Doomed Couple Quotes

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To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed. And more than once, I have turned in the school hallway and caught his eyes trained on me, only to quickly flit away. I feel like I owe him something, and I hate owing people. Maybe if I had thanked him at some point, I'd be feeling less conflicted now. I thought about it a couple of times, but the opportunity never seemed to present itself. And now it never will. Because we're going to be thrown into an arena to fight to the death. Exactly how am I supposed to work in a thank-you in there? Somehow it just won't seem sincere if I'm trying to slit his throat.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Since that night a couple of weeks ago when Valerie had stayed with him, they had barely separated. The stories of Rabbit’s Revenge droned on and on talking of the impending doom of the planet and the international scientific community’s various attempts to determine a course of action to prevent it. For Jeremy, however, each passing day left him feeling more and more certain he was missing something. It was just a nagging little sensation that lingered like an itch on the back of his neck. With Valerie now firmly implanted in his life, it was a wonder he even thought about it at all, but during his quiet moments and when he awoke in the mornings or even during his more intense workouts, the sensation crept back up on him. It seemed to center around the experience of having his life pass before his eyes, but beyond that it was just nebulous. And annoying.
Jody Summers (The Mayan Legacy)
Doomed planet. Desperate scientists. Last hope. Kindly couple.
Grant Morrison (All-Star Superman, Vol. 1)
Couples stray,” said Edgar. “Part of the breaking-in process.” “Not breaking in, breaking.” Nicola differed sharply. “You can glue people together again. But then your relationship’s like any other repaired object, with cracks, blobs of epoxy, a little askew. It’s never the same. I can see you haven’t a notion what I’m on about, so you’ll have to take my word for it.” “Christ, you’re a babe in the woods.” Edgar stopped slicing tomatoes. “You got it ass-backward. A marriage perched like porcelain on the mantelpiece is doomed. Sooner or later grown-ups treat each other like shit. You gotta be able to kick the thing around, less like china than an old shoe—bam, under the bed, or walk it through some puddles. No love’s gonna last it if can’t take abuse.
Lionel Shriver (The New Republic)
The worst part is, you know they're not going to be together forever. I mean, come on, she's fifteen. Okay, sixteen. Still. It's not like they're going to get married or anything. Even if they last a couple of years which they won't she'll go to one college and he'll go to another, and pretty soon they'll forget all about each other. That's what always happens. That's why teenage dating is so dumb, because it's doomed to fail. You'd think people would have learned that by now, but I guess they haven't. They go right on falling in love and thinking it's going to survive high school. Allie and Burke, true love always. Whatever. Anyway, happy birthday, Allie. I hope it was a good one.
Michael Thomas Ford (Suicide Notes)
they argue that belief in a transcendent being conveys a genetic advantage: that couples who follow one of the three religions of the Book and maintain patriarchal values have more children than atheists or agnostics. You see less education among women, less hedonism and individualism. And to a large degree, this belief in transcendence can be passed on genetically. Conversions, or cases where people grow up to reject family values, are statistically insignificant. In the vast majority of cases, people stick with whatever metaphysical system they grow up in. That’s why atheist humanism—the basis of any ‘pluralist society’—is doomed.
Michel Houellebecq (Submission)
His gaze widened, then taking in the entirety of the camp. All these people: they were trapped. And not merely by the wires that surrounded them. Physical barricades were nothing compared to the wires of the mind. What had truly imprisoned them was one another. Husbands and wives, parents and children, friends and companions: what they believed had given them strength in their lives had actually done the opposite. Guilder recalled the couple who lived across the street from his townhouse, trading off their sleeping daughter on the way to the car. How heavy that burden must have felt in their arms. And when the end swept down upon them all, they would exit the world on a wave of suffering, their agonies magnified a million times over by the loss of her. Would they have to watch her die? Would they perish first, knowing what would become of her in their absence? Which was preferable? But the answer was neither. Love had sealed their doom. Which was what love did.
Justin Cronin (The Twelve (The Passage, #2))
We are a sad couple in a sad world. Sad and doomed.
