer to something. I am here to help you, he said in his mind. He meant it more than any thought he had ever had. The intensity of her gaze relaxed, loosening its hold on him. In her eyes he saw something that attracted him more than anything else. Intelligence. He saw it flaring there, burning in her, and through it all he felt an overriding sense of her integrity. Richard felt safe.

Living in love, gratitude and forgiveness, is peaceful and spiritually rejuvenating. Living under the emotional constraints of anger and resentment is draining and toxic to heart and soul. It can be difficult to let go of past hurts, but it can also be freeing and uplifting. More and more, i choose to live in love, gratitude and forgiveness.

To wash and rinse our souls of their age-old sorrows, We drained a hundred jugs of wine. A splendid night it was . . . . In the clear moonlight we were loath to go to bed, But at last drunkenness overtook us; And we laid ourselves down on the empty mountain, The earth for pillow, and the great heaven for coverlet

But we must not forget that only a very few people are artists in life; that the art of life is the most distinguished and rarest of all the arts. Who ever succeeded in draining the whole cup with grace?

Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…

...I could feel what was left of my soul just slipping away as I fed on that girl until she was totally and completely drained.

You see my state, and still increase my pain I see your face, the need for union regain. For my welfare, you have no care, I complain Why do you heal me not from the sickness I disdain? You bring me down and leave me on the earthly plane; Return me to my home, by your side let me remain. Only when I’m dust, your mercy can entertain; Your flowing spirit stirs up dust of the slain. Heartbroken of your love, from breathing I abstain My life you destroy, yet my breathing you sustain. In the dark night of the soul, I was growing insane, Drinking from the cups that your features contain. Suddenly in my arms, you appeared, clear, plain; With my lips on your lips, my life and soul gain and drain. Be joyful with Hafiz, with love enemies detain, With such potent love, impotent foes self-restrain. مرا می‌بینی و هر دم زیادت می‌کـنی دردم تو را می‌بینـم و میلـم زیادت می‌شود هر دم بـه سامانم نمی‌پرسی نمی‌دانم چه سر داری بـه درمانـم نـمی‌کوشی نمی‌دانی مگر دردم نه راه است این که بگذاری مرا بر خاک و بگریزی گذاری آر و بازم پرس تا خاک رهـت گردم ندارم دستت از دامن بجز در خاک و آن دم هـم کـه بر خاکـم روان گردی به گرد دامنـت گردم فرورفـت از غم عشقت دمم دم می‌دهی تا کی دمار از مـن برآوردی نـمی‌گویی برآوردم شـبی دل را به تاریکی ز زلفت باز می‌جستـم رخـت می‌دیدم و جامی هـلالی باز می‌خوردم کـشیدم در برت ناگاه و شد در تاب گیسویت نـهادم بر لـبـت لـب را و جان و دل فدا کردم تو خوش می‌باش با حافظ برو گو خصم جان می‌ده چو گرمی از تو می‌بینم چه باک از خصم دم سردم

exI feel unspeakably lonely. And I feel - drained. It is a blank state of mind and soul I cannot describe to you as I think it would not make any difference. Also it is a very private feeling I have - that of melting into a perpetual nervous breakdown. I am often questioning myself what I further want to do, who I further wish to be; which parts of me, exactly, are still functioning properly. No answers, darling. At all.

But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad?

I pledge allegiance to myself and to my Soul for which I stand. I honor my goodness, my gifts, and my talents. I commit to remaining loyal to myself from this moment forward for all of my days.

We are going as fast as we can, living life at a dizzying speed, and God is nowhere to be found. We're not rejecting God; we just don't have time for him. We've lost him in the blurred landscape as we rush to church. We don't struggle with the Bible, but with the clock. It's not that we're too decadent; we're too busy. We don't feel guilty because of sin, but because we have no time for our spouses, our children, or our God. It's not sinning too much that's killing our souls, it's our schedule that's annihilating us. Most of us don't come home at night staggering drunk. Instead, we come home staggering tired, worn out, exhausted and drained because we live too fast.

Social media is basically standing at a bucket filled with other people’s vomit and you suck the vomit through a straw, and gag and wince at the unbearable taste of other people’s vomit. Yet strangely we continue to suck through the straw as if we’ve never tasted such lovely vomit. And then before you know it you’re old and you’re grey. And that’s the end of you. A lonely death. Your gravestone is marked with the six saddest words: Social Media Drained My Soul Away And they all mourn your loss at a budget funeral service while updating their social media statuses on mobile phones apps. And in years to come nobody remembers any of your updates; even those updates that you deep-down believed were going to bring about world peace. The Digital Age is more disposable than nappies and just as full of shit.

Taken from the dedication in my debut novel Exactly 23 days. To honour all women on International Women's day. For women everywhere: When you know you are finally mended, spread the word, hold out your hand, share some love from your heart and some laughter from your soul and be there for a new member of the sisterhood who needs your help. Let's all help our sisters worldwide to stand tall and know, they can and they will recover, survive and thrive, to live the life they deserve. To all the sisters who reached out and held my hand in whatever way you could, who cried my tears with me, and laughter my laughter too, I thank every one of you. I survived.

Give him the most toe-curling, leg-shaking, dick-throbbing, sheet-gripping, soul-sucking, ball-draining head of his life.

Not all vegetables are this draining. Lettuce doesn't bring heartache. Turnips don't ask for your soul. Potatoes don't care where you are or even where they are. Tomatoes cuddle up to anyone who'll give them mulch and sunshine. But giants like Max need you every second. You can forget about a whiz-bang social life.

The purpose of a pilgrimage is about setting aside a long period of time in which the only focus is to be the matters of the soul. Many believe a pilgrimage is about going away but it isn’t; it is about coming home. Those who choose to go on pilgrimage have already ventured away from themselves; and now set out in a longing to journey back to who they are. Many a time we believe we must go away from all that is familiar if we are to focus on our inner well-being because we feel it is the only way to escape all that drains and distracts us, allowing us to turn inward and tend to what ails us. Yet we do not need to go to the edges of the earth to learn who we are, only the edges of ourself.

