Don Q Quotes

We've searched our database for all the quotes and captions related to Don Q. Here they are! All 100 of them:

Life is not like water. Things in life don't necessarily flow over the shortest possible route.
Haruki Murakami (1Q84 (1Q84, #1-3))
You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it's going with my girlfriend - but I don't give a shit, man, because you're you. My parents have a shit ton of black Santas, but that's okay. They're them. I'm too obsessed with a reference website to answer my phone sometimes when my friends call, or my girlfriend. That's okay, too. That's me. You like me anyway. And I like you. You're funny, and you're smart, and you may show up late, but you always show up eventually.
John Green (Paper Towns)
I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself.
Haruki Murakami (1Q84 (1Q84, #1-3))
I've been lonely for so long. And I've been hurt so deeply. If only I could have met you again a long time ago, then I wouldn't have had to take all these detours to get here.' Tengo shook his head. 'I don't think so. This way is just fine. This is exactly the right time. For both of us. [...] We needed that much time.... to understand how lonely we really were.
Haruki Murakami (1Q84 (1Q84, #1-3))
It's just that you're about to do something out of the ordinary. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. But don't let appearances fool you. There's always only one reality.
Haruki Murakami (1Q84 (1Q84, #1-3))
...most people in the world don't really use their brains to think. And people who don't think are the ones who don't listen to others.
Haruki Murakami (1Q84 (1Q84, #1-3))
According to Chekhov," Tamaru said, rising from his chair, "once a gun appears in a story, it has to be fired." "Meaning what?" "Meaning, don't bring unnecessary props into a story. If a pistol appears, it has to be fired at some point. Chekhov liked to write stories that did away with all useless ornamentation.
Haruki Murakami (1Q84 (1Q84, #1-3))
I am living in hell from one day to the next. But there is nothing I can do to escape. I don't know where I would go if I did. I feel utterly powerless, and that feeling is my prision. I entered of my own free will, I locked the door, and I threw away the key.
Haruki Murakami
Don't let appearances fool you. There's always only one reality!
Haruki Murakami (1Q84 (1Q84, #1-3))
I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.
Jim Butcher (Storm Front (The Dresden Files, #1))
Either I'm funny or the world's funny. I don't know which. The bottle and lid don't fit. It could be the bottle's fault or the lid's fault. In either case, there's no denying that the fit is bad.
Haruki Murakami (1Q84 (1Q84, #1-3))
The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring - and all of the acts carried out - on this earth. But the moon remained silent; it told no stories. All it did was embrace the heavy past with a cool, measured detachment. On the moon there was neither air nor wind. Its vacuum was perfect for preserving memories unscathed. No one could unlock the heart of the moon. Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?” The moon did not answer. “Do you have any friends?” she asked. The moon did not answer. “Don’t you get tired of always playing it cool?” The moon did not answer.
Haruki Murakami (1Q84 (1Q84, #1-3))
There’s nothing wrong with not looking like something. It just means you don’t fit the stereotype yet.
Haruki Murakami (1Q84 (1Q84, #1-3))
Things may look different to you than they did before. I've had that experience myself. But don't let appearances fool you. There's only one reality.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
She’s flying free,” Q whispered, freezing me. He raised his head to look at a sparrow that landed on the mesh by his hand. “She’s leaving soon and I don’t think I’ll survive it.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
Meddy, how can you say that? Your aunties coming over, so late at night, coming to help us get rid of body, and we don’t even offer them any food? How can? Oh, we have dragon fruit, good, good.
Jesse Q. Sutanto (Dial A For Aunties)
No, I don't want your money. The world moves less by money than by what you owe people and what they owe you. I don't like to owe anybody anything, so I keep to myself as much on the lending side as I can.
Haruki Murakami (1Q84 (1Q84, #1-3))
belittle, v. No, I don't listen to the weather in the morning. No, I don't keep track of what I spend. No, it hadn't occurred to me that the Q train would have been much faster. But every time you give me that look, it doesn't make me want to live up to your standards.
David Levithan (The Lover's Dictionary)
The secret of success is to try always to improve yourself no matter where you are or what your position. Learn all you can. Don't see how little you can do, but how much you can do.
William Walker Atkinson (The Power of Concentration)
Human beings are ultimately nothing but carriers-passageways- for genes. They ride us into the ground like racehorses from generation to generation. Genes don't think about what constitutes good or evil. They don't care whether we are happy or unhappy. We're just means to an end for them. The only thing they think about is what is most efficient for them.
