Dragging Someone Down Quotes

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We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time." Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high. "You're one to laugh. You moan about the cold floor more than anyone else than I know." She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar." "Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin. "Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?" "Well, as long as your men don't object to seeing you knocked on your ass." "We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning. Ress quickly added, "Captain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
You could only save someone that wanted to be saved; otherwise, you'd be dragged down for the count, too.
Jodi Picoult (Change of Heart)
She reached up and lay her hand on my cheek. "You have the sweetest face," she said, looking at me dreamily. "It's like the perfect kitchen." I fought not to smile. This was the delirium. She'd fade in and out of it before the profound exhaustion dragged her down into unconsciousness. If you see someone spouting nonsense to themselves in an alleyway in Tarbean, odds are they're not actually crazy, just a sweet-eater deranged by too much denner. "A kitchen?" "Yes," she said. "Everything matches and the sugar bowl is right where it should be.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.
David Nicholls (One Day)
Alone in here, I could be any of that. I could feel every negative, terrible, aching feeling at once, and I didn't have to be self-conscious about it or try to put on a mask so someone else didn't feel dragged down.
Sophie Gonzales (Only Mostly Devastated)
Is there a reason you dragged me down onto the dirt?” “To talk. To lie here in silence. It doesn’t really matter.” “So, you just want someone to keep you company?” “Not someone. You.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
What, am I supposed to feel guilty?" I say. He looks confused. "Guilty?" "That I feel fine for once? That I'm not limping and moaning around? Dragging my leg like Briana? Lying on the floor, crying into my ears when everyone else around me rolls their eyes? I'm supposed to feel bad that I'm better now? I'm supposed to cry over a little cut. To what? To make you feel like I'm not a monster. I need to perform my little bit of pain for you so you'll know I'm human?" "Miranda, I didn't mean—" "But not too much pain, am I right? Not too much, never too much. If it was too much, you wouldn't know what to do with me, would you? Too much would make you uncomfortable. Bored. My crying would leave a bad taste. That would just be bad theater, wouldn't it? A bad show. You want a good show. They all do. A few pretty tears on my cheeks that you can brush away. Just a delicate little bit of ouch so you know there's someone in there. So you don't get too scared of me, am I right? So you know I'm still a vulnerable thing. That I can be brought down if need be.
Mona Awad (All's Well)
When I was extremely young and shockingly stupid, I thought you weren't supposed to ever get angry at anybody you cared about (lest you suspect I'm exaggerating the "shockingly stupid" part, I also thought Mount Rushmore was a natural phenomenon). I honestly believed that people who were truly in love would never dream of having a good, old-fashioned, knock-down, drag-out fight. I guess when you're the type of girl who walks around thinking that the wind just sort of sculpted Teddy Roosevelt into the side of a mountain, the concept of a fairy-tale relationship makes total sense.
Lisa Kogan (Someone Will Be with You Shortly: Notes from a Perfectly Imperfect Life)
I need bruschetta (that's "broo-SKET-uh," not "brushetter," a slender piece of ciabatta toasted and brushed with garlic and oil and covered in fresh tomato and basil-- the chunks inevitably fall off the bread and the olive oil runs over your lips and down your chin. The whole thing is delicious, deeply physical and delightfully undignified, and a woman who can eat a real bruschetta is a woman you can love and who can love you. Someone who pushes the thing away because it's messy is never going to cackle at you toothlessly across the living room of your retirement cottage or drag you back from your sixth heart attack by sheer furious affection. Never happen. You need a woman who isn't afraid of a faceful of olive oil for that)
Nick Harkaway
Some people may feel that I am unrealistic to believe in a world that is free of abuse. But words like unrealistic, naive, and impractical come from voices of superiority who use them as put-downs to get people to stop thinking for themselves. Abuse does affect us all. If you haven’t been involved with an abusive partner yourself, even if no woman that you love has ever suffered chronic mistreatment, the quality of your life is still dragged down, your horizons still circumscribed, by the existence of abuse and the culture that drives it. The voice of abuse takes so many different forms. You can hear it each time a child’s dreams are shot down by an adult who thinks he or she knows it all. It rings in the ears of anyone who has ever been ridiculed for crying. It echoes through the mind of each person who has dared to put a name to his or her own mistreatment, or to the cruelty directed toward someone else, and then has been derided with stinging words such as sissy or mama’s boy or hysterical or thousands of others. If
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Depression makes someone blind with all the blessings and drags her down to all stresses and failed promises. But here's the thing, sometimes, she doesn't really need someone who can understand what she's going through, she just needs you to be there.
Joena San Diego (Letters of Solana)
I choose not to waste my energy hating someone and I recognise that their negativity drags me down, so I walk away from them.
Karon Waddell
Somehow it felt familiar, an old story retold, the claws in my shoulder, my arms twisted behind my back, the drag down the street, Will assisting my father and thinking how much fun it was to hunt someone down. I knew it all. Each snarled command was a line from an old but faithless song. “Pipe down! I’m not going to hurt you! I just want to talk to you! This is for your own good!
Kaimana Wolff (La Chiripa (The Widening Gyre #2))
Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland. For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city. When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left." In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.
Joseph Heller (Catch-22)
I'm going to tell you something that no magazine or novel or television show will ever let on. Love wears you down. We think of it as hearts and flowers and happily ever after but in real life, the things you have to do in the name of love kill you... You end up doing a thousand things in a day in the name of love that you wouldn't ask a dog to do. Sex is the most powerful weapon in your arsenal innocence is attractive in children, but it makes brittle, disappointed adults. Someone liking you is just the beginning; it always starts nicely but before you know it it's like Persephone being dragged into the Underworld. Romantic love is an illusion Hughie,. It can be manupulated, twisted, piled up like a bunch of fun-house mirrors. The very nature of it is deceptive. It promises closeness but the only thing is ever really reveals is the dreams and fears of the person with the obsessions. That's why it's so easy to control
Kathleen Tessaro (The Flirt)
Most undercover cops are vastly skilled at compartmentalization. It is a talent as valued as lying. They seal off their real feelings and create imitation emotions. Easily torn down when it's time to show the badge, drag someone downtown, and sit across from him in an interrogation cell and tell him how fucked he is now.
Charlie Huston (Sleepless)
Let me make something crystal clear, Zoey,” he says, shifting his hold on me. He releases my arm and takes my books, setting them on a nearby desk. Then he drags me fully against him, locks his arms around me, and gazes down at me patiently, like a teacher with an unruly pupil. “If you fuck someone else just to spite me, you will regret it. Not as much as he will though,” he adds, silkily. “I might not have the heart to destroy you, but I damn sure won’t feel so merciful toward him. Any asshole who is seen alone with you from now on will wind up between my crosshairs. Understand?
Sam Mariano (Untouchable (Untouchables, #1))
Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.
Kim Addonizio (Tell Me)
He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
There is something terrifying about seeing someone strong standing on the edge of the abyss, like a ship on the lip of a whirlpool where the whole sea plunges into the maw of Charybdis. There is that moment when they reach out—like a drowning man will—and if you’re within reach, they will pull you down with them. I didn’t want to stand there beside him. I didn’t want to be dragged down.
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
I love you because… wait… I take a drag from my pipe… I really don’t know. I think that’s the beauty of love, wanting to be with someone, taste their sweetness and their fears, live their lives and be there in their death, share their ups and their downs, and most importantly, love them and grow old with them, even if they were some kind of monsters. Have you ever been unable to shake your soul free, wrapped with your lover’s velvet rope around your heart? Have you ever been enchanted with a nameless spell that made pain and pleasure synonymous?
Cameron Jace (Blood Apples (The Grimm Diaries Prequels, #6))
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Deep deep down inside of me I know I am not a mistake. I do not feel sick. I do not feel like a pervert. I am not gay. I am not a fag. I am not a drag queen. I am not a transexual. I am not transgender. I am just her, a daughter, a sister, someone's girlfriend, just like all the other pretty girls on campus.
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
Someone told her that shadows were a good thing because it proved the light existed, that it was as real as whatever lurked in the shadows. But when there was no light, there was nothing to push back the darkness. It just kept coming and coming until it overwhelmed its prey, dragging it down, further from the light.
Jessica Scott (Come Home to Me (Coming Home #2.6))
You have a hearing problem," Andrew deduced. "Too many balls to the helmet, perhaps. Can you read lips?" Andrew pointed at his mouth as he spoke. "The next time someone comes for you, stand down and let me deal with it. Do you understand?" "If it means losing you, then no," Neil said. "I hate you," Andrew said casually. He took a last long drag from his cigarette and flicked it off the roof. "You were supposed to be a side effect of the drugs." "I'm not a hallucination," Neil said, nonplussed. "You are a pipe dream," Andrew said. "Go inside and leave me alone." "You still have my keys," Neil reminded him. Andrew dug Neil's keys out of his pocket and pried his car key off it.
Nora Sakavic (The King's Men (All for the Game, #3))
The whirlwind of life It was true. Sometimes life was like that, a wonderful whirlwind that fills us with joy, like a ride on a merry-go-round when we are children. A whirlwind of love and drunkenness when you sleep in someones arms, in a tiny bed, getting up for breakfast at midday because you've spent the morning making love. But sometimes a whirlwind destroys things, like a violent typhoon that tries to drag us down, when we have been caught by the storm, when we realize that we have to face the tempest alone. And we are afraid.