One of the easiest things for a rescuer to do is to love people without a soul because we genuinely believe that our love can fill the void inside them. Unfortunately, it drains us of our own love. The love of self.

In fifteen minutes most of the camp was there, including the Texan who, Lord save his soul forever, had brought along a bottle of bonded Kentucky Drain Opener.

You are mine, body and soul.

Faith and belief are not measured by the size of the miracle but the integrity of our soul.

It is as if producing a creative work tears a piece from your soul. When it is ripped completely free of you, the wound must bleed for a while. How similar it is to letting go of a dream, your hope, or your heart’s desire. You must open up and let it drain.

The Gift Be still, my soul, and steadfast. Earth and heaven both are still watching though time is draining from the clock and your walk, that was confident and quick, has become slow. So, be slow if you must, but let the heart still play its true part. love still as once you loved, deeply and without patience. Let God and the world know you are grateful. That the gift has been given.

I began to realize how simple life could be if one had a regular routine to follow with fixed hours and a fixed salary and very little original thinking to do. The life of a writer is absolute hell compared with the life of a businessman. The writer has to force himself to work. He has to make his own hours and if he doesn’t go to his desk at all there is nobody to scold him. If he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not. Two hours of writing fiction leaves this particular writer absolutely drained. For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great. It is almost a shock. The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith, hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.

The life of a writer is absolute hell compared with the life of a businessman. The writer has to force himself to work. He has to make his own hours and if he doesn’t go to his desk at all there is nobody to scold him. If he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not. Two hours of writing fiction leaves this particular writer absolutely drained. For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great. It is almost a shock. The writer walks out of his workroom in a daze… a person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.

Lift your head to me...’ His is the kiss of a timorous lover. Feel his inhuman lips on the throat, the heat of it. The bite, when it comes, is cold. Begin to sink as the blood flows into his mouth; it is almost soothing. No pain. No pain at all. His teeth grind into the muscles; ecstasy and torment. Life, the very being, is flowing out. Unholy nourishment. Holy nourishment. Drained slowly. The trauma of it feels like being torn, but it is no more than suddenly having the ability to experience reality in a different way. Waiting for the end... for what? Cannot foretell. No longer flesh, no longer blood. Soul. Free.

I saw myself in the mirror, and from my expression I had a shocking intimation of the rift between my body and my soul. Whereas my face was drained by defeat and shock, inside my head was another universe: I now understood as an elemental fact of life that while I was here, inside my body was a soul, a meaning, that all things were made of desire, touch, and love, that what I was suffering was composed of the same elements.

Concealment makes the soul a swamp. Confession is how you drain it.

Your soul fountain will never drain until the instant of eternity will halt before it to drink the water of death.

You won't find your soul in a textbook, self-help book, or buy it in a store. Sometimes, it's just a matter of looking past the anger, regret, and envy to see its smiling face.

Where is it written that one should only care about big things? I fought for big things, long ago… for issues, principles, a country. Where are all of them now?... I found out something, you know. I discovered that the big things don’t love you back. They take and take, and never give in return. They’ll drain your blood, your soul, if you let them, and never let go.

Rats had featured largely in the history of Ankh-Morpork. Shortly before the Patrician came to power there was a terrible plague of rats. The city council countered it by offering twenty pence for every rat tail. This did, for a week or two, reduce the number of rats—and then people were suddenly queing up with tails, the city treasury was being drained, and no one seemed to be doing much work. And there still seemed to be a lot of rats around. Lord Vetinari had listened carefully while the problem was explained, and had solved the thing with one memorable phrase which said a lot about him, about the folly of bounty offers, and about the natural instinct of Ankh-Morporkians in any situation involving money: “Tax the rat farms.

You break me, wife," he said, his voice hoarse and low as he turned back to her. His eyes shimmered beneath narrowed brows. "You know what it means? It means I want you, as I want water when my lips thirst. As I want food when I have hunger. But this need, this need I have for you- it breaks me. It takes the breath from my chest. It drains the blood from my veins and the spirit from my soul. I cannot be, unless I can be here with you, like this. With our flesh touching and your heart beating here against mine. I cannot be, not without you.

We are afraid of what we will do to others, afraid of the rage that lies in wait somewhere deep in our souls. How many human beings go through the world frozen with rage against life! This deeply hidden inner anger may be the product of hurt pride or of real frustration in office, factory, clinic, or home. Whatever may be the cause of our frozen rage (which is the inevitable mother of depression), the great word of hope today is that this rage can be conquered and drained off into creative channels … …What should we do? We should all learn that a certain amount of aggressive energy is normal and certainly manageable in maturity. Most of us can drain off the excess of our angry feelings and destructive impulses in exercise, in competitive games, or in the vigorous battles against the evils of nature and society. We also must realize that no one will punish us for the legitimate expression of self-assertiveness and creative pugnacity as our parents once punished us for our undisciplined temper tantrums. Furthermore, let us remember that we need not totally repress the angry part of our nature. We can always give it an outlet in the safe realm of fantasy. A classic example of such fantasy is given by Max Beerborn, who made a practice of concocting imaginary letters to people he hated. Sometimes he went so far as to actually write the letters and in the very process of releasing his anger it evaporated. As mature men and women we should regard our minds as a true democracy where all kinds of ideas and emotions should be given freedom of speech. If in political life we are willing to grant civil liberties to all sorts of parties and programs, should we not be equally willing to grant civil liberties to our innermost thoughts and drives, confident that the more dangerous of them will be outvoted by the majority within our minds? Do I mean that we should hit out at our enemy whenever the mood strikes us? No, I repeat that I am suggesting quite the reverse—self-control in action based upon (positive coping mechanisms such as) self expression in fantasy.

Sometimes we like more than one and that's okay too. It's not like you have a finite source of love and if you share it too much it will drain twice as fast. You love them for different reasons, because they speak to different parts of your soul.