Haruki Murakami (1Q84 (1Q84, #1-3))
People just don't seem to get me. Don't understand that I need my space. Always telling me what to do. They think rules and routines and clean hands and your p's and q's will make everything all right. They haven't got a clue.
Rachel Ward (Numbers (Numbers, #1))
I tried, Tess. I really did. I did everything you asked of me. I did everything a man in love would do for his woman. But you don’t want me and my beast no longer wants to hurt you. Whatever we had…it’s lost.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
I’d kill for you, Tess. I have killed for you. Don’t undermine me by fearing others. Fear me. Let me rule you!
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
The only reason I don’t know more about love is because there just isn’t more to know. In fact, I’ve reduced love to a mathematical formula: Hdgk(X)=H2k(X,Q)∩Hk,k(X). Actually, that’s not right. That’s the statement piece of the Hodge conjecture, but I’m sure you already knew that.

Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
I was confident that I was a special person. But time slowly chips away at life. People don't just die when their time comes. They gradually die away, from the inside. And finally the day comes when you have to settle accounts. Nobody can escape it. People have to pay the price for what they've received. I have only just learned that truth.
Haruki Murakami (1Q84 (1Q84, #1-3))
Don’t you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there’s a huge possibility you’ll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn’t that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don’t you find that scary?
Haruki Murakami (1Q84 (1Q84, #1-3))
Dr Strauss said I had something that was very good. He said I had a good motor-vation. I never ever knew I had that. I felt proud when he said that not every body with an eye-q of 68 had that thing. I don't know what it is or where I got it but he said Algernon had it too. Algernons motor-vation is the cheese they put in his box. But it cant be that because I didnt eat any cheese last week.
Daniel Keyes (Flowers for Algernon)
Is it possible to become friends with a butterfly?" "It is if you first become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or a flower. It takes time, but once the butterfly lets its guard down, you can become friends quite naturally." ... " ... I come here every day, say hello to the butterflies, and talk about things with them. When the time comes, though, they just quietly go off and disappear. I'm sure it means they've died, but I can never find their bodies. They don't leave any trace behind. It's like they've been absorbed by the air. They're dainty little creatures that hardly exist at all: they come out of nowhere, search quietly for a few, limited things, and disappear into nothingness again, perhaps to some other world.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Q. Why don't the British panic? A. They do, but very quietly. It is impossible for the naked eye to tell their panic from their ecstasy.
George Mikes (How to Be an Alien: A Handbook for Beginners and Advanced Pupils)
Don’t let appearances fool you. There’s always only one reality.
Haruki Murakami (1Q84 #1-2 (1Q84, #1-2))
Math is like water. It has a lot of difficult theories, of course, but its basic logic is very simple. Just as water flows from high to low over the shortest possible distance, figures can only flow in one direction. You just have to keep your eye on them for the route to reveal itself. That’s all it takes. You don’t have to do a thing. Just concentrate your attention and keep your eyes open, and the figures make everything clear to you. In this whole, wide world, the only thing that treats me so kindly is math.
Haruki Murakami (1Q84 (1Q84, #1-3))
Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?” The moon did not answer. “Do you have any friends?” she asked. The moon did not answer. “Don’t you get tired of always playing it cool?” The moon did not answer.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
when I was four years old they tried to test my I.Q. they showed me a picture of 3 oranges and a pear they said, which one is different? it does not belong they taught me different is wrong but when I was 13 years old I woke up one morning thighs covered in blood like a war like a warning that I live in a breakable takeable body an ever-increasingly valuable body that a woman had come in the night to replace me deface me see, my body is borrowed yeah, I got it on loan for the time in between my mom and some maggots I don't need anyone to hold me I can hold my own I got highways for stretchmarks see where I've grown I sing sometimes like my life is at stake 'cause you're only as loud as the noises you make I'm learning to laugh as hard as I can listen 'cause silence is violence in women and poor people if more people were screaming then I could relax but a good brain ain't diddley if you don't have the facts we live in a breakable takeable world an ever available possible world and we can make music like we can make do genius is in a back beat backseat to nothing if you're dancing especially something stupid like I.Q. for every lie I unlearn I learn something new I sing sometimes for the war that I fight 'cause every tool is a weapon - if you hold it right.
