Dragonfly Sayings And Quotes

I will find you," he whispered in my ear. "I promise. If I must endure two hundred years of purgatory, two hundred years without you - then that is my punishment, which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest." His voice dropped, nearly to a whisper, and his arms tightened around me. Lord, ye gave me a rare woman, and God! I loved her well.

I do know it, my own. Let me tell ye in your sleep how much I love you. For there's no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.

Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.

That’s how pixies know we’re in love,” he said as he folded his dragonfly-like wings and wiggled out of his red jacket, wincing as something pulled. “If the girl has glow, she won’t say no.

I often have long conversations all by myself, and I am so clever that sometimes I don't understand a single word of what I am saying." "Then you should certainly lecture on Philosophy," said the Dragon-fly

There is no good talking to him," said a Dragon-fly, who was sitting on the top of a large brown bulrush; "no good at all, for he has gone away." "Well, that is his loss, not mine," answered the Rocket. "I am not going to stop talking to him merely because he pays no attention. I like hearing myself talk. It is one of my greatest pleasures. I often have long conversations all by myself, and I am so clever that sometimes I don't understand a single word of what I am saying." "Then you should definitely lecture on Philosophy," said the Dragon-fly.

There is a saying: in the kingdom of the blind, the one eyed man is king. I promptly invented its analogy, based it on experience. When no one knows what to do anyone with a sensible suggestion is going to be listened to.

Old Jiko is supercareful with her time. She does everything really really slowly, even when she's just sitting on the veranda, looking out at the dragonflies spinning lazily around the garden pond. She says that she does everything really really slowly in order to spread time out so that she'll have more of it and live longer, and then she laughs so that you know she is telling you a joke.

As Kingfishers Catch Fire As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell's Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves -- goes itself; _myself_ it speaks and spells, Crying _What I do is me: for that I came_. I say more: the just man justices; Keeps grace: that keeps all his goings graces; Acts in God's eye what in God's eye he is -- Christ. For Christ plays in ten thousand places, Lovely in limbs, and lovely in eyes not his To the Father through the features of men's faces.

What is it, love?" I whispered. "Jamie, I do love you." "I know it," he said quietly. "I do know it, my own. Let me tell ye in your sleep how much I love you. For there's no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne .

I listen,” she said simply. “To what folk say—and what they don’t.

Nice clothes are all very well, but if gossip and scheming and worry and silly parties and tiny rules of etiquette go with them … no. I’d as soon live in my shift and say what I like.

Question four: What book would you give to every child? Answer: I wouldn't give them a book. Books are part of the problem: this strange belief that a tree has nothing to say until it is murdered, its flesh pulped, and then (human) people stain this flesh with words. I would take children outside and put them face to face with chipmunks, dragonflies, tadpoles, hummingbirds, stones, rivers, trees, crawdads. That said, if you're going to force me to give them a book, it would be The Wind In The Willows, which I hope would remind them to go outside.

But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality.

I will find you," he whispered in my ear. "I promise. If I must endure two hundred years of purgatory, two hundred years without you--then that is my punishment,which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest." His voice dropped, nearly to a whisper, and his arms tightened around me. "Lord, ye gave me a rare woman, and God! I loved her well.

I’m honest enough to say that I dinna care what the right and wrong of it may be, so long as you are here wi’ me, Claire,” he said softly. “If it was a sin for you to choose me … then I would go to the Devil himself and bless him for tempting ye to it.” He lifted my foot and gently kissed the tip of my big

I'm honest enough to say that I dinna care what the right and wrong of it may be, so long as you're here wi' me, Claire," he said softly. "If it was a sin for you to choose me...then I would go to the devil himself and bless him for tempting ye to it." He lifted my foot and gently kissed the tip of my big toe. I laid my hand on his head; the short hair felt bristly but soft, like a very young hedgehog. "I don't think it was wrong," I said softly. "But if it was...then I'll go to the devil with you, Jamie Fraser.

Dinna fash yourself, Sassenach. Ye canna say more than ye know, but tell me it all, just once more.

A dragonfly settles on a bulrush an inch from my nose. Its wings are like cellophane and Jonah says, “Its wings are like cellophane,” and I say, “I was just thinking that,” but Jonah says, “Just thinking what?” so maybe I just thought he’d said it. Valium rubs out speech marks and pops thought-bubbles. I’ve noticed it before.

Mm. You’d forgotten how to say anything except ‘I love you,’ but you said that a lot.

Whoever the kid had been, whoever had the grand attitude, has finally heeded the admonishment of parents, teachers, governments, religions, and the law: "You just change your attitude now please, young man." This transformation in kids — from flashing dragonflies, so to say, to sticky water-surface worms slowly slipping downstream — is noticed with pride by society and with mortification by God, which is a fantastic way of saying I don't like to see kids throw away their truth just because it isn't worth a dime in the open market.