Guillaume Musso (Que serais-je sans toi?)
You’ll never hold up someone who can’t swim for themselves. In the end, they’ll drag you down with them.
Joe Abercrombie (The Trouble With Peace (The Age of Madness, #2))
Imagine, giving up so much of yourself to drag someone back down with you.
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping. I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me. I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right? These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one. Soon, she began to listen to it. Lara, it said, sit here, where the sun may kiss you. And she did. Lara, it said, lie here, where the moon can make love to you all night long. and she did. Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream. Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon. For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara. When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion. While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon. Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true. So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
Alice Walker
Here’s something to consider: If you have a friend whose friendship you wouldn’t recommend to your sister, or your father, or your son, why would you have such a friend for yourself? You might say: out of loyalty. Well, loyalty is not identical to stupidity. Loyalty must be negotiated, fairly and honestly. Friendship is a reciprocal arrangement. You are not morally obliged to support someone who is making the world a worse place. Quite the opposite. You should choose people who want things to be better, not worse. It’s a good thing, not a selfish thing, to choose people who are good for you. It’s appropriate and praiseworthy to associate with people whose lives would be improved if they saw your life improve. If you surround yourself with people who support your upward aim, they will not tolerate your cynicism and destructiveness. They will instead encourage you when you do good for yourself and others and punish you carefully when you do not. This will help bolster your resolve to do what you should do, in the most appropriate and careful manner. People who are not aiming up will do the opposite. They will offer a former smoker a cigarette and a former alcoholic a beer. They will become jealous when you succeed, or do something pristine. They will withdraw their presence or support, or actively punish you for it. They will over-ride your accomplishment with a past action, real or imaginary, of their own. Maybe they are trying to test you, to see if your resolve is real, to see if you are genuine. But mostly they are dragging you down because your new improvements cast their faults in an even dimmer light.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down… All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does. Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough. Don’t be afraid, says Yeshua. Far more can be mended than you know. She is weeping. The executee helps her to stand up.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
I still felt the burden of my involuntary role as a mammal dragging me down. In the same way that a night of sleep put wrinkles in a bedsheet, just being alive took a toll. To talk to someone you had to move the flesh on your face. You bathed to get rid of the grime that built up on your skin and clipped your nails because they kept growing. I exhausted myself trying to achieve the bare minimum, but it had never been enough. My will and my body would always disengage before I got there.
Rin Usami (Idol, Burning)
You’re not walking around with a golden halo beaming out of you depending on the power of your paragraph. You don’t come into it, once someone else is reading. It stands apart from you. Don’t let your ability drag you down, don’t hang it round your neck like an albatross.
Jessie Burton (The Muse)
The riot screws did not stop there, they dragged him down the corridor where ten other nameless screws repeatedly coshed him over the head and face and body. Dingus by now was totally out cold, he had received the equivalent injuries of someone who was involved in a car crash.
Stephen Richards (Scottish Hard Bastards)
There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time. 'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency. 'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much. 'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. 'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio. 'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
We would take Caleb Porter by each arm, lead him down to the car, drive him to Greene Street, drag him upstairs. We would tell him what to say, and warn him that we would be just outside the door, waiting in the elevator, the pistol cocked and pointed at his back. And from behind the door, we’d listen to what he said: I didn’t mean any of it. I was completely wrong. The things I did, but more than that, the things I said, they were meant for someone else. Believe me, because you believed me before: you are beautiful and perfect, and I never meant what I said. I was wrong, I was mistaken, no one could ever have been more wrong than I was.
Hanya Yanagihara (A Little Life)
Someone has to champion us if the government won’t. During the Draft Riots back home, mobs attacked members of the race all over the city. They even burned down a Colored orphanage. Those who hate us have no shame, and if dragging them from their houses teaches them a lesson, I’m all for dragging them out every night until they learn.
Beverly Jenkins (Rebel (Women Who Dare, #1))
I love you because… wait… I take a drag from my pipe… I really don’t know. I think that’s the beauty of love, wanting to be with someone; taste their sweetness and their fears, live their lives and be there in their death, share their ups and their downs, and most importantly, love them and grow old with them, even if they were some kind of monster.
Cameron Jace (Grimm Diaries Prequels (The Grimm Diaries Prequels #1-6))
The empires collapsed to rubble. Skyscrapers dragged down to the ground. It was chaos. I could smell the end. It smells of tequila, cannabis, and strawberry shampoo. It's so cold so cold so cold. But I'm not shivering from cold. My own teeth are frigid icepicks. Carved diamond hard, I think I've cut my lip. Maybe it was someone else's teeth that nipped me.
Moonie
Hardly anyone knows what the word “success” means either. They think it’s a mountain summit, but Tails knows better, there’s no summit, just a never-ending climb. Either you continue to claw your way upward, or you get dragged or kicked down. If you stop for a moment to enjoy the view, someone stronger and hungrier will appear from below and take your place. That’s
Fredrik Backman (The Winners (Beartown, #3))
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.” This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued: “Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me. “A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.” I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising. “If you were a negro you’d find that even existing would provide more excitement than you’d care for.” He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark. “I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?” As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything. “Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?” “That’s rather unlikely,” I replied. “I have had no training as a teacher.” “Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.” “Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?” “Why not? They need teachers desperately.” “It is said that they also need technicians desperately.” “Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.” “I’ve tried that method before. It didn’t work.” “Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.” “Why especially the East End of London?” “From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.” “And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten. “Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
E.R. Braithwaite (To Sir, With Love)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
They hated it when people spoke of “the condition,” because conditions are untouchable. They wanted to have a face, a perpetrator. They needed someone to drown under the weight of all the guilt, because otherwise they themselves would be dragged beneath the surface. They were so selfish, they know that, but when they didn’t have anyone to punish there was only the sky left to scream at, and then their rage was too great for any human being to bear. They wanted an enemy. Now they’ve got one. And now they don’t know if they ought to sit next to their daughter or hunt down the person who harmed her, if they ought to help her live or see to it that he dies. Unless they’re the same thing. Hate is so much easier than its opposite. *  *  * Parents don’t heal. Nor do children.
Fredrik Backman (Beartown (Beartown, #1))
I reach out and trace the dragon relic on his back, my fingers lingering on the raised silver scars, and he stiffens. They're all short, thin lines, too precise to be a whip, no rhyme or reason to their pattern but never intersecting. 'What happened?' I whisper, holding my breath. 'You really don't want to know.' He's tense, but doesn't move away from my touch. 'I do.' They don't look accidental. Someone hurt him deliberately maliciously, and it makes me want to hunt the person down and do the same to them. His jaw flexes as he looks over his shoulder, and his eyes meet mine. I bite my lip, knowing this moment can go either way. He can shut me out like always or he can actually let me in. 'There's a lot of them,' I murmur, dragging my fingers down his spine. 'A hundred and seven.' He looks away. The number makes my stomach lurch, and then my hand pauses. A hundred and seven. That's the number Liam mentioned. 'That's how many kids under the age of majority carry the rebellion relic.' 'Yeah.' I shift so I can see his face. 'What happened, Xaden?' He brushes my hair back, and the look that passes is over his face is so close to tender that it makes my heart stutter. 'I saw the opportunity to make a deal,' he says softly. 'And I took it.' 'What kind of deal leaves you with scars like that?' Conflict rages in his eyes, but then he sighs. 'The kind where I take personal responsibility for the loyalty of the hundred and seven kids the rebellion's leaders left behind, and in return, we're allowed to fight for our lives in the Riders Quadrant instead of being put to death like our parents.' He averts his gaze. 'I chose the chance of death over the certainty.' The cruelty of the offer and the sacrifice he made to save the others hits like a physical blow. I cradle his cheek and guide his face back to mine. 'So if any of them betray Navarre...' I lift my brows. 'Then my life is forfeit. The scars are a reminder.' It's why Liam says he owes him everything. 'I'm so sorry that happened to you.' Especially when he wasn't the one who led the rebellion. He looks at me like he sees into the very depths of who I am. 'You have nothing to apologise for.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
My mother was a Methodist, but my father was Anglican: thus my mother was below my father’s level socially, as such things were accounted then. (If she’d lived, my Grandmother Adelia would never have allowed the marriage, or so I decided later. My mother would have been too far down the ladder for her – also too prudish, too earnest, too provincial. Adelia would have dragged my father off to Montreal – hooked him up to a debutante, at the very least. Someone with better clothes.)
Margaret Atwood (The Blind Assassin)
I can go an entire day without any socialisation, without a conversation with anyone. I wonder sometimes if I'm invisible. I feel like the old men and women who used to bother me by engaging in unnecessary chit-chat with the cashiers while I was stuck behind them, in a hurry, wanting to get on to the next place. When you don’t have a next place to go to, time slows down enormously. I feel myself noticing other people more, catching more eyes, or seeking out eye contact. I'm now ripe and ready for a conversation about anything with anyone; it would make my day if somebody would meet my eye, or if there was someone to talk to. But everyone is too busy, and that makes me feel invisible; and invisibility, contrary to what I believed before, lacks any sense of lightness and liberty. Instead it makes me feel heavy. And so I drag myself around, trying to convince myself that I don't feel heavy, invisible, bored and worthless, and that I am free. I do not convince myself well.
