Down Periscope Quotes

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To me, nudity is a joke. I don't think nude people are very attractive at all. I like my women fully clothed. I like to imagine what might be under there. It might not be the standard thing. Imagine, stripping a woman down, and she has a body like a little submarine. With periscope, propellers, torpedoes. That would be the one for me. I'd marry her right off and be faithful to the end.
Charles Bukowski
A water snake glided smoothly up the pool, twisting its periscope head from side to side; and it swam the length of the pool and came to the legs of a motionless heron that stood in the shadows. A silent head and beak lanced down and plucked it out by the head, and the beak swallowed the little snake while its tail waved frantically.
John Steinbeck (Of Mice and Men)
The story we are told of women is not this one. The story of women is the story of love, of foundering into another. A slight deviation: longing to founder and being unable to. Being left alone in the foundering, and taking things into one's own hands: rat poison, the wheels of a Russian train. Even the smoother and gentler story is still just a modified version of the above. In the demotic, in the key of bougie, it's the promise of love in old age for all the good girls of the world. Hilarious ancient bodies at bath time, husband's palsied hands soaping wife's withered dugs, erection popping out of the bubbles like a pink periscope. I see you! There would be long, hobbledy walks under the plane trees, stories told by a single sideways glance, one word sufficing. Anthill, he'd say; Martini! she'd say; and the thick swim of the old joke would return to them. The laughter, the beautiful reverberations. Then the bleary toddling on to an early-bird dinner, snoozing through a movie hand in hand. Their bodies like knobby sticks wrapped in vellum. One laying the other on the deathbed, feeding the overdose, dying the day after, all heart gone out of the world with the beloved breath. Oh, companionship. Oh, romance. Oh, completion. Forgive her if she believed this would be the way it would go. She had been led to this conclusion by forces greater than she. Conquers all! All you need is! Is a many-splendored thing! Surrender to! Like corn rammed down goose necks, this shit they'd swallowed since they were barely old enough to dress themselves in tulle. The way the old story goes, woman needs an other to complete her circuits, to flick her to fullest blazing.
Lauren Groff (Fates and Furies)
We will be stronger for this, But only if it forces us To reach out. Corona Barry Marks “…normally only visible during a solar eclipse” Of course I’m crazy there are no sharks in swimming pools, just like there were none in freshwater lakes and rivers all those years when boys and dogs and a horse or two disappeared and everyone knew it was a haint, not some biological U-Boat stalking Little Bear Creek for 400 million years. Yes, I watch for periscopes, dorsal fins, Indian signs whispering something is down there, beneath the surface tension: angle of reflection, angle of refraction, invisible geometry making you squint and not see, making you not see. Go ahead, tell me I’m crazy with my stock of masks and toilet paper, bottled water and ammo; I know this immigrant air is from Mexico, maybe Wuhan before that, and the things I can’t see are the ones trying to pry my ribs open to let the ghost-you-can’t-see out of its cage. I know things under the air, behind the darkness, within the water are real because so am I and I believe the myth of electricity and the fable of fluoridation, that the sun can be lethal and meds can mend a Stockholm Syndrome childhood. I believe my vote and my opinion count. I believe in germs and viruses, and not going out with a wet head, and the new normal and the old one, too. I believe it is the unseen things that kill us, the small things: a moment’s distraction, the hole a virus shoots through a body. I cannot believe the dead will forgive us for being too slow to believe in what we did not want to see.
Anthology Highland Avenue Eaters of Words (The Social Distance: Poetry in Response to COVID-19)
At some time in the ninth century one could have looked down the Seine and seen the prow of a Viking ship coming up the river. Looked at today in the British Museum it is a powerful work of art; but to the mother of a family trying to settle down in her little hut, it would have seemed less agreeable – as menacing to her civilisation as the periscope of a nuclear submarine.