C.D. Reiss (Take Me (Manhattan Mafia, #1))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
When I got to his seat, I stood in back of his chair and waited. It took a couple of minutes before his head jerked up. He sniffed the air, then slowly turned. “Boo,” I said. He reacted as all mutts react when I confront them. He leapt from his chair and dove for the nearest exit, shaking in terror. In my dreams. He glanced at me and started looking for Clay. It never failed. Mutts only quaked when I appeared because it usually meant Clayton wasn’t far behind. I was nothing but a harbinger of doom.
Kelley Armstrong (Bitten (Otherworld, #1))
How much could the person you love change, and still remain the same person to whom you'd made your promise? We don't expect our lovers to remain the same over the course of a long relationship. In fact, if you're married at sixty-five to the same person you married when you were twenty, your marriage has probably failed. But there are changes, over time, that spell doom for a marriage, although exactly what these are, and to what degree, varies from couple to couple. For some people, vast changes over time make no difference to the fundamental sense of devotion one soul has for another. But for others, relatively small changes can push things to the breaking point: gaining or losing weight, gaining or losing faith, gaining or losing wealth. How does any relationship survive in the end, when change is the only constant?
Jennifer Finney Boylan (Long Black Veil)
On a phone call with a longtime friend a couple of days after the election, Hillary was much less accepting of her defeat. She put a fine point on the factors she believed cost her the presidency: the FBI (Comey), the KGB (the old name for Russia’s intelligence service), and the KKK (the support Trump got from white nationalists).
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
Though one of the greatest love stories in world literature, Anna Karenin is of course not just a novel of adventure. Being deeply concerned with moral matters, Tolstoy was eternally preoccupied with issues of importance to all mankind at all times. Now, there is a moral issue in Anna Karenin, though not the one that a casual reader might read into it. This moral is certainly not that having committed adultery, Anna had to pay for it (which in a certain vague sense can be said to be the moral at the bottom of the barrel in Madame Bovary). Certainly not this, and for obvious reasons: had Anna remained with Karenin and skillfully concealed from the world her affair, she would not have paid for it first with her happiness and then with her life. Anna was not punished for her sin (she might have got away with that) nor for violating the conventions of a society, very temporal as all conventions are and having nothing to do with the eternal demands of morality. What was then the moral "message" Tolstoy has conveyed in his novel? We can understand it better if we look at the rest of the book and draw a comparison between the Lyovin-Kitty story and the Vronski-Anna story. Lyovin's marriage is based on a metaphysical, not only physical, concept of love, on willingness for self-sacrifice, on mutual respect. The Anna-Vronski alliance was founded only in carnal love and therein lay its doom. It might seem, at first blush, that Anna was punished by society for falling in love with a man who was not her husband. Now such a "moral" would be of course completely "immoral," and completely inartistic, incidentally, since other ladies of fashion, in that same society, were having as many love-affairs as they liked but having them in secrecy, under a dark veil. (Remember Emma's blue veil on her ride with Rodolphe and her dark veil in her rendezvous at Rouen with Léon.) But frank unfortunate Anna does not wear this veil of deceit. The decrees of society are temporary ones ; what Tolstoy is interested in are the eternal demands of morality. And now comes the real moral point that he makes: Love cannot be exclusively carnal because then it is egotistic, and being egotistic it destroys instead of creating. It is thus sinful. And in order to make his point as artistically clear as possible, Tolstoy in a flow of extraordinary imagery depicts and places side by side, in vivid contrast, two loves: the carnal love of the Vronski-Anna couple (struggling amid their richly sensual but fateful and spiritually sterile emotions) and on the other hand the authentic, Christian love, as Tolstoy termed it, of the Lyovin-Kitty couple with the riches of sensual nature still there but balanced and harmonious in the pure atmosphere of responsibility, tenderness, truth, and family joys.
Vladimir Nabokov (Lectures on Russian Literature)
within twenty-four hours of her concession speech. Mook and Podesta assembled her communications team at the Brooklyn headquarters to engineer the case that the election wasn’t entirely on the up-and-up. For a couple of hours, with Shake Shack containers littering the room, they went over the script they would pitch to the press and the public. Already, Russian hacking was the centerpiece of the argument.
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
Over the course of a couple of hours, they hammered out remarks aimed at comforting Americans who feared a Trump presidency. They went heavy on themes of constitutional protections and mentioned Muslim Americans and women and others who might feel targeted by the new president. The thrust, one Hillary adviser said, was “We stand with them and we see them, and the fact that we lost this election doesn’t mean that we’re going to stop fighting for them.