Cecelia Ahern (The Year I Met You)
electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that’s jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone’s been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It’s no joke, he tells the viewers. Don’t think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child’s pink nap blanket. A gelid baby
Margaret Atwood (Stone Mattress: Nine Tales)
It wasn’t until dawn that someone realized the boy wasn’t among the trees but down on the frozen lake. He had dragged a net and five pucks down there, as well as all the flashlights he could find, and had spent hour after hour firing shots from the same angle from which he had missed the final shot of the match. He sobbed uncontrollably as they carried him home. The white marks never faded. He was seven years old, and everyone already knew that he had the bear inside him. That sort of thing can’t be ignored.
Fredrik Backman (Beartown (Beartown, #1))
Right, well you went to sleep and they dragged us all down here, but Ellie here woke up. Tore some guy’s arm off before they subdued her. By that point Alan and I had woken up, and they gave us all a kicking. Still, she tore some guy’s arm off, which was pretty badass of her. If we find it, and then find him, can we beat him to death with it?” I stared at my fox friend for a moment. “I’d rather use something more . . . stable for bludgeoning someone to death, but sure, why not? How long have you been down here?
Steve McHugh (Lies Ripped Open (Hellequin Chronicles #5))
It didn’t get sick. Someone”—Iran cleared her throat and went on huskily—“someone came here, got the goat out of its cage, and dragged it to the edge of the roof.” “And pushed it off?” he said. “Yes.” She nodded. “Did you see who did it?” “I saw her very clearly,” Iran said. “Barbour was still up here fooling around; he came down to get me and we called the police, but by then the animal was dead and she had left. A small young-looking girl with dark hair and large black eyes, very thin. Wearing a long fish-scale coat. She had a mail-pouch purse. And she made no effort to keep us from seeing her. As if she didn’t care.” “No, she didn’t care,” he said. “Rachael wouldn’t give a damn if you saw her; she probably wanted you to, so I’d know who had done it.” He kissed her. “You’ve been waiting up here all this time?” “Only for half an hour. That’s when it happened; half an hour ago.” Iran, gently, kissed him back. “It’s so awful. So needless.” He turned toward his parked car, opened the door, and got in behind the wheel. “Not needless,” he said. “She had what seemed to her a reason.” An android reason, he thought.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
The truly awful thing about depression is that comfort is impossible because comfort is haughtily dismissed. I wouldn’t wish it on my worst enemy. And yet as you watch someone churning away at the bottom of their pit, never missing an opportunity to try and drag you down with them, you start to want to kick their arse. You want to scream “Do something, anything, but stop whining,” and cut off all food until they go out and earn it. But this you must never never do. Even thinking of it is bad. Somebody who is depressed isn’t selfish, or self-obsessed or lazy or arrogant or a drunk, they’re ill. They are.
Patricia Finney (Lucky Woman)
Books? Yes, I read a lot, I’ve always read a lot. No, I’m not sure we do understand each other. I like to read best on the floor, or in bed, almost everything lying down, no, it has less to do with the books, above all it has to do with the reading, with black on white, with the letters, syllables, lines, the signs, the setting down, this inhuman fixing, this insanity, which flows from people and is frozen into expression. Believe me, expression is insanity, it arises out of our insanity. It also has to do with turning pages, with hunting from one page to the other, with flight, with complicity in an absurd, solidified effusion, with a vile overflow of verse, with insuring life in a single sentence, and, in turn, with the sentences seeking insurance in life. Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is a debauchery, a consuming addiction. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use bookmarks, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it, they must have used an excellent method in our provincial elementary schools, at least back then when I learned to read. Yes I also realized, but not until later, that there are countries where people don’t know how to read, at least not quickly, but speed is important, not only concentration, can you please tell me who can keep chewing on a simple or even a complex sentence without feeling disgust, either with the eyes or the mouth, just keep on grinding away, over and over, a sentence which only consists of subject and predicate must be consumed rapidly, a sentence with many appositions must for that very reason be taken at tremendous speed, with the eyeballs performing an imperceptible slalom, since a sentence doesn’t convey anything to itself, it has to “convey” something to the reader. I couldn’t “work my way through” a book, that would almost be an occupation. There are people, I tell you, you come across the strangest surprises in this field of reading . . . I do profess a certain weakness for illiterates, I even know someone here who doesn’t read and doesn’t want to, a person who has succumbed to the vice of reading more easily understands such a state of innocence, really unless people are truly capable of reading they ought not to read at all.
Ingeborg Bachmann (Malina)
dinner guests. Lorena Lim and Carol Tai shook Rachel’s hand, while Daisy Foo embraced Nick. (It did not escape Rachel that Daisy was the first person who had hugged him all night.) “Aiyah, Nicky, why have you been hiding your beautiful girlfriend for so long?” Daisy said, greeting Rachel with an effusive hug as well. Before Rachel could respond, she felt someone grabbing her arm. She looked down at the bing-cherry-size ruby ring and long red manicured claws before looking up in shock at a woman with teal-green eye shadow and rouge painted heavier than a drag queen’s. “Rachel, I’m Nadine,” the woman said. “I’ve heard so much about you from my daughter.” “Really? Who’s your daughter?” Rachel asked politely. Just then, she
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
Wally Lamb (She's Come Undone)
Delay. Here is an excellent strategy for being chronically miserable and maddening to others: Be chronically dissatisfied with everything in your life, complain constantly, but do nothing effective to change your situation. If you are in a particularly bad marriage or work situation, be sure to stay there, in that it provides a never-ending supply of material to complain about and to justify why you feel so badly. If someone suggests an alternative, reject it as something that wouldn't work or that you've already tried. Or, try it out, but make sure it doesn't work. If anyone ever criticizes you for any of this, either agree profusely with their criticism and extend it even further, or, if you feel you have enough credits to do so, finally let out your frustration and spite on them for their insensitivity, ineptitude in trying to assist you, or their stupidity in not seeing the hopelessness of your situation. Whether you continue with your habitual passive-aggressive behavior or show a rare indulgence of aggression, remember to always hold to the morally superior position. By adopting this strategy, you will remain defeated but you won't be alone. By dragging the other down with you, you can further justify your position and enjoy a certain amount of triumph. After all, you are used to this and have never expected anything different. This will be a particularly effective strategy with your children who will find it more than usually difficult to reject you. With any luck at all, they will never give up on you, and you can sustain this solution to life's problems for a life time.
Stephen M. Johnson (Character Styles)
Hope, though; now there’s a real pest. Hope doesn’t just nibble your cheese and chew holes in your skirting boards. Hope keeps you plodding on when it really is time to call it quits. Hope drags you to sixteen auditions in a single day, when there’s a nice job in your brother-in-law’s tannery just waiting for you. Hope keeps you going in Old Stairs or Paradise, even though there’s no money and nothing to eat and the landlord just took your chair and your chamber pot. Personally, I can see no great merit in simply being alive if you’re miserable and in pain, but Hope won’t let you go. She’s a tease, like bad children teasing a dumb animal, and I’ve made a point of avoiding her whenever I can. Still, sometimes she runs you down and there’s nowhere left for you to go. You can turn and fight her and lose, or let her scoop you up and turn your brain to mush. Hope against hope. We had human chains shifting those blocks with levers and rollers, through the narrow alleys where carts couldn’t go. We had shifts digging the ditch by lamplight, in the rain. And in every working party there was at least one man who cheerfully announced that it wasn’t going to work, the whole idea was stupid, the enemy’ll find a way round this in two shakes, just you see; and even he didn’t really believe it, because of Hope. Hope turns a hundred men and women ripping the skin off their hands on a coarse hemp rope into a street party. Someone tells a joke, or clowns around, or starts singing a favourite song from one of the shows, and Hope bursts through, like sappers, and next thing you know she’s everywhere, like smoke, or floodwater, or rats. We’re going to beat Ogus, she whispers in every ear, and this time it’ll be different.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
This was locker-room banter, a private conversation that took place many years ago. Instead of apologizing, he dragged it from the bus to the locker room, another place inaccessible to women. He never said it was supposed to be different, only said it was supposed to be private. He intended to keep us out, we were never meant to hear. He was not sorry for what he said, just sorry he was caught. Trump sounded like someone I knew. I just start kissing them. Just kiss. I don’t even wait. “I kissed her,” Brock said. “And you didn’t ask her permission before you kissed her, did you,” my DA said. “No,” Brock said. I moved on her like a bitch. “I kissed her cheek and ear,” Brock said. “I touched her breasts. I moved her dress down.” Grab ’em by the pussy. “I took off her underwear . . . and then I fingered her.” I did try and fuck her. We live in a time where it has become difficult to distinguish between the President’s words and that of a nineteen-year-old assailant.
Chanel Miller (Know My Name: A Memoir)
For that day so long ago when he had taken Qta’s life, he had demanded Qta make for him a queen. He had demanded he build someone to love him. Qta refused, and Aon murdered him in his rage. In the desire to love, and more importantly, to be loved, he had destroyed the world. Now, on the eve of their destruction, they taunted him with hope, only to dash it away upon the cobblestones. They chose to mock him with that he could never have. Touché. “Take her now, for you would not have her then.” Aon took a step deeper into the water, sank now up to his waist, and lowered the girl into the pool. Lydia’s body was pulled from his grasp by unseen hands, their power dragging her down into the chasm. Aon climbed from the liquid and returned to the altar, putting the metal mask back on his face. There was comfort in it. He could bury his sorrow there. He could hide it all. He turned to look back at the pool for one last time. “Know that I will be the death that will rain down upon all you have made.
