Doughty Quotes

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Accepting death doesn't mean you won't be devastated when someone you love dies. It means you will be able to focus on your grief, unburdened by bigger existential questions like, "Why do people die?" and "Why is this happening to me?" Death isn't happening to you. Death is happening to us all.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Sifting through an urn of cremated remains you cannot tell if a person had successes, failures, grandchildren, felonies. “For you are dust, and to dust you shall return.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Death might appear to destroy the meaning in our lives, but in fact it is the very source of our creativity. As Kafka said, “The meaning of life is that it ends.” Death is the engine that keeps us running, giving us the motivation to achieve, learn, love, and create.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
A girl always remembers the first corpse she shaves.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Exposing a young child to the realities of love and death is far less dangerous than exposing them to the lie of the happy ending.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
The fear of death is why we build cathedrals, have children, declare war, and watch cat videos online at three a.m.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
If my decomposing carcass helps nourish the roots of a juniper tree or the wings of a vulture—that is immortality enough for me. And as much as anyone deserves,
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
In many ways, women are death's natural companions. Every time a woman gives birth, she is creating not only a life, but a death. Samuel Beckett wrote that women "give birth astride of a grave." Mother Nature is indeed a real mother, creating and destroying in a constant loop.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
The silence of death, of the cemetery, was no punishment, but a reward for a life well lived.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded time piece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pockets?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
We can't make death fun, but we can make learning about it fun. Death is science and history, art and literature. It bridges every culture and unites the whole of humanity!
Caitlin Doughty (Will My Cat Eat My Eyeballs? Big Questions from Tiny Mortals About Death)
It is no surprise that the people trying so frantically to extend our lifespans are almost entirely rich, white men. Men who have lived lives of systematic privilege, and believe that privilege should extend indefinitely.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
As Kafka said, “The meaning of life is that it ends.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Death is the engine that keeps us running, giving us the motivation to achieve, learn, love, and create.
Caitlin Doughty
Looking mortality straight in the eyeis n easy feat. To avoid the exercise, we choose to stay blindfolded, in the dark as to the realities of death and dying. But ignorance is not bliss, only a deeper kind of terror.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
A corpse doesn't need you to remember it. In fact, it doesn't need anything anymore-it's more than happy to lie there and rot away. It is you who needs the corpse. Looking at the body you understand the person is gone, no longer an active player in the game of life. Looking at the body you see yourself, and you know that you, too, will die. The visual is a call to self-awareness. It is the beginning of wisdom.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Twenty-one years is time enough to be a fuck-up, sure, but not time enough to be a lost cause.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Human beings are not nature’s favorites. We are merely one of a multitude of species upon which nature indiscriminately exerts its force.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
He won’t be diving straight for the human flesh. But a cat has got to eat, and you are the person who feeds him. This is the cat-human compact. Death doesn’t free you from performing your contractual obligations.
Caitlin Doughty (Will My Cat Eat My Eyeballs?: And Other Questions About Dead Bodies)
A culture that denies death is a barrier to achieving a good death. Overcoming our fears and wild misconceptions about death will be no small task, but we shouldn't forget how quickly other cultural prejudices--racism, sexism, homophobia--have begun to topple in the recent past. It is high time death had its own moment of truth.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Love built on pain-the kind that lasts: whatever you love can be taken away from us at any moment but the loss of what we love belongs to us forever.
Louise Doughty (Whatever You Love)
Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or a ring. Do not be afraid. These are human acts, acts of bravery and love in the face of death and loss.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Death is the engine that keeps us running, giving us the motivation to achieve, learn, love, and create. Philosophers have proclaimed this for thousands of years just as vehemently as we insist upon ignoring it generation after generation.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
No matter how many heavy-metal album covers you’ve seen, how many Hieronymus Bosch prints of the tortures of Hell, or even the scene in Indiana Jones where the Nazi’s face melts off, you cannot be prepared to view a body being cremated. Seeing a flaming human skull is intense beyond your wildest flights of imagination.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
To be fair, death is hard! We love someone and then they die. It feels unfair. Sometimes death can be violent, sudden, and unbearably sad. But it’s also reality, and reality doesn’t change just because you don’t like it.