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
But to sell Flush was unthinkable. He was of the rare order of objects that cannot be associated with money. Was he not of the still rarer kind that, because they typify what is spiritual, what is beyond price, become a fitting token of the disinterestedness of friendship; may be offered in that spirit to a friend, if one is so lucky enough as to have one, who is more like a daughter than a friend; to a friend who lies secluded all through the summer months in a back bedroom in Wimpole Street, to a friend who is no other than England’s foremost poetess, the brilliant, the doomed, the adored Elizabeth Barrett herself? Such were the thoughts that came more and more frequently to Miss Mitford as she watched Flush rolling and scampering in the sunshine; as she sat by the couch of Miss Barrett in her dark, ivy-shaded London bedroom. Yes; Flush was worthy of Miss Barrett; Miss Barrett was worthy of Flush. The sacrifice was a great one; but the sacrifice must be made. Thus, one day, probably in the early summer of the year 1842, a remarkable couple might have been seen taking their way down Wimpole Street—a very short, stout, shabby, elderly lady, with a bright red face and bright white hair, who led by the chain a very spirited, very inquisitive, very well-bred golden cocker spaniel puppy. They walked almost the whole length of the street until at last they paused at No. 50. Not without trepidation, Miss Mitford the bell.
Virginia Woolf (Flush)
The Brits call this sort of thing Functional Neurological Symptoms, or FNS, the psychiatrists call it conversion disorder, and almost everyone else just calls it hysteria. There are three generally acknowledged, albeit uncodified, strategies for dealing with it. The Irish strategy is the most emphatic, and is epitomized by Matt O’Keefe, with whom I rounded a few years back on a stint in Ireland. “What are you going to do?” I asked him about a young woman with pseudoseizures. “What am I going to do?” he said. “I’ll tell you what I’m goin’ to do. I’m going to get her, and her family, and her husband, and the children, and even the feckin’ dog in a room, and tell ’em that they’re wasting my feckin’ time. I want ’em all to hear it so that there is enough feckin’ shame and guilt there that it’ll keep her the feck away from me. It might not cure her, but so what? As long as I get rid of them.” This approach has its adherents even on these shores. It is an approach that Elliott aspires to, as he often tells me, but can never quite marshal the umbrage, the nerve, or a sufficiently convincing accent, to pull off. The English strategy is less caustic, and can best be summarized by a popular slogan of World War II vintage currently enjoying a revival: “Keep Calm and Carry On.” It is dry, not overly explanatory, not psychological, and does not blame the patient: “Yes, you have something,” it says. “This is what it is [insert technical term here], but we will not be expending our time or a psychiatrist’s time on it. You will have to deal with it.” Predictably, the American strategy holds no one accountable, involves a brain-centered euphemistic explanation coupled with some touchy-feely stuff, and ends with a recommendation for a therapeutic program that, very often, the patient will ignore. In its abdication of responsibility, motivated by the fear of a lawsuit, it closely mirrors the beginning of the end of a doomed relationship: “It’s not you, it’s … no wait, it’s not me, either. It just is what it is.” Not surprisingly, estimates of recurrence of symptoms range from a half to two-thirds of all cases, making this one of the most common conditions that a neurologist will face, again and again.
Allan H. Ropper
The word “wisdom” comes from the Old English words wis (knowledge, learning) and doom (judgment). Perhaps ill people do, in a sense, become wise through encountering doom, and as a result they become new versions of themselves, having made it through some of the hazards of the course, experiencing what the poet John Ashbery calls “the charity of the hard moments.” Those encounters perhaps allow us to see ourselves—and our mortal condition—more clearly. But it would be false not to observe that this knowledge is born of loss, of resignation to a condition that forces us to give up on aspects of ourselves we had hoped we might develop. Wisdom, in this understanding, is knowledge coupled with the wound that comes from encountering doom.