Ani DiFranco
Q: Do you feel concerned that after all this work, people won't treat [Starship Titanic] with the gravity of, say, a movie or a book? That they won't treat it as an art form? D.A.: I hope that's the case, yes. I get very worried about this idea of art. Having been an English literary graduate, I've been trying to avoid the idea of doing art ever since. I think the idea of art kills creativity. ... [I]f somebody wants to come along and say, "Oh, it's art," that's as may be. I don't really mind that much. But I think that's for other people to decide after the fact. It isn't what you should be aiming to do. There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." ... I think you get most of the most interesting work done in fields where people don't think they're doing art, but merely practicing a craft, and working as good craftsmen. ... I tend to get very suspicious of anything that thinks it's art while it's being created.
Douglas Adams
Q.Why don't you write about nice people? Haven't you ever known any nice people in your life? A.My theory about nice people is so simple that I am embarrassed to say it. Q.Please say it. A.Well, I've never met one that I couldn't love if I completely knew him and understood him, and in my work I have at least tried to arrive at knowledge and understanding. I don't believe in 'original sin'. I don't believe in 'guilt'. I don't believe in villains or heroes - only right or wrong ways that individuals have taken, not by choice but by necessity or by certain still-uncomprehended influences in themselves, their circumstances, and their antecedents. This is so simple I'm ashamed to say it, but I'm sure it's true. In fact, I would bet my life on it! And that's why I don't understand why our propaganda machines are always trying to teach us, to persuade us, to hate and fear other people on the same little world that we live in. Why don't we meet these people and get to know them as I try to meet and know people in my plays?
Tennessee Williams
I'm not going to get involved in a debate with you. Just remember this: the gods give, and the gods take away. Even if you are not aware of having been granted what you posses, the gods remember what they gave you. They don't forget a thing. You should use the abilities you have been granted with the utmost care.
Haruki Murakami (1Q84 (1Q84, #1-3))
Most people believe not so much in truth as in things they wish were the truth. Their eyes may be wide open, but they don't see a thing. Tricking them is as easy as twisting a baby's arm.
Haruki Murakami (1Q84 (1Q84, #1-3))
It's a terrible thing when a person dies, whatever the circumstances. A hole opens up in the world, and we need to pay the proper respects. If we don't, the hole will never be filled in again.
Haruki Murakami (1Q84 (1Q84, #3))
I don't know what it is about the french language, it seems to be scared of coming out of the mouth so it comes out the nose instead.
P.D.Q. Bach
If you want to know a person’s true character, observe how he treats those who don’t matter.
Matshona Dhliwayo
You don’t mean that. You’ll come back from it. Let me help you.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
They take the circuits out of people’s brains that make it possible for them to think for themselves. Their world is like the one that George Orwell depicted in his novel. I’m sure you realize that there are plenty of people who are looking for exactly that kind of brain death. It makes life a lot easier. You don’t have to think about difficult things, just shut up and do what your superiors tell you to do.
Haruki Murakami (1Q84 (1Q84, #1-3))
But utopias don't exist, of course, anywhere in any world. Like alchemy or perpetual motion.
Haruki Murakami (1Q84 (1Q84, #1-3))
Don’t leave your big day to chance, leave it to the Chans!
Jesse Q. Sutanto (Dial A for Aunties (Aunties, #1))
The woman’s eyebrows are statement brows, and the statement is: I am fucking fabulous and don’t you forget it.
Jesse Q. Sutanto (Vera Wong's Unsolicited Advice for Murderers (Vera Wong, #1))
Things cultivated over such a long time don't just vanish into nothingness.
Haruki Murakami (1Q84 (1Q84, #1-3))
Tony:...but you need something to do about Noah. Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
David Levithan (Boy Meets Boy)
Once, in a spasm of sappiness, you asked Q-Jo if she thought your dreams would ever come true. 'You aren't talking about dreams,' she corrected you, 'you're referring to your pathetic bourgeoisie ambitions. Dreams don't come true. Dreams are true.
Tom Robbins (Half Asleep in Frog Pajamas)
Most kids don't give a hoot in hell for brains; they go a penny a pound, and the kid with the high I.Q. who can't play baseball or at least come in third in the local circle jerk is everybody's fifth wheel.
Stephen King (Rage)
Things like this don't happen all that often in one lifetime. This is the magnificent world of a picaresque novel. Just brace yourself and enjoy the smell of evil. We're shooting the rapids. And when we go over the falls, let's do it together in grand style!