The relationship between the University and the Patrician, absolute ruler and nearly benevolent dictator of Ankh-Morpork, was a complex and subtle one. The wizards held that, as servants of a higher truth, they were not subject to the mundane laws of the city. The Patrician said that, indeed, this was the case, but they would bloody well pay their taxes like everyone else. The wizards said that, as followers of the light of wisdom, they owed allegiance to no mortal man. The Patrician said that this may well be true but they also owed a city tax of two hundred dollars per head per annum, payable quarterly. The wizards said that the University stood on magical ground and was therefore exempt from taxation and anyway you couldn't put a tax on knowledge. The Patrician said you could. It was two hundred dollars per capita; if per capita was a problem, decapita could be arranged. The wizards said that the University had never paid taxes to the civil authority. The Patrician said that he was not proposing to remain civil for long. The wizards said, what about easy terms? The Patrician said he was talking about easy terms. They wouldn't want to know about the hard terms. The wizards said that there was a ruler back in , oh, it would be the Century of the Dragonfly, who had tried to tell the University what to do. The Patrician could come and have a look at him if he liked. The Patrician said that he would. He truly would In the end it was agreed that while the wizards of course paid no taxes, they would nevertheless make an entirely voluntary donation of, oh, let's say two hundred dollars per head, without prejudice, mutatis mutandis, no strings attached, to be used strictly for non-militaristic and environmentally-acceptable purposes.

My parents would take my sister and me out for dinner now and then, and while waiting for the food to be served, would point out the oldest, most harried looking waitress in the place, saying sternly, “Be sure you get a good education, so you don’t have to do that when you’re fifty!

You are in love, at a point where pride and apprehension scuffle within you. Part of you wants time to slow down: for this, you say to yourself, is the best period of your whole life. I am in love, I want to savour it, study it, lie around in languor with it; may today last forever. This is your poetical side. However, there is also your prose side, which urges time not to slow down but hurry up. How do you know this is love, your prose side whispers like a sceptical lawyer, it’s only been around for a few weeks, a few months. You won’t know it’s the real thing unless you (and she) still feel the same in, oh, a year or so at least; that’s the only way to prove you aren’t living a dragonfly mistake. Get through this bit, however much you enjoy it, as fast as possible; then you’ll be able to find out whether or not you’re really in love.

Dragonflies say "mystery" to me.

There is no good talking to him,” said a Dragon-fly, who was sitting on the top of a large brown bulrush; “no good at all, for he has gone away.” “Well, that is his loss, not mine,” answered the Rocket.  “I am not going to stop talking to him merely because he pays no attention.  I like hearing myself talk.  It is one of my greatest pleasures.  I often have long conversations all by myself, and I am so clever that sometimes I don’t understand a single word of what I am saying.” “Then you should certainly lecture on Philosophy,” said the Dragon-fly; and he spread a pair of lovely gauze wings and soared away into the sky.

I love you. If you’ve come this far, that’s all I can say. I love you and I love you and I love you, on battlefields, in shadows, in fading ink, on cold ice splashed with the blood of seals. In the rings of trees. In the wreckage of a planet crumbling to space. In bubbling water. In bee stings and dragonfly wings, in stars. In the depths of lonely woods where I wandered in my youth, staring up—and even then you watched me. You slid back through my life, and I have known you since before I knew you.

This time of year, the purple blooms were busy with life- not just the bees, but butterflies and ladybugs, skippers and emerald-toned beetles, flitting hummingbirds and sapphire dragonflies. The sun-warmed sweet haze of the blossoms filled the air. "When I was a kid," said Isabel, "I used to capture butterflies, but I was afraid of the bees. I'm getting over that, though." The bees softly rose and hovered over the flowers, their steady hum oddly soothing. The quiet buzzing was the soundtrack of her girlhood summers. Even now, she could close her eyes and remember her walks with Bubbie, and how they would net a monarch or swallowtail butterfly, studying the creature in a big clear jar before setting it free again. They always set them free. As she watched the activity in the hedge, a memory floated up from the past- Bubbie, gently explaining to Isabel why they needed to open the jar. "No creature should ever be trapped against its will," she used to say. "It will ruin itself, just trying to escape." As a survivor of a concentration camp, Bubbie only ever spoke of the experience in the most oblique of terms.

But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.

People often say that women forget what childbirth is like, because if they remembered, no one would ever do it more than once. Personally, I had no trouble at all remembering. The sense of massive inertia, particularly. That endless time toward the end, when it seems that it never will end, that one is mired in some prehistoric tar pit, every small move a struggle doomed to futility. Every square centimeter of skin stretched as thin as one’s temper. You don’t forget. You simply get to the point where you don’t care what birth will feel like; anything is better than being pregnant for an instant longer.

her small white dog Bouton hurrying at her heels to keep up. A far cry from the fluffy lapdogs so popular with the ladies of the Court, he looked vaguely like a cross between a poodle and a dachshund, with a rough, kinky coat whose fringes fluttered along the edges of a wide belly and stumpy, bowed legs. His feet, splay-toed and black-nailed, clicked frantically over the stones of the floor as he trotted after Mother Hildegarde, pointed muzzle almost touching the sweeping black folds of her habit. “Is that a dog?” I had asked one of the orderlies in amazement, when I first beheld Bouton, passing through the Hôpital at the heels of his mistress. He paused in his floor-sweeping to look after the curly, plumed tail, disappearing into the next ward. “Well,” he said doubtfully, “Mother Hildegarde says he’s a dog. I wouldn’t like to be the one to say he isn’t.

