Don't Suggest Quotes

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I know - I'll play you for it," Alice suggested. "Rock, paper, scissors." Jasper chuckled and Edward sighed. "Why don't you just tell me who wins?" Edward said wryly. Alice beamed. "I do. Excellent.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
Don't play," said Hermione at once. "Say you're ill," said Ron. "Pretend to break your leg," Hermione suggested. "Really break your leg," said Ron.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Most people don't realize how important librarians are. I ran across a book recently which suggested that the peace and prosperity of a culture was solely related to how many librarians it contained. Possibly a slight overstatement. But a culture that doesn't value its librarians doesn't value ideas and without ideas, well, where are we?
Neil Gaiman
My spirit. This is a new thought. I'm not sure exactly what it means, but it suggests I'm a fighter. In a sort of brave way. It's not as if I'm never friendly. Okay, maybe I don't go around loving everybody I meet, maybe my smiles are hard to come by, but i do care for some people.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Don't forget, a person's greatest emotional need is to feel appreciated.
H. Jackson Brown Jr. (Life's Little Instruction Book: 511 Suggestions, Observations, and Reminders on How to Live a Happy and Rewarding Life)
I don’t like keeping her in the dark,” Jace said. “We’ll tell her in a week. What difference does a week make?” Jace gave him a look. “Two weeks ago you were dead.” “Well, I wasn’t suggesting two weeks,” said Sebastian. “That would be insane.
Cassandra Clare
How about we just be Haven and Carmine?” she suggested. “We don’t know the ending, but we can always hope for the best.” “I like that,” he said. “Besides, there’s a reason we don’t know how the story ends.” “Why?” “Because it doesn’t.
J.M. Darhower (Sempre (Sempre, #1))
OK," Josh said evenly, "I've seen men made of mud, I guess I can accept spying rats. Do they talk?" he wondered aloud. Don't be ridiculous," Flamel snapped, "They're rats." Josh really didn't think it was a ridiculous suggestion.
Michael Scott (The Alchemyst (The Secrets of the Immortal Nicholas Flamel, #1))
Don't despair: despair suggests you are in total control and know what is coming. You don't - surrender to events with hope.
Alain de Botton
March is such a fickle month. It is the seam between winter and spring—though seam suggests an even hem, and March is more like a rough line of stitches sewn by an unsteady hand, swinging wildly between January gusts and June greens. You don’t know what you’ll find, until you step outside.
V.E. Schwab (The Invisible Life of Addie LaRue)
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language." I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever. Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end. And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
Audre Lorde
What is this?” he went on now, spearing an unfortunate object on a fork and raising it to eye level. “This… this… thing?” “A parsnip?” Jem suggested. “A parsnip planted in Satan’s own garden.” said Will. He glanced about. “I don’t suppose there’s a dog I could feed it to.” “There don’t seem to be any pets about,” Jem—who loved all animals, even the inglorious and ill-tempered Church—observed. “Probably all poisoned by parsnips,” said Will.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
So we literally made the earth move? A slight pause, before Kaleb said, I suggest we don’t engage in sex in populated areas.
Nalini Singh (Heart of Obsidian (Psy-Changeling, #12))
These illustrations suggest four general maxims[...]. The first is: remember that your motives are not always as altruistic as they seem to yourself. The second is: don't over-estimate your own merits. The third is: don't expect others to take as much interest in you as you do yourself. And the fourth is: don't imagine that most people give enough thought to you to have any special desire to persecute you.
Bertrand Russell (The Conquest of Happiness)
Be quiet or I'll be forced to flick you." "Ooh," he mocked. "The ultimate threat. I don't think I've ever been flicked before." "Are you suggesting I can't hurt you?" "On the contrary, I think you have the power to do great damage.
Alexandra Adornetto (Halo (Halo, #1))
You might want to put some clothes on' suggested Jace 'I'm all for the bra and panties look, but you don't want the Silent Brothers to die of excitement
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
She might even be your lovely school-teacher who is reading these words to you at this very moment. Look carefully at that teacher. Perhaps she is smiling at the absurdity of such a suggestion. Don't let that put you off. It could be part of cleverness. I am not, of course, telling you for one second that your teacher actually is a witch. All I am saying is that she might be one. It is most unlikely. But—here comes the big "but"—not impossible.
Roald Dahl (The Witches)
I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean.
Toni Morrison
We don’t ask why God chose as his prophet a stutterer with a public speaking phobia. But we should. The book of Exodus is short on explication, but its stories suggest that introversion plays yin to the yang of extroversion; that the medium is not always the message; and that people followed Moses because his words were thoughtful, not because he spoke them well.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
If she likes makeup, let her wear it. If she likes fashion, let her dress up. But if she doesn’t like either, let her be. Don’t think that raising her feminist means forcing her to reject femininity. Feminism and femininity are not mutually exclusive.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful to me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust.
Italo Calvino (If on a Winter's Night a Traveler)
My wife and I just don't have the same feelings for each other we used to have. I guess I just don't love her anymore and she doesn't love me. What can i do?" "The feeling isn't there anymore?" I asked. "That's right," he reaffirmed. "And we have three children we're really concerned about. What do you suggest?" "love her," I replied. "I told you, the feeling just isn't there anymore." "Love her." "You don't understand. the feeling of love just isn't there." "Then love her. If the feeling isn't there, that's a good reason to love her." "But how do you love when you don't love?" "My friend , love is a verb. Love - the feeling - is a fruit of love, the verb. So love her. Serve her. Sacrifice. Listen to her. Empathize. Appreciate. Affirm her. Are you willing to do that?
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
If you have feelings for someone, let them know. It doesn’t matter if they can be in your life or not. Maybe, it is just enough for both of you to release the truth, so healing can occur. The opposite is true, as well. If you don’t have feelings for someone then never let another person suggest that you do. Protect your reputation and be responsible for the wrong information spread about you. Never allow anyone to live with a false belief or unfounded hope about you. An honorable person sets the record straight, so that person can move on with their life.
Shannon L. Alder
They never said “I don’t know.” They said, instead, “I’m not sure,” which did not give any information but still suggested the possibility of knowledge.
