Dope Song Quotes

We've searched our database for all the quotes and captions related to Dope Song. Here they are! All 15 of them:

Title: Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotel the need gotta be so deep words can't answer simple questions all night long notes stumble off the tongue & color the air indigo so deep fragments of gut & flesh cling to the song you gotta get into it so deep salt crystalizes on eyelashes the need gotta be so deep you can vomit up ghosts & not feel broken till you are no more than a half ounce of gold in painful brightness you gotta get into it blow that saxophone so deep all the sex & dope in this world can't erase your need to howl against the sky the need gotta be so deep you can't just wiggle your hips & rise up out of it chaos in the cosmos modern man in the pepperpot you gotta get hooked into every hungry groove so deep the bomb locked in rust opens like a fist into it into it so deep rhythm is pre-memory the need gotta be basic animal need to see & know the terror we are made of honey cause if you wanna dance this boogie be ready to let the devil use your head for a drum
Yusef Komunyakaa
There were moments like this that Alix tried to breeze over, but they got stuck somewhere between her heart and ears. She knew Emira had gone to college. She knew Emira had majored in English. But sometimes, after seeing her paused songs with titles like "Dope Bitch" and "Y'all Already Know," then hearing her use words like connoisseur, Alix was filled with feelings that went from confused and highly impressed to low and guilty in response to the first reaction. There was no reason for Emira to be unfamiliar with this word. And there was no reason for Alix to be impressed.
Kiley Reid (Such a Fun Age)
Everybody warns about bad influences, but it’s these things already inside you that are going to take you down. The restlessness in your gut, like tomcats gone stupid with their blood feuds, prowling around in the moon-dead dark. The hopeless wishes that won’t quit stalking you: some perfect words you think you could say to somebody to make them see you, and love you, and stay. Or could say to your mirror, same reason. Some people never want like that, no reaching for the bottle, the needle, the dangerous pretty face, all the wrong stars. What words can I write here for those eyes to see and believe? For the lucky, it’s simple. Like the song says, this little light of mine. Don’t let Satan blow it out. Look farther down the pipe, see what’s coming. Ignore the damn tomcats. Quit the dope.
Barbara Kingsolver (Demon Copperhead)
I’m not too sure what the name of the song was that he was playing when I came in, but whatever it was, he was really stinking it up. He was putting all these dumb, show-offy ripples in the high notes, and a lot of other very tricky stuff that gives me a pain in the ass. You should’ve heard the crowd, though, when he was finished. You would’ve puked. They went mad. They were exactly the same morons that laugh like hyenas in the movies at stuff that isn’t funny. I swear to God, if I were a piano player or an actor or something and all those dopes though I was terrific, I’d hate it. I wouldn’t even want them to clap for me. People always clap for the wrong things. If I were a piano player, I’d play it in the goddam closet. Anyway, when he was finished, and everybody was clapping their heads off, old Ernie turned around on his stool and gave this very phony, humble bow. Like as if he was a helluva humble guy, besides being a terrific piano player. It was very phony—I mean him being such a big snob and all. In a funny way, though, I felt sort of sorry for him when he was finished. I don’t even think he knows any more when he’s playing right or not. It isn’t all his fault. I partly blame all those dopes that clap their heads off—they’d foul up anybody, if you gave them a chance.
J.D. Salinger (The Catcher in the Rye)
I'm not too sure what the name of the song was that he was playing when I came in, but whatever it was, he was really stinking it up. He was putting all these dumb, show-offy ripples in the high notes, and a lot of other very tricky stuff that gives me a pain in the ass. You should've heard the crowd, though, when he was finished... They went mad... I swear to God, if I were a piano player or an actor or something and all those dopes thought I was terrific, I'd hate it. I wouldn't even want them to clap for me.
J.D. Salinger (The Catcher in the Rye)
She knew Emira had gone to college. She knew Emira had majored in English. But sometimes, after seeing her paused songs with titles like "Dope Bitch" and "Y'all Already Know," and then hearing her use words like connoisseur, Alix was filled with feelings that went from confused and highly impressed to low and guilty in response to the first reaction.
