Don't Patronize Me Quotes

Remind me again-why do you hate me so much?" I don't hate you." Could've fooled me." She folded her cap of invisibility. "Look...we're just not supposed to get along, okay? Our parents are rivals." Why?" She sighed. "How many reasons do you want? One time my mom caught Poseidon with his girlfriend in Athena's temple, which is hugely disrespectful. Another time, Athena and Poseidon competed to be the patron god for the city of Athens. Your dad created some stupid saltwater spring for his gift. My mom created the olive tree. The people saw that her gift was better, so they named the city after her." They must really like olives." Oh, forget it." Now, if she'd invented pizza-that I could understand.

Ninety percent of the children’s books patronize the child and say there’s a difference between you and me, so you listen to this story. I, for some reason or another, don’t do that. I treat the child as an equal.

Please stop patronizing those who are reading a book - The Da Vinci Code, maybe- because they are enjoying it. For a start, none of us know what kind of an effort this represents for the individual reader. It could be his or her first full-length adult novel; it might be the book that finally reveals the purpose and joy of reading to someone who has hitherto been mystified by the attraction books exert on others. And anyway, reading for enjoyment is what we should all be doing. I don't mean we should all be reading chick lit or thrillers (although if that's what you want to read, it's fine by me, because here's something no one else will tell you: if you don't read the classics, or the novel that won this year's Booker Prize, then nothing bad will happen to you; more importantly,nothing good will happen to you if you do); I simply mean that turning pages should not be like walking through thick mud. The whole purpose of books is that we read them, and if you find you can't, it might not be your inadequacy that's to blame. "Good" books can be pretty awful sometimes.

You're getting better, my lady." "Don't patronize me." "No, really, Your Highness. When you started painting five years ago, I could never tell what it was you were trying to depict." "And this is a painting of . ." Ashe paused. "A bowl of fruit?" he asked hopefully. Sarene sighed in frustration. _______________________________ "Beautifully—which is more than I can say for the painting." He paused for a moment. "It's a horse, right?" Sarene scowled. "A house?" he asked. "It is not a bowl of fruit either, my lord," Ashe said. "I already tried that." "Well, she said it was one of the paintings in this room," Lukel said. "All we have to do is keep guessing until we find the right one." "Brilliant deduction, Master Lukel." Ashe said.

I think I can communicate with kids because I don’t try to communicate with kids. Ninety percent of the children’s books patronize the child and say there’s a difference between you and me, so you listen to this story. I, for some reason or another, don’t do that. I treat the child as an equal.

What's in the cave, Russell?' Madigan asked with heavy sarcasm. I shrugged. 'Rocks. Lots of 'em.' 'Don't patronize me.' His voice lowered to a hiss. 'What else is in the cave?' I looked him straight in the eye and spoke one word. 'Mud.

They don't go into what is the cause of goodness, so why of the other shop? If lewdies are good that's because they like it, and I wouldn't ever interfere with their pleasures, and so of the other shop. And I was patronizing the other shop. More, badness is of the self, the one, the you or me on our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of the brave malenky selves fighting these big machines?

When I entered and shut the door, the Darkling gave me a small bow. “How are you, Alina?” “I’m fine,” I managed. “She’s fine!” hooted Baghra. “She’s fine! She cannot light a hallway, but she’s fine.” I winced and wished I could disappear into my boots. To my surprise, the Darkling said, “Leave her be.” Baghra’s eyes narrowed. “You’d like that, wouldn’t you?” The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. “Baghra has her own way of doing things,” he said. “Don’t patronize me, boy!” Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he’d caught himself. “Don’t chide me, old woman,” he said in a low, dangerous voice.

Lyor Cohen, who I consider my mentor, once told me something that he was told by a rabbi about the eight degrees of giving in Judaism. The seventh degree is giving anonymously, so you don't know who you're giving to, and the person on the receiving end doesn't know who gave. The value of that is that the person receiving doesn't have to feel some kind of obligation to the giver and the person giving isn't doing it with an ulterior motive. It's a way of putting the giver and receiver on the same level. It's a tough ideal to reach out for, but it does take away some of the patronizing and showboating that can go on with philanthropy in a capitalist system. The highest level of giving, the eight, is giving in a way that makes the receiver self-sufficient.

The Psychopath Free Pledge: 1. I will never beg or plead for someone else again. Any man or woman who brings me to that level is not worth my heart. 2. I will never tolerate criticisms about my body, age, weight, job, or any other insecurities I might have. Good partners won't put me down, they'll raise me up. 3. I will take a step back from my relationship once every month to make sure that I am being respected and loved, not flattered and love-bombed. 4. I will always ask myself the question: "Would I ever treat someone else like this?" If the answer is no, then I don't deserve to be treated like that either. 5. I will trust my gut. If I get a bad feeling, I won't try to push it away and make excuses. I will trust myself. 6. I understand that it is better to be single than in a toxic relationship. 7. I will not be spoken to in a condescending or sarcastic way. Loving partners will not patronize me. 8. I will not allow my partner to call me jealous, crazy, or any other form of projection. 9. My relationships will be mutual and equal at all times. Love is not about control and power. 10. If I ever feel unsure about any of these steps, I will seek out help from a friend, support forum, or therapist. I will not act on impulsive decisions.

Don't patronize me or I'll break your face - Damian Wayne (Prime Earth)

Don’t patronize me, Caro”, he said, sounding even angrier. “You think I don’t know what it means to make this commitment but I do … Don’t dismiss how I feel just because…just because I’m younger than you.

What's that you're doing, Sassenach?" "Making out little Gizmo's birth certificate--so far as I can," I added. "Gizmo?" he said doubtfully. "That will be a saint's name?" "I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus." "Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee. "One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him. "Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him." Jamie looked blank. "What has that got to do wi' chickens?" "I haven't the faintest idea. Take it up with the Vatican," I advised him. "Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist. "And what's he the patron of?" "He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--" "A what?" "Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring." "Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?" He laughed. "Any man who's had his prayer answered could tell yet that, Sassenach." (PP. 841-842)

Ask me for money, Peter.” I grabbed his wrists and pushed him against the wall. He looked everywhere but at me, no attempt to free himself. He was definitely stronger than I, but right that second I didn’t care if he was being patronizing. If it forced him to answer me, then patronizing I’d take. “No,” he murmured. “Ask me for money, goddamn you.” I punctuated it with a slam of his wrists, hard enough to jar, but not painful—I hoped. The next time my shirt wouldn’t be there to cushion it. I was that pissed. “I have!” He spat back, easily extricating his hands and pushing me away. I grabbed his arm, turning him around. “For Cai. For sex. Not for you. You’d rather go fuck a bunch of strangers—” “I don’t fuck anyone but Darryl anymore,” he denied. “It’s just a show for a bunch of voyeurs. No one gets hurt.” “I get hurt!” “I don’t have any other way, Austin.” “You have me. Ask me,” I said, hating the pleading sound in my voice. “No.” “Jesus Christ, why the fuck not?” “Because I don’t want you to be a fucking trick!” The shout was so loud I felt the vibrations along my spine.

Don't hate me for wanting to change the way things are. I believe in you, Callum. You can change the world, I know you can. But not like this, I'm not trying to be magnanimous or patronizing. I genuinely want to help but...

Teach her, too, to question the idea of women as a special species. I once heard an American politician, in his bid to show his support for women, speak of how women should be “revered” and “championed”—a sentiment that is all too common. Tell Chizalum that women actually don’t need to be championed and revered; they just need to be treated as equal human beings. There is a patronizing undertone to the idea of women needing to be “championed” and “revered” because they are women. It makes me think of chivalry, and the premise of chivalry is female weakness.

She curses under her breath. It must be Tagalog because I catch, “mga lalaki,” the phrase for “men,” somewhere in there. “Hey,” I start to protest. “We’re not all—“ “Stop,” Mia cuts me off. “Don’t make it about you. Just listen.

But why give a man something it's so hard to earn? In that respect women are really thick. They're the daughters of rigidity. They need a man to feel secure but they don't realize that the one thing they should be afraid of is men. They don't know how to run their lives. They have to sacrifice themselves for the sake of someone else. Whores are the worst, patron, believe me. They throw their lives away working for some pimp, smile when he beats them, feel proud when he's well dressed, with his gold teeth and rings on his fingers, and when he goes off and takes up with a woman half their age they forgive him everything because 'he's a man.

So,' bellowed Cosmo, pouring me a drink. 'How's your love-life?' Oh no. Why do they do this? Why? Maybe the Smug Marrieds only mix with other Smug Marrieds and don't know how to relate to individuals any more. Maybe they really do want to patronize us and make us feel like failed human beings. Or maybe they are in such a sexual rut they're thinking, 'There's a whole other world out there,' and hoping for vicarious thrills by getting us to tell them the roller-coaster details of our sex lives.

But," I say hoarsely, clearing my throat, "do all these clients—patrons—know how she did this experiment? What it took?" "Would it matter now, if they knew?" She shrugs at me. "If the end results are this remarkable, would you throw away the research just because the process was unethical? Immoral human experimentation has been around forever, has been performed by your country, by mine, by everyone. You think people don't want the results of this kind of research, regardless of how it's obtained? People ultimately don't care about the journey, if the end is worth it. And what was the price tag here, in exchange for immortality?" One life.

Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce . . . Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.

I loved her even as she was swimming away from me, even as I was hating her. That’s the way it is, when you’ve loved somebody your whole life. It’s like a direction you go in, even when you don’t want to go anymore.

I don’t give a rat’s ass what you think, David! I’m tired of you bullying me, putting me down, patronizing me, treating me like some sort of simpleton. I was supposed to be a partner in this relationship – that’s what I signed up for. Not this!

