Doors Close For A Reason Quotes

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Realize that if a door closed, it’s because what was behind it wasn’t meant for you.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
Maybe you're reason why all the doors are closed, so you can open one that leads you to the perfect road.
Katy Perry
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him. "Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?" "No reason. Just no reason." Ronan slammed his door. Gansey asked Adam, "Sorry. You still have that suit for the party?" Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
MEMORY'S SO TREACHEROUS. ONE MOMENT YOU'RE LOST IN A CARNIVAL OF DELIGHTS, WITH POIGNANT CHILDHOOD AROMAS , THE FLASHING NEON OF PUBERTY, ALL THAT SENTIMENTAL CANDY-FLOSS ... THE NEXT , IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO... ...SOMEWHERE DARK AND COLD, FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE FORGOTTEN. MEMORIES CAN BE VILE, REPULSIVE LITTLE BRUTES. LIKE CHILDREN, I SUPPOSE. HAHA. BUT CAN WE LIVE WITHOUT THEM? MEMORIES ARE WHAT OUR REASON IS BASED UPON. IF WE CAN'T FACE THEM, WE DENY REASON ITSELF! ALGHOUGH, WHY NOT? WE AREN'T CONTRACTUALLY TIED DOWN TO RATIONALITY! THERE IS NO SANITY CLAUSE! SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS UNBEARABLE, REMEMBER THERE'S ALWAYS MADNESS. MADNESS IS THE EMERGENCY EXIT... YOU CAN JUST STEP OUTSIDE, AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM AWAY... FOREVER.
Alan Moore (Batman: The Killing Joke)
His door is closed behind me. It's staying closed. He's letting me go. I think I've made myself very clear, but no ones stepping forward to stop me. A lot of you cared, just not enough. And that...that is what i needed to find out. And I did find out. And I'm sorry.
Jay Asher (Thirteen Reasons Why)
Later,” I said to the room at large as I didn’t want to appear rude. For some reason this was met by Shirleen saying, "I’ll put money down that she’s living with him in four days.” My confused gaze swung to Shirleen but she was looking at the movie star glamour girl who was looking at me. “Three days,” Glamour girl said, smiling at me and I thought, in other circumstances, I would have liked to meet her. “A week, she’s got spirit,” The other black lady said. She was smiling at me too, not like I was the butt of some joke, but in a kind way. I opened the outer door. Before it closed behind me, I heard Luke say strangely, “Tonight.” Then everyone laughed.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away. He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
I thought I was hallucinating,” Adam said, next to the lockers, an announcement droning on over the hall speakers. “Ronan Lynch in the halls of Aglionby.” Ronan slammed his locker. He had not put anything in it and had no reason to open or close it, but he liked the satisfying bang of the metal down the hall, the way it drowned out the announcements. He did it again for good measure. “Is this a real conversation, Parrish?” Adam didn’t bother to reply. He merely exchanged three textbooks for his gym hoodie. Ronan wrenched his tie loose. “You working after school?” “With a dreamer.” He held Ronan’s gaze over his locker door. School had improved. Adam gently closed his locker. “I’m done at four thirty. If you’re up for brainstorming some repair of your dream forest. Unless you have homework.” “Asshole,” Ronan said. Adam smiled cheerily. Ronan would start wars and burn cities for that true smile, elastic and amiable.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I believe there are no random meetings in our lives – that everyone we touch, who touches us, has been put in our path for a reason. The briefest encounter can open a door, or heal a wound, or close a circle that was started long before your birth.
Susanna Kearsley (Every Secret Thing)
Remembering's dangerous. I find the past such a worrying, anxious place. "The Past Tense," I suppose you'd call it. Memory's so treacherous. One moment you're lost in a carnival of delights, with poignant childhood aromas, the flashing neon of puberty, all that sentimental candy-floss... the next, it leads you somewhere you don't want to go. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten. Memories can be vile, repulsive little brutes. Like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality! There is no sanity clause! So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit… you can just step outside, and close the door on all those dreadful things that happened. You can lock them away… forever.
Alan Moore (Batman: The Killing Joke)
Maybe the reason why all the doors are closed so you could open one that leads you to the perfect road.
Katy Perry (Firework: Piano/vocal/guitar, Original Sheet Music Edition)
I asked him did he really love New York or was he just wearing the shirt. He smiled, like he was nervous. I could tell he didn't understand, which made me feel guilty for speaking English, for some reason. I pointed at his shirt. "Do? You? Really? Love? New York?" He said, "New York?" I said, "Your. Shirt." He looked at his shirt. I pointed at the N and said "New," and the Y and said "York." He looked confused or embarrassed, or surprised, or maybe even mad. I couldn't tell what he was feeling, because I couldn't speak the language of his feelings. "I not know was New York. In Chinese, ny mean 'you.' Thought was 'I love you.'" It was then that I noticed the "I♥NY" poster on the wall, and the "I♥NY" flag over the door, and the "I♥NY" dishtowels, and the "I♥NY" lunchbox on the kitchen table. I asked him, "Well, then why do you love everybody so much?
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Is Jase already going to marry you?" I start coughing again. "Uh. No. No, George. I'm only seventeen." As if that's the only reason we aren't engaged. "I'm this many," George holds up four slightly grubby fingers. "Jase is seventeen and a half. You could. Then you could live in here with him. And have a big family." Jase strides back into the room, of course, midway through this proposition. "George. Beat it. Discovery Channel is on." George backs out of the room, but not before saying, "His bed's really comfortable. And he never pees in it." The door closes and we both start laughing.
Huntley Fitzpatrick (My Life Next Door)
Do you know how you caught me, Will?' 'Good-bye, Dr. Lecter. You can leave messages for me at the number on the file.' Graham walked away. 'Do you know how you caught me?' Graham was out of Lecter's sight now, and he walked faster toward the far steel door. 'The reason you caught me is that we're just alike' was the last thing Graham heard as the steel door closed behind him.
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
Something always turns up. It always seems darkest before the dawn. When God closes a door he opens a window. All things happen for a reason. Into every life a little rain must fall. What doesn't kill us makes us stronger.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
Memories can be vile. Repulsive little brutes, like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality. There is no sanity clause. So when you find yourself locked down in an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember: There's always madness. You can just step outside and close the door, and all those dreadful things that happened, you can lock them away. Madness... is an emergency exit.
Alan Moore (Batman: The Killing Joke)
Is Noah out here?” “Hold on,” Gansey told Adam. Then, to Ronan: “Why would he be?” “No reason. Just no reason.” Ronan slammed his door. Gansey asked Adam, “Sorry. You still have that suit for the party?” Adam’s response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, “He threw me out the window!” Ronan’s voice sang out from behind his closed door: “You’re already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Always choose to be smart There are two types of people in the world, the seekers of riches and the wise thinkers, those who believe that the important thing is money, and those who know that knowledge is the true treasure. I, for my part, choose the second option, Though I could have everything I want I prefer to be an intelligent person, and never live in a game of vain appearances. Knowledge can take you far far beyond what you imagine, It can open doors and opportunities for you. and make you see the world with different eyes. But in this eagerness to be "wise", There is a task that is a great challenge. It is facing the fear of the unknown, and see the horrors around every corner. It's easy to be brave when you're sure, away from dangers and imminent risks, but when death threatens you close, "wisdom" is not enough to protect you. Because, even if you are smart and cunning, death sometimes comes without mercy, lurking in the darkest shadows, and there is no way to escape. That is why the Greek philosophers, They told us about the moment I died, an idea we should still take, to understand that death is a reality. Wealth can't save you of the inevitable arrival of the end, and just as a hoarder loses his treasures, we also lose what we have gained. So, if we have to choose between two things, that is between being cunning or rich, Always choose the second option because while the money disappears, wisdom helps us face dangers. Do not fear death, my friend, but embrace your intelligence, learn all you can in this life, and maybe you can beat time and death for that simple reason always choose to be smart. Maybe death is inevitable But that doesn't mean you should be afraid because intelligence and knowledge They will help you face any situation and know what to do. No matter what fate has in store, wisdom will always be your best ally, to live a life full of satisfaction, and bravely face any situation. So don't settle for what you have and always look for ways to learn more, because in the end, true wealth It is not in material goods, but in knowledge. Always choose to be smart, Well, that will be the best investment. that will lead you on the right path, and it will make you a better version of yourself.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
It is worth saying something about the social position of beggars, for when one has consorted with them, and found that they are ordinary human beings, one cannot help being struck by the curious attitude that society takes towards them. People seem to feel that there is some essential difference between beggars and ordinary 'working' men. They are a race apart--outcasts, like criminals and prostitutes. Working men 'work', beggars do not 'work'; they are parasites, worthless in their very nature. It is taken for granted that a beggar does not 'earn' his living, as a bricklayer or a literary critic 'earns' his. He is a mere social excrescence, tolerated because we live in a humane age, but essentially despicable. Yet if one looks closely one sees that there is no ESSENTIAL difference between a beggar's livelihood and that of numberless respectable people. Beggars do not work, it is said; but, then, what is WORK? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course--but, then, many reputable trades are quite useless. And as a social type a beggar compares well with scores of others. He is honest compared with the sellers of most patent medicines, high-minded compared with a Sunday newspaper proprietor, amiable compared with a hire-purchase tout--in short, a parasite, but a fairly harmless parasite. He seldom extracts more than a bare living from the community, and, what should justify him according to our ethical ideas, he pays for it over and over in suffering. I do not think there is anything about a beggar that sets him in a different class from other people, or gives most modern men the right to despise him. Then the question arises, Why are beggars despised?--for they are despised, universally. I believe it is for the simple reason that they fail to earn a decent living. In practice nobody cares whether work is useful or useless, productive or parasitic; the sole thing demanded is that it shall be profitable. In all the modem talk about energy, efficiency, social service and the rest of it, what meaning is there except 'Get money, get it legally, and get a lot of it'? Money has become the grand test of virtue. By this test beggars fail, and for this they are despised. If one could earn even ten pounds a week at begging, it would become a respectable profession immediately. A beggar, looked at realistically, is simply a businessman, getting his living, like other businessmen, in the way that comes to hand. He has not, more than most modem people, sold his honour; he has merely made the mistake of choosing a trade at which it is impossible to grow rich.