Kiley Reid (Such a Fun Age)
He found himself thinking of something Barry Grieg had once said to him about a rhythm guitar player from L.A., a guy named Jory Baker who was always on time, never missed a practice session, or fucked up an audition. Not the kind of guitar player that caught your eye, no showboat like Angus Young or Eddie Van Halen, but competent. Once, Barry had said, Jory Baker had been the driving wheel of a group called Sparx, a group everybody seemed to think that year's Most Likely to Succeed. They had a sound something like early Creedence: hard solid guitar rock and roll. Jory Baker had done most of the writing and all of the vocals. Then a car accident, broken bones, lots of dope in the hospital. He had come out, as the John Prine song says, with a steel plate in his head and a monkey on his back. He progressed from Demerol to heroin. Got busted a couple of times. After a while he was just another street-druggie with fumble fingers, spare-changing down at the Greyhound station and hanging out on the strip. Then, somehow, over a period of eighteen months, he had gotten clean, and stayed clean. A lot of him was gone. He was no longer the driving wheel of any group, Most Likely to Succeed or otherwise, but he was always on time, never missed a practice session, or fucked up an audition. He didn't talk much, but the needle highway on his left arm had disappeared. And Barry Grieg had said: 'He's come out the other side.' That was all. No one can tell what goes on in between the person you were and the person you become. No one can chart that blue and lonely section of hell. There are no maps of the change. You just . . . come out the other side. Or you don't.
Stephen King (The Stand)
Despite the promises of utopian hedonism, many youth and middle-aged adults quickly enticed by these did not escape from their addictions easily, if at all. And, to the shock of their fans, the lives of Jimi Hendrix, Janis Joplin, Jim Morrison and numerous other acid trippin' rock musicians also ended quickly like the closing blues beats from one of their most popular songs. Even Max Yasgur himself died just 19 months after the Woodstock Festival of a heart attack at the age of 53.
Philip Alajajian (The 1960's Social Movements - Pathways to the Final Apostasy)
A shot-in-the-dark phone call to a dumb rap contest, from a suburbanite who once sharted in sixth-grade PE and as a result had his mom pick him up from the nurse’s office, had turned into a song dope enough to play on LA radio.
Jensen Karp (Kanye West Owes Me $300: And Other True Stories from a White Rapper Who Almost Made It Big)
I nearly dropped my fork. “Say that again?” “Human servants, so we can go where—” “No, not that, the second part. The stupid part. You guys are actually Satanists? Like real, no-kidding, play your heavy metal album backward and bark at the moon Satanists?” Mack blinked. Zeke looked like he was fantasizing about killing me. “It’s not stupid,” Mack said. “We have a place of high honor awaiting us—” “Yeah, it is. It really is. So this is how Prince Malphas ropes you dopes in. Don’t suppose he’s told you that nobody’s even seen Lucifer in over a thousand years? He took a walkabout and never came back. Hell had a civil war when he left, geniuses. How do you think the whole feuding-courts thing came about?” “That’s not true,” Mack said.
Craig Schaefer (Redemption Song (Daniel Faust, #2))
SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute
OutKast
I decide that sometimes it takes time before you really feel a song. Maybe you never do. Or maybe it’s the tenth time you hear it that you finally, truly feel it, and something snaps in your heart and a jolt of pure happiness shoots through you better than all the dope in the world that anyone can force on you. That’s when you know you love that song and you don’t want it to go away.
Michael Zadoorian (Beautiful Music)
Happiness is not spending a single second reading endless—and I mean, endless—shitposts in 'The Guardian' masquerading as reportage about the kind of very, very boring morons you actively go out of your way to never meet. Happiness is The Wellcome Collection, but never the Hayward. Happiness is Kylie Minogue and Graham Norton because they're both dope, but not Dua Lipa or Calvin Harris because even though they both seem to be everywhere, all the time, I swear I cannot for the life of me name a single song of theirs.
Diriye Osman
6. “Sojourner” by Rapsody (2018) Stop whatever you’re doing and go add Rapsody to your playlist RIGHT NOW. Her latest album, Eve, is a masterpiece from beginning to end. This song is just one of many that displays her brilliance. If Bri were real, she would strive to be as dope as Rapsody.
Angie Thomas (On the Come Up)
I was born to wish for more than I can have. No little fishing hole for Demon, he wants the whole ocean. And on from there, as regards the man-overboard. I came late to getting my brain around the problem of me, and still yet might not have. The telling of this tale is supposed to make it come clear. It's a disease, a lot of people you tell you that now, be they the crushed souls under repair at NA meetings or the doctors in buttoned-up sweaters. Fair enough. But where did it come from, this wanting disease? From how I got born, or the ones that made me, or the crowd I ran with later? Everybody warns about bad influences, but it's these things already inside you that are going to take you down. The restlessness in your gut, like tomcat's gone stupid with their blood feeds, prowling around in the moon - dead dark. The hopless wishes that won't quit stalking you: some perfect words you think you could say to somebody to make them see you, and love you, and stay. Or could say to your mirror, same reason. Some people never want like that, no reaching for the bottle, the needle, the dangerous pretty face, all the wrong stars. What words can I write here for those eyes to see and believe? For the lucky, it's simple. Like the song says, This Little Light Of mine. Don't let Satan blow it out. Look farther down the pipe, see what's coming. Ignore the damn tomcats. Quit the dope.
Barbara Kingsolver (Demon Copperhead)