Her other boyfriend before me was a druggie, too. I don't mean... he was a druggie. I like drugs, but he was a druggie . It's like she just goes out with people who take drugs so she can pick on them. Joan of Narc, patron saint of the addict. - Alex

To my lovely starling, Maybe there are magical words that will make you understand, but if so, I do not know them. Words are your domain. I've always been better with pictures. I fear you think I am a monster. It's true I've disrupted many graves. The way I see it, the dead are dead. If, after their death, we can learn things from the about the human form - things that will increase the sum of human knowledge and the possibilities of art - what harm is that? After death, new life, new beauty. How can that be wrong? My friends and I have made use of some of the bodies as models. some we sell to surgeons who study them with the hopes of learning something about the frail mechanisms of the human body. I don't know exactly what Dottor de Gradi does in his workshop on the Rialto, and I was as surprised as you were to stumble on it. He couldn't - he wouldn't tell me if your friend's body ended up there. But he did assure me all of his work is focused solely on extending human life. I won't lie. I did it for the money as well. Don Loredan is holding a private exhibition in his palazzo tomorrow. The entry fee was quite steep but two of my paintings were accepted. This could be the beginning for me. I could find my own patrons. I could be more than just a peasant. Tommaso's assistant. So yes; a little for money. But mostly I did for the art. I don't expect these words to change how you feel. I simply want you not to see me as a monster. I don't want to be a monster. Not anymore. Not after meeting you. I know that we disrupted you dear friend's body, and for that I am deeply regretful. But if we had not done so, if I had not lingered in the San Domenico churchyard after standing guard for my friends, you and I might never have met. Meeting you is one thing I will never regret. I hope you like the painting. Consider tit a wedding gift. How stupid of me to let my heart go. It was a lovely fantasy while it lasted, though, wasn't it? Yours, Falco

Hooyo, patron saint of my children have different passports to me. Hooyo, blessed saint of raising them too far from home. I don't recognize my own children they speak and dream in the wrong language as much as I understand it may as well be the language of birds.

You’re probably just trying to discourage me,” she said. “Well, knowing them, it’s hard to think either of them might’ve been guilty, but I tried to throw out my personal feelings and stick to logic. Before I went to sleep last night I made a list of all the—” “There’s nothing like a little logic-sticking to ward off insomnia. It’s like—” “Don’t be so damned patronizing. Your performance so far has been a little less than dazzling.” “I didn’t mean no harm,” I said and kissed her. “That a new dress?” “Ah! Changing the subject, you coward.

This good sir Knight here was showing me his most impressive weapon." "Oh?" His eyebrow arched, and I tried to ignore the way it sent heat dspeeding down my spine. "Are you seeking out others then? Does my weapon no longer interest you? I had to bite down hard on my bottom lip to keep from laughing. We were blowing right past subtle innuendo today. "Oh, Captain." I fluttered my eyelashes dramatically. "I believe you are quite aware that I have no complaints with your... weapon." He choked for a split second, but covered it with a small cough before he leaned a casual elbow against the bar. "I hope not, love." His smile was as broad as ever. "I would hate to think I would have to duel with another for your affections." "I hope not, for your sake." I rounded my eyes in feigned horror. "I've seen you fight, sir. It typically ends on your knees in the dirt with a knife at your throat, does it not?" I shook my head, clucking my tongue. "Not a good ending." A nearby patron snorted, and it was all I could do to not turn my head. Great. Simon and I turned into a show all on our own. Come for the beer, stay for the bad comedy. "Odd." He tiled his head and considered me, his eyes doing the same slow travel mine had done on him. It took everything I had not to fidget under his gaze. "Typically women don't mind when I'm on my knees in front of them.

Mattie,” he said silently to no one in the room, “you’re a little girl. But nobody stays a little girl or a little boy long—take me, for instance. All of a sudden little girls wear lipstick, all of a sudden little boys shave and smoke. So it’s a quick business, being a kid. Today you’re ten years old, running to meet me in the snow, ready, so ready, to coast down Spring Street with me; tomorrow you’ll be twenty, with guys sitting in the living room waiting to take you out. All of a sudden you’ll have to tip porters, you’ll worry about expensive clothes, meet girls for lunch, wonder why you can’t find a guy who’s right for you. And that’s all as it should be. But my point, Mattie—if I have a point, Mattie—is this: kind of try to live up to the best that’s in you. If you give your word to people, let them know that they’re getting the word of the best. If you room with some dopey girl at college, try to make her less dopey. If you’re standing outside a theater and some old gal comes up selling gum, give her a buck if you’ve got a buck—but only if you can do it without patronizing her. That’s the trick, baby. I could tell you a lot, Mat, but I wouldn’t be sure that I’m right. You’re a little girl, but you understand me. You’re going to be smart when you grow up. But if you can’t be smart and a swell girl, too, then I don’t want to see you grow up. Be a swell girl, Mat.

I don’t think we should spend any time wandering around that remote possibility. It’s nice of you to wish me well, but actually I find it unbearably patronizing.

PHOENIX: As I was about to say… “Telekinesis” means “mind over matter.” U-Men: I’m not scared… I’ll match your natural powers with my electric blood transfusion. PHOENIX: No… No. I’m sorry, you won’t. All your minds… looking out through those little portholes… Naked insecurities crawling all over you like graffiti… So sad… You’ll be quiet and you’ll listen to someone else for just 5 minutes. Mind over matter? Think back to all that processed food you ate today to help calm your nerves. I’m thinking about it right now. I’m thinking of moving it up. U-Men: Aaautch! Bblaaauuurrr! PHOENIX: And moving it down. U-Men: Oh! Awwwww! PHOENIX: I don’t want you to get hurt but you have to understand… the more you annoy me the more I can’t help thinking about deconstructing you, molecule by molecule, memory by memory… until there’s nothing left but screaming, traumatized atoms. So don’t patronize me. Don’t threaten me. And don’t ever endanger any of my students again. Don’t even think about it. Or I’ll know.

Fuck off, Philip, I love him,” Henry says. “Oh, you love him, do you?” It’s so patronizing that Alex’s hand twitches into a fist under the table. “What exactly do you intend to do, then, Henry? Hmm? Marry him? Make him the Duchess of Cambridge? The First Son of the United bloody States, fourth in line to be Queen of England?” “I’ll fucking abdicate!” Henry says, voice rising. “I don’t care!” “You wouldn’t dare,” Philip spits back. “We have a great uncle who abdicated because he was a fucking Nazi, so it’d hardly be the worst reason anyone’s done it, would it?” Henry’s yelling now, and he’s out of his chair, hands shaking, towering over Philip, and Alex notices that he’s actually taller. “What are we even defending here, Philip? What kind of legacy? What kind of family, that says, we’ll take the murder, we’ll take the raping and pillaging and the colonizing, we’ll scrub it up nice and neat in a museum, but oh no, you’re a bloody poof? That’s beyond our sense of decorum! I’ve bloody well had it. I’ve sat about long enough letting you and Gran and the weight of the damned world keep me pinned, and I’m finished. I don’t care. You can take your legacy and your decorum and you can shove it up your fucking arse, Philip. I’m done.” He huffs out an almighty breath, turns on his heel, and stalks out of the kitchen. Alex, mouth hanging open, remains frozen in his seat for a few seconds. Across from him, Philip is looking red-faced and queasy. Alex clears his throat, stands, and buttons his jacket. “For what it’s worth,” he says to Philip, “that is the bravest son of a bitch I’ve ever met.” And he leaves too.

Ren took his time perusing the menu and seemed to be thoroughly enjoying himself. I didn’t even pick my menu up. He shot me meaningful glances while I sat silently, trying to avoid making eye contact. When she came back, she spoke to him briefly and gestured to me. I smiled, and in a syrupy sweet voice, said, “I’ll have whatever will get me out of here the fastest. Like a salad, maybe.” Ren smiled benignly back at me and rattled off what sounded like a banquet of choices, which the waitress was more than happy to take her time writing down. She kept touching him and laughing with him too. Which I found very, very annoying. When she left, he leaned back in his chair and sipped his water. I broke the silence first and hissed at him quietly, “I don’t know what you’re playing at, but you only have about two minutes left, so I hope you ordered the steak tartar, Tiger.” He grinned mischievously. “We’ll see, Kells. We’ll see.” “Fine. No skin off my nose. I can’t wait to see what happens when a white tiger runs through this nice establishment creating mayhem and havoc. Perhaps they will lose one of their stars because they put their patrons in danger. Maybe your new waitress girlfriend will run away screaming.” I smiled at the thought. Ren affected shock, “Why, Kelsey! Are you jealous?” I snorted in a very unladylike way. “No! Of course not.” He grinned. Nervously, I played with my cloth napkin. “I can’t believe you convinced Mr. Kadam to play along with you like this. It’s shocking, really.” He opened his napkin and winked at the waitress when she came to bring us a basket of rolls. When she left, I challenged, “Are you winking at her? Unbelievable!” He laughed quietly and pulled out a steaming roll, buttered it, and put it on my plate. “Eat, Kelsey,” he commanded. Then he sat forward. “Unless you are reconsidering seeing the view from my lap.” Angrily, I tore apart my roll and swallowed a few pieces before I even noticed how delicious they were-light and flaky with little flecks of orange rind mixed into the dough. I would have eaten another one, but I wouldn’t give him the satisfaction.

The question feels so patronizing: as if I’ve never thought about gender and how I choose to present myself, how I dress, how I stand, how I crop my hair short, and what this means. As if I’ve never thought about what it would be like to live as a man instead, the relief that would come from passing, with not having to face the everyday violence and humiliations of living in my body. As if I’ve never thought about how I don’t want that, how every cell in my body recoils at that thought of being a man, and yet how harrowing it is that the only way I can get out of my bed and make it through the day is by wearing masculinity on my body. As if I’ve never held dear my feminist rage, never thought about how I feel so politically aligned with womanhood and yet hate inhabiting it, hate it when my body is read as such. As if the only way to be trans is to transition to a binary gender, as if I can’t exist as I have been, in some space in between or beyond, using she or they pronouns and seething when people call me a woman and laughing when people tell me I should transition.