George Orwell (Down and Out in Paris and London)
Do you see that man in the black Porsche?" I asked the women. They squinted out at Ranger. "Yes," they said."Your partner." "He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room." Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?" "Nope. He's single. He's a real catch." Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.: "Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly. "Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car.".... He leaned into me and his lips brushed the shell of my ear. "Feeling playful?" "I don't know what you're talking about." "Watch your back babe. I will get even." -Ranger and Stephanie
Janet Evanovich (To the Nines (Stephanie Plum, #9))
I was Mrs. Taylor yesterday.” I grin at Taylor, who flushes. “That has a nice ring to it, Miss Steele,” Taylor says matter-of-factly. “I thought so, too.” Christian tightens his hold on my hand, scowling. “If you two have quite finished, I’d like a debrief.” He glares at Taylor, who now looks uncomfortable, and I cringe inwardly. I have overstepped the mark. “Sorry,” I mouth at Taylor, who shrugs and smiles kindly before I turn to follow Christian. “I’ll be with you shortly. I just want a word with Miss Steele,” Christian says to Taylor, and I know I’m in trouble. Christian leads me into his bedroom and closes the door. “Don’t flirt with the staff, Anastasia,” he scolds. I open my mouth to defend myself—then close it again, then open it. “I wasn’t flirting. I was being friendly—there is a difference.” “Don’t be friendly with the staff or flirt with them. I don’t like it.” Oh. Good-bye, carefree Christian. “I’m sorry,” I mutter and stare down at my fingers. He hasn’t made me feel like a child all day. Reaching down he cups my chin, pulling my head up to meet his eyes. “You know how jealous I am,” he whispers. “You have no reason to be jealous, Christian. You own me body and soul.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Make no mistake, everywhere you go, not just in Marvel Comics, there's parallel universes...Here? On the surface streets: traffic, couples in love, falafel-to-go, tourists in jogging suits licking stamps for postcards... And over the wall behind closed doors: other things-people strapped to chairs, sleep deprivation, the smell of piss...other things happening for "reasons of national security
Joe Sacco (Palestine)
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Religious moderation, insofar as it represents an attempt to hold on to what is still serviceable in orthodox religion, closes the door to more sophisticated approaches to spirituality, ethics, and the building of strong communities. Religious moderates seem to believe that what we need is not radical insight and innovation in these areas but a mere dilution of Iron Age philosophy.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
I must go now”, she said slowly and slipped her hand from his. Aarav looked at her face.. the water droplets pretended to be some shining gems embedded on a fine piece of white marble and a few strands of wet hair across, like some graceful ancient art on it. It took him a while to understand what she said. She just smiled softly with a hint of shyness. He kept looking at her.. the strands still intact, bothering him for some unknown reason. He raised his hand slowly towards her face.. her smile ceased with the movement. His dark brown eyes laid firm on her black ones, hearts pounding like door knocks.. he touched her face with his finger.. she half closed her eyes.
Syed Arshad (If It's Not Love)
Aurora took a deep breath. There it was, she thought, the reason behind all the madness. Why society was acrumble; why she and everyone else were on the brink of starvation. Humanity’s inevitable ending. The Darkspread. The Close. There, in the Golden Dragon’s dark underbelly was where all the maps stopped. ‘Two days from now, the Dark will cover the world,’ she said pensively, trying not to think what horrific sight awaited her behind the spring-loaded door, ‘and the Neon God shall rule over darkness.
Louise Blackwick (5 Stars)
I believe there are no random meetings in our lives― that everyone we touch, who touches us, has been put in our path for a reason. The briefest encounter can open a door, or heal a wound, or close a circle that was started long before your birth...you never know.
Emma Cole (Every Secret Thing)
When you buy a book at a reasonable price, you buy a new perspective on life, and such a new perspective is priceless because it can open many doors previously closed to you!
Mehmet Murat ildan
They are more real than the books on the shelves, books that are sketched with the barest hint of a line here and there, fading in places to a ghostly nothingness. Why recall the picture now, you must be wondering. The reason I remember it so well is that it seems to be an image of the way I have lived my own life. I have closed my study door on the world and shut myself away with people of my imagination.
Diane Setterfield (The Thirteenth Tale)
because even when I stare at a door with the knowledge that it should remain closed. with the knowledge that it most likely closed for a reason. even then, i am trying to work out the best way to pick the lock everything ends. everything ends. everything ends. but my heart still whispers, does it have to?
Alison Malee (The Day Is Ready for You)
As events would show, Cixi was indeed opposed to the foreign policy of her husband and his inner circle – but for very different reasons. Silently observing from close quarters, she in fact regarded their stubborn resistance to opening the door of China as stupid and wrong. Their hate-filled effort to shut out the West had, in her view, achieved the opposite to preserving the empire. It had brought the empire catastrophe, not least the destruction of her beloved Old Summer Palace. She herself would pursue a new route.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
In modern industrial societies the situation is nearly the reverse. The opportunities for lying are plentiful; privacy is easy to achieve, there are many closed doors. When caught, the social consequences need not be disastrous, for one can change jobs, change spouses, change villages. A damaged reputation need not follow you. By this reasoning we live now in circumstances that encourage rather than discourage lying; evidence and activity are more easily concealed, and the need to rely upon demeanor to make our judgments is greater. And we have not been prepared by our evolutionary history to be very sensitive to the behavioral clues relevant to lying.
Paul Ekman (Telling Lies: Clues to Deceit in the Marketplace, Politics, and Marriage)
I would not tell this court that I do not hope that some time, when life and age have changed their bodies, as they do, and have changed their emotions, as they do -- that they may once more return to life. I would be the last person on earth to close the door of hope to any human being that lives, and least of all to my clients. But what have they to look forward to? Nothing. And I think here of the stanza of Housman: Now hollow fires burn out to black, And lights are fluttering low: Square your shoulders, lift your pack And leave your friends and go. O never fear, lads, naught’s to dread, Look not left nor right: In all the endless road you tread There’s nothing but the night. ...Here it Leopold’s father -- and this boy was the pride of his life. He watched him, he cared for him, he worked for him; the boy was brilliant and accomplished, he educated him, and he thought that fame and position awaited him, as it should have awaited. It is a hard thing for a father to see his life’s hopes crumble into dust. ...I know the future is with me, and what I stand for here; not merely for the lives of these two unfortunate lads, but for all boys and all girls; for all of the young, and as far as possible, for all of the old. I am pleading for life, understanding, charity, kindness, and the infinite mercy that considers all. I am pleading that we overcome cruelty with kindness and hatred with love. I know the future is on my side. Your Honor stands between the past and the future. You may hang these boys; you may hang them by the neck until they are dead. But in doing it you will turn your face toward the past... I am pleading for the future; I am pleading for a time when hatred and cruelty will not control the hearts of men. When we can learn by reason and judgment and understanding that all life is worth saving, and that mercy is the highest attribute of man. ...I am sure I do not need to tell this court, or to tell my friends that I would fight just as hard for the poor as for the rich. If I should succeed, my greatest reward and my greatest hope will be that... I have done something to help human understanding, to temper justice with mercy, to overcome hate with love. I was reading last night of the aspiration of the old Persian poet, Omar Khayyám. It appealed to me as the highest that I can vision. I wish it was in my heart, and I wish it was in the hearts of all: So I be written in the Book of Love, I do not care about that Book above. Erase my name or write it as you will, So I be written in the Book of Love.
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
But do you realize that there is a dreadful force that only saints and crazed fanatics can defeat? This force closes all these doors; it makes man revolt against God, scorn science for its impotence, turn a cold shoulder to art and forget how to love… It makes death, that eternal bogeyman, come to seem welcome and blessed. This force is pain. Torturers the world over have always known this. The fear of death can be overcome by reason and by faith. But only saints and fanatics have been able to conquer the fear of pain.
Teffi (Subtly Worded (Pushkin Collection))
Life has a way of doing that; one minute everything makes sense, the next, things change. People get sick. Families break apart, your friends could close the door on you. The rapid changes I had experienced were hitting me hard as I sat there, and yet sadness wasn't what came up in my gut. Out of nowhere, for whatever reason, a different feeling snuck up in its place, hope. If life could change for the worst, I thought, the maybe life could change for the better.
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
But if you don’t feel like being with her for any reason, move on! Let her know, have no concern for tomorrow and never bang on that closed door ever again. It’s going to be challenging, but you might sense a new world then. You’re happy or unhappy because of what you think, feel and do. The moment passes. We walk on and so does everybody else.
Arpit Vageria (I Still Think About You)
The glass door to Rosie’s closes behind me, and I hear three locks immediately slide into place. So now where? Home?
Jay Asher (Thirteen Reasons Why)
What happened isn't your fault." "Maybe. But maybe this wouldn't have happened if I'd run away with you." "You still can." "No, I can't." I shook my head. "I have so much I need to do here. I can't just leave it all behind. But you can stay here. I will grant you amnesty." "Mmm, I knew it." He smiled. "You'd miss me too much if I left." I laughed. "Hardly." "Hardly?" Loki smirked. He'd lowered his arm, so his hand was on my waist. Loki was incredibly near, and his muscles pressed against me. I knew that I should move away, that I had no justifiable reason to be this close to him, but I didn't move. "Would you?" Loki asked, his voice low. "Would I what?" "Would you run away with me, if you didn't have all the responsibilities and the palace and all that?" "I don't know," I said. "I think you would." "Of course you do." I looked away from him, but I didn't move away. "Where did you get the pajamas, by the way? You didn't bring anything with you when you came." "I don't want to tell you." "Why not?" I looked sharply at him. "Because. I'll tell you, and it will ruin this whole mood," Loki said. "Can't we just sit here and look longingly into each other's eyes until we fall into each other's arms, kissing passionately?" "No," I said and finally started to pull away from him. "Not if you don't tell me-" "Tove," Loki said quickly, trying to hang on to me. He was much stronger than me, but he let me push him off. "Of course." I stood up. "That's exactly the kind of thing my fiancé would do. He's always thinking of other people." "It's just pajamas!" Loki insisted, like that would mean something. "Sure, he's a terrifically nice guy, but that doesn't matter." "How does that not matter?" I asked. "Because you don't love him." "I care about him," I said, and he shrugged. "And it's not like I love you." "Maybe not," he allowed. "But you will." "You think so?" I asked. "Mark my words, Princess," Loki said. "One day, you'll be madly in love with me." "Okay." I laughed, because I didn't know how else to respond. "But I should go. If I've given you amnesty, that means I have to go about enacting it, and getting everyone to agree that it's not a suicidal decision." "Thank you." "You're welcome," I said and opened the door to go. "It was worth it," Loki said suddenly. "What was?" I turned back to him. "Everything I went through," he said. "For you. It was worth it.
Amanda Hocking (Ascend (Trylle, #3))
any of us, except in our dreams, truly expect to be reunited with our hearts’ deepest loves, even when they leave us only for minutes, and on the most mundane of errands? No, not at all. Each time they go from our sight we in our secret hearts count them as dead. Having been given so much, we reason, how could we expect not to be brought as low as Lucifer for the staggering presumption of our love? So Eddie didn’t expect her to answer until she did—from another world, and through a single thickness of wood. “Eddie? Sugar, is it you?” Eddie’s head, which had seemed perfectly normal only seconds before, was suddenly too heavy to hold up. He leaned it against the door. His eyes were similarly too heavy to hold open and so he closed them. The weight must have
Stephen King (The Dark Tower (The Dark Tower, #7))
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
I know what my job is, and I'm damned good at it." When he snorted she came back down two steps. She came down slowly, her movements deliberate, because her own temper was much too close to the boil. "Good enough to have figured out why you've hated the sight of me since I first walked in that door. Since you understood Roarke had feelings for me. Part A was easy -- a first-year rookie could have snagged onto it. I'm a cop, and that's enough for you to hold me in contempt." He offered a thin smile. "I've had little reason to admire those in your profession." "Part B was tougher." She came down another step so that their eyes were level. "I thought I had that figured, too, but I didn't realize that Part B had a couple of stages. Stage one: I'm not one of the glamorous, well-bred stunners that Roarke socialized with. I haven't got the looks or the pedigree or the style to suit you." He felt a quick tug of shame, but inclined his head. "No, you don't. He could have had anyone, his pick of the cream of society." "But you didn't want just anyone for him, Summerset. That's stage two, and I just figured that out this morning. You resent me because I'm not Marlena. That's who you wanted for him," she said quietly as the color slipped out of his cheeks. "You hoped he'd find someone who reminded you of her, instead you got stuck with an inferior mode. Tough luck all around.
