Doo Quotes

We've searched our database for all the quotes and captions related to Doo. Here they are! All 100 of them:

That’s a pretty lame superhero name,” I told him. “Scooby-Doo is already taken,” he said with dignity. “Anything else sounds lame in comparison.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
I’ll never get tired of looking at her. Or kissing her. Pussy whipped, thy name is Drew. Yeah I know. It’s okay. I don’t mind. ‘Caue if this is the Dark Side? Sign me up. Seriously. Don’t be surprised if I start skipping down the street singing, “Zip-a-Dee-fucking-Doo-Dah.” I’m that happy.
Emma Chase (Tangled (Tangled, #1))
Don't cross me Scooby-Doo. I'm not an old man in a mask waiting to be thwarted by you meddling kids.
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
Wake up, Sleeping Beauty," Jace said softly from my right. "Call me that again, and I'll tell the whole Pride you sleep in Scooby-Doo underwear." "I don't sleep in Scooby-Doo underwear. Hell, I don't sleep in any underwear.
Rachel Vincent (Pride (Shifters, #3))
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.” At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes. “The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.” “Yeah but Maestra—” “Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.” “But what about self-esteem?” “Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
Tom Robbins (Fierce Invalids Home from Hot Climates)
whoopdie-friggin-doo, fooled you!
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Don't profane yourself, or the Biodag Dubh." Oh, Mary Ann. Me and the Beedak Doo are just fine.
Kendare Blake (Girl of Nightmares (Anna, #2))
There are enough people running around in here. It’s starting to feel like an episode of Scooby-Doo.
Grady Hendrix (Horrorstör)
Damn, are these Scooby Doo?" She giggled. "I wasn't expecting company, and I have a slight obsession from growing up with the old cartoon." "They almost killed my hard on." She slid her hand between them and then quirked her eyebrows. "Seems fine to me.
Katie Ashley (The Proposition (The Proposition, #1))
I really liked this cowboy. Mack. But I didn't know a single thing about him other than the fact that he doesn't wear underwear and he's got a big cock-a-doodle doo that he definitely knows how to use. Yee haw.
Elle Casey (Shine Not Burn (Shine Not Burn, #1))
My job is to scream cockle-doodle-doo. Don't blame me if the sun doesn't rise.
Janet Skeslien Charles (Moonlight in Odessa)
It couldn’t have been easy to walk through Sauchiehall Street after closing on a Saturday with some mouthy wee bam shouting, “Fuck me, is that no’ her out of Scooby-Doo?” at you at the top of his lungs.
J.D. Kirk (A Litter of Bones (DCI Logan Crime Thrillers, #1))
Down the toilet, lookit me, What a silly thing ta do! Hope nobody takes a pee, Yippy dippy dippy doo . . .
Thomas Pynchon
Eldhusfifls!” Halfborn roared. (That was another of his favorite insults. As he explained it, an eldhusfifl was a fool who sat by the communal fire all day, so basically, a village idiot. Plus, it just sounded insulting: el-doos-feef-full.)
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Some Marauders do do that, but not the smart ones.” Ivy giggles. “I said, doo-doo.
S.G. Blaise (Proud Pada (The Last Lumenian, #3))
scooby doo was trying to tell us something when every time that monster mask got snatched off it was a greedy white dude.
Danez Smith (Homie)
Scat Man Doo and his trusty Shit Stick had gone where no man had ever gone before. And none should ever go again.
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
Raising interest rates is voo-doo. You can't deal with a global system problem by trying to solve it with this.
Stafford Beer
Did you or did you not say that the United States was a crock of doo-doo?
Kurt Vonnegut Jr. (Hocus Pocus)
I don’t use words like “facetious” or “effusive.” I use words like “doo-doo,” “caca,” and “punani.” Once I embraced that, these letters were an absolute pleasure to write.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, and Advice for Living Your Best Life)
What would Scobby-Doo?
Annabel Monaghan
I broke off from my hummed rendition of "U Can't Touch This.""I'm a seraph," I reminded her happily."I'm supposed to sing constant praises." "Not about yourself!" "Doo be do do- demons can't touch this!" I sang again.
Helen Keeble (No Angel)
Abby, listen to me. I can hear thoughts–” – Sundown “Little late now, bucko. I noticed. Thanks for volunteering that. Let me give you a Hero Award for your first confession. Big flippin’ hairy doo dah…Woo. Hoo.” – Abigail
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
This is not a Scooby-Doo episode, Gus said. Granted, our current adventure may lack the mastery and grace of classic stories like 'Hassle in the Castle' or 'Foul Play in Funland', Shawn said. But as I've always said, aim high.
William Rabkin
I'm living in this world. I'm what, a slacker? A "twentysomething"? I'm in the margins. I'm not building a wall but making a brick. Okay, here I am, a tired inheritor of the Me generation, floating from school to street to bookstore to movie theater with a certain uncertainty. I'm in that white space where consumer terror meets irony and pessimism, where Scooby Doo and Dr. Faustus hold equal sway over the mind, where the Butthole Surfers provide the background volume, where we choose what is not obvious over what is easy. It goes on...like TV channel-cruising, no plot, no tragic flaws, no resolution, just mastering the moment, pushing forward, full of sound and fury, full of life signifying everything on any given day...
Richard Linklater (Slacker)
Oh please don’t tell me this whole thing was just Old Man Caruthers digging for diamonds and trying to throw people off the scent,” Aether sighed. “If we unmask a Scooby Doo villain after all that destruction I’m going to be so pissed.