But, brothers, this biting of their toe-nails over what is the cause of badness is what turns me into a fine laughing malchick. They don't go into what is the cause of goodness, so why the other shop? If lewdies are good that's because they like it, and I wouldn't ever interfere with their pleasures, and so of the other shop. And I was patronizing the other shop. More, badness is of the self, the one, the you or me or our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning tbey of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of brave malenky selves fighting these big machines? I am serious with you brothers, over this. But what I do I do because I like to do.

DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL

But, brothers, this biting of their toe-nails over what is the cause of badness is what turns me into a fine laughing malchick. They don't go into what is the cause of goodness, so why of the other shop? And I was patronizing the other shop. More, badness is of the self, the one, the you or me on our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of brave malenky selves fighting these big machines?

Trust me, I know how hard this is.” Janine lowers her voice. “I’m a survivor, too.” That word, with its cloying empathy; that patronizing, flattening word that makes my whole body cringe no matter the context—it pushes too far. My lips curl up over my teeth as I spit out, “You don’t know anything about me,” and I hang up the phone,

Today, Dr. Cruz reached a new low. Apparently, my ‘yes’ and ‘no´ answers had pushed her over the edge, because she resorted to force-feeding me grief. Her tactic was to superimpose feelings onto me that she thought I should be experiencing, ending the statement with some patronizing variation of ‘You don’t have to say anything. I already know.

I found that the more "authentic" I was, the more followers I won, and the more those followers "liked" me. If that sounds patronizing, I honestly don't mean it that way. Sorry, the Sisterhood, but when it comes to online life, women just don't respond well to other women's success-if comparison is the thief of joy, Instagram is the cat burglar of contentment.

Imagine my surprise, my ditress, when one of our regular patrons raced screaming into camera range,her Templeton Spa robe flapping open, her eyes wild as she sputtered accusations about being attacked-bodily attacked-by Laura Templeton Ridgeway and her cohorts." "Oh,Josh,I'm so sorry." Laura turned her head away, hoping he'd take it for shame.It would never,never do to laugh. He showed his teeth. "One snicker,Laura. Just one." "I'm not snickering." Composed,she turned back."I'm terribly sorry.It must have been very embarrassing for you." "And don't it just be a laugh riot when they run that little scene?Of course, they'll beep out most of the dialogue to conform to Standards and Practices, but I think the viewing audience, the millions of people who tune into Informed each week will get the gist." "She started it," Kate said,then winced when he turned flinty eyes on her. "Well,she did." "I'm sure Mom and Dad will understand that completely." Even the stalwart Kate could be cowed."It was Margo's idea." Margo hissed through her teeth. "Traitor.She called Kate a lesbian." Shaking his head,Josh covered his face with his hands and rubbed hard."Oh, well,then, get the rope." "I suppose you'd have let her get away with it.She's been trying to damage the shop.She said nasty things to Laura," Margo went on,heating up. "And just the other day she came into the shop and called me a slut. A second-class slut." "And your answer was to gang up on her, three to one,smack her around, strip her naked,and shove her into a locker?" "We never smacked her.Not once." Not, Margo thought,that she wouldn't have liked to. "As for the locker business, it was a matter of tradition.We did nothing more than embarrass her, which is no more than she deserved after the way she insulted us.And anyway, a real man would applaud our actions.

It’s the photos that hit me the hardest, though. A woman cradling her husband’s limp body. A crowd looking on, emotionless, as police shine a flashlight on a woman’s bloodied corpse. A couple, half on the ground and half tangled in their moped, their blank faces turned toward the camera and sprays of blood on the pavement behind their heads. Sisters gathered around their baby brother’s body lying in its small casket. A body with its head covered in a dirty cloth left in a pile of garbage on the side of the street. Grayish-green corpses stacked like firewood in an improvised morgue. There’s even a short video of grainy security cam footage in which a masked motorcyclist pulls up next to a man in an alleyway, shoots him point-blank in the side of the head, then drives away. In high definition, I see the victims’ wounds, their oddly twisted limbs, their blood and brain matter sprayed across familiar-looking streets. In every dead body, I see Jun. I want to look away. But I don’t. I need to know. I need to see it. These photographers didn’t want to water it down. They wanted the audience to confront the reality, to feel the pain that’s been numbed by a headline culture.

When Kathy pointed out that Greta was worse than she could ever be, Greta gave her the most patronizing look you’ve ever seen and said, ‘That’s a little thing called displacement. Don’t shift your shame onto me.’ Taryn was almost crying with laughter. Jaime recorded the whole thing with her cell phone.” Nick shook his head. “Allen remains as oblivious as ever. He’s convinced the woman is a saint.

I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.

I can whistle almost the whole of the Fifth Symphony, all four movements, and with it I have solaced many a whining hour to sleep. It answers all my questions, the noble, mighty thing, it is “green pastures and still waters” to my soul. Indeed, without music I should wish to die. Even poetry, Sweet Patron Muse forgive me the words, is not what music is. I find that lately more and more my fingers itch for a piano, and I shall not spend another winter without one. Last night I played for about two hours, the first time in a year, I think, and though most everything is gone enough remains to make me realize I could get it back if I had the guts. People are so dam lazy, aren’t they? Ten years I have been forgetting all I learned so lovingly about music, and just because I am a boob. All that remains is Bach. I find that I never lose Bach. I don’t know why I have always loved him so. Except that he is so pure, so relentless and incorruptible, like a principle of geometry.

After receiving such a warm welcome, it sounded to me like the Directorate of Intelligence had placed me on the CIA’s “don’t screw with this guy list”. This list was something of an urban legend throughout The Company. Once on it, you had it made. Everyone at the CIA would go out of his or her way to be helpful and red tape would magically vanish for you. It meant that you had a very powerful patron at the top levels of the Agency. I may have been hustled out of Headquarters but I apparently still had a very powerful friend in high places.

When the music stopped, the curtains to their booth flew open. Jax, the devastatingly handsome Nordic wolf, leered down on the lovers, who smiled up at him in amusement. “I said pretend to be her mate. At any point, did you hear me say, ‘Come up to New York and fuck my sister in public…during one of my company events?’ Did I say that? I really don’t recall saying that.” Jax scrubbed his fingers over his tightly cropped hair. He moved to the balcony, overlooking the patrons who were shuffling into the lobby for the intermission. “Sorry.” Dimitri laughed. He knew that they should have been slightly less conspicuous but the draw of his mate had been too much to resist. “Sorry? Really? That’s all you’ve got?” He turned to Gillian, who scrambled up to her feet, adjusting her dress. “And you? What’s your excuse, little sister? Seriously, every shifter in the room could hear you.” “Um, well, yeah, sorry about that. But technically this is your fault. I mean, what did you expect? You asked Dimitri to come here…to pretend to be my mate.” Gillian reasoned that her comeback sounded solid, inexperienced in dealing with her Alpha brother.

It's not the end of the world if we lose," Francis said. "Don't lose sleep over it." She hated that about him - his willingness to accept a loss before it had even happened. It was his way of consoling his team, she guessed: he believed it was better to expect the worst and be pleasantly surprised than to be crushed by an unexpected loss. Dan thought a coach had no right to be so pessimistic. She didn't want a coach who softened the blow. She wanted a coach who believed in the impossible. "I can't afford to lose," she told him. "I need to make it to finals if I'm to catch a recruiter's eye." "Danielle, I need you to understand something." "I'm good," Dan insisted. "I'm more than good enough to make the cut." "You're very talented..." "Don't patronize me, Coach." "You're amazing," he said, "but it's not enough to be good. You're a girl." "That means nothing." "That means everything. Maybe it's not fair, but it's a fact. Men are faster and stronger. They can hit harder and throw further. Nothing you do can change that bias. If a coach can choose between a man and a woman, he will choose the man every time." "There are plenty of women playing for college teams." "I didn't say there aren't women," Francis said. "I'm saying they're the exception.

If you follow these simple points, you will find permanent freedom from toxic bonds:   I will never beg or plead for someone else again. Any man or woman who brings me to that level is not worth my heart. I will never tolerate criticisms about my body, age, weight, job, or any other insecurities I might have. Good partners won’t put me down, they’ll raise me up. I will take a step back from my relationship once every month to make sure that I am being respected and loved, not flattered and love-bombed. I will always ask myself the question: “Would I ever treat someone else like this?” If the answer is no, then I don’t deserve to be treated like that either. I will trust my gut. If I get a bad feeling, I won’t try to push it away and make excuses. I will trust myself. I understand that it is better to be single than in a toxic relationship. I will not be spoken to in a condescending or sarcastic way. Loving partners will not patronize me. I will not allow my partner to call me jealous, crazy, or any other form of projection. My relationships will be mutual and equal at all times. Love is not about control and power. If I ever feel unsure about any of these steps, I will seek out help from a friend, support forum, or therapist. I will not act on impulsive decisions.

Red-checked tablecloths, cheap metal chairs, and all manner of food on the menu, from dim sum to stromboli. Soft lighting did nothing to hide the fact that they were the only patrons in the place. After they were seated at a four top, with sodas in front of them, Nick was desperate for anything to lighten the mood. “Fast service,” he said wryly. “Do you want me to accuse you of dazzling the waitress?” Adam choked on his soda. “Is that a Twilight reference? How is it possible your brothers don’t know you’re g*y?” Every time he said that, Nick wanted to flinch as hard as Adam had on the street. “I said a girlfriend was making me read it.