"Turn my back on the world..." the historian repeated softly and slowly, his head moving to face the mage. "Turn my back on the world!" Emotion rarely marred the surface of Astinus's cold voice, but now anger struck the placid calm of his soul like a rock hurled into still water. "I? Turn my back on the world?" Astinus's voice rolled around the library as the thunder had rolled previously. "I am the world, as you well know, old friend! Countless times I have been born! Countless deaths I have died! Every tear shed - mine have flowed! Every drop of blood spilled - mine has drained! Every agony, every joy ever felt has been mine to share! "I sit with my hand on the Sphere of Time, the sphere you made for me, old friend, and I travel the length and breadth of this world chronicling its history. I have committed the blackest deeds! I have made the noblest sacrifices. I am human, elf, and ogre. I am male and female. I have borne children. I have murdered children. I saw you as you were. I see you as you are. If I seem cold and unfeeling, it is because that is how I survive without losing my sanity! My passion goes into my words.

Ugly and futile: lean neck and thick hair and a stain of ink, a snail’s bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother’s prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped.

You know about trauma bonding, right?” the agent asked abruptly. “Forget kidnapping victims, you see it all the time with battered women. They’re isolated, at the mercy of their dominating spouse, going through intense spells of abject terror followed by even more emotionally draining periods of soul-wrenching apologies. The trauma itself creates a powerful bonding element. The things these two have gone through together, how could anyone else ever understand? It becomes one more thing that makes a woman stay, even after her husband has beat the crap out of her again.

You are the average of the people you spend the most time with. And that’s why it’s not always where you are in life, but who you have by your side that matters most. Some people drain you and others provide soul food. Spend more time with nice people who are smart, driven and open-minded about personal growth and opportunity. There’s no need to rush into a relationship you are unsure of, or socialize with those who hold you back. Be sure to get in the company of those who feed your spirit, and give the gift of your absence to those who do not appreciate your presence.

How can we doubt that it is his art that explains the artist, and not the insufficiencies and conflicts of his personal life? These are nothing but the regrettable results of the fact that he is an artist—that is to say, a man who from his very birth has been called to a greater task than the ordinary mortal. A special ability means a heavy expenditure of energy in a particular direction, with a consequent drain from some other side of life.

We all have parts of our lives that we wish were different. We all carry around in our hearts a measure of grief from regrets, hurts, heartbreaks, and disappointments. We feel the ache in our soul when things don’t go the way we’d hoped. We feel frustrated with ourselves when we stumble in the same ways we have for years. What’s the answer? Look up. Ask Jesus to help us see the worth in our story, the worth in our souls, because we belong to Him.

When I left this country, the best part of forty years ago, England still seemed to have a soul. It had pulled together after the war and committed itself to a welfare system …" "Jesus, it was the welfare system which drained this fucking country of its soul—can't you see that? The dependency culture destroyed any sense of having to do something for yourself. Do you think those violent, criminal bastards in your parish would have time to be muggers if they had ever been made to work?

Often it is brought home to my mind the dark quality that Love gives me, and pity moves me, so that frequently I say: ‘Alas! is anyone so afflicted?’: since Amor assails me suddenly, so that life almost abandons me: only a single spirit stays with me, and that remains because it speaks of you. I renew my strength, because I wish for help, and pale like this, all my courage drained, come to you, believing it will save me: and if I lift my eyes to gaze at you my heart begins to tremble so, that from my pulse the soul departs.

Mattie felt drained, as though someone had stood her on her head and poured her entire heart and soul right out of her body.

Children such the lives out of their mothers. They drain them until they are little more than husks. But they are good for the soul.

Success is too often measured by the size of one’s bank account or the degree of their celebrity. Yet, neither can truly represent the size of one’s character or the depth of their soul.

I found out something, you know. I discovered that the big things don’t love you back. They take and take, and never give in return. They’ll drain your blood, your soul, if you let them, and never let go.

The images start to darken and she feels another hunger well up in her, this one having to do with another kind of desire. The desire to feed, to possess, and the aggressive thrill of a predator capturing and killing its prey as it tears into unspoiled flesh. Its teeth ripping and rending and the satisfying coppery taste of blood. There is the ultimate moment of surrender of drinking away the life essence. The pinnacle of lust which mounts in the very last breath, when the light drains from the victim's eyes and when the soul fades... Then there is only a triumphant cry to the moonlight and the beckoning depths of the ever waiting water.

Free will exists so free will can be given up freely. Such a person feels no genuine delight if he or she is not drained empty. With all the delicious food and drink in the world, true pleasure comes only with the extinction of pleasure and its replacement by soul delight. Those who have gone through fana into baqa, through annihilation into that which has always been, become all body and all consciousness. With dissolving begins some overwhelming joy.

Often I slip of my skin, pour my words onto paper,travel galaxy with my thoughts, travel into her soul candidly show her the real stars she carved for and suddenly realize I just coexist with her in my lonely world as my words drains out

Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!

In our culture, the water temperature increases daily. Without realizing it, we slowly become acclimated to a toxic environment full of poisonous influences. As the water temperature rises, we keep pretending we’re soaking in a hot tub having the time of our lives, never dreaming that we’re scalding our souls. As we become scarred and desensitized to what is right and wrong, good and evil, life-giving and life-draining, we lose sight of our first love. We move away from God one degree at a time.

It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.

The whole idea of it makes me feel Like I’m coming down with something, Something worse than any stomach ache Or the headaches I get from reading in bad light – A kind of measles of the spirit A mumps of the psyche, A disfiguring chicken pox of the soul. You tell me it is too early to be looking back, But that is because you have forgotten The perfect simplicity of being one And the beautiful complexity introduced by two But I can lie on my bed and remember every digit At four I was an Arabian wizard I could make myself invisible By drinking a glass of milk a certain way. At seven I was a solider, at nine a prince. But now I am mostly at the window Watching the late afternoon light. Back then it never fell so solemnly Against the side of my tree house, And my bicycle never leaned against the garage As it does today, All the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, As I walk through the universe in my sneakers. It is time to say good-bye to my imagry friends, Time to turn the first big number.