Haruki Murakami (1Q84 (1Q84, #1-3))
Q: What can people do to defend their civil liberties? Phillips: I'm a pacifist, but the most American thing you can do is to dissent, and the most un-American thing you can do is to stifle dissent. When you feel threatened by the suppression of your liberties, you exercise them to the nth degree, you scream your head off every chance you get. You talk to people you don't agree with. Really good advice: Every day, talk to at least two people who don't agree with you. It's the only way it is going to get done.
Utah Phillips
The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.
Jim Butcher (Storm Front (The Dresden Files, #1))
I don't know if I love you too much or not enough I don't know if I love you the way the sky loves the stars or like moon loves the sun or the earth loves the sea or like bees love honey But I do know that I love you that much is for certain and it's the only thing I know
xq (;)
You don't get it" she said ''Don't get what?" ''We are one" ''We are one?" Tengo asked with a shock. ''We wrote the book together" Tengo felt the pressure of Fuka-Eri's fingers against his palm. ... ''That's true. We wrote Air Crysalis together. And when we are eaten by the tiger, we'll be eaten together.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Tie me, tease me, let your pleasure please me. Hurt me, love me, but please don’t ever leave me…
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
I don't have a thing,Tengo said, except my soul.
Haruki Murakami (1Q84 (1Q84, #1-3))
I don't think it's a question of liking or disliking it," Tengo said..."It was the one thing he was best at." "Hmm. I see," Kumi said. She pondered this. "But that might very well be the best way to live your life.
Haruki Murakami (1Q84 (1Q84, #1-3))
The ones who did it can always rationalize their actions and even forget what they did. They can turn away from things they don't want to see. But the surviving victims can never forget. They can’t turn away. Their memories are passed on from parent to child. That’s what the world is, after all: an endless battle of contrasting memories.
Haruki Murakami (1Q84 (1Q84, #1-3))
I think there will always be great new music and bands. As long as there's people around, there's going to be great music. I think there's bands like Wolf Eyes, Q & Not U, the Evens and many others that are doing great stuff. The music that doesn't please you, you just don't listen. No one makes me listen to Nickelback, so long may they wave.
Henry Rollins
If you don’t believe in the world, and if there is no love in it, then everything is phony. No matter which world we are talking about, no matter what kind of world we are talking about, the line separating fact from hypothesis is practically invisible to the eye. It can only be seen with the inner eye, the eye of the mind.
Haruki Murakami (1Q84 (1Q84, #1-3))
You may stay. But Jessica, please watch what you say and do. Don't look them in the eyes for long. Speak only when spoken to. Yes, sir; yes, ma'am." "Sit up. Arf," I teased. "What about her?" Jessica cried, pointing in my general direction. "She's more in need of an etiquette lesson than I am." "Yeah," I said, "but I'm the Queen. With a capital fucking Q. Hey, you're looking me in the eyes for too long! Eric, make her stop!
MaryJanice Davidson (Undead and Unpopular (Undead, #5))
The bottle and the cap don't fit: is the problem with the bottle or the cap?
Haruki Murakami (1Q84 (1Q84, #1-3))
My son's got the I.Q. Of a robot but I don't have the dough to send him to school.
Jonathan Dunne (Balloon Animals)
We don't find out what's waiting for us around the next corner until we turn it.
Haruki Murakami (1Q84 (1Q84, #1-3))
All's well that ends well.' 'Assuming there's an end somewhere,' Aomame said. Tamaru formed some short creases near his mouth that were faintly reminiscent of a smile. 'There has to be an end somewhere. It's just that nothing's labeled "This is the end." Is the top rung of a ladder labeled "This is the last rung. Please don't step higher than this'?" Aomame shook her head. 'It's the same thing,' Tamaru said. Aomame said, 'If you use common sense and keep your eyes open, it becomes clear enough where the end is.' Tamaru nodded. 'And even if it doesn't' -- he made a falling gesture with his finger -- 'the end is right there.
Haruki Murakami (1Q84 (1Q84, #1-3))
You don't describe your job like that," Vera scolds. "Is a small job, hah! Can you see men saying that? No, men will talk it up with bullshit, that is why they get even bigger job next time. There is no such thing as 'small job.' And don't say in that silly tone, oh so apologetic, I am just silly woman having a small job. No!" Her index finger shoots up and points at Julia's face like a sword. "You go and do this job proudly.