Madle named names. Some were on my list and some were not. Those that were not I assumed to be spear carriers. Tally had been well and reliably scouted. The last corpse went out. I gave Madle a small gold piece. He goggled. His customers regarded him with unfriendly eyes. I grinned. “For services rendered.” Madle blanched, stared at the coin. It was a kiss of death. His patrons would think he had helped set the ambush. “Gotcha,” I whispered. “Want to get out of this alive?” He looked at me in fear and hatred. “Who the hell are you guys?” he demanded in a harsh whisper. “The Black Company, Madle. The Black Company.” I don’t know how he managed, but he went even whiter.

It was a nightmarish hour. I really don’t have the heart to go into it: his patronizing tone at the start (handing out a page from the New Testament, saying, “Of course I don’t expect you to pick up the finer points, if you can get the sense, it’s okay with me”), a tone which metamorphosed gradually into surprise (“Well! Rather advanced, for undergraduates!”) and defensiveness (“It’s been quite a while since I’ve seen students at your level”) and, ultimately, embarrassment. He was the chaplain at Hackett and his Greek, which he had mostly learned at seminary, was crude and inferior even by my standards. He was one of those language teachers who rely heavily on mnemonics. (“Agathon. Do you know how I remember that word? ‘Agatha Christie writes good mysteries.’ ”) Henry’s look of contempt was indescribable.

Visitors to the exhibit were instructed to place a finger on a sensor that detected their pulse; the readout of the sensor was visible only to Ainley. “Please tell me when your heart beats,” she would say to each patron who stepped forward. An elderly couple who stopped by the booth had very different reactions to Ainley’s request. “How on earth would I know what my heart is doing?” the woman asked incredulously. Her husband turned and stared at her, equally dumbfounded. “But of course you know,” he exclaimed. “Don’t be so stupid, everyone knows what their heartbeat is!” “He had always been able to hear his heart, and she had never been able to hear hers,” Ainley observed in an interview, smiling at the memory. “They had been married for decades, but they had never talked of or even recognized this difference between them.

Rotten, rotten old world,' broke out Eleanor suddenly, 'and the wretchedest thing of all is me--oh, why am I a girl? Why am I not a stupid--? Look at you; you're stupider than I am, not much, but some, and you can lope about and get bored and then lope somewhere else, and you can play around with girls without being involved in meshes of sentiment and you can do anything and be justified--and here am I with the brains to do everything, yet tied to the sinking ship of future matrimony. If I were born a hundred years from now, well and good, but now what's in store for me--I have to marry, that goes without saying. Who? I'm too bright for most men, and yet I have to descend to their level and let them patronize my intellect in order to get their attention. every year that I don't marry I've got less chance for a first class man. At the best I can have my choice from one or two cities and, of course, I have to marry into a dinner-coat.

So how did he turn out?” “I don’t know…It’s strange because there’s the him I remember from middle school, and that’s just my memory of him, but then there’s the him now.” “Did you guys ever go out back then?” “Oh no! Never.” “So that’s probably why you’re curious about him now.” “I didn’t say I was curious.” Lucas gives me a look. “You basically did. I don’t blame you. I’d be curious too.” “It’s just fun to think about.” “You’re lucky,” he says. “Lucky how?” “Lucky that you have..options. I mean, I’m not officially ‘out,’ but even if I was, there are, like, two gay guys at our school. Mark Weinberger, who’s a pizza face, and Leon Butler.” Lucas shudders. “What’s wrong with Leon?” “Don’t patronize me by asking. I just wish our school was bigger. There’s nobody for me here.” He stares off into space moodily. Sometimes I look at Lucas and for a second I forget he’s gay and I want to like him all over again. I touch his hand. “One day soon you’ll be in the world, and you’ll have so many options you won’t know what to do with them. Everyone will fall in love with you, because you’re so beautiful and so charming, and you’ll look back on high school as such a tiny blip.” Lucas smiles, and his moodiness lifts away. “I won’t forget you, though.

But my point applies to a broader audience. Indulge me in one more thought experiment, a familiar one: You will be stranded on a desert island, and you can take just 10 books and 10 music CDs. What do you choose? My prediction is that even people who don’t listen to classical music regularly will take Bach, Mozart, and Beethoven. Even people who haven’t picked up Shakespeare in years will take the collected works of Shakespeare. When we want something we can go back to again and again, we choose the same giants that the experts choose. My proposition about the literature, music, and visual arts of the last half century is that hardly any of it has enough substance to satisfy, over time. The post-1950 West has unquestionably produced some wonderful entertainments, and I do not mean wonderful slightingly. The Simpsons is wickedly smart, Saving Private Ryan is gripping, Groundhog Day is a brilliant moral fable. The West’s popular culture is for my money the only contemporary culture worth patronizing, with its best stories more compelling and revealing than the ones written by authors who purport to write serious novels, and its best popular music with more energy and charm than anything the academic composers turn out. It is a mixed bag, with the irredeemably vulgar side by side, sometimes intermingled, with the wittiest and most thoughtful work. But the quality is often first-rate—as well it might be. The people producing the best work include some who in another age could have been a Caravaggio or Brahms or Racine, and perhaps dozens of others good enough to have made their way onto the roster of significant figures. Why not be satisfied with wonderful entertainments?

Did you eat?” he asked as he backed out of the parking lot. “No.” “Do you want to stop somewhere?” “Like Burger King?” “I was thinking something a little nicer.” “I’m wearing sweaty clothes and sneakers.” Briefly taking his eyes off the road, he glanced at her. “I think you look nice.” “Says the man in a dress shirt and tie.” “Trust me, you could wear a sack and I’d still be the inappropriate factor in the equation. Let’s stop and have dinner. We’ll go someplace small and quiet.” She sighed. “Fine. But you have to take off your tie and un-tuck your shirt.” “What?” “Either that or I’m not going. I look like a slob.” His fingers noticeably tightened on the wheel. “Fine.” When they arrived at the restaurant, a little corner place with outdoor seating and Italian cuisine, Elliot stood at the car door and loosened his tie. After unclasping the top button of his shirt, he frowned at his hips. “My shirttails will be wrinkled. Can’t this be enough?” She laughed at how uncomfortable the idea of wrinkles made him. “Fine.” Untwisting the clip in her hair, she flipped her head over and shook out her waves, hoping to hide the fact that she was in an old tank top with a bleach stain on the side. Flipping back, she paused as she caught him staring. “What?” His eyes were wide behind his glasses. “Nothing.” He shook his head and looked away. He took her hand and escorted her into the restaurant. The smell of delicious pasta cranked up her hunger. The hostess greeted them, and before Nadia could manage a word, Elliot asked for a private table in the back. They were escorted to the rear of the restaurant, far away from all other patrons. “Do they know you here?” He seemed to have some pull. “No, but if you make a direct request people don’t often tell you no.” She raised a brow. “I’ll have to remember that trick.” For as gentle as he was, he had a knack for being equally commanding. His clout was subtle but undeniable. She wondered if he even realized the influence he held over others. He wore authority very well.

Maybe nostalgia is itself the problem. A Democrat I met in Macon during a conversation we had about the local enthusiasm for Trump told me that “people want to go back to Mayberry”, the setting of the beloved old Andy Griffith Show. (As it happens, the actual model for Mayberry, Mount Airy, a bedraggled town in North Carolina, has gone all in on the Trump revolution, as the Washington Post recently reported.) Maybe it’s also true, as my liberal friends believe, that what people in this part of the country secretly long to go back to are the days when the Klan was riding high or when Quantrill was terrorizing the people of neighboring Kansas, or when Dred Scott was losing his famous court case. For sure, there is a streak of that ugly sentiment in the Trump phenomenon. But I want to suggest something different: that the nostalgic urge does not necessarily have to be a reactionary one. There is nothing un-progressive about wanting your town to thrive, about recognizing that it isn’t thriving today, about figuring out that the mid-century, liberal way worked better. For me, at least, that is how nostalgia unfolds. When I drive around this part of the country, I always do so with a WPA guidebook in hand, the better to help me locate the architectural achievements of the Roosevelt years. I used to patronize a list of restaurants supposedly favored by Harry Truman (they are slowly disappearing). And these days, as I pass Trump sign after Trump sign, I wonder what has made so many of Truman’s people cast their lot with this blustering would-be caudillo. Maybe what I’m pining for is a liberal Magic Kingdom, a non-racist midwest where things function again. For a countryside dotted with small towns where the business district has reasonable job-creating businesses in it, taverns too. For a state where the giant chain stores haven’t succeeded in putting everyone out of business. For an economy where workers can form unions and buy new cars every couple of years, where farmers enjoy the protection of the laws, and where corporate management has not been permitted to use every trick available to them to drive down wages and play desperate cities off one against the other. Maybe it’s just an impossible utopia, a shimmering Mayberry dream. But somehow I don’t think so.

After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it. “There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each. “Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.” “Oh, Jesus,” Emma mutters as she approaches us. I point to my mouth and say, “Feed me. Daddy needs sugar.” Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.” “Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend. “Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.” “He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe. “Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully. “I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.” “Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.” Georgie rolls her eyes. “And that’s our cue to leave.” “But we didn’t eat our snacks.” “Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.” As they walk away, Racer asks, “Want to have sex in the car?” “Not even a little.” “Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests. “You’re the best,” I admit. “She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.” She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?” Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in. I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys. “Emma. Emma. Emma . . .” And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.