Kathryn Ann Kingsley (King of Shadows (The Masks of Under #2))
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off." It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair. "You're spilling the coffee," he muttered, then stuck his hands in his pockets. "Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up." "Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea." Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place." "Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you." Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold." "Damned inconvenient," he muttered. "You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you." "Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here." "You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room. "Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled." "It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-" "I don't." "Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Okay," she said, breathless. "But just be quick about it. Please." He looked up from her breasts to her face. "Stamina is usually considered a good thing in a man." She tried to catch her breath. "It's... uncomfortable. I'm not good at this," she confessed. "I don't like to drag things out.: His eyebrows slid up a fraction, his voice deepening to a silky smoothness. "Is that so?" And then ever so slowly, ever so carefully, he licked a lazy circle around her nipple. A small moan escaped her throat, taking her by surprise and embarrassing her. His lips twitched. Then he licked the nipple itself. She moaned again, started by the pleasure. Then he took her nipple into his mouth, sucked hard suddenly, and she felt moisture gather between her legs. When he moved to the other nipple while rubbing the first between his thumb and index fingers, she reached down to run her hands over his back and wide shoulders, over his hot, smooth skin, wanting to touch him as much as wanting to hold him in place. He looked up. "For someone who's not good at this, you're amazingly responsive.
Dana Marton (Broslin Bride: Gone and Done it (Broslin Creek, #5))
Setting down her own basket, Annabelle held a pin between her thumb and forefinger, and closed her eyes. Whenever the opportunity presented itself, she always made the same wish…to marry a peer. Strangely, however, a new thought entered her head, just as she cast the pin into the well. I wish I could fall in love. Surprised by the wilful, wayward notion, Annabelle wondered how it was that she could have wasted a wish on something that was obviously so ill-advised. Opening her eyes, Annabelle saw that the other wallflowers were staring into the well with great solemnity. “I made the wrong wish,” she said fretfully. “Can I have another?” “No,” Lillian said in a matter-of-fact tone. “Once you’ve thrown in your pin, it’s done.” “But I didn’t mean to make that particular wish,” Annabelle protested. “Something just popped into my head, and it wasn’t at all what I had planned.” “Don’t argue, Annabelle,” Evie advised. “You d-don’t want to annoy the well spirit.” “The what?” Evie smiled at her perplexed expression. “The resident spirit of the well. He’s the one to whom y-you make a petition. But if you annoy him, he may decide to demand a terrible price for granting your wish. Or he may drag you into the well with him, to live there forever as his c-consort.” Annabelle stared into the brown water. She cupped her hands around the sides of her mouth to help direct her voice. “You don’t have to grant my rotten wish,” she told the unseen spirit loudly. “I take it back!” “Don’t taunt him, Annabelle,” Daisy exclaimed. “And for heaven’s sake, step back from the edge of that well!” “Are you superstitious?” Annabelle asked with a grin. Daisy glowered at her. “There’s a reason for superstitions, you know. At some> point in time, something bad happened to someone who was standing right next to a well, just as you are.” Closing her eyes, she concentrated intently, then tossed her own pin into the water. “There. I’ve made a wish for your benefit—so there’s no need for you to complain about having wasted one.” “But how do you know what I wanted?” “The wish I made is for your own good,” Daisy informed her. Annabelle groaned theatrically. “I hate things that are for my own good.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
You can't believe in the Great A'Tuin," he said. "Great A'Tuin exists. There's no point in believing in things that exist." "Someone's put up their hand," said Urn. "Yes?" "Sir, surely only things that exist are worth believing in?" said the enquirer, who was wearing a uniform of a sergeant of the Holy Guard. "If they exist, you don't have to believe in them," said Didactylos. "They just are." He sighed. "What can I tell you? What do you want to hear? I just wrote down what people know. Mountains rise and fall, and under them the Turtle swims onward. Men live and die, and the Turtle Moves. Empires grow and crumble, and the Turtle Moves. Gods come and go, and still the Turtle Moves. The Turtle Moves." From the darkness came a voice, "And that is really true?" Didactylos shrugged. "The Turtle exists. The world is a flat disc. The sun turns round it once every day, dragging its light behind it. And this will go on happening, whether you believe it is true or not. It is real. I don't know about truth. Truth is a lot more complicated than that. I don't think the Turtle gives a bugger whether it's true or not, to tell you the truth.
Terry Pratchett (Small Gods (Discworld, #13))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
We have to find a way to push them together,” Minerva said. “You know perfectly well that if Oliver marries, Gran will forget this ridiculous idea of hers about the rest of us marrying. She just wants him to produce an heir” Hetty’s eyebrows shot high. Her granddaughter had a big surprise coming down the road. “And you’re willing to throw him under the wheels of the coach to save yourself, is that it?” Jarret quipped. “No!” Her voice softened. “You and I both know he needs someone to drag him out of himself. Or he’s just going to get scarier as he gets older.” She paused. “Did you tell him about Miss Butterfield’s being an heiress?” That certainly arrested Hetty’s attention. She hadn’t dreamed that the girl had money. “Yes, but I fear that might have been a mistake-when I suggested that he marry her for her fortune, he got angry.” Of course he got angry, you fool, Hetty thought with a roll of her eyes. Honestly, did her grandson know nothing about his brother? “For goodness sake, Jarret, you weren’t supposed to suggest that. You were supposed to get him concerned that she might fall prey to fortune hunters.” At least Minerva had a brain. “Damn,” Jarret said. “Then I probably shouldn’t have exaggerated the amount.” “Oh, Lord.” Minerva sighed. “By how much?” “I kind of…tripled it.” Minerva released an unladylike oath. “Why did you do that? Now he won’t go near her. Haven’t you noticed how much he hates talk of marrying for money?” “Men say things like that, but in the end they’re practical.” “Not Oliver! You’ve just ruined everything!” “Don’t be so dramatic,” Jarret said. “Besides, I have a plan-I laid the seeds for it before I even left Oliver’s study. Come, let’s go talk to the others. It will take all of us working together.” His voice receded as the two of them apparently left the room. “If we merely…” Hetty strained to hear, but she lost the thread of the conversation. Not that it mattered. A smile tugged at her mouth. It appeared she would not have to carry off this match alone. All she need do was sit back and watch Jarret work on Oliver. In the meantime, she would let Minerva go on thinking that finding Oliver a wife would solve their dilemma. That would spur the girl to try harder. In the end, it didn’t matter why or how they managed it, as long as they did. Thank God her grandchildren had inherited her capacity for scheming. It made her proud. So Oliver thought he was going to get around her this time, did he? Well, he was in for a shock. This time he had more than just her to worry about. And with every one of the Sharpe children on Miss Butterfield’s side? She laughed. Poor Oliver didn’t stand a chance.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
And you're thinking I just tossed out some casual phrase that you've heard from dozens of guys? Or maybe one in particular,who mattered enough to turn you into a cynic?" At the intensity of his tone she looked up. "Yeah.Something like that.After all, McCord,your reputation precedes you. You're not exactly shy with women. I'm sure you've used plenty of lines like that to get what you want." His eyes,steady on hers,were hot and fierce. His voice was equally fierce. "I'll admit that when I first saw you, my initial reaction was purely physical. A healthy combination of testosterone and lust.What guy could look at you and not feel what I felt? You're beautiful, and bright and independent.And did I mention beautiful?" That brought a smile to her eyes. "But the more I got to know you,the more I realized you weren't just a pretty package.I started learning that you were someone special.Someone I wanted to treat very carefully." "And now?" "I'm still battling lust." There was that grin,sending an arrow straight through her heart. "But there's more here.Much more." He stared at her mouth with naked hunger. "I've waited a long time for this,but now I'm going to have to kiss you.And when I do,I can't promise to stop." She stood very still,heart pounding. "How do you know I'll ask you to?" "Careful.Because unless you tell me to stop,you have to know where this is heading..." In reply she stood on tiptoe to brush her mouth to his,stopping his words. Stopping his heart. He drew in a deep breath and drew her a little away to stare into her eyes. "I hope you meant that." "With all my heart." "Thank God." He dragged her against him and covered her lips with his.Inside her mouth he whispered, "Because, baby,I mean this." She'd waited so long.So long.And it was worth all the time she'd spent waiting and wondering.Here was a man who knew how to kiss a woman and make her feel like the only one in the universe. This kiss was so hot,so hungry, she felt the rush of desire from the top of her head all the way to her toes.And still it spun on and on until she became lost in it. He changed the angle of the kiss and took it deeper until Marilee could feel her flesh heating, her bones melting like hot wax. She wanted to be sensible,to move slowly, but her mind refused to cooperate. With a single kiss her brain had been wiped clear of every thought but one.She wanted this man.Wanted him now.Desperately. When at last they came up for air, she put a hand to his chest. "I need a minute to catch my breath." "Okay." A second later he dragged her close. "Time's up." Her laughter turned into a sigh as he ran nibbling kisses down her throat until the blood was drumming in her temples.
