Dot Cotton Quotes

How a sip of water from a brass cup or a few drops from a brass spoon of the size of finger or how can one keep rose petals and marigold spreads between the pages of one's books for years or how the fresh shoot of barley could be put behind one's ears or how a dot of vermilion on the forehead or how fasting for a day or how praying or chanting or lightening an incense stick or how lighting a cotton wick dipped in mustard oil or how being blessed by priests and saints or how sitting in a lotus posture or how reading the holy books could kindle in one that thing called faith

Elijah blinked in dazzling sunlight and took a deep breath. The sweet-pepper scent of meadow grass told him immediately where he was. Winded, he skidded to a halt as the portal spat him out. Above him stretched skies of cornflower blue, dotted with threadbare white clouds sailing over like cotton galleons on the summer breeze.

Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And

Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.

So it was that Phryne acquired a skimpy costume of Fugi cotton, with fringes, in a blinding shade of pink known colloquially as ‘baby’s bottom’, a pair of near-kid boots with two-inch heels, an evening bag fringed and beaded to within an inch of complete inutility, stockings in peach, and a dreadful cloche hat with a drunken brim in electric blue plush. Her method in choosing these garments was simple. Anything at which Dot exclaimed, ‘Oh, no, Miss!’ she bought.

Devin was the most gorgeous, unique creature Kate had ever known. She'd come out of the womb an individual, refusing to be defined by anyone. She didn't even look like anyone on either side of their families. Matt's family was so proud of their dark hair, a blue-black that had been the envy of generations, the way it caught the sun like a spiderweb. From Kate's own side of the family, there was a gene that made their eyes so green that they could trick people into thinking that even the most unattractive Morris woman was pretty. And yet here was Devin, with fine cotton-yellow hair and light blue eyes, the left of which was a lazy eye. She'd had to wear an eye patch when she was three. And she'd loved it. She loved her knotted yellow hair. She loved wearing stripes with polka dots, and tutus, and pink and green socks with orange patent-leather shoes. Devin could care less what other people thought about her.

In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.

You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.

Spot by Maisie Aletha Smikle Spot looks Dalmatian And might even be a Martian He likes to cuddle And play in a puddle Spot is polka dot Cotton white and velvet black Astute smooth and immaculate Better than a box of chocolate He cushions all Before a fall And stands tall To catch a ball At the cat Spot barks When he goes for walks Sniff sniff he detects a rat He must get that His nose to the ground Tail wagging like a hound His ears propped And huge eyes popped From the leash Spot dashed In a twinkling flash Like Tom and Jerry Spot leapt in a hurry He dug deep in the sand Till he could stand Sniff sniff the rat is gone And Spot is worn and all forlorn Spot needs a bone And not sand stone So back Spot went away from the pebbles To catch some floating bubbles Spot ate his bone And sat on a stone Gazing at the distant sun in the horizon He mused for treats he could have a dozen

The internal slave trade became the largest enterprise in the South outside of the plantation itself, and probably the most advanced in its employment of modern transportation, finance, and publicity. It developed its own language: prime hands, bucks, breeding wenches, and fancy girls. Its routes, running counter to the freedom trails that fugitive slaves followed north, were similarly dotted by safe houses - pens, jails, and yards that provided resting places for slave traders as well as temporary warehouses for slaves. In all, the slave trade, with its hubs and regional centers, its spurs and circuits, reached into every cranny of southern society. Few southerners, white or black, were untouched. In the half century following the War of 1812, planters and traders expanded and rationalized the transcontinental transfer of slaves. During the second decade of the nineteenth century, traders and owners sent an estimated 120,000 slaves from the seaboard to the west, with the states and territories of Georgia, Tennessee, Alabama, and Louisiana being the largest recipients. That number increased substantially during the following decade and yet again during the 1830s, when slave traders and migrating planters uprooted almost 300,000 black men, women, and children. By this time, though most of the slaves still derived from the Upper South - particularly Maryland and Virginia - their destination had moved further west. Alabama and Mississippi had become the largest recipients, with each receiving nearly 100,000 slaves during the 1830s. The Panic of 1837 and the subsequent decline in cotton and sugar production deflated the price of slaves and the trade slackened for a few years. But prices soon revived and with them the demand for slaves. Nearly one quarter of a million slaves left the seaboard for the interior during the 1850s, with more than half being taken west of the Mississippi River. The 'mania for buying negroes' easily overwhelmed periodic bans against slave importation and did not cease until the arrival of Union troops.

Yeah.” He dipped his chin and shook his head. “The boxers make it pretty clear that this wasn’t my plan for the night.” “It’s what’s under the Ninja Turtles that matters.” I giggled at the Ninja Turtles holding pizzas dotted all over the navy-blue cotton.