She thought she was getting out of the Water Rising clean, because she didn’t see her father anywhere around: there was only Ash and Lillian sitting at a table, and a few other patrons at as much of a distance from Ash and Lillian as they could get. She made for the door, at which point Lillian caught her arm. “Where are you going?” “Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.” Lillian stared. “I beg your pardon?” “This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.” “I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.” “Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?” “I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.” She climbed off the stool and headed toward the group of people in the corner. Kami and Ash watched as they collectively shrank away. “Come on, quick,” said Kami, and as if summoned by some spirit warning him of his child’s intended reckless behavior, her dad appeared through the inn doors. He looked distracted. “Where’s Lillian?’ Kami checked over her shoulder. “Appears to be trying to wrest a screaming baby from the arms of her frightened mother in order to kiss it.” “Oh no no no,” murmured Jon, and raised his voice as he made his way over. “Libba, we’ve talked about this!” “The good news is the grown-ups are distracted by politics,” said Kami. You mean that your poor father is distracted by my awful mother, said Ash, who was far too polite to say such a thing out loud and looked vaguely embarrassed to be thinking it. Kami grinned. “Why quibble when we have the results we want!” I wish I could ask you what you’re planning, but I know what you’re planning, said Ash. Lucky me. I know this is important information, but going to Aurimere at all is a huge risk. “See, the thing is, if I ran a business it would probably be called Risky Business,

The stench of the pigpens made him take shallow breaths. Michael desperately wanted another drink to drown his sorrows…or, more aptly, his angers. He promised himself that once he found the source of the problem, he’d head to Rigsby’s and let alcohol smooth the edge off his ire. Maybe with a few drinks in him, he could better handle Prudence. Nothing else I’ve tried has worked. “Michael!” At the sound of his wife’s voice, he stiffened. Speak of the devil. Is there a word for female devil? He couldn’t think of one. He nodded good-bye to Hong and was stepping away when--- “Michael, I want to talk to you!” Her voice rose until the timbre was almost a shriek. She ploughed pell-mell for him, her face red with anger. Hong ducked into his tent. Out of sight, maybe, but not out of earshot. The Guans’ should stuff cotton in their ears to block out the worst of Prudence’s screeches. “I need a drink,” he said, beginning to turn away. “Oh, dear Lord. Don’t tell me you’re a drunkard like that Obadiah Kettering. Is that another thing you omitted to tell me about your character?” He swung back. She was inches away, arms flung wide. “You omitted telling me I’d be marrying a shrew,” he said. “You should have written the word at the top of your fancy stationary in big block letters.” He sketched the word in the air and stated each letter. “S-H-R-E-W.” “Why…why I never!” Her mouth opened and closed as if she sought just the right words to hurl at him. “As for being a drunkard. Up until today, I only occasionally sought refuge in the bottle. But I think being married to you, my dear wife, will make me a frequent patron of Rigsbys Saloon. In fact, I might as well take up residence in the place.” Stepping forward, she brought up her hand to slap him. He leaped out of the way. Prudence missed, and her hand sailed past, making her off balance. Sure she was going to try again, Michael moved away, putting more space between them. Prudence slipped on a slimy rock and lost her balance, rotating and stepping sideways only to catch her heel in the hem of her skirt. She teetered backward toward the pigpen. Her legs hit the low fence, catching her at knee-height. Oh, no! Michael leaped to catch her. With a horrified expression, Prudence windmilled her arms in an effort to right herself. Michael missed, grabbing only a fold of her skirt. He yanked back, hoping to pull her upright, but instead, with a ripping sound, the fabric tore. The momentum toppled Prudence backwards into the pigpen, where she landed on her rump in the mire. “Grrrrrr!” She scooped up two handfuls of mud and flung them at him. Shocked, Michael didn’t dodge until the last minute, and the stinking mud went splat against his chest and face.

Don’t look so grim. When you get home, I’m sure Randall will buy you all the rings you want. One for every day of the week,” Oscar said, thick with sarcasm, as they walked back toward the harbor. “I don’t care about the ring!” Camille shouted. She stopped walking and turned to Oscar. “I’m sorry, it’s just that…” Oscar patiently waited for her to finish her sentence. Camille looked away, embarrassed. She had scraped Randall’s skin with the ring, too. It had been one of their rare moments alone. He’d run his fingers down her back, nibbled on her neck, and she’d waited for her legs to turn to warm butter. She’d waited to feel the desire to kiss him. But the feelings hadn’t come. Camille had swept her hand up to stop him, and the ring had left a puffy red scratch on his arm. Oscar watched her fumble for words, his expression one of concern. “Never mind,” she said quickly and stepped up onto a raised sidewalk, out of the mud. “Never mind what?” “It’s private.” He continued walking in the street, his head level with hers. “Private between who?” “Between me and Randall. You wouldn’t understand,” she said and lifted her skirt as she descended back down into the muddy street where the sidewalk ran out. “And why is that?” he asked, sounding put off. Daphne’s place came into view. The air smelled of bitter salt water and of wood smoke curling up from the kitchen chimney. “Oh, Oscar, you’re a man of the sea. What could you possibly know about relationships?” He’d never courted a woman as far as Camille knew. She slowed her pace. Or had he? Oscar stopped in the middle of the cobblestoned walkway leading to Daphne’s front door. His eyes blazed with hurt and resentment. “I do apologize, Miss Rowen, I forgot mere sailors aren’t worthy of marriage. Isn’t that what your father always said?” Camille’s cheeks seared with heat. It was a stance her father had never parted from, but she hadn’t known he’d also impressed it upon Oscar. She fidgeted with her hands and fumbled for an apology. “No, that’s not what I meant. You’re a bachelor, that’s all.” Oscar shook his head, unable to meet her eyes. She’d sounded so patronizing. Oscar was handsome, young, and single, and for a man of his class, he made a decent living. Enough to attract an equally decent amount of attention from women, she supposed. Why hadn’t she ever thought of that? He retreated to the street. “I’m going for a walk.” “Oscar, wait-“ He pivoted on his heel. “You know, you’re wrong, Camille. And your father was wrong, too.” Oscar turned and disappeared behind the boxwood hedges. Camille clenched two fistfuls of her skirt and stomped up the steps, aggravated over her careless words. She’d been pompous and arrogant, and she hated that she’d hurt him. She cringed at the wounded way he’d looked at her.

Sam was about to travel to Asia with her boyfriend and she was fretting about what her backers would think if she released some of her new songs while she was 'on vacation'. She was worried that posting pictures of herself sipping a Mai Tai was going to make her look like an asshole. What does it matter? I asked her, where you are whether you're drinking a coffee, a Mai Tai or a bottle of water? I mean, aren't they paying for your songs so that you can... live? Doesn't living include wandering and collecting emotions and drinking a Mai Tai, not just sitting in a room writing songs without ever leaving the house? I told Sam about another songwriter friend of mine, Kim Boekbinder, who runs her own direct support website through which her fans pay her monthly at levels from $5 to $1,000. She also has a running online wishlist of musical gear and costumes kindof like a wedding registry, to which her fans can contribute money anytime they want. Kim had told me a few days before that she doesn't mind charging her backers during what she calls her 'staring at the wall time'. She thinks this is essential before she can write a new batch of songs. And her fans don't complain, they trust her process. These are new forms of patronage, there are no rules and it's messy, the artists and the patrons they are making the rules as they go along, but whether these artists are using crowdfunding (which is basically, front me some money so I can make a thing) or subscription services (which is more like pay me some money every month so that I can make things) or Patreon, which is like pay per piece of content pledge service (that basically means pay me some money every time I make a thing). It doesn't matter, the fundamental building block of all of these relationships boils down to the same simple thing: trust. If you're asking your fans to support you, the artist, it shouldn't matter what your choices are, as long as you're delivering your side of the bargain. You may be spending the money on guitar picks, Mai Tais, baby formula, college loans, gas for the car or coffee to fuel your all-night writing sessions. As long as art is coming out the other side, and you're making your patrons happy, the money you need to live (and need to live is hard to define) is almost indistinguishable from the money you need to make art. ... (6:06:57) ... When she posts a photo of herself in a vintage dress that she just bought, no one scolds her for spending money on something other than effects pedals. It's not like her fan's money is an allowance with nosy and critical strings attached, it's a gift in the form of money in exchange for her gift, in the form of music. The relative values are... messy. But if we accept the messiness we're all okay. If Beck needs to moisturize his cuticles with truffle oil in order to play guitar tracks on his crowdfunded record, I don't care that the money I fronted him isn't going towards two turntables or a microphone; just as long as the art gets made, I get the album and Beck doesn't die in the process.

A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking. Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar. “You self-serving bastard,” the stranger said unsteadily. “That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?” The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.” “It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?” “I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back. “Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?” “Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.” West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard. Picking up his glass, West muttered, “Go on and shoot.” Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.” “You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.” “However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.” “Stop talking,” Larson snapped. As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor. Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.” It was Sebastian, the Duke of Kingston . . . Phoebe’s father. West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,”he says. I nod and pat him on the shoulder. “I know you did, man.”We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,”I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge , a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,” I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.

Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.

I know I’m not the patron saint of etiquette and me attitude stinks of arse, but at least I don’t dictate to nay cunt how they ought to spend their days. There are six billion of us on this rock. Why should we all like vanilla ice cream, wear supermarket denim and set our alarm clocks for the nine to five grind?

Jillian had charged into the bathroom on seven, but she just shot straight to ten. Her nature may be reserved, but she didn’t take shit off anybody. “Don’t patronize me. And don’t you dare come down here and judge us!” She pointed her finger directly at AJ. “We’re the ones doing the heavy lifting, so people like you can come along at the very end and ride along on our coattails. You can act tough all you want, but it’s just an act, AJ. You, with your expensive suits and shiny shoes,” she sneered. “You wouldn’t survive one minute out there on those streets. You’re weak.” Before she realized what was about to happen, AJ seized her by the shoulders and threw her against the wall. Pinning her with her own body, she pressed her index finger over Jillian’s lips. “That’s enough.” Those glittering green eyes warned Jillian not to say another word. The impact had completely knocked the breath out of her. AJ pressed her body tighter into hers, preventing Jillian from taking a replenishing breath, so she breathed short shallow breaths through her nose. Her heart pounded. What was happening? She wasn’t in control of the situation, and oddly enough, for once she didn’t want to be. She had just been manhandled, yet she had no desire to fight back. Instead, she wanted to hook her leg around AJ’s waist and draw her closer to where AJ’s heat seared her core.