R.C. Ryan (Montana Destiny)
I didn't see you Under the Mountain,' I said instead. I had to know without a doubt- if they were there, if they'd seen me, if it'd impact howI interacted while working with- Silence fell. None of them, even Amren, looked at Rhysand. It was Mor who said, 'Because none of us were.' Rhys's face was a mask of cold. 'Amarantha didn't know they existed. And when someone tried to tell her, they usually found themselves without the mind to do so.' A shudder went down my spine. Not at the cold killer, but- but... 'You truly kept this city, and all these people, hidden from her for fifty years?' Cassian was staring at his plate, as if he might burst out of his skin. Amren said, 'We will continue to keep this city and these people hidden from our enemies for a great many more.' Not an answer. Rhys hadn't expected to see them again when he'd been dragged Under the Mountain. Yet he had kept them safe, somehow. And it killed them- the four people at this table. It killed them all that he'd done it, however he'd done it. Even Amren. Perhaps not only for the fact that Rhys had endured Amarantha while they had been here. Perhaps it was also for those left outside of the city, too. Perhaps picking one city, one place, to shield was better than nothing. Perhaps... perhaps it was a comforting thing, to have a spot in Prythian that remained untouched. Unsullied.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Sophie tried to get off the bed and nearly fell over when she felt the stabbing pain in her ankle. “Ouch!” “Are you all right?” Sylvan looked at her anxiously. “Fine, it’s just my ankle.” It was true that her twisted ankle was still throbbing, but she could stand to put some weight on it now. And she was going to have to if she didn’t want him carrying her everywhere. Her eyes had adjusted to the dim light coming through the windows and she could see a small room to one side. “That must be the bathroom. Think I’ll go check out the hot water situation.” He reached for her. “I’ll carry you.” “No, no! It’s better already—see?” Sophie put her foot flat down on the floor and tried to smile despite the pain. Sylvan frowned. “If you’re certain you’re all right. I must have misjudged the severity of your injury.” “I’m perfectly fine,” Sophie said, trying to make her voice cheerful and light. “I mean, aside from being chased by evil cyborg dogs from hell who want to drag me back to the Scourge overlord, I couldn’t be better.” Sylvan’s eyes were suddenly dark. “Don’t even joke about that.” “Sorry.” She shrugged. “I was just trying to lighten the mood. I’ll just…” She motioned at the bathroom and he nodded. Because he was still watching her, Sophie forced herself to walk without limping, even though her ankle was still so tender and it felt like someone was sticking a knife into it with every step. Finally she got to the bathroom and breathed a sigh of relief as she closed the door. *
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
What are you doing abovedecks, anyhow?” “The cry went up for all hands.” “You’re not a hand. You’re a passenger.” “I may not be a hand, but I’ve got two perfectly good hands, and if I sit on them a second longer, I’ll go mad.” Joss stared at Gray’s open collar, where his cravat should have been knotted. “She’s really getting to you, isn’t she?” “You have no idea,” Gray muttered. “Oh, I think I do.” Gray ignored his brother’s smug tone. “Damn it, Joss, just put me to work. Send me up to furl a sail, put me down in the hold to pump the bilge…I don’t care, just give me something to do.” Joss raised his eyebrows. “If you insist.” He lifted the spyglass to his eye and began scanning the horizon again. “Batten the hatches, then.” Gray tossed a word of thanks over his shoulder as he descended to the quarterdeck and went to work, dragging the tarpaulins over the skylights and securing them with battens. As he labored, the ship’s motions grew more violent, hampering his efforts. He saved the vent above the ladies’ cabin for last, resisting the urge to peer down through the grate. Instead, he first secured one end, then blanketed the entire skylight with one strong snap on the canvas. “Ahoy! Ahoy!” Wiggins leaned forward over the prow, hailing the approaching ship, its puffed scudding sails a stark contrast against the darkening sky. Gray moved to cover the companion stairs, reaching inside the gaping black hole and groping for the handle to draw the hatch closed. Something-or someone-groped him back.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Brian and Avis deliver their stacks and try to refuse dinner, but the waiters bring them glasses of burgundy, porcelain plates with thin, peppery steaks redolent of garlic, scoops of buttery grilled Brussels sprouts, and a salad of beets, walnuts, and Roquefort. They drag a couple of lawn chairs to a quiet spot on the street and they balance the plates on their laps. Some ingredient in the air reminds Avis of the rare delicious trips they used to make to the Keys. Ten years after they'd moved to Miami they'd left Stanley and Felice with family friends and Avis and Brian drove to Key West on a sort of second honeymoon. She remembers how the land dropped back into distance: wetlands, marsh, lazy-legged egrets flapping over the highway, tangled, sulfurous mangroves. And water. Steel-blue plains, celadon translucence. She and Brian had rented a vacation cottage in Old Town, ate small meals of fruit, cheese, olives, and crackers, swam in the warm, folding water. Each day stirring into the next, talking about nothing more complicated than the weather, spotting a shark off the pier, a mysterious constellation lowering in the west. Brian sheltered under a celery-green umbrella while Avis swam: the water formed pearls on the film of her sunscreen. They watched the night's rise, an immense black curtain from the ocean. Up and down the beach they hear the sounds of the outdoor bars, sandy patios switching on, distant strains of laughter, bursts of music. Someone played an instrument- quick runs of notes, arpeggios floating in soft ovals like soap bubbles over the darkening water.
Diana Abu-Jaber (Birds of Paradise)
What’s going on, chick?” she asks, taking a drink. She knows that when Johnnie comes out, something bad has happened. I suck on my teeth and shake my head. She cringes at the burn of whiskey, waiting for me to say more. I glance down at my bracelet. “My past caught up with me.” She slides the bottle back my way. “Need me to hurt someone?” she asks, dead serious. She and I are as close as friends come, and we have been since senior year of high school. And at the core of our friendship is a pact of sorts: nothing’s going to drag her towards the future she doesn’t want, and nothing’s going drag me back into the past I’ve worked to forget. Nothing. I huff out a laugh. “Eli’s already beaten you to it.” “Eli?” she says, raising an eyebrow. “Girl, I’m hurt. Hoes before bros, remember?” “I didn’t ask him to get involved. I broke up with him, and then he got involve—” “What!” She grabs the table. “You broke up with him? When were you going to tell me?” “Today. I was going to tell you today.” She’s shaking her head. “Bitch, you should’ve called me.” “I was busy ending a relationship.” She falls back into her seat. “Shit girl, Eli’s going to stop giving us a discount.” “That’s what your most upset by?” I say, taking another swig of whiskey. “No,” she says. “I’m happy you grew a vagina and broke up with him. He deserves better.” “I’m going to throw this bottle of whiskey at you.” She holds her hands up to placate me. “I’m kidding. But seriously, are you okay?” I barely stop myself from looking at my computer screen again. I exhale. “Honestly? I have no fucking clue.
Laura Thalassa (Rhapsodic (The Bargainer, #1))
Previously, leaving the couch and walking up to the television to change the channel might cost more effort than merely enduring the awful advertisement and associated anxiety. But with a remote in hand, the viewer can click a button and move away effortlessly. Add cable television and the ability to change channels without returning the set (not to mention hundreds of channels to watch instead of just three), and the audience's orientation to the program has utterly changed. The child armed with the remote control is no longer watching a television program, but watching television—moving away from anxiety states and into more pleasurable ones. Take note of yourself as you operate a remote control. You don't click the channel button because you are bored, but because you are mad: Someone you don't trust is attempting to make you anxious. You understand that it is an advertiser trying to make you feel bad about your hair (or lack of it), your relationship, or your current SSRI medication, and you click away in anger. Or you simply refuse to be dragged still further into a comedy or drama when the protagonist makes just too many poor decisions. Your tolerance for his complications goes down as your ability to escape becomes increasingly easy. And so today's television viewer moves from show to show, capturing important moments on the fly. Surf away from the science fiction show's long commercial break to catch the end of a basketball game's second quarter, make it over to the first important murder on the cop show, and then back to the science fiction show before the aliens show up.
Douglas Rushkoff (Present Shock: When Everything Happens Now)
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“ “That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’” “Fifty paces? Are you mad? It would have to be a hundred at least.” Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.” “Don’t remind me,” Celia grumbled. “Gabe also said he won a kiss from you.” “Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.” “Perhaps he was just trying to be polite.” Celia sighed. “Probably. I didn’t kiss you “properly” today because I was afraid if I did I might not stop. “The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.” Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?” Celia nodded. Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?” “Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.” “He hasn’t mentioned marriage?” “No.” Concern crossed Minerva’s face. “And love? What of that?” “That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.” Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.” Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.” “Mr. Pinter doesn’t strike me as that sort.” “Well, he didn’t strike me as having an ounce of passion until he started kissing me.” Minerva shot her a sly glance. “How is his kissing?” Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure. “That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?” “Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.” “You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.” I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either. Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Missy I was sixteen and Jason (known on TV as Jase) was eighteen when we started dating. One of my friends--we’ll call her Christy--was actually interested in him, and the two of them had started seeing each other. Jase did not know Christy was already dating someone else and had been for quite some time. He found this out at her house one Sunday afternoon when she ran down the stairs telling him he had to leave immediately. About that time, he heard the screeching of tires from the front of her house. Her boyfriend had arrived. The boyfriend (we’ll call him Greg) was obviously not happy with the current arrangement and was there to set things straight with Jason. He told Jason eh wanted to talk inside his truck. Jase ended up getting into Greg’s vehicle, which he quickly regretted, and Greg proceeded to drive to an undisclosed location to fight it out. Quickly, Jase realized the situation and told Greg that if all of this was over Christy, he could have her. She was not worth it to him. Since Greg did not seem to respond to this direction in the conversation, Jase switched gears and started preaching to him. He proceeded to tell Greg that Jesus died for him and for all the rotten things he had done in his life. He told him God would forgive him if he would turn his life over to Jesus, be baptized for his sins, and start living a life that reflected Jesus’ love for him. Since Greg did not seem to respond to this dialogue either, Jase told him simply, “Just don’t hit me in the face.” Greg stopped the truck, dragged Jase out, roughed him up a bit, and left him at the end of a dead-end road. Jason never threw one punch. Obviously, the relationship between Jason and Christy was officially over.