Caitlin Doughty (Will My Cat Eat My Eyeballs?: And Other Questions About Dead Bodies)
Death should be KNOWN. Known as a difficult mental, physical and emotional process, respected and feared for what it is.
Caitlin Doughty
Mother Nature, as Tennyson said, is “red in tooth and claw,” demolishing every beautiful thing she has ever created.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
We owe our very lives to the soil, and, as William Bryant Logan said, “the bodies we give it back are not payment enough.” Though, presumably, they are a start.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
I understand that you belittle all sentiments of generosity and kindness, but I do not, and I can convince your most doughty warrior that these characteristics are not incompatible with an ability to fight.
Edgar Rice Burroughs (A Princess of Mars)
We discovered that safety and security are commodities you can sell in return for excitement but you can never buy them back.
Louise Doughty (Apple Tree Yard)
There are many words a woman in love longs to hear. “I’ll love you forever, darling,” and “Will it be a diamond this year?” are two fine examples. But young lovers take note: above all else, the phrase every girl truly wants to hear is “Hi, this is Amy from Science Support; I’m dropping off some heads.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Buddhist say that thoughts are like drops of water on the brain; when you reinforce the same thought, it will etch a new stream into your consciousness, like water eroding the side of a mountain. Scientist confirm this bit of folk wisdom: our neurons break connections and form new pathways all the time. Even if you've been programmed to fear death, that particular pathway isn't set in stone. Each of us is responsible for seeking out new knowledge and creating mental circuits.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
The longer you spend doing something you don’t believe in, the more the systems of your body rebel.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Women’s bodies are so often under the purview of men, whether it’s our reproductive organs, our sexuality, our weight, our manner of dress. There is a freedom found in decomposition, a body rendered messy, chaotic, and wild. I relish this image when visualizing what will become of my future corpse.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Mythologist Joseph Campbell wisely tells us to scorn the happy ending, “for the world as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
French existentialist Albert Camus said it best: “Ah, mon cher, for anyone who is alone, without God and without a master, the weight of days is dreadful.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
That's why all the questions in this book come from 100 percent ethically sourced, free-range, organic children.
Caitlin Doughty (Will My Cat Eat My Eyeballs? And other Questions about Dead Bodies)
All that surrounds us comes from death, every part of every city, and every part of every person.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Holding the space is crucial, and exactly what we are missing. To hold the space is to create a ring of safety around the family and friends of the dead, providing a place where they can grieve openly and honestly, without fear of being judged.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
It is worth noting that the main players in the recomposition project are women—scientists, anthropologists, lawyers, architects. Educated women, who have the privilege to devote their efforts to righting a wrong. They’ve given prominent space in their professional careers to changing the current system of death. Katrina noted that “humans are so focused on preventing aging and decay—it’s become an obsession. And for those who have been socialized female, that pressure is relentless. So decomposition becomes a radical act. It’s a way to say, ‘I love and accept myself.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Death avoidance is not an individual failing; it’s a cultural one. Facing death is not for the faint-hearted. It is far too challenging to expect that each citizen will do so on his or her own. Death acceptance is the responsibility of all death professionals—funeral directors, cemetery managers, hospital workers. It is the responsibility of those who have been tasked with creating physical and emotional environments where safe, open interaction with death and dead bodies is possible.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
In many ways, women are death's natural companions. Every time a woman gives birth, she is creating not only a life, but also a death. Samuel Beckett wrote that women "give birth astride of a grave." Mother Nature is indeed a real mother, creating and destroying in a constant loop.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Why do we refuse to have these conversations, asking our family and friends what they want done with their body when they die? Our avoidance is self-defeating. By dodging the talk about our inevitable end, we put both our pocketbooks and our ability to mourn at risk.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
It's tragic that extremists co-opt the notion of God, and that hipsters and artists reject spirituality out of hand. I don't have a fixed idea of God. But I feel that it's us - the messed-up, the half-crazy, the burning, the questing - that need God, a lot more than the goody-two-shoes do.