Drew Hayes (Corpies (Super Powereds, #2.5))
This is why I’m not married,” Ranger said. “Women ask questions.” “Unh!” I said, smacking my forehead with the heel of my hand. “That’s not why you’re not married. You’re not married because you’re … impossible.” He dragged me to him and kissed me, and I felt the kiss travel like lava to my doo-dah. “I have some issues to resolve,” he said. No kidding. He gave my ponytail a playful tug and left.
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
COCK-A-DOODLE DOO! HOW DO YOU LIKE IT FROMO THE OTHER END, YOU LITTLE FUGGER?" "Kafir, I can say it with confidence: Today is a day that no pigs will die. I'm not even allowed to eat the motherfuggers; I'm sure not going to kill one." "Amen," Colin answered.
John Green (An Abundance of Katherines)
To love, to forgive, to lose, to live - it was always a choice, and thus, the fact that he was a mortal was finally one worth celebrating. Because it would end! Maybe that was the entire secret, and therefore the whole thing was actually astonishingly simple. That over and over, he was presented with the same impossible decision - live and suffer, love and grieve - but still, every time, with all his being, his answer was and would always be yes. It would be difficult and painful, and however it ended, it would end - but still, he could choose it. To live, to love; it was always a choice, and inherently a brave one, to face down certain doo, with open arms.
Olivie Blake (Masters of Death)
In a typical college romance novel, this was the moment I would’ve been waiting for. The validation of all my shame and suffering at the hands of other men: a beautiful boy loved me. What had been done to my body didn’t ruin me for Mr. Right. Zippity-fucking-doo-dah.
Leah Raeder (Black Iris)
Yabba dabba doo.
Fred Flinstone
Expect to be woken up bright and early, then." "Oh, goody. Cock-a-doodle-doo.
Jasinda Wilder (Alpha (Alpha, #1))
Thinking and talking about love leads to Love, which is the enemy. Do not consort with the enemy. Even if those hot-ass actors in the movies make it look cuddly and nice and tempting, don’t fall for it. It’s the biggest bad in the world, the worst villain ever created by hormone-pumped pubescent morons. It’s the Joker, Lex Luthor, that one overweight guy who’s always messing with the Scooby-Doo gang. It’s the final boss in the massive joke of a video game you call your life.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
Don’t do it,” Tony says. “Do what?” I ask, not taking my eyes off the kitchen door. “Murder a man because he fed your woman a piece of shellfish. Or, at least, wait until we’re not in public. I don’t have that Will Smith memory eraser doo-hickey. I’ll have a better chance of covering up a murder if fifty of New York’s elite aren’t watching.
Ella Goode (Kept (Castile #2))
You know what they say, when the going gets scary, the scared gets scarce!
Shaggy Rogers
probably horse doo had a name in french also, but that didn't mean god intended for you to eat it.
Richard Russo (Nobody's Fool (Sully #1))
Blo doo hi,
Garth Nix (Blood Ties (Spirit Animals, #3))
So what do we do next, Haunt Huntress?” “That’s a pretty lame superhero name,” I told him. “Scooby-Doo is already taken,” he said with dignity. “Anything else sounds lame in comparison.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
Apply thy minde to be a vertuous man Auoyd ill company (the spoyle of youth;) To follow Vertues Lore doo what thou can, (Whereby great profit vnto thee ensuth;) Reade Bookes, hate Ignorance; (the Foe to Art, The Damme of Errour, Enuy of the hart).
Richard Barnfield
He awoke to his alarm the morning of the hunt at four thirty. It was the first time since arriving in Gutshot that he'd beaten the rooster to waking. Immediately, he opened his bedroom window, pressed his face up against the screen, and shouted, "COCK-A-DOODLE DOO! HOW DO YOU LIKE IT FROM THE OTHER END, YOU LITTLE FUGGER?
John Green (An Abundance of Katherines)
The doo-wop stalker love song on a Cincinnati oldies station--you broke up with me because I was an obnoxious jerk and now you're dating him, so I drive by your house and stare in your window every night, thereby proving that I'm an even bigger creep than you thought
Sarah Vowell (Radio On: A Listener's Diary)
- Por que é que você me pede tanta aspirina? Não estou reclamando, embora isso custe dinheiro. - É para eu não me doer. - Como é que é? Hein? Você se dói? - Eu me doo o tempo todo. - Aonde? - Dentro, não sei explicar.
Clarice Lispector (The Hour of the Star)
At wuntz? What HE do? What HE do? Who do? Wuntz do hoo doo? How do he do hoo doo? Once do who do? What? What!? To wit, WHAT.
Walt Kelly
Negativity is mind pollution! Daphne Blake from Be Cool Scooby-Doo!
Hanna-Barbera (Scooby Doo 2009)
Cock-a-doodle-doo, the cow says moo.
Crazy Steve
The Scooby gang doesn’t travel because they are looking for crimes to solve. They travel because they’re one step ahead of the deprogrammers. Somehow, Fred’s got them all snookered. It probably has something to do with the Scooby Snacks.
John Scalzi (Your Hate Mail Will Be Graded)
Rather than a plausible explanation for how we got to be the way we are, the standard narrative is exposed as contemporary moralistic bias packaged to look like science and then projected upon the distant screen of prehistory, rationalizing the present while obscuring the past. Yabba dabba doo.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
If you're watching Scooby Doo and think of someone because it's their favorite cartoon. If you're allergic to flour but still eat someone's burnt pancakes. Or if you hate the color green but you wear it because it reminds you of a person's eyes just before you kiss them - well, it might be love.
