Don T Panic Quotes

Don't Panic.

It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.

He's got the whole bad-boy-in-need-of-redemption thing going on, but the catch is, most bad boys don't want redemption. They like being bad. They like the power they get from striking fear and panic into the hearts of mothers everywhere

I don't like you, Park," she said, sounding for a second like she actually meant it. "I..." - her voice nearly disappeared - "think I live for you." He closed his eyes and pressed his head back into his pillow. "I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?" He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears.

Don't panic. Are you sitting? You probably don't need to sit. Well, possibly. At least lean on something.

Sometimes you're the one speeding along in a panic, doing too much, not paying attention, wrecking things you don't mean to. And sometimes life just happens to you, and you can't dodge it. It crashes into you because it wants to see what you're made of.

No. No!” he says. “I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know. “You can’t go. Ana, I love you!” “I love you, too, Christian, it’s just—” “No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .” “No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What? “Christian, what are you doing?” He continues to stare down, not looking at me. “Christian! What are you doing?” My voice is high-pitched. He doesn’t move. “Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant. Holy Fuck . . . Christian. The submissive.

I like the cover," he said. "Don't Panic. It's the first helpful or intelligible thing anybody's said to me all day.

...love brought you here. If you trusted love this far, don't panic now.

Ok. don't panic. Don't panic. It's only a VISA bill. It's a piece of paper; a few numbers. I mean, just how scary can a few numbers be?

But I don’t panic. I don’t bolt like a frightened gazelle. I am more than the sum of my fear. It isn’t fear that will defeat them. Not fear or faith or hope or even love, but rage.

How do I know I can trust you?' she said finally. 'That's the thing about trust.' He crunched an ice cube between his teeth. 'You don't know.

It’s never a good thing when the black volhv says “Uh-oh” and then runs for his life.

If you find yourself suddenly mated to a werewolf, whatever you do, don't panic. Simply turn to Jen for assistance and she will give you a cool acronym to call him…because that's just so important.

Rules for Living by Olivia Joules 1. Never panic. Stop, breathe, think. 2. No one is thinking about you. They're thinking about themselves, just like you. 3. Never change haircut or color before an important event. 4. Nothing is either as bad or good as it seems. 5. Do as you would be done by, e.g. thou shalt not kill. 6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like. 7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?" 8. The key to success lies in how you pick yourself up from failure. 9. Be honest and kind. 10. Only buy clothes that make you feel like doing a small dance. 11. Trust your instincts, not your overactive imagination. 12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4. 13. Don't expect the world to be safe or life to be fair.

At first sign of crisis, the ignorant don’t panic because they don’t know what’s going on, and then later they panic precisely because they don’t know what’s going on.


I don't panic unless I have to. Wastes energy.

I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.

‎'All we need is a book,' roared Leslie; 'don't panic, hit 'em with a book.

Don't show it and don't panic. Do like the ducks; on the surface stay calm, and below it paddle lile hell

My faithful companion, Zoe Nightshade, has passed into the stars. I must have a new lieutenant. And I intend to choose one. But first, Father Zeus, I must speak to you privately." Zeus beckoned Artemis forward. He leaned down and listened as she spoke in his ear. A feeling of panic seized me. "Annabeth," I said under my breath. "Don't." She frowned at me. "What?" Look, I need to tell you something," I continued. The words came stumbling out of me. "I couldn't stand it if… I don't want you to—" Percy?" she said. "You look like you're going to be sick." And that's how I felt. I wanted to say more, but my tongue betrayed me. It wouldn't move because of the fear in my stomach

Barabas placed a stack on the table and held the chair out for me. “For you.” “I’m hungry and I don’t have time for this.” Barabas’s eyes held no mercy. “Make time, Alpha. You have two hands. You can eat and sign simultaneously.” Curran grinned. “Enjoying my suffering?” I asked. “I find it hilarious that you’ll run into a gunfight with nothing but your sword, but paperwork makes you panic.” Barabas put a thicker stack in front of him. “This is yours, m’lord.” Curran swore.

Don’t panic, I thought. But already my breathing was faster, shallower. “You mean you can feel happy or sad or—” “Desire.” A barely-there smile.

I was about to ask about it when Daniel flopped down on the mattress. He pulled off his shoes and went for the zipper of his jumpsuit. A flash of panic went through my body. I turned my head and lowered my gaze. "Don't worry prescious," Daniel said "I'm not going to violate your virgin eyes.

Miles clutched Quinn's elbow. "Don't Panic." "I'm not panicking," Quinn observed, "I'm watching you panic. It's more entertaining .

Keep your innocence and ignorance aside, and expose yourself to dangerous situations, and understand the deeper secrets of life.

Nothing says work efficiency like panic mode.

What’s wrong with you?” Simon demanded. “Saying ‘don’t panic’ is guaranteed to make everyone panic! Be specific about the problem.

