Doze Off Quotes

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He’s dozed off again, but I kiss him awake, which seems to startle him. Then he smiles as if he’d be happy to lie there gazing at me forever.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Insomnia is a variant of Tourette's--the waking brain races, sampling the world after the world has turned away, touching it everywhere, refusing to settle, to join the collective nod. The insomniac brain is a sort of conspiracy theorist as well, believing too much in its own paranoiac importance--as though if it were to blink, then doze, the world might be overrun by some encroaching calamity, which its obsessive musings are somehow fending off.
Jonathan Lethem (Motherless Brooklyn)
Right," Chaol said. "So you're just...memorizing that information now?" "If you're suggesting that I have no reason to be here and to leave, then tell me to go." "I'm just trying to figure out what's so boring that you dozed off 10 minutes ago." She propped herself up onto her elbows. "I did not!" His eyebrows rose. "I heard you snoring." "You're a liar, Chaol Westfall." She threw her paper at him at ploppedback on the couch. "I only closed my eyes for a minute." He shook his head again and went back to work. Celaena blushed. "I didn't really snore, did I?" His face was utterly serious as he said, "Like a bear.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Anything else?” asked Matthias. “I like singing,” said Alys. Wylan shook his head frantically, mouthing, No, no, no. “Shall I sing?” Alys asked hopefully. “Bajan says that I’m good enough to be on the stage.” “Maybe we save that for later—” suggested Jesper. Alys’ lower lip began to wobble like a plate about to break. “Sing,” Matthias blurted, “by all means, sing.” And then the real nightmare began. It wasn’t that Alys was so bad, she just never stopped. She sang between bites of food. She sang while she was walking through the graves. She sang from behind a bush when she needed to relieve herself. When she finally dozed off, she hummed in her sleep. “Maybe this was Van Eck’s plan all along,” Kaz said glumly when they’d assembled outside the tomb again. “To drive us mad?” said Nina. “It’s working.” Jesper shut his eyes and groaned. “Diabolical.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Stop trying. Take long walks. Look at scenery. Doze off at noon. Don't even think about flying. And then, pretty soon, you'll be flying again.
Hayao Miyazaki (Kiki's Delivery Service)
Go to hell, March." But I'm still smiling while I say it. As I doze off again, I'm pretty sure he says, "Been there, done that, and I'm keeping a spot warm for you, babe.
Ann Aguirre (Grimspace (Sirantha Jax, #1))
Just before I doze off, I counsel myself grandiosely: Fuck concepts. Don't be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.
George Saunders (The Braindead Megaphone)
Emma was no asleep, she was pretending to be asleep; and, while he was dozing off at her side, she lay awake, dreaming other dreams.
Gustave Flaubert (Madame Bovary)
Resting on your laurels is as dangerous as resting when you are walking in the snow. You doze off and die in your sleep.
Ludwig Wittgenstein (Culture and Value)
Isaiah coughed. "You watched Quinlan for one night." "Ten hours, to be exact. Right until her pet chimera just appeared next to me at dawn, bit me in ass for looking like I was dozing off, and then vanished again - right back into the apartment. Just as Quinlan came out of her bedroom and opened the curtains to see me grabbing my own ass like a f***ing idiot. Do you know how sharp a chimera's teeth are?
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I was already dozing off in the shade, dreaming that the rustling trees were my many selves explaining themselves all at the same time so that I could not make out a single word. My life was a beautiful mystery on the verge of understanding, always on the verge! Think of it!
Charles Simic (The World Doesn't End)
Water splashed over my jeans, and I yelped as something burned my skin. We examined my leg. Tiny holes marred my jeans where the drops had hit, the material seared away, the skin underneath red and burned. It throbbed as if I’d jabbed needles into my flesh. “What the heck?” I muttered, glaring into the storm. It looked like ordinary rain—gray, misty, somewhat depressing. Almost compulsively, I stuck my hand toward the opening, where water dripped over the edge of the tube. Ash grabbed my wrist, snatching it back. “Yes, it will burn your hand as well as your leg,” he said in a bland voice. “And here I thought you learned your lesson with the chains.” Embarrassed, I dropped my hand and scooted farther into the tube, away from the rim and the acid rain dripping from it. “Guess I’m staying up all night,” I muttered, crossing my arms. “Wouldn’t want to doze off and find half my face melted off when I wake up.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Ellen drank long and deep from her water bottle and wiped her mouth with her gauntleted arm. "Are you feeling all right, Jack? Your play's flat, all in all. I was hoping to give Seph more of a show." Jack tested the edge of his blade with his thumb. "Actually, Ellen, I wondered if you were coming down with something. You were downright lethargic. I nearly dozed off once or twice." "Well, that explains it. You looked like you were asleep." With that, they threw down their weapons and it dissolved into a wrestling match. In the end they were kissing each other. It was certainly a different kind of courtship, but there was a chemistry, an understanding, a kinship between Jack and Ellen that Seph envied.
Cinda Williams Chima (The Wizard Heir (The Heir Chronicles, #2))
Luke and I stay nestled together until he nudges me. We’d better get going, he says gently. I guess I dozed off. I’m not letting you fall asleep without a note again. Why not? I ask, stretching. I kiss him on the cheek and add, with a sly smile, you don’t have to worry, Luke. I’ll remember you in the morning.
Cat Patrick (Forgotten)
Sometimes I have trouble falling asleep but it's not so bad I don't worry and I don't weep. In fact I'm glad. Because I get up off my pillow and I flip on the light. I get down and get hip in the still of the night I stretch and I yawn and then I breathe real deep And dance myself to sleep. I hoof around my beddie just a-tappin' my toes Before I know what's happened I'm a-ready to doze Got some partners I can count the boogie-woogie sheep I dance myself to sleep.
Jim Henson (It's Not Easy Being Green: And Other Things to Consider)
She had her image… and anything added to that would be mere verse-making. Something might come of it some day. In the meanwhile she had got her mood on to paper—and this is the release that all writers, even the feeblest, seek for as men seek for love; and, having found it, they doze off happily into dreams and trouble their hearts no further.
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
Have I asked you to marry me?” he said sleepily. We were back on. “Every day,” I replied. “Well . . .” “I always say not yet.” Adam was dozing off and slurring when he said, “Why?” I’m certain he was asleep when I finally replied, “Because I don’t want you to stop asking.
Renee Carlino (Wish You Were Here)
To put it simply: the Holy Spirit bothers us. Because he moves us, he makes us walk, he pushes the Church to go forward. And we are like Peter at the Transfiguration: 'Ah, how wonderful it is to be here like this, all together!' ... But don't bother us. We want the Holy Spirit to doze off ... we want to domesticate the Holy Spirit. And that's no good. because he is God, he is that wind which comes and goes and you don't know where. He is the power of God, he is the one who gives us consolation and strength to move forward. But: to move forward! And this bothers us. It's so much nicer to be comfortable.