Chimamanda Ngozi Adichie (Americanah)
Jace: 'I don't like keeping her in the dark.' Sebastian: 'We'll tell her in a week. What difference does a week make?' Jace: 'Two weeks ago you were dead.' Sebastian: 'Well, I wasn't suggesting twoweeks. That would be insane.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Recognizing that people's reactions don't belong to you is the only sane way to create. If people enjoy what you've created, terrific. If people ignore what you've created, too bad. If people misunderstand what you've created, don't sweat it. And what if people absolutely hate what you've created? What if people attack you with savage vitriol, and insult your intelligence, and malign your motives, and drag your good name through the mud? Just smile sweetly and suggest - as politely as you possibly can - that they go make their own fucking art. Then stubbornly continue making yours.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Sounds like someone's hit the terrible twos." "Threes actually," Quil corrected. "You missed the party. Princess theme. She made me wear a crown, and then Emily suggested they all try out her new play makeup on me." "Wow, I'm REALLY sorry I wasn't around to see that." Don't worry, Emily has pictures. Actually, I look pretty hot.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really." Here we go again, George said. Always talking about himself. Quiet! Martha snapped. Do you want to get set on vibrate? Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo." "Did he get blasted to tiny pieces?" I asked. "Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry." So what's the moral?" "The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?" "Um ..." "How about this: stealing is not always bad?" "I don't think my mom would like that moral." Rats are delicious, suggested George. What does that have to do with the story? Martha demanded. Nothing, George said. But I'm hungry. "I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
My advice to writers just starting out? Don't use semi-colons! They are transvestite hermaphrodites, representing exactly nothing. All they do is suggest you might have gone to college.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
At one store, Gansey had started to pay for Blue's potato chips and she'd snatched them away. "I don't want you to buy me food!" Blue said. "If you pay for it, then it's like I'm... be---be---" "Beholden to me?" Gansey suggested pleasantly. "Don't put words into my mouth." "It was your word." "You assumed it was my word. You can't just go around assuming." "But that is what you meant, isn't it?" She scowled. "I'm done with this conversation.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Well, we can’t sit around here worrying all night. I have to do something. ” “Why don’t you call up another vampire hunter for tea?” he suggested drily.
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
Irene-" "Don't call me that." "You were the princess Irene the first time we met." "It means 'peace'," Attolia said. "What name could be more inappropriate?" "That I be named Helen?" Eddis suggested. The hard lines in Attolia's face eased, and she smiled. Eddis was a far cry from the woman whose beauty had started a war.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
Then if you don’t mind a suggestion—plan what you will do, and then set it aside until tomorrow,” Cole said. “You tend to worry things in circles. Try to worry in a straight line.
Dee Henderson (The Healer (O'Malley, #5))
It's so much easier to suggest solutions when you don't know too much about the problem.
Malcolm Forbes
Look. I don’t want to push you into anything, but do you maybe want to —” “Call Magnus? Look, that’s a dead end, I know you’re trying to be helpful, but —” “—kiss me?” Jace finished. Alec looked as if he were about to fall off his chair. “WHAT? What? What?” “Once what would do.” Jace did his best to look as if this were the sort of suggestion one made all the time. “I think it might help.” Alec looked at him with something like horror. “You don’t mean that.” “Why wouldn’t I mean it?” “Because you’re the straightest person I know. Possibly the straightest person in the universe.” “Exactly,” Jace said, and leaned forward, and kissed Alec on the mouth. The kiss lasted approximately four seconds before Alec pulled forcefully away, throwing his hands up as if to ward Jace off from coming at him again. He looked as if he were about to throw up. “By the Angel,” he said. “Don’t ever do that again.” “Oh yeah?” Jace grinned, and almost meant it. “That bad?” “Like kissing my brother,” said Alec, with a look of horror in his eyes. “I thought you might feel that way.” Jace crossed his arms over his chest. “Also, I’m hoping we can just gloss over all the irony in what you just said.” “We can gloss over whatever you want to,” Alec said fervently. “Just don’t kiss me again.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Don't be like those people who believe in "positive thinking" and tell themselves that they're loved and strong and capable. You don't need to do that because you know it already. And when you doubt it — which happens, I think, quite often at this stage of evolution — do as I suggested. Instead of trying to prove that you're better than you think, just laugh. Laugh at your worries and insecurities. View your anxieties with humor. It will be difficult at first, but you'll gradually get used to it. Now go back and meet all those people who think you know everything. Convince yourself that they're right, because we all know everything, it's merely a question of believing.
Paulo Coelho (The Witch of Portobello)
It has been suggested that hanging out with a dust bunny who carries a purse might have a negative impact on my image as a hard-core crime fighter." "Don't be ridiculous. It's a very nice clutch.
Jayne Castle (Canyons of Night (Rainshadow, #0; Ghost Hunters, #8; Looking Glass Trilogy, #3; Arcane Society, #12))
I don't think you're weak," Jared said. "I want to guard you because you are important to me. Because you are - God, this is going to sound so stupid, I can never think of a way to say it - you are precious. I can never think of how to describe the value you have to me, because all the words for value suggest that you belong to me, and you don't.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
A BIRTHDAY Something continues and I don't know what to call it though the language is full of suggestions in the way of language but they are all anonymous and it's almost your birthday music next to my bones these nights we hear the horses running in the rain it stops and the moon comes out and we are still here the leaks in the roof go on dripping after the rain has passed smell of ginger flowers slips through the dark house down near the sea the slow heart of the beacon flashes the long way to you is still tied to me but it brought me to you I keep wanting to give you what is already yours it is the morning of the mornings together breath of summer oh my found one the sleep in the same current and each waking to you when I open my eyes you are what I wanted to see.
W.S. Merwin
I have a suggestion," said Valentine to Luke, in a surprisingly even tone. "Let me guess," said Luke. "It's 'Don't kill me,' isn't it?
Cassandra Clare
You know you're smarter than all of them, right?" Hale said flatly. "In fact, if you wanted to PROVE it..." He glanced at the blackjack tables. Simon shook his head. "I don't count cards, Hale." "Don't?" Hale smiled. "Or won't? You know, technically, it's not illegal." "But it's frowned upon." Sweat beaded at Simon's brow. He sounded like someone had just suggested he swim after eating... run with scissors... "It is SERIOUSLY frowned upon.
Ally Carter (Heist Society (Heist Society, #1))
I’d suggest we go get milk shakes or something to celebrate, but this is kind of a scary neighborhood.” “Shadowhunters don’t worry about scary neighborhoods,” said Dru. “Have you learned nothing from the way Batman’s parents died?” said Kit, feigning shock. Ty smiled. And for the first time since Livvy had died, Dru laughed.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Where do you think the money went?” he repeated. “Guns?” asked Jesper. “Ships?” queried Inej. “Bombs?” suggested Wylan. “Political bribes?” offered Nina. They all looked at Matthias. “This is where you tell us how awful we are,” she whispered. He shrugged. “They all seem like practical choices.” “Sugar,” said Kaz. Jesper nudged the sugar bowl down the table to him. Kaz rolled his eyes. “Not for my coffee, you podge. I used the money to buy up sugar shares and placed them in private accounts for all of us—under aliases, of course.” “I don’t like speculation,” said Matthias. “Of course you don’t. You like things you can see. Like piles of snow and benevolent tree gods.” “Oh, there it is!” said Inej, resting her head on Nina’s shoulder and beaming at Matthias. “I missed his glower.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
How about her?” Ben pointed to a sleek blonde who smiled and preened in response. “I bet she’d like to meet you.” “Ooh, she’s shiny.” “Why don’t you go ask her what her name is?” suggested Ben, patting him on the back. “Do I need to know her name?” “I’ve heard it helps.” “Maybe for you,” Mal scoffed. “I just call out my own name during sex.
