Dragonfly Short Quotes

We've searched our database for all the quotes and captions related to Dragonfly Short. Here they are! All 10 of them:

She was a fly, but the others were dragonflies, butterflies, beautiful insects, dancing, fluttering, skimming, while she alone dragged herself up out of the saucer.
Virginia Woolf (A Haunted House And Other Short Stories)
I'm honest enough to say that I dinna care what the right and wrong of it may be, so long as you're here wi' me, Claire," he said softly. "If it was a sin for you to choose me...then I would go to the devil himself and bless him for tempting ye to it." He lifted my foot and gently kissed the tip of my big toe. I laid my hand on his head; the short hair felt bristly but soft, like a very young hedgehog. "I don't think it was wrong," I said softly. "But if it was...then I'll go to the devil with you, Jamie Fraser.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
from THE PAUSE BETWEEN One day the dragonflies appear sudden as the sun. Speed and softness, they lash sky to air in silent seams. One's barred wings and abdomen are pressing to the warm dock's slats. Another lights on the Chekhov book you bought me, not realizing, like everything, it is a short story, too.
Ken Craft (Reincarnation & Other Stimulants: Life, Death, & In-Between Poems)
As she was putting the finishing touches on The House Without Windows, she wrote of her yearning for a wilder life: “I want as long as possible in that green, fairylike, woodsy, animal-filled, watery, luxuriant, butterfly-painted, moth-dotted, dragonfly-blotched, bird-filled, salamandrous, mossy, ferny, sunshiny, moonshiny, long-dayful, short-nightful land, on that fishy, froggy, tadpoly, shelly, lizard-filled lake—[oh,] no end of the lovely things to say about that place, and I am mad to get there.” Barbara is the girl inside the house, rattling at her cage, demanding to be set free. Go outside, she is saying. Embrace the world in all its frightening, joyful, sun-filled complexity.
Laura Smith (The Art of Vanishing: A Memoir of Wanderlust)
What a joy this book is! I love recipe books, but it’s short-lived; I enjoy the pictures for several minutes, read a few pages, and then my eyes glaze over. They are basically books to be used in the kitchen for one recipe at a time. This book, however, is in a different class altogether and designed to be read in its entirety. It’s in its own sui generis category; it has recipes at the end of most of the twenty-one chapters, but it’s a book to be read from cover to cover, yet it could easily be read chapter by chapter, in any order, as they are all self-contained. Every bite-sized chapter is a flowing narrative from a well-stocked brain encompassing Balinese culture, geography and history, while not losing its main focus: food. As you would expect from a scholar with a PhD in history from Columbia University, the subject matter has been meticulously researched, not from books and articles and other people’s work, but from actually being on the ground and in the markets and in the kitchens of Balinese families, where the Balinese themselves learn their culinary skills, hands on, passed down orally, manually and practically from generation to generation. Vivienne Kruger has lived in Bali long enough to get it right. That’s no mean feat, as the subject has not been fully studied before. Yes, there are so-called Balinese recipe books, most, if I’m not mistaken, written by foreigners, and heavily adapted. The dishes have not, until now, been systematically placed in their proper cultural context, which is extremely important for the Balinese, nor has there been any examination of the numerous varieties of each type of recipe, nor have they been given their true Balinese names. This groundbreaking book is a pleasure to read, not just for its fascinating content, which I learnt a lot from, but for the exuberance, enthusiasm and originality of the language. There’s not a dull sentence in the book. You just can’t wait to read the next phrase. There are eye-opening and jaw-dropping passages for the general reader as Kruger describes delicacies from the village of Tengkudak in Tabanan district — grasshoppers, dragonflies, eels and live baby bees — and explains how they are caught and cooked. She does not shy away from controversial subjects, such as eating dog and turtle. Parts of it are not for the faint-hearted, but other parts make you want to go out and join the participants, such as the Nusa Lembongan fishermen, who sail their outriggers at 5.30 a.m. The author quotes Miguel Covarrubias, the great Mexican observer of the 1930s, who wrote “The Island of Bali.” It has inspired all writers since, including myself and my co-author, Ni Wayan Murni, in our book “Secrets of Bali, Fresh Light on the Morning of the World.” There is, however, no bibliography, which I found strange at first. I can only imagine it’s a reflection of how original the subject matter is; there simply are no other sources. Throughout the book Kruger mentions Balinese and Indonesian words and sometimes discusses their derivations. It’s a Herculean task. I was intrigued to read that “satay” comes from the Tamil word for flesh ( sathai ) and that South Indians brought satay to Southeast Asia before Indonesia developed its own tradition. The book is full of interesting tidbits like this. The book contains 47 recipes in all, 11 of which came from Murni’s own restaurant, Murni’s Warung, in Ubud. Mr Dolphin of Warung Dolphin in Lovina also contributed a number of recipes. Kruger adds an introduction to each recipe, with a detailed and usually very personal commentary. I think my favorite, though, is from a village priest (pemangku), I Made Arnila of the Ganesha (Siwa) Temple in Lovina. water. I am sure most will enjoy this book enormously; I certainly did.” Review published in The Jakarta Globe, April 17, 2014. Jonathan Copeland is an author and photographer based in Bali. thejakartaglobe/features/spiritual-journey-culinary-world-bali
Vivienne Kruger
I could strip words of their meaning and listen for hours.
Nathan Walkowicz (of Dust and Dragonflies: Short Stories)
Realize that this is everyone’s first time at life.
Nathan Walkowicz (of Dust and Dragonflies: Short Stories)
I hesitate to set down my pen, lest it fall carelessly into the universe.
Nathan Walkowicz (of Dust and Dragonflies: Short Stories)
One night, Theodore Mot realized that the dictionary was incomplete!
Nathan Walkowicz (of Dust and Dragonflies: Short Stories)
I try to capture in words the thought. Why? Because I know how quickly it might leap away. I know how easily it can slip into the brush and disappear.
Nathan Walkowicz (of Dust and Dragonflies: Short Stories)