Love should not cause suffocation and death if it is truly love. Don't bundle someone into an uncomfortable cage just because you want to ensure their safety in your life. The bird knows where it belongs, and will never fly to a wrong nest.

Tr...ooooo...luv...' Fezzik grabbed onto Inigo in panic and they both pivoted, staring at the man in black, who was silent again. '"True love," he said,' Inigo cried. 'You heard him - true love is what he wants to come back for. That's certainly worthwhile.' 'Sonny, don't you tell me what's worthwhile - true love is the best thing in the world, except for cough drops. Everybody knows that.

Mere existence is already the result of incredible luck. Such was the case on Earth in the past, and such has always been the case in this cruel universe. But at some point, humanity began to develop the illusion that they’re entitled to life, that life can be taken for granted.

Look, he isn’t even concerned.” I poured the tea. “He’s concerned, Mother. He just doesn’t panic, because he’s in charge and if he panics, everybody else will panic.” “I can jog around the room pretending to scream if you would like,” Jim offered.

Only 8% of our worry will come to pass. 92% of our worry is wasted. DON'T PANIC

But all you see is the crap. So you don't have to believe in anything. So you'll have an excuse to fail.

I don't want you to be hopeful, I want you to panic

And then what are your plans?” Annwyl frowned. “My plans?” “Yes. Your plans. You take your brother’s head, your troops are waiting. What is the next thing that you do?” Annwyl just stared at him. He realized in that instant that the girl had no plans. None. No grand schemes of controlling the world. No plots to destroy any other empires. Not even the plan to have a celebratory dinner. “Annwyl, you’ll be queen. You’ll have to do something.” “But I don’t want to be queen.” Her body shook with panic, and he could hear it in her voice. “You take his head, you’ll have little choice.” “What the hell am I supposed to do as queen?” “Well . .you could try ruling.” “That sounds awfully complicated.

Don't you *ever* let go?" "I haven't yet." "Why?" "I suppose... because in this world, after everyone panics, there's always got to be someone to tip the wee out of the shoe.

Certain temperaments respond to anxiety by pulling inward. Their instincts tell them ' Don't go out to meet the world - you'll have a panic attack. Inside is where safety is.

In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover.

I love these dudes, but I don't know what they're doing with all that facial hair these days. There's a lot of peach fuzz going on. They called me up to go to a Kanye West concert, and I was like 'hold on I'll call Kanye.' So I called him and they got into the show, and I called Kanye later and said, 'Yo did you see my dudes from Panic! at the show?' and he was like 'Nah they mst not have been dressed like they were from the 1700's'. But I back them. They have their own unique style, which is cool.

I start to walk out of the room, but I hear him start to panic and his breathing gets labored. He reaches out to me. “Don’t go. Please.” I sit next to him on the bed, wondering if he’s afraid of being abandoned. He slings his arm around my thigh and rests his forehead against my knee. “I have to protect you,” he says softly. “From who?” “El Diablo.” “El Diablo? Who’s that?” I ask. “It’s complicated.” What does that mean? “Try to rest,” I tell him. “I can’t. My entire body hurts.” “I know.” I gently rub the arm that’s slung around me until his breathing slows. “I wish I could help you,” I whisper. “You are,” he murmurs against my knee. “Just don’t leave me, okay? Everyone leaves me.

I don't recognise any of my emotions any more. There's no such thing as plain joy or grief. It's horror and relief and panic and gratitude all jumbled together.

The sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine.

If you spend any amount of time doing media analysis, it’s clear that the most frenzied moral panic surrounding young women’s sexuality comes from the mainstream media, which loves to report about how promiscuous girls are, whether they’re acting up on spring break, getting caught topless on camera, or catching all kinds of STIs. Unsurprisingly, these types of articles and stories generally fail to mention that women are attending college at the highest rates in history, and that we’re the majority of undergraduate and master’s students. Well-educated and socially engaged women just don’t make for good headlines, it seems.

We must change almost everything in our current societies. The bigger your carbon footprint - the bigger your moral duty. The bigger your platform - the bigger your responsibility. Adults keep saying: 'We owe it to the young people to given them hope.' But I don't want your hope. I don't want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act. I want you to act as you would in a crisis. I want you to act as if our house is on fire. Because it is.

And you did panic. Even though you didn't want to. And I did expect something, even though I tried not to." "Good!" he half shouts. "Expect something! You want to put me on a hook? Put me on the hook. I freaked out, Daphne, but that doesn't mean I don't love you.

I don’t feel panic or shock. There’s just a sense of defeat. This is it.

first don't panic, second don't panic and third DID I MENTCHIN NOT TO PANIC?!

When kids make gross face, parents say, "One day your face is going to stick like that." I'm afraid that one day my panic's going to stick and it's going to be my entire life, every second, and there will be nothing else.

Some people don't know how to fall in love, like not knowing how to swim. They panic first when they jump in. Then they figure it out.

Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late. The tears threaten to return, so I willfully banish all thoughts from my head and take a few more deep breaths. I'm suddenly dizzy from the panic attack I've just suffered, and I close my eyes, resting my head against the warm leather of my steering wheel. Loneliness doesn't exist on any single plane of consciousness. It's generally a low throb, barely audible, like the hum of a Mercedes engine in park, but every so often the demands of the highway call for a burst of acceleration, and the hum becomes a thunderous, elemental roar, and once again you're reminded of what this baby's carrying under the hood.

What’s three?” I asked, hoping to move away from this uncomfortable topic. The smile pulled at his lips again. “Three.” One of his hands cupped my face and the other slid around my back. He pulled my body against his and my heart began to pound. I took advantage of my free hand and pushed at his chest. “I don’t think so, Lily,” he said. “If you want to get rid of me, you’ll need to do better than that.” I drew a sharp breath and tried to wiggle away, but he held me firmly in place, watching me struggle. He grinned as he lifted me up onto the sink. “What are you doing?” I started to panic. “Someone could come in!” “If they see us, they’ll just turn around and get out of here,” he murmured, lips touching my ear. “No one crosses me.” His hips pressed against my knees, opening them, pushing my skirt up my legs. I gripped his shirt, clinging to him so I wouldn’t fall into the sink. His hand pushed into my lower back. I gasped as his body fitted against mine. Heat flooded my chest, my pelvis. I thought I would drown in it. “We can’t—” His lips stopped my words. The kiss just made me dizzier. I dug my fingers into his shoulders. “You said you didn’t want to be left alone.” His tongue flicked over my cheekbone. “This is me pestering you.” “Aren’t you breaking the rules?” I could barely get the words out. “What about the union?” “I’d rather have you on my own terms.” His hand slipped between my thighs. All strength fled my limbs. “I can’t breathe.” “That means you like it.” He kissed me again.

For many borderlines, “out of sight, out of mind” is an excruciatingly real truism. Panic sets in when the borderline is separated from a loved one because the separation feels permanent.

Fear can keep you alive. The trick is not to let it overwhelm you. Not to let it rule you. If you’re afraid, that’s the universe trying to tell you something. Get away. Don’t run; don’t panic. Just pick up and walk out, calm as you please. Panic makes you stupid.

The first step is to tone down the prophecies of doom, and switch from panic mode to bewilderment. Panic is a form of hubris. It comes from the smug feeling that I know exactly where the world is heading – down. Bewilderment is more humble, and therefore more clear-sighted. If you feel like running down the street crying ‘The apocalypse is upon us!’, try telling yourself ‘No, it’s not that. Truth is, I just don’t understand what’s going on in the world.

What’s reality? I don’t know. When my bird was looking at my computer monitor I thought, ‘That bird has no idea what he’s looking at.’ And yet what does the bird do? Does he panic? No, he can’t really panic, he just does the best he can. Is he able to live in a world where he’s so ignorant? Well, he doesn’t really have a choice. The bird is okay even though he doesn’t understand the world. You’re that bird looking at the monitor, and you’re thinking to yourself, ‘I can figure this out.’ Maybe you have some bird ideas. Maybe that’s the best you can do.

I don't like when I can't control what reality is doing. Which is unfortunate because reality works independently of the things I want, and I have only a limited number of ways to influence it, none of which are guaranteed to work. I still want to keep tabs on reality, though. Just in case it tries to do anything sneaky. It makes me feel like I'm contributing. The illusion of control makes the helplessness seem more palatable. And when that illusion is taken away, I panic.

But if we don’t have experience with solitude—and this is often the case today—we start to equate loneliness and solitude. This reflects the impoverishment of our experience. If we don’t know the satisfactions of solitude, we only know the panic of loneliness.

There must be different kinds of loneliness, or at least different degrees of loneliness, but the most terrifying loneliness is not experienced by everyone and can be understood by only a few. I compare the panic in this kind of loneliness to the dog we see running frantically down the road pursuing the family car. He is not really being left behind, for the family knows it is to return, but for that moment in his limited understanding, he is being left alone forever, and he has to run and run to survive. It is no wonder that we make terrible choices in our lives to avoid loneliness.

You hated the Shadow Market in London,” Kit said. “It really bothered you. The noises, and the crowd —“ Ty’s gaze flicked down to Kit. “I’ll wear my headphones. I’ll be all right.” “…and I don’t know if we should go again so soon,” Kit added. “What if Helen and Aline get suspicious?” Ty’s gaze darkened. “Julian told me once,” he said, “that when people keep coming up with reasons not do something, it’s because they don’t want to do it. Do you not want to do this?” Ty’s voice sounded tight. The thrumming wire again, sharp with tension. Under the cotton of his shirt, his too-thin shoulders had tightened as well. The neck of his shirt was loose, the delicate line of his collarbones just visible. Kit felt a rush of tenderness toward Ty, mixed with near-panic. In other circumstances, he thought, he would just have lied. But he couldn’t lie to Ty.