Kylie Scott (Play (Stage Dive, #2))
I don’t think I pity her. She doesn’t strike me as a girl that suggests compassion. I think I envy her... I don’t know whether she is a gifted being, but she is a clever girl, with a strong will and a high temper. She has no idea of being bored...Very pretty indeed; but I don’t insist upon that. It’s her general air of being someone in particular that strikes me.
Henry James (The Portrait of a Lady)
I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I've seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers' guns away from me in District 11. I don't know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don't notice much because they're so blond. But up close, in the sunlight slanting in from the window, they're a light golden color and so long I don't see how they keep from getting all tangled up when he blinks.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I thought… I just really liked you as a friend… a best friend… because, like, I want to hang out with you all the time and I just love everything about you… but I kept wanting to… I don’t know… hug you and hold your hand and then yesterday, when you suggested it, I- I really wanted to kiss you.
Alice Oseman (Heartstopper: Volume Two (Heartstopper, #2))
Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it’s personal. And the world won’t end. And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don’t miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, “If I can’t dance, I don’t want to be part of your revolution.” And at last you’ll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
Audre Lorde
What's that you're holding?" he asked, noticing the pamphlet, still rolled up in her left hand. "Oh, this?" She held it up. "How to Come Out to Your Parents." He widened his eyes. "Something you want to tell me?" "It's not for me. It's for you." She handed it to him. "I don't have to come out to my mother," said Simon. "She already thinks I'm gay because I'm not interested in sports and I haven't had a serious girlfriend yet. Not that she knows of, anyway." "But you have to come out as a vampire," Clary pointed out. "Luke thought you could, you know, use one of the suggested speeches in the pamphlet, except use the word 'undead' instead of--" "I get it, I get it." Simon spread the pamplet open. "Here, I'll practice on you." He cleared his throat. "Mom. I have something to tell you. I'm undead. Now, I know you may have some preconceived notions about the undead. I know you may not be comfortable with the idea of me being undead. But I'm here to tell you that the undead are just like you and me." Simon paused. "Well, okay. Possibly more like me than you." "SIMON." "All right, all right." He went on. "The first thing you need to understand is that I'm the same person I always was. Being undead isn't the most important thing about me. It's just part of who I am. The second thing you should know is that it isn't a choice. I was born this way." Simon squinted at her over the pamphlet. "Sorry, reborn this way.
Cassandra Clare
There are times when a feeling of expectancy comes to me, as if something is there, beneath the surface of my understanding, waiting for me to grasp it. It is the same tantalizing sensation when you almost remember a name, but don't quite reach it. I can feel it when I think of human beings, of the hints of evolution suggested by the removal of wisdom teeth, the narrowing of the jaw no longer needed to chew such roughage as it was accustomed to; the gradual disappearance of hair from the human body; the adjustment of the human eye to the fine print, the swift, colored motion of the twentieth century. The feeling comes, vague and nebulous, when I consider the prolonged adolesence of our species; the rites of birth, marriage and death; all the primitive, barbaric ceremonies streamlined to modern times. Almost, I think, the unreasoning, bestial purity was best. Oh, something is there, waiting for me. Perhaps someday the revelation will burst in upon me and I will see the other side of this monumental grotesque joke. And then I'll laugh. And then I'll know what life is.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Well, here goes," said Harry, and he raised the little bottle and took a carefully measured gulp. "What does it feel like?" whispered Hermione. Harry did not answer for a moment. Then, slowly but surely, an exhilarating sense of infinite opportunity stole through him; he felt as though he could have done anything, anything at all...and getting the memory from Slughorn seemed suddenly not only possible, but positively easy.... He got to his feet, smiling, brimming with confidence. "Excellent," he said. "Really excellent. Right...I'm going down to Hagrid's." "What?" said Ron and Hermione together, looking aghast. "No, Harry - you've got to go and see Slughorn, remember?" said Hermione. "No," said Harry confidently. "I'm going to Hagrid's, I've got a good feeling about going to Hagrid's." "You've got a good feeling about burying a giant spider?" asked Ron, looking stunned. "Yeah," said Harry, pulling his Invisibility Cloak out of his bag. "I feel like it's the place to be tonight, you know what I mean?" "No," said Ron and Hermione together, both looking positively alarmed now. "This is Felix Felicis, I suppose?" said Hermione anxiously, holding up the bottle to the light. "You haven't got another little bottle full - I don't know -" "Essence of Insanity?" suggested Ron, as Harry swung his cloak over his shoulders.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Sex appeal is something that you feel deep down inside. It’s suggested rather than shown. I’m not as well-stacked as Sophia Loren or Gina Lollobrigida, but there is more to sex appeal than just measurements. I don’t need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain.
Audrey Hepburn
If a man we don't know phones us up one day and talks a little, makes no suggestions, says nothing special, but nevertheless pays us the kind of attention we rarely receive, we're quite capable of going to bed with him that night, feeling relatively in love. That's what we women are like, and there's nothing wrong with that - it's the nature of the female to open herself to love easily.
Paulo Coelho
I was tired of well-meaning folks, telling me it was time I got over being heartbroke. When somebody tells you that, a little bell ought to ding in your mind. Some people don't know grief from garlic grits. There's somethings a body ain't meant to get over. No I'm not suggesting you wallow in sorrow, or let it drag on; no I am just saying it never really goes away. (A death in the family) is like having a pile of rocks dumped in your front yard. Every day you walk out and see them rocks. They're sharp and ugly and heavy. You just learn to live around them the best way you can. Some people plant moss or ivy; some leave it be. Some folks take the rocks one by one, and build a wall.
Michael Lee West (American Pie)
Research reveals that the higher you score on an IQ test, the more likely you are to fall for stereotypes, because you’re faster at recognizing patterns. And recent experiments suggest that the smarter you are, the more you might struggle to update your beliefs.
Adam M. Grant (Think Again: The Power of Knowing What You Don't Know)
I’m not ashamed of what I am - of how I pass through this life. What I am has given me the strength to do it. At my lowest ebb I have never contemplated suicide. I value what is here too much. I have a contribution to make. I am not just take up space in this life. I can add something to the lives I touch. I don’t like everything I know about myself, and I’ll never be satisfied, but nobody’s perfect. I’m not sure where the next years will take me - what they will hold - but I’m open to suggestions.