Nerul passed Tashi a cup of hot kava. "I have given thought overnight to your travels and have some suggestions to make. The first is that you should take one of my people with you as a guide, at least for the part of the road that lies through Kandar. Melletin has volunteered. He says he owes you for the lesson you taught him on your first meeting." Tashi furrowed her brow. "What lesson was that?" Melletin grinned and touched his forehead. "To wear a helmet when attacking strangers.

Sunk in the mud, it took all my strength to flip it over. I lifted out the oar and inspected the bottom for holes and rotted wood. Seeing none, I gathered up my skirt, climbed in, and paddled to the middle of the pond, an untouchable place, far from everything. I tried to think what I would say to him, worried my voice would slink off again and leave me. I remained there a long while, lapping on the surface. Vapor curled on the water, dragonflies pricked the air, and I thought it all beautiful.

What are you going to do with all these, anyway?" "Lot of pumpkins, isn't it?" answered Henry. "I could open my own market, couldn't I? Or make enough pies to feed the neighborhood." I admired Henry that way; he did such a good job of giving people normal-sounding answers without ever telling a lie that he could usually come across ordinary even when doing something moderately strange. For example, he didn't come right out and say, "I'm going home to make thirteen jack-o'-lanterns." That was an art.

Ramil sighed with relief when the talkative landlord finally decided to go, but he didn't get very far with his supper before Tashi swatted him in the stomach. "Hot coals? Stringy hair?" He laughed. "Shh! You know I was only saying what I had to say in front of him." "But those words occurred to you--you must have thought them!" Ramil scratched his head, knowing that he was probably damned whatever he said now. "Well, your eyes can blaze when they're angry. I bet they're blazing now. And compared to us, your hair is pale--not that it doesn't have a most wonderful color. Um . . . stringy--well, you had been in prison for a while." "Ram!" "But you always looked beautiful to me." He put his arm around her. "May I?"he asked. She nodded, wondering what he was going to do. He leant forward and sniffed. "Not a hint of brimstone. Just mud and horses." "What!" "But I like horses." "Ram, if you were thinking of making more attempts at winning my affections, I don't think this is the recommended practice in any part of the known world." "So I still have a chance?" He pulled her snugly against him so she fitted in the crook of his arm. "Not like this you won't. And don't forget, we are supposed to be brother and sister." "Ah yes." He dropped his arm. "What a shame

Old Jiko is supercareful with her time. She does everything really really slowly, even when she’s just sitting on the veranda, looking out at the dragonflies spinning lazily around the garden pond. She says that she does everything really really slowly in order to spread time out so that she’ll have more of it and live longer, and then she laughs so you know she is telling you a joke. I mean, she understands perfectly well that time isn’t something you can spread out like butter or jam, and death isn’t going to hang around and wait for you to finish whatever you happen to be doing before it zaps you. That’s the joke, and she laughs because she knows it. But

As she was putting the finishing touches on The House Without Windows, she wrote of her yearning for a wilder life: “I want as long as possible in that green, fairylike, woodsy, animal-filled, watery, luxuriant, butterfly-painted, moth-dotted, dragonfly-blotched, bird-filled, salamandrous, mossy, ferny, sunshiny, moonshiny, long-dayful, short-nightful land, on that fishy, froggy, tadpoly, shelly, lizard-filled lake—[oh,] no end of the lovely things to say about that place, and I am mad to get there.” Barbara is the girl inside the house, rattling at her cage, demanding to be set free. Go outside, she is saying. Embrace the world in all its frightening, joyful, sun-filled complexity.

At the very least, I hope it means I will get my Briony back again. I know, I'll hold a party for her--and take her on a pony ride--I think that will be quite in order, if I can be spared from my official duties for the afternoon." "You're the King," Taris reminded him with a smile. "But you're my conscience, Taris, you know that." "Then your conscience says we should keep his highness's current location secret, but an announcement of his escape is most desirable. Therefore, a party is quite in order--if not essential--for the morale of the nation." "Excellent. I really should promote you, old friend. Only trouble is, there's nowhere to go but down from your office." "I am well aware of that, Your Majesty.

My own heartbeat was slowing under my hand, under the deep rose silk, the color of a baby’s sleep-flushed cheek. When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.