Julian Winters (Running With Lions)
Neo-Hoodoo is the 8 basic dances of 19th century New Orleans' Place Congo- the Calinda the Bamboula the Chacta the Babouille the Conjaille the Juba the Congo and the VooDoo- modernized into the Philly Dog, the Hully Gully, the Funky Chicken, the Popcorn, the Boogaloo and the dance of great American choreographer Buddy Bradley.
Ishmael Reed
How lucky, I thought, were people who had known from earliest childhood what they wanted to do. All the children in my grammar school, who said they wanted to be doctors, had grown up to become doctors. This was also the case apparently with firemen, veterinarians, songwriters, and race car drivers. I had opted for a kind of pure experience, which, as Doo-Wah had pointed out, is not usually something you get paid for. I did not want to write a book about it. I did not want to write so much as an article. I wanted to be left alone with my experience and go on to the next thing, whatever that was.
Laurie Colwin (Goodbye Without Leaving)
If you killl yourself, Comorra, it will wreck him. Utterly. Believe me on this one. So there you go - there's another casualty of war. And sure, in the grand scheme of things, whoop-dee-doo, who gives a crap about some dude's broken heart. But what about the not-so-grand scheme? Doesn't love count for something? Do you think all this...this carnage would have happened if the Romans hadn't taken Prasutagus away from your mother? If she hadn't been so blinded by grief maybe she would have found a way to work things out with the governor instead of goading him to war." Clare shrugged helplessly. "I don't know. Maybe not. Maybe two people alone in the darkness can't generate enough light to drive it back. But maybe they can be a beacon for others. A candle in the window at midnight, you know? I mean, they can at least be there for each other, right?
Lesley Livingston (Once Every Never (Never, #1))
As a parent is our job to teach our children wrong from right, but when they grow up we don't give up. don't say I did my job "I taught them well enough so I trust them completely." Remember children are like apples in the basket, if one bad apple is in the basket it will rotten the whole basket of apples" as you can see our job is not done our job just started, teen age children need as much love and support as toddlers doo.
Zybejta (Beta) Metani' Marashi
Bill Door found a piece of chalk in the farm's old smithy, located a piece of board among the debris, and wrote very carefully for some time. Then he wedged the board in front of the henhouse and pointed Cyril toward it. THIS YOU WILL READ, he said. Cyril peered myopically at the "Cock-A Doodle-Doo" in heavy gothic script. Somewhere in his tiny mad chicken mind a very distinct and chilly understanding formed that he'd better learn to read very, very quickly.
Terry Pratchett
So, the Scooby-Doo Gang is back together,” Kennard said.
N.R. Walker (Kennard's Story (Cronin's Key, #4))
I had no idea what had happened, or what was going to happen, other than the overwhelming feeling that I was in some deep doo-doo.
D. Randall Blythe
I’m not going in the water with bad things out to hurt me! I saw Scooby-Doo! Curse of the Lake Monster with Lily! No way in hell!
Jennifer Probst (Searching for Beautiful (Searching For #3))
Clearly she wasn't just on the Whack-a-doo Express; she was driving the fucker.
Bethany K. Lovell (Faetal Distraction (Blood Crown, #1))
whack-a-doo
Pixel Ate (The Accidental Minecraft Family: Book 25)
CROCK-A-DOODLE DOO! HOW DO YOU LIKE IT FROM THE OTHER END, YOU LITTLE FUGGER?
John Green (An Abundance of Katherines)
be in deep doo-doo if we
Robert Peston (WTF: What have we done? Why did it happen? How do we take back control?)
It’s starting to feel like an episode of Scooby-Doo.
Grady Hendrix (Horrorstör)
Today, I’m asked to review a twenty-year-old patient whose blood tests show abnormal renal function. Both his arms are in full plaster casts, like a Scooby Doo villain. 
Adam Kay (This Is Going to Hurt)
He’s basically putting on a private doo-wop show for the seagulls. Then he stops, spreads out his arms, and adds in the harmony: “In the still of the ni-i-i-ight!
James Patterson (I Funny: A Middle School Story)
Because that's the thing about Scooby-Doo: the bad guys in every episode aren't monsters, they're liars... The very first rule of Scooby-Doo, the single premise that sits at the heart of their adventures, is that the world is full of grown-ups who lie to kids, and that it's up to those kids to figure out what those lies are and call them on it, even if there are other adults who believe those lies with every fiber of their being.
Chris Sims
The look she gave him—both wise and sad—again made her look more like a grownup than a kid. “That this is just a little detour on the great highway of life, and everything’s going to come out all right in the end, like on Scooby-Doo.