Missy Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
The small moan she released into his mouth made him smile, and kiss her more deeply. After several moments he shifted his mount's reins to his left hand to free his right to caress her. His eager fingers went straight to her breast to knead briefly before focusing on her nipple. Much to his satisfaction, Claray gasped and arched into the caress when he pinched and teased the sensitive tip as he'd wanted to do. Her response to his touch was most gratifying. Her kiss became frantic, and she squirmed in his lap, her bottom unintentionally rubbing against him in a most exciting manner. Eager for the moans and mewls of pleasure he'd drawn from her in the river, Conall released her nipple and let his hand drift down over the swaddled fox and below to press between her legs through the plaid she wore. When Claray immediately broke their kiss on a gasp, he pressed more firmly, then claimed her lips again and thrust his tongue into her mouth as he began to rub her through the heavy cloth, eliciting those groans and mewls he'd wanted. She was so damed responsive to him it made him ache, and if it weren't for the fact that he had Payton, Roderick, Hamish and two hundred warriors at his back, he'd have ridden into the woods, dragged her to the ground, thrown up her skirts and sunk himself into her. As Payton had said, bedding her every night and filling her belly with a bairn or nine would be no hardship at all, and where before Conall had thought he wouldn't care if her father decided to break the betrothal and find her someone else to wed, the idea was now anathema to him. He wanted her for himself. He wanted to sink himself into her wet heat and stay there for a week. The only way to do that though was to claim and marry her. Oddly enough, that suddenly didn't seem a bad idea.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
1 The holes in this story are not lamps, they are not wheels. I walked and walked, grew a beard so I could drag it in the dirt, into a forest that wasn't there. I want to give you more but not everything. You don't need everything. 2 This is what they found on the dead man's desk when the landlord let them in: twenty-eight pages, esoteric and unfollowable, written with perfect penmanship and a total disregard for any reader, as it the intended audience was a population not quite human. Angelic script, says the detective, lifting the pages, feeling their heft and he wonders what he means because it isn't. His partner nods but ignores him. A park bench, white roses, dark coats and white roses, snow and repetitions of snow--it's hard to read but pretty much how they found him: dead on a bench in a black coat, the snow falling down. Twigs and blackbirds, snow and red horses, the ghosts floating up, the snow falling down--the detective is weeping--and the black coat. 3 Someone has to leave first. This is a very old story. There is no other version of this story. 4 It's getting late, Little Moon. Finish the song. It's not that late. You are my moon, Little Moon, and it's late enough. So climb down out of the tree. Is it safe? Safe enough. Are you dead as well? The night is cold, it is silver, it is a coin. Not everyone is dead, Little Moon. But the big moon needs the tree. There is a ghost at the end of the song. Yes, there is. And you see his hand and then you see the moon. Am I the ghost at the end of the song? We are very close now, Little Moon. Thank you for shining on me. 5 He was pointing at the moon but I was looking at his hand. He was dead anyway, a ghost. I'm surprised I saw his hand at all. All this was prepared for me. All this was set in motion a long time ago. I live in someone else's future. I stayed as long as I could, he said. Now look at the moon. The Worm King’s Lullaby
Richard Siken
I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.” “Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.” His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this. Shit. Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.” Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes. But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced. I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride. Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I was driving home one afternoon during this period when I rolled past a woman putting household objects and furniture out in her front yard. I figured it was a garage sale or she was termite bombing. As I moved past her house an object I saw stopped me. Dragged me into the present. A chair. The chair? The orange Danish modern chair that I broke and that subsequently broke up my marriage appeared to be sitting on her front lawn. “Impossible,” I thought. That was destroyed, thrown out, gone. I stopped my car abruptly in the street, opened my car door, and ran up into her yard. She was pulling more stuff out of her house. I said, “Hi. Hey, are you selling this stuff?” “Just take whatever you want. I’m leaving,” she said, going angrily about her business. “Where did you get this chair? I used to have one exactly like it. I’ve never seen another one.” “I found it,” she said. “Take it.” I inspected the chair. It had been carefully rebuilt, put back together. It was the chair. “Did you find this on the street up on the hill around the corner?” “Yeah,” she said. “Why?” “This chair destroyed my marriage.” She looked at me with a dark, stressed gaze for a second like she was looking through me at something burning in the distance and said, “Mine, too.” I didn’t ask any questions. Synchronicity was upon us. The causality was there, it was explainable, but the meaning of the object before us was at once unique and shared. It was some kind of black magic that sent my thoughts back to the garage wizard who kept Jung’s curtains locked up. What had he unleashed on this world, my world, her world, with this chair? “We have to take it out of circulation.” “Yes,” she said, catatonically, like how I felt. Then this stranger and I proceeded to destroy the chair with our hands and our feet until it was unfixable. We took a breath and looked down at the scattered chair shards. “Thanks,” she said. A horn honked. I turned to see my car, door open, sitting in the middle of the street, running. Someone needed to get by. “Good luck with everything,” I said, then walked back to my car and drove away, strangely relieved. I glanced in my rearview mirror and saw her making a pile of culprit pieces.
Marc Maron (Attempting Normal)
How many rapes occurred inside the walls of the main camp of Ravensbrück is hard to put a figure to: so many of the victims—already, as Ilse Heinrich said, half dead—did not survive long enough after the war to talk about it. While many older Soviet women were reluctant to talk of the rape, younger survivors feel less restraint today. Nadia Vasilyeva was one of the Red Army nurses who were cornered by the Germans on the cliffs of the Crimea. Three years later in Neustrelitz, northwest of Ravensbrück, she and scores of other Red Army women were cornered again, this time by their own Soviet liberators intent on mass rape. Other women make no excuses for the Soviet rapists. ‘They were demanding payment for liberation,’ said Ilena Barsukova. ‘The Germans never raped the prisoners because we were Russian swine, but our own soldiers raped us. We were disgusted that they behaved like this. Stalin had said that no soldiers should be taken prisoner, so they felt they could treat us like dirt.’ Like the Russians, Polish survivors were also reluctant for many years to talk of Red Army rape. ‘We were terrified by our Russian liberators,’ said Krystyna Zając. ‘But we could not talk about it later because of the communists who had by then taken over in Poland.’ Nevertheless, Poles, Yugoslavs, Czechs and French survivors all left accounts of being raped as soon as they reached the Soviet lines. They talked of being ‘hunted down’, ‘captured’ or ‘cornered’ and then raped. In her memoirs Wanda Wojtasik, one of the rabbits, says it was impossible to encounter a single Russian without being raped. As she, Krysia and their Lublin friends tried to head east towards their home, they were attacked at every turn. Sometimes the approach would begin with romantic overtures from ‘handsome men’, but these approaches soon degenerated into harassment and then rape. Wanda did not say she was raped herself, but describes episodes where soldiers pounced on friends, or attacked them in houses where they sheltered, or dragged women off behind trees, who then reappeared sobbing and screaming. ‘After a while we never accepted lifts and didn’t dare go near any villages, and when we slept someone always stood watch.
Sarah Helm (Ravensbruck: Life and Death in Hitler's Concentration Camp for Women)
Where is Albert?" "He'll be here momentarily. I asked our housekeeper to fetch him." Christopher blinked. "She's not afraid of him?" "Of Albert? Heavens, no, everyone adores him." The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look. And then the housekeeper returned with an obedient and well-groomed dog trotting by her side. "Albert?" Christopher said. The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly. Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled. "I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly. She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine." To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him." "He's much better behaved than before," she said. "You can take him anywhere now." Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly. "He's very much worth saving. Anyone could see that." The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it. “There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each. “Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.” “Oh, Jesus,” Emma mutters as she approaches us. I point to my mouth and say, “Feed me. Daddy needs sugar.” Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.” “Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend. “Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.” “He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe. “Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully. “I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.” “Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.” Georgie rolls her eyes. “And that’s our cue to leave.” “But we didn’t eat our snacks.” “Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.” As they walk away, Racer asks, “Want to have sex in the car?” “Not even a little.” “Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests. “You’re the best,” I admit. “She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.” She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?” Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in. I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys. “Emma. Emma. Emma . . .” And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.