J.D. Robb (Vengeance in Death (In Death, #6))
Man, the bravest of animals and the one most accustomed to suffering, does not repudiate suffering as such; he desires it, he even seeks it out, provided he is shown a meaning for it, a purpose of suffering. The meaninglessness of suffering, not suffering itself, was the curse that lay over mankind so far―and the ascetic ideal offered man meaning! It was the only meaning offered so far; any meaning is better than none at all; the ascetic ideal was in every sense the "faute de mieux" par excellence so far. In it, suffering was interpreted; the tremendous void seemed to have been filled; the door was closed to any kind of suicidal nihilism. This interpretation - there is no doubt of it - brought fresh suffering with it, deeper, more inward, more poisonous, more life-destructive suffering: it placed all suffering under the perspective of guilt. But all this notwithstanding - man was saved thereby, he possessed a meaning, he was henceforth no longer 1ike a leaf in the wind, a plaything of nonsense - the "sense-less" - he could now willsomething; no matter at first to what end, why, with what he willed: the will itself was saved. We can no longer conceal from ourselves what is expressed by all that willing which has taken its direction from the ascetic ideal: this hatred of the human, and even more of the animal, and more still of the material, this horror of the senses, of reason itself, this fear of happiness and beauty, this longing to get away from all appearance, change, becoming, death, wishing, from longing itself. All this means - let us dare to grasp it - a will to nothingness, an aversion to life, a rebellion against the most fundamental presuppositions of life; but it is and remains a will. Man would rather will nothingness than not will at all.
Friedrich Nietzsche (On the Genealogy of Morals)
Body. Soul. Mind. Sensations: the body. Desires: the soul. Reasoning: the mind. To experience sensations: even grazing beasts do that. To let your desires control you: even wild animals do that—and rutting humans, and tyrants (from Phalaris to Nero . . .). To make your mind your guide to what seems best: even people who deny the gods do that. Even people who betray their country. Even people who do <. . .> behind closed doors. If all the rest is common coin, then what is unique to the good man? To welcome with affection what is sent by fate. Not to stain or disturb the spirit within him with a mess of false beliefs. Instead, to preserve it faithfully, by calmly obeying God—saying nothing untrue, doing nothing unjust. And if the others don’t acknowledge it—this life lived with simplicity, humility, cheerfulness—he doesn’t resent them for it, and isn’t deterred from following the road where it leads: to the end of life. An end to be approached in purity, in serenity, in acceptance, in peaceful unity with what must be.
Marcus Aurelius (Meditations)
She could see now why she'd crossed over the line. She hadn't understood that it was despair that made her seek out this other world. That was her motive, her reason for helping Yayoi. But what had been waiting for her on the other side? Nothing, that's what. She stared down at her white hands still gripping the sofa. If they came now and arrested her, they'd never be able to find out why she'd done it; they'd find no trace of what had spurred her on. She could hear the sound of doors closing behind her, leaving her utterly alone.
Natsuo Kirino (Out)
The smile that curled his lips was as arrogant as it was beautiful. “You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me. “I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?” Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—” He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.” “You said you would help me,” I whispered. He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.” I looked away. “Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.” His finger caught the stretched-out collar of my shirt and gave it a tug. “Stop it.” I was proud of how steady my voice was. As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine. “I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…” My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out. “Ruby! Wait, I didn’t mean—!” A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her. “Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I thought that to get to know a desert it was enough to have been there. I thought that to have seen the dogs dying along the Cholula road, or to have seen the eyes of the lepers at Chiengmai gave me the right to talk about it. To have seen! To have been there! Rubbish! The world is not a book, it proves nothing. The spaces one has crossed were dark corridors with closed doors. The faces of the women to whom one gave oneself up completely: did they speak for anyone but themselves? The cities of man are secret. One walks along their streets, one sees them shine under one's feet, but one is not there, one never enters them. The dusty fields inhabited by people who are hungry, who wait patiently, are paradises of luxury and nourishment; shining at a vast distance from intelligence, at a vast distance from reason. They are not to be subjugated.
J.M.G. Le Clézio (The Book of Flights)
Mr. Wonderful was probably taking his sweet time, right?” “No, it was actually my fault this morning. I was busy with…paperwork.” “Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?” He smiled. “Nothing important.” Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact. Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor. He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century. I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together. As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!” Mr. Kadam asked, “What was that, Miss Kelsey?” “Nothing.” Ren raised an eyebrow and smirked. He probably heard me. Stupid tiger hearing. The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence. When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.
Homer (The Iliad)
located inside, he entered the bathroom and opened the top cabinet above the towels. He felt around and felt nothing metallic or hard plastic that might rattle against the weapons. He then placed them on the top shelf of the cabinet and slowly closed the door. Back in the bedroom he paused to listen to her breathing. He satisfied himself that she was still asleep—very asleep. She had worked a long, hard shift and her body was tired and resting deeply. So he crossed to the dresser, found her purse, and stuck his hand inside. Instantly he located the clip of 65 $100 bills with his fingers, and eased them out.
John Ellsworth (Thaddeus Murfee Box Set: Thaddeus Murfee / The Defendants / Beyond a Reasonable Death (Thaddeus Murfee Legal Thriller, #1-3))
Fo Black lives on Canal Street, which used to be a real canal. He didn't speak very good English, because he hadn't left Chinatown since he came from Taiwan, because there was no reason for him to. The whole time I talked to him I imagined water on the other side of the window, like we were in an aquarium. He offered me a cup of tea, but I didn't feel like it, but I drank it anyway, to be polite. I asked him did he really love New York or was he just wearing the shirt. He smiles, like he was nervous. I could tell he didn't understand, which made me feel guilty for speaking English, for some reason. I pointed at his shirt. "Do? You? Really? Love? New? York?" He said, "New York?" I said, "Your. Shirt." He looked at his shirt. I pointed at the N and said "New," and the Y and said "York." He looked confused, or embarrassed, or surprised, or maybe even made. I couldn't tell what he was feeling, because I couldn't speak the language of his feelings. "I not know was New York. In Chinese, ny mean 'you.' Thought was 'I love you.'" It was then that I noticed the "I♥NY" poster on the wall, and the "I♥NY" flag over the door, and the "I♥NY" dishtowels, and the "I♥NY" lunchbox on the kitchen table. I asked him, "Well, then why do you love everybody so much?
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
One would think he was going to have his throat cut,” said the Controller, as the door closed. “Whereas, if he had the smallest sense, he’d understand that his punishment is really a reward. He’s being sent to an island. That’s to say, he’s being sent to a place where he’ll meet the most interesting set of men and women to be found anywhere in the world. All the people who, for one reason or another, have got too self-consciously individual to fit into community-life. All the people who aren’t satisfied with orthodoxy, who’ve got independent ideas of their own. Every one, in a word, who’s any one. I almost envy you, Mr. Watson.
Aldous Huxley (Brave New World)
Now you've done it." His tone was quietly playful. I couldn't help it.I looked up at him questioningly. "You've added a third word to your repitoire. Hi,thanks,and now yes." His lips turned up at the corners,and the heat rushed to my face. He noticed. "At least that much hasn't changed." I turned back to my notebook,my hands trembling. He leaned toward me. "Now that we have our first conversation out of the way, do you want to tell me where you've been?" From the way he spoke I knew his smile was gone. I could feel little beads of sweat form on my forehead. "You left me.Without a word," he said. He sounded tentative, as if he were trying to keep his voice even. I took in a deep breath,but I couldn't figure out what he was feeling. There wasn't one singular emotion that was stronger than the others. "Don't you have anything to say to me?" He waited. My heart felt like it would burst through my chest into a million little pieces,and I could see this wasn't going to work. I started to close my book. "Don't-" he blurted, and I froze. "Don't go.You don't have to talk to me.I'm the one who should go." His voice sounded achingly sad. I could hear him packing his bag. Say something.Say something. "Um..." Jack paused, as if further movement might stop my words. He was the reason I came back.I couldn't scare him off. As hard as it would be to talk to him,it would be much harder to watch him walk out that door. "No," I said. I took a shaky breath. "You don't...have to leave. Please." He took his book back out and put it on his desk. I followed,setting my own books out. "Thank you," Jack whispered. We didn't talk for the rest of the hour.
Brodi Ashton (Everneath (Everneath, #1))
We drew lots for the sleeping spaces,” he pointed out, striving to keep a reasonable tone. Ulf shrugged petulantly. “Well, if I’d known I was going to be so close to the door, I would have drawn a different one.” Hal gave up trying to be reasonable. He glared at Ulf. “Do you realize how abysmally stupid that statement is?” he demanded.
John Flanagan (The Invaders (Brotherband Chronicles, #2))
God not only opens doors for us, he also knows how to close them too. The simple reason why God closes doors on us, is so that we do not end up going through the wrong doors. Going through the wrong doors both wastes a lot of our valuable time, and potentially leads us into making too many mistakes. Clearly, the bible tells us, in Revelation 3:8 (NKJV), "I know your works. See, I have set before you an open door, and no one can shut it; for you have a little strength, have kept My word, and have not denied My name". As Christians, we are very good at seeking God to open a door for us. However, we are also quite reluctant to seek God to close the doors that he does not want us to go through.
Christopher Roberts (365 Days With God: A Daily Devotional)
But gradually, as he tried to inhabit the room presented on the canvas (Van Gogh - The Bedroom), he began to experience it as a prison, an impossible space, an image, not so much of a place to live, but of the mind that has been forced to live there. Observe carefully. The bed blocks one door, a chair blocks the other door, the shutters are closed: you can't get in, and once you are in, you can't get out. Stifled among the furniture and everyday objects of the room, you begin to hear a cry of suffering in this painting, and once you hear it, it does not stop. 'I cried by reason of mine affliction...' But there is no answer to this cry. The man in this painting (and this is a self-portrait, no different from a picture of a man's face, with eyes, nose, lips, and jaw) has been alone too much, has struggled too much in the depthts of solitude. The world ends at that barricaded door. For the room is not a representation of solitude, it is the substance of solitude itself. And it is a thing so heavy, so unbreatheable, that it cannot be shown in any terms other than what it is.
Paul Auster (The Invention of Solitude)
Time Out To Cry © All alone at the end of the day The time, just a little past ten Evening has come for a short stay It’s time for her sorrow again The smile on her face she’s been holding Suddenly, she lets fall And the feelings begin unfolding She comes out of her personal wall As the world settles down for the night She awakens herself from a dream And the girl they all thought had her life going right Is no longer the image she’d seem She takes off the disguise she’s been wearing Then opens her heart to the truth Behind closed doors she’s not caring About life or love in her youth So she sits by the mirror spilling tears And cries by herself in the dark A whole day of acting like she has no fears Takes a lot from an empty heart Inside she’s lonely and sad But acts like she's fine in the day Revealing her misery, secretly wishing she had A friend, or a promise to stay She’s ashamed of the truth she’s been keeping Living her hours in daylight a lie And this is the reason for in darkness she’s weeping Taking time out from each day to cry Written by Shannen Wrass Copyright © 1995 Shannen Wrass. All Rights Reserved
Shannen Wrass
Believing in my great hurt, my literal cutting off from society's mainland, it seems to me that I took life in a sense too seriously, and the lives of others, for the same reason, too lightly. The murders were my own conception; my sex. The Factory was my attempt to construct life, to replace the involvement which otherwise I did not want. Well, it is always easier to succeed at death. Inside this greater machine, things are not quite so cut and dried (or cut and pickled) as they have appeared in my experience. Each of us, in our own personal Factory, may believe we have stumbled down one corridor, and that our fate is sealed and certain (dream or nightmare, humdrum or bizarre, good or bad), but a word, a glance, a slip - anything can change that, alter it entirely, and our marble hall becomes a gutter, or our rat-maze a golden path. Our destination is the same in the end, but our journey - part chosen, part determined- is different for us all, and changes even as we live and grow. I thought one door had snicked shut behind me years ago; in fact I was still crawling about the face. Now the door closes, and my journey begins.