Lauren Bacall
At the same time believers realise that the defects they see in one another are tests from Allah. For this reason they don't call attention to these defects, but compensate for them by acting positively. They carefully avoid the slightest action, facial expression or word that would suggest ridicule
Harun Yahya
Where did you go?' His voice drops just slightly and loses even the suggestion of a smile. He's watching me like he's not sure he's allowed to ask question, and he's not even sure he wants the answer. I can almost see grandfather's word and josh's doubt about them swimming in his head. On every side of me are the lights and the tools and the wood and the boots and the boy I want to see forever. And if the my Sea of Tranquility were real, it would be this place, here, with him. I don't say anything right away, because I just want one minute to look at his face before I gave him my last secret. And then I tell him. 'Your garage.
Katja Millay (The Sea of Tranquility)
I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
If you don't have a well-thought out dream, you can start by figuring out where you want to go. If you cannot see yourself fairly or accurately represented in the community you live (from restaurants to department stores to clothing choices to conversations at the dinner table) and nothing there makes you feel awake or alive, I suggest you start doing some research on some other communities.
Kelly Cutrone
Do it your way, but I suggest another one. You could go ahead and beat her bloody, or…you could give me such loud, screaming orgasms that the sound of them blisters her ears. If you have any former-whore-turned-promiscuous-vampire tricks you’ve been holding back, well, bring them on. I only have one stipulation: You’d better outperform any service you gave to her or anyone else, because if I don’t wake up tomorrow red in the face from embarrassment at what you did to me, I’ll be disappointed.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
You could still be lying,” says the Roach. He turns to Cardan. “Try her.” “Your pardon?” Cardan says, drawing himself up, and the Roach seems to suddenly remember to whom he’s speaking in such an offhanded way. “Don’t be such a prickly rose, Your Majesty,” the Roach says with a shrug and a grin. “I’m not giving you an order. I’m suggesting that if you tried to glamour Jude, we could find out the truth.” Cardan sighs and walks toward me. I know this is necessary. I know that he doesn’t intend to hurt me. I know he can’t glamour me. And yet I draw back automatically. “Jude?” he asks. “Go ahead,” I say. I hear the glamour enter his voice, heady and seductive and more powerful than I expected. “Crawl to me,” he says with a grin. Embarrassment pinks my cheeks. I stay where I am, looking at all their faces. “Satisfied?” The Bomb nods. “You’re not charmed.
Holly Black (The Wicked King (The Folk of the Air, #2))
Welcome to Barrayar, son. Here you go: have a world of wealth and poverty, wrenching change and rooted history. Have a birth; have two. Have a name. Miles means "soldier," but don't let the power of suggestion overwhelm you. Have a twisted form in a society that loathes and fears the mutations that have been its deepest agony. Have a title, wealth, power, and all the hatred and envy they will draw. Have your body ripped apart and re-arranged. Inherit an array of friends and enemies you never made. Have a grandfather from hell. Endure pain, find joy, and make your own meaning, because the universe certainly isn't going to supply it. Always be a moving target. Live. Live. Live.
Lois McMaster Bujold (Barrayar (Vorkosigan Saga, #7))
You don't think I could bring myself to mark your lovely skin? I'll take my knife to you, if that's the case. I'll carve my name in your breast so that every beat of your heart will remind you that you are mine—and mine alone. Because blood is binding, and because I would rather see you destroyed than see you free or in the possession of another, so I suggest you not try me, or you will suffer as no earthly creature has.” He slammed her back against the wall. “Or ever will. But that is a suggestion, and one you are free to disregard at your own peril. But you are are going to answer my question.
Nenia Campbell (Terrorscape (Horrorscape, #3))
What are you waiting for?" shanna asked. "He's dying! Do it!" Conner looked at Angus. "Ye do it. It was yer idea." "Nay? Ye were the first to suggest it. Ye do it." "I'm no' touching him." Conner said. He nudged Phineas "Ye do it." "I don't even know how!" Phineas poked at Robby. "You do it." "Why me?" Robby turned to Angus. "Ye're the expert. Ye do it." Angus grimaced. "I'm no' doing it. I hate the bugger." "Stop it!" Shanna screamed "You- Forget it! I'll do it myself." "Shanna you don't know how," Roman said. "Gods blood. I guess I have to do it." "You guess?" Shanna cried "Are you going to let him die?" "He threatens to kill me every time he sees me.
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
Judith McNaught (Paradise (Paradise, #1))
Mr. Fresh looked up. "The book says if we don't do our jobs everything could go dark, become like the Underworld. I don't know what the Underworld is like, Mr. Asher, but I've caught some of the road show from there a couple of times, and I'm not interested in finding out. How 'bout you?" "Maybe it's Oakland," Charlie said. "What's Oakland?" "The Underworld." "Oakland is not the Underworld!" "The Tenderloin?" Charlie suggested.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
We had been out in the woods near campus one evening, having skipped out on our last class. I’d traded a pair of cute, rhinestone-studded sandals to Abby Badica for a bottle of peach schnapps—desperate, yes, but you did what you had to in Montana—which she’d somehow gotten hold of. Lissa had shaken her head in disapproval when I suggested cutting class to go put the bottle out of it’s misery, but she’d come along anyway. Like always. We found a log to sit on near a scummy green marsh. A half-moon cast a tiny light on us, but it was more than enough for vampires and half-vampires to see by. Passing the bottle back and forth I’d grilled her on Aaron. I held up that bottle and glared at it. “I don’t think this stuff it working.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
The only way death is not meaningless is to see yourself as part of something greater: a family, a community, a society. If you don’t, mortality is only a horror. But if you do, it is not. Loyalty, said Royce, “solves the paradox of our ordinary existence by showing us outside of ourselves the cause which is to be served, and inside of ourselves the will which delights to do this service, and which is not thwarted but enriched and expressed in such service.” In more recent times, psychologists have used the term “transcendence” for a version of this idea. Above the level of self-actualization in Maslow’s hierarchy of needs, they suggest the existence in people of a transcendent desire to see and help other beings achieve their potential.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
Try not to let the excitement overwhelm you, but I have more good news.' I groaned. I knew that tone of voice. 'Don't say it.' 'Vasily is back from Caryeva.' 'You could do the kind thing and drown me now.' 'And suffer alone? I think not.' 'Maybe for your birthday you can ask that he be fitted with a royal muzzle,' I suggested. 'But then we'd miss all his exciting stories about the summer auctions. You're fascinated by the breeding superiority of the Ravkan racehorse, right?' I let out a whimper.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Would you like more sauce, sweeting?” His fingers strangled the stem of his wineglass. She could practically hear the grapes calling for help. She hoped that was a good sign. “If you don’t cease that nonsense,” he said, “you will regret it.” “Is that so, my heart?” “What about ‘precious’?” she suggested. “No.” “‘Angel’?” “God, no.” “‘Muffin’?” In response to that, he hit the shuttlecock so hard, it sailed all the way to the back wall and thwacked one of his ancestors right in the powdered wig. She cheered. “Well done, my precious angel muffin.” “This stops,” he said. “Now.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
They're a funny lot, suicides. I remember one man who couldn't get any work to do and his wife died, so he pawned his clothes and bought a revolver; but he made a mess of it, he only shot out an eye and he got alright. And then, if you please, with an eye gone and a piece of his face blown away, he came to the conclusion that the world wasn't such a bad place after all, and he lived happily ever afterwards. Thing I've always noticed, people don't commit suicide for love, as you'd expect, that's just a fancy of novelists; they commit suicide because they haven't got any money. I wonder why that is." "I suppose money's more important than love," suggest Philip.