Meghan O'Rourke (The Invisible Kingdom: Reimagining Chronic Illness)
At a talk I gave at a church months later, I spoke about Charlie and the plight of incarcerated children. Afterward, an older married couple approached me and insisted that they had to help Charlie. I tried to dissuade these kind people from thinking they could do anything, but I gave them my card and told them they could call me. I didn't expect to hear from them, but within days they called, and they were persistent. We eventually agreed that they would write a letter to Charlie and send it to me to pass on to him. When I received the letter weeks later, I read it. It was remarkable. Mr. and Mrs. Jennings were a white couple in their mid-seventies from a small community northeast of Birmingham. They were kind and generous people who were active in their local United Methodist church. They never missed a Sunday service and were especially drawn to children in crisis. They spoke softly and always seemed to be smiling but never appeared to be anything less than completely genuine and compassionate. They were affectionate with each other in a way that was endearing, frequently holding hands and leaning into each other. They dressed like farmers and owned ten acres of land, where they grew vegetables and lived simply. Their one and only grandchild, whom they had helped raise, had committed suicide when he was a teenager, and they had never stopped grieving for him. Their grandson struggled with mental health problems during his short life, but he was a smart kid and they had been putting money away to send him to college. They explained in their letter that they wanted to use the money they'd saved for their grandson to help Charlie. Eventually, Charlie and this couple began corresponding with one another, building up to the day when the Jenningses met Charlie at the juvenile detention facility. They later told me that they "loved him instantly." Charlie's grandmother had died a few months after she first called me, and his mother was still struggling after the tragedy of the shooting and Charlie's incarceration. Charlie had been apprehensive about meeting with the Jenningses because he thought they wouldn't like him, but he told me after they left how much they seemed to care about him and how comforting that was. The Jenningses became his family. At one point early on, I tried to caution them against expecting too much from Charlie after his release. 'You know, he's been through a lot. I'm not sure he can just carry on as if nothing has ever happened. I want you to understand he may not be able to do everything you'd like him to do.' They never accepted my warnings. Mrs. Jennings was rarely disagreeable or argumentative, but I had learned that she would grunt when someone said something she didn't completely accept. She told me, 'We've all been through a lot, Bryan, all of us. I know that some have been through more than others. But if we don't expect more from each other, hope better for one another, and recover from the hurt we experience, we are surely doomed.' The Jenningses helped Charlie get his general equivalency degree in detention and insisted on financing his college education. They were there, along with his mother, to take him home when he was released.
Bryan Stevenson (Just Mercy)
Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.” Crake wasn’t the first person who’d ever said that to Jimmy.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.” Crake wasn’t the first person who’d ever said that to Jimmy.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
Laird Barron (The Beautiful Thing That Awaits Us All)
The reality is that men are hurting and that the whole culture responds to them by saying, “Please do not tell us what you feel.” I have always been a fan of the Sylvia cartoon where two women sit, one looking into a crystal ball as the other woman says, “He never talks about his feelings.” And the woman who can see the future says, “At two P.M. all over the world men will begin to talk about their feelings—and women all over the world will be sorry.” If we cannot heal what we cannot feel, by supporting patriarchal culture that socializes men to deny feelings, we doom them to live in states of emotional numbness. We construct a culture where male pain can have no voice, where male hurt cannot be named or healed. It is not just men who do not take their pain seriously. Most women do not want to deal with male pain if it interferes with the satisfaction of female desire. When feminist movement led to men’s liberation, including male exploration of “feelings,” some women mocked male emotional expression with the same disgust and contempt as sexist men. Despite all the expressed feminist longing for men of feeling, when men worked to get in touch with feelings, no one really wanted to reward them. In feminist circles men who wanted to change were often labeled narcissistic or needy. Individual men who expressed feelings were often seen as attention seekers, patriarchal manipulators trying to steal the stage with their drama. When I was in my twenties, I would go to couples therapy, and my partner of more than ten years would explain how I asked him to talk about his feelings and when he did, I would freak out. He was right. It was hard for me to face that I did not want to hear about his feelings when they were painful or negative, that I did not want my image of the strong man truly challenged by learning of his weaknesses and vulnerabilities. Here I was, an enlightened feminist woman who did not want to hear my man speak his pain because it revealed his emotional vulnerability. It stands to reason, then, that the masses of women committed to the sexist principle that men who express their feelings are weak really do not want to hear men speak, especially if what they say is that they hurt, that they feel unloved. Many women cannot hear male pain about love because it sounds like an indictment of female failure. Since sexist norms have taught us that loving is our task whether in our role as mothers or lovers or friends, if men say they are not loved, then we are at fault; we are to blame.