Pope Francis (Encountering Truth: Meeting God in the Everyday)
After writing in her journal, Sidda felt sleepy. She let her head drop down over the table and dozed off. Vivi’s
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
He was pretty sure he hadn't dozed off as a snake. Usually, he slept like a dog.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
What I've learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head. First there's the vinegar-lipped Reader Lady, who says primly, "Well, that's not very interesting, is it?" And there's the emaciated German male who writes these Orwellian memos detailing your thought crimes. And there are your parents, agonizing over your lack of loyalty and discretion; and there's William Burroughs, dozing off or shooting up because he finds you as bold and articulate as a houseplant; and so on. And there are also the dogs: let's not forget the dogs, the dogs in their pen who will surely hurtle and snarl their way out if you ever stop writing, because writing is, for some of us, the latch that keeps the door of the pen closed, keeps those crazy ravenous dogs contained.
Anne Lamott (Bird by Bird)
dozed off with my consciousness slightly ajar.
Ross Macdonald (The Drowning Pool)
I felt her come by later, as I was dozing off. Her standing, by my bed. The depth of shadow of a person felt behind closed eyelids.
Aimee Bender (The Particular Sadness of Lemon Cake)
He tried to think of death as he had done now and then, but that tired him and he dozed off. When he awoke an hour later, he felt fresh and calm as though he had slept for days.
Hermann Hesse (Knulp)
Life is too short for one to stay indoors, watch TV, doze off, and snore.
Michael Bassey Johnson (Song of a Nature Lover)
If you need to feel wide awake directly after having a short nap, drink a cup of coffee or other caffeinated drink just before dozing off. The caffeine will start to work its magic about twenty-five minutes later – just as you are waking up.
Richard Wiseman (Night School: Wake up to the power of sleep)
Falling asleep is such a strange feeling. It's like a carp or an eel is tugging on a fishing line, or something heavy like a lead weight is pulling on the line that I'm holding with my head, and as I doze off to sleep, the line slackens up a bit. When that happens, it startles me back to awareness. Then it pulls me again. I doze off to sleep. The line loosens a bit again. This goes on three or four times, and then, with the first really big tug, this time it lasts until morning.
Osamu Dazai (Schoolgirl)
Before I dozed off, I did not forget to get on my knees and thank God for helping me to live through this day and to ask His help on D+1. I would live this war one day at a time, and I promised myself that if I survived, I would find a small farm somewhere in the Pennsylvania countryside and spend the remainder of my life in quiet and peace.
Dick Winters (Beyond Band of Brothers: The War Memoirs of Major Dick Winters)
Captain Flume was obsessed with the idea that Chief White Halfoat would tiptoe up to his cot one night when he was sound asleep and slit his throat open for him from ear to ear. Captain Flume had obtained this idea from Chief White Halfoat himself, who did tiptoe up to his cot one night as he was dozing off, to hiss portentously that one night when he, Captain Flume, was sound asleep he, Chief White Halfoat, was going to slit his throat open for him from ear to ear. Captain Flume turned to ice, his eyes, flung open wide, staring directly up into Chief White Halfoat's, glinting drunkenly only inches away. 'Why?' Captain Flume managed to croak finally. 'Why not?' was Chief White Halfoat's answer.
Joseph Heller (Catch-22)
64. Surprising and Distressing Things While one is cleaning a decorative comb, something catches in the teeth and the comb breaks. A carriage overturns. One would have imagined that such a solid, bulky object would remain forever on its wheels. It all seems like a dream -- astonishing and senseless. A child or grown-up blurts out something that is bound to make people uncomfortable. All night long one has been waiting for a man who one thought was sure to arrive. At dawn, just when one has forgotten about him for a moment and dozed off, a crow caws loudly. One wakes up with a start and sees that it is daytime -- most astonishing. One of the bowmen in an archery contest stands trembling for a long time before shooting; when finally he does release his arrow, it goes in the wrong direction.
Sei Shōnagon (The Pillow Book)
In sleep we all die, every one of us, every day. Why wasn’t that fact noted more often? When we doze off each night there’s never the slightest guarantee that we’ll wake the next morning. Every little cat nap is a potential game-ender. So why fear death when we are happy and even eager to make that leap of faith each and every night of our lives?
Adrian Barnes (Nod)
Then he dozed off to sleep and to dream dreams that for madness and audacity rivalled those of poppy-eaters
Jack London
Then he dozed off to sleep and to dream dreams that for madness and audacity rivaled those of poppy-eaters.
Jack London (Martin Eden)
The past settles into afternoons, that’s where time visibly slows down, it dozes off in the corners, blinking like a cat looking through thin blinds. It’s always afternoon when you remember something, at least that’s how it is for me. Everything is in the light.
Georgi Gospodinov (Time Shelter)
The family which takes its mauve an cerise, air-conditioned, power-steered and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, lighted buildings, billboards and posts for wires that should long since have been put underground. They pass on into countryside that has been rendered largely invisible by commercial art. (The goods which the latter advertise have an absolute priority in our value system. Such aesthetic considerations as a view of the countryside accordingly come second. On such matters we are consistent.) They picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius?
John Kenneth Galbraith
True love. Mad love. Deep love. The kind of love that makes you do insane things. The kind of love that makes you as angry as it does happy. The kind of love that hurts you as much as it heals you. The forever kind.” Her eyes closed. She was exhausted, but she finished before dozing off. “Truly. Madly. Deeply. That’s what I want.
Amie Knight (A Steel Heart (Heart #2))
Make sure that you don’t get so absorbed and exhausted in taking care of all your day-by-day obligations that you lose track of the time and doze off, oblivious to God. The night is about over, dawn is about to break. Be up and awake to what God is doing! God is putting the finishing touches on the salvation work he began when we first believed. We can’t afford to waste a minute, must not squander these precious daylight hours in frivolity and indulgence, in sleeping around and dissipation, in bickering and grabbing everything in sight. Get out of bed and get dressed! Don’t loiter and linger, waiting until the very last minute. Dress yourselves in Christ, and be up and about! ROMANS 13:11 – 14 MSG
Christine Caine (Unstoppable: Running the Race You Were Born To Win)
Did you doze off there?” He shook my hand. “Uh, no. I was just tryin’ to rub somethin’ off the back of my eyelid.
David Wong (John Dies at the End (John Dies at the End #1))
Soon the room had that desolate look that comes from the chaos of packing up to go away and, worse, from removing the shade from the lamp. Never, never take the shade off a lamp. A lampshade is something sacred. Scuttle away like a rat from danger and into the unknown. Read or doze beside your lampshade; let the storm howl outside and wait until they come for you.
Mikhail Bulgakov (The White Guard)
Before she dozed off, it occurred to her that for the first time in her life Calpurnia had said “Yes ma’am” and “Miss Scout” to her, forms of address usually reserved for the presence of high company.
Harper Lee (Go Set a Watchman)
Sometimes she did this funny little thing after they'd finished making love. He'd be holding her against his chest, sort of dozing off and feeling peaceful all the way down to his toenails, and she'd make this little ' x' right over his heart with her fingertip. Just this little 'x'. Right over his heart
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
We caught up for a while until my Xanax began to kick in, and I eventually leaned my head on his shoulder and dozed off. When I woke up, we were already landing. “I wasn’t sure you were breathing there for a while.” I stretched in my seat. “I was really out.” “I know. I tried to wake you to join the mile-high club, but you didn’t budge. Got as far as slipping off your panties, but after that you were like dead wood.