Stephen King (The Institute)
You know more useless crap, St. Clair. Good thing you're so darn cute," Josh says. St. Clair smiles. "At least 'cemetary' sounds classier. And you must admit-this place is pretty classy. Or,I'm sorry." He turns back to me. "Would you rather be at the Lambert bash? I hear Dave Higgenbottom is bringing his beer bong." "Higgenbaum." "That's what I said. Higgenbum." "Oh,leave him alone.Besides, by the time this place closes, we'll still have plenty of time to party." I roll my eyes at this last word.None of us have plans to attend,despite what I told Dave yesterday at lunch. St. Clair nudges me with a tall thermos. "Perhaps you're upset because he won't have the opportunity to woo you with his astonishing knowledge of urban street racing." I laugh. "Cut it out." "And I hear he has exquisite taste in film. Maybe he'll take you to a midnight showing of Scooby-Doo 2." I whack St. Clair with my bag, and he dodges aside,laughing.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Mr. Jeavons said that I was a very clever boy. I said that I wasn’t clever. I was just noticing how things were, and that wasn’t clever. That was just being observant. Being clever was when you looked at how things were and used the evidence to work out something new. Like the universe expanding, or who committed a murder. Or if you see someone’s name and you give each letter a value from 1 to 26 (a = 1, b = 2, etc.) and you add the numbers up in your head and you find that it makes a prime number, like Jesus Christ (151), or Scooby-Doo (113), or Sherlock Holmes (163), or Doctor Watson (167). Mr. Jeavons asked me whether this made me feel safe, having things always in a nice order, and I said it did.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
It’s like Scooby-Doo. People think it’s teaching you all these big lessons about how monsters aren’t real, when really it’s just showing kids over and over again that when something seems out of whack, there’s probably some old white dude behind it.
Seanan McGuire (Chaos Choreography (InCryptid #5))
I'm scanning the sky for doo-doo missiles, when there's a bloodcurdling scream. An ugly thing with a human body, ears like a rabbit and a face so grotesque it would make gladiators wet their pants leaps off the roof of the houseboat. It lands right in front of me.
J.E. Fison (Snake Surprise!)
We don’t even know what’s going on in the rest of the world. All we can do is-is play Scooby-Doo in the cellar.” “That’s not all we can do, Sophie,” Archer said. Whenever Archer used my first name, I knew he was serious. “What do you mean?” He backed up a few steps. “Look, you want the Casnoffs gone and these kids saved, or at least…well, put out of their misery, I guess. You don’t want anyone to raise demons ever again. There are other people who want those things, too.” “Please tell me you are not talking about The Eye.” He looked away and shoved his hands in his pockets. “I’m just saying that you and The Eye have a common goal here.” I wasn’t sure if I was stunned, or angry, or disgusted. It was kind of a mixture of all three. “Okay, is there a gas leak down here? Or did you hit your head on the tunnel? Because that’s really the only excuse for you saying something so freaking stupid.” “Oh, you’re right, Mercer,” he said. “The idea of a trying to fight an army of demons with a bunch of trained soldiers is beyond ridiculous. Maybe we can go get Nausicaa and see if she’ll give us some faerie dust to make the problem go away.” “Don’t be a jackass,” I snapped. “Then don’t be naïve,” he retorted. “This is too big for us to handle, Sophie. This is too big for Prodigium to deal with on their own. But if we could all work together, there’s a chance that-“ “What do you think, Cross? That we’ll ask The Eye to help us, and they’ll be all, ‘Sure, no problem! And once we’re done wiping out the demons, we certainly won’t kill the rest of you, even though that’s like, our mission in life!
Rachel Hawkins (Spell Bound (Hex Hall, #3))
She wants to believe.” “Believe what?” The look she gave him—both wise and sad—again made her look more like a grownup than a kid. “That this is just a little detour on the great highway of life, and everything’s going to come out all right in the end, like on Scooby-Doo.
Stephen King (The Institute)
I hear some chanting and continue walking until I see them. All the Badass are marching in step and singing the most irritating song I think I’ve ever heard. Oompa Loompa, do-ba-dee-doo,
 I’ve got a perfect puzzle for you.
 Oompa Loompa, do-ba-dee-dee,
 If you are wise you’ll listen to me.
Reid Mockery (Divergent Parody: Detergent)
When life comes knockin', it's the heartbroken doo-wop singer who understands regret and the price of loving, the hard-living soul man who understands "I take what I want, I'm a bad go-getter, yeah..." and the Motown divas, men and women, who know you've got to play a little bit of the white man's/rich man's game. You have to make thoughtful compromises that don't sell out your soul, that let you reach just a little bit higher until your moment comes and then you set the rules. This was the credo all along Route 9 and you'd better understand it or else you would die an ugly musical death while risking bodily injury on Saturday night.
Bruce Springsteen (Born to Run)
They got their own name in French,” she reminded Miss Beryl, stealthily exchanging her soiled cloth napkin for a fresh one at an adjacent table. “Escargot.” There’s also a word in English, Miss Beryl had pointed out. Snail. Probably horse doo had a name in French also, but that didn’t mean God intended for you to eat it.
Richard Russo (Nobody's Fool (Sully #1))
Philips was setting up a new ‘underground’ label called Vertigo when we were looking for a deal. We were a perfect fit. But the funny thing was that Vertigo wasn’t even up and running in time for our first single, ‘Evil Woman’, so it was originally released on another Philips label, Fontana, before being reissued on Vertigo a few weeks later. Not that it made any f**king difference: the song went down like a concrete turd both times. But we didn’t care, because the BBC played it on Radio 1. Once. At six o’clock in the morning. I was so nervous, I got up at five and drank about eight cups of tea. ‘They won’t play it,’ I kept telling myself, ‘They won’t play it...’ But then: BLAM...BLAM... Dow-doww... BLAM... Dow-dow-d-d-dow, dooooow... D-d-d-d-d-d-d-d-d DUH-DA! Do-doo-do DUH-DA! Do-doo-do... It’s impossible to describe what it feels like to hear yourself on Radio 1 for the first time. It was magic, squared. I ran around the house screaming, ‘I’m on the radio! I’m on the f**king radio!’ until my mum stomped downstairs in her nightie and told me to shut up.
