Dragged Across Concrete Quotes

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I was a heavy heart to carry My beloved was weighed down My arms around his neck My fingers laced to crown. I was a heavy heart to carry My feet dragged across ground And he took me to the river Where he slowly let me drown My love has concrete feet My love's an iron ball Wrapped around your ankles Over the waterfall
Florence Welch
And I wrote a story for private circulation, "Miss Lewis & the Giant Turd," about a painful bowel movement that began in class, as she was drilling us on prepositions. Suddenly she emitted a low scraping sound like a box of rocks being dragged across concrete--like a glacier moving!--and she let out an AIIIIEEEEEEE and bent over double and hobbled to the girls' room, where she fell to the floor and cried pitifully for the janitor, who rushed in with a plunger and tried to extract the fecal mass from her, but it was too immense, and then the fire department arrived and laid her over the sink and attached a suction pump, two men on either side of her skinny butt, working a lever, and they managed to suction the poop out of her, and when they were done, she weighed forty-five pounds. And she couldn't teach anymore, she just sat on her front step waving to passing cars. This title passed from pupil to pupil, two grimy sheets of paper folded to pocket size.... The story found its way to Laura, Miss Lewis's pet, who handed it over to her, and she read it, thin-lipped, and tore it into tiny pieces and dropped them into the wastebacket. "This is so childish it doesn't bear talking about," she said. "It is beneath contempt.
Garrison Keillor (Lake Wobegon Summer, 1956)
The old women in black at early Mass in winter are a problem for him. He could tell by their eyes they have seen Christ. They make the kernel of his being and the clarity around it seem meager, as though he needs girders to hold up his unusable soul. But he chooses against the Lord. He will not abandon his life. Not his childhood, not the ninety-two bridges across the two rivers of his youth. Nor the mills along the banks where he became a young man as he worked. The mills are eaten away, and eaten again by the sun and its rusting. He needs them even though they are gone, to measure against. The silver is worn down to the brass underneath and is the better for it. He will gauge by the smell of concrete sidewalks after night rain. He is like an old ferry dragged on to the shore, a home in its smashed grandeur, with the giant beams and joists. Like a wooden ocean out of control. A beached heart. A cauldron of cooling melt.
Jack Gilbert (Refusing Heaven: Poems)
NOVA SLUNG THE BAG over her shoulder and reached for one of the weighted ropes she’d set up in the alley the night before. She wrapped her arm around the rope and untied the sailor’s knot from the weights holding it to the ground. The weights attached to the opposite end dropped, dragging it through the pulley on the rooftop above. Nova jerked upward, holding tight as the rope whistled past the building’s concrete wall. The second set of weights crashed into the ground below. She stopped with a shudder, her hand only a few inches shy of the pulley, her body swinging six stories in the air. Nova threw her bag onto the rooftop, then grabbed the ledge and hauled herself over. She dropped down into a crouch and riffled through the bag, pulling out the uniform she had designed with Queen Bee’s help. She slung the weaponry belt across her hips, where it hung comfortably, outfitted with specially crafted pockets and hooks for all of her favorite inventions. Next, the snug black hooded jacket: waterproof and flame-retardant, yet lightweight enough to keep from inhibiting her movements. She zipped it up to her neck and tugged the sleeves past her knuckles before pulling up the hood, where a couple of small weights stitched into the hem held it in place over her brow. The mask came last. A hard metallic shell perfectly molded to the bridge of her nose that disappeared into the high collar of the jacket, disguising the lower half of her face. Transformation complete, she stooped and pulled the rifle and a single poisoned dart from the bag.
Marissa Meyer (Renegades (Renegades, #1))
Sam,” Astrid yelled. “Quick.” Sam thought he was too far gone to respond, but he somehow started his feet moving again and went up to where Little Pete was standing and Astrid kneeling. There was a girl lying in the dirt. Her clothing was a mess, her black hair ratty. She was Asian, pretty without being beautiful, and little more than skin and bones. But the first thing they noticed was that her forearms ended in a solid concrete block. Astrid made a quick sign of the cross and pressed two fingers against the girl’s neck. “Lana,” Astrid cried. Lana sized up the situation quickly. “I don’t see any injuries. I think maybe she’s starving or else sick in some other way.” “What’s she doing out here?” Edilio wondered. “Oh, man, what did someone do to her hands?” “I can’t heal hunger,” Lana said. “I tried it on myself when I was with the pack. Didn’t work.” Edilio untwisted the cap from his water bottle, knelt, and carefully drizzled water across the girl’s cheek so that a few drops curled into her mouth. “Look, she’s swallowing.” Edilio broke a tiny bite from one of the PowerBars and placed it gently into the girl’s mouth. After a second the girl’s mouth began to move, to chew. “There’s a road over there,” Sam said. “I think so, anyway. A dirt road, I think.” “Someone drove by and dumped her here,” Astrid agreed. Sam pointed at the dirt. “You can see how she dragged that block.” “Some sick stuff going on,” Edilio muttered angrily. “Who would do something like this?
Michael Grant