Donna Summer Quotes

Every girl should have at least one wild fling on her resumé.

It was rainy, trees leafing out, spring deepening into summer; and the forlorn cry of horns on the street, the dank smell of the wet pavement had an electricity about it, a sense of crowds and static, lonely secretaries and fat guys with bags of carry-out, everywhere the ungainly sadness of creatures pushing and struggling to live.

What was the point of starting a new life if she did everything the same as her old one?

Donna Summer... Is a singing sensation who brings joy to all music lovers, a gifted individual and major figure in the entertainment world whose colourful melodies and tales stay eternally in every fan's heart.

All summer long I had been practically delirious: tingling, daffy, energized, running on gin and shrimp cocktail and the invigorating whock of tennis balls.

...spent the summer drowsing on his rooftop deck, smoking cigarettes, reading Proust, dreaming about death and indolence and beauty and time.

Non c'è donna che non diventi graziosa quando sorride.

You ever see anything like that before?” I asked Rex as we walked. “Those old fairy dudes? Nuh-uh. And now that I think about it, I’ve never seen a Pig-Pen do that much damage.” I meant the creature. What creature? What do you mean, what creature? The one that came out of the wind. The one that went through me. The reason I was out cold on the dance floor.” I thought you just couldn’t handle the Donna Summer remix.

I Feel Love,” by Donna Summer, and this had a profound influence on how I perceived music from that point on. Additionally, it led me toward a greater appreciation of disco; Chic were now filed next to the Clash in my album collection. These elements, merged with many other stylistic references, formed the basic blueprint for Duran Duran: the raw energy of punk, disco rhythms, electro pulses, and the panache of glam rock, which was already deeply embedded in our consciousness.

I’d grown up with disco in the 1970s, when I just knew it as exciting pop music on AM radio. In the 1980s it died off, but still inspired everyone from New Order to Duran Duran to Kraftwerk. And then in the late 1980s the ghost of disco came back with a fury, giving birth to house music, techno, rave culture, and even a lot of hip-hop. Disco was the crucible in which most modern music had been born, and within the disco pantheon no one had ever reigned higher or more supreme than Donna Summer.

Sometimes, in the evenings, a damp, gritty wind blew in the windows from Park Avenue, just as the rush hour traffic was thinning and the city was emptying for the night; it was rainy, trees leafing out, spring deepening into summer; and the forlorn cry of horns on the street, the dank smell of the wet pavement had an electricity about it, a sense of crowds and static, lonely secretaries and fat guys with bags of carry-out, everywhere the ungainly sadness of creatures pushing and struggling to live. For weeks, I’d been frozen, sealed-off; now, in the shower, I would turn up the water as hard as it would go and howl, silently. Everything was raw and painful and confusing and wrong and yet it was as if I’d been dragged from freezing water through a break in the ice, into sun and blazing cold.

One of the songs which certainly impacted greatly in the summer of 1977 was a song which sounded as if Kraftwerk had gone potty and recruited a bona fide American soul singer. In fact, it wasn’t Kraftwerk, but Italian musician and producer Giorgio Moroder. ‘One day in Berlin,’ says Bowie, ‘Eno came running in and said, “I have heard the sound of the future.” … He puts on “I Feel Love”, by Donna Summer … He said, “This is it, look no further. This single is going to change the sound of club music for the next 15 years.” Which was more or less right.

Do you have any idea why you might be feeling better?” “No, not really,” I said curtly. Better wasn’t even the word for how I felt. There wasn’t a word for it. It was more that things too small to mention—laughter in the hall at school, a live gecko scurrying in a tank in the science lab—made me feel happy one moment and the next like crying. Sometimes, in the evenings, a damp, gritty wind blew in the windows from Park Avenue, just as the rush hour traffic was thinning and the city was emptying for the night; it was rainy, trees leafing out, spring deepening into summer; and the forlorn cry of horns on the street, the dank smell of the wet pavement had an electricity about it, a sense of crowds and static, lonely secretaries and fat guys with bags of carry-out, everywhere the ungainly sadness of creatures pushing and struggling to live. For weeks, I’d been frozen, sealed-off; now, in the shower, I would turn up the water as hard as it would go and howl, silently. Everything was raw and painful and confusing and wrong and yet it was as if I’d been dragged from freezing water through a break in the ice, into sun and blazing cold.

Anyway, she loved horses a lot, my mother. When she was growing up she had a horse she said got lonely sometimes? and he liked to come right up to the house and put his head in at the window to see what was going on. “What was his name? “Paintbox.” I’d loved it when my mother told me about the stables back in Kansas: owls and bats in the rafters, horses nickering and blowing. I knew the names of all her childhood horses and dogs. Paintbox! Was he all different colors? “He was spotted, sort of. I’ve seen pictures of him. Sometimes—in the summer—he’d come and look in on her while she was having her afternoon nap. She could hear him breathing, you know, just inside the curtains.

