Double Slash Quotes

We've searched our database for all the quotes and captions related to Double Slash. Here they are! All 17 of them:

Everything I value about him seems to be physical: the rest is either unknown, disagreeable or ridiculous. I don’t care much for his temperament, which alternates between surliness and gloom, or for the overgrown pots he throws so skillfully on the wheel and then mutilates, cutting holes in them, strangling them, slashing them open. That’s unfair, he never uses a knife, only his fingers, and a lot of the time he only bends them, doubles them over; even so they have a disagreeable mutant quality. Nobody else admires them either: the aspiring housewives he teaches two evenings a week, Pottery and Ceramics 432-A, want to make ashtrays and plates with cheerful daisies on them instead, and the things don’t sell at all in the few handicraft shops that will even stock them. So they accumulate in our already cluttered basement apartment like fragmentary memories or murder victims. I can’t even put flowers in them, the water would run out through the rips. Their only function is to uphold Joe’s unvoiced claim to superior artistic seriousness: every time I sell a poster design or get a new commission he mangles another pot.
Margaret Atwood (Surfacing)
Cherie," he said softly, "I have tired of this game of charades. The time for defiance is at an end." He held both of my wrists in the iron grip of one hand and removed his dagger from the folds of his waistcloth with the other. I recognized the ivory handled blade as a jambiya, a small, curved, double-bladed, and extremely lethal weapon. I squeezed my eyes shut; driving my teeth into my lower lip to keep back the hysterical sob that rose in my throat. I only hoped he would do it quickly. But instead of the slash of his blade across my throat, I felt the sudden and steady pop of the buttons from my blouse. Bewildered, I opened my eyes into his. He lifted a brow over his mocking gaze. "You thought I would kill you, cherie?" He chuckled. "No. I would not waste such beauty as yours—unless you forced my hand. You comprehend me?
Victoria Vane (The Sheik Retold)
My neck was slender and long and I could bend it nearly all the way about to take in my body: also slender, also shining. I was a dragon of gold, as if Jesse had touched me and transmuted me but not taken my life. I was sinuous and covered in lustrous golden scales, all the way almost to the tip of my tail, until they faded into purple. I had a mane, too, mapping a line down my back. It looked like a ruff of silk or cut velvet. I folded my neck around almost double so that I could rub my chin on it. Silken, yes, but also jagged. Combing my chin through it sent quivers of pleasure down my spine. Then I saw my wings. They were folded against my back, metallic. Without knowing how I did it, I opened them, using muscles I didn't even have as a person. ... I slashed my tail through the rain and realized that it was barbed when it hit an oak tree and I got stuck. No problem. I pulled it out and danced around, delighted at the fresh, gaping hole in the trunk. ... If the shark-hunters or lance-bearers came for me, I'd chew them to chum.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
working from the center of the dough out, gently roll it back and forth until it stretches to 15 inches long. Place the loaves, seam-side down, on the kitchen towel dusted with flour and cover with plastic wrap or a damp kitchen towel. Let the loaves rise at room temperature for the final time, until they have doubled in size, about 35—45 minutes. Meanwhile, preheat the oven to 475°F. Carefully place the loaves on a baking sheet. Brush them with water using a pastry brush. With a sharp razor blade and swift motions, make 4 or 5 diagonal slashes along the length of each baguette. To do this successfully, do not drag the entire edge of the blade through the dough—use just the tip. Just before you are ready to slide the baking sheet into the oven, spray the inside of the oven with water using a spray bottle or plant mister and close the door immediately. This will create steam, which promotes a good crust. Put the bread in the oven and spray the walls of the oven two more times within the first minute of baking. Bake for 15—20 minutes or until the bread makes a hollow sound when you knock on the bottom of it with your knuckles. Transfer the bread to a rack and allow it to cool before slicing (or tearing apiece off).
Peter Mayle (Confessions of a French Baker: Breadmaking Secrets, Tips, and Recipes)
But Ford’s experiment in paying a livable wage worked. He later described the pay hike as the best cost-cutting move he ever made. Turnover shrank, slashing training costs, and absenteeism decreased as productivity increased—the expectation from managers was that the increased wages deserved increased speed on the line. Wall Street investors and fellow automakers initially excoriated Ford for his wage scheme, but other carmakers eventually followed suit, propelled by Ford’s massive leaps in production while reducing his per-unit costs. A Model T that cost $850 in 1908, on par with cars sold by the new Cadillac company, dropped to $290 by 1920, helping make Ford one of the world’s wealthiest men. And the high wages made Detroit a magnet. Nondecennial surveys by the Census Bureau chart the impact. In 1909, Detroit had 81,000 wage earners who made $43 million working for 2,036 establishments that cranked out $253 million worth of products. In 1914, after Ford’s $5 day began, the same number of establishments employed nearly 100,000 people who made $69 million while producing $400 million worth of goods. In 1919, with World War I raging and the $5 day in full force across the automotive industry, 2,176 establishments were employing 167,000 people, who made $245 million as they produced $1.2 billion worth of goods. In short, the ranks of industrial workers more than doubled, and their wages and the value of the products they made nearly quintupled. Detroit’s ancillary businesses, from clothing stores to restaurants, thrived.