Iain Banks
I did not mean to be a Christian. I have been very clear about that. My first words upon encountering the presence of Jesus for the first time 12 years ago, were, I swear to God, “I would rather die.” I really would have rather died at that point than to have my wonderful brilliant left-wing non-believer friends know that I had begun to love Jesus. I think they would have been less appalled if I had developed a close personal friendship with Strom Thurmond. At least there is some reason to believe that Strom Thurmond is a real person. You know, more or less. But I never felt like I had much choice with Jesus; he was relentless. I didn’t experience him so much as the hound of heaven, as the old description has it, as the alley cat of heaven, who seemed to believe that if it just keeps showing up , mewling outside your door, you’d eventually open up and give him a bowl of milk. Of course, as soon as you do, you are fucked, and the next thing you know, he’s sleeping on your bed every night, and stepping on your chest at dawn to play a little push-push. I resisted as long as I could, like Sam-I-Am in “Green Eggs and Ham” — I would not, could not in a boat! I could not would not with a goat! I do not want to follow Jesus, I just want expensive cheeses. Or something. Anyway, he wore me out. He won. I was tired and vulnerable and he won. I let him in. This is what I said at the moment of my conversion: I said, “Fuck it. Come in. I quit.” He started sleeping on my bed that night. It was not so bad. It was even pretty nice. He loved me, he didn’t shed or need to have his claws trimmed, and he never needed a flea dip. I mean, what a savior, right? Then, when I was dozing, tiny kitten that I was, he picked me up like a mother cat, by the scruff of my neck, and deposited me in a little church across from the flea market in Marin’s black ghetto. That’s where I was when I came to. And then I came to believe.
Anne Lamott
Hi.What are you doing here?" He frowned. "Damned if I know." Unable to suppress her smile she said, "The usual excuse is that you happened to be in the neighborhood and decided to drop by." "Now why didn't I think of that?" Nick mocked dryly. "Well,are you going to invite me in?" "I don't know," she said honestly. "Should I?" His gaze traveled down the entire length of her body, lifted to her lips and finally her eyes. "I wouldn't if I were you." Breathless from his frankly sensual glance, Lauren was nevertheless determined to abide by her decision to avoid all personal involvement with him. And judging from the way he had just looked at her, his reason for being here was very, very personal. Reluctantly she made her decision. "In that case,I'll follow your advice. Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by.
Judith McNaught (Double Standards)
In the realm of sense and reason it seemed logical for something to make sense for no reason (natural order) or not make sense for some reason (the deliberate design of deception) but it seemed perverse to have things make no sense for no reason. What if you colonize your own mind and when you get inside, the furniture is attached to the ceiling? What if you step inside and when you touch the furniture, you realize it’s all just cardboard cutouts and it all collapses beneath the pressure of your finger? What if you get inside and there’s no furniture? What if you get inside and it’s just you in there, sitting in a chair, rolling figs and eggs around in the basket on your lap and humming a little tune? What if you get inside and there’s nothing there, and then the door hatch closes and locks? What is worse: being locked outside of your own mind, or being locked inside of it?
Carmen Maria Machado (Her Body and Other Parties: Stories)
There is no obvious reason for voices and visions. My temperature is near normal and my pain relief is the usual moderate regime. Later the hallies, as I think of them, become less threatening, but more childish and conspiratorial. I close my eyes and they begin to pack my belongings into a pillow case, whispering and grinning. One sharp-faced dwarfish hally pulls at my right arm, and I drive her off with an elbow in her eye. After this they are more wary of me, intimidated. I see them slinking around the door frame, trying to insinuate themselves. The staff are concerned that I don’t cough, then that I cough too much. In soothing nurse-talk they smooth symptoms away. ‘I have a raging thirst,’ I say. ‘Ah, you are a lit-tul bit thirsty,’ says the nurse. I wonder if they laugh at the patients, who come in so brave and ignorant. None of us thinks that the complication rate applies to us.
Hilary Mantel (Ink In The Blood: A Hospital Diary)
Emptying Town" I want to erase your footprints from my walls. Each pillow is thick with your reasons. Omens fill the sidewalk below my window: a woman in a party hat, clinging to a tin-foil balloon. Shadows creep slowly across the tar, someone yells, "Stop!" and I close my eyes. I can't watch as this town slowly empties, leaving me strung between bon-voyages, like so many clothes on a line, the white handkerchief stuck in my throat. You know the way Jesus rips open his shirt to show us his heart, all flaming and thorny, the way he points to it. I'm afraid the way I'll miss you will be this obvious. I have a friend who everyone warns me is dangerous, he hides bloody images of Jesus around my house, for me to find when I come home; Jesus behind the cupboard door, Jesus tucked into the mirror. He wants to save me but we disagree from what. My version of hell is someone ripping open his shirt and saying, Look what I did for you.
Nick Flynn (Some Ether)
My closet door wouldn't close. I pushed. I leaned on it. I eventually realized that my bathrobe sleeve was blocking the latch. When I opened the door to deal with the problem, most of the clothing I had tried and rejected tumbled out onto my feet. I shoveled my jeans,two of Sienna's sweaters, and one of her skirts back in.She would have a fit if she saw, but I reasoned she would have more of a fit if I shoved her things under the bed, with its resident dust wombats and lost charcoal pencils.
Melissa Jensen (The Fine Art of Truth or Dare)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
After World War II, the United States, triumphant abroad and undamaged at home, saw a door wide open for world supremacy. Only the thing called ‘communism’ stood in the way, politically, militarily, economically, and ideologically. Thus it was that the entire US foreign policy establishment was mobilized to confront this ‘enemy’, and the Marshall Plan was an integral part of this campaign. How could it be otherwise? Anti-communism had been the principal pillar of US foreign policy from the Russian Revolution up to World War II, pausing for the war until the closing months of the Pacific campaign when Washington put challenging communism ahead of fighting the Japanese. Even the dropping of the atom bomb on Japan – when the Japanese had already been defeated – can be seen as more a warning to the Soviets than a military action against the Japanese.19 After the war, anti-communism continued as the leitmotif of American foreign policy as naturally as if World War II and the alliance with the Soviet Union had not happened. Along with the CIA, the Rockefeller and Ford Foundations, the Council on Foreign Relations, certain corporations, and a few other private institutions, the Marshall Plan was one more arrow in the quiver of those striving to remake Europe to suit Washington’s desires: 1.    Spreading the capitalist gospel – to counter strong postwar tendencies toward socialism. 2.    Opening markets to provide new customers for US corporations – a major reason for helping to rebuild the European economies; e.g. a billion dollars (at twenty-first-century prices) of tobacco, spurred by US tobacco interests. 3.    Pushing for the creation of the Common Market (the future European Union) and NATO as integral parts of the West European bulwark against the alleged Soviet threat. 4.    Suppressing the left all over Western Europe, most notably sabotaging the Communist parties in France and Italy in their bids for legal, non-violent, electoral victory. Marshall Plan funds were secretly siphoned off to finance this endeavor, and the promise of aid to a country, or the threat of its cutoff, was used as a bullying club; indeed, France and Italy would certainly have been exempted from receiving aid if they had not gone along with the plots to exclude the Communists from any kind of influential role.
William Blum (America's Deadliest Export: Democracy The Truth about US Foreign Policy and Everything Else)
I would expect such behavior from the children,not from their mother." She tsked at him, not even a little daunted. "Aren't you the least bit curious?" "Certainly,but I can wait until-" "But I can't wait," she cut in passionately. "Come with me, Warren. I'll be careful with it. And if it's nothing more'n a simple gift, albeit a mysterious one, then I'll have the box wrapped up again perfectly, so no one will know we tampered with it." "You're serious about this?" he asked. "You're actually going to sneak downstairs in the middle of the night like an errant schoolgirl-" "No,no,we are, like two perfectly sensible adults making a reasonable effort to solve a mystery that has been around far too long." He chuckled at that point, used to his wife's strange logic, and used to her ignoring any of his attempts at sternness.But then that was the magic of Amy.She was unlike any other woman he'd ever known. He gave in gracefully with a smile. "Very well,fetch our robes and some shoes.I would imagine the fire has been banked in the parlor, so it will be a mite chilly." It wasn't that long before they were standing next to The Present, Warren merely curious, Amy finding it hard to contain her excitement, considering what she expected to find beneath the pretty cloth wrapping.The parlor wasn't chilly at all,since whoever had lef the room last had closed the doors to contain the earlier warmth, and Warren had closed them again before he lit several of the lamps. But the doors opened once more, giving Amy quite a start since she was just reaching for The Present when it happened, and Jeremy said as he entered the room, "Caught in the act,eh? Amy,for shame." Amy,noticeably embarrassed despite the fact that Jeremy wasn't just her cousin, but one of her closest friends, said stiffly, "And what,pray tell, are you doing down here at this hour?" He winked at her and said dryly, "Same thing you are, I would imagine." She chuckled then. "Scamp. Close the door while you're at it." He started to,but stepped out of the way instead as Reggie sauntered in, barefoot and still in the process of tying her bed robe. When everyone else there just stared at her, she huffed indignantly, "I did not come down here to open The Present-well, maybe I did, but I would have chickened out before actually doing so." "What a whopper, Reggie," Derek said as he came in right behind her. "Nice try, though. Mind if I borrow that lame excuse? Better than having none a'tall.
Johanna Lindsey (The Holiday Present)
Tariq was still speaking, his voice hushed, then high, beseeching, then reasoning; his face hopeful, then stricken. "I can't," Laila said. "Don't say that. I love you." "I'm sorry - " "I love you." How long had she waited to hear those words from him? How many times had she dreamed them uttered? There they were, spoken at last, and the irony crushed her. "It's my father I can't leave," Laila said. "I'm all he has left. His heart couldn't take it either." Tariq knew this. He knew she could not wipe away the obligations of her life any more than he could his, but it went on, his pleadings and her rebuttals, his proposals and her apologies, his tears and hers. In the end, Laila had to make him leave. At the door, she made him promise to go without goodbyes. She closed the door on him. Laila leaned her back against it, shaking against his pounding fists, one arm gripping her belly and a hand across her mouth, as he spoke through the door and promised that he would come back, that he would come back for her. She stood there until he tired, until he gave up, and then she listened to his uneven footsteps until they faded, until all was quiet, save for the gunfire cracking in the hills and her own heart thudding in her belly, her eyes, her bones.