Meghan Quinn (The Other Brother (Binghamton, #4))
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
I saw you through your dreams- and I hoarded the images, sorting through them over and over again, trying to place where you you were, who you were. But you had such horrible nightmares, and the creatures belonged to all courts. I'd wake up with your scent in my nose, and it would haunt me all day, every step. But then one night, you dreamed of standing amongst green hills, seeing unlit bonfires for Calanmai.' There was such silence in my head. 'I knew there was only one celebration that large; I knew those hills- and I knew you'd probably be there. So I told Amarantha...' Rhys swallowed. 'I told her that I wanted to go to the Spring Court for the celebration, to spy on Tamlin and see if anyone showed up wishing to conspire with him. We were so close to the deadline for the curse that she was paranoid- restless. She told me to bring back traitors. I promised her I would.' His eyes lifted to mine again. 'I got there, and I could smell you. So I tracked that scent, and... And there you were. Human- utterly human, and being dragged away by those piece-of-shit picts, who wanted to...' He shook his head. 'I debated slaughtering them then and there, but then they shoved you, and I just... moved. I started speaking without knowing what I was saying, only that you were there, and I was touching you, and...' He loosed a shuddering breath. There you are. I've been looking for you. His first words to me- not a lie at all, not a threat to keep those faeries away. Thank you for finding her for me. I had the vague feeling of the world slipping out from under my feet like sand washing away from the shore. 'You looked at me,' Rhys said, 'and I knew you had no idea who I was. That I might have seen your dreams, but you hadn't seen mine. And you were just... human. You were so young, and breakable, and had no interest in me whatsoever, and I knew that if I stayed too long, someone would see and report back, and she'd find you. So I started walking away, thinking you'd be glad to get rid of me. But then you called after me, like you couldn't let go of me just yet, whether you knew it or not. And I knew... I knew we were on dangerous ground, somehow. I knew that I could never speak to you, or see you, or think of you again. 'I didn't want to know why you were in Prythian; I didn't even want to know your name. Because seeing you in my dreams had been one thing, but in person... Right then, deep down, I think I knew what you were. And I didn't let myself admit it, because it there was the slightest chance that you were my mate... They would have done such unspeakable things to you, Feyre. 'So I let you walk away. I told myself after you were gone that maybe... maybe the Cauldron had been kind, and not cruel, for letting me see you. Just once. A gift for what I was enduring. And when you were gone, I found those three picts. I broke into their minds, reshaping their lives, their histories, and dragged them before Amarantha. I made them confess to conspiring to find other rebels that night. I made them lie and claim that they hated her. I watched her carve them up while they were still alive, protesting their innocence. I enjoyed it- because I knew what they had wanted to do to you. And knew that it would have paled in comparison to what Amarantha would have done if she'd found you.' I wrapped a hand around my throat. I had my reasons to be out there, he'd once said to me Under the Mountain. Do not think, Feyre, that it did not cost me.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Snacks? What kind of snacks?” I asked. “Something called chips, which are made from potatoes, and different kinds of candies.” “Oh, you’re gonna sell candy, too?” “Yeah, but totally different from the candy shop.” “I see.” “I hope you’ll come by for the grand opening.” “When is it?” “Hopefully, next week. I’ll let you know.” I nodded. “Okay, I’ll try to make it, Tes.” “Cool. Thank you. Alright, I’m going to get some more food,” he said and left. A few minutes later, Maky got on the microphone and announced that the dancing portion of the night was going to start soon. “Woohoo! It’s dancing time,” said Arthur excitedly. “You know who I’m going to ask to dance with me?” “Who?” I asked. “Autumn,” answered Pierce. “Yup! Hopefully, she’ll agree.” “What about you, Pierce? Are you gonna ask anyone to dance?” “Um, I don’t know. Maybe I’ll just dance by myself or with a group of friends,” the knight answered. “Cool…” I said sadly because I felt a little bit left out. “Or you know, maybe I’ll just hang out with you.” “Naw, I’m fine. You don’t have to keep me company.” Then suddenly, music started playing from the speakers that were set up at all the four corners of the city square. “Oh, here we go! I’ll be back later,” said Arthur as he took off to find Autumn. As the music played, I looked around for Maky’s band, but they were nowhere in sight. “Hm. This music must be coming from the jukebox,” I said. “Yeah, I don’t think Maky is playing tonight,” said Pierce. “She’s not? Why not? They’re super good.” “I don’t know, Steve.” “Hm. Oh, look. People are starting to take to the dance floor.” Slowly, a couple of villagers made their way toward the center of the city square. They were nervous about being the first ones, but soon after, many others followed their lead. Before I knew it, there were a ton of villagers in the middle, jumping up and down and dancing to the music. “That looks like fun…” I said. “Yeah…” said Pierce. “You should go join them.” “N-nah. I like sitting here.” Right when Pierce said that, someone came by and grabbed his hand and pulled him to the dance floor. “Come on, Pierce, let’s show them how it’s done,” said Leila. “B-but I’m not that good!” said Pierce. I tried my best to smile and said, “Have fun…” With my fake smile on, I watched as Pierce was dragged into the middle. Leila had stolen my only company away from me, and that made me feel super left out. I sighed and thought to myself, I wish I was out of this chair already. But I knew I didn’t have a choice, so I just sat in my chair and nodded along to the music. A few minutes later, the first song ended and the next one came on. I just continued sitting there while watching my friends have fun. In the middle, I could see Arthur dancing with Autumn, Cindy dancing with Arceus, and Leila dancing with Pierce. Shortly after, someone came by to talk to me. “Hey, Steve! How ya doing?” Maky asked while breathing hard. “Maky? Why aren’t you playing tonight?” I asked. “Oh, because I wanted to dance and have fun tonight. I mean, playing my instrument is fun, too, but dancing is a different kind of fun.” “I see.” “So, what are you doing over here? You don’t want to join the fun?” “Uh, there’s not much fun to be had when I’m stuck in a wheel chair.” “Oh, that’s nonsense!” Then she ran behind my chair, tilted it slightly backwards and pushed me off toward the middle of the dance floor. “Whoa! What are you doing?!” “We’re going to dance!” “Huh?!
Steve the Noob (Diary of Steve the Noob 35 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Sometimes it seems like he just wants to punish someone, anyone, for a long list of grievances that he has never made clear, which you can never ask about because he keeps his emotions so guarded that any question would be interpreted as assault. I wonder if dragging us to this village and the nearby town wear he spent his childhood is a way of sinking us all into his own personal hell so that we can see how this strange combination of poverty and opportunity, these broken and muddy roads, these crumbling houses, these overburdened men and women walking slowly in these streets singing praise songs to keep themselves going, created the strange combination of love and anger and pride and fear that is my father. He always sat in the passenger seat while we drove around the village so he could fully view what he sometimes called a world of wasted opportunity. With OJ or my mother in the car, he pointed out all the things he would make right if only he had the power. With me now, he says nothing. Occasionally he turns to look at me with the same expression that occupies his face when he has to solve a problem at the office. I sink down in my seat and wish that my mother had come.
Uzodinma Iweala (Speak No Evil)
She wanted to feel his hands and his mouth all over her, wanted him inside her, wanted to be so close she couldn’t tell where one of them ended and the other began. She felt as if she had morphed into someone else, some wild creature she didn’t even know. As if her body were some alien, newly unearthed part of her that she could no longer control. She didn’t notice when he slid her jeans and pink satin panties down over her hips, but roused a little when he dragged a small foil packet out of the wallet in his hip pocket and tore it open. She caught the sound of his zipper sliding down. A hand she didn’t recognize as her own reached out for him, wrapped around the thick, heavy weight of his sex, held him while he slid on the condom, then guided him between her parted legs. “God, Charity…” With a single deep thrust, Call buried himself inside her. The moment he did, she started to come. “Christ.” His muscles went rigid. In some vague corner of her mind, she realized he was fighting for control. Charity cried out his name and clung to his neck, unable to believe how quickly she had reached her peak. She knew the moment he gave up his struggle to hold himself back, felt him begin to move, felt the deep thrust and drag of his shaft against the walls of her passage. She felt the power of the man above her and the deep, saturating pleasure as a second climax shook her. Beneath her hands, hard muscle tightened and Call groaned. The sinews in his hips flexed and moved as he pumped himself inside her, then came with incredible force, his body going rigid, his shoulders glowing with a sheen of perspiration. For long seconds, neither of them moved. The only sound in the forest was the wind luffing through the trees, their labored breathing, and the soft thud of their heartbeats.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
Now then,” Falco started as he tucked the canvases back beneath the long table. “Have I proven myself, Signorina Cassandra? May I paint you?” Cass looked down at her long legs protruding from the ruffled skirt. She willed back the images of Aunt Agnese and Luca that threatened to overwhelm her. “You’re not going to display it, are you?” she asked. “I thought I’d hang it by the entrance to the Grand Canal. Call it Signorina Cassandra Caravello in Her Undergarments. What do you think?” “Very funny.” “I thought so.” Falco dragged the wooden stool and easel to the center of the room. He gestured for Cass to take her place on the divan. “Please.” He pulled a pair of lamps close, murmuring something about the insufficient lighting. “Under normal circumstances,” Falco said, “I would ask you to sit during the daytime. It’s the only way to get a clear picture. But it isn’t often I have the place to myself.” He grinned. “And you are certainly not a normal circumstance.” Cass felt herself blushing; she was sure he would have to paint her complexion a mottled red. “Make yourself comfortable,” he said. “Right now it looks as though you’re sitting on a pincushion.” Cass tried a new pose and Falco laughed. “Let me,” he said, and, reaching out, set about readjusting her. He gently eased her onto her left hip, letting the right leg fall forward in front of her. He pulled part of her hair over her shoulder so it twisted and curled around her neck. Cass sipped her drink nervously, hoping the alcohol might relax her. Each of Falco’s touches generated a tiny bolt of lightning inside her. The charge was starting to build up to dangerous levels. “Are your legs cold?” Falco asked. Cass managed to choke out a no. Her whole body was racing with heat, and she felt about two touches away from spontaneous combustion. She was seized by a fleeting impulse to run away; at the same time, she wished he would touch her forever. The costume, the posing, the mysterious alcohol that was dissolving her inhibitions. Cass felt wild and alive, even more so than she had the night they went to the brothels. That night she had been someone else, but tonight she was posing as herself, and she loved it.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Always verify the information you are given. People are always looking for a reason to hate, fight & drag someone down from their success. All they need is your support,so that they can feel they are doing a right thing. They are in a mission of making everyone miserable, because their own lives didn’t turn out the way they hoped it would.