W. Somerset Maugham (Of Human Bondage)
The Queen‘s smile was wide and terrible. “What if I told you she could be freed by a kiss?” “You want Jace to kiss you?” Clary said, bewildered. … “Despite his charms,” the Queen said, “that kiss will not free the girl.” The four looked at each other, startled. “I could kiss Meliron, ” suggested Isabelle. “Nor that. Nor any one of my court.” Meliron moved away from Isabelle, who looked at her companions and threw up her hands. “I‘m not kissing any of you,” she said firmly. “Just so its official.” … Isabelle rolled her eyes. “Oh, for the Angel‘s sake. Look, if there’s no other way of getting out of this, I‘ll kiss Simon. I‘ve done it before, it wasn’t that bad.” “Thanks,” said Simon. “That’s very flattering.” “Alas,” said the Queen of the Seelie Court…“I‘m afraid that wont do either.” “Well, I‘m not kissing the mundane,” said Jace. “I‘d rather stay down here and rot.” “Forever?” said Simon. “Forever‘s an awfully long time.” Jace raised his eyebrows. “I knew it,” he said. “You want to kiss me, don’t you?” Simon threw up his hands in exasperation. “Of course not. But if-” “I guess its true what they say,” observed Jace. “There are no straight men in the trenches.” “That’s atheists, jackass,” said Simon furiously. “There are no atheists in the trenches.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Don’t listen to those people who suggest you should be “over” your daughter’s death by now. The people who squawk the loudest about such things have almost never had to get over anything. Or at least not anything that was genuinely, mind-fuckingly, soul-crushingly life altering. Some of those people believe they’re being helpful by minimizing your pain. Others are scared of the intensity of your loss and so they use their words to push your grief away. Many of those people love you and are worthy of your love, but they are not the people who will be helpful to you when it comes to healing the pain of your daughter’s death. They live on Planet Earth. You live on Planet My Baby Died.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Mary Queen of Scots had a little dog, a Skye terrier, that was devoted to her. Moments after Mary was beheaded, the people who were watching saw her skirts moving about and they thought her headless body was trying to get itself to its feet. But the movement turned out to be her dog, which she had carried to the block with her, hidden in her skirts. Mary Stuart is supposed to have faced her execution with grace and courage (she wore a scarlet chemise to suggest she was being martyred), but I don’t think she could have been so brave if she had not secretly been holding tight to her Skye terrier, feeling his warm, silky fur against her trembling skin.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
If you really believed that you'd lost your soul, then when I found you in Volterra, you would have realized immediately what was happening, instead of thinking we were both dead together. But you didn't―you said 'Amazing. Carlisle was right,'" I reminded him, triumphant. "There's hope in you, after all." For once, Edward was speechless. "So let's both just be hopeful, all right?" I suggested. "Not that it matters. If you stay, I don't need heaven." He got up slowly, and came to put his hand on either side of my face as he stared into my eyes. "Forever," he vowed, still a little staggered. "That's all I'm asking for," I said, and stretched up on my toes so that I could press my lips to his.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Many writing texts caution against asking friends to read your stuff, suggesting you're not apt to get a very unbiased opinion[.] ... It's unfair, according to this view, to put a pal in such a position. What happens if he/she feels he/she has to say, "I'm sorry, good buddy, you've written some great yarns in the past but this one sucks like a vacuum cleaner"? The idea has some validity, but I don't think an unbiased opinion is exactly what I'm looking for. And I believe that most people smart enough to read a novel are also tactful enough to find a gentler mode of expression than "This sucks." (Although most of us know that "I think this has a few problems" actually means "This sucks," don't we?)
Stephen King (On Writing: A Memoir of the Craft)
Say whatever is in your heart,” Violet said. Her lips twisted wryly. “And if that doesn’t work, I suggest that you take a book and knock him over the head with it.” Hyacinth blinked, then blinked again. “I beg your pardon.” “I didn’t say that,” Violet said quickly. Hyacinth felt herself smile. “I’m rather certain you did.” “Do you think?” Violet murmured, concealing her own smile with her teacup. “A large book,” Hyacinth queried, “or small?” “Large, I think, don’t you?” Hyacinth nodded. “Have we The Complete Works of Shakespeare in the library?” Violet’s lips twitched. “I believe that we do.” Something began to bubble in Hyacinth’s chest. Something very close to laughter. And it felt so good to feel it again. “I love you, Mother,” she said, suddenly consumed by the need to say it aloud. “I just wanted you to know that.” “I know, darling,” Violet said, and her eyes were shining brightly. “I love you, too.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
If I were a vampire, I'd want to bite someone. I'd be thirsty for blood," I said in a last ditch attempt to interject reason into a discussion that had devolved into the absurd. "You will come into your true nature," Lucius promised. "You are coming of age right now. And when I bite you for the first time, then you will be a vampire. I've brought you a book— a guide, so to speak—which will explain everything—" I stood up so fast my chair tipped over, smashing to the floor. "He is not going to bite me," I interrupted, pointing a shaky finger at Lucius. "And I'm not going to Romania and marrying him! I don't care what kind of 'betrothal ceremony' they had!" "You will all honor the pact," Lucius growled. It wasn't a suggestion.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
Questions, I've got some questions I want to know you But what if I could ask you only one thing Only this one time, what would you tell me? Well maybe you could give me a suggestion So I could know you, what would you tell me? Maybe you could tell me what to ask you Because then I'd know you, what would you tell me Please tell me that there's time To make this work for all intents and purposes And what are your intentions, will you try? Impressions, you've made impressions They're going nowhere They're just going to wait here if you let them Please don't let them I want to know you And if they're going to haunt me Please collect them Please just collect them And now I'm begging I'm begging you to ask me just one question One simple question Because then you'd know me I'll tell you that there's time To make this work for all intents and purposes At least for my own What is a heart worth if it's just left all alone? Leave it long enough and watch it turn into stone Why must we always be untrue?
Jack Johnson (Curious George: Jack Johnson and Friends - Guitar Recorded Version)
Do you love me?" There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!" "What do you mean?" Jonas asked. Amusement was not at all what he had anticipated. "Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully. Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory. "And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said. "Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'" "Do you understand why it's inappropriate to use a word like 'love'?" Mother asked. Jonas nodded. "Yes, thank you, I do," he replied slowly. It was his first lie to his parents.