We'll stick close together, but make no sign we are acquainted. The girls should go ahead so that they get through first. We'll follow close behind to be there for any trouble." "Don't worry, my dears," said the professor gallantly, "I'll rescue you from any difficulties." Yelena laughed and kissed the old man on the cheek. "Of course you will. I don't know why we bother with these other men, do you, Tashi?" "But they are decorative, aren't they?" the Princess replied archly. It was fun to have a girl with whom she could gang up against the boys--she'd never had a friend like that before. "They give us something to look at on the boring stretches of the road." She let her eyes linger on Ramil, who appeared very warm all of a sudden. Yelena swung herself into the saddle. "My, my, Princess, I didn't know you could flirt." "I'm learning from a master--or should I say mistress--of that art," Tashi said with a bow.

I’m afraid my wife picked up a number of, er, colorful expressions from the Yanks and such,” Frank offered, with a nervous smile. “True,” I said, gritting my teeth as I wrapped a water-soaked napkin about my hand. “Men tend to be very ‘colorful’ when you’re picking shrapnel out of them.” Mr. Bainbridge had tactfully tried to distract the conversation onto neutral historical ground by saying that he had always been interested in the variations of what was considered profane speech through the ages. There was “Gorblimey,” for example, a recent corruption of the oath “God blind me.” “Yes, of course,” said Frank, gratefully accepting the diversion. “No sugar, thank you, Claire. What about ‘Gadzooks’? The ‘Gad’ part is quite clear, of course, but the ‘zook’.…” “Well, you know,” the solicitor interjected, “I’ve sometimes thought it might be a corruption of an old Scots word, in fact—‘yeuk.’ Means ‘itch.’ That would make sense, wouldn’t it?” Frank nodded, letting his unscholarly forelock fall across his forehead. He pushed it back automatically. “Interesting,” he said, “the whole evolution of profanity.” “Yes, and

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.

can hardly blame ye for not waiting.” I could see Ian in profile, leaning over the log basket. His long, good-natured face wore a slight frown. “Weel, I didna think it right, especially wi’ me being crippled …” There was a louder snort. “Jenny couldna have a better husband, if you’d lost both legs and your arms as well,” Jamie said gruffly. Ian’s pale skin flushed slightly in embarrassment. Jamie coughed and swung his legs down from the hassock, leaning over to pick up a scrap of kindling that had fallen from the basket. “How did ye come to wed anyway, given your scruples?” he asked, one side of his mouth curling up. “Gracious, man,” Ian protested, “ye think I had any choice in the matter? Up against a Fraser?” He shook his head, grinning at his friend. “She came up to me out in the field one day, while I was tryin’ to mend a wagon that sprang its wheel. I crawled out, all covered wi’ muck, and found her standin’ there looking like a bush covered wi’ butterflies. She looks me up and down and she says—” He paused and scratched his head. “Weel, I don’t know exactly what she said, but it ended with her kissing me, muck notwithstanding, and saying, ‘Fine, then, we’ll be married on St. Martin’s Day.’ ” He spread his hands in comic resignation. “I was still explaining why we couldna do any such thing, when I found myself in front of a priest, saying, ‘I take thee, Janet’… and swearing to a lot of verra improbable statements.” Jamie rocked back in his seat, laughing. “Aye, I ken the feeling,” he said. “Makes ye feel a bit hollow, no?” Ian smiled, embarrassment forgotten. “It does and all. I still get that feeling, ye know, when I see Jenny sudden, standing against the sun on the hill, or holding wee Jamie, not lookin’ at me. I see her, and I think, ‘God, man, she can’t be yours, not really.’ ” He shook his head, brown hair flopping over his brow. “And then she turns and smiles at me …” He looked up at his brother-in-law, grinning. “Weel, ye know yourself. I can see it’s the same wi’ you and your Claire. She’s … something special, no?” Jamie nodded. The smile didn’t leave his face, but altered somehow. “Aye,” he said softly. “Aye, she is that.” Over the port and biscuits, Jamie and