Guthrie is best known for “This Land Is Your Land,” his ballad about the Dust Bowl, which gave farmers in his native Oklahoma an extra kick in the pants during the Great Depression. He set his thoughts about Trump’s rental policies to a song he titled “Old Man Trump.” The lyrics continue with this: Beach Haven ain’t my home! No, I just can’t pay this rent! My money’s down the drain, And my soul is badly bent! Beach Haven is Trump’s Tower Where no black folks come to roam, No, no, Old Man Trump! Old Beach Haven ain’t my home! More

Many a time the thought returns to me: What sad conditions Love on me bestows! And moved by Pity I say frequently: 'Can there be anyone who my state knows?' For Love takes hold of me so suddenly My vital spirits I am near to lose. One only of them all survives in me, Staying to speak of you, as Love allows. To aid me then my forces I renew And pallid, all my courage drained long since, I come to you to remedy my plight; But if I raise my eyes to look at you So vast a tremor in my heart begins My beating pulses put my soul to flight.

And do not try to be so brave. I am your lifemate.You cannot hide from me something as powerful as fear." "Trepidation," she corrected, nibbling at the pad of his thumb. "Is there a difference?" His pale eyes had warmed to molten mercury. Just that fast, her body ent liquid in answer. "You know very well there is." She laughed again, and the sound traveled down from his heart to pool in his groin, a heavy,familiar ache. "Slight, perhaps, but very important." "I will try to make you happy, Savannah," he promised gravely. Her fingers went up to brush at the thick mane of hair falling around his face. "You are my lifemate, Gregori. I have no doubt you will make me happy." He had to look away,out the window into the night. She was so good, with so much beauty in her, while he was so dark, his goodness drained into the ground with the blood of all the lives he had taken while he waited for her. But now,faced with the reality of her, Gregori could not bear her to witness the blackness within him, the hideous stain across his soul. For beyond his killing and law-breaking, he had committed the gravest crime of all. And he deserved the ultimate penalty, the forfeit of his life. He had deliberately tempered with nature.He knew he was powerful enough, knew his knowledge exeeded the boundaries of Carpathian law. He had taken Savannah's free will, manipulated the chemistry between them so that she would believe he was her true lifemate. And so she was with him-less than a quarter of a century of innocence pitted against his thousand years of hard study.Perhaps that was his punishment, he mused-being sentenced to an eternity of knowing Savannah could never really love him, never really accept his black soul.That she would be ever near yet so far away. If she ever found out the extent of his manipulation, she would despise him. Yet he could never,ever, allow her to leave him. Not if mortals and immortals alike were to be safe. His jaw hardened, and he stared out the window, turning slightly away from her. His mind firmly left hers, not wanting to alert her to the grave crime he had committed.He could bear torture and centuries of isolation, he could bear his own great sins, but he could not endure her loathing him. Unconsciously, he took her hand in his and tightened his grip until it threatened to crush her fragile bones. Savannah glanced at him, let out a breath slowly to keep from wincing, and kept her hand passively in his.He thought his mind closed to her.Didn't believe she was his true lifemate. He truly believed he had manipulated the outcome of their joining unfairly and that somewhere another Carpathian male with the chemistry to match hers might be waiting.Though he had offered her free access to his mind, had himself given her the power,to meld her mind with his,both as her wolf and as her healer before she was born,he likely didn't think a woman,a fledging, and one who was not his true lifemate, could possibly have the skill to read his innermost secrets.But Savannah could. And completing the ancient ritual of lifemates had only strengthened the bond.

Surely it is obvious enough, if one looks at the whole world, that it is becoming daily better cultivated and more fully peopled than anciently. All places are now accessible, all are well known, all open to commerce; most pleasant farms have obliterated all traces of what were once dreary and dangerous wastes; cultivated fields have subdued forests; flocks and herds have expelled wild beasts; sandy deserts are sown; rocks are planted; marshes are drained; and where once were hardly solitary cottages, there are now large cities. No longer are (savage) islands dreaded, nor their rocky shores feared; everywhere are houses, and inhabitants, and settled government, and civilized life. What most frequently meets our view (and occasions complaint), is our teeming population: our numbers are burdensome to the world, which can hardly supply us from its natural elements; our wants grow more and more keen, and our complaints more bitter in all mouths, whilst Nature fails in affording us her usual sustenance. In very deed, pestilence, and famine, and wars, and earthquakes have to be regarded as a remedy for nations, as the means of pruning the luxuriance of the human race. . . .

You got your classical clockworks to tote up. The timelets in your seanet. Let everything drain. You may have to hang the hydrocephalics from the rafters overhead but that’s okay. Dont worry about the floor. Everything will dry. The thing we’re really talking about is the situation of the soul. Saturation, said the Kid.

The universe is but a tenement of all things visible. Darkness and day the passing guests of Time. Life slips away, a dream of little joy and mean content. Ah! wise the old philosophers who sought To lengthen their long sunsets among flowers, By stealing the young night's unsullied hours And the dim moments with sweet burdens fraught. And now Spring beckons me with verdant hand, And Nature's wealth of eloquence doth win Forth to the fragrant-bowered nectarine, Where my dear friends abide, a careless band. There meet my gentle, matchless brothers, there I come, the obscure poet, all unfit To wear the radiant jewelry of wit, And in their golden presence cloud the air. And while the thrill of meeting lingers, soon As the first courtly words, the feast is spread, While, couched on flowers 'mid wine-cups flashing red, We drink deep draughts unto The Lady Moon. Then as without the touch of verse divine There is no outlet for the pent-up soul, 'Twas ruled that he who quaffed no fancy's bowl Should drain the "Golden Valley" cups of wine