Ozzy Osbourne (I Am Ozzy)
She had even run away from the Walkers several times. Sprinting down the never-ending path, confectionary pink tongue tasting the manure laden flavor of freedom, velvety ears streaming behind her, kicking up gravel in the face of propriety. Poodle-doodle-doo! she had cried, wild and free and obscenely beautiful, like a moonbeam with teeth. - Winnie the Poodle
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
Guests brought their own servants, too, so at weekends it was not unusual for the number of people within a country house to swell by as many as 150. Amid such a mass of bodies, confusion was inevitable. On one occasion in the 1890s Lord Charles Beresford, a well-known rake, let himself into what he believed was his mistress’s bedroom and with a lusty cry of ‘Cock-a-doodle-doo!’ leapt into the bed, only to discover that it was occupied by the Bishop of Chester and his wife. To avoid such confusions, guests at Wentworth Woodhouse, a stately pile in Yorkshire, were given silver boxes containing personalized confetti, which they could sprinkle through the corridors to help them find their way back to, or between, rooms.
Bill Bryson (At Home: A Short History of Private Life)
We’re so deeply wrapped up in our stories—I don’t have the money, I’m not good enough, I can’t quit my job, I’m lazy, I have bad hair—trudging through life with our heads down, clinging to our false beliefs like lifeboats full of doo-doo, that we prevent ourselves from seeing the literally infinite sea of possibilities and opportunities surrounding us at every single moment.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
I love you two.” She put her arms around her girls. “You are so sweet to have come over.” “Are you kidding?” Lucy said. “After you told us what happened with that dick-doo-wah, I snagged a couple of shovels from the store in case we needed to help you bury a body.” And that brought tears to her eyes. Maybe she was kinda drunk. But still, only a true friend would help you dispose of a body. “You’re the best.
Avery Flynn (Butterface (The Hartigans, #1))
The Gator doesn’t take requests. You can’t reason yourself into falling in love, despising ice cream, or enjoying parsnips (which are clearly odious). It’s possible to override gut reactions, but it’s not easy. When disgust researcher Paul Rozin asked adults to eat a piece of chocolate shaped like dog doo, 40 percent couldn’t do it. (Toddlers, however, had no Gator conflict and happily ate poo-shaped food.)
Zoe Chance (Influence Is Your Superpower: How to Get What You What Without Compromising Who You Are)
None of our furniture matches. Our towels are not plush and white, but worn, featuring Scooby-Doo. When we have guests over for dinner parties, Tiffany and I hide all the books and deflated basketballs and lotion samples until everything is spotless. We aim to emulate the polished sheen of our friends’ houses. But afterward, it’s as if the house can unbutton its pants, release its gut, all of our items pouring out again.
Chanel Miller (Know My Name: A Memoir)
I fucking love Scooby-Doo. That Velma girl—she has it going on. That tight sweater, short skirt, and knee socks? You can’t tell me she got dressed in the dark. Some folks, they got it out for Daphne. But you know to look at her—she’s one of those girls that talks it up all day, but when it comes down to lights-out she just lies there and acts like she’s doing you a favor. Velma? You know she takes off those glasses and she gets to work.
Robert Brockway (The Unnoticeables (Vicious Circuit, #1))
Wherin they shalle fynde many Ioyous and playsaunt hystoryes / and noble & renomed actes of humanyte / gentylnesse and chyualryes / For herein may be seen noble chyualrye / Curtosye / Humanyte / frendlynesse / hardynesse / loue / frendshyp / Cowardyse / Murdre / hate / vertue / and synne / Doo after the good and leue the euyl / and it shal brynge you to good fame and renommee / And for to passe the tyme thys boook shal be plesaunte to rede in /
William Caxton
Mrs. Gruber admitted this was true, but went on to explain that it wasn’t so much the snail itself that had attracted her as the name. “They got their own name in French,” she reminded Miss Beryl, stealthily exchanging her soiled cloth napkin for a fresh one at an adjacent table. “Escargot.” There’s also a word in English, Miss Beryl had pointed out. Snail. Probably horse doo had a name in French also, but that didn’t mean God intended for you to eat it.
Richard Russo (Nobody's Fool (Sully #1))
Donut had come out of nowhere, knocking the flour, milk, and egg off the counter, splattering everything onto the floor. She then turned to run, touched the very edge of the hot burner on the oven, yowled, rocketed into the air, and then landed on the floor, covering herself with a little bit of everything while she did that Scooby-Doo scramble in the slippery mess, everything flying everywhere while her legs pumped several times before she actually moved.
Matt Dinniman (The Gate of the Feral Gods (Dungeon Crawler Carl, #4))
We should reinforce modern machining facilities with high performance in line with the global trend of machine industry development, press the production of products, high-speed drawings, and unmanned automation," he said. "We should set up test sites for comprehensive measurement in the factory and allow various load, interlock tests and impact tests depending on the characteristics of the products." 정품구입문의하는곳~☎위커메신저:PP444☎라인:PPPK44↔☎텔레:ppt89[☎?카톡↔rrs9] 정품구입문의하는곳~☎위커메신저:PP444☎라인:PPPK44↔☎텔레:ppt89[☎?카톡↔rrs9] 정품구입문의하는곳~☎위커메신저:PP444☎라인:PPPK44↔☎텔레:ppt89[☎?카톡↔rrs9] On the first day, Kim conducted field guidance on plants in Jagang Province, including the Kanggye Tracker General Factory, the Kanggye Precision Machinery General Factory, the Jangja Steel Manufacturing Machinery Plant and the February 8 Machine Complex. All of these factories are North Korea's leading munitions factories with decades of history. Defense ministers of South Korea, the U.S. and Japan gathered together to discuss ways to cooperate on the denuclearization of the Korean Peninsula and strengthen defense cooperation among the three countries. South Korean Defense Minister Chung Kyung-doo was acting U.S. Defense Secretary Patrick Shannahan and Japanese Defense Minister Takeshi Iwaya at the Shangri-La Hotel in Singapore, where the 18th Asia Security Conference was held from 9 a.m. on Sunday.
