Don't Look For Handouts Quotes

If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

Pity goes hand in hand with contempt. Don't ever forget that, Liberty. You can't take handouts or help from anyone, because that gives people the right to look down on you.

Look neat when you look for work, I always say—I do declare I won’t hardly open the screen door to give a man a handout if he don’t wear a necktie.

Brody, please tell me what this has all been about" I said. "The lead-up to the Second World War" said Brody, still not lowering the handout, "or so I've been assured." Frustrated, I pushed the paper away from Brody. He averted his eyes from me. "Don't be like that" he said quietly. "Are you seeing Ashley Ventwood" I asked him. "No" he said, still looking away. "Would you tell me if you were?" He didn't move.

Oh, do you, Milo? You’re so selfish. You don’t see the bigger picture.” “What’s the bigger picture?” “You’re still here looking for handouts. Who’s going to take care of me?” “I’m on my knees here, Mom. Not for me, for my family. For my wife. For a beautiful grandson you have totally ignored.” “He’s kind of a brat. I’ll be in his life when he gets a little impulse control.” “He’s not even four.” “I have needs. I’m tired of this child-worshipping culture. You’re just a slave to it, Milo.” “I’m only trying to be a decent dad.” “Don’t waste your time. It’s not in your genes. Besides, try making some money. That might be a good dad move. For heaven’s sake, the system’s rigged for white men and you still can’t tap in.” “You’re right, Mom. What can I say? But still, it would mean a lot to me if you made a little more of an effort with Bernie.” “Bernie schmernie. This is my decade.” “Okay, you wrinkled old spidercunt, have it your way.

New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.

gaze now was thoughtful and filled with pity. ‘How old are you, love? If’n you don’t mind me asking. I’d like to help you look after them babbies but, as you can see, me hands is a bit full already. And once I’ve weaned this little ‘un, I’ll have to get back to work meself. Old Maggie upstairs’ll watch childer fer me in return for a few handouts.’ ‘Oh, that’s all right. I can manage, thank you. I’m nearly sixteen,’ Ruby lied. Mare’s eyebrows lifted slightly in disbelief, then she gave a gentle sigh. ‘Well, you’re welcome to stop on till you find yer feet, but even if you finds a proper job like, getting paid a living wage that’ll keep a family is well-nigh impossible. Make you old before yer time bosses do, allus clipping a bit off here, cutting a penny off there. Just when you think you’re sorted you find you can’t afford to pay the rent and eat. Not both at the same time anyroad.’ ‘We’ll manage. I’m sure we will.’ ‘Happen so.’ The sadness

What did you find out?” I asked. “That’s Prince Jason’s ship, all right,” he replied. “I talked to one of the crewmen overseeing the work. That is, he talked to me. Yelled at me, I mean. Told me to get out of the way so Lord Pelias’s slaves could do their work.” “Is that why you’re wearing such a long face?” I asked. “I’ll teach him better manners.” Milo shook his head. “Forget him. He’s nothing. The man with him, the one who called him ‘brother,’ he’s why I’m worried. He said, ‘Let the boy be. Can’t you see he’s only hoping for a handout?’ And when I told him I wanted to earn my keep as his weapons bearer, he answered, ‘Better look elsewhere. This ship’s fully manned. We’re not looking for any extra hands.’” “Maybe he only said that to get rid of you,” I suggested hopefully. Milo shrugged again. “They’re still there, by the ship, and plenty of others who don’t look like slaves. Talk to them yourself. Maybe they just didn’t like my looks.” “Then they’re fools and I wouldn’t waste my breath on them,” I said. “You’re always too kind to me, La--Glaucus. But you mustn’t worry. Someone’s got to be ugly in this world.” He grinned. “You’re not ugly,” I said hotly. And that was true. The same harsh slave’s life that had left Milo so skinny had also given him wiry muscles under sun-browned skin. He reminded me of images I’d seen of the young Hermes, thin but fit and graceful. His dark hair was growing longer, like a noble’s, and his brown eyes shone when he smiled. “Have it your way,” he said good-naturedly. “But in case they do prefer your looks, see if you can persuade them to hire me, too.