Lois Lowry (The Giver (The Giver, #1))
A goal is a specific objective that you either achieve or don't sometime in the future. A system is something you do on a regular basis that increases your odds of happiness in the long run. If you do something every day, its a system. If you're waiting to achieve it someday in the future, it's a goal. If you achieve your goal, you celebrate and feel terrific, but only until you realize you just lost the thing that gave you purpose and direction. Your options are to feel empty and useless, perhaps enjoying the spoils of your success until they bore you, or set new goals and reenter the cycle of permanent presuccess failure. All I'm suggesting is that thinking of goals and systems as very different concepts has power. Goal-oriented people exist in a state of continuous presuccess failure at best, and permanent failure at worst if things never work out. Systems people succeed every time they apply their systems, in the sense that they did what they intended to do. The goals people are fighting the feeling of discouragement at each turn. The systems people are feeling good everytime they apply their system. That's a big difference in terms of maintaining your personal energy in the right direction.
Scott Adams (How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life)
Young Castle called me "Scoop." "Good Morning, Scoop. What's new in the word game?" "I might ask the same of you," I replied. "I'm thinking of calling a general strike of all writers until mankind finally comes to its senses. Would you support it?" "Do writers have a right to strike? That would be like the police or the firemen walking out." "Or the college professors." "Or the college professors," I agreed. I shook my head. "No, I don't think my conscience would let me support a strike like that. When a man becomes a writer, I think he takes a sacred obligation to produce beauty and enlightenment and comfort at top speed." "I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." "And how proud would you be when people started dying like flies?" I demanded. "They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" "In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." "Neither one very pleasant, I expect," I suggested. "No," said Castle the elder. "For the love of God, both of you, please keep writing!
Kurt Vonnegut Jr. (Cat's Cradle)
What did you see when you died?" He has that tenative half smile, like he's almost embarrassed by what he's saying. "Because I'm guessing it wasn't the Sea of Tranquility." And when I look at him, I'm not so sure it wasn't. “Where did you go?" His voice drops just slightly and loses even the suggestion of a smile. He's watching me like he's not sure he's allowed to ask the question, and he's not even sure he wants the answer. I can almost see his grandfather's words and Josh's doubts about them swimming in his head. On every side of me are the lights and the tools and the wood and the boots and the boy I want to see forever. And if the my Sea of Tranquility were real, it would be this place, here, with him. I don't say anything right away, because I just want one minute to look at his face before I give him my last secret. And then I tell him. "Your garage.
Katja Millay (The Sea of Tranquility)
The common denominator of all jokes is a path of expectation that is diverted by an unexpected twist necessitating a complete reinterpretation of all the previous facts — the punch-line…Reinterpretation alone is insufficient. The new model must be inconsequential. For example, a portly gentleman walking toward his car slips on a banana peel and falls. If he breaks his head and blood spills out, obviously you are not going to laugh. You are going to rush to the telephone and call an ambulance. But if he simply wipes off the goo from his face, looks around him, and then gets up, you start laughing. The reason is, I suggest, because now you know it’s inconsequential, no real harm has been done. I would argue that laughter is nature’s way of signaling that "it’s a false alarm." Why is this useful from an evolutionary standpoint? I suggest that the rhythmic staccato sound of laughter evolved to inform our kin who share our genes; don’t waste your precious resources on this situation; it’s a false alarm. Laughter is nature’s OK signal.
V.S. Ramachandran (A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers)
Don’t misunderstand me. The terrorist actions of Al-Qaeda were and are unmitigatedly evil. But the astonishing naivety which decreed that America as a whole was a pure, innocent victim, so that the world could be neatly divided up into evil people (particularly Arabs) and good people (particularly Americans and Israelis), and that the latter had a responsibility now to punish the former, is a large-scale example of what I’m talking about - just as it is immature and naive to suggest the mirror image of this view, namely that the western world is guilty in all respects and that all protestors and terrorists are therefore completely justified in what they do. In the same way, to suggest that all who possess guns should be locked up, or (the American mirror-image of this view) that everyone should carry guns so that good people can shoot bad ones before they can get up to their tricks, is simply a failure to think into the depths of what’s going on.
N.T. Wright (Evil and the Justice of God)
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
Decebel looked over at Fane. "A face tu fiecare a lua ce ei say?(Do you ever get what they say?)" Fane smiled at his Beta. "Nu mai incerce sa, (No longer try)." "Good call." Decebel nodded. Jen looked over at Decebel, her eyes narrowing. "No talking in foreign tongue when around the Americans." Decebel leaned towards her, the gleam in his eyes causing Jen to tremble. "But Jennifer, I thought you spoke Romanian." He looked around at Sally and Jacque. "Weren't you two under the impression that she spoke Romanian?" Jacque and Sally nodded despite the daggers Jen was staring their way. "That was thoroughly impressed upon us, wouldn't you say, Sally?" Jacque turned to look at her. "Wait. Uh yeah, I distinctly remember a bar...vodka...and I'm almost positive Jen speaking in Romanian to the hot bartender." Sally was grinning from ear to ear as Jen's face grew red. "I hope you two aren't attached to your undergarments because I just got the sudden urge to have a bonfire," Jen growled out. "Note to self: hide underwear." "Or you could just solve that problem by not wearing any." Jacque heard Fane's voice through their bond. Her jaw dropped open and her face turned bright red as she turned to look at her mate. Jen looked at Sally. "Looks like Fane had a suggestion about the princess' undergarments. If I had my guess, I'd say he told her I couldn't burn them if she didn't own any." If Jacque could've turned any redder she would have. "How? What..." Jacque stuttered as she looked at her blonde friend, trying to figure out how she knew what Fane had been thinking. "It's a gift, Watson. But really what it boils down to is when it comes to chicks and underwear, guys will always say they don't mix." Decebel coughed as he choked on his laughter while Fane had buried his face in Jacque's back, his shoulders shaking. Jacque and Sally both looked at their friend with open mouths.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Understanding America for the Non-American Black: Thoughts on the Special White Friend One great gift for the Zipped-Up Negro is The White Friend Who Gets It. Sadly, this is not as common as one would wish, but some are lucky to have that white friend who you don’t need to explain shit to. By all means, put this friend to work. Such friends not only get it, but also have great bullshit-detectors and so they totally understand that they can say stuff that you can’t. So there is, in much of America, a stealthy little notion lying in the hearts of many: that white people earned their place at jobs and schools while black people got in because they were black. But in fact, since the beginning of America, white people have been getting jobs because they were white. Many whites with the same qualifications but Negro skin would not have the jobs they have. But don’t ever say this publicly. Let your white friend say it. If you make the mistake of saying this, you will be accused of a curiosity called “playing the race card.” Nobody quite knows what this means. When my father was in school in my NAB (Non American Black) country, many American Blacks could not vote or go to good schools. The reason? Their skin color. Skin color alone was the problem. Today, many Americans say that skin color cannot be part of the solution. Otherwise it is referred to as a curiosity called “reverse racism.” Have your white friend point out how the American Black deal is kind of like you’ve been unjustly imprisoned for many years, then all of a sudden you’re set free, but you get no bus fare. And, by the way, you and the guy who imprisoned you are now automatically equal. If the “slavery was so long ago” thing comes up, have your white friend say that lots of white folks are still inheriting money that their families made a hundred years ago. So if that legacy lives, why not the legacy of slavery? And have your white friend say how funny it is, that American pollsters ask white and black people if racism is over. White people in general say it is over and black people in general say it is not. Funny indeed. More suggestions for what you should have your white friend say? Please post away. And here’s to all the white friends who get it.