Mike Doughty
Death should be known. Known as a difficult mental, physical, and emotional process, respected and feared for what it is.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Here’s the deal: It’s normal to be curious about death. But as people grow up, they internalize this idea that wondering about death is “morbid” or “weird.” They grow scared, and criticize other people’s interest in the topic to keep from having to confront death themselves.
Caitlin Doughty (Will My Cat Eat My Eyeballs?: And Other Questions About Dead Bodies)
Holding the space doesn’t mean swaddling the family immobile in their grief. It also means giving them meaningful tasks. Using chopsticks to methodically clutch bone after bone and place them in an urn, building an altar to invite a spirit to visit once a year, even taking a body from the grave to clean and redress it: these activities give the mourner a sense of purpose. A sense of purpose helps the mourner grieve. Grieving helps the mourner begin to heal.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
You should remind yourself that what you love is mortal, that what you love is not your own. It is granted to you the present while, and not irrevocably, nor for ever, but like a fig or a bunch of grapes in the appointed season and if you long for it in the winter, you are a fool.
Louise Doughty (Whatever You Love)
When deathcare became an industry in the early twentieth century, there was a seismic shift in who was responsible for the dead. Caring for the corpse went from visceral, primeval work performed by women to a “profession,” an “art,” and even a “science,” performed by well-paid men.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
To future corpses of all ages
Caitlin Doughty (Will My Cat Eat My Eyeballs?: And Other Questions About Dead Bodies)
There is a freedom found in decomposition, a body rendered messy, chaotic, and wild.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
There's a million was of saying words that mean you won't be staying. But couldn't we just skip the bye-ing? We could stay and keep on hi-ing!
Rebecca Doughty (Oh No! Time to Go!: A Book of Goodbyes)
Your relationship to mortality is your own.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Show me the manner in which a nation cares for its dead and I will measure with mathematical exactness the tender mercies of its people, their respect for the laws of the land and their loyalty to high ideals.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Accepting death doesn’t mean that you won’t be devastated when someone you love dies. It means you will be able to focus on your grief, unburdened by bigger existential questions like “Why do people die?” and “Why is this happening to me?” Death isn’t happening to you. Death is happening to us all.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
The great triumph (or horrible tragedy, depending on how you look at it) of being human is that our brains have evolved over hundreds of thousands of years to understand our mortality. We are, sadly, self-aware creatures. Even if we move through the day finding creative ways to deny our mortality, no matter how powerful, loved, or special we may feel, we know we are ultimately doomed to death and decay. This is a mental burden shared by precious few other species on Earth.
Caitlin Doughty
In my practice as a mortician I've found that both cleaning the body and spending time with it serves a powerful role in processing grief. It helps mourners see the corpse not as a cursed object, but as a beautiful vessel that once held their loved one.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
I have come to believe that the merits of a death custom are not based on mathematics (e.g., 36.7 percent a "barbarous act"), but on emotions, a belief in the unique nobility of one's own culture. That is to say, we consider death rituals savage only when they don't match our own.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
It was the beginning of a Jane Austen novel, if Mr. Darcy was a grieving son/HBO enthusiast from Perth and Elizabeth an entry-level cremationist.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
The earth is expertly designed to take back what it has created.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Your cat might eat you after you die, but a vulture can't wait to rip you to pieces and carry you off into the sky.