Well, it's true that the anarchist vision in just about all its varieties has looked forward to dismantling state power―and personally I share that vision. But right now it runs directly counter to my goals: my immediate goals have been, and now very much are, to defend and even strengthen certain elements of state authority that are now under severe attack. And I don't think there's any contradiction there―none at all, really. For example, take the so-called "welfare state." What's called the "welfare state" is essentially a recognition that every child has a right to have food, and to have health care and so on―and as I've been saying, those programs were set up in the nation-state system after a century of very hard struggle, by the labor movement, and the socialist movement, and so on. Well, according to the new spirit of the age, in the case of a fourteen-year-old girl who got raped and has a child, her child has to learn "personal responsibility" by not accepting state welfare handouts, meaning, by not having enough to eat. Alright, I don't agree with that at any level. In fact, I think it's grotesque at any level. I think those children should be saved. And in today's world, that's going to have to involve working through the state system; it's not the only case. So despite the anarchist "vision," I think aspects of the state system, like the one that makes sure children eat, have to be defended―in fact, defended very vigorously. And given the accelerating effort that's being made these days to roll back the victories for justice and human rights which have been won through long and often extremely bitter struggles in the West, in my opinion the immediate goal of even committed anarchists should be to defend some state institutions, while helping to pry them open to more meaningful public participation, and ultimately to dismantle them in a much more free society. There are practical problems of tomorrow on which people's lives very much depend, and while defending these kinds of programs is by no means the ultimate end we should be pursuing, in my view we still have to face the problems that are right on the horizon, and which seriously affect human lives. I don't think those things can simply be forgotten because they might not fit within some radical slogan that reflects a deeper vision of a future society. The deeper visions should be maintained, they're important―but dismantling the state system is a goal that's a lot farther away, and you want to deal first with what's at hand and nearby, I think. And in any realistic perspective, the political system, with all its flaws, does have opportunities for participation by the general population which other existing institutions, such as corporations, don't have. In fact, that's exactly why the far right wants to weaken governmental structures―because if you can make sure that all the key decisions are in the hands of Microsoft and General Electric and Raytheon, then you don't have to worry anymore about the threat of popular involvement in policy-making.

While I was walking down the beach one bright and sunny day, I saw a great big wooden box a-floatin’ in the bay. I pulled it in and opened it up and much to my surprise, Oh, I discovered a   *     *   right before my eyes, Oh, I discovered a   *     *    right before my eyes. I picked it up and ran to town as happy as a king, I took it to a guy I know who’d buy most anything But this is what he hollered at me as I walked in his shop: Oh, get out of here with that   *     *   before I call a cop… I turned around and got right out, a-runnin’ for my life, And then I took it home with me to give it to my wife, But this is what she hollered at me as I walked in the door: Oh, get out of here with that   *     *   and don’t come back no more… I wandered all around the town until I chanced to meet A hobo who was looking for a handout on the street.

What is the practical purpose of this invention? What are the ‘epoch-making possibilities’?” “Oh, but don’t you see? It is an invaluable instrument of public security. No enemy would attack the possessor of such a weapon. It will set the country free from the fear of aggression and permit it to plan its future in undisturbed safety.” His voice had an odd carelessness, a note of offhand improvisation, as if he were neither expecting nor attempting to be believed. “It will relieve social frictions. It will promote peace, stability and—as we have indicated—harmony. It will eliminate all danger of war.” “What war? What aggression? With the whole world starving and all those People’s States barely subsisting on handouts from this country—where do you see any danger of war? Do you expect those ragged savages to attack you?” Dr. Ferris looked straight into his eyes. “Internal enemies can be as great a danger to the people as external ones,” he answered. “Perhaps greater.” This time his voice sounded as if he expected and was certain to be understood. “Social systems are so precarious. But think of what stability could be achieved by a few scientific installations at strategic key points. It would guarantee a state of permanent peace—don’t you think so?

You’re middle-aged, Daddy. What are you going to do with the second half of your life? Because, I’m telling you now, if you run through all of your money before you’re eighty, don’t come looking to me for a handout ‘cuz I’ll just put you in an old folks’ home and go party.