When I didn't say anything, he came closer, dropping slowly to his haunches so we were at eye level. My eyes searched his gorgeous face and for once, I wished I could break my own damn rules. I had a feeling Braden would be able to make me forget everything for a while. We gazed at one another for what seemed like forever, not saying a word. I was expecting a lot of questions since it must have been clear to everyone, or at least the adults at the table, that I had had a panic attack. Surely, they were all wondering why, and I really didn't want to go back out there. "Better?" Braden finally asked softly. Wait. Was that it? No probing questions? "Yeah." No, not really. He must have read my reaction to his question in my face because he cocked his head to the side, his gaze thoughtful. "You don't need to tell me." I cracked a humorless smile. "I'll just let you think I'm bat-shit crazy." Braden smiled back at me. "I already know that.

You're my life, Elle. When we have our children, they'll be included in that circle and I'm not a man to lose everything. I want you as safe as possible." "So you don't think three protection dogs, a room filled with weapons, a panic room and house that eats people isn't just a little overkill?

My panic is rising again. My sense of isolation and worthlessness. And no other senses worth mentioning apparently. It's not nice being inside my head. It's a nice place to visit but I don't want to live here. It's too crowded; too many traps and pitfalls. I'm tired of it. That same old person, day in and day out. I'd like to try something else. I tried to neaten my mind, file everything away into tidy little thoughts, but it only got more and more cluttered. My mind has a mind of its own. I try to define my limits by seeing just how far I can go, and I find that I passed them weeks ago. And I've got to find my way back.

I don’t like big weddings.” Her panic is clear. “All those people make me nervous. I’ll mess up the vows and say something inappropriate.” “It doesn’t have to be big. It can be just the two of us if you want. We can wait until next summer—or the one after if a year isn’t long enough. We can get married up here by a justice of the peace on the end of the dock at sunset. A damn Rastafarian can perform the ceremony if that’s what you want. I don’t care about the wedding part. All I want to be is connected to you in the most significant way possible. I want you as my wife.

The history of the world? Just voices echoing in the dark; images that burn for a few centuries and then fade; stories, old stories that sometimes seem to overlap; strange links, impertinent connections. We lie here in our hospital bed of the present (what nice clean sheets we get nowadays) with a bubble of daily news drip-fed into our arm. We think we know who we are, though we don't quite know why we're here, or how long we shall be forced to stay. And while we fret and write in bandaged uncertainty - are we a voluntary patient? - we fabulate. We make up a story to cover the facts we don't know or can't accept; we keep a few true facts and spin a new story round them. Our panic and our pain are only eased by soothing fabulation; we call it history.

It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening. Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.

To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep. To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.

I deal with writer’s block by lowering my expectations. I think the trouble starts when you sit down to write and imagine that you will achieve something magical and magnificent—and when you don’t, panic sets in. The solution is never to sit down and imagine that you will achieve something magical and magnificent. I write a little bit, almost every day, and if it results in two or three or (on a good day) four good paragraphs, I consider myself a lucky man. Never try to be the hare. All hail the tortoise.

But I don't need an apology. Not anymore. I have my whole life ahead of me - there isn't room in it for anger about things I don't have the power to change. I've mourned the loss of the mother I imagined could exist. I accept the one I have will never be the one I need. And that's okay - because I will be the person I need. I will be the one I can depend on, the one who has the power to make my life better or worse. I'll still panic when I'm in a crowd. I'll still question whether people mean something different from what they say. And I'll probably always feel my heart thump when I think someone is criticizing me. But I can live with that. I accept myself.

My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she'd either not see it at all, or call it Mrs. Jones and talk about fishcakes. But most likely, she's do what most people do when confronted with something they don't understand. Panic.

You're suicidal.You know how impossible this sounds?" "Yes." I pause. "But I don't really have much choice." "Well,go on.What about the square?" "Diversion." My eyes lock onto Kaede's. "Create chaos in Batalla Square, as much chaos as you can manage. Enough chaos to force most of the soldiers guarding the back exits to enter the square and help contain the crowd-if only for a couple of minutes. That's what the electro-bomb might help you with. Set it off in the air, and it'll shake up the ground in Batalla Hall and around it. It shouldn't hurt anyone, but it'll definitely stir up some panic. And if the guns in the vicinity are disabled,they can't shoot at Day even if they see him escaping along a rooftop.They'll have to chase him or try their luck with less accurate stun guns." "Okay,genius." Kaede laughs, a little too sarcastically. "Let me ask you this, though. How the hell are you going to get Day out of the building at all? You think you're going to be the only soldier escorting him to the firing squad? Other soldiers will probably flank you.Hell,a whole patrol might join you." I smile at her. "There will be other soldiers. But who says they can't be Patriots in disguise?" She doesn't answer me,not in words. But I can see the grin spreading on her face, and I realize that even though she thinks I'm crazy,she has also agreed to help.