Kenneth Clark (Civilisation)
The crowd began to murmur in the indistinguishable syllables of backstage banter. As the ball ascended, so did the volume of the murmurs. Words could be made out. Then phrases. “Lovely golf stroke.” “Super golf shot.” “Beautiful golf shot.” “Truly fine golf stroke.” They always said golf stroke, like someone might mistake it for a swim stroke, or—as Myron was currently contemplating in this blazing heat—a sunstroke. “Mr. Bolitar?” Myron took the periscope away from his eyes. He was tempted to yell “Up periscope,” but feared some at stately, snooty Merion Golf Club would view the act as immature. Especially during the U.S. Open. He looked down at a ruddy-faced man of about seventy. “Your pants,” Myron said. “Pardon me?” “You’re afraid of getting hit by a golf cart, right?” They were orange and yellow in a hue slightly more luminous than a bursting supernova. To be fair, the man’s clothing hardly stood out. Most in the crowd seemed to have woken up wondering what apparel they possessed that would clash with, say, the free world. Orange and green tints found exclusively in several of your tackiest neon signs adorned many. Yellow and some strange shades of purple were also quite big—usually together—like a color scheme rejected by a Midwest high school cheerleading squad. It was as if being surrounded by all this God-given natural beauty made one want to do all in his power to offset it. Or maybe there was something else at work here. Maybe the ugly clothes had a more functional origin. Maybe in the old days, when animals roamed free, golfers dressed this way to ward off dangerous wildlife. Good
Harlan Coben (Back Spin (Myron Bolitar, #4))
By the spring of 1941, there was no longer any doubt that America was gearing up for war. In March, Roosevelt announced Lend-Lease aid to Great Britain, and in May, he declared a state of “unlimited national emergency.” Such support for Great Britain did nothing to ease American relations with Japan. In July, determined to stop further Japanese expansion beyond Indochina, the United States, Great Britain, and the Netherlands acted in concert to shut off the flow of raw materials upon which the Japanese war machine relied. The three countries instituted an embargo against Japan of oil, steel, and other strategic imports. Roosevelt froze Japanese assets in the United States, closed the Panama Canal to Japanese shipping, and recalled Major General Douglas MacArthur to active duty to defend the Philippines. Far from slowing Japan’s war-making capabilities, these actions, particularly the oil embargo, served only to increase the urgency Japan felt to subjugate China and gobble up oil and rubber from the East Indies. By September, after a German U-boat fired a torpedo at the American destroyer Greer (DD-145) while it was on convoy duty in the North Atlantic, Roosevelt authorized a shoot-on-sight policy against U-boats. A month later, the destroyer Reuben James (DD-245) spotted a periscope too late and caught a torpedo that blew off its bow. The ship sank in five minutes. Out of a complement of 143 officers and men, only 44 enlisted men survived.
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
The supply ship Antares (AG-10) was inbound to Pearl Harbor, heading toward the submarine nets protecting the entrance channel. Between Antares and the barge it was towing, Captain Outerbridge made out the unmistakable silhouette of the conning tower and periscope of an unknown submarine. There was no doubt in his mind that this was an intruder intent on following Antares through the open submarine nets and into the harbor. Outerbridge called for speed and ordered a turn toward the target as the Ward surged to twenty knots. At 6:45 a.m. the destroyer fired two shots from its four-inch guns. The first passed directly over the submarine’s conning tower and missed. The second hit the submarine at the waterline between the conning tower and its hull. As the Ward’s action report later characterized it, “This was a square positive hit.” The target heeled over to starboard and appeared to slow and sink, drifting into a tightly spaced salvo of depth charges set for 100 feet that the Ward dropped as it crossed the submarine’s bow. Outerbridge couldn’t be certain, but a large oil slick on the surface after the depth charges exploded indicated that his quarry had likely sunk. He radioed a voice transmission saying the Ward had “dropped depth charges upon subs,” but two minutes later, fearing that the report might be taken merely as one more in a long line of sketchy contacts, Outerbridge made clear that this had been no illusion: “We have attacked, fired upon, and dropped depth charges on a submarine operating in defensive sea area,” he radioed. Seconds later, just to be certain his information had been received, Outerbridge queried, “Did you get that last message?” The answer was yes, and the report made its way up the chain of command, reaching Admiral Kimmel about forty minutes later. Like others who’d relayed the message, Kimmel was skeptical. “I was not at all certain that this was a real attack,” he later told investigators. It would take sixty years before a Japanese midget submarine was discovered in some twelve hundred feet of water with a hole in its conning tower—evidence that Outerbridge and the Ward had indeed inflicted the first casualties of the day.4
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
The captain blew his whistle and poured the ashes down the tube into the water. He then threw a set of submariner’s “dolphins” into the ashes. The splash as they hit the water and then the silence as they sank into the sea took my breath away again.
Jaqui O'Donohoe (Reflections Through the Periscope: My love letter to Dad)
US merchant ships had already been told a month ago not to operate with their lights on at night, but back in New York City lights still made them perfect, dark silhouettes for U-boat captains who observed them through their periscopes. In April 1942, New York City finally decided to turn out the lights. However, the “blackout” that was desired by Admiral Andrews never materialized, as Mayor La Guardia argued for a compromise—New York City would institute a “dimout.” The Statue of Liberty’s torch was extinguished. The Wrigley’s fish and neon bubbles in Times Square were taken down. However, at night, the Camel man kept smoking, and blowing smoke rings over a dark street. Street lamps and traffic lights were dimmed, and cars either ran with just their parking lights on or had their lights painted over so light could only escape through a slit. Gasoline and rubber shortages saw fewer and fewer cars were on the road, and most cars running were yellow taxicabs that were exempt from rationing. Floodlights that illuminated the facades of New York City’s most recognizable structures—the Empire State Building, the Chrysler Building, and Rockefeller Center—were turned off, making them look like “giant mausoleums.” In late April, sporadic blackout drills made the city even darker.
Matthew Black (Operation Underworld: How the Mafia and U.S. Government Teamed Up to Win World War II)
A water snake glided smoothly up the pool, twisting its periscope head from side to side; and it swam the length of the pool and came to the legs of a motionless heron that stood in the shallows. A silent head and beak lanced down and plucked it out by the head, and the beak swallowed the little snake while its tail waved frantically.
John Steinbeck (Of Mice and Men)