Jesse Q. Sutanto (Vera Wong's Unsolicited Advice for Murderers (Vera Wong, #1))
Look Mister, I don't care what you think, you are bald. If the census had a "bald" category, You'd be in it, no problem. If you go to heaven, you're going to bald heaven. If you go to hell, you're going to bald hell. Have you got that straight? Then stop looking away from the truth. Let's go now. I'm taking you straight to bald heaven, nonstop.
Haruki Murakami (1Q84 (1Q84, #1-3))
Q: Explain the concept of homeostasis? A: It is when you stay at home all day and don’t go out.
Richard Benson (F in Exams: The Best Test Paper Blunders)
Who drugged you?” Sheriff McConnell roars. “I mean, I don’t know. I’d like to know, that was some good stuff—er, I mean, yeah, that was really uncool, drugging us like that,
Jesse Q. Sutanto (Dial A for Aunties (Aunties, #1))
Tighten your grip, make me bleed, it's a hunger I need to feed. Strip me bare, pull my hair, I don't care just take me there.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
If you don't imagine, nothing ever happens at all
John Green (Paper Towns)
Don't give in to a single temptation. For every time you do, you strengthen the chain of bad habits. Every time you keep a resolution, you break the chain that enslaves you.
William Walker Atkinson (The Power of Concentration)
we, as a society, archive our history. We don’t want to forget where we’ve been and what we’ve seen. The past informs us, and can easily transform us, if we choose to let it. Q.
Susan Meissner (Secrets of a Charmed Life)
Sometimes words hang around longer than people, even when you don’t want them to.
Onjali Q. Raúf (The Boy at the Back of the Class)
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
I don't like ringing the bell at the door. Its' tingaling just sounds beautiful. It makes one equal innocent sound, and it doesn't matter who is ringing. But knocking is distinctive. Human beats something physically - you can hear the reflected feeling. Of course, the hand always gets slightly painful.
Haruki Murakami (1Q84 (1Q84, #3))
Q: Where and when do you do your writing? A: Any small room with no natural light will do. As for when, I have no particular schedules... afternoons are best, but I'm too lethargic for any real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or that some other asshole only works half an hour every two weeks, does fifty press-ups and stands on his head before and after the "creative moment." I remember reading that kind of stuff in profiles like this and becoming convinced everything I was doing was wrong. What's the American phrase? If it ain't broke...
Zadie Smith
I don’t want to do that,” Aomame said. “What I want is for the two of us to meet somewhere by chance one day, like, passing on the street, or getting on the same bus.” “Destiny. A chance encounter.” “More or less,” Aomame said, taking a sip of wine. “That’s when I’ll open up
Haruki Murakami (1Q84 (1Q84, #1-3))
It is hard to talk about the importance of an imaginary hero. But heroes are important. Heroes tell us something about ourselves. History books tell us who we used to be, documentaries tell us who we are now... but heroes, tell us who we want to be. A lot of our heroes depress me. But when they made this particular hero, they didn't give him a gun, they gave him a screwdriver to fix things. They didn't give him a tank or a warship or a X-Wing Fighter, they gave him a phone box from which you can call for help. And they didn't give him a superpower, or pointy ears, or Heat Ray, they gave him an extra heart. They gave him two hearts and that is an extraordinary thing. There will never come a time when we don't need a hero like the Doctor. - The Day of the Doctor Q&A
Steven Moffat
I want to push myself to my limits, and if things don’t work out, then I can give up. But I will do everything I can until the bitter end.
Haruki Murakami (1Q84 #1-2 (1Q84, #1-2))
Q: Are you saying that thought has a kind of possessive quality which stays, gets stuck, and then becomes habitual? And we don't see this? Bohm: I think that whenever we repeat something it gradually becomes a habit, and we get less and less aware of it. If you brush your teeth every morning, you probably hardly notice how you're doing it. It just goes by itself. Our thought does the same thing, and so do our feelings. That's a key point.
David Bohm (Thought as a System: Second edition (Key Ideas Book 4))
People don’t just die when their time comes. They gradually die away, from the inside. And finally the day comes when you have to settle accounts. Nobody can escape it. People have to pay the price for what they’ve received. I have only just learned that truth.