Khaled Hosseini (A Thousand Splendid Suns)
There is nothing very new about all that; I have never rejected these harmless emotions; far from it. In order to feel them, it is sufficent to be a little isolated, just enough to get rid plausability at the right moment. But I remained close to people, on the surface of solitude, quite determined, in case of emergency, to take refuge in their midst: so far I am an amateur at heart. Now, there are objects everywhere like this glass of beer, here on the table. When I see it, I feel like saying:"pax, I'm not playing any more". I realize perfectly well that I have gone too far. I don't suppose you can 'make allowances' for solitude. That doesn't mean I dont look under my bed before going to sleep or that I'm afraid of seeing the door of my room open suddenly in the middle of the night. All the same I am ill at ease. For half an hour I have been avoiding looking at this glass of beer. And I know very well that all the bachelors around me can'thelp me in any way : it is too late, and i can no longer take refuge among them...... ..... I know all that, but I know that there's something else. Almost nothing. But I can no longer explain what I see. To anybody. There it is: I am gently slipping into the water's depths, towards fear. I am alone in the midst of these happy, reasonable voices.
Jean-Paul Sartre (Nausea (Penguin Modern Classics))
. . . waves of desert heat . . . I must’ve passed out, because when I woke up I was shivering and stars wheeled above a purple horizon. . . . Then the sun came up, casting long shadows. . . . I heard a vehicle coming. Something coming from far away, gradually growing louder. There was the sound of an engine, rocks under tires. . . . Finally it reached me, the door opened, and Dirk Bickle stepped out. . . . But anyway so Bickle said, “Miracles, Luke. Miracles were once the means to convince people to abandon reason for faith. But the miracles stopped during the rise of the neocortex and its industrial revolution. Tell me, if I could show you one miracle, would you come with me and join Mr. Kirkpatrick?” I passed out again, and came to. He was still crouching beside me. He stood up, walked over to the battered refrigerator, and opened the door. Vapor poured out and I saw it was stocked with food. Bickle hunted around a bit, found something wrapped in paper, and took a bottle of beer from the door. Then he closed the fridge, sat down on the old tire, and unwrapped what looked like a turkey sandwich. He said, “You could explain the fridge a few ways. One, there’s some hidden outlet, probably buried in the sand, that leads to a power source far away. I figure there’d have to be at least twenty miles of cable involved before it connected to the grid. That’s a lot of extension cord. Or, this fridge has some kind of secret battery system. If the empirical details didn’t bear this out, if you thoroughly studied the refrigerator and found neither a connection to a distant power source nor a battery, you might still argue that the fridge had some super-insulation capabilities and that the food inside had been able to stay cold since it was dragged out here. But say this explanation didn’t pan out either, and you observed the fridge staying the same temperature week after week while you opened and closed it. Then you’d start to wonder if it was powered by some technology beyond your comprehension. But pretty soon you’d notice something else about this refrigerator. The fact that it never runs out of food. Then you’d start to wonder if somehow it didn’t get restocked while you slept. But you’d realize that it replenished itself all the time, not just while you were sleeping. All this time, you’d keep eating from it. It would keep you alive out here in the middle of nowhere. And because of its mystery you’d begin to hate and fear it, and yet still it would feed you. Even though you couldn’t explain it, you’d still need it. And you’d assume that you simply didn’t understand the technology, rather than ascribe to it some kind of metaphysical power. You wouldn’t place your faith in the hands of some unknowable god. You’d place it in the technology itself. Finally, in frustration, you’d come to realize you’d exhausted your rationality and the only sensible thing to do would be to praise the mystery. You’d worship its bottles of Corona and jars of pickled beets. You’d make up prayers to the meats drawer and sing about its light bulb. And you’d start to accept the mystery as the one undeniable thing about it. That, or you’d grow so frustrated you’d push it off this cliff.” “Is Mr. Kirkpatrick real?” I asked. After a long gulp of beer, Bickle said, “That’s the neocortex talking again.
Ryan Boudinot (Blueprints of the Afterlife)
All these thoughts flashed through Amelia’s mind in one searing mass. But as she stiffened and waited for the ax to fall, Rohan came to her in two long strides. And before Amelia could move, or think, or even breathe, he had jerked her full length against him, and pulled her head to his. Rohan kissed her with an indecent frankness that sent her reeling. His arms were firm around her, keeping her steady while his mouth caught hers at just the right angle. Her hands moved in tentative objection, her palms encountering the tough muscles of his chest, the catch of his shirt buttons. He was the only solid thing in a kaleidoscopic world. She stopped pushing as her body absorbed the arousing details of him, the hard masculine contours, the fresh outdoors scent, the sensuous probing of his mouth. She had relived his kiss a thousand times in her dreams. She just hadn’t realized it until now. Graceful fingers cupped around her neck and jaw, turning her face upward. The tips of his fingers found the fine skin behind her ears, where it met the silken edge of her hairline. And all the while he continued to fill her with concentrated fire, until the inside of her mouth prickled sweetly and her legs shook beneath her. He used his tongue delicately, exploring without haste, entering her repeatedly while she clung to him in bewildered pleasure. His mouth lifted, his breath a hot caress against her lips. He turned his head as he spoke to whoever had entered the room. “I beg your pardon, my lord. We wanted a moment of privacy.” Amelia turned crimson as she followed his gaze to the doorway, where Lord Westcliff stood with an unfathomable expression. An electric moment passed while Westcliff appeared to marshal his thoughts. His gaze moved to Amelia’s face, then back to Rohan’s. A smile flickered in his dark eyes. “I intend to return in approximately a half hour. It would probably be best if my study were vacated by then.” Giving a courteous nod, he took his leave. As soon as the door closed behind him, Amelia dropped her forehead to Rohan’s shoulder with a groan. She would have pulled away, but she didn’t trust her knees to hold. “Why did you do that?” He didn’t look at all repentant. “I had to come up with a reason for both of us to be in here. It seemed the best option.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
No one said a word, and I waited a beat, then pushed forward. Screw Kevin. Screw Maggie. Screw whatever happened to them now. I went after Caden. He didn’t have to push his way through the crowd. It automatically opened for him. Not so much for me. I was at a disadvantage, and when I ran to the parking lot, he was already in the car and peeling past me. “HEY!” I yelled, raising my hands in the air. He braked, a little too close for comfort, right next to me. The passenger window rolled down. “What?” I reached for the door. “Let me in.” His eyebrows pinched together. “Why?” “Let me in.” He unlocked the door. I opened it and climbed in. “Okay. I’m with you.” I had no idea what I was doing. “Excuse me?” “I’m with you.” I clapped the dashboard, pointing ahead. “Whatever you’re going to do, I’m in. You seem to need a friend. You’re in luck. I could use one myself. So I’m in.” “I’m going to get drunk and have sex.” “Oh.” He cocked an eyebrow. “You still in?” He was laughing now. He was still mad, but he was laughing. For whatever reason—maybe I did want to go with him, or maybe I heard my own voice calling me boring and pathetic again—I sat back and folded my hands in my lap. “I’m in.” He shook his head. “You have no idea what you’re getting yourself into..” He shifted his Land Rover into drive and started forward. “But that’s your problem, not mine.” He careened out of the parking lot, and I fell against the door. I grabbed the oh shit handle above my head, and I had a feeling that was going to be the theme for the rest of the night: Oh, shit.
Tijan (Anti-Stepbrother)
Your Lordship tempts his servant to see whether he remembers the revelations imparted to him. Trifle not with me, my Lord; I crave, I thirst, for more knowledge. Doubtless we cannot see that other higher Spaceland now, because we have no eye in our stomachs. But, just as there was the realm of Flatland, though that poor puny Lineland Monarch could neither turn to left nor right to discern it, and just as there was close at hand, and touching my frame, the land of Three Dimensions, though I, blind senseless wretch, had no power to touch it, no eye in my interior to discern it, so of a surety there is a Fourth Dimension, which my Lord perceives with the inner eye of thought. And that it must exist my Lord himself has taught me. Or can he have forgotten what he himself imparted to his servant? In One Dimension, did not a moving Point produce a Line with two terminal points? In Two Dimensions, did not a moving Line produce a Square with four terminal points? In Three Dimensions, did not a moving Square produce—did not this eye of mine behold it—that blessed Being, a Cube, with eight terminal points? And in Four Dimensions shall not a moving Cube—alas, for Analogy, and alas for the Progress of Truth, if it be not so—shall not, I say, the motion of a divine Cube result in a still more divine Organization with sixteen terminal points? Behold the infallible confirmation of the Series, 2, 4, 8, 16: is not this a Geometrical Progression? Is not this—if I might quote my Lord’s own words—“strictly according to Analogy”? Again, was I not taught by my Lord that as in a Line there are two bounding Points, and in a Square there are four bounding Lines, so in a Cube there must be six bounding Squares? Behold once more the confirming Series, 2, 4, 6: is not this an Arithmetical Progression? And consequently does it not of necessity follow that the more divine offspring of the divine Cube in the Land of Four Dimensions, must have 8 bounding Cubes: and is not this also, as my Lord has taught me to believe, “strictly according to Analogy”? O, my Lord, my Lord, behold, I cast myself in faith upon conjecture, not knowing the facts; and I appeal to your Lordship to confirm or deny my logical anticipations. If I am wrong, I yield, and will no longer demand a fourth Dimension; but, if I am right, my Lord will listen to reason. I ask therefore, is it, or is it not, the fact, that ere now your countrymen also have witnessed the descent of Beings of a higher order than their own, entering closed rooms, even as your Lordship entered mine, without the opening of doors or windows, and appearing and vanishing at will? On the reply to this question I am ready to stake everything. Deny it, and I am henceforth silent. Only vouchsafe an answer.
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
I brought the best of the gowns I found yesterday, but they all need work. I never got to repairing them yesterday what with running between ye and the merchant,” she added apologetically. “No, of course you did not,” Annabel said with understanding as she pushed the door closed. “ ’Tis all right. Surely we can get one ready by noon?” “Aye,” Seonag agreed, sounding relieved that she wasn’t angry. A sigh from the bed made them both glance that way as Ross tossed the furs and linens aside to get up. “I suppose there is no reason fer me to stay abed then,” he said dryly, bending to pick up his shirt. He tugged it on and then walked to Annabel and gave her a slow, hungry kiss that had her releasing his plaid to reach for him. The moment she did, he broke the kiss and stepped back taking the plaid with him. “I’ll need this. Besides, I like ye better that way,” he said with a grin as Annabel gasped in surprise at being left naked.
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
Members who listen to the voice of the Church need not be on guard against being misled. They have no such assurance for what they hear from alternate voices. Local Church leaders also have a responsibility to review the content of what is taught in classes or presented in worship services, as well as the spiritual qualifications of those they use as teachers or speakers. Leaders must do all they can to avoid expressed or implied Church endorsement for teachings that are not orthodox or for teachers who will use their Church position or prominence to promote something other than gospel truth. . . . In any case, volunteers do not speak for the Church. As long as Church leaders feel they should not participate in an event where the Church or its doctrines are discussed, the overall presentation will be incomplete and unbalanced. In such circumstances, no one should think that the Church’s silence constitutes an admission of facts asserted in that setting. . . . I have seen some persons attempt to understand or undertake to criticize the gospel or the Church by the method of reason alone, unaccompanied by the use or recognition of revelation. When reason is adopted as the only—or even the principal—method of judging the gospel, the outcome is predetermined. One cannot find God or understand his doctrines and ordinances by closing the door on the means He has prescribed for receiving the truths of his gospel. That is why gospel truths have been corrupted and gospel ordinances have been lost when left to the interpretation and sponsorship of scholars who lack the authority and reject the revelations of God. . . . In our day we are experiencing an explosion of knowledge about the world and its people. But the people of the world are not experiencing a comparable expansion of knowledge about God and his plan for his children. On that subject, what the world needs is not more scholarship and technology but more righteousness and revelation.