...there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family (...) We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow.Sometimes it hurts, it really hurts, for no other reason than the fact that our skin doesn’t feel like it’s ours. Sometimes we panic, because the bills need paying and we have to be grown-up and we don’t know how, because it’s so horribly, desperately easy to fail at being grown-up.

The true life is not reducible to words spoken or written, not by anyone, ever. The true life takes place when we're alone, thinking, feeling, lost in memory, dreamily self-aware, the submicroscopic moments. He said this more than once, Elster did, in more than one way. His life happened, he said, when he sat staring at a blank wall, thinking about dinner. An eight-hundred page biography is nothing more than dead conjecture, he said. I almost believed him when he said such things. He said we do this all the time, all of us, we become ourselves beneath the running thoughts and dim images, wondering idly when we'll die. This is how we live and think whether we know it or not. These are the unsorted thoughts we have looking out the train window, small dull smears of meditative panic.

What's your name?" I ask him. We're standing in front of my door. He stops suprised. Lifts his chin almost imperecmptly. Focuses his eyes on my face until I begin to regret my question. "You want to know my name." I don't do it on purpose, but my eyes narrow just a bit. "Warner is your last name, isn't it?" He almost smiles. "You want to know my name" "I didn't realize it was a secret." He steps forward. His lips twitch. His eyes fall, his lips draw in a tight breath. He drops a gloved finger down the apple of my cheek. "I'll tell you mine if you tell me yours," He whispers, too close to my neck. I inch backward. Swallow hard. "You already know my name." He's not looking at my eyes. "You're right. I should rephrase that. What I meant to say was I'll tell you mine if you show me yours." "What?" I'm breathing too fast too suddenly. He begins to pull off his gloves and I begin to panic. "Show me what you can do." My jaw is tight and my teeth have begun to ache. "I won't touch you" "That's all right." He tugs off the other glove. "I don't exactly need your help." "No-" "Don't worry." He grins. "I'm sure it won't hurt you at all." "No," I gasp "No, I won't-I can't-" "Fine," Warner snaps "That's fine. You don't want to hurt me. I'm so utterly flattered." He almost rolls his eyes.

The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers.[…]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.

I don’t think I even breathe when we’re not together,” she whispered. “Which means, when I see you on Monday morning, it’s been like sixty hours since I’ve taken a breath. That’s probably why I’m so crabby, and why I snap at you. All I do when we’re apart is think about you, and all I do when we’re together is panic. Because every second feels so important. And because I’m so out of control, I can’t help myself. I’m not even mine anymore, I’m yours, and what if you decide that you don’t want me? How could you want me like I want you?” He was quiet. He wanted everything she’d just said to be the last thing he heard. He wanted to fall asleep with I want you in his ears.

I told you everything I know", said the messenger. Arin had gone to his childhood suite, feeling anxiety verging on panic at the thought of not finding the man there, of having to track him down, of time lost…but the man had opened the outermost door almost immediately after Arin’s pounding knock. "I didn’t ask you the right questions,“ Arin said. "I want to start again. You said that the prisoner reached trough the bars of the wagon to give you the moth.” “Yes” “And you couldn’t really see her.” “That’s right.” “But you said she was Herrani. Why would you say that if you couldn’t see her?” “Because she spoke in Herrani.” “Perfectly.” “Yes.” “No accent.” “No.” “Describe the hand.” “I’m not sure…” “Start with the skin. You said it was paler than yours, than mine.” “Yes, like a house slave’s.” Which wasn’t very different from a Valorian’s. “Could you see her wrist, her arm?” “The wrist, yes, now that you mention it. She was in chains. I saw the manacle.” “Did you see the sleeve of a dress?” “Maybe. Blue?” Dread churned inside Arin. “You think or you know?” “I don’t know. Things happened too fast.” “Please. This is important.” “I don’t want to say something I’m not sure is true.” “All right, all right. Was this her right hand or her left?” “I don’t know.” “Can you tell me anything about it? Did she wear a seal ring?” “Not that I saw, but –” “Yes?" "She had a birthmark. On the hand, near the thumb. It looked like a little black star.

We've got time," Jared says again. An abrupt panic, like a warning premonition, makes it impossible for me to speak for a moment. He watches the change on my face with worried eyes. "You don't know that." The despair that softened when he found me strikes like the lash of a whip. "You can't know how much time we'll have. You don't know if we should be counting in months or days or hours." He laughs a warm laugh, touching his lips to the tense place where my eyebrows pull together. "Don't worry, Mel. Miracles don't work that way. I'll never lose you. I'll never let you get away from me." She brought me back to the present - to the thin ribbon of the highway winding through the Arizona wasteland, baking under the fierce noon sun - without my choosing to return. I stared at the empty place ahead and felt the empty place inside. Her thought sighed faintly in my head: you never know how much time you'll have. The tears I was crying belonged to both of us.