Haruki Murakami (1Q84 (1Q84, #1-3))
The ones who did it can always rationalize their actions and even forget what they did. They can turn away from things they don't want to see. But the surviving victims can never forget. They can't turn away. Their memories are passed on from parent to child. That's what the world is, after all: an endless battle of contrasting memories.
Haruki Murakami (1Q84 (1Q84, #1-3))
All’s well that ends well.” “Assuming there’s an end somewhere,” Aomame said. Tamaru formed some short creases near his mouth that were faintly reminiscent of a smile. “There has to be an end somewhere. It’s just that nothing’s labeled ‘This is the end.’ Is the top rung of a ladder labeled ‘This is the last rung. Please don’t step higher than this’?
Haruki Murakami (1Q84 (1Q84, #1-3))
According to Q-Jo, the whole tarot deck, or at least the twenty-two trump cards of the Major Arcana, may be read as the Fool's journey. "On one important level," she explained, "the major cards are chapters in the story of a quest. I'm talking the universal human quest for understanding and divine reunion. And it doesn't matter whether the quest starts with the Fool or ends with him, because it's a loop anyhow, a cycle endlessly repeated. When the naive young Fool finally tumbles over the precipice, he falls into the world of experience. Now his journey has really begun. Along the way, he'll meet all the teachers and tempters - the tempters are teachers, too - and challenging situations that a person is likely to meet in the task of his or her growing. The Fool is potentially everybody, but not everybody has the wisdom or the guts to play the fool. A lot of folks don't know what's in that bag they're carrying. And they're all too willing to trade it for cash. Inside the bag, the have every tool they need to facilitate their life's journey, but they won't even open it up and glance inside. Subconsciously, the goal of all of us out-of-control primates is essentially the same, but let me assure you of this: the only ones who'll ever reach that goal are the ones who have the courage to make fools of themselves along the way.
Tom Robbins (Half Asleep in Frog Pajamas)
Q: How do you fall in love? You don't fall in love like you fall in a hole. You fall like falling through space. It's like you jump off your own private planet to visit someone else's planet. And when you get there it all looks different: the flowers, the animals, the colours people wear. It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump... And you can bring your friends to visit. And read your favorite stories to each other. And the falling was really the big jump that you had to make to be with someone you don't want to be without. That's it. PS You have to be brave.
Jeanette Winterson
Q: Do you have any advice for upcoming writers who want to pen weird stories? A: READ, damn it. Fill your brain to the bursting point with the good stuff, starting with writers that you truly enjoy, and then work your way backward and outward, reading those writers who inspired the writers you love best. That was my path as far as Weird/Horror Fiction, starting with Lovecraft, and then working my way backward/outward on the Weird Fiction spiderweb. And don’t limit your reading. Read it all, especially non-fiction and various news outlets. You’d be surprised by how many of my story ideas were born while listening to NPR, perusing a blog, or paging through Vanity Fair. Once you have your fuel squared away, just write what you love, in whatever style and genre. You’ll never have fun being someone you’re not, so be yourself. When a singer opens their mouth, what comes out is what comes out. Also, don’t be afraid to fail, and don’t be afraid to walk away. Writing isn’t for everyone, and that’s totally fine. One doesn’t need to be a writer to enjoy being a reader and overall fan of genre or wider fiction.
T.E. Grau
People misunderstand happiness. They think it's the absence of trouble. That's not happiness, that's luck. Happiness is the ability to live well alongside trouble. No two people have the same trouble, or the same way of metabolizing it. Q.E.D.: No two happy people are happy in the same way. Even Tolstoy was afraid to admit this, and I don't blame him. Every day brilliant people, people smarter than I, wallow in safe tragedy and pessimism, shying from what really takes guts: recognizing how much courage and labor happiness demands." -Tracy Farber
Rachel Kadish (Tolstoy Lied: A Love Story)
Q: Is it still possible nowadays to influence the world by songs? To be political by means of messages? A: No, there are newspapers for that. When people want to deal with the world, they should watch television. Q: That's very passive. A: The world has become like that. People are going to the football stadium, they don't play themselves anymore. Q: Did you ever think you could be politically active through your songs? A: No, no, no. If I had wanted to do that, I would have gone to Harvard or Yale, would have studied and would have a become a politician after that.