Scott Martelle (Detroit: A Biography)
Despite claims that these radical policy changes were driven by fiscal conservatism—i.e., the desire to end big government and slash budget deficits—the reality is that government was not reducing the amount of money devoted to the management of the urban poor. It was radically altering what the funds would be used for. The dramatic shift toward punitiveness resulted in a massive reallocation of public resources. By 1996, the penal budget doubled the amount that had been allocated to AFDC or food stamps.100 Similarly, funding that had once been used for public housing was being redirected to prison construction. During Clinton’s tenure, Washington slashed funding for public housing by $17 billion (a reduction of 61 percent) and boosted corrections by $19 billion (an increase of 171 percent), “effectively making the construction of prisons the nation’s main housing program for the urban poor.”101 Clinton
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
The poeticization of words I was worried now, I do not do it anymore, and the silence continues to ravage my soul I was worried now, I do not know and the silence of love continues to ravage my soul and my heart drained of emotions and the lonely road never seems to end the lightning of love continues to fail   and I stay with a heart full of burning scars   I see them in the crowd the mocking laughter the bad jokers, the worthless people who are afraid double-edged friends who stab, and slash without thinking about the consequences scars forming in the mind filled with screaming voices his stubborn voices will never leave me paralyzer adding weight to the confusion of insecurity wearing I was worried now, I do not do it anymore, and the silence continues to ravage my soul I was worried now, I do not know and the silence continues to ravage my soul the music call me night fall to deliver me in synchronicity words memorize restitution of my thinking I do not know to ask me but why is my heart still so hollow? and I can not find rest in any place he told me one day everything will be better but the weight of emotions enclose me agonize and I have to stay hidden because this world is without mercy I was worried now, I do not do it anymore, and the silence continues to ravage my soul I was worried now, I do not know and the silence of love continues to ravage my soul and I'm tearing from the inside my friends do not see it because a wall was built and the trust beat hospitalizer never got back from the fight lead lonely in a slice surround with explosions of bad intent and radiation of emotions my last companion the poeticization of words. (Marty Bisson Milo)
Marty Bisson milo
him?” “Not me. Not Calvin. I just have to wait. Maybe he’ll come over or something.” She sighed. “I wish life didn’t have to be so complicated. Do you suppose I’ll ever be a double Ph.D. like you, Mother?” Mrs. Murry looked up from slicing peppers, and laughed. “It’s really not the answer to all problems. There are other solutions. At this point I’m more interested in knowing whether or not I’ve put too many red peppers in the spaghetti sauce; I’ve lost count.” They had just sat down to dinner when Mr. Murry phoned to tell them that he was going directly from Washington to Brookhaven for a week. Such trips were not unusual for either of their parents, but right now anything that took either her father or mother away struck Meg as sinister. Without much conviction she said, “I hope he has fun. He likes lots of the people there.” But she felt a panicky dependence on having both her parents home at night. It wasn’t only because of her fears for Charles Wallace; it was that suddenly the whole world was unsafe and uncertain. Several houses nearby had been broken into that autumn, and while nothing of great value had been taken, drawers had been emptied with casual maliciousness, food dumped on living-room floors, upholstery slashed. Even their safe little village was revealing itself to be unpredictable and irrational and precarious, and while Meg had already begun to understand this with her mind, she had never before felt it with the whole of herself. Now a cold awareness of the uncertainty of all life, no matter how careful the planning, hollowed
Madeleine L'Engle (A Wind in the Door (Time Quintet, #2))
Overhead a large heron flew past, muttering to himself. He was a little awkward-looking, but perhaps that was deliberate, a kind of camouflage to lull his prey into underestimating him. I had seen his kind on the job in the water, and they were lethal and lightning-fast when they went to work on the fish. They would stand very still, looking cute and fluffy, and then slash down into the water and come up with a fish impaled on their beak. It was a great routine, and I felt a certain kinship with herons. Like me, they were predators in disguise. The
Jeff Lindsay (Double Dexter (Dexter #6))
IT WAS FULL DARK OUT NOW AND THE FIRST RUSH OF THE FREE night air roared into my lungs and out through my veins, calling my name with a thundering whisper of welcome and urging me on into the purring darkness, and we hurried to the car to ride away to happiness. But as we opened the car door and put one foot in, some small acid niggle twitched at our coattails and we paused; something was not right, and the frigid glee of our purpose slid off our back and onto the pavement like old snakeskin. Something was not right. I looked around me in the hot and humid Miami night. The neighborhood was just as it had always been; no sudden threat had sprung from the row of one-story houses with their toy-littered yards. There was nothing moving on our street, no one lurking in the shadows of the hedge, no rogue helicopter swooping down to strafe me—nothing. But still I heard that nagging trill of doubt. I took in a slow lungful of air through my nose. There was nothing