She was right: school was lonely. The eighteen and nineteen year olds didn't socialize with the younger kids, and though there were plenty of students my age and younger [...] their lives were so cloistered and their concerns so foolish and foreign-seeming that it was as if they spoke some lost middle-school tongue I'd forgotten. They lived at home with their parents; they worried about things like grade curves and Italian Abroad and summer internships at the UN; they freaked out if you lit a cigarette in front of them; they were earnest, well-meaning, undamaged, clueless. For all I had in common with any of them, I might as well have tried to go down and hang out with the eight year olds at PS 41.

When I broke my collarbone at summer camp when I was eleven, I didn’t tell them; it never occurred to me that I had parents who could protect me from pain and suffering,” she says. “I lived with the pain. When I returned home at the end of the summer, a family friend saw the lump on my chest and told me I had to tell my mother. My mother took me to the doctor. He said it was a case of gross negligence.” But Priscilla didn’t resent her parents when she was growing up. “I felt like I was the ‘hero child’; I was saving my mom. She was so complimentary, and wanted to be so close to me, I assumed that must be a good thing.” It was only as Priscilla came into her teen years that “I began to realize that my

Like representative government, soccer has been imported from England and democratized in the United States. It has become the great social and athletic equalizer for suburban America. From kindergarten, girls are placed on equal footing with boys. In the fall, weekend soccer games are a prevalent in suburbia as yard sales. Girls have their own leagues, or they play with boys, and they suffer from no tradition that says that women will grow up professionally to be less successful than men. 'In the United States, not only are girls on equal footing, but the perception now is that American women can be better than American men,' said Donna Shalala, the Secretary of Health and Human Services. 'That's a turning point, a huge breakthrough in perception.

Who knew it was in my power to make anyone so happy? Or that I could ever be so happy myself? My moods were a slingshot; after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong - but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled. The clarity was exhilarating; it was as if I'd removed a pair of smudged-up glasses that fuzzed everything I saw. All summer long I had been practically delirious: tingling, daffy, energized, running on gin and shrimp cocktail and the invigorating whock of tennis balls. And all I could think was Kitsey, Kitsey, Kitsey!

I wanted to tell Donna that it wasn’t her business what that family bought or ate or wore and that I hated when cashiers at the supermarket said, “On your EBT?” loud enough for people in line behind me to hear. I wanted to tell her that undocumented people couldn’t receive food benefits or tax refunds, even though they paid taxes. They couldn’t receive any government benefits at all. Those were available only for people who were born here or who had obtained the documents to stay. So those children, whose parents had risked so much to give them a good life, were citizens who deserved every bit as much government help as my daughter did. I knew this because I’d sat beside them in countless government offices. I overheard their conversations with caseworkers sitting behind glass, failing to communicate through a language barrier. But these attitudes that immigrants came here to steal our resources were spreading, and the stigmas resembled those facing anyone who relied on government assistance to survive. Anyone who used food stamps didn’t work hard enough or made bad decisions to put them in that lower-class place. It was like people thought it was on purpose and that we cheated the system, stealing the money they paid toward taxes to rob the government of funds. More than ever, it seemed, taxpayers—including my client—thought their money subsidized food for lazy poor people.

suppose it’s not odd, then, that I have trouble reconciling my life to those of my friends, or at least to their lives as I perceive them to be. Charles and Camilla are orphans (how I longed to be an orphan when I was a child!) reared by grandmothers and great-aunts in a house in Virginia: a childhood I like to think about, with horses and rivers and sweet-gum trees. And Francis. His mother, when she had him, was only seventeen—a thin-blooded, capricious girl with red hair and a rich daddy, who ran off with the drummer for Vance Vane and his Musical Swains. She was home in three weeks, and the marriage was annulled in six; and, as Francis is fond of saying, the grandparents brought them up like brother and sister, him and his mother, brought them up in such a magnanimous style that even the gossips were impressed—English nannies and private schools, summers in Switzerland, winters in France. Consider even bluff old Bunny, if you would. Not a childhood of reefer coats and dancing lessons, any more than mine was. But an American childhood. Son of a Clemson football star turned banker. Four brothers, no sisters, in a big noisy house in the suburbs, with sailboats and tennis rackets and golden retrievers; summers on Cape Cod, boarding schools near Boston and tailgate picnics during football season; an upbringing vitally present in Bunny in every respect, from the way he shook your hand to the way he told a joke.