Dallin H. Oaks
You know what I don’t get?” “What?” Josh stares at me, his cheeks a dull red. “Why you never said anything. If all that time you felt like that about me, why didn’t you say anything?” My whole body goes stiff. I wasn’t expecting that. I’m not prepared. I swallow hard and say, “You were with Margot.” “I wasn’t always with Margot. The stuff you wrote--you liked me before I ever liked her. Why didn’t you just tell me?” I let out a breath. “What does that even matter now?” “It matters. You should have told me. You should have at least given me a chance.” “It wouldn’t have made a difference, Josh!” “And I’m telling you it would have!” He steps toward me. Jerkily I rise to my feet. Why is he bringing this up now, just when things are back to normal again? “You’re so full of it. You’ve never thought of me that way, not ever, so don’t go trying to reinvent history now when I have somebody.” “Don’t tell me what I think,” he snaps. “You don’t know my every thought, Lara Jean.” “Yes I do. I know you better than anyone. You know why? You’re predictable. Everything you do. It’s so predictable. The only reason you’re even saying this now is because you’re jealous. And it’s not even because of me. You don’t care about who I’m with. You’re just jealous that Peter took your spot. Kitty likes him better than you now too.” His face darkens. He glares at me and I glare back. “Fine!” he yells. “I’m jealous! Are you happy now?” And then he jerks his head toward mine, and he kisses me. On the lips. His eyes are closed, mine are wide open. And then mine close too, and for a second, just for a second, I kiss him back. Then I break away. I push him off. Triumphantly he says, “Did you predict that, Lara Jean?” My mouth opens and closes, but no words come out. I drop the broom and run up the stairs, as fast as I can. I run all the way to my room and lock my door behind me. Josh just kissed me. In my living room. My sister is coming back in a few weeks. And I have a fake boyfriend I just cheated on.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
When we live intensely, we run more risks and we become more fragile. We already know that people who do nothing suffer nothing. But avoiding doing things out of fear of getting hurt is not a path to growth. When we mix our fears with reality, we are limiting ourselves. Don’t forget that the decisions we don’t make also cause us pain. Be careful about how you interpret what happens to you. If you don’t have an explanation that brings you peace, don’t make one up. What causes one kind of emotional pain to be more intense than another? Well, it depends on the emotional attachment to the source of the pain. What hurts more intensely is what directly affects us or the people we love. What hurts more is what affects our greatest aspirations and objectives. We are more easily hurt by what affects our desires or fears, and the more intense our desire, the more painful our frustration when we do not achieve it. The emotional involvement determines and explains the intensity of our pain. The greater the emotional involvement, the greater the pain. When pain comes in the door, perspective goes out the window, taking with it our ability to reason properly, to analyze events, and to make good decisions. Each time you remember what happened you transform what happened. None of our experiences is in vain if we are capable of learning from what happened to us and from the suffering and pain it caused us. But we won’t be able to learn from what happened if we don’t look back and review our experiences. Carrying your past is like carrying a huge backpack full of stones that prevents you from walking freely. But to walk through life all you need is a bit of water and food, a dream, and a destination—and, in a pinch, you can probably do without a destination. Let bygones be bygones, learn from what happened, and bring that chapter to a close. Your beliefs feed your decisions, your fears, and your desires. Knowledge will set you free, so make an effort to learn, study, read, travel.
Tomás Navarro (Kintsugi: The Japanese Art of Embracing the Imperfect and Loving Your Flaws)
Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
The law isn’t supposed to be about unspoken excuses and behind-the-scenes calculations. The beauty of the system is that judges and juries are allowed to consider only what is seen and heard in open court. In between the white lines of this arena, it’s all supposed to make sense. This is where we all get to be equal again. In the defendant’s chair, rich and poor ride the same roller coaster, face the same music. Case has to match case. Sentence should match sentence. But they don’t match anymore. They probably never did, and probably it was never even close. But at least there was the illusion of it. What’s happened now, in this new era of settlements and non prosecutions is that the state has formally surrendered to its own excuses. It has decided just to punt from the start and take the money which doesn’t become really wrong until it turns around the next day and decides to double down on the less-defended, flooring it all the way to trial against a welfare mom or some joker who sold a brick of dope in the projects. Repeat the same process a few million times, and that’s how the jails in American get the population they have. Even if every single person they sent to jail were guilty, the system would still be an epic fail—it’s the jurisprudential version of Pravda, where the facts int he paper might have all been true on any given day, but the lie was all in what was not said. That’s what nobody gets, that the two approaches to justice may individually make a kind of sense. but side by side they’re a dystopia, here common city courts become factories for turning poor people into prisoners, while federal prosecutors on the white-collar beat turn into overpriced garbage men, who behind closed doors quietly dispose of the sins of the rich for a fee. And it’s evolved this way over time and for a thousand reasons, so that almost nobody is aware of the whole picture, the two worlds so separate that they’re barely visible to each other. The usual political descriptors like “unfairness” and “injustice” don’t really apply. it’s more like a breakdown into madness.
Matt Taibbi
The reason [James Clerk] Maxwell's Demon cannot exist is that it does take resources to perform an act of discrimination. We imagine computation is free, but it never is. The very act of choosing which particle is cold or hot itself becomes an energy drain and a source of waste heat. The principle is also known as "no free lunch." We do our best to implement Maxwell's Demon whenever we manipulate reality with our technologies, but we can never do so perfectly; we certainly can't get ahead of the game, which is known as entropy. All the air conditioners in a city emit heat that makes the city hotter overall. While you can implement what seems to be a Maxwell's Demon if you don't look too far or too closely, in the big picture you always lose more than you gain. Every bit in a computer is a wannabe Maxwell's Demon, separating the state of "one" from the state of "zero" for a while, at a cost. A computer on a network can also act like a wannabe demon if it tries to sort data from networked people into one or the other side of some imaginary door, while pretending there is no cost or risk involved.
Jaron Lanier (Who Owns the Future?)
Dickinson left the rostrum to applause, loud shouts of approval. Franklin was surprised, looked toward Adams, who returned the look, shook his head. The chamber was dismissed, and Franklin pushed himself slowly up out of the chair. He began to struggle a bit, pain in both knees, the stiffness holding him tightly, felt a hand under his arm. “Allow me, sir.” Adams helped him up, commenting as he did so, “We have a substantial lack of backbone in this room, I’m afraid.” Franklin looked past him, saw Dickinson standing close behind, staring angrily at Adams, reacting to his words. “Mr. Dickinson, a fine speech, sir,” said Franklin. Adams seemed suddenly embarrassed, did not look behind him, nodded quickly to Franklin, moved away toward the entrance. Franklin saw Dickinson following Adams, began to follow himself. My God, let’s not have a duel. He slipped through the crowd of delegates, making polite acknowledgments left and right, still keeping his eye on Dickinson. The man was gone now, following Adams out of the hall. Franklin reached the door, could see them both, heard the taller man call out, saw Adams turn, a look of surprise. Franklin moved closer, heard Adams say, “My apologies for my indiscreet remark, sir. However, I am certain you are aware of my sentiments.” Dickinson seemed to explode in Adams’ face. “What is the reason, Mr. Adams, that you New England men oppose our measures of reconciliation? Why do you hold so tightly to this determined opposition to petitioning the king?” Franklin heard other men gathering behind him, filling the entranceway, Dickinson’s volume drawing them. He could see Adams glancing at them and then saying, “Mr. Dickinson, this is not an appropriate time...” “Mr. Adams, can you not respond? Do you not desire an end to talk of war?” Adams seemed struck by Dickinson’s words, looked at him for a long moment. “Mr. Dickinson, if you believe that all that has fallen upon us is merely talk, I have no response. There is no hope of avoiding a war, sir, because the war has already begun. Your king and his army have seen to that. Please, excuse me, sir.” Adams began to walk away, and Franklin could see Dickinson look back at the growing crowd behind him, saw a strange desperation in the man’s expression, and Dickinson shouted toward Adams, “There is no sin in hope!
Jeff Shaara (Rise to Rebellion)
Her feet now safely planted on level flooring, Willow nervously smoothed her skirts before lifting her head. Turquoise eyes met deep brown. Willow's mouth dropped open in shock. "Lieutenant Numbskull?" Rider stiffened, but recovered quickly. "Freckles?" he pretended surprise. Backing up a step, his appreciative gaze raked her from head to toe. "My God! It is you!" Willow's cheecks burned beneath his conspicuous appraisal. The lieutenant's pleased grin fueled her simmering anger at Miriam's unwelcome matchmaking venture. "What are you doing here?" she huffed. Rider arched a dark brow in ironic amusement. "Is that any way to greet an old friend...Freckles?" "You two know each other?" Miriam interjected, astonished. "You might say that." Rider chuckled. Willow didn't know who she wanted to murder most, Miriam or the lieutenant. But standing here in all her ladylike spendor, she remembered his hurtful maligning of her femininity. For some inexplicable reason she felt compelled to prove that she could be every bit as feminine as any other woman. Despite her stormy emotions, her next words dripped off her lips like warm honey. "Unfortunately, Miriam"-she caressed Rider's coat sleeve and flapped her lashes outrageously-"we were never formally introduced." Rider eyed Willow's hand where it petted his arm, expecting claws to spring from her fingertips at any moment. Then he lifted his gaze to twin pools of mischief. One corner of his mouth crved in a wry grin. "What are you up to, Freckles?" His devastating smile was unnerving. Suddenly all too aware of her ineptitude at coquetry. Willow's confidence slipped a notch. Nevertheless, she was determined not to let him intimidate her. Casting him what she hoped would pass for a coy smile, she answered his question with an innocent shrug. Miriam blinked, agog at Willow s antics. "Well,ah...let me properly introduce you two. Mr. Sinclair, this is Miss Willow Vaughn. Willow, this is Mr. Rider Sinclair." Willow inclined her head with forced politeness. Rider tossed her a sly wink. Befuddled by the stratified undercurrents, Miriam sputtered. "I...ah...I'm sorry to hurry the introductions, but we really are late. My carriage is waiting out front for us. Shall we go?" "But of course." Rider held the door open, indicating they should proceed him. "Ladies..." Willow waited while he closed the door, then draped herself over his proferred arm. Miriam took his other arm and cast a warning glance at the younger woman. The girl smiled back angelically, deciding Miriam deserved to worry-just a little.
Charlotte McPherren (Song of the Willow)
Then I guess the only thing left is for you to prove that you're up to the challenge. Give me a smile that isn't a sneer." He wasn't expecting that, to go by his sudden surprise. But it was a reasonable request. She wasn't going to carry the entire charade on her shoulders alone. He had to do his share. But she wasn't expecting one of those amazing smiles he'd dazzled her with before that fateful night she'd spent in his bed. She sucked in a sharp breath. Her heart started to thump loudly. Good God,how could he still do this to her? "You don't need to be that convincing!" she snapped, and swung around to get her eyes off him. "Save your seductive smiles for you legion of conquests. I won't be one of those,so a decent smile will do,thank you." He actually laughed. "That was normal smile, Becca. If you don't believe me,turn around and I'll show you the difference." "No! Seducing me isn't part of this bargain." "Of course not.For now,this happy marriage is for show only and I have already promised to keep my hands off you, haven't I?" "Then henceforth keep your lips off me, too," she said on her way out the door. "There's to be no more accidental kisses." She heard him laugh again before she closed the door behind her. Good Lord, what had she just agreed to? This was never going to work!