Thousands of years ago, when the first ghosts came down here, the Authority gave us the power to see the worst in every one, and we have fed on the worst ever since, till our blood is rank with it and our very hearts are sickened. “But still, it was all we had to feed on. It was all we had. And now we learn that you are planning to open a way to the upper world and lead all the ghosts out into the air—” And her harsh voice was drowned by a million whispers, as every ghost who could hear cried out in joy and hope; but all the harpies screamed and beat their wings until the ghosts fell silent again. “Yes,” cried No-Name, “to lead them out! What will we do now? I shall tell you what we will do: from now on, we shall hold nothing back. We shall hurt and defile and tear and rend every ghost that comes through, and we shall send them mad with fear and remorse and self-hatred. This is a wasteland now; we shall make it a hell!” Every single harpy shrieked and jeered, and many of them flew up off the tree and straight at the ghosts, making them scatter in terror. Lyra clung to Will’s arm and said, “They’ve given it away now, and we can’t do it. They’ll hate us—they’ll think we betrayed them! We’ve made it worse, not better!” “Quiet,” said Tialys. “Don’t despair. Call the harpies back and make them listen to us.” So Will cried out, “Come back! Come back, every one of you! Come back and listen!” One by one the harpies, their faces eager and hungry and suffused with the lust for misery, turned and flew back to the tree, and the ghosts drifted back as well. The Chevalier left his dragonfly in the care of Salmakia, and his little tense figure, green-clad and dark-haired, leapt to a rock where they could all see him. “Harpies,” he said, “we can offer you something better than that. Answer my questions truly, and hear what I say, and then judge. When Lyra spoke to you outside the wall, you flew at her. Why did you do that?” “Lies!” the harpies all cried. “Lies and fantasies!” “Yet when she spoke just now, you all listened, every one of you, and you kept silent and still. Again, why was that?” “Because it was true,” said No-Name. “Because she spoke the truth. Because it was nourishing. Because it was feeding us. Because we couldn’t help it. Because it was true. Because we had no idea that there was anything but wickedness. Because it brought us news of the world and the sun and the wind and the rain. Because it was true.

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.

This is painfully obvious at a poker table. Even weak players know, in principle, that seeing through the eyes of opponents is critical. She raised the bet $20? What does that tell me about her thinking—and the cards she has? Each bet is another clue to what your opponent is holding, or wants you to think she is holding, and the only way to piece it together is to imagine yourself in her seat. Good perspective-takers can make a lot of money. So you might suppose that anyone who takes poker seriously would get good at it, quickly, or take up another hobby. And yet they so often don’t. “Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake. Duke teaches poker and to get her students to see like dragonflies she walks them through a game situation. A hand is dealt. You like your cards. In the first of several rounds of betting, you wager a certain amount. The other player immediately raises your bet substantially. Now, what do you think the other player has? Duke has taught thousands of students “and universally, they say ‘I think they have a really strong hand.’” So then she asks them to imagine the same situation, except they’re playing against her. The cards are dealt. Their hand is more than strong—it’s unbeatable. Duke makes her bet. Now, what will you do? Will you raise her bet? “And they say to me, ‘Well, no.’” If they raise, Duke may conclude their hand is strong and fold. They don’t want to scare her off. They want Duke to stay in for each of the rounds of betting so they can expand the pot as much as possible before they scoop it up. So they won’t raise. They’ll only call. Duke then walks them through the same hypothetical with a hand that is beatable but still very strong. Will you raise? No. How about a little weaker hand that is still a likely winner? No raise. “They would never raise with any of these really great hands because they don’t want to chase me away.” Then Duke asks them: Why did you assume that an opponent who raises the bet has a strong hand if you would not raise with the same strong hand? “And it’s not until I walk them through the exercise,” Duke says, that people realize they failed to truly look at the table from the perspective of their opponent. If Duke’s students were all vacationing retirees trying poker for the first time, this would only tell us that dilettantes tend to be naive. But “these are people who have played enough poker, and are passionate about the game, and consider themselves good enough, that they’re paying a thousand dollars for a seminar with me,” Duke says. “And they don’t understand this basic concept.”22

During his time with the French army, years before, one of the sergeants had explained to the younger mercenaries the trick of falling asleep the night before a battle. "Make yourself comfortable, examine your conscience, and make a good Act of Contrition. Father Hugo says that in time of war, even if there is no priest to shrive you, your sins can be forgiven this way. Since you cannot commit sins while asleep--not even you, Simenon!--you will awake in a state of grace, ready to fall on the bastards. And with nothing to look forward to but victory or heaven-- how can you be afraid.

I take it, Professor, this is not only a social visit?" he asked, his voice almost normal. "No, of course not. I've come to ask why on earth you haven't called on me before now?" Ramil took a step back. "Er . . . well, we've been a bit busy, Professor." "I can see that for myself. I had a terrible job getting here: they've ringed you off with troops five men deep. I had to crawl through the tunnels and some of them are in a disgusting state." Norling sniffed his robe with a doubtful look. "But why you did not think to ask the resistance for aid is beyond me. We can be immensely helpful to you." Ramil struck his forehead with the palm of his hand. "Stupid! I should have been drowned at birth," he muttered. "Oh, I wouldn't go that far," said Norling generously. "I don't think it's too late. In fact, I'd say that you've managed very well without me.

Where did you say you were from, girl?" Uniloma asked gruffly one morning. The vessel was far out to sea, giving a wide berth to the coastline of western Holt and any bold pirate vessel. "From Kai." "And your name?" "Taoshira." Tashi did not risk giving her title again but neither was she going to lie. Uniloma clucked in irritation. "My family and friends call me Tashi." "I'll call you Tashi then. I'm not using a princess's name for you." Tashi sighed. There was no point arguing. The truth would come out when they returned to Rama. It would only be an unseemly squabble if she pressed her claim here. That's if anyone recognizes me, Tashi thought glumly. I'm not sure I'd knowme either. I might have to stand naked before my servants to prove my point. She smiled at the idea. No, I'm definitely not the same person if I can laugh about that.