D.J. Kyos
If someone fixing a broken water pipe says, “Hand me the wrench,” his co-worker will not, generally speaking, say, “And what do I get for it?”—even if they are working for Exxon-Mobil, Burger King, or Goldman Sachs. The reason is simple efficiency (ironically enough, considering the conventional wisdom that “communism just doesn’t work”): if you really care about getting something done, the most efficient way to go about it is obviously to allocate tasks by ability and give people whatever they need to do them.11 One might even say that it’s one of the scandals of capitalism that most capitalist firms, internally, operate communistically. True, they don’t tend to operate very democratically. Most often they are organized around military-style top-down chains of command. But there is often an interesting tension here, because top-down chains of command are not particularly efficient: they tend to promote stupidity among those on top and resentful foot-dragging among those on the bottom. The greater the need to improvise, the more
David Graeber (Debt: The First 5,000 Years)
Some people have a perpetual problem. They always have a sad song. If you allow them, they’ll use you as a trash can to dump all their garbage in. You spend an hour with them and you feel like you’ve run a marathon. They’re energy suckers. You leave them feeling drained and worn out. You cannot continue to deal with them day after day if you expect to reach your highest potential. You won’t lift off. You won’t thrust forward into the good things God has in store if you’re weighted down, letting people dump their loads on you. They’ll make you discouraged and drain your energy. It’s hard enough just to keep yourself cheered up. You’re not responsible for their happiness. Sure, there are times when we need to sow a seed and have a listening ear and take time to love people back into wholeness. But that should be for a season and not an ongoing drama. You shouldn’t spend every day listening to friends complain about their spouses or their neighbors. If you do, your life will be like an episode of Guiding Light, Jersey Shore, and The Real Housewives of Beverly Hills all put together. You have enough drama in your life without listening to everyone else’s drama. You can’t allow someone to put that negativity in you day after day if you expect to soar. You need to evaluate the people you’re spending time with. Are they lifters and encouragers? Do they make you feel better? Do you leave their company feeling inspired and happier, or are they dragging you down, making you feel drained, and sapping your energy?
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Ditch the baggage If you stay focused on the past, then you’ll get stuck where you are. That’s the reason some people don’t have any joy. They’ve lost their enthusiasm. They’re dragging around all this baggage from the past. Someone offended them last week, and they’ve got that stuffed in their resentment bags. They lost their tempers or said some things they shouldn’t have. Now, they’ve put those mistakes in their bags of guilt and condemnation. Ten years ago their loved one died and they still don’t understand why; their hurt and pain is packed in their disappointment bag. Growing up they weren’t treated right--there’s another suitcase full of bitterness. They’ve got their regret bags, containing all the things they wish they’d done differently. Maybe there is another bag with their divorce in it, and they are still mad at their former spouse, so they’ve been carrying resentment around for years. If they went to take an airline flight, they couldn’t afford it. They’ve got twenty-seven bags to drag around with them everywhere they go. Life is too short to live that way. learn to travel light. Every morning when you get up, forgive those who hurt you. Forgive your spouse for what was said. Forgive your boss for being rude. Forgive yourself for mistakes you’ve made. At the start of the day, let go of the setbacks and the disappointments from yesterday. Start every morning afresh and anew. God did not create you to carry around all that baggage. You may have been holding on to it for years. It’s not going to change until you do something about it. Put your foot down and say, “That’s it. I’m not living in regrets. I’m not staying focused on my disappointments. I’m not dwelling on relationships that didn’t work out, or on those who hurt me, or how unfairly I was treated. I’m letting go of the past and moving forward with my life.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Nerissa, mo grá,” he said weakly, from where he had been dragged to a corner and propped up against someone’s jacket. “Mo cróga, bean laoch álainn.” He was still in the bloodied breeches, a clean band of linen wound just above one knee. “My brave, beautiful warrior woman.” His eyes, deep and bottomless in the lantern-lit darkness, looked up at her through their absurdly long lashes, and she reached a hand, still smelling of gunpowder, down to touch his bristled cheek. He closed his eyes and held it there, reluctant to ever let her go, and she reveling in the warmth of his skin beneath hers, the knowledge that his heart still pumped his lifeblood beneath her hand. “I could not let you die,” she breathed, kneeling down beside him and offering him the strength of her own slim, lithe body. His face was ghostly from loss of blood, and she could see that it was an effort for him to even keep his eyes open, let alone press her hand to his cheek. She sat down on the hard, blood-stained planking and gently gathered him in her arms, stroking his heavy curls as he rested his forehead against her shoulder. “Tá tú mo banlaoch,” he whispered. “My heroine. My savior….” “Sleep, Ruaidri. The ship is back in your men’s hands and you, my love, are safe in mine.” She threaded her fingers up through his hair and gently caressed his scalp, wincing at the hard swelling she found there. She did not want to think about how he must have received it. She did not want to think of him being hurt, she did not want to think of anything but how grateful she was that he was alive and safely in her arms. Hadley… the Royal Navy… Lucien. Strength and a hard, ruthless confidence filled her heart. She had come this far. She could deal with all of them. Ruaidri’s forehead grew heavy against her collarbone. He murmured something unintelligible and, with her hand still quietly caressing him, finally gave himself up to the demands of his body and slept.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
Within every heart lives two dragons, a dragon of Hope and a dragon of Hate, both mighty and powerful in equal measure. They war constantly, always struggling for dominance to be the rightful ruler of your heart. You feed them with your actions. All that drives us in life is fuelled by either hope or hate. Hate is the dark mirror of hope, empowering our hearts with the same fire and energy but striving for different ends. Hate drives us to bring those above us to ruin, while hope exalts us to raise ourselves up beyond where we are. We want to better ourselves, or drag down someone else so we are on top. The
K.J. Colt (Legends: Fifteen Tales of Sword and Sorcery)
The thing was, I forgot that Valentine's Day when you were single was completely different from when you were in a relationship. If you were shacked up with someone and said you didn't celebrate, no biggie. But when you were single, you got the LOOK. And you got the comments about how you would find someone some day. After about six hours of that, well, even I was starting to feel a deep sense of unhappiness crushing down on me. I literally felt weighted by it, like there was something trying to drag me down to the floor where I was expected to cry and bemoan my singledom like any respectable woman steadily heading past acceptable marriageable age.
Jessica Gadziala (Peace, Love, & Macarons)
I’m in public, in a club in Florence, snogging a boy who I met only a couple of hours ago, so madly that I’m weak at the knees…in full view, if they looked over, of his friends and two girls I barely know… My eyes snap open, and I drag my mouth away from Luca’s, gasping for breath. I find my feet under me, pull back from him, and promptly grab the edge of the table to steady myself. My hair’s fallen down again; I can feel it tumbling down my back. My lips are wet. I raise a hand to wipe them dry, aware that my eyes are stretched wide with shock. I literally cannot believe what just happened. I feel like someone just gave me a violent electric shock. Luca looks equally disheveled. His hair’s tumbling forward in straight black lines, his blue eyes wide, his lips redder from kissing me so hard. He looks as amazed as I am. “Ammazzati,” he mutters. I’m still too close to him. I can feel the force field between us. I take another step back, still gripping the table’s edge, because I see his expression change unexpectedly. His blue eyes darken, and his mouth twists cynically. “So,” he says, his tone sarcastic, almost bitter, “you are a success in Italy, Violetta. Congratulazioni. You spend only one day here and already you are kissed by a boy! Your friends will be envious.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
may not sound like the most compassionate philosophy in the world, but let me tell you, there’s nothing compassionate about letting yourself get sucked into a vortex of negativity. The best thing I can do to serve the world around me is to keep myself in a state where I can best contribute—and I can’t do that if I’m being dragged down by an environment of cynicism and self-pitying complaint. I want to spend my time with people who have an infectiously positive attitude, who bring energy and vitality to the table, and who brighten the room. There may be some people with whom you’re now spending two days a week where you might decide you need to take that down to two hours. There may also be people with whom you’re spending only two minutes, where you’ll realize you need to spend far more time with them—two hours or two days. And you will find times when what you really need to do is simply disassociate yourself from someone. That’s a part of the Law of Association, too.
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
Rish glanced uneasily at the outside door. “We can’t stay here. Someone else could come in or out at any moment. Better get him upstairs.” Their prisoner did not cry out or try to struggle as they womanhandled his limp, heavy body into the lift tube, up three flights, and down the corridor to the corner flat. As they dragged him inside, he remarked to the air, “Hey, made it inside her door on t’ first date! Are things lookin’ up for Ma Vorpatril’s boy, or what?” “This is not a date, you idiot,” Tej snapped at him. To her annoyance, his smile inexplicably broadened.
Lois McMaster Bujold (Captain Vorpatril's Alliance (Vorkosigan Saga, #15))