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . . on you roll, across a countryside whose light is forever changing--castles, heaps of rock, moons of different shapes and colors come and go. There are stops at odd hours of teh mornings, for reasons that are not announced: you get out to stretch in lime-lit courtyards where the old men sit around the table under enormous eucalyptus trees you can smell in the night, shuffling the ancient decks oily and worn, throwing down swords and cups and trumps major in the tremor of light while behind them the bus is idling, waiting--"passengers will now reclaim their seats" and much as you'd like to stay, right here, learn the game, find your old age around this quiet table, it's no use: he is waiting beside the door of the bus in his pressed uniform, Lord of the Night he is checking your tickets, your ID and travel papers, and it's the wands of enterprise that dominate tonight...as he nods you by, you catch a glimpse of his face, his insane, committed eyes, and you remember then, for a terrible few heartbeats, that of course it will end for you all in blood, in shock, without dignity--but there is meanwhile this trip to be on ... over your own seat, where there ought to be an advertising plaque, is instead a quote from Rilke: "Once, only once..." One of Their favorite slogans. No return, no salvation, no Cycle--that's not what They, nor Their brilliant employee Kekule, have taken the Serpent to mean.
Thomas Pynchon
(From Chapter 9: Hearts and Gizzards) When I came back out there was a strange light in the kitchen, as if there was a film of silver over everything, like frost only smoother, like water running thinly down over flat stones; and then my eyes were opened and I knew it was because God had come into the house and this was the silver that covered Heaven. God had come in because God is everywhere, you can’t keep him out, he is part of everything there is, so how could you ever build a wall or four walls or a door or a shut window, that he could not walk right through as if it was air. I said, What do you want here, but he did not answer, he just kept on being silver, so I went out to milk the cow; because the only thing to do about God is to go on with what you were doing anyway, since you can’t ever stop him or get any reasons out of him. There is a Do this or a Do that with God, but not any Because. [...] But why did I need to pray, when God was right there, hovering above us like the Angel of Death over the Egyptians, I could feel his cold breath, I could hear the beating of his dark wings, inside my heart. God is everywhere, I thought, so God is in the kitchen, and God is in Nancy, and God is in McDermott, and in McDermott’s hands, and God is in the axe too. Then I heard a dull sound from within, like a heavy door closing shut, and after that I can remember no more for a time.
Margaret Atwood (Alias Grace)
But its other characteristic it shares with almost anything Martian. It can last long periods in hibernation, or if that isn't necessary, in a state of lowered vitality and activity—say when there is no food available. But with any increase in the food supply, then at once—almost like throwing a switch—it expands, multiplies to the full extent of the food supply." "I'll say it does!" "Cut off the food supply and it simply waits for more good times. Pure theory, of course, since I am reasoning by analogy from other Martian life forms—but that's why I'm going to have to disappoint Lowell. Fuzzy Britches will have to go on very short rations." Her husband frowned. "That won't be easy; he feeds it all the time. We'll just have to watch him—or there will be more little visitors from heaven. Honey, let's get busy. Right now." "Yes, dear. I just had to get my thoughts straight." Roger called them all to general quarters; Operation Roundup began. They shooed them aft and into the hold; they slithered back, purring and seeking companionship. Pollux got into the hold and tried to keep them herded together while the others scavenged through the ship. His father stuck his head in; tried to make out his son in a cloud of flat cats. "How many have you got so far?" "I can't count them—they keep moving around. Close the door!" "How can I keep the door closed and still send them in to you?" "How can I keep them in here if you keep opening the door?
Robert A. Heinlein (The Rolling Stones)
I wonder what kind of men we might encounter in Scotland.Perhaps the reason we have not found our anyone in England is because they have been waiting for us up north." Bryonwyn gave in to the compulsion to roll her eyes.Leave it to Lily to twist a situation into something positive-and related to love. "You will find admirers wherever you go.And you,too, Edythe, will be adored by many." Bronwyn added with confidence as she rose and went to the door, indicating that tonight's chat was over. Edythe shook her head. "Lily desires not a man, but an impossibility. A person just cannot be responsible and spontaneous at the same time." "Well,you drive all your men away with your seriousness," Lily countered, looking to Bronwyn for support as she strolled up to the door. Sighing,Bronwyn leaned against the jamb and picked up a lock of Lily's dark hair. "You,Lily,need to find a way to mature without losing your optimism,and Edythe,you set a standard so high and can be so critical of those who do not meet it." Edythe opened her mouth and then closed it as she joined Lily at the door. "And what about you?" she demanded. "And don't say you are alone because you lack beauty,for you could be quite pretty if you tried wearing something other than dreary colors and keeping your hair in a net all the time." "Unfair,because you know that I could do as you ask,change my clothes and hair,but it wouldn't matter.The kind of man I want doesn't want me," Bronwyn uttered matter-of-factly, making shooing motions to get them to leave.
Michele Sinclair (The Christmas Knight)
At the time of solitude, I went where Narmada was sleeping. She got awake and sat up. She neither got scared nor nervous but she immediately got off the bed. She kept both her hands tied on her chest. I was standing so close to her that my face was near her face. We could sense each other’s breath. I called out her name and could not speak anything else. After a moment, I started - “I love you Narmada…I like to be with you…I want to marry you.” She got nervous and said - “Please, go to your room, why have you come here? It may cause trouble if Jaanki sees us like this.” She was neck down. Her eyes were on the floor. Her heart was beating fast. “Don’t you want to talk to me? Why are you angry with me? Why don’t you trust on my feelings for you?” - I softly asked her. “I guess you don’t like my friendship with Varsha. You and Varsha are poles apart.” - I added. She said - “You please go. It would not be nice if someone sees us like this. I do not want anything from you.” I said - “But I am dying for you and I know you too are made for me.” Her eyes suddenly fell on maid behind the curtains of the door who was trying to listen to our conversation. Narmada said - “You please leave right now, we’ll talk later. Mom is not at home.” I went by on her prescriptive tone. She was fighting for her self-being and the reason was only Varsha. She felt suffocated with my friendship with Varsha. I was glad to hear her words - “WE’LL TALK LATER”. This meant, she gave her consent to my love. She understood my restlessness. -- Excerpts from Romantic Novel "Narmada
Laxman Rao
When I made the decision to come to D.C., I worried that by making that choice, I was closing all the other doors open to me at that moment. But it was sort of liberating to make a choice about something. Finally. And, if anything, this job has just opened more doors for me. Now I feel really confident that I will have several iterations of my career—or at least time for several iterations—and that I will be able to do other things in life. For a long time, it was such a relief to have this job—I felt like I could just live my life and not worry about direction—worries that immobilized me in the years after I graduated. Now I am at a point where I don’t want to continue in my current position—and I’m pissed! It’s hard to think all over again about what the next step is. But it’s easier now because I know from experience that I have to take action, that debating isn’t going to get me anywhere. Sometimes making choices feels like planning for my life in a way that seems boring. Sometimes making choices to pursue things that seem like good fits, or that match my interests, seems boring simply because it makes sense. I find myself wanting to go off in an unexpected direction—Arabic! Cambodia! I know this is a sort of crazy impulse. I know that the way to live a good life is to pursue things that are not only interesting to you but that make sense. Above all else in my life, I feared being ordinary. Now I guess you could say I had a revelation of the day-to-day. I finally got it there’s a reason everybody in the world lives this way—or at least starts out this way—because this is how it’s done.
Meg Jay (The Defining Decade: Why Your Twenties Matter--And How to Make the Most of Them Now)
Don’t do this,” he begged hoarsely against her temple, crumbling inside. Honor wasn’t the type to make empty threats or do something like this on a whim. No, she meant it and was prepared to go through with it. He had one last shot to change her mind, right now, before he lost her forever. So no, even he wasn’t above begging if that’s what it took to make her stay and work this out. “You said you still love me,” he whispered brokenly. He was holding onto that for all it was worth. It had to be enough. He squeezed her tighter. “I know you’re scared and I know you’re hurting but… Don’t do this. Don’t walk away. Please.” Don’t leave me. She’d never know how much it cost him to beg her this way, but he was so damn scared right now he didn’t care how pathetic it made him look. He’d do or say f-ing whatever it took to get her to listen to reason, make her change her mind. Anything except agreeing to live a lie and hide his true feelings for her from the rest of the world, no matter what the reason. A sob tore out of her. Honor stopped shoving at him. She wound her arms around his back and squeezed so hard he felt the muscles in her arms tremble. Liam closed his eyes and pressed his face against her hair, that painful bubble of hope surfacing again. He could feel her torment, her pain. If he could just calm her down long enough to get her to listen, really listen and then think this through… “Sweet pea, just listen to me,” he began softly. “No, I can’t.” Honor tore away from him and grabbed the doorknob. Before he could recover enough to reach out and stop her, she’d slammed the door shut behind her. Gone.
Kaylea Cross (Collateral Damage (Bagram Special Ops, #5))
Kant is sometimes considered to be an advocate of reason. Kant was in favor of science, it is argued. He emphasized the importance of rational consistency in ethics. He posited regulative principles of reason to guide our thinking, even our thinking about religion. And he resisted the ravings of Johann Hamann and the relativism of Johann Herder. Thus, the argument runs, Kant should be placed in the pantheon of Enlightenment greats. That is a mistake. The fundamental question of reason is its relationship to reality. Is reason capable of knowing reality - or is it not? Is our rational faculty a cognitive function, taking its material form reality, understanding the significance of that material, and using that understanding to guide our actions in reality - or is it not? This is the question that divides philosophers into pro- and anti-reason camps, this is the question that divides the rational gnostics and the skeptics, and this was Kant’s question in his Critique of Pure Reason. Kant was crystal clear about his answer. Reality - real, noumenal reality - is forever closed off to reason, and reason is limited to awareness and understanding of its own subjective products… Kant was the decisive break with the Enlightenment and the first major step toward postmodernism. Contrary to the Enlightenment account of reason, Kant held that the mind is not a response mechanism but a constitute mechanism. He held that the mind - and not reality - sets the terms for knowledge. And he held that reality conforms to reason, not vice versa. In the history of philosphy, Kant marks a fundamental shift from objectivity as the standard to subjectivity as the standard. What a minute, a defender of Kant may reply. Kant was hardly opposed to reason. After all, he favored rational consistency and he believed in universal principles. So what is anti-reason about it? The answer is that more fundamental to reason than consistency and universality is a connection to reality. Any thinker who concludes that in principle reason cannot know reality is not fundamentally an advocate of reason… Suppose a thinker argued the following: “I am an advocate of freedom for women. Options and the power to choose among them are crucial to our human dignity. And I am wholeheartedly an advocate of women’s human dignity. But we must understand that a scope of a women’s choice is confined to the kitchen. Beyond the kitchen’s door she must not attempt to exercise choice. Within the kitchen, however, she has a whole feast of choices[…]”. No one would mistake such a thinker for an advocate of women’s freedom. Anyone would point out that there is a whole world beyond the kitchen and that freedom is essentially about exercising choice about defining and creating one’s place in the world as a whole. The key point about Kant, to draw the analogy crudely, is that he prohibits knowledge of anything outside our skulls. The gives reasons lots to do withing the skull, and he does advocate a well-organized and tidy mind, but this hardly makes him a champion of reason… Kant did not take all of the steps down to postmodernism, but he did take the decisive one. Of the five major features of Enlightenment reason - objectivity, competence, autonomy, universality, and being an individual faculty - Kant rejected objectivity.