Raw persimmon is an acquired taste," he said, handing me a slice, "but I have a feeling you'll like this one." I resisted the urge to roll my eyes. 'I'm a baker, Ogden,' I wanted to say. 'Of course I know what persimmon tastes like.' I bit into the fruit. It had the texture of a firm heirloom tomato and a heady, semisweet taste as though infused with a tiny drop of honey. I nodded and made a sound of approval. "You didn't order any, but I brought you a few to try anyway. I wondered if maybe they might inspire a new cupcake flavor for the holidays," Ogden said. He kept his serious brown eyes trained on the persimmon in his hand while he spoke, a gesture that seemed oddly bashful and entirely unlike him. "You'll have to excuse me if that sounds presumptuous. I'll be the first to admit I know nothing about the recipe creation process." I took another bite of persimmon, considering. Ogden held himself very still as he watched me chew, and I appreciated the restraint he showed in not jumping in to fill the silence. I knew it couldn't have been easy for him. "You have good instincts," I said finally. "A persimmon cupcake could be a great addition to the menu. Add some chocolate, a little cinnamon and cardamom, some sweet vanilla icing, and I think we'd have a new Christmas favorite." "You don't think persimmon is too adventurous for your patrons?" "Nah," I said. It was actually nice to talk to someone who took food as seriously as I did- I only wished he could do so without sounding so pompous. "But we might have to lead with the chocolate. Chocolate Persimmon Spice. That wouldn't offend you, would it? If I promised to use organic chocolate?" "I think my ego can handle a little organic chocolate," Ogden said.

Dashdelgar is out hunting!” Otgar began in a loud voice. All at once, my uncles and aunts ceased their talking and turned toward her. No Qorin in existence misses a joke. Especially not a Dashdelgar joke. He is our patron god of obfuscating stupidity. So what if it was being told in Hokkaran? Most of us understood Ricetongue, even if we did not speak it. Except Temurin. She said she’d learn it when Hokkarans learned Qorin, which was a fair point. “But Dashdelgar hunts in winter, and he took with him only four arrows. After a whole day out in the cold, he fails to hit anything. So he fills his belly with kumaq and makes his way back to his ger.” You listened. Your brows scrunched like caterpillars above your eyes, but you listened. “He finds his wife with another man—not his brother either!” A chorus of laughs. You blinked at me. “Qorin marriages are different,” I whispered. “Sometimes brothers share wives.” You swallowed and licked your lips. I could hear you thinking that you were not in Hokkaro anymore. “They do not notice him, but this is not out of the ordinary; Dashdelgar is a small man, and he shares his ger with his entire family. His wife and the other man keep right on going. Dashdelgar watches them, infuriated. But he sees that there is another skin of kumaq and so he drinks it.” I was going to have to explain a lot of things to you because of this joke. Hokkarans don’t speak of lewd matters, but it is not uncommon for such things to happen in the ger, in full view of the adults. “It is then Dashdelgar notices three important things. One: he is drunk. Two: the ger is empty, except for the couple. And, three: this is not his ger.” There it is. Everyone breaks down laughing. Even you spare a chuckle.

How can I tell her to be glad she's alive, when she knows she'll never walk on the desert again, or find me a diamond for some patron's earring, never gentle another horse, never make love?" "I don't know," Smoke said. "But if you and Alex see her life as a tragedy, that's what it will be.

Maybe you need new glasses.” That pisses me off. I hate it when well-meaning people try to make me feel better about my looks. My cheeks flaming with heat, I say quietly, “Don’t you dare pity me or patronize me. And don’t bullshit me, either. I own mirrors, and a scale, and have a younger sister who’s won enough beauty contests that I know what pretty is supposed to look like. And I’m not it. Which is fine—I’m not feeling sorry for myself. But when someone like you who’s physically gifted tries to be kind about my appearance, it comes off as really disingenuous and honestly kind of cruel.

Joy surged through him. Holt threw himself forward and took Aberanth in a fierce embrace. “Oh, I say!” Aberanth tried to wriggle free, but Holt was too strong for him, so the dragon settled with a growling groan. “Better get used to it. You don’t need to be so guarded around us. We’ve been through too much for that.” “Hmph,” Aberanth said, plainly uncomfortable but no longer wriggling. He raised one of his bark-skin wings to pat Holt on the back. “There, there.” From anyone else, it would have been patronizing, but for Aberanth, it was akin to a declaration of love. Holt squeezed harder. “Holt,” Aberanth squeaked. “Yeh?” “You’re crushing me.

An amazing thing happened to me today. We were in Loreto, where Franco Terilli was praying to his patron, one of the popes. In Loreto there is a famous cathedral (rather like Lourdes) in the middle of which stands the house in which Jesus was born, transported here from Nazareth. While we were in the cathedral, I felt it was wrong that I can't pray in a Catholic cathedral; not that I cannot, but that I don't want to. It is, after all, alien to me. Then later, quite by chance, we went into a little seaside town called Porto Nuovo, and into its small, tenth century cathedral. And what should I see on the altar but the Vladimir Mother of God Apparently some Russian painter had, at some time, given the church this copy of the Mother of God of Vladimir, evidently painted by him. I couldn't believe it: suddenly to see an Orthodox ikon in a Catholic country, when I had just been thinking about not being able to pray at Loreto. It was wonderful.

Trust me on this, Lindsay.” Warner pats her shoulder. “You just don’t know better.” I don’t like the patronizing way Warner is speaking to her. Ever since he kept her from getting the burger she wanted at the diner, this guy has been getting on my nerves. Once I get her alone, I’m going to have a talk with her about him.

Excuse me,” I repeat, rolling the statement around in my head. It feels unlikely that she is actually asking to be excused. After all, patrons are free to come and go as they please in the library, they don’t have to ask for the privilege. It’s possible, I suppose, that she’s asking to be excused for impoliteness, but as I didn’t hear her belch or fart, that also seems improbable. As such, I conclude she has employed the odd social custom of asking to be excused as a means of getting a person’s attention. I open my mouth to tell her that she has my attention, but people are so impatient nowadays and she cuts me off before I can speak.

You’re trying to punish me,” she said, “because I refused you.” “No,” he said slowly, considering her words even as he answered. “No, I’m not. I’d like to punish you, and in my current state of mind I’d even go so far as to say you deserve to be punished, but that’s not why I’m doing it.” “Then why are you?” “It’s for your own good.” “That’s the most condescending, patronizing—” “I’m sure you’re right,” he allowed, “but nonetheless, in this particular case, at this particular moment, I know what’s best for you, and you clearly don’t, so— don’t hit me again,” he warned. Sophie looked down at her fist, which she hadn’t even realized was pulled back and ready to fly. He was turning her into a monster. There was no other explanation. She didn’t think she’d ever hit anyone in her life, and here she was ready to do it for the second time that day. Eyes never leaving her hand, she slowly unclenched her fist, stretching her fingers out like a starfish and holding them there for the count of three. “How,” she said in a very low voice, “do you intend to stop me from going my way?” “Does it really matter?” he asked, shrugging nonchalantly. “I’m sure I’ll think of something.” Her mouth fell open. “Are you saying you’d tie me up and—” “I didn’t say anything of the sort,” he cut in with a wicked grin. “But the idea certainly has its charms.” -Sophie & Benedict

men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too.

Margaritas, Library A sweaty patron walked up to the desk on a very hot day. PATRON: Where is the margarita machine? ME: [chuckles] That’s funny; it is hot out there. PATRON: [Stares at me with a straight face.] ME: Oh, did you think we had margaritas? Did someone say we had margaritas?! PATRON: [Keeps staring.] ME: I’m sorry. We don’t serve margaritas at the library. PATRON: [Turns around and walks away.]

Several years since, I purchased a living white whale, captured near Labrador, and succeeded in placing it, “in good condition,” in a large tank, fifty feet long, and supplied with salt water, in the basement of the American Museum. I was obliged to light the basement with gas, and that frightened the sea-monster to such an extent that he kept at the bottom of the tank, except when he was compelled to stick his nose above the surface in order to breathe or “blow,” and then down he would go again as quick as possible. Visitors would sometimes stand for half an hour, watching in vain to get a look at the whale; for, although he could remain under water only about two minutes at a time, he would happen to appear in some unlooked for quarter of the huge tank, and before they could all get a chance to see him, he would be out of sight again. Some impatient and incredulous persons after waiting ten minutes, which seemed to them an hour, would sometimes exclaim: “Oh, humbug! I don’t believe there is a whale here at all!” This incredulity often put me out of patience, and I would say: “Ladies and gentlemen, there is a living whale in the tank. He is frightened by the gaslight and by visitors; but he is obliged to come to the surface every two minutes, and if you will watch sharply, you will see him. I am sorry we can’t make him dance a hornpipe and do all sorts of wonderful things at the word of command; but if you will exercise your patience a few minutes longer, I assure you the whale will be seen at considerably less trouble than it would be to go to Labrador expressly for that purpose.” This would usually put my patrons in good humor; but I was myself often vexed at the persistent stubbornness of the whale in not calmly floating on the surface for the gratification of my visitors. One day, a sharp Yankee lady and her daughter, from Connecticut, called at the Museum. I knew them well; and in answer to their inquiry for the locality of the whale, I directed them to the basement. Half an hour afterward, they called at my office, and the acute mother, in a half-confidential, serio-comic whisper, said: “Mr. B., it’s astonishing to what a number of purposes the ingenuity of us Yankees has applied india-rubber.