Chimamanda Ngozi Adichie (Americanah)
Can we get on with this?" Father Laggan cried out. "In the name of the Father…" "I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first." "… and of the Son," the priest continued in a much louder voice. "She'll be wanting King John next," Duncan predicted. "We can't allow that, lass," Owen muttered. "Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention. "I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain." "We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here." Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly confused. "Judith, do you take Iain for your husband?" She looked up at Iain before giving her answer. "We'll see." "That won't do, lass. You've got to say I do," he advised. "Do I?" Iain smiled. "Your aunt and uncle will be welcomed here." She smiled back. .... Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do," she told him. "Shouldn't we begin now?" "The lass has trouble following along," Vincent remarked. Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently. She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony." "You may kiss the bride," Father Laggan announced.
Julie Garwood (The Secret (Highlands' Lairds, #1))
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.
Gordon Korman (One False Note (The 39 Clues, #2))
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Go on," Kell told him without taking his eyes from Lila. " Get some rest." Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--" "I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps. Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity. "You never told me," he whispered. "You never noticed," she answered. And then, "Alucard did." The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously. He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--" A sleepy flicker of amusement. "Trying to get me into bed?" Kell mustered a smile. "It's only fair. I've spent enough time in yours." "If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time." "And tied to it," observed Kell. Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her. "Lila?" he asked, first gently, and then more urgently. "Lila?" She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed. "What have you done?" demanded Kell. "It was just a tonic, sir," he fumbled, "something for sleep." "You drugged her?" "It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy. "And what do you plan to do when she wakes back up?" Hastra shrank back. "Apologize?" Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder. "I suggest," he snapped at the young man, "you think of something better. Like an escape route." Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch. Hastra handed him a blanket. "Shouldn't you take off her knives?" "There's not enough tonic in the world to risk it," said Kell.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Anyone can be made to feel like an outsider. It’s up to the people who have the power to exclude. Often it’s on the basis of race. Depending on a culture’s fears and biases, Jews can be treated as outsiders. Muslims can be treated as outsiders. Christians can be treated as outsiders. The poor are always outsiders. The sick are often outsiders. People with disabilities can be treated as outsiders. Members of the LGBTQ community can be treated as outsiders. Immigrants are almost always outsiders. And in most every society, women can be made to feel like outsiders—even in their own homes. Overcoming the need to create outsiders is our greatest challenge as human beings. It is the key to ending deep inequality. We stigmatize and send to the margins people who trigger in us the feelings we want to avoid. This is why there are so many old and weak and sick and poor people on the margins of society. We tend to push out the people who have qualities we’re most afraid we will find in ourselves—and sometimes we falsely ascribe qualities we disown to certain groups, then push those groups out as a way of denying those traits in ourselves. This is what drives dominant groups to push different racial and religious groups to the margins. And we’re often not honest about what’s happening. If we’re on the inside and see someone on the outside, we often say to ourselves, “I’m not in that situation because I’m different. But that’s just pride talking. We could easily be that person. We have all things inside us. We just don’t like to confess what we have in common with outsiders because it’s too humbling. It suggests that maybe success and failure aren’t entirely fair. And if you know you got the better deal, then you have to be humble, and it hurts to give up your sense of superiority and say, “I’m no better than others.” So instead we invent excuses for our need to exclude. We say it’s about merit or tradition when it’s really just protecting our privilege and our pride.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
1. Bangladesh.... In 1971 ... Kissinger overrode all advice in order to support the Pakistani generals in both their civilian massacre policy in East Bengal and their armed attack on India from West Pakistan.... This led to a moral and political catastrophe the effects of which are still sorely felt. Kissinger’s undisclosed reason for the ‘tilt’ was the supposed but never materialised ‘brokerage’ offered by the dictator Yahya Khan in the course of secret diplomacy between Nixon and China.... Of the new state of Bangladesh, Kissinger remarked coldly that it was ‘a basket case’ before turning his unsolicited expertise elsewhere. 2. Chile.... Kissinger had direct personal knowledge of the CIA’s plan to kidnap and murder General René Schneider, the head of the Chilean Armed Forces ... who refused to countenance military intervention in politics. In his hatred for the Allende Government, Kissinger even outdid Richard Helms ... who warned him that a coup in such a stable democracy would be hard to procure. The murder of Schneider nonetheless went ahead, at Kissinger’s urging and with American financing, just between Allende’s election and his confirmation.... This was one of the relatively few times that Mr Kissinger (his success in getting people to call him ‘Doctor’ is greater than that of most PhDs) involved himself in the assassination of a single named individual rather than the slaughter of anonymous thousands. His jocular remark on this occasion—‘I don’t see why we have to let a country go Marxist just because its people are irresponsible’—suggests he may have been having the best of times.... 3. Cyprus.... Kissinger approved of the preparations by Greek Cypriot fascists for the murder of President Makarios, and sanctioned the coup which tried to extend the rule of the Athens junta (a favoured client of his) to the island. When despite great waste of life this coup failed in its objective, which was also Kissinger’s, of enforced partition, Kissinger promiscuously switched sides to support an even bloodier intervention by Turkey. Thomas Boyatt ... went to Kissinger in advance of the anti-Makarios putsch and warned him that it could lead to a civil war. ‘Spare me the civics lecture,’ replied Kissinger, who as you can readily see had an aphorism for all occasions. 4. Kurdistan. Having endorsed the covert policy of supporting a Kurdish revolt in northern Iraq between 1974 and 1975, with ‘deniable’ assistance also provided by Israel and the Shah of Iran, Kissinger made it plain to his subordinates that the Kurds were not to be allowed to win, but were to be employed for their nuisance value alone. They were not to be told that this was the case, but soon found out when the Shah and Saddam Hussein composed their differences, and American aid to Kurdistan was cut off. Hardened CIA hands went to Kissinger ... for an aid programme for the many thousands of Kurdish refugees who were thus abruptly created.... The apercu of the day was: ‘foreign policy should not he confused with missionary work.’ Saddam Hussein heartily concurred. 5. East Timor. The day after Kissinger left Djakarta in 1975, the Armed Forces of Indonesia employed American weapons to invade and subjugate the independent former Portuguese colony of East Timor. Isaacson gives a figure of 100,000 deaths resulting from the occupation, or one-seventh of the population, and there are good judges who put this estimate on the low side. Kissinger was furious when news of his own collusion was leaked, because as well as breaking international law the Indonesians were also violating an agreement with the United States.... Monroe Leigh ... pointed out this awkward latter fact. Kissinger snapped: ‘The Israelis when they go into Lebanon—when was the last time we protested that?’ A good question, even if it did not and does not lie especially well in his mouth. It goes on and on and on until one cannot eat enough to vomit enough.