Bob Dylan
A cat met up with a big male rat in the attic and chased him into a corner. The rat, trembling, said, ‘Please don’t eat me, Mr. Cat. I have to go back to my family. I have hungry children waiting for me. Please let me go.’ The cat said, ‘Don’t worry, I won’t eat you. To tell you the truth, I can’t say this too loudly, but I’m a vegetarian. I don’t eat any meat. You were lucky to run into me.’ The rat said, ‘Oh, what a wonderful day! What a lucky rat I am to meet up with a vegetarian cat!’ But the very next second, the cat pounced on the rat, held him down with his claws, and sank his sharp teeth into the rat’s throat. With his last, painful breath, the rat asked him, ‘But Mr. Cat, didn’t you say you’re a vegetarian and don’t eat any meat? Were you lying to me?’ The cat licked his chops and said, ‘True, I don’t eat meat. That was no lie. I’m going to take you home in my mouth and trade you for lettuce.’ 
Haruki Murakami (1Q84 (1Q84, #1-3))
I’m tired of living in hatred and resentment. I’m tired of living unable to love anyone. I don’t have a single friend—not one. And, worst of all, I can’t even love myself. Why is that? Why can’t I love myself? It’s because I can’t love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself. No, I’m not blaming you for this. Come to think of it, you may be such a victim. You probably don’t know how to love yourself. Am I wrong about that?
Haruki Murakami (1Q84 (1Q84, #1-3))
Q: How do you take off your suit of armor? How do you open yourself? A: It is not a question of how you do it. There is no ritual or ceremony or formula for opening. The first obstacle is the question itself: “How?” If you don’t question yourself, don’t watch yourself, then you just do it. We do not consider how we are going to vomit; we just vomit. There is no time to think about it; it just happens. If we are very tense, then we will have tremendous pain and will not really be able to vomit properly. We will try to swallow it back, try to struggle with our illness. We have to learn to relax when we are sick.
Chögyam Trungpa (Cutting Through Spiritual Materialism)
You’re still young and healthy. Maybe that’s why you don’t understand what I am saying. Let me give you an example. Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a comb losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or, then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful—as painful as actually being cut with a knife. You will be turning thirty soon, Mr. Kawana, which means that, from now on, you will gradually enter that twilight portion of life—you will be getting older. You are probably beginning to grasp that painful sense that you are losing something, are you not?
Haruki Murakami (1Q84 (1Q84, #1-3))
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
At the age of eight, John Quincy Adams was made the man of his house while his father, John Adams, was off doing important John Adams things for America. This would be a lot of terrifying responsibility at any time in American history, but it just so happens that, when Adams was eight years old, the *Revolutionary freaking War* was happening right outside his house. He watched the Battle of Bunker Hill from his front porch, according to his diary, worried that he might be 'butchered in cold blood, or taken and carried ... as hostages by any foraging or marauding detachment of British soldiers.' I don't have the diary I kept at age eight, but I think the only things I worried about was whether or not they'd have for dogs in the school the next day and if I had the wherewithal and clarity of purpose to collect all of the Pokemon. John Q, on the other hand, guarded his house, mother, and siblings during wartime. This isn't to imply that eight-year-old John Quincy Adams could have beaten eight-year-old you in a fight, but to imply that eight-year-old John Quincy Adams could beat you *as an adult*.
Daniel O'Brien (How to Fight Presidents: Defending Yourself Against the Badasses Who Ran This Country)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
We would gladly have listened to her (they said) if only she had spoken like a lady. But they are liars and the truth is not in them. Shrill… vituperative… no concern for the future of society… maunderings of antiquated feminism… selfish femlib… needs a good lay… this shapeless book… of course a calm and objective discussion is beyond… twisted, neurotic… some truth buried in a largely hysterical… of very limited interest, I should… another tract for the trash-can… burned her bra and thought that… no characterization, no plot… really important issues are neglected while… hermetically sealed… women's limited experience… another of the screaming sisterhood… a not very appealing aggressiveness… could have been done with wit if the author had… deflowering the pretentious male… a man would have given his right arm to… hardly girlish… a woman's book… another shrill polemic which the… a mere male like myself can hardly… a brilliant but basically confused study of feminine hysteria which… feminine lack of objectivity… this pretense at a novel… trying to shock… the tired tricks of the anti-novelists… how often must a poor critic have to… the usual boring obligatory references to Lesbianism… denial of the profound sexual polarity which… an all too womanly refusal to face facts… pseudo-masculine brusqueness… the ladies'-magazine level… trivial topics like housework and the predictable screams of… those who cuddled up to ball-breaker Kate will… unfortunately sexless in its outlook… drivel… a warped clinical protest against… violently waspish attack… formidable self-pity which erodes any chance of… formless… the inability to accept the female role which… the predictable fury at anatomy displaced to… without the grace and compassion which we have the right to expect… anatomy is destiny… destiny is anatomy… sharp and funny but without real weight or anything beyond a topical… just plain bad… we "dear ladies," whom Russ would do away with, unfortunately just don't feel… ephemeral trash, missiles of the sex war… a female lack of experience which… Q. E. D. Quod erat demonstrandum. It has been proved.