Caitlin Doughty (Will My Cat Eat My Eyeballs? Big Questions from Tiny Mortals About Death)
The great achievements of humanity were born out of the deadlines imposed by death.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
we consider death rituals savage only when they don’t match our own.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Sifting through an urn of cremated remains you cannot tell if a person had successes, failures, grandchildren, felonies. “For you are dust, and to dust you shall return.” As an adult human, your dust is the same as my dust, four to seven pounds of greyish ash and bone.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematorium)
For me, the good death includes being prepared to die, with my affairs in order, the good and bad messages delivered that need delivering. The good death means dying while I still have my mind sharp and aware; it also means dying without having to endure large amounts of suffering and pain. The good death means accepting death as inevitable, and not fighting it when the time comes. This is my good death, but as legendary psychotherapist Carl Jung said, "It won't help to hear what I think about death." Your relationship to mortality is your own.
Caitlin Doughty
There is not much to enjoy in a layer of inorganic human bone dusted behind one’s ear or gathered underneath a fingernail,
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
I wanted to quiet my brain, to stop its incessant ruminations on the whys and hows of mortality.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
I spent the first thirty years of my life devouring animals. So why, when I die, should they not have their turn with me? Am I not an animal?
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Death drives every creative and destructive impulse we have as human beings. The closer we come to understanding it, the closer we come to understanding ourselves. This
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
I'm bringing body back. Returning corpses, but they're not intact. Kids, this is a Justin Timberlake reference. You're fine not knowing who that is.
Caitlin Doughty (Will My Cat Eat My Eyeballs? Big Questions from Tiny Mortals About Death)
They say you can put lipstick on a pig and it’s still a pig. The same holds true for a dead body. Put lipstick on a corpse and you’ve played dress-up with a corpse.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Self-awareness: it is one of the chief bonuses of advancing age. It is our consolation prize.
Louise Doughty (Apple Tree Yard)
In spite of my fear of living, I chose not to die.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
We do not (and will not) have the resources to properly care for our increasing elderly population, yet we insist on medical intervention to keep them alive. To allow them to die would signal the failure of our supposedly infallible modern medical system.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematorium)
In his introduction to Charles M. Doughty’s Travels in Arabia Deserta, T. E. Lawrence attempted to describe the character of the desert Arabs that both he and Doughty had admired. “They are the least morbid of peoples,” Lawrence wrote, “who take the gift of life unquestioningly, as an axiom.
David Berlinski (One, Two, Three: Absolutely Elementary Mathematics)
Many children and grandchildren of immigrants, have, like Sarah, found themselves severed from their family’s cultural rituals. The funeral system in the United States is notorious for passing laws and regulations interfering with diverse death practices and enforcing assimilation toward Americanized norms.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Such heaped up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty doughnut, the tender oly koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes. And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst-- Heaven bless the mark!
Washington Irving (The Legend of Sleepy Hollow (Graphic Novel))
The earth is expertly designed to take back what it has created. Bodies left for carrion in enclosed, regulated spaces could be the answer to the environmental problems of burial and cremation. There is no limit to where our engagement with death can take us.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Ever since childhood, when I found out that the ultimate fate for all humans was death, sheer terror and morbid curiosity had been fighting for supremacy in my mind.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
To my dearest friends So supportive, so gracious A morbid haiku.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Encountering a corpse forced the man who would be Buddha to see life as a process of unpredictable and constant change. It was life without corpses, trapped behind the palace walls, that had prevented him from reaching enlightenment.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
When the feelings would come, the emotions, the grief, I would push them down deeper, furious at myself for allowing them to peek through. My inner dialogue could be ruthless: You're fine. You're not starving, no one beats you. Your parents are still alive. There is real sadness in the world and yours is pathetic, you whiny, insignificant cow.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
At this the last of my anger oozed all out of me; and I found myself only sick, and sorry, and blank, and wondering at myself. I would have given the world to take back what I had said; but a word once spoken, who can recapture it? I minded me of all Alan's kindness and courage in the past, how he had helped and cheered and borne with me in our evil days; and then recalled my own insults, and saw that I had lost for ever that doughty friend. At the same time, the sickness that hung upon me seemed to redouble, and the pang in my side was like a sword for sharpness. I thought I must have swooned where I stood.