I would like to turn in my skin and change it for a new epidermis. It feels as if I will never be able to rinse the sadness from my soul. All the while I am cognizant of the fact that I am trying to purge myself of my feelings. I start with my shell. I am in the water at least an hour. I immerse my head. My long, thick mane is so heavy, but I feel the lightness of my hair as it floats. I can hear my heart beating in my ears. I wonder what would happen if I died in this water. I drain the bathtub and refill it. I scrub my skin until it stings. I still don't feel clean. I close my eyes. I switch to lying on my back. I gaze at the heavens through the skylight on the ceiling above the tub. I am thinking about Isabella. I am struck by the feeling of uncleanness that I have been immersed in that day. I would imagine that this child feels unclean always, in body and in mind. I am hoping that the sheets in her foster home are snow white and fragrant. I am hoping that she felt safe. I am worried that she is so deeply alone and frightened. I know somewhere deep inside of me that the decisions and choices I made today were sound. I am praying, with eyes glued to the stars, that I will not awaken in the night with my heart beating out of my chest; that I will not be haunted by Francis's diseased body; that I will not perseverate on ever nuance of my day - the smells, the cockroaches, the piercing torment of Isabella's unseeing eye, her father's sore-ridden penis penetrating her tiny body. Yet in many ways this is an experience I hope never to forget. The pearls. I must not forget the pearls that I have promised her.

Dallas pointed out to me once that there is a world of difference between being busy and being hurried. Being busy is an outward condition, a condition of the body. It occurs when we have many things to do. Busy-ness is inevitable in modern culture. If you are alive today in North America, you are a busy person. There are limits to how much busy-ness we can tolerate, so we wisely find ways to slow down whenever we can. We take vacations, we sit in a La-Z-Boy® with a good book, we enjoy a leisurely meal with friends. By itself, busy-ness is not lethal. Being hurried is an inner condition, a condition of the soul. It means to be so preoccupied with myself and my life that I am unable to be fully present with God, with myself, and with other people. I am unable to occupy this present moment. Busy-ness migrates to hurry when we let it squeeze God out of our lives. Note the differences between the two: Busy Hurried A full schedule Preoccupied Many activities Unable to be fully present An outward condition An inner condition of the soul Physically demanding Spiritually draining Reminds me I need God Causes me to be unavailable to God I cannot live in the kingdom of God with a hurried soul. I cannot rest in God with a hurried soul.

I had not liked him. I had struggled against him and for him, I had cursed him and thanked him, despised him and admired him. I hated his religion and its cold disapproving gaze, its malevolence that cloaked itself in pretended kindness, and its allegiance to a god who would drain the joy from the world by naming it sin, but Alfred’s religion had made him a good man and a good king. And Alfred’s joyless soul had proved a rock against which the Danes had broken themselves. Time and again they had attacked, and time and again Alfred had out-thought them, and Wessex grew ever stronger and richer and all that was because of Alfred. We think of kings as privileged men who rule over us and have the freedom to make, break and flaunt the law, but Alfred was never above the law he loved to make. He saw his life as a duty to his god and to the people of Wessex and I have never seen a better king, and I doubt my sons, grandsons and their children’s children will ever see a better one. I never liked him, but I have never stopped admiring him. He was my king and all that I now have I owe to him. The food that I eat, the hall where I live and the swords of my men, all started with Alfred, who hated me at times, loved me at times, and was generous with me. He was a gold-giver.

But are his needs any more shocking than the needs of other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of a progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, now, search your soul, lovie – is the vampire so bad? All he does is drink blood.

We have seen that imagining an act engages the same motor and sensory programs that are involved in doing it. We have long viewed our imaginative life with a kind of sacred awe: as noble, pure, immaterial, and ethereal, cut off from our material brain. Now we cannot be so sure about where to draw the line between them. Everything your “immaterial” mind imagines leaves material traces. Each thought alters the physical state of your brain synapses at a microscopic level. Each time you imagine moving your fingers across the keys to play the piano, you alter the tendrils in your living brain. These experiments are not only delightful and intriguing, they also overturn the centuries of confusion that have grown out of the work of the French philosopher René Descartes, who argued that mind and brain are made of different substances and are governed by different laws. The brain, he claimed, was a physical, material thing, existing in space and obeying the laws of physics. The mind (or the soul, as Descartes called it) was immaterial, a thinking thing that did not take up space or obey physical laws. Thoughts, he argued, were governed by the rules of reasoning, judgment, and desires, not by the physical laws of cause and effect. Human beings consisted of this duality, this marriage of immaterial mind and material brain. But Descartes—whose mind/body division has dominated science for four hundred years—could never credibly explain how the immaterial mind could influence the material brain. As a result, people began to doubt that an immaterial thought, or mere imagining, might change the structure of the material brain. Descartes’s view seemed to open an unbridgeable gap between mind and brain. His noble attempt to rescue the brain from the mysticism that surrounded it in his time, by making it mechanical, failed. Instead the brain came to be seen as an inert, inanimate machine that could be moved to action only by the immaterial, ghostlike soul Descartes placed within it, which came to be called “the ghost in the machine.” By depicting a mechanistic brain, Descartes drained the life out of it and slowed the acceptance of brain plasticity more than any other thinker. Any plasticity—any ability to change that we had—existed in the mind, with its changing thoughts, not in the brain. But now we can see that our “immaterial” thoughts too have a physical signature, and we cannot be so sure that thought won’t someday be explained in physical terms. While we have yet to understand exactly how thoughts actually change brain structure, it is now clear that they do, and the firm line that Descartes drew between mind and brain is increasingly a dotted line.