Stephen R.C. Hicks (Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault)
There is always, for some reason, an element of sadness mingled with my thoughts of human happiness, and, on this occasion, at the sight of a happy man I was overcome by an oppressive feeling that was close upon despair. It was particularly oppressive at night. A bed was made up for me in the room next to my brother’s bedroom, and I could hear that he was awake, and that he kept getting up and going to the plate of gooseberries and taking one. I reflected how many satisfied, happy people there really are! ‘What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there is not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes... Everything is quiet and peaceful, and nothing protests but mute statistics: so many people gone out of their minds, so many gallons of vodka drunk, so many children dead from malnutrition... And this order of things is evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible. It’s a case of general hypnotism. There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him—disease, poverty, losses, and no one will see or hear, just as now he neither sees nor hears others. But there is no man with a hammer; the happy man lives at his ease, and trivial daily cares faintly agitate him like the wind in the aspen-tree—and all goes well.
Anton Chekhov (Stories)
He had been right. Kestrel felt better the moment she opened her eyes. Her knee was sore and wrapped in a bandage, but the fevered swelling was gone, and a great deal of pain with it. Her father was standing, his back to her as he looked out the dark window. “You’d better release me from our bargain,” she said. “The military won’t take me now, not with a bad knee.” He turned and echoed her faint smile. “Don’t you wish that were so,” he said. “Painful though it is, this isn’t a serious wound. You’ll be on your feet soon, and walking normally before a month’s out. There’s no permanent damage. If you doubt me and think I’m blinded by my hope to see you become an officer, the doctor will tell you the same thing. She’s in the sitting room.” Kestrel looked at the closed door of her bedroom and wondered why the doctor wasn’t in the room with them now. “I want to ask you something,” her father said. “I’d prefer she didn’t hear.” Suddenly it seemed as if Kestrel’s heart, not her knee, was sore. That it had been cut into, and bled. “What kind of deal did you make with Irex?” her father asked. “What?” He gave her a level look. “The duel was going badly for you. Then Irex held back, and you two seemed to have quite an interesting conversation. When the fighting resumed, it was as if Irex was a different person. He shouldn’t have lost to you--not like that, anyway--unless you said something to make him.” She didn’t know how to respond. When her father had asked his question she was so horribly grateful he wasn’t probing into her reasons for the duel that she missed some of his words. “Kestrel, I just want to make sure that you haven’t given Irex some kind of power over you.” “No.” She sighed, disappointed that her father had seen through her victory. “If anything, he’s in my power.” “Ah. Good. Will you tell me how?” “I know a secret.” “Very good. No, don’t tell me what it is. I don’t want to know.” Kestrel looked at the fire. She let the flames hypnotize her eyes. “Do you think I care how you won?” her father said softly. “You won. Your methods don’t matter.” Kestrel thought about the Herran War. She thought about the suffering her father had brought to this country, and how his actions had led to her becoming a mistress, and Arin a slave. “Do you really believe that?” “Yes,” he said. “I do.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
This dance was the dance of death, and they danced it for George Buffins, that they might be as him. They danced it for the wretched of the earth, that they might witness their own wretchedness. They danced the dance of the outcasts for the outcasts who watched them, amid the louring trees, with a blizzard coming on. And, one by one, the outcast outlaws raised their heads to watch and all indeed broke out in laughter but it was a laughter without joy. It was the bitter laugh one gives when one sees there is no triumph over fate. When we saw those cheerless arabesques as of the damned, and heard that laughter of those trapped in the circles of hell, Liz and I held hands, for comfort. They danced the night into the clearing, and the outlaws welcomed it with cheers. They danced the perturbed spirit of their master, who came with a great wind and blew cold as death into the marrow of the bones. They danced the whirling apart of everything, the end of love, the end of hope; they danced tomorrows into yesterdays; they danced the exhaustion of the implacable present; they danced the deadly dance of the past perfect which fixes everything fast so it can’t move again; they danced the dance of Old Adam who destroys the world because we believe he lives forever. The outlaws entered into the spirit of the thing with a will. With ‘huzzahs’ and ‘bravos’, all sprang up and flung themselves into the wild gavotte, firing off their guns. The snow hurled wet, white sheets in our faces, and the wind took up the ghastly music of the old clowns and amplified it fit to drive you crazy. Then the snow blinded us and Samson picked us up one by one and slung us back in that shed and leaned up hard against the door, forcing it closed against the tempest with his mighty shoulders. Though bullets crashed into the walls and the wind came whistling through the knotholes and picked up burning embers from the fire, hurling them about until we thought we might burn to death in the middle of the snow and ice, the shed held firm. It rocked this way and that way and it seemed at any moment the roof might be snatched away, but this little group of us who, however incoherently, placed our faiths in reason, were not exposed to the worst of the storm. The Escapee, however, faced with this insurrection of militant pessimism, turned pale and wan and murmured to himself comforting phrases of Kropotkin, etc., as others might, in such straits, recite the rosary. When the storm passed, as pass it did, at last, the freshly fallen snow made all as new and put the camp fire out. Here, there was a shred of scarlet satin and, there, Grik’s little violin with the strings broken but, of the tents, shacks, muskets and cuirasses of the outlaws, the clowns and the clowns themselves, not one sight, as if all together had been blown off the face of the earth.
Angela Carter (Nights at the Circus (Oberon Modern Plays))
For some reason, Jase thought it would be really funny to lock me out of the house, and I was furious. I kept banging on the door, but Jase had turned the music up loud so he wouldn’t hear me. He kicked his feet up on a table and kept yelling, “I can’t hear you. I can’t hear you.” I went to Granny’s house and told Kay what Jase had done. Kay went marching back to our house and was hotter than a catfish fry in July. She started banging on the door, but Jase thought it was still me and just kept blaring the music and enjoying having the house to himself. Kay got so angry that she banged on the glass pane and her fist went right through the window, cutting up her hand pretty badly. This caught Jase’s attention. When he saw her hand, he knew he was in big trouble. “When your dad gets home, he’s going to whip y’all’s butts,” Kay told us. I hadn’t even done anything, but Phil didn’t usually conduct and investigation to find out who was at fault. He just whipped whoever was in the vicinity of the crime. Jase and I ran back to our room and padded up with anything we could find-socks, underwear, and pillowcases. We sat on our bed with our butts padded, waiting for Phil to get home, certain we were in big trouble. Phil came into our house and saw the bandage on Kay’s hand. “What in the world did you do?” Phil asked her. “Look at what these boys did,” Kay told him. “Jase locked Willie out of the house, and I was banging on the door for him to let us in. My hand went right through the window.” “Kay, that’s the dumbest thing I’ve ever heard. Why would you bang on a glass window?” Phil said. Phil walked right by her and took a shower. Jase and I were standing there with padded behind, our mouths wide open with relief. Phil was always in charge of disciplining us, but sometimes Kay tried to take matters into her own hands. Unfortunately for Kay, she was really an uncoordinated disciplinarian. One day when Phil was out fishing, Kay announced that she was going to whip us. She grabbed a belt that had a buckle on one end and told us to line up for a whipping. Now, Kay never liked whipping us and always closed her eyes when she swung because she didn’t want to watch. This time, she reared back and swung and missed, and the buckle flew back and hit her right in the forehead. Jase and I just looked at her, started laughing, and took off running into the backyard. I really don’t know how she survived raising us four boys. Korie: Poor Kay! All that testosterone in one house! Maybe that’s why she is so great to us daughters-in-law. She is thankful we took them off her hands. She has definitely enjoyed all of her granddaughters. She has set up a cute little library and a place for tea parties. They have coloring contests and dress-up parties. She didn’t get to do any of that with her four boys so our daughters have gotten the full “girly” grandma treatment.
Willie Robertson (The Duck Commander Family)
Get dressed. We’re going hunting,” he says randomly. In my half-woke state, I feel like I’ve missed something crucial, because I don’t understand how those words are supposed to make sense. “I’m sorry, but what?” I ask, sipping the coffee like the lack of caffeine is the reason I heard him wrong. “We’re going hunting. Emit has some rogue, unregistered wolves who’ve just done something heinous and stupid, and we’re taking you with us, apparently.” “I don’t want to hunt wolves,” I point out, taking a step back, since he’s acting very un-Vance-like. “I don’t want you to hunt wolves, but apparently you’re going with us, or you’re going with him,” he says bitterly, glancing over his shoulder to where there’s a large SUV. Emit’s behind the wheel, smirking like he’s proud of all this. “Yeah, no. Thanks for the offer,” I say as I shut the door…and lock it. I sip my coffee again, as Lemon drinks hers in the kitchen. Her phone rings, and she stands and answers it, while I go to the fridge in search of something to eat. I hear the door unlocking, and look over my shoulder, as Lemon gives me a very unapologetic grin. “Sorry,” she says, confusing me. “But he’s still my alpha.” Emit walks in, filling up my doorway, before he grins over at me in a way that’s sort of…scary. “It’s not really optional,” he says before he stalks to me so fast I don’t have time to react, and I’m unceremoniously slung over his shoulder. My breath comes out in a surprised rush, and I bounce against him as my mind comes to terms with why the world has tipped upside down. Ingrid comes down the stairs with a small bag, giving me a shitty excuse for a contrite smile. “I’ll remember this,” I tell the traitorous omegas dryly, as they give me a little wave and send me on my way like this is a planned vacation. I don’t really put up a fight. I’ve never seen Emit actually determined to do anything, but clearly I’m outnumbered and out wolfed on this one... I allow a small smile as I’m dropped to my feet, and then wipe the smile away because I’m supposed to be annoyed... I climb in as my backpack and small duffel finish flopping to a stop, and close my robe a little more before digging for my boots. “We’ve got everything here under control! Don’t worry about deliveries or the store,” Leiza calls very excitedly, bouncing on her feet. “This is a hunting trip to kill things, right?” I ask Vance directly, though my eyes are on the very happy omegas, who are animatedly waving from the porch now. “Yes,” he states in a tone that assures me he’s not one bit happy I’m here. “Why are they treating it like I’m going on spring break?” I ask, genuinely concerned about their level of enthusiasm. I thought they were a little saner than this. Emit snorts, but clears his expression quickly. “Do I want to know what spring break is a euphemism for?” Vance asks Emit. “You’re really that old?” I groan. “Do you know how long a century is?” Vance asks me dryly. “I averaged a C on vocab tests, so yeah,” I retort, matching his condescension. Emit releases a rumble of laughter, as his body shakes with the force. Then he pulls out and begins to drive us off on our hunt. I’m so not adjusting this fast, but it seems I have no choice in the matter. It’s like a snowball rolling downhill, gaining size and momentum. Either I’ll boulder through anything when I reach the bottom, or I’ll simply go splat into a mountainside. “Do you know how quickly the vernacular shifts and accents devolve, evolve, or simply cease to exist?” Vance asks me. Now I feel a little talked down to. “No.” “I swear he used to be fun,” Emit tells me, smiling at me through the rearview
Kristy Cunning (Gypsy Origins (All The Pretty Monsters #3))