Robert Louis Stevenson (Kidnapped (David Balfour, #1))
He explained that he talks about death "all the time" with his friends. They ask each other, "Hey, what you want when you die?" Luciano asked, "Don't people say that where you come from?" It was hard to explain that, no, for the most part, they really don't.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Adults who are racked with death anxiety are not odd birds who have contracted some exotic disease, but men and women whose family and culture have failed to knit the proper protective clothing for them to withstand the icy chill of mortality. —IRVIN YALOM, PSYCHIATRIST
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
It is never too early to start thinking about your own death and the deaths of those you love. I don’t mean thinking about death in obsessive loops, fretting that your husband has been crushed in a horrific car accident, or that your plane will catch fire and plummet from the sky. But rational interaction, that ends with you realizing that you will survive the worst, whatever the worst may be. Accepting death doesn’t mean that you won’t be devastated when someone you love dies. It means you will be able to focus on your grief, unburdened by bigger existential questions like “Why do people die?” and “Why is this happening to me?” Death isn’t happening to you. Death is happening to us all.
Caitlin Doughty
I had lived my entire life up until I began working at Westwind relatively corpse-free. Now I had access to scores of them—stacked in the crematory freezer. They forced me to face my own death and the deaths of those I loved. No matter how much technology may become our master, it takes only a human corpse to toss the anchor off that boat and pull us back down to the firm knowledge that we are glorified animals that eat and shit and are doomed to die. We are all just future corpses.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
In 1945 and 1956, two researchers analyzed the donated bodies of four adult males, and estimated that the average male offers about 125,822 calories from protein and fat. That number is far below what other red meats like beef or boar can offer. (Yes, you heard me, humans are red meat.)
Caitlin Doughty (Will My Cat Eat My Eyeballs?: And Other Questions About Dead Bodies)
Though you may have never attended a funeral, two of the world's humans die every second. Eight in the time it took you to read that sentence. Now we're at fourteen. If this is too abstract, consider this number: 2.5 million. The 2.5 million people who die in the United States every year.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
We won’t get our rituals back if we don’t show up. Show up first, and the ritual will come. Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or in a ring. Don’t be afraid. These are human acts, acts of bravery and love in the face of death and loss.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
This kiss is zeroes and ones jumbled and tossed into a pneumatic system, unscrambled at the end and scrawled onto a tape recorder slowly rolling at the side of your bed, then slapping back, reverbed off the ringer, a tinny phantom of the smooch like a smack on an aluminum can, up the same veins through the belly of the same satellite and softly to the side of my head;
Mike Doughty (Slanky)
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. “Son of a bitch,” he exclaimed a second later. “What is it, boss?” Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded timepiece should have been. “That little bastard—” Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. “He picked your pocket?” Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning. “Doughty,” he said, “I think we’d best say a prayer for Jan Van Eck.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I had written my thesis on medieval witches accused of roasting dead infants and grinding their bones. A year later I found myself literally roasting dead infants and grinding their bones. The tragedy of the women who were accused of witchcraft was that they never actually ground the bones of babies to help them fly to a midnight devil’s Sabbath. But they were unjustly killed for it anyway, burned alive at the stake. I, on the other hand, did grind the bones of babies. Often I was thanked by their poor parents for my care and concern. Things change.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Rather than let author and environmentalist Edward Abbey be buried in a traditional cemetery, his friends stole his body, wrapped it in a sleeping bag, and hauled it in the back of his pickup truck to the Cabeza Prieta Desert in Arizona. They drove down a long dirt road and dug a hole when they reached the end of it, marking Abbey’s name on a nearby stone and pouring whiskey onto the grave. Fitting tribute for Abbey, who spent his career warning humanity of the harm in separating ourselves from nature. “If my decomposing carcass helps nourish the roots of a juniper tree or the wings of a vulture—that is immortality enough for me. And as much as anyone deserves,” he once said. Left
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