As we started our long drive back to the zoo, we stopped at what could be called a general store. There was a pub attached to the establishment, and the store itself sold a wide variety of goods, groceries, cooking utensils, swags, clothing, shoes, even toys. As we picked up supplies in the shop, we passed the open doorway to the pub. A few of the patrons recognized Steve from television. We could hear them talking about him. The comments weren’t exactly positive. Steve didn’t look happy. “Let’s just get out of here,” I whispered. “Right-o,” he said. One of the pub patrons was louder than the others. “I’m a crocodile hunter too,” he bragged. “Only I’m the real crocodile hunter. The real one, you hear me, mate?” The braggart made his living at the stuffy trade, he informed his audience. A stuffy is a baby crocodile mounted by a taxidermist to be sold as a souvenir. To preserve their skins, hunters killed stuffys in much the same way that the bear poachers in Oregon stabbed their prey. “We drive screwdrivers right through their eyes,” Mister Stuffy boasted, eyeing Steve through the doorway of the pub. “Right through the bloody eye sockets!” He was feeling his beer. We gathered up our purchases and headed out to the Ute. Okay, I said to myself, we’re going to make it. Just two or three more steps… Steve turned around and headed back toward the pub. I’d never seen him like that before. My husband changed into somebody I didn’t know. His eyes glared, his face flushed, and his lower lip trembled. I followed him to the threshold of the pub. “Why don’t you blokes come outside and tell me all about stuffys in the car park here?” he said. I couldn’t see very well in the darkness of the pub interior, but I knew there were six or eight drinkers with Mister Stuffy. I thought, What is going to happen here? There didn’t seem any possible good outcomes. The pub drinkers stood up and filed out to face Steve. A half dozen against one. Steve chose the biggest one, who Mister Stuffy seemed to be hiding behind. “Bring it on, mate,” Steve said. “Or are you only tough enough to take on baby crocs, you son of a bitch?” Then Steve seemed to grow. I can’t explain it. His fury made him tower over a guy who actually had a few inches of height on him and outweighed him with a whole beer gut’s worth of weight. I couldn’t imagine how he appeared to the pub drinkers, but he was scaring me. They backed down. All six of them. Not one wanted to muck with Steve, who was clearly out of his mind with anger. All the world’s croc farms, all the cruelty and ignorance that made animals suffer the world over, came to a head in the car park of the pub that evening. Steve got into the truck. We drove off, and he didn’t say anything for a long time. “I don’t understand,” I finally said in the darkness of the front seat, as the bush landscape rolled by us. “What were they talking about? Were they killing crocs in the wild? Or were they croc farmers?” I heard a small exhalation from Steve’s side of the truck. I couldn’t see his face in the gloom. I realized he was crying. I was astounded. This was the man I had just seen turn into a furious monster. Five minutes earlier I’d been convinced I was about to see him take on a half-dozen blokes bare-fisted. Now he wept in the darkness. All at once, he sat up straight. With his jaw set, he wiped the tears from his face and composed himself. “I’ve known bastards like that all my life,” he said. “Some people don’t just do evil. Some people are evil.” He had told me before, but that night in the truck it hit home: Steve lived for wildlife and he would die for wildlife. He came by his convictions sincerely, from the bottom of his heart. He was more than just my husband that night. He was my hero.

I beg...I don’t think that’s a contradiction at all. I don’t hold people up or threaten them. They give me money because they want to. It's a service. The satisfaction they get from giving me money is worth more to them than the money they give. You are a naïve little man if you think that people give charity for the good of others. The good of others is so difficult to quantify. All that people know is their own satisfaction. The vast majority of people who donate to charities do so to make others notice them and think of them as magnanimous and good hearted. Sure, there are those who donate in anonymity. These people are only trying to feel better about themselves. They don’t desire the approval of others, but they still seek to fulfill their satisfaction using another person. Really, they are no different than a patron of a brothel. The satisfaction they seek isn’t sexual, but what’s the difference? I provide a huge service for those people. They are looking to exchange a few bucks for a man’s dignity.

Nick grabs the disgusting clump of soggy napkins off the table and says, “You’ve got to do it, man. She’s totally in love with you.” Devyn shakes his head. His eyes are hard. “I can’t.” It takes me a second to respond. “You better not like Cassidy, Devyn, because I swear I will kill you.” “Cassidy?” His voice is numb. “Dude. Everyone’s talking about it,” Nick says. “I don’t like Cassidy,” he says. “Then stop flirting with her.” I stand up. “Flirt?” Devyn looks at Nick, probably for help. “Yeah. Flirt. You’re always with her. She’s giving you rides to school. You’re always talking about her and messaging her,” I protest. “I don’t have the vaguest idea how to flirt. I’m a nerd. We have no social skills.” I can’t believe him. “Well, you are flirting up a freaking storm, Devyn.” “Zara, take it down a notch,” Nick says. “You sound jealous.” “Do not tell me to take it down a notch,” I say, and we glare at each other. “You can be so patronizing sometimes.” He looks away first. “I’m just trying to figure Cassidy out.” Devyn wipes at his hair, ignoring us. “Why? Why is she so fascinating? She’s always itching,” I ask. “And you have Issie. She is right here and she loves you. You know she loves you. I’m going to check on Issie,” I announce. I point at Devyn. “You better stop being an idiot and kiss her soon, or at least tell her you love her or I swear, Devyn, I will be the one who breaks your back and shoots you with an arrow next time.

Since Spirit’s around me so much, I’m not gonna lie--a few times I’ve used it to my advantage. Oh, come on, wouldn’t you? As a mom, being a medium always worked well with keeping my kids in line. I never really knew what was going on with them, but I’d tell them that I’d send my guides with them when they went out so they’d stay out of trouble! Victoria and my son, Larry, never thought about doing anything bad because they probably thought Spirit would rat them out. I even called them up a few times to find out if they were okay, and said my Spirit guides told me to. But I was just being a nervous mom--Spirit hadn’t told me anything! Now that they’re older, I don’t do this. I don’t even think Spirit would help me spy on Victoria at school, or on my son when he’s at a bar with his friends. Spirit probably thinks there’s a lot that I’m better off not knowing. I’ve also asked my angels to help me find a parking spot at the mall or items I’ve lost around the house. I spend most of my day searching for stuff I’ve misplaced because I’m such a space cadet, so if I didn’t ask for Spirit’s help with this, I’d get nothing done. To enlist their aid, I calmly sit down, relax, and pray to St. Anthony, the patron saint of lost articles, that he guide me to where I put the item. You can try this, too. My husband, Larry, always says I can talk to souls across many dimensions, but I can’t find the keys in my own damn pocketbook.

The Psychopath Free Pledge   When members first join our forum, we ask them to take a pledge. It’s a promise that honors self-respect and encourages healthy relationships. If you follow these simple points, you will find permanent freedom from toxic bonds:   I will never beg or plead for someone else again. Any man or woman who brings me to that level is not worth my heart. I will never tolerate criticisms about my body, age, weight, job, or any other insecurities I might have. Good partners won’t put me down, they’ll raise me up. I will take a step back from my relationship once every month to make sure that I am being respected and loved, not flattered and love-bombed. I will always ask myself the question: “Would I ever treat someone else like this?” If the answer is no, then I don’t deserve to be treated like that either. I will trust my gut. If I get a bad feeling, I won’t try to push it away and make excuses. I will trust myself. I understand that it is better to be single than in a toxic relationship. I will not be spoken to in a condescending or sarcastic way. Loving partners will not patronize me. I will not allow my partner to call me jealous, crazy, or any other form of projection. My relationships will be mutual and equal at all times. Love is not about control and power. If I ever feel unsure about any of these steps, I will seek out help from a friend, support forum, or therapist. I will not act on impulsive decisions.

Whatever it was, it caused me to be late getting the roll taken, and I had just turned to that task when the door opened and Molly Bendixon walked in abruptly. ‘Where’s your absence report?’ she demanded. ‘They’re waiting for it in the office. It’s holding everybody up. Haven’t you been told that you’re supposed to take the roll first thing and get it down there?’ Her tone was sarcastic and patronizing. ‘I’m just taking it now,’ I said. ‘I’ll have it down there right away.’ I was furious but determined not to show it in front of the students. Molly turned and marched out, and I followed her, closing the door behind us. I hadn’t had my morning coffee yet, and my anger was getting the upper hand. ‘Miss Bendixon,’ I said, ‘let me explain something.’ She sighed and turned, evidently expecting an excuse. ‘My classroom is off limits to you. You are never again to enter it unless I invite you. And if you ever humiliate me in front of my students again, I will knock you on your ass. You can tell that to the principal if you want to, and if you don’t believe me, try me.’ I went back to my classroom and slammed the door, hard. Several of the students had slipped up to the door and had been straining to hear what I was saying to Molly, but they scuttled back to their seats when I came in, and everybody was very quiet.

Win looked at Myron. Myron raised his eyebrows. Brenda sighed. “Before you two continue your patronizing glances—the ones that say, ‘Golly gee, the woman is actually capable of cogitation’—let me add that I’m just giving you a way around the impasse. I don’t buy it for a second. It leaves too much unexplained.