bell hooks (The Will to Change: Men, Masculinity, and Love)
As she'd gotten stronger, and her new hair grew in, she'd started ranging farther from the room on top of the tower. Not into either city, at first, though she'd walked over to Oakland a couple of times, over the cantilever, and looked out at it. Things felt different over there, though she was never sure why. But where she felt best was on the suspension bridge, all wrapped in it, all the people hanging and hustling and doing what they did, and the way the whole thing grew a little, changed a little, every day. There wasn't anything like that, not that she knew of, not up in Oregon. At first she didn't even know that it made her feel good; it was just this weird thing, maybe the fever had left her a little crazy, but one day she'd decided she was just happy, a little happy, and she'd have to get used to it. But it turned out you could be sort of happy and restless at the same time, so she started keeping back a little of Skinner's junk-money to use to explore the city. And that was plenty to do, for a while. She found Haight Street and walked it all the way to the wall around Skywalker, with the Temple of Doom and everything sticking up in there, but she didn't try to go in. There was this long skinny park that led up to it, called the Panhandle, and that was still public. Way too public, she thought, with people, mostly old or anyway looking that way, stretched out side by side, wrapped in silvery plastic to keep the rays off, this crinkly stuff that glittered like those Elvis suits in a video they'd showed them sometimes, up in Beaverton. It kind of made her think of maggots, like if somebody rolled each one up in its own little piece of foil. They had a way of moving like that, just a little bit, and it creeped her out. The Haight sort of creeped her out, too, even though there were stretches that felt almost like you were on the bridge, nobody normal in sight and people doing things right out in public, like the cops were never going to come at all. But she wasn't ever scared, on the bridge, maybe because there were always people around she knew, people who lived there and knew Skinner. But she liked looking around the Haight because there were a lot of little shops, a lot of places that sold cheap food. She knew this bagel place where you could buy them a day old, and Skinner said they were better that way anyway. He said fresh bagels were the next thing to poison, like they'd plug you up or something. He had a lot of ideas like that. Most of the shops, she could actually go into, if she was quiet and smiled a little and kept her hands in her pockets.
William Gibson (Virtual Light (Bridge, #1))
As pschologists will point out, what dooms couples isn't that they argue; it's that they don't know how to make up.
The School of Life (How Ready Are You For Love?: A path to more fulfilling and joyful relationships (School of Life))
You're clinging to a way of life that is doomed. Go and look at the modern City. How can anyone look at it and believe in love? Or morality? Or the Eternal Ideas? Or the Inalienable Rights? How can anyone believe in the real existence of Raintree County, which you, dear boy and endlessly courageous dreamer, have taken as your image of the enduring values of human life? Yes, go and look at the City, and then look at your little Raintree County, child. Shed a nostalgic tear for it, because the City's going to eat it up. The God of the City is going to kill the ancient God of Raintree County, who has nothing but a couple of stone tablets and a golden rule for weapons.
Ross Lockridge Jr. (Raintree County)
In all the days that followed, I sometimes felt like I was dreaming. All my life, I had known I would marry the Gentle Lord, and all my life, I had expected it to be a horror and a doom. I had never thought that I would know love at all, much less in his arms. Now that every hour was a delight, I couldn't quite believe it was real. We still looked for an answer. We still hunted through the library and prowled the corridors. But it seemed less like a quest and more like a game. And we played in that house. We chased each other through the rose garden, hiding and seeking in turns; we built castles in a room full of sand; I made him sit in the kitchen while I tried to cook for him and set the pans on fire. And I was his delight and he was mine. I had read love poems when studying the ancient tongues, though I had never sought them out like Astraia; I had learnt the rhythm of the words and phrases, but I had always thought them empty decorations. They said that love was terrifying and tender, wild and sweet, and none of it made any sense. But now I knew that every mad word was true. For Ignifex was still himself, still mocking and wild and inhuman, terrible as a legion arrayed for war; but in my arms he became gentle, and his kisses were sweeter than wine.
Rosamund Hodge (Cruel Beauty)
I could feel enormous delight and amusement, joyous hilarity, flowing back and forth between my own heart and the limitless compassion that held me. We were best friends sharing a joke: “Oh, my God, can you believe I thought all that crap was real?” “Yeah, you were totally buying it for a couple of decades there.” Gales of laughter, from both of us. “Remember how I was always thinking, ‘Oh, no, there’s pain everywhere and we’re all gonna die, we’re as doomed as doomed can be . . .’ ” More laughter, bubbling over, filling the universe. “Kid, you were freaking out!” “God, I know!