Grow up with me,Let’s run in fields and through the dark together,Fall off swings and burn special things,And both play outside in bad weather,Let’s eat badly,Let’s watch adults drink wine and laugh at their idiocy,Let’s sit in the back of the car making eye contact with strangers driving past,Making them uncomfortable,Not caring, not swearing, don’t look,Let’s both reclaim our superpowers, The ones we all have and lose with our milk teeth,The ability not to fear social awkwardness,The panic when locked in the cellar, still sure there’s something down there,And while picking through pillows each feather,Let’s both stay away from the edge of the bed,Forcing us closer together,Let’s sit in public, with ice-cream all over both our faces,Sticking our tongues out at passers-by,Let’s cry, let’s swim, let’s everything,Let’s not find it funny, lest someone falls over,Classical music is boring,Poetry baffles us both,There’s nothing that’s said is what’s meant,Plays are long, tiresome, sullen and filled With hours that could be spent rolling down hills and grazing our knees on cement,Let’s hear stories and both lose our innocence,Learn about parents and forgiveness,Death and morality,Kindness and heart,Thus losing both of our innocent hearts,But at least we wont do it apart,Grow up with me.

Oh, I`m sure Tristin will do it" She said casually as she hung the dress back on the hanger. I stared at her in confusion. "Surely he knows how to put a condom." The visual made my insides squirm with panic. "I mean the whole thing! All of it!" I cried. "Oh" She looked at me with surprise and then her expression dissolved into understanding. "Honey, it will all come naturally." "How do I know what natural is though? How do I know what`s right? What if I do it all wrong?" She smiled. "The thing about men, Alexis, is they generally don`t find any of it wrong. In fact, usually the more wrong it is, the more they like it.

I think what you mostly do when you find you really are alone is to panic. You rush to the opposite extreme and pack yourself into groups - clubs, teams, societies, types. You suddenly start dressing exactly like the others. It's a way of being invisible. The way you sew the patches on the holes in your blue jeans becomes incredibly important. If you do it wrong you're not with it. That's a peculiar phrase, you know? With it. With what? With them. With the others. All together. Safety in numbers. I'm not me. I'm a basketball letter. I'm a popular kid. I'm my friend's friend. I'm a black leather growth on a Honda. I'm a member. I'm a teenager. You can't see me, all you can see is us. We're safe. And if We see You standing alone by yourself, if you're lucky we'll ignore you. If you're not lucky, we might throw rocks. Because we don't like people standing there with the wrong kind of patches on their jeans reminding us that we're each alone and none of us is safe.

Excerpt from Ursula K Le Guin's speech at National Book Awards Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality. Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship. Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write. Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words. I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom.

I became a student of my own depressed experience, trying to unthread its causes. What was the root of all this despair? Was it psychological? (Was it Mom and Dad's fault?( Was it just temporal, a 'bad time' in my life? (When the divorce ends will the depression end with it?) Was it genetic? (Melancholy, called by many names, has run through my family for generations, along with its sad bride, Alcoholism.) Was it cultural? (Is this just the fallout of postfeminist American career girl trying to find balance in an increasingly stressful alienting urban world?) Was it astrological? (Am I so sad because I'm a thin-skinned Cancer whose major signs are all ruled by unstable Gemini?) Was it artistic? (Don't creative people always suffer from depression because we're so supersensitive and special?) Was it evolutionary? (Do I carry in me the residual panic that comes after millennia of my species' attempting to survive a brutal world?) Was it karmic? (Are all these spasms of grief just the consequences of bad behavior in previous lifetimes, the last obstacles before liberation?) Was it hormonal? Dietary? Philosophical? Seasonal? Environmental? Was I tapping into a universal yearning for God? Did I have a chemical imbalance? Or did I just need to get laid?

Speaking of tongues, they are the main reason I'm a nervous wreck. Ryan is a senior and well, sadly, I'm not all that experienced with boys. I mean, I'm a freshman and have been to dances with boys my age and even have gone out with boys, but I've never really kissed them. Not like I hope to kiss Ryan anyway. Bobby Robinson did shove his tongue into my mouth one time, when we were kissing under the bleachers at a football game, but it didn't feel so good. I'm pretty sure he didn't have it exactly right. So I talked to my friends, Katie and Lisa, about how to properly make out. But, well, here is just a bit of their unhelpful advice. Just let him take the lead, do what ever he does. Um, couldn't that get me into a lot of trouble? Just sort of kiss his tongue, but try not to drool. Don't open your mouth too wide. And then, just open your mouth wide. See? Stupid, conflicting information. And this from girls who supposedly know how to do this! I feel like I'm an undercover CIA agent trying to wrestle vital information out of a ruthless double agent, and the fate of the free world depends upon it. All the while, the President is yelling at me in a panic, saying, Somebody! Anybody! Just get me the truth!