떨 판매매,떨판매,떨 판매.☎위커메신저:PP444,대마초판매사이트
First thing Monday morning, Ruby came in. She seemed upset. "Zach, I've had a vision," she said immediately. "Was it a dream," Angelo began suddenly, with a wicked grin on his face, "where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?" Ruby and I both gaped at him. "Of course not," Ruby said with disgust, "Why would you even ask something like that?" "Just wonderin'." He was facing her, But he held up a DVD case, facing me. 'Real Genius'. I had no idea what that was supposed to mean. Ruby shook her head at him and then turned back to me. "There was a bird. It tried to land in your hands, but a giant horse scared it away." As usual when Ruby announced her visions, I had no idea how to respond. I just smiled. "That's fascinating." She nodded sagely. "I hope you're nat planning any horse riding this weekend." Before I could answer, Nero Sensei burst through the doo, breathless. "Do any of you own the blue convertible parked at Jeremy's?" Which meant another kid had pucked off the balcony. "Hope the top wasn't down," Angelo said lightly. Sensei shook his head as he headed back out the door. "No, but it's a soft top, and Tim had cranberry juice before class. It's gonna stain." Ruby followed Nero out the door. Angelo turned to me. His eyes were sparkling and he was grinning from ear to ear. "Best job I ever had," he said. and I had to smile back.
Marie Sexton (A to Z (Coda, #2))
Truth [10w] Tell the truth and its enemies will scatter like roaches. Inventory of a Lost Childhood 1. Lion King’s Simba missing an eye 2. Conan the Barbarian missing a sword 3. Transformer missing an arm/wing/machine gun 4. Scooby-Doo missing a head 5. Star Wars’ R2-D2 missing a gripping tool 6. Etch-a-Sketch missing a knob 7. Powell Peralta skateboard missing a wheel 8. Teenage Mutant Ninja turtle missing a nunchuk 9. Atari console missing a joystick 10. G.I. Joe missing in action
Beryl Dov
In a city it's impossible to forget we live in places raised and built over time itself. The past is underneath our feet. Every day when I leave the house , I may walk over a place where a king killed a wolf in the Royal Forest of Stocket, one of the medieval hunting forests ,where alder and birch , oak and hazel,willow, cherry and aspen grew. The living trees were cut down , their wood used to fuel the city's growth , it's trade, it's life.The ancient wood ,preserved in peat, was found underneath the city(The site of the killing is fairly well buried -the wolf and the king had their encounter some time around the early years of the eleventh century)It's the same as in any other city, built up and over and round , ancient woodlands cut down , bogs drained , watercourses altered, a landscape rendered almost untraceable, vanished.Here, there's a history of 8,000 years of habitation , the evidence in excavated fish hooks and fish bone reliquaries, in Bronze Age grave-goods of arrowheads and beakers, what's still under the surface, in revenants and ghosts of gardens , of doo'cots and orchards, of middens and piggeries, plague remains and witch-hunts, of Franciscans and Carmelites, their friaries buried , over-taken by time and stone .This is a stonemasons' city , a city of weavers and gardeners and shipwrights and where I walk , there was once a Maison Dieu, a leper house; there was song schools and sewing schools, correction houses and tollboths, hidden under layers of time, still there
Esther Woolfson (Field Notes from a Hidden City: An Urban Nature Diary)
Eind van de middag, ik was net uit school thuisgekomen (daar had ik zorgvuldig geheimgehouden dat ik jarig was om te voorkomen dat ik zou moeten trakteren, want daarvoor wilde mijn moeder mij geen versnaperingen meegeven), kwam mijn grootvader met zijn cadeau aanzetten. Aan de alsmaar naderbij komende, zeer krachtige tikken van zijn wandelstok op de trottoirtegels kon je horen dat hij zich erop verheugde andermaal een naar hem vernoemde kleinzoon gul te bedelen. Hij droeg een groot pak en overhandigde mij dat in de woonkamer. Plechtig verwijderde ik het papier. Wat mij op mijn achtste jaar ten deel was gevallen, bleek een vorstelijke meccanodoos te zijn. Weliswaar geen nieuwe fiets, maar toch iets ongehoords. Mijn grootvader verwijderde zich weer, want er was op dat moment niemand bij de hand om mee te dammen. Mij leek toen het grote ogenblik gekomen om de meccanodoos verder uit te pakken en ermee aan de slag te gaan. Toen ik aanstalten maakte om hem te openen, riep mijn moeder: 'Wat doe je nou?' 'Ik ga hem openmaken, ik wil ermee spelen.' 'Ben je helemaal betoeterd geworden? Zo'n duur cadeau. Blijf af.' 'Maar... maar... ik heb hem toch van opa gekregen. Ik wil ermee spelen.' 'Geen sprake van, afblijven. Zo'n duur cadeau, en daar wou je zomaar met je tengels aanzitten? Niks hoor, ik zet hem weg.' Ze pakte de meccanodoos op en plaatste hem achter lakens en slopen in het dressoir. Toen mijn vader thuiskwam, werd de doos weer tevoorschijn gehaald en wederom vol verbazing aanschouwd. Zeker, het was geen nieuwe fiets, maar toch... Wat een cadeau. 'Opa 't Hart is maar goed op je,' zei mijn vader. 'Maar ik mag er niet mee spelen,' zei ik verongelijkt. 'Nee, natuurlijk niet,' zei mijn vader, 'daar heeft je moeder groot gelijk in, zo'n duur cadeau, het zou gekkenwerk zijn als je daar met je poten aan zou zitten. D'r kan zomaar een schroefje of moertje of ander onderdeeltje kwijtraken, niks hoor, je moeder bergt hem weer netjes op.' 'Zo is het,' zei mijn moeder, en weg ging de meccanodoos.