Unfortunately, many of us begin life on this planet with toxins in our cells. Some we inherited from our parents and grandparents, and even more toxins entered our cells at birth. In fact, in those days general anesthesia for women in the delivery room was standard practice! As infants, we received vaccinations, many of which contained mercury. Later, we probably took antibiotics that destroyed the beneficial bacteria we needed for healthy digestion. And as the years passed, we Boomers continued to be assaulted by a “chemical soup” of pollutants—from processed foods in aluminum foil (TV dinners) to household pesticides. I actually remember one summer my brother and I entertained ourselves by taking the mercury from a thermometer, rolling it into a ball, and playing with it—our own version of toxic Play-Doh. No one knew… .

Gymnasts develop fears about certain moves and get hang-ups about doing routines at meets or anxiety about certain rivals who can psych them out.

summers from June to September, and over spring and Christmas vacations. At my father’s house, I shared my grandmother’s room. She would read me to sleep each night, not with stories out of books, but with the spoken stories of her life. As we lay there in the darkened room, I struggled to stay awake to hear the amazing things she had to tell. At the same time, her soft voice was a lullaby inviting me to sleep. I wonder now if she found it her personal therapy to murmur her burdens in the darkness to a very interested listener. As I grew older, and she felt I could understand them, she revealed more of the intimate details,

Music can change hearts and minds, it can unite opposing factions. Music can even heal. If a singer can touch your heart though singing in a language unknown to you, that's magic. It's a "gift of tongues". If a singer's voice can move you to tears, that's power. If a singer can touch your soul AND make you dance- that's Donna Summer. Scott Simpson

I saw her tonight. I didn’t mean to and I wasn’t prepared for it. I came across her sweet smiling face and I had no choice but to be confronted with all the emotions and memories I associated with her. It brought me back to this past summer when she passed from this world into the next and how I watched the minutes in the day pass and felt the sorrow of the approaching sunset knowing that darkness would soon follow. There is something profound about the first night after someone you love dies. Seeing her again and mourning the loss of her anew reminded me that we keep too much to ourselves and we let people go without them ever knowing how much they touched us, intrigued us, taught us, or moved us. I’m a firm believer in actions doing the telling, but people need to hear it as well.

They were also the tracks on which we channelled a love of Kraftwerk and Giorgio Moroder. Ian Curtis had first introduced us to the icy Germans, and that was quickly followed by an even greater admiration for Moroder, particularly his work with Donna Summer on ‘I Feel Love’ and his production of the wonderful Sparks track ‘Number One Song in Heaven’. His solo record E=MC2 became a big inspiration and definitely led us into ‘Temptation’. All we had to do was work out how they bloody did it.

It’s time I faced it and stopped wishing things were back the way they were. Life is different and it’ll never be the same again. I need to let go. And yeah, maybe that’s partially metaphorical, but it’s true.

The memories were hers to cherish, along with photographs and mementos. They were not for sale. All that was on the market was concrete and brick and wood and paint and all the other physical trappings of a home. Not the love. Not the commitment, or the persistence to see it through, for better or for worse.

Summer knew how to enjoy things. She knew how to live in the moment. Maybe that was the biggest lesson she was teaching him this summer. To let go and live a little.

Two boys of about eight years old ran alongside the road, taking advantage of the evening sunshine and chasing each other in the overgrown spring grass. Their feet crushed the leaves, releasing the tang of tender new growth. She waited until the children passed, but no clarity came. Her thoughts remained as tangled as the weeds.

Lots of people aren’t courageous enough to follow the life they were born to.

I ventured into the dimly lit darkness towards the blaring disco music and crowded dance floor. The enclosure reeked of poppers (alkyl nitrites), a recreational drug often used by gay men to heighten their sexual arousal. The club was hopping with the latest disco hits from the popular disco queen of 70s, Donna Summer. Half-naked and almost naked men were crowding the dance floor, grinding their perspiring bodies against each other in a sensual and sexual trancelike state. Men in various stages of foreplay were gyrating their muscular and sinewy bodies against each other in preparation for impulsive back-room romps. After taking to the dance floor for a couple of songs, I embarked on an exploration journey towards the back of the house. It was difficult to make out the abundance of naked bodies loathering in the dark in various stages of copulation. When I ventured into a large room with a sling in the middle, I heard a familiar, high-pitched groaning voice. It was a voice I had heard several years ago in class at the Bahriji School. It was a soprano voice that I could never get out of my head. Surrounding the voice was a queue of mesomorphically built men, waiting their turn to satisfy their sexual desires on an equally muscular hunk lying on the suspended, swinging sling. The man’s legs were spread above his torso. They were strapped to either sides of the hanging chains and so were his wrists, tied securely above his head. Although the ‘bottom’ was blindfolded with a black kerchief, I instantly recognized him as none other than the famous supermodel, Rick Samuels.