Martha N. Beck (Leaving the Saints: How I Lost the Mormons and Found My Faith)
Mencheres leaned forward, catching the laughing young man’s attention. His eyes flashed green before he spoke. “Lean back with her into the corner. Say nothing. You feel no fear.” That familiar complacent look settled over the young man’s face as he draped an arm around Kira and leaned them into the side of the carriage. She almost gasped. With half his body pressed to hers, his pulse seemed to drown out all the other noises around them, focusing her attention on that delicious, steady rhythm. “The hand is safest until you have more experience. Then advance to the wrist, then the neck—but never bite the jugular unless you mean to kill,” Mencheres instructed in a calm voice. The ride entered a faux ballroom filled with images of dozens of dancing ghosts dressed in eighteenth-century attire. Kira looked at them instead of the young man’s face as she slowly drew his hand to her mouth, reminding herself to exert no more pressure than she had when handling those eggs. If anyone could see them, all they’d notice was a couple huddled in the corner of the Doom Buggy, the man’s hand over a woman’s mouth as if urging her to silence. Her glasses hid her glowing eyes, and the young man’s hand blocked her fangs from anyone’s view when they popped out as that throbbing pulse beneath his thumb neared her mouth. She closed her eyes, chanting “gently, gently” to herself as she pressed her fangs into the vein jumping against her lips.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
The storm turned out to be much worse even than our captain had imagined. Winds that must have been near hurricane force whipped the seas into a frenzy. The couple busied themselves with trying to handle the boat and keep it afloat, and I’m glad they did. But that left Sandy and me to fend for ourselves. Of the two of us, Sandy is the bigger sissy (he’s always more afraid he’s going to break a nail than I am). He had no idea what to do. Soon it became clear to both of us what to do: hold on for dear life! Waves began washing over the rear deck, and I started to get really scared. It takes a lot for me to take my shoes off, but this is one time I decided I could forgo the five-inch heels. I took them off, and it wasn’t long before “my little slings,” as I always called them, got slung. They went overboard with a wave, and all I could do was watch them go. The next wave almost got me. A wall of water came crashing over the boat, slapping it around like a toy. I slid across the deck, completely out of control. I felt a rush of cold water surround me as the sea swept me in. I managed to grab a railing and stay with the boat, but my whole body was dangling overboard. I could think of nothing but the shark stories the captain had told us earlier. Just as I began to lose my grip, I became aware of Sandy making his way across the pitching deck, reaching his hand out for me He somehow got a hold of me and dragged me back onto the boat and into the little cabin. It felt good to be out of the water, but by all appearances, the sharks’ dinner had only been delayed. There seemed to be no way our little boat could ride out this storm. You never know how you’re going to respond to a situation like that until you’re actually in it. The way Sandy and I chose to deal with it is still a source of wonder to me. We held a brief high-level discussion and unanimously decided that we were doomed. Sandy’s gutsy “They can kill us, but they won’t eat us” didn’t apply to sharks. Then we simply and calmly lay down on the little bunk, held hands, and waited to die. I thought to myself, “If this don’t beat all.” Here I am, a country girl from East Tennessee, about to die somewhere off the coast of Australia, side by side with a gay man from New York.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
Bickering based on in-laws’ actions and behaviour were not uncommon between husbands and wives. Arguments of such nature usually erected a temporary wall between couples that mended with the passage of time. However, such wrangling left Neha with a sense of impending doom.
Neetha Joseph (Pneuma)
Too often have I seen human parents who were too young, too unstable, or otherwise unfit or unready for children produce child after doomed, mistreated child. I will have none of this for these, my gryphons. By watching them, and then training others what to watch for, I can discover which pairings are loving and stable, which would-be parents have the patience and understanding to be parents. And in this way, perhaps my creations will have a happier start in life than most of the humans around them. While I may not be an expert in such things, I have at least learned how to observe the actions of others, and experience may give me an edge in judging which couples are ready for little ones.- Those who desire children must not bring them into our dangerous world out of a wish for a replica of themselves, a creature to mold and control, a way to achieve what they could not, or the need for something that will offer unconditional love. For that, they must look elsewhere and most likely into themselves.