Zeus rolled his eyes. "A dimwitted god, apparently. But yes. With the consensus of the entire Council, I can make you immortal. Then I will have to put up with you forever." "Hmm," Ares mused. "That means I can smash him to a pulp as often as I want, and he'll just keep coming back for more. I like this idea." "I approve as well," Athena said, though she was looking at Annabeth. I glanced back. Annabeth was trying not to meet my eyes. Her face was pale. I flashed back to two years ago, when I'd thought she was going to take the pledge to Artemis and become a Hunter. I'd been on the edge of a panic attack, thinking that I'd lose her. Now, she looked pretty much the same way. I thought about the Three Fates, and the way I'd seen my life flash by. I could avoid all that. No aging, no death, no body in the grave. I could be a teenager forever, in top condition, powerful, and immortal, serving my father. I could have power and eternal life. Who could refuse that? Then I looked at Annabeth again. I thought about my friends from camp: Charles Beckendorf, Michael Yew, Silena Beauregard, so many others who were now dead. I thought about Ethan Nakamura and Luke. And I knew what to do. "No," I said. The Council was silent. The gods frowned at each other like they must have misheard. "No?" Zeus said. "You are . . . turning down our generous gift?" There was a dangerous edge to his voice, like a thunderstorm about to erupt. "I'm honored and everything," I said. "Don't get me wrong. It's just . . . I've got a lot of life left to live. I'd hate to peak in my sophomore year." The gods were glaring at me, but Annabeth had her hands over her mouth. Her eyes were shining. And that kind of made up for it.

Not only is it a wholly remarkable book, it is also a highly successful one – more popular than the Celestial Home Care Omnibus, better selling than Fifty-three More Things to do in Zero Gravity, and more controversial than Oolon Colluphid's trilogy of philosophical blockbusters Where God Went Wrong, Some More of God's Greatest Mistakes and Who is this God Person Anyway? In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover.

Sit tight, I'm gonna need you to keep time Come on just snap, snap, snap your fingers for me Good, good now we're making some progress Come on just tap, tap, tap your toes to the beat And I believe this may call for a proper introduction, and well Don't you see, I'm the narrator, and this is just the prologue? Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Applause, applause, no wait wait Dear studio audience, I've an announcement to make: It seems the artists these days are not who you think So we'll pick back up on that on another page And I believe this may call for a proper introduction, and well Don't you see, I'm the narrator and this is just the prologue Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, you swear to listen Swear to shake it up, you swear to listen Swear to shake it up, you swear to listen Swear to shake it up, swear to shake it up Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes

You stop noticing pain, is the thing. You notice it when it’s really bad, or when it’s different, but… on the rare occasion someone asks me what it’s like to live with RA, I don’t ever know what to say. They ask me if its painful, and I say yes because I know intellectually it must be, because the idea of doing some of the things that other people do without thinking fills me with dread and panic, but I always think about it mechanically. I can’t do x. I don’t want to do y. I don’t continue the thought into I can’t do that because it would hurt. I don’t want to do that because then I would be in pain. You can’t live like that. There’s only so much you can carry quietly by yourself, so you turn an illness into a list of rules instead of a list of symptoms, and you take pills that don’t help, and you do stretches, and you think instead of feeling. You think.

It’s wonderful to finally meet you,’ Scarlett managed. He smiled, wide and sincere. ‘I’m tempted to say you’re even prettier than I imagined, but I would hate you to think me unoriginal.’ ‘Too late,’ Julian coughed. A wrinkle formed between Nicolas’s thick brows as he noticed Scarlett’s companion. ‘And you are?’ ‘Julian.’ He offered his hand. But Nicolas refused to let go of Scarlett’s. ‘I wasn’t aware Scarlett had a brother.’ ‘I’m not her brother.’ Julian kept his tone friendly, but Scarlett felt a surge of bruising purple panic as devilry sparked in Julian’s eyes. ‘I’m not related to her at all. I’m an actor she played with during Caraval.’ He emphasized the words played with, and Scarlett could have choked him. Julian would choose now to finally be honest. Not that Nicolas appeared disturbed. The young count’s broad smile remained even as he petted Timber with his free hand. But Julian wasn’t finished. ‘I’m not surprised she’s never mentioned me. At the start of Caraval I don’t think she liked me much. But then we were given the same bedroom—’ ‘Julian, enough,’ Scarlett cut in.

it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.

Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.

It came down to that flexibility of a person’s mind. An ability to withstand horrors and snap back, like a fresh elastic band. A flinty mind shattered. In this way, he was glad not to be an adult. A grown-up’s mind—even one belonging to a decent man like Scoutmaster Tim—lacked that elasticity. The world had been robbed of all its mysteries, and with those mysteries went the horror. Adults didn’t believe in old wives’ tales. You didn’t see adults stepping over sidewalk cracks out of the fear that they might somehow, some way, break their mothers’ backs. They didn’t wish on stars: not with the squinty-eyed fierceness of kids, anyway. You’ll never find an adult who believes that saying “Bloody Mary” three times in front of a mirror in a dark room will summon a dark, blood-hungry entity. Adults were scared of different things: their jobs, their mortgages, whether they hung out with the “right people,” whether they would die unloved. These were pallid compared to the fears of a child—leering clowns under the bed and slimy monsters capering beyond the basement’s light and faceless sucking horrors from beyond the stars. There’s no 12-step or self-help group for dealing with those fears. Or maybe there is: you just grow up. And when you do, you surrender the nimbleness of mind required to believe in such things—but also to cope with them. And so when adults find themselves in a situation where that nimbleness is needed . . . well, they can’t summon it. So they fall to pieces: go insane, panic, suffer heart attacks and aneurysms brought on by fright. Why? They simply don’t believe it could be happening. That’s what’s different about kids: they believe everything can happen, and fully expect it to.