Why damn summer?' My voice came out squeaky. 'Because we won’t have any cold water, not that it would help much anyway.' His eyes anchored to my chest and heat curled in my core, settling between my thighs. Xander blew out a slow breath. 'And no, you can’t have one of my shirts.

Only to Elaine could I say that I felt some responsibility for Seth Rich’s death. I didn’t bring him into the DNC, but I helped keep him there working on voting rights. With all I knew now about the Russians’ hacking, I could not help but wonder if they had played some part in his unsolved murder. Besides that, racial tensions were high that summer and I worried that he was murdered for being white on the wrong side of town. Elaine expressed her doubts about that, and I heard her. The FBI said that they did not see any Russian fingerprints there, but they promised to look into the case. I didn’t feel comfortable enough to ask more than that first question, but his death continued to tear me up inside.

While Bob was busy with Clara’s recording, his modular had just notched another first in the world: it sired the genre of electronic dance music. “I Feel Love,” a hypnotic, seductive single by Donna Summer, the “Queen of Disco,” had cast the Moog in a central role. Soon after the song’s release in July 1977 it went to No. 1 in the UK, climbing to No. 6 in the U.S., and then perched atop charts internationally, eventually making the “top songs of all time” lists of magazines and critics worldwide. Donna Summer and her collaborator, composer Giorgio Moroder, had pushed the boundaries of disco permanently into the electronic sphere with this single song.

right.

Summer 1963: I had graduated with HONORS, and was going off to HUNTINGDON COLLEGE in the fall. Several people told me: 'You have to learn to smoke, if you are going to HUNTINGDON.' So---I tried to learn to smoke---and I just could not learn to smoke. Well---when I got to HUNTINGDON---I fit right in-------NOBODY WAS SMOKING!!!!!!

There were girls here with fire-engine-red lips, and boys with such pronounced eyeliner that it looked permanent. And as you moved back to the dancefloor, the music overwhelmed you: Yellow Magic Orchestra, Space, Ultravox, Eno, Fad Gadget, Sparks, Grace Jones, Thomas Leer, Cerrone, Psychedelic Furs and Bowie, obviously, lots of Bowie. On and on it went, a constant swirl of automated Germanic beats – hard-edged European disco, synth-led, bass-heavy … all very angular: Kraftwerk and Gina X, Giorgio Moroder and Donna Summer, and some early Roxy Music.

I decided to put Donna Summer on the cover of an issue in March 1978. Disco was considered the music of the anti-Christ by many, and the staff was up in arms.

It was a warm summer day. Cam Jansen, her friend Eric Shelton, and Eric’s twin sisters, Donna and Diane, were waiting in a long line outside Lee’s Bookstore. They were all waiting to meet Poochie, the famous television dog. Cam pointed to a sign in the front window of the store. “It says that Poochie will be here at noon.” “That’s ten more minutes,” Eric said. Cam looked through the bookstore window. Inside there was a large table. Piled on one side of the table were books. On the other side there was a large photograph of Poochie and a sign that said: Buy The Poochie Story the new best-selling book by the star of the television program Hero Dog.

I have the track. It’s good. It’s awesome. It sounds somewhere between, like, Liquid Liquid and “I Feel Love” by Donna Summer. I played it for people; I remember people saying, “Oh my God, this will be amazing.” TIM GOLDSWORTHY: She had the icing off of two Magnolia cupcakes and four cans of Red Bull, did some really strange ad-lib vocal takes, and then just disappeared and was never heard from again.

That is some farked up stuff you have in your blood, Vampyre," Granny grunted as she shook her head and chuckled. "I feel like I did after twelve hours straight of shopping on Black Friday last year." “Sorry, doll," Dwayne said as he ruffled her hair. "But thank you." "You're welcome, bloodsucker. You've become the undead grandson I never knew I wanted." "Oh my Donna Summer," Dwayne babbled as he hugged her tight. "As shittastic as this day is going, I'd repeat the whole damn thing to hear you say those words again." "I love you, you high maintenance undead girly boy," she said affectionately.

She pulled up to the curb in front of number 115, a boxy house with a garden so neat that people sometimes slowed down to admire it. A pruned hedge guarded the profusion of roses that bloomed from spring to winter. Each of the roses had a name. Not the proper name of its variety, but Salvatore, Roberto, Rosina- each one planted in honor of their first communion. There were also roses that honored relatives in Italy whom Rosa had never met, and a few for people she didn't know- La Donna, a scarlet beauty, and a coral floribunda whose name she couldn't remember. The sturdy bush by the front step, covered in creamy-white blooms, was the Celesta, of course. A few feet away was the one Rosa, a six-year-old with a passion for Pepto-Bismol pink, had chosen for herself. Mamma had been so proud of her that day, beaming down like an angel from heaven. It was one of those memories Rosa cherished, because it was so clear in her heart and mind.

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