 He looked for his tankard, then remembered he'd thrown it away. "Marl! Bring me more beer!" The serving man appeared in the doorway, fumbling with his apron. "I'm sorry, Your Highness, but His Majesty says you're to be sober for this evening. He asks your lordships to take the Prince to the royal baths and scrub some sense into him." Yendral stood up. "Consider it done. Come on, let's get this pitiful prince of ours fit for his princess." "Roll me in the mud. That's what Her Highness is used to," shouted Ramil as they dragged him down the corridor."To market, my sweet, to buy us a pig,home to our farm to make it grow big," he warbled. "Can't you shut him up, Yendral?" implored Usk. "What if the Crescent people hear him?" Lord Yendral took out a handkerchief and stuffed it in the royal mouth.

What do you want to know, my pretty?" Gordoc asked, his expression one of puzzlement. "Do you want me to scare Merl off--thump him for you? Just tell him your Uncle Gordoc will have words with him if he offends you." "No, no, I don't mean that." Tashi smiled. "He's not insulted me--at least, not by Eastern standards, I suppose." She wrinkled her nose. "What's he done?" growled Ramil. "Well, first there's the gifts--flowers and jewelry, mainly. What should I say when he gives me things?" "Thank you' usually does the trick," said Gordoc

I will find you,” he whispered in my ear. “I promise. If I must endure two hundred years of purgatory, two hundred years without you—then that is my punishment, which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest.” His

Switzerland. Whatever you want to say about the Swiss, they are clever woodcarvers, no?” I wanted to say no, but instead merely murmured something tactfully admiring.

She’s goin’ about now bare as a wee lassie?” “She says,” I replied delicately, “that men find it erotic.

There is a saying that the landscape in which a child spends the first seven years of its life will leave a mark it cannot escape. A child brought up by the sea will always carry a longing for the ocean; a town child, reared to the sound of traffic and the warm bustle of neighbours, will never quite settle in the silence of the countryside.

What is it, love?” I whispered. “Jamie, I do love you.” “I know it,” he said quietly. “I do know it, my own. Let me tell ye in your sleep how much I love you. For there’s no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.” I

When summer began, I headed out west. My parents had told me I needed a rest. “Your imagination,” they said, “is getting too wild. It will do you some good to relax for a while.” So they put me aboard a westbound train. To visit Aunt Fern in her house on the plains. But I was captured by cowboys, A wild-looking crowd. Their manners were rough and their voices were loud. “I’m trying to get to my aunt’s house,” I said. But they carried me off to their cow camp instead. The Cattle Boss growled, as he told me to sit, “We need a new cowboy. Our old cowboy quit. We could sure use your help. So what do you say?” I thought for a minute, then I told him, “Okay.” Then I wrote to Aunt Fern, so she’d know where I’d gone. I said not to worry, I wouldn’t be long. That night I was given a new set of clothes. Soon I looked like a wrangler from my head to my toes. But there’s more to a cowboy than boots and a hat, I found out the next day And the day after that Each day I discovered some new cowboy tricks. From roping And riding To making fire with sticks. Slowly the word spread all over the land. “That wrangler ‘Kid Bleff’ is a first-rate cowhand!” The day finally came when the roundup was through. Aunt Fern called: “Come on over. Bring your cowboys with you.” She was cooking a barbecue that very same day. So we cleaned up (a little) and we headed her way. The food was delicious. There was plenty to eat. And the band that was playing just couldn’t be beat. But suddenly I noticed a terrible sight. The cattle were stirring and stamping with fright. It’s a scene I’ll remember till my very last day. “They’re gonna stampede!” I heard somebody say. Just then they came charging. They charged right at me! I looked for a hiding place-- A rock, or a tree. What I found was a tablecloth spread out on the ground. So I turned like a matador And spun it around. It was a new kind of cowboying, a fantastic display! The cattle were frightened and stampeded…away! Then the cowboys all cheered, “Bleff’s a true buckaroo!” They shook my hand and slapped my back, And Aunt Fern hugged me, too. And that’s how I spent my summer vacation. I can hardly wait for show-and-tell!

Hey, hey, love! You only touch the no-zone if you intend to make it happy." Falcyn "There's not enough beer in the universe for me to touch your no-zone, dragonfly. Don't flatter yourself."Medea "Says the Daimon crawling all over it." Falcyn "Jumping off it, you mean, before I catch something I'm sure antibiotics won't cure." Medea "Not what it feels like from where I'm laying, and you're still on top of---umph!" Falcyn

Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.

Nature is one body. We can say that while human beings and insects are part of nature, they also represent nature as a whole. And if that is so, when we harm plants, microorganisms, and insects through large-scale conventional agriculture (to just use one example), we are harming humanity as well.