Christopher Hitchens
There has been a recent rash of authors and individuals fudging evidence in an attempt to argue that women have a higher sex drive than men. We find it bizarre that someone would want to misrepresent data merely to assert that women are hornier than men. Do those concerned with this difference equate low sex drives with disempowerment? Are their missions to somehow prove that women are super frisky carried out in an effort to empower women? This would be odd, as the belief that women’s sex drives were higher than men’s sex drives used to be a mainstream opinion in Western society—during the Victorian period, an age in which women were clearly disempowered. At this time, women were seen as dominated by their sexuality as they were supposedly more irrational and sensitive—this was such a mainstream opinion that when Freud suggested a core drive behind female self-identity, he settled on a desire to have a penis, and that somehow seemed reasonable to people. (See Sex and Suffrage in Britain by Susan Kent for more information on this.) If the data doesn’t suggest that women have a higher sex drive, and if arguing that women have a higher sex drive doesn’t serve an ideological agenda, why are people so dead set on this idea that women are just as keen on sex—if not more—as male counterparts? In the abovementioned study, female variability in sex drive was found to be much greater than male variability. Hidden by the claim, “men have higher sex drives in general” is the fun reality that, in general, those with the very highest sex drives are women. To put it simply, some studies show that while the average woman has a much lower sex drive than the average man, a woman with a high sex drive has a much higher sex drive than a man with a high sex drive. Perhaps women who exist in the outlier group on this spectrum become so incensed by the normalization of the idea that women have low sex drives they feel driven to twist the facts to argue that all women have higher sex drives than men. “If I feel this high sex drive,” we imagine them reasoning, “it must mean most women secretly feel this high sex drive as well, but are socialized to hide it—I just need the data to show this to the world so they don’t have to be ashamed anymore.” We suppose we can understand this sentiment. It would be very hard to live in a world in which few people believe that someone like you exists and people always prefer to assume that everyone is secretly like them rather than think that they are atypical.
Malcolm Collins (The Pragmatist’s Guide to Sexuality: What Turns People On, Why, and What That Tells Us About Our Species (The Pragmatist's Guide))
I mention all this to make the point that if you were designing an organism to look after life in our lonely cosmos, to monitor where it is going and keep a record of where it has been, you wouldn't choose human beings for the job. But here's an extremely salient point: we have been chosen, by fate or Providence or whatever you wish to call it. It's an unnerving thought that we may be living the universe's supreme achievement and its worst nightmare simultaneously. Because we are so remarkably careless about looking after things, both when alive and when not, we have no idea-- really none at all-- about how many things have died off permanently, or may soon, or may never, and what role we have played in any part of the process. In 1979, in the book The Sinking Ark, the author Norman Myers suggested that human activities were causing about two extinctions a week on the planet. By the early 1990s he had raised the figure to about some six hundred per week. (That's extinctions of all types-- plants, insects, and so on as well as animals.) Others have put the figure ever higher-- to well over a thousand a week. A United Nations report of 1995, on the other hand, put the total number of known extinctions in the last four hundred years at slightly under 500 for animals and slightly over 650 for plants-- while allowing that this was "almost certainly an underestimate," particularly with regard to tropical species. A few interpreters think most extinction figures are grossly inflated. The fact is, we don't know. Don't have any idea. We don't know when we started doing many of the things we've done. We don't know what we are doing right now or how our present actions will affect the future. What we do know is that there is only one planet to do it on, and only one species of being capable of making a considered difference. Edward O. Wilson expressed it with unimprovable brevity in The Diversity of Life: "One planet, one experiment." If this book has a lesson, it is that we are awfully lucky to be here-- and by "we" i mean every living thing. To attain any kind of life in this universe of ours appears to be quite an achievement. As humans we are doubly lucky, of course: We enjoy not only the privilege of existence but also the singular ability to appreciate it and even, in a multitude of ways, to make it better. It is a talent we have only barely begun to grasp. We have arrived at this position of eminence in a stunningly short time. Behaviorally modern human beings-- that is, people who can speak and make art and organize complex activities-- have existed for only about 0.0001 percent of Earth's history. But surviving for even that little while has required a nearly endless string of good fortune. We really are at the beginning of it all. The trick, of course, is to make sure we never find the end. And that, almost certainly, will require a good deal more than lucky breaks.
Bill Bryson (A Short History of Nearly Everything)
The all-powerful Zahir seemed to be born with every human being and to gain full strength in childhood, imposing rules that would thereafter always be respected: People who are different are dangerous; they belong to another tribe; they want our lands and our women. We must marry, have children, reproduce the species. Love is only a small thing, enough for one person, and any suggestion that the heart might be larger than this may seem perverse. When we are married we are authorised to take possession of the other person, body and soul. We must do jobs we detest because we are part of an organised society, and if everyone did what they wanted to do, the world would come to a standstill. We must buy jewelry; it identifies us with our tribe. We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings. We must at all costs avoid saying no because people prefer those who always say yes, and this allows us to survive in hostile territory. What other people think is more important than what we feel. Never make a fuss--it might attract the attention of an enemy tribe. If you behave differently you will be expelled from the tribe because you could infect others and destroy something that was extremely difficult to organise in the first place. We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call a decorator who will do his best to show others what good taste we have. We must eat three meals a day, even if we're not hungry, and when we fail to fit the current ideal of beauty we must fast, even if we're starving. We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country, wish time away so that retirement comes more quickly, elect politicians, complain about the cost of living, change our hair-style, criticise anyone who is different, go to a religious service on Sunday, Saturday or Friday, depending on our religion, and there beg forgiveness for our sins and puff ourselves up with pride because we know the truth and despise he other tribe, who worship false gods. Our children must follow in our footsteps; after all we are older and know more about the world. We must have a university degree even if we never get a job in the area of knowledge we were forced to study. We must never make our parents sad, even if this means giving up everything that makes us happy. We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the meaning of success, the best way to love, the importance of rewards.
Paulo Coelho (The Zahir)