to smell beyond the mingled odors of cooking, the tang of distant rainfall, the whiff of rotting vegetation that always lurked in the South Florida night. So what was wrong? What had set the tinny little alarm bells to clattering when I was finally out the door and free? I saw nothing, heard nothing, smelled nothing, felt nothing—but I had learned to trust the pesky whisper of warning, and I stood there unmoving, unbreathing, straining for an answer. And then a low row of dark clouds rumbled open overhead and revealed a small slice of silvery moon—a tiny, inadequate moon, a moon of no consequence at all, and we breathed out all the doubt. Of course—we were used to riding out into the wicked gleam of a full and bloated moon, slicing and slashing to the open-throated sound track of a big round choir in the sky. There was no such beacon overhead tonight, and it didn’t seem right somehow to gallop off into glee without it. But tonight was a special session, an impromptu raid into a mostly moonless evening, and in any case it must be done, would be done—but done as a solo cantata this time, a cascade of single notes without a backup singer. This small and wimpish quarter-moon was far too young to warble, but we could do very well without it, just this once. And
Jeff Lindsay (Double Dexter (Dexter #6))
The other major oil industry suppliers were similarly weary, trying to shore up earnings by slashing jobs, trimming project costs, and squeezing their own customers and suppliers wherever they could. (The wildcatters had it worse: many of the mom-and-pop operators of the American oil patch started to file for bankruptcy.) One year later, GE would merge its oil and gas unit into the oil-field giant Baker Hughes, keeping for itself a more than 50 percent stake in the company and spinning out a new public company to be run by Simonelli, under GE’s control. The transaction eased GE’s exposure to the ongoing oil rout and gave the new company, dubbed “Baker Hughes, a GE company,” vast new areas of redundant employees and operations to eliminate. With Baker Hughes, GE changed its tone a bit. The deal was transformational, but in which intended direction wasn’t made clear. GE execs like Bornstein would proclaim that the deal gave them “optionality,” but the reality was that investors were left in the dark on the strategy: Was GE doubling down on oil? Or was it preparing to exit the industry? The idea of holding such a long-term option was nice, but the game pieces in the positioning were people, and those who didn’t leave their job had no idea where the future of the company might be. The new arrangement didn’t spare Lufkin. The historic foundry was closed. The city’s annual financial report now just shows a blank line when listing the company’s employment tally, evidence of the more than four thousand jobs that evaporated after GE came to town. Between two Mondays—the day GE announced it was coming to Lufkin and the day the company said it would move on, leaving a shuttered foundry at the center of town—just 868 days had passed.
Thomas Gryta (Lights Out: Pride, Delusion, and the Fall of General Electric)
Nesta ate until she couldn't fit another morsel into her body, helping herself to thirds of the soup. The House seemed more than happy to oblige her, and had even offered her a slice of double-chocolate cake to finish. 'Is this Cassian-approved?' She picked up the fork and smiled at the moist, gleaming cake. 'It certainly isn't,' he said from the doorway, and Nesta whirled, scowling. He nodded toward the cake. 'But eat up.' She put down the fork. 'What do you want?' Cassian surveyed the family library. 'Why are you eating in here?' 'Isn't it obvious?' His grin was a slash of white. 'The only thing that's obvious is that you're talking to yourself.' 'I'm talking to the House. Which is a considerable step up from talking to you.' 'It doesn't talk back.' 'Exactly.' He snorted. 'I walked into that one.' He stalked across the room, eyeing the cake she still didn't touch. 'Are you really... talking to the House?' 'Don't you talk to it?' 'No.' 'It listens to me,' she insisted. 'Of course it does. It's enchanted.' 'It even brought food down to the library unasked.' His brows rose. 'Why?' 'I don't know how your faerie magic works.' 'Did you... do anything to make it act that way?' 'If you're taking a page from Devlon's book and asking if I did any witchcraft, the answer is no.' Cassian chuckled. 'That's not what I meant, but fine. The House likes you. Congratulations.' She growled, and he leaned over to pick up the fork. She went stiff at his closeness, but he said nothing as he took a bite of the cake. He let out a hum of pleasure that traveled along her bones. And then took another bite. 'That's supposed to be mine,' she groused, peering up at him as he continued to eat. 'Then take it from me,' he said.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
JUST BEFORE CHRISTMAS, the Neumanns boarded Wildgoose I for another winter holiday in Hanalei Bay. Adam was planning to surf again, this time with Laird Hamilton, one of the sport’s legends. WeWork was finalizing a deal, modest by Fortitude standards, to lead a $32 million investment round in Laird Superfood, Hamilton’s company, which sold turmeric and mushroom-infused coffee creamers. Adam’s wave pool investment hadn’t panned out, and WeWork slashed the value of its stake to zero after Wavegarden had trouble selling its $16 million “coves.” But the Laird Superfood bet had less to do with surfing than with doubling down on the nutritional coffee-creamer industry, much as Masa poured money into multiple food delivery apps. If the DeCicco brothers couldn’t change America’s food paradigm, maybe Laird Hamilton would.
Reeves Wiedeman (Billion Dollar Loser: The Epic Rise and Spectacular Fall of Adam Neumann and WeWork)
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