Politics is the science of domination, and persons in the process of enlargement and illumination are notoriously difficult to control. Therefore, to protect its vested interests, politics usurped religion a very long time ago. Kings bought off priests with land and adornments. Together, they drained the shady ponds and replaced them with fish tanks. The walls of the tanks were constructed of ignorance and superstition, held together with fear. They called the tanks “synagogues” or “churches” or “mosques.” After the tanks were in place, nobody talked much about soul anymore. Instead, they talked about spirit. Soul is hot and heavy. Spirit is cool, abstract, detached. Soul is connected to the earth and its waters. Spirit is connected to the sky and its gases. Out of the gases springs fire. Firepower. It has been observed that the logical extension of all politics is war. Once religion became political, the exercise of it, too, could be said to lead sooner or later to war. “War is hell.” Thus, religious belief propels us straight to hell. History unwaveringly supports this view. (Each modern religion has boasted that it and it alone is on speaking terms with the Deity, and its adherents have been quite willing to die—or kill—to support its presumptuous claims.) Not every silty bayou could be drained, of course. The soulfish that bubbled and snapped in the few remaining ponds were tagged “mystics.” They were regarded as mavericks, exotic and inferior. If they splashed too high, they were thought to be threatening and in need of extermination. The fearful flounders in the tanks, now psychologically dependent upon addictive spirit flakes, had forgotten that once upon a time they, too, had been mystical. Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished. Those who witness the dropping of the fourth veil might see clearly what Spike Cohen and Roland Abu Hadee dimly suspected: that not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.

Loss of love is the most terrifying feeling in the world. It’s the feeling of your heart emptying, slowly being drained. Because that’s the thing about love. It’s free to give. It’s never free to receive. We all know the cost of loving someone, of being open-hearted, open-souled. We know that at any moment it could all end. The world is filled with worst-case scenarios. People die. People cheat. People fall out of love. People lose sight of who they are, or what they want. People…they grow apart.

The light that illumines it, and reveals to a man the cathedral of his soul, can be of many strengths – from a candle to a sun – but it burns on one fuel only: his integrity. The vision contains an element of eternity that has nothing to do with time, but everything to do with the width and breadth of his life. It is measurable, but indivisible. Betrayed, it will avenge itself. The action would contradict both it and a man’s ineradicable knowledge of it, leaving him, should he survive the cataclysm, a mechanical, insensate manqué, drained of all future capacity for the sublime and earthly joy. Betrayed, it will become his worst nemesis, and he the impotent enemy of the implacable justice of its memory. Animate, it can make him maddeningly intolerant and insufferably imperial, together contemptuous of lesser souls and indifferent to them. It could cause him to say to others, should he be provoked to speak to them in his thoughts: You think in terms of nooks and crannies, of niches and pigeonholes, of ruffles and fringes; I think in terms of vistas and frescoes, of oceans and continents, peopled by gods, heroes, and myself.

My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale

Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.

I've often thought that among all the afflicting sights of the world, none can be much more so than this one short walk along three city blocks, where night after night it's possible to see--indeed, it's impossible not to see--these faces from which hope and joy and dignity and light have been draining so steadily and for so long that now there is nothing left but this assortment of indifferent, damaged masks. They belong to human beings who, after a lifetime of struggling to become one thing or another, have succeeded only in becoming the rough sketches of their species, recognizable but empty, the bruised and wretched bodies and souls of the saddest people on earth: the people who no longer care.

You married, Zig?“ I asked him. "Yeah, twenty-one years.” He actually glanced at his wedding ring as he said it. “You?” I looked down at my bare left hand. I’d never had the compulsion to do that before. How lame. “I’m, uh… .” Great, I couldn’t say it. But I had to. The longer I waited, the worse my anxiety would be. And I couldn’t imagine it feeling any worse than it did already. “I’m moving in with someone. Just as soon as we find a place that’s not haunted.” Say it, Vic. Damn it. Tell him. “That a common problem, spirit activity in a …?” “Jacob Marks. From the Twelfth. You know him? I’m moving in with him.” Zig almost did a spit-take. The color drained from his ruddy cheeks, leaving him a strange shade of gray. His already-bulging eyes bulged even more. And then a barrier slammed down somewhere behind them and he pressed his lips together hard. Shit. I’d thought I was up for the conversation, but evidently I was a much bigger pussy than I realized. My stomach clenched up and I fought the urge to tell Zig I was just kidding, and laugh, and give him a hearty, heterosexual clap on the back. God, I hate confrontation. I steeled myself for the tirade that was sure to come. The one where I was a drug addict, a shitty cop, and a miserable excuse for a human being. Zig blinked. He cleared his throat. “Marks,” he said. “Sure. We’ve met.” And then he looked back at his notepad with every ounce of attention he had.

If he surrendered the advantage of the gun he would find himself floating in the gutters of an inhuman world, a part of the daily flotsam and jetsam of a hundred thousand abortions whooshing down the wormhole drain, drowning in a sea of pus-streaked semen and warm piss and menstrual juice and dead fetuses and radiator fluid and bloody diarrhea, seeking refuge inside the cathedral ruins of an embryonic sac, curling up to say his prayers then whispering goodnight, God speed, good riddance, gadzooks, the sac shrinking, disappearing into the frigid, humpbacked void of sodomized angels, wingless now, lecherous gargoyles sporting skeletal appendages without feathers, it would be a birth in reverse, the collapse of the universal soul. He wasn't sure how to save himself.

We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.

[B]ecause now in this moment which is so wondrous the way it lies beside you, I either do not exist or the past has never existed, either my breath is the breath of stars or I do not breathe as I turn to you, as you breathe my name, my heart, as the net of stars dissolves above us, as you wrap yourself around me like honeysuckle, the moon turning pale because it is so drained by our love, so that before this moment, before you lay beneath me, you must have disguised yourself the way the killdeer you pointed out diverts intruders to save what it loves. pretending a broken wing, giving itself over finally to whatever forces, whatever love, whatever touch, whatever suffering it needs just to say I am here, I am always here, stroking the wings of your soul. —Richard Jackson, closing lines to “Sonata of Love’s History,” Heartwall<?i> (University of Massachusetts Press, 2000)

How? And why would you care?” I asked and ignored the angry glance Paul was directing at me. “He is a pathetic excuse for a vampire, don't you see? Feasting on animals!” He scoffed. “He thought he could change me, too. To be ‘strong’ like him, but I can tell you that there is no strength in hiding in the shadows drinking animal blood. The blood of humans…” he paused, making a deep and audible sniff with his nose. “…is just too enticing. Too delicious. Strengthening.” “You’re a monster!” I yelled, the realization that Janet had been the temptation he was talking about finally sinking in. “A monster? Now, now…what would Salem think if you called us such names? He and I are no different, you know? I imagine it will be little time at all before he drains you of blood, too.” “You are wrong about him. He’s different!” Why had he said ‘too’? Paul was about to say something to me but Kim shook her head. “This isn't the time or place, Paul,