Vi Keeland (The Baller)
He dozed off, into a dreamless oblivion, for what seemed like seconds but was in fact hours, and awoke hungover, the inner surface of his skull pulsing like a single, giant nerve being chewed by some ruminant animal.
Alex Shakar (Luminarium)
From that time on they both looked forward to sleeping together. I might even say that the goal of their lovemaking was not so much pleasure as the sleep that followed it. She especially was affected. Whenever she stayed overnight in her rented room (which quickly became only an alibi for Tomas), she was unable to fall asleep; in his arms she would fall asleep no matter how wrought up she might have been. He would whisper impromptu fairy tales about her, or gibberish, words he repeated monotonously, words soothing or comical, which turned into vague visions lulling her through the first dreams of the night. He had complete control over her sleep: she dozed off at the second he chose.
Milan Kundera (The Unbearable Lightness of Being)
She learned how to deal with the moments when his memory lapsed. Sometimes, she felt it happen even without him saying a word. On a sunny fall day, she lay next to him on the ground, and as he dozed she felt his old life, his memories, radiate off his skin. She felt everything leave him but her. She shed her own life, too, to match him. They lay there together like a point in time. A cloud drifted in front of the sun and things to shift inside of him, and when she sensed this, she allowed things to shift inside of her, too. They became their regular selves again, still warm from the lost memory of a minute ago. But underneath her happiness was a dread that one day this would be all they had. All associations would be lost: the smell of the gloves, the sound of the truck door slamming shut. All the details she still wanted to know. Everything reduced to nothing more than itself.
Emily Ruskovich (Idaho)
In terms of craft, there’s no excuse for losing readers through sloppy workmanship. If they doze off in the middle of your article because you have been careless about a technical detail, the fault is yours. But on the larger issue of whether the reader likes you, or likes what you are saying or how you are saying it, or agrees with it, or feels an affinity for your sense of humor or your vision of life, don’t give him a moment’s worry. You are who you are, he is who he is, and either you’ll get along or you won’t.
William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
Just before I doze off, I counsel myself grandiosely: Fuck concepts. Don’t be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.
George Saunders (The Braindead Megaphone)
Earp forced Kowalsky into a back room, pulled out a revolver, and told the lawyer to get ready to meet his maker. Kowalsky’s jowly face dropped onto his chest and he dozed off. Earp stormed from the room, saying, “What can you do with a man who goes to sleep just when you’re going to kill him!
Adam Hochschild (King Leopold's Ghost)
With a kind of perverse obstinancy his father refused to take off his official uniform even in the house; and while his robe hung uselessly on the clothes hook, his father dozed, completely dressed, in his chair, as if he were always ready for duty and were waiting even here for the voice of his superior.
Franz Kafka (The Metamorphosis)
Declan, fortunately, was a forgiving guy and proved pretty accommodating as we figured things out together. He was patient as Sydney and I painstakingly read the instructions on the can of formula Lana sent. He made little complaint when I initially put his diaper on backward. When he grew tired again and started crying, I had no instructions to follow. Sydney gave a helpless shrug when I looked at her. So I just walked him around the living room, crooning classic rock songs until he dozed off and could be set down. Rose, who’d stayed with us off and on but looked more terrified of the baby than a Strigoi, watched me with amazement. “You’re kind of good at that,” she remarked. “Adrian Ivashkov, baby whisperer.” I looked down at the sleeping baby. “I’m making it up as I go along.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Listening to the clack clack of the pal fronds form a percussive background to the oboe throb of the sea, he dozed off. An hour later, he woke with a start and, standing up, dusted off the seat of his trousers. White sand, in fine glittering silicon chips, clung to him, catching the sun, turning him into a patchwork fabric of diamonds and ebony.
Chris Abani (GraceLand)
The Red Keep was full of cats: lazy old cats dozing in the sun, cold-eyed mousers twitching their tails, quick little kittens with claws like needles, ladies’ cats all combed and trusting, ragged shadows prowling the midden heaps. One by one Arya had chased them down and snatched them up and brought them proudly to Syrio Forel … all but this one, this one-eared black devil of a tomcat. “That’s the real king of this castle right there,” one of the gold cloaks had told her. “Older than sin and twice as mean. One time, the king was feasting the queen’s father, and that black bastard hopped up on the table and snatched a roast quail right out of Lord Tywin’s fingers. Robert laughed so hard he like to burst. You stay away from that one, child.” He had run her halfway across the castle; twice around the Tower of the Hand, across the inner bailey, through the stables, down the serpentine steps, past the small kitchen and the pig yard and the barracks of the gold cloaks, along the base of the river wall and up more steps and back and forth over Traitor’s Walk, and then down again and through a gate and around a well and in and out of strange buildings until Arya didn’t know where she was. Now at last she had him. High walls pressed close on either side, and ahead was a blank windowless mass of stone. Quiet as a shadow, she repeated, sliding forward, light as a feather. When she was three steps away from him, the tomcat bolted. Left, then right, he went; and right, then left, went Arya, cutting off his escape. He hissed again and tried to dart between her legs. Quick as a snake, she thought.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
it seemed like he’d just dozed off. Or passed out was probably more accurate.
James Dashner (The Death Cure (Maze Runner, #3))
Mrs. Peters,” he apologized, trying to be as genuine as possible. “Sometimes when you talk for long periods of time, I doze off. No offense. I can’t help it.” “You fall asleep in my class at least twice a week,” Mrs. Peters reminded him. “Well, you do talk a lot.” Before he could stop himself from saying it, Conner knew it was the wrong thing to say. A few of the students had to bite their
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
She lay on her back, her belly sticking up like a mountain on top of her little frame, and Jack couldn’t keep his hands off of it. While there was a time he couldn’t keep his hands off the rest of her—and she had no doubt they would be there again before long—right now it was the antics of his baby within her that occupied him thoroughly. He would let go a loud bellow when her entire abdomen shifted, caving in on one side and protruding enormously on the other. And he especially liked when it appeared a foot was sliding in a large lump up one side. She could actually doze while he occupied himself with her pregnancy. It brought to her mind what he was going to look like rolling a ball on the floor with their baby girl, bouncing her on his knee, twirling her around over his head. “We
Robyn Carr (Shelter Mountain (Virgin River, #2))
The night before, Bharati had been sitting at the entrance of her hut studying for the exam with a small kerosene lamp for light. Her mother was asleep on the ground outside. They were so poor they couldn’t afford a lamp with a glass cover over the flame. Bharati dozed off. The lamp fell over. Kerosene spilled. The hut caught fire. Thirteen-year-old Bharati, the daughter of the martyr Noble, was consumed in the blaze.
Sujatha Gidla (Ants Among Elephants: An Untouchable Family and the Making of Modern India)
Waking up in the same place in which you dozed off has never happened either to you or to anyone else. Ever. Earth does not stop moving when you sleep. Every hour that passes, Earth travels a little more than 800,000 kilometres around the centre of our galaxy. And so do you. That's the equivalent of about twenty trips around the planet. Every hour. No one minds, though, as long as their bed stays still beneath their body.