What,” I ask from my seat in the front where I can’t see him, “is the secret of our marriage?” Bill says nothing. The sun is a blade. I snag the stalks of the lilies with my dragonfly wings. “I think it’s that the longer you stay,” he says, finally, “the more you will stay.

You mean to tell me that you married me out of love?” I demanded. He raised his eyebrows, struggling to draw in breath. “Have I not…just been…saying so?

My life is yours. And it’s yours to decide what we shall do, where we go next. To France, to Italy, even back to Scotland. My heart has been yours since first I saw ye, and you’ve held my soul and body between your two hands here, and kept them safe. We shall go as ye say.

Secretary Gu said that if we left the mountains with our reindeer, it would also be a way of protecting the forest. Roaming reindeer damaged the vegetation and disturbed the balance of the ecosystem. And anyway, wild animals are protected now so hunting is prohibited. Only a people that is willing to lay down it's hunting rifles, he added, is a truly civilised people with a promising future. I really wanted to tell him that our reindeer have always kissed the forest. Compared to the loggers who number in the tens of thousands, we and our animals are just a handful of dragonflies skimming the water's surface. If the river that is this forest has been polluted, how could it be due to the passage of a few dragonflies? But I didn't say any of that to him.

For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest." His voice dropped, nearly to a whisper, and his arms tightened around me. “Lord, ye gave me a rare woman, and God! I loved her well.

Besides, I’ve … er, dealt with a case of rape once before. There isn’t a great deal you can do, externally. Maybe there isn’t a great deal you can do, period,” I added. I changed my mind and picked up the cup again. “Perhaps not,” Raymond agreed. “But if anyone is capable of reaching the patient’s center, surely it would be La Dame Blanche?” I set the cup down, staring at him. My mouth was unbecomingly open, and I closed it. Thoughts, suspicions, and realizations were rioting through my head, colliding with each other in tangles of conjecture. Temporarily sidestepping the traffic jam, I seized on the other half of his remark, to give me time to think. “The patient’s center?” He reached into an open jar on the table, withdrew a pinch of white powder, and dropped it into his goblet. The deep amber of the brandy immediately turned the color of blood, and began to boil. “Dragon’s blood,” he remarked, casually waving at the bubbling liquid. “It only works in a vessel lined with silver. It ruins the cup, of course, but it’s most effective, done under the proper circumstances.” I made a small, gurgling noise. “Oh, the patient’s center,” he said, as though recalling something we had talked about many days ago. “Yes, of course. All healing is done essentially by reaching the … what shall we call it? the soul? the essence? say, the center. By reaching the patient’s center, from which they can heal themselves. Surely you have seen it, madonna. The cases so ill or so wounded that plainly they will die—but they don’t. Or those who suffer from something so slight that surely they must recover, with the proper care. But they slip away, despite all you can do for them.” “Everyone who minds the sick has seen things like that,” I replied cautiously.

I’m happy with my decision. I can’t say that I made the right one, as who knows what other path may or may not have opened up for me if I’d stayed? Life is like that, so best not to ponder.

As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell’s Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves—goes itself; myself it speaks and spells, Crying What I do is me: for that I came. I say more: the just man justices; Keeps grace: that keeps all his goings graces; Acts in God’s eye what in God’s eye he is— Christ—for Christ plays in ten thousand places, Lovely in limbs, and lovely in eyes not his To the Father through the features of men’s faces.

Superforecasters’ online interactions are exercises in extremely polite antagonism, disagreeing without being disagreeable. Even on a rare occasion when someone does say, “‘You’re full of beans, that doesn’t make sense to me, explain this,’” Cousins told me, “they don’t mind that.” Agreement is not what they are after; they are after aggregating perspectives, lots of them. In an impressively unsightly image, Tetlock described the very best forecasters as foxes with dragonfly eyes. Dragonfly eyes are composed of tens of thousands of lenses, each with a different perspective, which are then synthesized in the dragonfly’s brain.

Let me tell ye in your sleep how much I love you. For there’s no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go

As a child, crisp spring afternoons were spent wading along Reedy Creek just beyond the field. Then came the heavy breeze in the autumn, pushing off the almond, auburn, sugar-yellow and apple-red leaves into the creek, providing rafts for dragonflies. In winter, the snow upon the wood became an eerie deep, and the occasional gliding of an owl would be spotted from our bedroom. Then, to spend an afternoon walking in a snowy wood and find a scarlet red cardinal perched on a white limb, you would think God arranged that picture just for you.

What is it, love?" I whispered. "Jamie, I do love you." "I know it," he said quietly. "I do know it, my own. Let me tell ye in your sleep how much I love you. For there's no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.

I'm honest enough to say that I dinna care what the right and wrong of hit may be, so long as you are here wi' me, Claire," he said softly. "If it was a sin for you to choose me... then I would go to the Devil himself and bless him for tempting ye to it.