Ephesians 4:18 talks about “having the understanding darkened.” If you don’t renew your mind and use it to study and meditate God’s Word, it’ll automatically gravitate toward what you can see, taste, hear, smell, and feel. This darkens your understanding. Understanding is the application of knowledge. “Knowledge” puts food into your mouth and chews. “Understanding” actually swallows and digests it so that the beneficial nutrients can be released into your body. The knowledge of God is critical, but must be understood to be useful. Without understanding, you can’t release the life that’s in it. When a Christian walks like an unbeliever, they get the same results—death. Believers who don’t understand and apply the knowledge of God in their lives gravitate toward carnal mindedness. Without spiritual knowledge and understanding, your mind can’t be renewed, and the life of God in your spirit can’t be released. That’s why understanding this revelation of spirit, soul, and body is the first step toward walking in life and peace! When a believer’s understanding is darkened, they are “alienated from the life of God through the ignorance that is in them, because of the blindness of their heart” (Eph. 4:18). In other words, the life of God is still there, but they are alienated from it due to ignorance, which refers to the mind. This is where most Christians live their lives—separated from the life of God within, due to their own ignorance of spiritual truth. In His Word, God declares that by His stripes, you were healed (1 Pet. 2:24). You look at yourself and ask, “Is that cancerous tumor gone?” Still feeling pain, emotionally drained, and fearful, you continue, “God says I’m healed, but I’m not. It’s still there, so I must not be healed.” By adopting that attitude, you’ve allowed your five senses to dominate you more than God’s Word. The same power that raised Jesus from the dead is in you, but you didn’t believe it (Eph. 1:18-20). You let your mind be controlled by what it saw in the physical realm more than the spiritual realm. Therefore, even though you have the resurrection life of God in your spirit, it won’t manifest in the physical realm because you’re carnally minded, which equals death.

The Poet" The riches of the poet are equal to his poetry His power is his left hand It is idle weak and precious His poverty is his wealth, a wealth which may destroy him like Midas Because it is that laziness which is a form of impatience And this he may be destroyed by the gold of the light which never was On land or sea. He may be drunken to death, draining the casks of excess That extreme form of success. He may suffer Narcissus' destiny Unable to live except with the image which is infatuation Love, blind, adoring, overflowing Unable to respond to anything which does not bring love quickly or immediately. ...The poet must be innocent and ignorant But he cannot be innocent since stupidity is not his strong point Therefore Cocteau said, "What would I not give To have the poems of my youth withdrawn from existence? I would give to Satan my immortal soul." This metaphor is wrong, for it is his immortal soul which he wished to redeem, Lifting it and sifting it, free and white, from the actuality of youth's banality, vulgarity, pomp and affectation of his early works of poetry. So too in the same way a Famous American Poet When fame at last had come to him sought out the fifty copies of his first book of poems which had been privately printed by himself at his own expense. He succeeded in securing 48 of the 50 copies, burned them And learned then how the last copies were extant, As the law of the land required, stashed away in the national capital, at the Library of Congress. Therefore he went to Washington, therefore he took out the last two copies Placed them in his pocket, planned to depart Only to be halted and apprehended. Since he was the author, Since they were his books and his property he was reproached But forgiven. But the two copies were taken away from him Thus setting a national precedent. For neither amnesty nor forgiveness is bestowed upon poets, poetry and poems, For William James, the lovable genius of Harvard spoke the terrifying truth: "Your friends may forget, God may forgive you, But the brain cells record your acts for the rest of eternity." What a terrifying thing to say! This is the endless doom, without remedy, of poetry. This is also the joy everlasting of poetry. Delmore Schwartz

Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...

The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.

Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.

Reth narrowed his eyes and looked from me to the gate and back again. “Don’t even think about it,” I said, suddenly scared. “If you so much as take a step to drag me through, I will drain your soul and send it through the gate in the stars you’re so scared of. And you know you can’t fight me right now.” His lips jutted out petulantly, then he sighed. “I really will miss you, my love. If nothing else you were always entertaining.” I smiled. “I think I might miss you, too. So few things left in this world to terrorize me and look pretty while doing it. Now get out of here and enjoy your eternity.” He glanced calculatingly at the gate once again, and I raised my hand in warning. “I can drain faster than you can run.” He looked torn, then leaned forward and pressed his smooth lips against mine in a whisper of a kiss. I staggered back, putting my fingers to my lips and still feeling his heat there. “Perhaps if I had done that earlier you would be coming with me now.” He smiled at me, that enigmatic faerie smile that I realized with a pang I really would miss, then turned and walked, stooped and unsteady, through the gate. “Good-bye, Reth,” I whispered, letting the wind carry my words through the gate and wondering if he heard them on the other side. Something tight around my heart released as he grew taller and brighter, healed, his features smoothing until they were so much less human than they had ever been. He turned his head ever so briefly in my direction, smiled, and then ran on dancing feet to join the rest of his brothers and sisters.