Christophe Galfard (The Universe in Your Hand: A Journey Through Space, Time, and Beyond)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
Daisuke was the sort of man who, once he was disturbed by something, no matter what, could not let go of it until he had pursued it to the utmost. Moreover, having the capacity to assess the folly of any given obsession, he was forced to be doubly conscious of it. Three of four years ago he had tackled the question of the process whereby his waking mind entered the realm of dreams. At night, when he had gotten under the covers and begun to doze off nicely, he would immediately think, this is it, this is how I fall asleep. No sooner had he thought of this than he was wide awake. When he had managed to doze off again, he would immediately think, here it is. Night after night, he was plagued by his curiosity and would repeat the same procedure two or three times. In the end, he became disgusted in spite of himself. He wanted somehow to escape his agony. Moreover, he was thoroughly impressed by the extent of his folly. To appeal to his conscious mind in order to apprehend his unconscious, and to try to recollect both at the same time was, as James had put it, analogous to lighting a candle to examine the dark, or stopping a top in order to study is movements; at that rate, it stood to reason that he would never again be able to sleep. He knew all this, but when night came, he still thought, now...
Natsume Sōseki (And Then)
Summer Between Terms" The day's so calm and muggy I sweat tears, the summer's cloudcap and the summer's heat... surely good writers write all possible wrong-- are we so conscience-dark and cataract-blind, we only blame in others what they blame in us? (The sentence writes we, when charity wants I...) It takes such painful mellowing to use error... I have stood too long on a chair or ladder, branch-lightening forking through my thought and veins-- I cannot hang my heavy picture straight. I can't see myself...in the cattery, the tomcats doze till the litters are eatable, then find their kittens and chew off their breakable heads. They told us by harshness to win the stars. Planes, trains, lorries simmer through the garden, the reviewer sent by God to humble me ransacking my bags of dust for silver spoons-- he and I go on typing to go on living. There are ways to live on words in England-- reading for trainfare, my host ruined on wine, my ear gone bad from clinging to the ropes. I'd take a lower place, eat my toad hourly; even big frauds wince at fraudulence, and squirm from small incisions in the self-- they live on timetable with no time to tell. I'm sorry, I run with the hares now, not the hounds. I waste hours writing in and writing out a line, as if listening to conscience were telling the truth
Robert Lowell
I was dozing, and the clock woke me. I didn’t hear the first few chimes distinctly, that is to say, I didn’t count them. But as soon as I decided to count I realized that there had already been three, so I was able to count four, five, and so on. I understood that I could say four and then wait for the fifth, because one, two, and three had passed, and I somehow knew that. If the fourth chime had been the first I was conscious of, I would have thought it was six o’clock. I think our lives are like that—you can only anticipate the future if you can call the past to mind. I can’t count the chimes of my life because I don’t know how many came before. On the other hand, I dozed off because the chair had been rocking for a while. And I dozed off in a certain moment because that moment had been preceded by other moments, and because I was relaxing while awaiting the subsequent moment. But if the first moments hadn’t put me in the right frame of mind, if I had begun rocking in any old moment, I wouldn’t have expected what had to come. I would have remained awake. You need memory even to fall asleep. Or no?
Umberto Eco (The Mysterious Flame Of Queen Loana)
But that evening, I didn’t hear anything, just the lady typing, which sounded like raindrops or starlings or pebbles being washed up on the beach by the waves. It was a nice sound, soothing, and pretty soon I just dozed off.
Ruth Ozeki (The Book of Form and Emptiness)
My information about sex was a mosaic of eavesdropping, process of elimination, and filling in the blanks. In third grade I’d heard the term “sleeping together” and spent time worrying that accidental fatigue could make an unwanted child—that male and female strangers sharing a seat together on an overnight train might innocently doze off and wake up as parents. For a while I’d believed that people got pregnant by rubbing their chests together. Men used their you-know-whats to go to the bathroom, I reasoned; it was their nipples that had no other useful function. (My teacher that year, Mrs. Hatheway, was pregnant. As she talked, I’d imagine her engaged with some blank-faced husband in the required nipple friction that had put a baby inside her.) Currently I knew the basics about periods and virginity. But Samson’s licking had shown both me and Jeanette the incompleteness of my knowledge.
Wally Lamb (She's Come Undone)
Tawny gave me a puzzled look but nodded in agreement. She went downstairs while I went to my room. I collapsed onto the bed. I squeezed the night light on my watch. Ten thirty-eight. I would doze off for a few hours. Maybe I would dream a rescue plan. At this moment I didn’t even know what city I was in, let alone where Sable was. It was too late to change my mind; I had already given Tawny hope. And sometimes hope was the only thing that kept you going.
Shawnda Currie (Altered - Revelations of the Evolved (The Evolved Trilogy, #1))
He could not be absolutely certain she would not get away-again. In the dark of night, haunted by such grim thoughts, Dragon found consolation. He had a fleet of ships at the ready. Before his willing Saxon bride could don boy's garb, run off a cliff, or plunge into a river, he would have her safely aboard and at sea. Damned if he wouldn't. He felt better after that and even dozed a little but was up and dressed before dawn's gray fingers peeled night away.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
her boyfriend when he tells her they are gypsies, two moths drunk on light, darting from the flower of one red sunset to the next; but several times she’s dozed off in the passenger seat and awakened from traitorous dreams of her old bedroom, soft pillows.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
In the middle of the night, he woke up and realized to his surprise that he had been having one erotic dream after the other. The only one he could recall with any clarity was the last: an enormous naked woman, at least five times his size, floating on her back in a pool, her belly from crotch to navel covered with thick hair. Looking at her from the side of the pool, he was greatly excited. How could he have been excited when his body was debilitated by a gastric disorder? And how could he be excited by the sight of a woman who would have repelled him had he seen her while conscious? He thought: In the clockwork of the head, two cogwheels turn opposite each other. On the one, images; on the other, the body's reactions. The cog carrying the image of a naked woman meshes with the corresponding erection-command cog. But when, for one reason or another, the wheels go out of phase and the excitement cog meshes with a cog bearing the image of a swallow in flight, the penis rises at the sight of a swallow. Moreover, a study by one of Tomas's colleagues, a specialist in human sleep, claimed that during any kind of dream men have erections, which means that the link between erections and naked women is only one of a thousand ways the Creator can set the clockwork moving in a man's head. And what has love in common with all this? Nothing. If a cogwheel in Tomas's head goes out of phase and he is excited by seeing a swallow, it has absolutely no effect on his love for Tereza. If excitement is a mechanism our Creator uses for His own amusement, love is something that belongs to us alone and enables us to flee the Creator. Love is our freedom. Love lies beyond Es muss sein! Though that is not entirely true. Even if love is something other than a clockwork of sex that the Creator uses for His own amusement, it is still attached to it. It is attached to it like a tender naked woman to the pendulum of an enormous clock. Thomas thought: Attaching love to sex is one of the most bizarre ideas the Creator ever had. He also thought: One way of saving love from the stupidity of sex would be to set the clockwork in our head in such a way as to excite us at the sight of a swallow. And with that sweet thought he started dozing off. But on the very threshold of sleep, in the no-man's-land of muddled concepts, he was suddenly certain he had just discovered the solution to all riddles, the key to all mysteries, a new utopia, a paradise: a world where man is excited by seeing a swallow and Tomas can love Tereza without being disturbed by the aggressive stupidity of sex.