Mercedes Lackey (The Black Gryphon (Valdemar: Mage Wars, #1))
It’s called “the five to one rule.” In bad relationships, in fact in reliably doomed relationships, there are always two or more insults for every six interactions the couples have.
Lauren Slater (Playing House: Notes of a Reluctant Mother)
The inexorable search for a stanza of meaning hangs like a thundercloud over the troposphere of humankind’s prosaic existence. A dithering sense of loss engulfs us. Humankind’s unattainable desire to achieve a slice of perfection generates a suspenseful haze of doom. A lingering stab of incompleteness coupled with the tantalizing riddles of fate are inalterably interlinked and imbued in all thinking people’s tormented soul. This cross coalescence of unattainable longing melds with the mystic tinged edges of uncertainty, spawned by the unanswerable questions posed by fate, fomenting a dialectical dissonance that distinguishes and ultimately exemplifies the arc of humankind’s plaintive subsistence.
Kilroy J. Oldster (Dead Toad Scrolls)
At present, the ottoman was occupied by a pair of cats who eyed Alex with blasé effeteness. He stuck his hands in his pockets and eyed them back. "Romeo and Juliet," she told him. "They used to be lovers, but since that visit to the vet they're just friends." "Are they friendly?" he asked, stretching out a hand at Romeo's funny pushed-in face. "They're cats," she said, grinning as Romeo turned up his nose at the outstretched hand. Juliet wasn't interested, either. They poured themselves off the furniture, then minced away. "I think they've been talking to your friends at the restaurant," Alex said. "They don't talk to anyone." She saw him glance at the terrarium on the windowsill. "The turtles are Tristan and Isolde, and their offspring are Heloise and Abelard." "So where are Cleopatra and Mark Antony?" he asked. "In a tomb in Egypt, I imagine. But you can look in the fish tank and see Bonnie and Clyde, Napoleon and Josephine, and Jane and Guildford." He bent and peered into the lighted tank. "Fun couples. Is it a coincidence that they all ended tragically?" "Not a coincidence, just poor judgment." "Isn't it bad karma, naming your pets after doomed lovers?" "I don't think they care.
Susan Wiggs (Summer by the Sea)
The loss of faith in marriage explains why my generation may be so zealous about making sure their marriages are so equal: A modern couple's desire to keep their arrangement strictly balanced, at all levels, is actually a way of protecting each partner's self-interest in the event that the marriage dissolves. The compromises a couple is willing to make for each other, the responsibilities the partners are willing to shoulder for their family, are bearable only if they can be assured that their marriage is going to last and that the society around them considers an enduring marriage important - indeed, worthwhile and admirable. A man stays in a marriage not simply because he loves his wife and children, but because he could not respect himself - or expect others to respect him - if he casually up and left, or had an affair, or brought harm to those who so deeply loved and trusted him. Likewise for a woman. She stays in a marriage and takes risks like leaving her job when the babies are born not because she finds changing diapers so intrinsically interesting or doing the laundry so fulfilling but because she feels it is right for her family. If a couple is uncertain that their marriage will last - or even that it's important for it to last - and each partner does not respect the sacrifices the other is making, then it will be difficult for them to make any compromises at all. They will cling to their individuality out of self-protection, constantly thinking about their own long-term self-interest, unable to think or act in terms of what is good for the family as a whole. A couple who enters marriage with this attitude is doomed, no matter what hopeful sentiments they may express for each other at the altar.
Danielle Crittenden
To be honest, I had to kind of sit a couple of weeks to figure out why I wanted to do this. I know it sounds pretentious, but MF DOOM was one of my muses. On December 31, I was sitting in this room and looking at my phone, working too late, and I saw that he died. I had just gotten the phone, and I threw it on the ground. I took it really personally, which is super surprising because I just don't get into celebrity culture. But I had to say something about it because I felt like I hadn't expressed enough what MF DOOM meant to me. It made sense to do it as a comic book, because he does the whole supervillain schtick. He pulled from Marvel Comics, Saturday morning cartoons, and all that stuff. It seemed like a no-brainer.