Maarten 't Hart (Magdalena)
Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s— My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom. Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth. I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door. Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out. “Sanctuary,” I plead. Her brow crinkles and the door opens just a bit wider. “I beg your pardon?” “I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.” And she blushes. Great. “You want to sleep in here? With me?” I scoff. “No, not with you—just in your room, love.” I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick? Thankfully, Sarah doesn’t look offended. “Why here?” she asks. “Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.” I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it. Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint. I think Scooby-Doo put it best when he said, Ruh-roh. “Let me make sure I’ve got this right—you need my help?” “Correct.” “You need shelter, protection, sanctuary that only I can give?” “Yes.” “And you think teasing me about my clothes is a wise strategy?” I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.” I pout . . . but in a manly kind of way. “Pity me.” A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.” Huh. She’s right—it is my castle. I really need to start remembering that
Emma Chase (Royally Matched (Royally, #2))
I mean I'm going to pester you to buy a house next doo to me when we're forty-five and have finally saved up enough for our deposits. I mean I'm going to be crashing round yours every night for dinner because you know I can't fucking cook to save my life, and if I've got a spouse, they'll probably come with me, because otherwise they'll be living on chicken nuggets and chips. I mean I'm going to be the one bringing you soup when you text me that you're sick and can't get out of bed and ferrying you to the doctor's even when you just have a stomach bug. I mean we're gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it.
Alice Oseman (Loveless)
During the crisis, black people had often made more money in a month than they had seen in their whole lives. Black men did not leave their wives, driven away by an inability to provide for their families. They rode in public transport on a first-come/first-seated basis. And more times than not were called Mister/Missus at their jobs or by sales clerks. Two months after V-Day war plants began to shut down, to cut back, to lay off employees. Some workers were offered tickets back to their Southern homes. Back to the mules they had left tied to the tree on ole Mistah Doo hickup farm. No good. Their expanded understanding could never again be accordioned into these narrow confines. They were free or at least nearer to freedom than ever before and they would not go back.
Maya Angelou (Gather Together in My Name)
Another strategy was to target kids. “The human infant enters the world without information about what is edible and what is not,” wrote psychologist Paul Rozin, who studied disgust for many years at the University of Pennsylvania. Until kids are around two, you can get them to try pretty much anything, and Rozin did. In one memorable study, he tallied the percentage of children aged sixteen to twenty-nine months who ate or tasted the following items presented to them on a plate: fish eggs (60 percent), dish soap (79 percent), cookies topped with ketchup (94 percent), a dead (sterilized) grasshopper (30 percent), and artfully coiled peanut butter scented with Limburger cheese and presented as “dog-doo” (55 percent). The lowest-ranked item, at 15 percent acceptance, was a human hair.* By the time children are ten years old, generally speaking, they’ve learned to eat like the people around them.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
Champagne?” It was the same waiter. “No thanks,” Cosmo Editor said. “Sure!” As I helped myself, a woman standing with her back to me turned around. It was the person I’d dreaded seeing all night: the Vice President of Marketing for this (major—major) beauty brand. Oh, no. Now my bosses at Lucky had essentially sent me here tonight to kiss up to this powerful, advertising-budget-controlling woman—the Vice President of Marketing, who not only detested me, but had recently seen me on drugs and in my underwear. It all went down on a weekend press trip to the Mayflower Spa in Connecticut, one of the most luxurious retreats on the East Coast. Other beauty editors and I were there for two nights as a guest of Vice President of Marketing and the beauty brand. The first night, there was a fancy dinner. I ate nothing. Then I wobbled back to my deluxe cottage, stripped off my clothes, popped a Xannie bar, boosted it with a strawberry-flavored clonazepam wafer I’d found stuck to a tobacco flake–covered Scooby-Doo fruit snack at the bottom of my grimy Balenciaga, and blacked out on top of the antique four-poster feather-top bed.
Cat Marnell (How to Murder Your Life)
We get a lot of goormies in Libby’s,” said Mr. Murchison. “I can spot a goormy right off. Moment he sits down he wants to know do we have any boolybooze.” “Bouillabaisse,” said Mr. Flood. “Yes,” said Mr. Murchison, “and I tell him, ‘Quit showing off! We don’t carry no boolybooze. Never did. There’s a time and a place for everything. If you was to go into a restaurant in France,’ I ask him, ‘would you call for some Daniel Webster fish chowder?’ I love a hearty eater, but I do despise a goormy. All they know is boolybooze and pompano and something that’s out of season, nothing else will do. And when they get through eating they don’t settle their check and go on about their business. No, they sit there and deliver you a lecture on what they et, how good it was, how it was almost as good as a piece of fish they had in the Caffy dee lah Pooty-doo in Paris, France, on January 16, 1928; they remember every meal they ever et, or make out they do. And every goormy I ever saw is an expert on herbs. Herbs, herbs, herbs! If you let one get started on the subject of herbs he’ll talk you deef, dumb, and blind. Way I feel about herbs, on any fish I ever saw, pepper and salt and a spoon of melted butter is herbs aplenty.