Milan Kundera (The Unbearable Lightness of Being)
One time, when I was in a hide in a tree, waiting motionless for game to wander by, I dozed off and fell three metres to the ground, landing on my back. It was as if the impact had knocked every wisp of air from my lungs, and I lay there struggling to inhale, to exhale, to do anything. That
Suzanne Collins (The Hunger Games (Hunger Games, #1))
Harry, open up!” He had shouted out, he knew it. He got up and unbolted the door; Hermione toppled inside at once, regained her balance, and looked around suspiciously. Ron was right behind her, looking unnerved as he pointed his wand into the corners of the chilly bathroom. “What were you doing?” asked Hermione sternly. “What d’you think I was doing?” asked Harry with feeble bravado. “You were yelling your head off!” said Ron. “Oh yeah…I must’ve dozed off or--” “Harry, please don’t insult our intelligence,” said Hermione, taking deep breaths. “We know your scar hurt downstairs, and you’re white as a sheet.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
He dozed off only when the familiar dark blue started coming into the sky. His head teemed with strange pictures and sounds: a man washing himself from a well, his coarse shirt and suspenders hung over his legs; a gray military truck rumbling over a rutted country road; the high ping of a shot in the woods.
Boris Fishman (A Replacement Life)
She learned how to deal with the moments when his memory lapsed. Sometimes, she felt it happen even without him saying a word. On a sunny fall day, she lay next to him on the ground, and as he dozed she felt his old life, his memories, radiate off his skin. She felt everything leave him but her. She shed her own life, too, to match him. They lay there together like a point in time. A cloud drifted in front of the sun and things shifted inside of him, and when she sensed this, she allowed things to shift inside of her, too. They became their regular selves again, still warm from the lost memory of a minute ago.
Emily Ruskovich (Idaho)
She spent the vestigial hours of the night huddled in a large wing-chair, looking too small for it, her little harmonica-sized tran­sistor radio purring away at her elbow. She kept it on the Paterson station, WPAT, which stayed on all night. There were others that did too, but they were crawling with commercials; this one wasn't. It kept murmuring the melodies of Roberta and Can-Can and My Fair Lady, while the night went by and the world, out there beyond its dial, went by with it. She dozed off finally, her head lolling over like a little girl's propped up asleep in a grown-up's chair. ("Too Nice A Day To Die")
Cornell Woolrich (Tonight, Somewhere in New York: The Last Stories and an Unfinished Novel)
Was I sleeping, while the others suffered? Am I sleeping now? To-morrow, when I wake, or think I do, what shall I say of to-day? That with Estragon my friend, at this place, until the fall of night, I waited for Godot? That Pozzo passed, with his carrier, and that he spoke to us? Probably. But in all that what truth will there be? (Estragon, having struggled with his boots in vain, is dozing off again. Vladimir looks at him.) He’ll know nothing. He’ll tell me about the blows he received and I’ll give him a carrot. (Pause.) Astride of a grave and a difficult birth. Down in the hole, lingeringly, the grave-digger puts on the forceps. We have time to grow old. The air is full of our cries. (He listens.) But habit is a great deadener. (He looks again at Estragon.) At me too someone is looking, of me too someone is saying, He is sleeping, he knows nothing, let him sleep on. (Pause.) I can’t go on! (Pause.) What have I said?
Samuel Beckett (Waiting for Godot)
I wasn’t surprised that she’d fallen asleep last night. In fact, I was shocked it hadn’t happened until the fourth or fifth episode of that vampire show she knew by heart. As much as we both had fought to stay awake—her because she had every intention of leaving, and me, because, damn, that show was laced with crack—we’d dozed off.
Elena Armas (The American Roommate Experiment)
Winston Churchill, who abhorred laziness in other people, himself took a nap every afternoon. He defended his afternoon doze in practical terms as an absolute necessity: You must sleep sometime between lunch and dinner, and no halfway measures. Take off your clothes and get into bed. That’s what I always do. Don’t think you will be doing less work because you sleep during the day. That’s a foolish notion held by people who have no imagination. You will be able to accomplish more. You get two days in one—well, at least one and a half, I’m sure. When the war started, I had to sleep during the day because that was the only way I could cope with my responsibilities.
Tom Hodgkinson (How to Be Idle: A Loafer's Manifesto)
Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: '--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness-- you know you say things are "much of a muchness"--did you ever see such a thing as a drawing of a muchness?' 'Really, now you ask me,' said Alice, very much confused, 'I don't think--' 'Then you shouldn't talk,' said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though
Lewis Carroll (Alice's Adventures in Wonderland)
Retraumatized by her own inner voice, she then launches into her most habitual 4F behavior. She either lashes out domineeringly at the nearest person [Fight] – or she launches busily into anxious productivity [Flight] – or she flips on the TV and foggily tunes out or dozes off again [Freeze] – or she self-abandoningly redirects her attention to figuring out how to fix a friend’s problem [Fawn].
Pete Walker (Complex PTSD: From Surviving to Thriving)
Her eyes rounded. “They don’t open until eleven.” “Unless you’re me, and you strike up a conversation with the prep cook who starts work at seven.” “Ah.” “Get your mind out of the gutter,” he said, uncurling his forefinger from around his own cup to point it at her. “His name is George and he has a wife and three kids.” “My mind’s not in the gutter!” Well, not since she woke from a twenty-minute midnight doze during which she’d imagined herself stretched out on her bed, Gage standing at its foot, slowing stripping off his clothes. He grinned at her, then reached into his front pocket to pull free a slim camera. Still juggling his coffee, he managed to bring the viewfinder to his eye and snap a shot. “I’ll call it ‘Guilty as Charged.’” “That’s an invasion of privacy,” she said, frowning at him. “I think that blush indicates that you’ve been mentally invading mine.” “Gage!
Christie Ridgway (The Love Shack (Beach House No. 9, #3))
If spirituality means seeking ['Self'-Realization], why do I need a Guru?' Let's say, all that you're seeking is to go to Kedarnath right now. Somebody is driving; the roads are laid out. If you came alone and there were no proper directions, definitely you would have wished, "I wish there was a map to tell me how to get there." On one level, a Guru is just a map. He's a live map. If you can read the map, you know the way, you can go. A Guru can also be your bus driver. You sit here and doze and he will take you to Kedarnath; but to sit in this bus and doze off, or to sit in this bus joyfully, you need to trust the bus driver. If every moment, with every curve in this road, you go on thinking, "Will this man kill me? Will this man go off the road? What intention does he have for my life?" then you will only go mad sitting here. We're talking about trust, not because a Guru needs your trust, it's just that if there's no trust you will drive yourself mad. This is not just for sitting on a bus or going on a spiritual journey. To live on this planet, you need trust. Right now, you trust unconsciously. You're sitting on this bus, which is just a bundle of nuts and bolts and pieces of metal. Look at the way you're going through the mountains. Unknowingly, you trust this vehicle so much. Isn't it so? You have placed your life in the hands of this mechanical mess, which is just nuts and bolts, rubbers and wires, this and that. You have placed your life in it, but you trust the bus consciously. The same trust, if it arises consciously, would do miracles to you. When we say trust, we're not talking about anything new to life. To be here, to take every breath in and out, you need trust, isn't it? Your trust is unconscious. I am only asking you to bring a little consciousness to your trust. It's not something new. Life is trust, otherwise nobody can exist here.