Pick,” Emma tells her. Tira’s lip trembles. She tries to back out of sight, but someone pushes her forward. “Pick…Pick what?” Emma motions to the halo of predators above them, around them, everywhere. “Pick two. Any two you want, and I will have them divide Jagen’s body evenly.” “No!” Jagen screams, his face contorted in terror. Emma cocks her head at him. “Jagen, make up your mind. Didn’t you just say you don’t believe I have the Gift? So then why should you care if she points to some harmless sharks?” He clamps his mouth shut, but the look of panic stays. Tira says, “I couldn’t do that, Highness.” Highness! Someone called Emma “Highness!” It’s one of the many names she calls Galen when she’s mad at him. The irony is not lost on Emma. Her death glare cuts off his snickers. She turns back to Tira. “Of course you can. There’s nothing to worry about because Paca has the Gift, remember? Isn’t that what you all believe? She would never let any harm come to her own father, would she? I know I wouldn’t. So go ahead and pick. Paca will save Jagen.” Clever little angelfish. Galen smirks at Jagen, who won’t meet his eyes. Nalia and Grom make their way to the edge of the center. Grom grins at Emma like she’s his own daughter. Which is very weird for Galen.

There are secularised cultures, but at the core of all of them, the spirit of Tradition remains, religious or otherwise. By defending the multiplicity, plurality and polycentrism of cultures, we are making an appeal to the principles of their essences, which we can only find in the spiritual traditions. But we try to link this attitude to the necessity for social justice and the freedom of differing societies in the hope for better political regimes. The idea is to join the spirit of Tradition with the desire for social justice. And we don’t want to oppose them, because that is the main strategy of hegemonic power: to divide Left and Right, to divide cultures, to divide ethnic groups, East and West, Muslims and Christians. We invite Right and Left to unite, and not to oppose traditionalism and spirituality, social justice and social dynamism. So we are not on the Right or on the Left. We are against liberal postmodernity. Our idea is to join all the fronts and not let them divide us. When we stay divided, they can rule us safely. If we are united, their rule will immediately end. That is our global strategy. And when we try to join the spiritual tradition with social justice, there is an immediate panic among liberals. They fear this very much.

Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.

Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.

This is how to start telling the difference between thoughts that are informed by your intuition and thoughts that are informed by fear: Intuitive thoughts are calm. Intruding thoughts are hectic and fear-inducing. Intuitive thoughts are rational; they make a degree of sense. Intruding thoughts are irrational and often stem from aggrandizing a situation or jumping to the worst conclusion possible. Intuitive thoughts help you in the present. They give you information that you need to make a better-informed decision. Intruding thoughts are often random and have nothing to do with what’s going on in the moment. Intuitive thoughts are “quiet”; intruding thoughts are “loud,” which makes one harder to hear than the other. Intuitive thoughts usually come to you once, maybe twice, and they induce a feeling of understanding. Intruding thoughts tend to be persistent and induce a feeling of panic. Intuitive thoughts often sound loving, while invasive thoughts sound scared. Intuitive thoughts usually come out of nowhere; invasive thoughts are usually triggered by external stimuli. Intuitive thoughts don’t need to be grappled with—you have them and then you let them go. Invasive thoughts begin a whole spiral of ideas and fears, making it feel impossible to stop thinking about them. Even when an intuitive thought doesn’t tell you something you like, it never makes you feel panicked. Even if you experience sadness or disappointment, you don’t feel overwhelmingly anxious. Panic is the emotion you experience when you don’t know what to do with a feeling. It is what happens when you have an invasive thought. Intuitive thoughts open your mind to other possibilities; invasive thoughts close your heart and make you feel stuck or condemned. Intuitive thoughts come from the perspective of your best self; invasive thoughts come from the perspective of your most fearful, small self. Intuitive thoughts solve problems; invasive thoughts create them. Intuitive thoughts help you help others; invasive thoughts tend to create a “me vs. them” mentality. Intuitive thoughts help you understand what you’re thinking and feeling; invasive thoughts assume what other people are thinking and feeling. Intuitive thoughts are rational; invasive thoughts are irrational. Intuitive thoughts come from a deeper place within you and give you a resounding feeling deep in your gut; invasive thoughts keep you stuck in your head and give you a panicked feeling. Intuitive thoughts show you how to respond; invasive thoughts demand that you react.

But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank

He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.

HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.