Joseph Mitchell (Old Mr Flood)
Quería probar si existen ciertas ventanas temporales de maduración netamente definidas durante las cuales formamos nuestros gustos culturales (...) en concreto, si existe una edad determinada a la que las ventanas de apertura se cierran por completo. Mientras un CD con éxitos de Wagner tocados con ukelele atronaba junto a mi oficina, me preguntaba: ¿cuándo se forman nuestros gustos musicales y cuándo dejamos de estar abiertos a escuchar nuevas músicas? Empezamos a llamar a emisoras de radio especializadas en períodos musicales concretos: rock contemporáneo, música de los setenta tipo "Starway to Heaven", las emisoras de doo-wop de los cincuenta, etc. "¿Cuándo fue introducida por primera vez la música que ponéis en vuestro dial? ¿Cuál es la edad media de vuestros oyentes?" Surgió un patrón claro: no hay muchas personas de 17 años que sintonicen a las Andrew Sisters, en las comunidades de jubilados no se escucha mucho a Rage Against The Machine y los mayores fans de sesenta minutos ininterrumpidos de James Taylor están empezando a llevar vaqueros holgados. Descubrimos que la mayoría de la gente tenía 20 años o menos cuando decidió qué tipo de música escuchar el resto de su vida. (...) Si tienes más de 35 años cuando se introduce un nuevo tipo de música popular, existe más de un 95% de posibilidades de que nunca elijas escuchar esa música. La ventana se ha cerrado.
Robert M. Sapolsky (Monkeyluv: And Other Essays on Our Lives as Animals)
As Mae followed her, she had to remind herself that Annie had not always been a senior executive at a company like the Circle. There was a time, only four years ago, when Annie was a college student who wore men’s flannel housepants to class, to dinner, on casual dates. Annie was what one of her boyfriends, and there were many, always monogamous, always decent, called a doofus. But she could afford to be. She came from money, generations of money, and was very cute, dimpled and long-lashed, with hair so blond it could only be real. She was known by all as effervescent, seemed incapable of letting anything bother her for more than a few moments. But she was also a doofus. She was gangly, and used her hands wildly, dangerously, when she spoke, and was given to bizarre conversational tangents and strange obsessions—caves, amateur perfumery, doo-wop music. She was friendly with every one of her exes, with every hookup, with every professor (she knew them all personally and sent them gifts). She had been involved in, or ran, most or all of the clubs and causes in college, and yet she’d found time to be committed to her coursework—to everything, really—while also, at any party, being the most likely to embarrass herself to loosen everyone up, the last to leave. The one rational explanation for all this would have been that she did not sleep, but this was not the case. She slept decadently, eight to ten hours a day, could sleep anywhere—on a three-minute car ride, in the filthy booth of an off-campus diner, on anyone’s couch, at any time. Mae
Dave Eggers (The Circle)
Yes. She makes all our pastry, and does all our cooking.’ ‘Do she though?’ said Mr. Barkis. He made up his mouth as if to whistle, but he didn’t whistle. He sat looking at the horse’s ears, as if he saw something new there; and sat so, for a considerable time. By and by, he said: ‘No sweethearts, I b’lieve?’ ‘Sweetmeats did you say, Mr. Barkis?’ For I thought he wanted something else to eat, and had pointedly alluded to that description of refreshment. ‘Hearts,’ said Mr. Barkis. ‘Sweet hearts; no person walks with her!’ ‘With Peggotty?’ ‘Ah!’ he said. ‘Her.’ ‘Oh, no. She never had a sweetheart.’ ‘Didn’t she, though!’ said Mr. Barkis. Again he made up his mouth to whistle, and again he didn’t whistle, but sat looking at the horse’s ears. ‘So she makes,’ said Mr. Barkis, after a long interval of reflection, ‘all the apple parsties, and doos all the cooking, do she?’ I replied that such was the fact. ‘Well. I’ll tell you what,’ said Mr. Barkis. ‘P’raps you might be writin’ to her?’ ‘I shall certainly write to her,’ I rejoined. ‘Ah!’ he said, slowly turning his eyes towards me. ‘Well! If you was writin’ to her, p’raps you’d recollect to say that Barkis was willin’; would you?’ ‘That Barkis is willing,’ I repeated, innocently. ‘Is that all the message?’ ‘Ye-es,’ he said, considering. ‘Ye-es. Barkis is willin’.’ ‘But you will be at Blunderstone again tomorrow, Mr. Barkis,’ I said, faltering a little at the idea of my being far away from it then, and could give your own message so much better.’ As he repudiated this suggestion, however, with a jerk of his head, and once more confirmed his previous request by saying, with profound gravity, ‘Barkis is willin’. That’s the message,’ I readily undertook its transmission. While I was waiting for the coach in the hotel at Yarmouth that very afternoon, I procured a sheet of paper and an inkstand, and wrote a note to Peggotty, which ran thus: ‘My dear Peggotty. I have come here safe. Barkis is willing. My love to mama. Yours affectionately. P.S. He says he particularly wants you to know - Barkis is willing.
Mark Twain (50 Masterpieces you have to read before you die, vol 2)
Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))