Sadhguru (Mystic's Musings)
Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "do cats eat bats? Do cats eat bats?" and sometimes, "do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, "Now, Dinah, tell me the truth: did you ever eat a bat?" when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over.   Alice
Lewis Carroll (Alice's Adventures in Wonderland)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.” A hysterical giggle welled up in Elizabeth as she saw Ian’s impervious expression begin to waver when the vicar promptly launched into a recitation of his tribulations as Ian’s uncle: “You cannot imagine how trying it used to be when I was forced to console weeping young ladies who’d cast out lures in hopes Ian would come up to scratch,” he told Elizabeth. “And that’s nothing to how I felt when he raced his horse and one of my parishioners thought I would be the ideal person to keep of the bets!” Elizabeth’s burst of laughter rang like music through the hills, and the vicar, ignoring Ian’s look of annoyance, continued blithely, “I have flat knees from the hours, the weeks, the months I’ve spent praying for his immortal soul-“ “When you’re finished itemizing my transgressions, Duncan, “ Ian cut in, “I’ll introduce you to my companion.” Instead of being irate at Ian’s tone, the vicar looked satisfied. “By all means, Ian,” he said smoothly. “We should always observe all the proprieties.” At that moment Elizabeth realized with a jolt that the shaming tirade she’d expected the vicar to deliver when he first saw them had been delivered after all-skillfully and subtly. The only difference was that the kindly vicar had aimed it solely at Ian, absolving her from blame and sparing her any further humiliation. Ian evidently realized it, too; reaching out to shake his uncle’s hand, he said dryly, “You’re looking well, Duncan-despite your flattened knees. And,” he added, “I can assure you that your sermons are equally eloquent whether I’m standing up or sitting down.” “That is because you have a lamentable tendency to doze off in the middle of them either way,” the vicar replied a little irritably, shaking Ian’s hand.
Judith McNaught (Almost Heaven (Sequels, #3))
On the third day, we named them. My father believed in using indigenous names for indigenous creatures, so all his wolf names came from the Abenaki language. Nodah, which meant Hear me, was the name we gave the biggest of the bunch, a noisy black ball of energy. Kina, or Look here, was the troublemaker who got tangled in shoelaces or stuck under the flaps of the cardboard box. And Kita, or Listen, hung back and watched us, his eyes never missing a thing. Their little sister I named Miguen, Feather. There were times she'd drink as well as her brothers and I would believe she was out of the woods, but then she'd go limp in my grasp and I'd have to rub her and slip her inside my shirt to keep her warm again. I was so tired from staying up round the clock that I couldn’t see straight. I sometimes slept on my feet, dozing for a few minutes before I snapped awake again. The whole time, I carried Miguen, until my arms felt empty without her in them. On the fourth night, when I opened my eyes after nodding off, my father was staring at me with an expression I had never seen before on his face. “When you were born,” he said “I wouldn’t let go of you, either.
Jodi Picoult (Lone Wolf)
shoulder, so lightly that he hardly noticed, was a small creature exactly the color of his shirt. “Allow me to introduce all of us,” the creature went on. “We are the Lethargarians, at your service.” Milo looked around and, for the first time, noticed dozens of them—sitting on the car, standing in the road, and lying all over the trees and bushes. They were very difficult to see, because whatever they happened to be sitting on or near was exactly the color they happened to be. Each one looked very much like the other (except for the color, of course) and some looked even more like each other than they did like themselves. “I’m very pleased to meet you,” said Milo, not sure whether or not he was pleased at all. “I think I’m lost. Can you help me please?” “Don’t say ‘think,’ ” said one sitting on his shoe, for the one on his shoulder had fallen asleep. “It’s against the law.” And he yawned and fell off to sleep, too. “No one’s allowed to think in the Doldrums,” continued a third, beginning to doze off. And as each one spoke, he fell off to sleep and another picked up the conversation with hardly any interruption. “Don’t you have a rule book? It’s local ordinance 175389-J.
Norton Juster (The Phantom Tollbooth)
The guard locks the gates of the turbeh, letting the heavy sound of the lock fall into the dark interior, as though leaving the name of the key inside. Dispirited, like me, he sits down on the stone beside me and closes his eyes. Just when I think he has dozed off in his part of the shade, the guard lifts his hand and points to a moth fluttering above the entrance to the tomb, having come out of our clothes or the Persian carpets in the turbeh. "You see," he says to me casually, "the moth is way up there by the white wall of the doorway, and it is visible only because it moves. From here it almost looks like a bird in the sky. That's probably how the moth sees the wall, and only we know it is wrong. But it doesn't know that we know. It doesn't even know we exist. You try to communicate with it if you can. Can you tell it anything in a way it understands; can you be sure it understood you completely?" "I don't know," I replied. "Can You?" "Yes," the old man said quietly, and with a clap of his hands he killed the moth, then profered its crushed body on the palm of his hand. "Do you think it didn't understand what I told it?" "You can do the same thing with a candle, extinguish it with your two fingers to prove you exist," I commented. "Certainly, if a candle is capable of dying... Now, imagine," he went on, "that there is somebody who knows about us what we know about the moth. Somebody who knows how, with what, and why this space that we call the sky and assume to be boundless, is bounded-- somebody who cannot approach us to let us know that he exists except in one way-- by killing us. Somebody, on whose garments we are nourished, somebody who carries our death in his hand like a tongue, as a means of communicating with us. By killing us, this anonymous being informs us about himself. And we, through our deaths, which may be no more than a warning to some wayfarer sitting alongside the assassin, we, I say, can at the last moment perceive, as through an opened door, new fields and other boundaries. This sixth and highest degree of deathly fear (where there is no memory) is what holds and links us anonymous participants in the game. The hierarchy of death is, in fact, the only thing that makes possible a system of contacts between the various levels of reality in an otherwise vast space where deaths endlessly repeat themselves like echoes within echoes...