You can talk to a babe, ye ken,' she said suddenly, breaking into my thought. 'Really talk, I mean. You can tell them anything, no matter how foolish it would sound did ye say it to a soul could understand ye.

I love you,” I whisper. People say those words are reserved for someone you’ve known forever or have history with or experiences that lead up to it. Not for us. Love for us was instantaneous. A supernova explosion the moment our eyes collided. The second our souls found each other, it’s like we locked into place. She is this and I am that. Together, we are everything in between.

Did you know, she says, that the migration period of butterflies and dragonflies is so long that it is often only the grandchildren who arrive at the intended destination.

Anonymity prods people to do things they wouldn’t do in plain sight. The internet provides that. You can be whomever your picture says you are.

Music amplified what they could not find in books. Ecumenical music lessons. Algerian raï, Bangla, Kora, the symphonies of Gholam-Reza Minbashian and Mehdi Hosseini, and every sample of taarab they could get their hands on. No contemporary outpourings which Muhidin told Ayaana were the residues of the disordered screeching of Iblisi. Thus they roamed soundscapes. Hearing a melody, Ayaana often cried out, “What she sing?” or “Read”, while pressing clenched fists to her heart, where a stranger’s musical yearnings throbbed. Mid-afternoon, one Tuesday, Muhidin reread to her the poetry of Hafiz. First in broken Farsi, followed by his Kiswahili translation: “O heart, if only once you experienced the light of purity,/ like a laughing candle, you can abandon the life you live in your head...” “What is it saying?,” she asked “One day you’ll know. Today just listen.

What’s the matter,’ she asks, shakes you and the numbness from your limbs, pulls the towel away and bows. Once upon a time the child would clap at the end of the pantomime, now you stare into the trees, wish you could go back under the umbrella with her again, into the warm towel-cover where the world would shrink back into a trusty, old feeling. There you would tell her everything you’ve learnt about the lifecycle of dragonflies from books and observations in the moor over the last few years. With the rhythm of the drumming and dripping rain and in long sentences that would pearl out of your mouth like the beads of water from the umbrella, you would initiate her into the secret of the insect which lives a long and boring childhood on the bottom of the pond until the strange and the most dangerous moment of its life when in the early morning hours it has climbed up a reed, shed its old skin and stands defenceless before its enemies. The act of metamorphosis can go wrong if the young dragonfly’s still-awkward wings get caught in its skin or hung up on a thorn. Its first attempt at flight, the maiden flight, is clumsy, the insect a new-found snack for birds, for in this phase the adolescent dragonfly, called an imago, is completely concentrated on trying out its new body which is still somewhat familiar to it. But the higher it rises into the air, the more confident and elegant its circles become and soon enough it is able to get around the birds’ beaks and fly off into the moor from where, you say in the final line of your presentation, it comes and where it belongs.

There is a saying, “In the kingdom of the blind, the one-eyed man is king.” I promptly invented its analogy, based on experience: “When no one knows what to do, anyone with a sensible suggestion is going to be listened to.

I brought you some fresh eggs for your breakfast. And here’s a cake. And some potato salad.” It means, “I love you. And I am sorry for what you are going through and I will share as much of your burden as I can.” And maybe potato salad is a better way of saying it.

There is no earth without the sun and moon. There is no earth without the stars. When we die, Dragonfly says, we go to the farther camps. Death is not the end of life. There is life in the farther camps. The stars are fires in the farther camps.

i see more than i say. . . do not mistake my gentleness for passiveness. the lack of words is not a lack of awareness.

The glare of the green landscape and the air, the air that was everywhere, in us and making way for us, and we rode and were aware only of each other and ourselves for those couple of miles, and for those couple of miles I was myself, back in the neighborhood of Chacarita, where I moved with my mom after we realized my dad was never going to move out first, that we would have to leave him, and I saw on either side of me the big ugly high-rises and squat goldenrod houses and fuchsia and blue and inscrutable notes scrawled on the walls, graffiti intermingling with the shimmering, shadowing little leaves of the tipas, and as I rode I slowed at the oleander at Facultad de Medicina, those delicate pink flowers that rose over the fence in utter opulence and the lush stiff leaves that reached out through the bars that were freshly painted bright green. Then there it was: the Great Mamamushi. I slowed, and Freddie slowed. We parked our bikes. I was out of breath and all the air on Earth was in my blood, and we kissed again, and I turned around, and he put his arms around my waist, and I leaned into him, and we beheld it: a tree that was almost too much to be true, that truly was incredible, with its trunk that was almost eight meters around, a staggering circumference, glittered over by dragonflies, heavy, petite, iridescent incarnations of Irena's genius, when suddenly a flock of impossible parrots exploded out of the alders, and we looked up to see them shattering the sky. "All the oaks on this trail have their own names," I explained to Freddie. "This one is my favorite. Can you believe it's still growing?" He put his face against mine. He didn't say anything. For a while we just stood like that, together, watching the Great Mamamushi grow.