Joanna Russ (The Female Man)
He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.
Colson Whitehead (Apex Hides the Hurt)
[Asked by an audience member at a public Q&A session] Considering that atheism cannot possibly have any sense of 'absolute morality', would it not then be an irrational leap of faith – which atheists themselves so harshly condemn – for an atheist to decide between right and wrong? [Dawkins] Absolute morality...the absolute morality that a religious person might profess would include, what, stoning people for adultery? Death for apostasy? [...] These are all things which are religiously-based absolute moralities. I don't think I want an absolute morality; I think I want a morality that is thought out, reasoned, argued, discussed, and based on – you could almost say intelligent design. [...] If you actually look at the moralities that are accepted among modern people – among 21st century people – we don't believe in slavery anymore; we believe in equality of women; we believe in being gentle; we believe in being kind to animals...these are all things which are entirely recent. They have very little basis in Biblical or Koranic scripture. They are things that have developed over historical time; through a consensus of reasoning, sober discussion, argument, legal theory, political and moral philosophy. These do not come from religion. To the extent that you can find the 'good bits' in religious scriptures, you have to cherry-pick. You search your way through the Bible or the Koran, and you find the occasional verse that is an acceptable profession of morality – and you say, look at that! That's religion!...and you leave out all the horrible bits. And you say, 'Oh, we don't believe that anymore, we've grown out of that.' Well, of course we've grown out of it. We've grown out of it because of secular moral philosophy and rational discussion.
Richard Dawkins
The house is still standing on the banks of the lake in Zurich. Jung’s descendants manage it, but unfortunately it’s not open to the public, so people can’t view the interior. Rumor has it, though, that at the entrance to the original tower there is a stone into which Jung carved some words with his own hand. ‘Cold or Not, God Is Present.’ That’s what he carved into the stone himself.” Tamaru paused again. “ ‘Cold or Not, God Is Present,’ ” he intoned, quietly, once more. “Do you know what this means?” Ushikawa shook his head. “No, I don’t.” “I can imagine. I’m not sure myself what it means. There’s some kind of deep allusion there, something difficult to interpret. But consider this: in this house that Carl Jung built, piling up the stones with his own hands, at the very entrance, he found the need to chisel out, again with his own hands, these words. I don’t know why, but I’ve been drawn to these words for a long time. I find them hard to understand, but the difficulty in understanding makes it all the more profound. I don’t know much about God. I was raised in a Catholic orphanage and had some awful experiences there so I don’t have a good impression of God. And it was always cold there, even in the summer. It was either really cold or outrageously cold. One or the other. If there is a God, I can’t say he treated me very well. Despite all this, those words of Jung’s quietly sank deep into the folds of my soul. Sometimes I close my eyes and repeat them over and over, and they make me strangely calm. ‘Cold or Not, God Is Present.’ Sorry, but could you say that out loud?” “ ‘Cold or Not, God Is Present,’ ” Ushikawa repeated in a weak voice, not really sure what he was saying. “I can’t hear you very well.” “ ‘Cold or Not, God Is Present.’ ” This time Ushikawa said it as distinctly as he could. Tamaru shut his eyes, enjoying the overtones of the words. Eventually, as if he had made up his mind about something, he took a deep breath and let it out. He opened his eyes and looked at his hands. He had on disposable latex gloves so he wouldn’t leave behind any fingerprints. “I’m sorry about this,” Tamaru said in a low voice. His tone was solemn. He took out the plastic bag again, put it over Ushikawa’s head, and wrapped the thick rubber band around his neck. His movements were swift and decisive. Ushikawa was about to protest, but the words didn’t form, and they never reached anyone’s ears. Why is he doing this? Ushikawa thought from inside the plastic bag.
Haruki Murakami (1Q84 (1Q84, #1-3))