Milorad Pavić
III. Buddhism The Man Who Woke Up Buddhism begins with a man. In his later years, when India was afire with his message and kings themselves were bowing before him, people came to him even as they were to come to Jesus asking what he was.1 How many people have provoked this question—not “Who are you?” with respect to name, origin, or ancestry, but “What are you? What order of being do you belong to? What species do you represent?” Not Caesar, certainly. Not Napoleon, or even Socrates. Only two: Jesus and Buddha. When the people carried their puzzlement to the Buddha himself, the answer he gave provided an identity for his entire message. “Are you a god?” they asked. “No.” “An angel?” “No.” “A saint?” “No.” “Then what are you?” Buddha answered, “I am awake.” His answer became his title, for this is what Buddha means. The Sanskrit root budh denotes both to wake up and to know. Buddha, then, means the “Enlightened One,” or the “Awakened One.” While the rest of the world was wrapped in the womb of sleep, dreaming a dream known as the waking state of human life, one of their number roused himself. Buddhism begins with a man who shook off the daze, the doze, the dream-like vagaries of ordinary awareness. It begins with a man who woke up. His
Huston Smith (The World's Religions, Revised and Updated (Plus))
I’m just trying to figure out what’s so boring that you dozed off ten minutes ago.” She propped herself on her elbows. “I did not!” His brows rose. “I heard you snoring.” “You’re a liar, Chaol Westfall.” She threw her paper at him and plopped back on the couch. “I only closed my eyes for a minute.” He shook his head again and went back to work. Celaena blushed. “I didn’t really snore, did I?” His face was utterly serious as he said, “Like a bear.” She thumped a fist on the couch cushion. He grinned. She huffed, then draped her arm off the sofa, picking at the threads of the ancient rug as she stared up at the stone ceiling
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
This idea of a story as an ongoing communication between minds arises naturally from the activity of one person telling a story to another. This model applies to these Russian stories we're reading, and would have applied the first time some cavepeople gathered around a fire for the first literary reading, and if that early storyteller ignored this notion of story as ongoing communication between performer and audience, he would have found, as today, that some of his audience was dozing off or sneaking out of the cave early, in that crouching posture people adopt when sneaking out of a literary event, as if crouching like that will make them invisible to the author, which believe me, it doesn't.
George Saunders (A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life)
Once I knew, then I forgot. It was as if I had fallen asleep in a field only to discover at waking that a grove of trees had grown up around me. “Doubt nothing, believe everything,” was my friend’s idea of metaphysics, although his brother ran away with his wife. He still bought her a rose every day, sat in the empty house for the next twenty years talking to her about the weather. I was already dozing off in the shade, dreaming that the rustling trees were my many selves explaining themselves all at the same time so that I could not make out a single word. My life was a beautiful mystery on the verge of understanding, always on the verge! Think of it! My friend’s empty house with every one of its windows lit. The dark trees multiplying all around it.
Charles Simic (The World Doesn't End)
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
Anne Carson (Norma Jeane Baker of Troy)
And then what happens to all of us every day happened to him—he fell asleep without knowing himself when or how. He passed from one state into another without his will having any share in it, without even desiring it, and without regretting the state out of which he had passed. He fell into a heavy sleep which was like death. How long he had slept he did not know, but he was suddenly aroused by the soft touch of a hand upon his shoulder. “It is my darling, it is she,” he thought. “What a shame to have dozed off!” But it was not she. Before his eyes, which were wide open and blinking at the light, she, that charming and beautiful creature whom he was expecting, did not stand, but he stood. Who he was the young Tsar did not know, but somehow it did not strike him that he was a stranger whom he had never seen before.
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
For Blitz, meanwhile, an almost tragic dilemma had begun. As time passed, he and Giuseppe understood each other better and better, conversing and playing together on the floor with immense amusement, and so he found himself madly in love also with Giuseppe, as well as Nino. But Nino was always out, and Giuseppe always at home: thus it was impossible for him to live constantly in the company of both his loves, as he would have wished. And in consequence, with either one, he was always tortured by regret: and if he was with one, the mere mention of the others name or a smell that recalled him was enough for his homesickness to stream behind him, like a banner against the wind. At times, while he was on sentry duty outside Ninos school, suddenly, as if at a message brought him by a cloud, he would begin to sniff the sky with a mournful whimper, recalling the incarcerated Giuseppe. For a few minutes, a dissension would rend him, drawing him in two opposite directions at the same time; but finally, having overcome his hesitation, he would dash toward the San Lorenzo house, his long nose cleaving the wind like a prow. But at his destination, unfortunately, he found the door barred; and all his cries, mortified by the muzzle, passionately calling for Giuseppe, were in vain; for Giuseppe, though hearing him and suffering in his solitary room, longing to let him in, was unable to do so. Then, resigning himself to his destiny of waiting outside doors, Blitz would stretch out there on the ground, where, at times, in his boundless patience, he would doze off. And perhaps he had a dream of love, which brought him a reminiscence of Nino: it's a fact that, a moment later, he would stir from his sleep and hop down the steps with desperate whimpers, to retrace his way to the school.
Elsa Morante (History)
In the caves there lived a man named Ji.23 He was good at guessing riddles because he was fond of pondering things. However, if the (290) desires of his eyes and ears were aroused, it would ruin his thinking, and if he heard the sounds of mosquitoes or gnats, it would frustrate his concentration. So, he shut out the desires of his eyes and ears and put himself far away from the sounds of mosquitoes and gnats, and by dwelling in seclusion and stilling his thoughts, he achieved comprehension. (295) But can pondering ren in such a manner be called true sublimeness? Mencius hated depravity and so expelled his wife—this can be called being able to force oneself.24 Youzi25 hated dozing off and so burned his palm to keep awake—this can be called being able to steel oneself. These are not yet true fondness. To shut out the desires (300) of one’s eyes and ears can be called forcing oneself. It is not yet truly pondering. To be such that hearing the sounds of mosquitoes or gnats frustrates one’s concentration is called being precarious. It cannot yet be called true sublimeness. One who is truly sublime is a perfected person. For the perfected person, what forcing oneself, (305) what steeling oneself, what precariousness is there? Thus, those who are murky understand only external manifestations, but those who are clear understand internal manifestations. The sage follows his desires and embraces all his dispositions, and the things dependent on these simply turn out well-ordered. What forcing oneself, what steeling (310) oneself, what precariousness is there? Thus, the person of ren carries out the Way without striving, and the sage carries out the Way without forcing himself. The person of ren ponders it with reverence, and the sage ponders it with joy. This is the proper way to order one’s heart.
Xun Kuang (Xunzi: The Complete Text)
Was I sleeping, while the others suffered? Am I sleeping now? Tomorrow, when I wake, or think I do, what shall I say of today? That with Estragon my friend, at this place, until the fall of night, I waited for Godot? That Pozzo passed, with his carrier, and that he spoke to us? Probably. But in all that what truth will there be? [Estragon, having struggled with his boots in vain, is dozing off again. Vladimir looks at him.] He'll know nothing. He'll tell me about the blows he received and I'll give him a carrot. [Pause.] Astride of a grave and a difficult birth. Down in the hole, lingeringly, the gravedigger puts on the forceps. We have time to grow old. The air is full of our cries. [He listens.] But habit is a great deadener. [He looks again at Estragon.] At me too someone is looking, of me too someone is saying. He is sleeping, he knows nothing, let him sleep on. [Pause.] I can't go on! [Pause.] What have I said?
Samuel Beckett (Waiting for Godot)
He bowed politely to Hortense, who tipped her head toward the elderly gray-haired lady beside her, who seemed to be dozing, her head drooping slightly forward. “And this person, you may recall, is my sister Charity, your other great-aunt, who has again dozed off as she so often does. It’s her age, you understand.” The little gray head snapped up, and blue eyes popped open, leveling on Hortense in wounded affront. “I’m only four little years older than you, Hortense, and it’s very mean-spirited of you to go about reminding everyone of it,” she cried in a hurt voice; then she saw Ian standing in front of her, and a beatific smile lit her face. “Ian, dear boy, do you remember me?” “Certainly, ma’am,” Ian began courteously, but Charity interrupted him as she turned a triumphant glance on her sister. “There, you see, Hortense-he remembers me, and it is because, though I may be just a trifle older than you, I have not aged nearly so much as you in the last years! Have I?” she asked, turning hopefully to Ian. “If you’ll take my advice,” his grandfather said dryly, “you won’t answer that question.