How will it work when everyone is exactly equal?” my mother wanted to know. “Is there enough, really, to go around?” I was appalled by this sentiment, so chauvinist, racist, survivalist. I railed at her about the capitalist racket, the smallness of her Depression-era mindset (“But I don’t have a mindset,” she protested. “I have questions”). She was a good sport about it, really, mild-mannered in the face of my patronizing. But she persisted: Wouldn’t there always be some way people sorted themselves? If it wasn’t race or gender or class, would it be intelligence? Physical strength? Blood type? Weren’t there always bound to be haves and have-nots on account of finite resources? The constraints of weather and geography, for instance? Who got the high ground with fertile soil versus who got the desert? I think she honestly wanted to discuss this, but to me she sounded like a social Darwinist. I could see things only in oppositional terms. Today I’d love to have this conversation with her. I have an answer: The process of working toward greater equality is the point. The medium is the message. The journey is the destination. Something like that. It’s the effort to make life more equal, more bearable for everyone, that counts. And if we don’t try, what are we left with? A lifetime of showing off our most selfish instincts, protecting our own little slice of whatever it is we want—power, money, resources, the best seats on the bus. Life may be filled with struggle but what you struggle for is what matters. And if it’s only your own survival, you’re no better than the dinosaurs.

Don’t. Don’t hug me. It’ll just feel patronizing now that you know I’ve never been hugged like that.” Samson shakes his head gently as he stares down at me. “I wasn’t going to hug you, Beyah,” he whispers. His face is so close to mine, his breath grazes my cheek when he speaks. I feel like I’m about to slide to the floor, so I grip the edge of the counter behind me. He dips his head until his lips catch mine. His mouth is soft, like an apology, and I accept it.

Now I understand what the fuss is all about. Mona Lisa is the patron saint of honest, resolute, fully human women—women who feel and who know. She is saying for us: Don’t tell me to smile. I will not be pleasant. Even trapped here, inside two dimensions, you will see the truth. You will see my life’s brutal and beautiful right here on my face. The world will not be able to stop staring.

Why are you so excited to have me as a student?” I asked. “I’m just like every other student, right?” “Well, of course we’re excited about all of our students. But we’ve never had a differently abled student as academically gifted as you.” “Harris hates that term, differently abled,” my mom said. “Don’t you think it sounds patronizing?

Technology is grotesque, you two both understand that, right?” “Don’t patronize me,” I say. “I know it’s not perfect.” “It’s not imperfect, it’s evil.” “You sound like my sister.” “It spies on you. It mines you for data. It extracts your soul and then sells it back to you. It’s designed to make you spend money so you’re too busy shopping to notice the world is burning down. The only way I’m going to be a part of it is if we’re doing something to fundamentally change it.

You've been keeping in touch with the reporter?" "He came by the diner the other day. And that reminds me, you told me he was a by-the-book detective. Calhoun has evidence to the contrary." He squared his shoulders and faced me head-on. Betsy was pushed out of the middle. "What are you implying?" he spat. "Hey, y'all," Betsy interjected. "I'm not implying anything. I just want to know if you still think Detective Thornton is a pristine detective." "Do you always believe everything people tell you?" Alex's jaw clenched. "No." I bared my teeth. If he wanted a fight, he'd certainly get one! He took a step closer to me. "You believe the reporter?" I jerked my head. His neck was corded and his arms tensed. Boy, was he angry. "Some asshole floats into town with tall tales, dangling bait in front of your pretty little face, and you just bite? You've known him for two damn seconds. Me, you've known your whole damn life." "Um... y'all," Betsy said louder. "Where is all this anger comin' from?" I shrieked. "Somebody is going around murdering people. And since the department had to march to the tune of a crooked cop, I felt I had to do something." That was a grave allegation I honestly didn't believe. He had ruffled my feathers and I was lashing out. "And your keen investigative skills led you to believe I was dirty? Perhaps you think I'm the one going around killing people?" His voice teetered on unhinged. "Don't be stupid," I said, more calmly. He felt patronized, that was beyond obvious. Guilt washed over me like a tidal wave and I was searching for the appropriate words to apologize effectively, when he said, "What's with you and older men? Daddy issues?" I gasped. "How dare you?" That was the ugliest thing he could have ever said in this moment. And he'd said it. His facial expression changed, and he took a step forward. I took one backward. Eddie's commanding voice boomed, "Enough." "I tried to warn y'all," Betsy said softly.

Okay, look,” he said, turning back to Pendergast. “You and me, we’ve been friends and partners for a long time. We’ve fought Amazonian monsters, zombies, and mindless creatures living a mile beneath this city. We’ve been arrested, shot, stabbed, locked up in an Italian castle; we’ve stalked a madman through a burning asylum—and cheated death every time. All of that has remained just between us. Goddamn it, I hope you know you can tell me anything. I’d move heaven and earth to help you. So don’t patronize me. Tell me what’s really going on…and how I can help.

Don’t patronize me.” He shakes his head, the uncharacteristic sneer making him look plain mean. “Besides, I don’t care who you’ve screwed or how often. That’s not the reason I’m ending this marriage.

Don’t patronize me,” I say. “Is this an alliance or not?” That draws him up short. He studies me, then inhales to speak. I take a step closer. “Am I a princess or not?” His eyes narrow. I can practically see the wheels turning in that strategic little head of his. I turn to look at Grey before my nerves can get the best of me. “If you think Jamison is suitable, test him. If he passes, hire him. That is my order, Commander.” I wait for his eyes to flick to Rhen, for him to wait for an order from his prince. He doesn’t. His eyes never leave mine. “Yes, my lady.

Based on the parts of this... this scene that are not covered in refuse, and the drawings you have done for me, I know you are an artist with talent. Maybe I have old-fashioned views, but I simply don't understand why you would spend your time creating something like this." He shrugged his shoulders. "The sort of art I am used to seeing is more..." I raised an eyebrow. "More what?" He bit his lip, as though searching for the right words. "Pleasant to look at, I suppose." He shrugged again. "Scenes from nature. Little girls wearing filly white dresses and playing beside riverbanks. Bowls of fruit." "This piece shows a beach and a lake," I pointed out. "It's a scene from nature." "But it's covered in refuse." I nodded. "My art combines objects I find with images I paint. Sometimes what I find and incorporate is literal trash. But I also feel that my art is more than just trash. It's meaningful. These pieces aren't just flat, lifeless images on canvas. They say something." "Oh." He came even closer to the landscapes, kneeling so he could peer at them up close. "And what does your art... say?" His nose was just a few inches from an old McDonald's Quarter Pounder wrapper I'd laminated to the canvas so it looked like it was rising out of Lake Michigan. I'd meant for it to represent capitalism's crushing stranglehold on the natural world. Also, it just sort of looked cool. But I decided to give him a broader explanation. "I want to create something memorable with my art. Something lasting. I want to give people who see my works an experience that won't fade away. Something that will stay with them long after they see it." He frowned skeptically. "And you accomplish that by displaying ephemera others throw away?" I was about to counter by telling him that even the prettiest painting in the fanciest museum faded from memory once the patrons went home. That by using things other people throw away, I took the ephemeral and make it permanent in a way no pretty watercolor ever could.

Don’t patronize me, boy,” she spit. “This isn’t a game. Lives are at stake.” “Whose lives?” Shade said. “Your lives? Our lives?” For a heartbeat, silence hung in the air like fucking death. “Or is it the mortals you bring here over and over, knowing full well that they’re not capable of facing the dangers of our kind—or of this Academy? I mean, the whole building is right at the edge of it!

[...] ELYOT: You really can be more irritating than anyone in the world. AMANDA: I fail to see what I've done that's so terribly irritating. ELYOT: You have no tact. AMANDA: Tact. You have no consideration. ELYOT [walking up and down]: Too soon after dinner indeed. AMANDA: Yes, much too soon. ELYOT: That sort of remark shows rather a common sort of mind, I'm afraid. AMANDA: Oh it does, does it? ELYOT: Very unpleasant, makes me shudder. AMANDA: Making all this fuss just because your silly vanity is a little upset. ELYOT: Vanity: What do you mean, vanity? AMANDA: You can't bear the thought that there are certain moments when our chemical, what d'you call 'ems, don't fuse properly. ELYOT [derisively]: Chemical what d'you call 'ems: Please try to be more explicit. AMANDA: You know perfectly well what I mean, and don't you try to patronize me. ELYOT [loudly]: Now look here, Amanda- AMANDA [suddenly]: Darling, Sollocks! Oh, for God's sake, Sollocks! ELYOT: But listen- AMANDA: Sollocks, Sollocks, Oh dear-triple Sollocks! [They stand looking at one another in silence for a moment, then AMANDA flings herself down on the sofa and buries her face in the cushion. ELYOT looks at her, then goes over to the piano. He sits down and begins to play idly. AMANDA raises her head, screws herself round on the sofa, and lies there listening. ELYOT blows a kiss to her and goes on playing. He starts to sing softly to her, never taking his eyes off her. When he has finished the little refrain, whatever it was, he still continues to play it looking at her.] AMANDA: Big romantic stuff, darling. ELYOT [smiling]: Yes, big romantic stuff. [He wanders off into another tune. AMANDA Sits tip crossedlegged on the sofa, and begins to sing it, then, still singing, she comes over and perches on the piano. They sing several old refrains from dead and gone musical comedies finishing with the song that brought them together again in the first act. Finally AMANDA comes down and sits next to him on the piano stool, they both therefore have their backs half turned to the audience. She rests her head on his shoulder, until finally his fingers drop off the keys, and they melt into one another's arms.] ELYOT [after a moment]: You're the most thrilling, exciting woman that was ever born. AMANDA [standing up, and brushing her hand lightly over his mouth]: Dearest, dearest heart. [He catches at her hand and kisses it, and then her arm, until he is standing up, embracing her ardently. She struggles a little, half laughing, and breaks away, but he catches her, and they finish up on the sofa again, clasped in each other's arms, both completely given up to the passion of the moment, until the telephone bell rings violently, and they both spring apart.]