The psychoanalyst Otto Rank declared modern love a religious problem. As we grow increasingly secular and move away from the towns where we were born, we can no longer use religion or community to confirm our meaning in the world, so we seize a love partner instead, someone to distract us from the fact of our animal existence. French existentialist Albert Camus said it best: “Ah, mon cher, for anyone who is alone, without God and without a master, the weight of days is dreadful.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
By not talking about death with our loved ones, not being clear through advanced directives, DNR (do not resuscitate) orders, and funeral plans, we are directly contributing to this future ... and a rather bleak present, at that. Rather than engage in larger societal discussions about dignified ways for the terminally ill to end their lives, we accept intolerable cases like that of Angelita, a widow in Oakland who covered her head with a plastic bag because the arthritic pain of her gnarled joints was too much to bear. Or that of Victor in Los Angeles, who hung himself from the rafters of his apartment after his third unsuccessful round of chemotherapy, leaving his son to discover his body. Or the countless bodies with decubitus ulcers, more painful for me to care for them even babies or suicides. When these bodies come into the funeral home, I can only offer my sympathy to their living relatives, and promise to work to ensure that more people are not robbed of a dignified death by a culture of silence.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Left to their own devices, human bodies rot, decompose, come apart, and sink gloriously back into the earth from whence they came. Using embalming and heavy protective caskets to stop this process is a desperate attempt to stave off the inevitable, and demonstrates our clear terror of decomposition. The death industry markets caskets and embalming under the rubric of helping bodies look “natural,” but our current death customs are as natural as training majestic creatures like bears and elephants to dance in cute little outfits, or erecting replicas of the Eiffel Tower and Venetian canals in the middle of the harsh American desert.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
One more item slipped out of the bag. It was the metal identification tag from Maureen's cremation, the one I had burned with her just a few weeks before. These tags say with the body through the whole cremation, and leave stuck in with the ashes, which is how sacks of cremated remains found in old storage lockers and attics can still be identified years later. The tag I found was identical (except for the ID number) to the one I was putting in with Matthew now. I imagined his hands sinking into the grey mulch of Maureen's bones and finding the tag. I imagined him pulling the tag out and brushing the dusty metal against his cheek. It was a bizarre honor to have been a part of their last private moment together, the last act of their love story. I cried (sobbed, if we're being honest) standing over Matthew's body, moments before it was loaded into the chamber. Even if all we love will die, I still ached for a love like theirs, to be adored so completely. Had not Disney guaranteed all of us such an ending?
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Death avoidance is not an individual failing; it's a cultural one. Facing death is not for the faint-hearted. It is far too challenging to expect that each citizen will do so on his or her own. Death acceptance is the responsibility of all death professionals--funeral directors, cemetery managers, hospital workers. It is the responsibility of those who have been tasked with creating physical and emotional environments where safe, open interaction with death and dead bodies is possible. Nine years ago, when I began working with the dead, I heard other practitioners speak about holding the space for the dying person and their family. With my secular bias, "holding the space" sounded like saccharine hippie lingo. This judgment was wrong. Holding the space is crucial, and exactly what we are missing. To hold the space is to create a ring of safety around the family and friends of the dead, providing a place where they can grieve openly and honestly, without fear of being judged.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
We know that media vita in morte sumus or, “in the midst of life we are in death.” We begin dying the day we are born, after all. But because of advances in medical science, the majority of Americans will spend the later years of their life actively dying. The fastest-growing segment of the US population is over eighty-five, what I would call the aggressively elderly. If you reach eighty-five, not only is there a strong chance you are living with some form of dementia or terminal disease, but statistics show that you have a 50-50 chance of ending up in a nursing home, raising the question of whether a good life is measured in quality or quantity. This slow decline differs sharply from times past, when people tended to die quickly, often in a single day. Postmortem daguerreotypes from the 1800s picture fresh, young, almost lifelike corpses, many of them victims of scarlet fever or diphtheria. In 1899, a mere 4 percent of the US population was over sixty-five—forget making it to eighty-five. Now, many will know that death is coming during months or years of deterioration. Medicine has given us the “opportunity”—loosely defined—to sit at our own wakes.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)