Judith McNaught (Almost Heaven (Sequels, #3))
She goes to the window, curious to look out, and her senses awaken. It was only a moment ago (for sleep knows no time) that the flat horizon was a loamy gray swell merging into the fog behind the icy glass. But now rocky, powerful mountains are massing out of the ground (where have they come from?), a vast, strange overwhelming sight. This is her first glimpse of the unimaginable majesty of the Alps, and she sways with surprise. Just now a first ray of sun through the pass to the east is shattering into a million reflections on the ice field covering the highest peak. The white purity of this unfiltered light is so dazzling and sharp that she has to close her eyes for a moment, but now she's wide awake. One push and the window bangs down, to bring this marvel closer, and fresh air - ice-cold, glass-sharp, and with a bracing dash of snow - streams through her lips, parted in astonishment, and into her lungs, the deepest, purest breath of her life. She spreads her arms to take in this first reckless gulp, and immediately, her chest expanding, feels a luxurious warmth rise through her veins - marvelous, marvelous. Inflamed with cold, she takes in the scene to the left and the right; her eyes (thawed out now) follow each of the granite slops up to the icy epaulet at the top, discovering, with growing excitement, new magnificence everywhere - here a white waterfall tumbling headlong into a valley, there neat little stone houses tucked into crevices like birds' nests, farther off an eagle circling proudly over the very highest heights, and above it all a wonderfully pure, sumptuous blue whose lush, exhilarating power she would never have thought possible. Again and again she returns to these Alps sprung overnight from her sleep, an incredible sight to someone leaving her narrow world for the first time. These immense granite mountains must have been here for thousands of years; they'll probably still be here millions and millions of years from now, every one of them immovably where it's always been, and if not for the accident of this journey, she herself would have died, rotted away, and turned to dust with no inkling of their glory, She's been living as though all this didn't exist, never saw it, hardly cared to; like a fool she dozed off in this tiny room, hardly longer than her arm, hardly wide enough for her feet, just a night away, a day away from this infinitude, these manifold immensities! Indifferent and without desires before, now she's beginning to realize what she's been missing. This contact with the overpowering is her first encounter with travel's disconcerting ability to strip the hard shell of habit from the heart, leaving only the bare, fertile kernel.
Stefan Zweig (The Post-Office Girl)
A private car was waiting for us and Renée and I were driven back to the Pleasure Prison. As we rode along I was thinking, “Why do I feel so inflated, so pumped up, so on edge? I have been here eight weeks and worked only eight days.” I mean, talk about mad dogs and Englishmen, the British were incredible. A sixty-year-old makeup man stood for hours each day in the burning sun, just to press ice packs on our necks so we wouldn’t faint, and I was complaining? I was feeling ravaged, all spoiled and puffed up. But, oh, how I was going to miss it. How I was going to miss it. Riding in the car, I said a silent farewell. Farewell to the fantastic breakfasts, the pineapple like I’d never tasted and probably never will taste again. Farewell to the fresh mango and papaya, farewell to the Thai maid and the fresh, clean, cotton sheets on the king-size bed every night. Farewell to the incredible free lunches under the circus tent with fresh meat flown in from America every day. Roast lamb, roast potatoes and green beans at 110 degrees, in accordance with British Equity. Farewell to the cakes and teas and ices at four. Farewell to the Thai driver with the tinted glasses and the Mercedes with the one-way windows. Farewell to the single fresh rose in the glass on my bureau every morning. And just as I was dozing off in the Pleasure Prison, I had a flash. An inkling. I suddenly thought I knew what it was that killed Marilyn Monroe.
Spalding Gray (Swimming to Cambodia)
William was only one year old, and his mother was proud of him, he was so pretty... He was a joy to her, the twining wisps of hair clustering round his head. Mrs Morel lay listening, one Sunday morning, to the chatter of the two. Then she dozed off. When she came downstairs... seated in his armchair, against the chimney piece, sat Morel, rather timid: and standing between his legs, the child - cropped like a sheep, with such an odd round poll - looking wondering at her: and on a newspaper spread out upon the hearth rug, a myriad of crescent-shaped curls, like the petals of a marigold scattered in the reddening firelight. Mrs Morel stood still. It was her first baby. She went very white, and was unable to speak. "What dost think on 'im?" Morel laughed uneasily. She gripped her two fists, lifted them, and came forward. Morel shrank back... Her lip trembled, her face broke, and, snatching up the child, she buried her face in his shoulder and cried painfully. She was one of those women who cannot cry: whom it hurts as it hurts a man. It was like the ripping something out of her, her sobbing... She went about her work with closed mouth and very quiet... She spoke to him civilly, and never alluded to what he had done. But he felt something final had happened. ...But she knew, and Morel knew, that that act had caused something momentous to take place in her soul. She remembered that scene all her life, as one in which she had suffered the most intensely. This act of masculine clumsiness was a spear through the side of her love for Morel.
D.H. Lawrence (Sons and Lovers)
Rider scooped Willow into his arms and carried her outside to the nearest tree, Miriam right behind him. Awkwardly shifting his burden, he sat in the shade and settled Willow in his lap. "Mrs. Brigham, could you lend me a hand?" he asked anxiously. "I think we should loosen her clothing or something." Rider propped Willow's limp form over one arm, giving Miriam access to the back of the girl's dress. As the corset came into view, he snorted in disgust. "Unlace that contraption, too. No wonder she fainted; she can't breathe." Miriam looked aghast. "Oh, but I can't do that! It wouldn't be decent." "She's wearing something under it, isn't she?" "Well, yes, but--" "Good God, I'll do it myself!" His free hand produced a small knife from his pants pocket. The blade flashed and before Miriam could stop him, the corset ribbons were severed. Immediately, Willow inhaled deeply. Rider shifted her back into the bend of his arm and gently patted her cheeks. "Come on, little girl, open those big blue eyes." Inhaling another deep breath, Willow gradually came around. She blinked at the leafy roof overhead, then focused a confused gaze on Rider's smiling face. "What happened? How did I get out here?" Glancing around, she impatiently brushed a few errant strands of hair from her eyes. "Oh, my dear, you fainted," Miriam fussed. "Fainted! I've never fainted in my life. I'm not the fainting kind." "Maybe not under normal circumstances," Rider contradicted, "but you did faint. And it's little wonder, trussed up in that ridiculous corset. Wearing that thing in this heat is insane!" "Really, Mr. Sinclair." Miriam scowled. "I hardly think this is an appropriate subject in mixed company." "I'm sorry, Mrs. Brigham, but it's the truth." "I don't care what either one of you says," Willow broke in. "I did not faint." Rider grimaced in disgust. "Just dozed off again, huh?
Charlotte McPherren (Song of the Willow)
Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.
Melissa Jensen (The Fine Art of Truth or Dare)