The definition of morality; Morality is the idiosyncrasy of decadents, actuated by a desire to avenge themselves with success upon life. I attach great value to this definition. 8 [Pg 141] Have you understood me? I have not uttered a single word which I had not already said five years ago through my mouthpiece Zarathustra. The unmasking of Christian morality is an event which unequalled in history, it is a real catastrophe. The man who throws light upon it is a force majeure, a fatality; he breaks the history of man into two. Time is reckoned up before him and after him. The lightning flash of truth struck precisely that which theretofore had stood highest: he who understands what was destroyed by that flash should look to see whether he still holds anything in his hands. Everything which until then was called truth, has been revealed as the most detrimental, most spiteful, and most subterranean form of life; the holy pretext, which was the "improvement" of man, has been recognised as a ruse for draining life of its energy and of its blood. Morality conceived as Vampirism.... The man who unmasks morality has also unmasked the worthlessness of the values in which men either believe or have believed; he no longer sees anything to be revered in the most venerable man—even in the types of men that have been pronounced holy; all he can see in them is the most fatal kind of abortions, fatal, because they fascinate. The concept "God" was invented as the opposite of the concept life—everything detrimental, poisonous, and slanderous, and all deadly hostility to life, wad bound together in one horrible unit in Him. The concepts "beyond" and "true world" were invented in order to depreciate the only world that exists—in order that no goal or aim, no sense or task, might be left to earthly reality. The concepts "soul," "spirit," and last of all the concept "immortal soul," were invented in order to throw contempt on the body, in order to make it sick and "holy," in order to cultivate an attitude of appalling levity towards all things in life which deserve to be treated seriously, i.e. the questions of nutrition and habitation, of intellectual diet, the treatment of the sick, cleanliness, and weather. Instead of health, we find the "salvation of the soul"—that is to say, a folie circulate fluctuating between convulsions and penitence and the hysteria of redemption. The concept "sin," together with the torture instrument appertaining to it, which is the concept "free will," was invented in order to confuse and muddle our instincts, and to render the mistrust of them man's second nature! In the concepts "disinterestedness" and "self-denial," the actual signs of decadence are to be found. The allurement of that which is [Pg 142] [Pg 143] The Project Gutenberg eBook of Ecce Homo, by Friedrich Nietzsche. detrimental, the inability to discover one's own advantage and self-destruction, are made into absolute qualities, into the "duty," the "holiness," and the "divinity" of man. Finally—to keep the worst to the last—by the notion of the good man, all that is favoured which is weak, ill, botched, and sick-in-itself, which ought to be wiped out. The law of selection is thwarted, an ideal is made out of opposition to the proud, well-constituted man, to him who says yea to life, to him who is certain of the future, and who guarantees the future—this man is henceforth called the evil one. And all this was believed in as morality!

Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....

Of course, we suffer from bottomless avidity. Our lives are so precious to us, we are so watchful of waste. Or perhaps a better name for it would be the Sense of Personal Destiny. Yes, I think that is better than avidity. Shall my life by one-thousandth of an inch fall short of its ultimate possibility? It is a different thing to value oneself, and to prize oneself crazily. And then there are our plans, idealizations. These are dangerous, too. They can consume us like parasites, eat us, drink us, and leave us lifelessly prostrate. And yet we are always inviting the parasite, as if we were eager to be drained and eaten. It is because we have been taught there is no limit to what a man can be. Six hundred years ago, a man was what he was born to be Satan and the Church, representing God, did battle over him. He, by reason of his choice, partially decided the outcome. But whether, after life, he went to hell or to heaven, his place among other men was given. It could not be contested. But, since, the stage has been reset and human beings only walk on it, and, under this revision, we have, instead, history to answer to. We were important enough then for our souls to be fought over. Now, each of us is responsible for his own salvation, which is in his greatness. And that, that greatness, is the rock our hearts are abraded on. Great minds, great beauties, great lovers and criminals surround us. From the great sadness and desperation of Werthers and Don Juans we went to the great ruling images of Napoleons; from these to murderers who had that right over victims because they were greater than the victims; to men who felt privileged to approach others with a whip; to schoolboys and clerks who roared like revolutionary lions; to those pimps and subway creatures, debaters in midnight cafeterias who believed they could be great in treachery and catch the throats of those they felt were sound and well in the lassos of their morbidity; to dreams of greatly beautiful shadows embracing on a flawless screen. Because of these things we hate immoderately and punish ourselves and one another immoderately. The fear of lagging pursues and maddens us. The fear lies in us like a cloud. It makes an inner climate of darkness. And occasionally there is a storm and hate and wounding rain out of us.

For a moment, the fog remained unmoved. It sat around, swirling in place, very clearly listening but showing no sign of offering answers. Then, just as Nausicaä began to contemplate conjuring a few more fireballs, the fog began to thin. Little by little it drained from the air until, finally, all that was left was a vaguely damp, translucent haze. She could only stare at what was revealed. “Huh,” she breathed when speech at last overcame her surprise. “This is…new.” It wasn’t just the changelings that had gathered. They were present, of course—one mere step away. Nausicaä briefly took in the unmistakable pale green tint of his fawn-brown skin and the snaking twists of ivy that grew from the sharp flares of his little shoulders. But there were others. There were so many others. In all of Nausicaä’s very long life, she had never encountered so many of magic’s children in one place. The crowd of them stretched far in almost every direction, faces of all shapes and sizes peeking out of the foliage and trees. There were centaurs, goblins, brownies, imps and sprites. There were redcaps, with their crimson-stained hats and vicious scythes, which glinted in the moonlight. There were kelpies dripping sodden weeds, lilies strangled in their manes. Littered throughout the branches above were crows that weren’t really crows at all, but sluagh—wandering souls of the violent dead who preyed on those soon to die. There were larger things too. Unnameable things. Things that had undoubtedly been calling this forest their home long before Nausicaä had ever been born. She narrowed her eyes at the distance—something massive as a mobile hill stood still as silence too far away for mortal eyes to see. Their form was not unlike an overlarge, poisonous tree frog, all vibrant blues and yellows and greens, a crown of velvet antlers on their head and hundreds of glittering black eyes on their face. A freaking Forest Guardian, she would hazard a guess, not that she’d ever seen one to say for sure. “Uh…okay, well, weird time to have a company meeting, but you do you, I guess. I’m going to…go. Gar, maybe it’s best you stick with these guys until I square things up with my Reaper. Thanks for lifting the fog, forest brats! Good luck with…whatever this is. May the force be with you.” She turned back around. There weren’t any faeries in front of her, either—just trees and misty gloom and a darkness unnatural even for this time of night. And, of course, the glass-chime tinkling of magic, which now sounded to her a bit distressed.