Jack kept track of the triplets while she slipped on his jacket. It was large, roomy, and scented with his maleness. All earthy and musk. The bottom leather edge fell mid-thigh and, once zipped, held down her polka dots. His body warmth embraced her, chasing away the chill and further indignity. Grateful, she smiled and mouthed, Thank you. He spoke low. "We've denied the wind the big reveal." We, as in he and she. Together. A lusty gust pressed his gray cotton T-shirt to his chest. Etching his firm pecs and six-pack. The man was built. "You won't get cold?" she asked. "I've plenty of heat, Peep." That he did. She was feeling overheated herself. Not only from the jacket but from his nearness.

Ankled, banjaxed, bladdered bleezin’ Why? Do I really need a reason? I’m cabbaged clobbered, Chevy Chased But not a broken vein upon my face Despite being thoroughly Dot Cottoned Sobriety almost forgotten I’m etched – egregiously and completely That creme de menthe went down so sweetly So now, I’m fleemered and I’m flecked So many snifters have been necked That guttered, sweaty, ganted, howling I’m wearing shirts made out of towelling Inebriated, kaed up, jaxied I’ve been ill in every single taxi In every city kiboshed, kaned Bernhard Langered, legless, debrained Dhuisg, it is in Gaelic, mottled (I must recycle all my bottles) I’m Newcastled, out of my tree There’s really not much wrong with me On the skite, overly refreshed I swear I’d still pass my driving “tesht” For drink improves pronounciation Adds sparkle to enunciation Predicting earthquakes, kissing pavements Quite quoited, rubbered, I’ve made arrangements To remain forever snobbled Sleeping on tarmac or on cobbles Thora Hirded, trousered, trashed I’ve spent great lakes of liquid cash Unca’ fou, marocced, it’s easy Discombobulated, queasy My wobbly boots are on, I’m wellied But only very slightly smelly Xenophoned, Yorkshired as a skunk Zombied But not even slightly drunk.

Jacques was up, leaning against the wall. He wore a pair of soft cotton jeans and nothing else. He looked gray, gaunt, lines of strain carved deeply into his handsome face. The wound below his heart was trickling a steady stream of blood. His feet were bare, his thick mane of hair wild and tangled. A fine sheen of perspiration coated his body. There was a crimson smear on his forehead, and heads of scarlet dotted his skin. “Oh, God!” Shea’s heart nearly stopped. She could taste fear in her suddenly dry mouth. “Jacques, what have you done? What were you thinking?” She nearly leapt the distance separating them, not noticing how fast she was able to move. She could feel tears burning in her throat, behind her eyes. What Jacques was doing to himself was making her physically ill. “Why would you do this?” Her hands were gentle, tender, as she examined his gaping wound. “Why didn’t you wait for me?” Een as she caught him to her, the silliest thought ran through her head. Where had he gotten a pair of jeans that fit him? But it hardly mattered at that moment. He will come this night, and I must protect you. “Not like this you won’t. In case you haven’t noticed, there’s a huge hole in your body. You’re putting far too much stress on those sutures. We have to lay you down.” He is coming. “I don’t care, Jacques. We can leave this place, travel all night if we have to. We have guns. Maybe we can’t kill him, but we can slow him down.” The truth was, Shea wasn’t altogether certain she could shoot anyone. She was a doctor, a surgeon, a healer. The thought of taking a life was abhorrent to her. She wanted to patch Jacques up fast and get out of there. Avoiding trouble seemed easier than facing it. He read her mind, her reluctance, easily. Do not worry, Shea. I am quite capable of killing him. He swayed against her, nearly toppling both of them to the floor. “I’m not sure I consider that great news,” she said between clenched teeth. Somehow they made it the few steps to the bed. “And if you could see yourself right now, you might not be so certain you could swat a fly.

[gritting teeth] God BLESS The Neanderthals! Ya can't get 'em to sign on your dotted line; and, ya can't get 'em to QUIT texting & READ a book, neither!

dotted here and there. The sun dipped low against the horizon, washing the landscape in misty rays of rich ochre as it made its final descent over the edge of the world. But he hardly noticed. His thoughts were far away as he watched the distant lights of a plane coming in to land, blazing a trail through the cloudless sky as it made its gradual descent into Florence. “It looks like an oil painting,” Anna said, from the doorway behind him. Ryan straightened up and turned to face her, hitching his hip onto the edge of the wall. He’d changed into casual chinos and a plain white cotton shirt rolled up at the sleeves, since it was a warm evening. Anna felt suddenly awkward. He was her husband, the man she shared a bed with each night, but Ryan seemed different here.