Troy-Jeffrey Allen (MF DOOM: All Caps)
Berlekamp also argued that buying and selling infrequently magnifies the consequences of each move. Mess up a couple times, and your portfolio could be doomed. Make a lot of trades, however, and each individual move is less important, reducing a portfolio’s overall risk.
Gregory Zuckerman (The Man Who Solved the Market: How Jim Simons Launched the Quant Revolution)
But marriage itself, not to mention the romantic ideology that surrounds it, so easily tends to produce misunderstanding about who’s responsible for whose emotions. It’s almost as if the ideal of passionate fusion that we welcomed so blissfully at the outset returns, like a swamp monster, in the form of chronic confusion about who’s doing what to whom. As time goes on, if people don’t step up to the challenge of communicating in an emotionally healthy way, they fall into the trap of thinking that individual and couple needs are doomed to conflict. They now imagine there’s no way around the unshakable reality of competing agendas. In both cases, people overlook that their way of handling their own emotions powerfully influences the very ways they conceive of, and participate in, marriage. Throughout these pages, we will be looking closely at the individual—not only because it receives short shrift in writings on couples, but because, paradoxically, individual development represents one of the most potent paths to
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
but I’m going to need a team: an artist, a couple programmers, and a manager, because I don’t want to sit there interfacing with management all day; I want to program.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
Drugs do not always have the function of freeing people from dependency and maternal constraints. Sometimes legal drugs (alcohol, nicotine, prescribed medications) are used in an attempt to fill the void left by the mother. The child was not given the nourishment needed from her and has found no substitute for this in later life. Without drugs, this gap can literally express itself as a feeling of physical hunger, gnawing away at the stomach, which contracts in response. Probably the foundations for addiction are laid at the very beginning of life, as is the case with bulimia and other eating disorders. The body makes it clear that in the past it urgently needed something, something withheld from it when it was a tiny baby. But this message is misunderstood as long as the emotions are ignored. Accordingly, the distress of the small child is erroneously registered as present distress, and all attempts to combat that distress in the present are doomed to failure. As adults we have different needs, and we can satisfy them only if they are no longer coupled with the old needs in our unconscious minds.
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
How much could the person you love change, and still remain the same person to whom you’d made your promise? We don’t expect our lovers to remain the same over the course of a long relationship. In fact, if you’re married at sixty-five to the same person you married when you were twenty, your marriage has probably failed. But there are changes, over time, that spell doom for a marriage, although exactly what these are, and to what degree, varies from couple to couple. For some people, vast changes over time make no difference to the fundamental sense of devotion one soul has for another. But for others, relatively small changes can push things to the breaking point: gaining or losing weight, gaining or losing faith, gaining or losing wealth. How does any relationship survive in the end, when change is the only constant?
Jennifer Finney Boylan (Long Black Veil)
Intrinsically it is a matter of no importance what is the destiny, among the swarms of the “eternal” stars, of this small planet that pursues its course somewhere in infinite space for a little time; still less important, what moves for a couple of instants upon its surface. But each and every one of us, intrinsically a null, is for an unnamably brief moment a lifetime cast into that whirling universe. And for us therefore this world-in-little, this “world-history,” is something of supreme importance. And, what is more, the destiny of each of these individuals consists in his being, by birth, not merely brought into this world-history, but brought into it in a particular century, a particular country, a particular people, a particular religion, a particular class. It is not within our power to choose whether we would like to be sons of an Egyptian peasant of 3000 B.C., of a Persian king, or of a present-day tramp. This destiny is something to which we have to adapt ourselves. It dooms us to certain situations, views, and actions. There are no “men-in-themselves” such as the philosophers talk about, but only men of a time, of a locality, of a race, of a personal cast, who contend in battle with a given world and win through or fail, while the universe around them moves slowly on with a godlike unconcern. This battle is life — life, indeed, in the Nietzschean sense, a grim, pitiless, no-quarter battle of the Will-to-Power.
Oswald Spengler (Man and Technics: A Contribution to a Philosophy of Life)
atlas. “Oh, how I wish you could see your fate as I do. The doom toward which you are both rushing. Mark my words, you will become one of those couples—those outlandishly mismatched couples—that nobody can make heads or tails of. The world will look at you. . . . It will look at you both, and it will say, ‘How did that happen? How on God’s green earth did they come together?
Louis Bayard (Courting Mr. Lincoln)