Don't Get Pressured Quotes

We've searched our database for all the quotes and captions related to Don't Get Pressured. Here they are! All 200 of them:

Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
Ray Bradbury (Fahrenheit 451)
I cannot stand the words Get over it. All of us are under such pressure to put our problems in the past tense. Slow down. Don’t allow others to hurry your healing. It is a process, one that may take years, occasionally, even a lifetime — and that’s OK.
Beau Taplin
I've learned that it helps to talk about [anxiety]. Unfortunately I think most people would still get more sympathy from their colleagues and bosses at work if they show up looking rough one morning and say 'I'm hungover' than if they say 'I'm suffering from anxiety.' But I think we pass people in the street every day who feel the same as you and I, many of them just don't know what it is. Men and women going around for months having trouble breathing and seeing doctor after doctor because they think there's something wrong with their lungs. All because it's so damn difficult to admit that something else is...broken. That it's an ache in our soul, invisible lead weights in our blood, an indescribable pressure in our chest. Our brains are lying to us, telling us we're going to die. But there's nothing wrong with our lungs, Zara.
Fredrik Backman (Anxious People)
You’re a blackmailer—” “I broker information.” “A con artist—” “I create opportunity.” “A bawd and a murderer—” “I don’t run whores, and I kill for a cause.” “And what cause is that?” “Same as yours, merch. Profit.” “How do you get your information, Mister Brekker?” “You might say I’m a lockpick.” “You must be a very gifted one.” “I am indeed.” Kaz leaned back slightly. “You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute’s way, but I prefer a gentler approach—the right pressure applied at the right moment, in the right place. It’s a delicate thing. “Do you always speak in metaphors, Mister Brekker?” Kaz smiled. “It’s not a metaphor.” He was out of his chair before his chains hit the ground.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
If any woman opens her legs for you, don't feel so lucky to be fed with nonsense, she has been a bitch for a long time, and now its your own turn to get a share from her itching tunnel.
Michael Bassey Johnson
I know that life is busy and hard and that there's crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don't. Please don't. Please keep believing that life can be better, brighter, broader because of the art that you make. Please keep demonstrating the courage that it takes to swim upstream in a world that prefers putting away for retirement to putting pen to paper, that chooses practicality over poetry, that values you more for going to the gym than going to the deepest places in your soul. Please keep making your art for people like me, people who need the magic and imagination and honesty of great art to make the day-to-day world a little more bearable.
Shauna Niequist
I fell into a big pit of black depression. That happens sometimes, when too much shit gets flung at me at once. It's like all the external pressure sucks into me, then tries to escape again. But it can't. So it builds. Throbs. Makes me feel like my skin is anxious to split. I think that feeling is why some people cut - little slices so they don't shred completely.
Ellen Hopkins (Tilt)
Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.
Thisuri Wanniarachchi (COLOMBO STREETS)
Some people, given just the right amount of pressure, taken out of their usual, comfortable environments, don’t need much encouragement at all to become monsters. And sometimes you just get a strong sense about people, and you can’t explain it; you simply know it, in some deeper part of yourself.
Lucy Foley (The Hunting Party)
At any given point you can release your greatest self. Don’t let anyone hold you back. Don’t let anyone dilute you. Don’t be peer pressured into being less than you are. People willing to dilute themselves for the sake of others is one of the great tragedies of our time. Stop letting others define and set the pace for your life. Get out there and be your best. Do your best. Live your best. Make every day count and you’ll see how exponentially more exciting, thrilling, successful, happy and full your life will be.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
I’ve been trying to stay real and true and proud of who I am, all those ideals of how to look I’ve been trying not to care. But I’m still holding my breath, I ‘m still watching every step. I’m still tip-toeing away, when I’m getting to ashamed of myself. I don’t want to be your letdown, I’m scared like hell I’m not enough. I don’t wanna be your failure anymore. — The Glass Child, Letdown
Charlotte Eriksson
A deadline gets a writer's work done done better and faster than any inspiration, if only because inspirations don't always come, but the deadline is always there.
A.A. Patawaran (Write Here Write Now: Standing at Attention Before My Imaginary Style Dictator)
Don’t start right off writing the ‘Great American Novel’, that's too much pressure and you'll get disappointed; start with porn, it’s fun and a good way to get your feet wet.
scavola
Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would be happier. I wouldn't have to wear these shirts with the tails out all the time. Like that's fooling anyone. Fat ass. I should start jogging again. Five miles a day. Really do it this time. Maybe rock climbing. I need to turn my life around. What do I need to do? I need to fall in love. I need to have a girlfriend. I need to read more, improve myself. What if I learned Russian or something? Or took up an instrument? I could speak Chinese. I'd be the screenwriter who speaks Chinese and plays the oboe. That would be cool. I should get my hair cut short. Stop trying to fool myself and everyone else into thinking I have a full head of hair. How pathetic is that? Just be real. Confident. Isn't that what women are attracted to? Men don't have to be attractive. But that's not true. Especially these days. Almost as much pressure on men as there is on women these days. Why should I be made to feel I have to apologize for my existence? Maybe it's my brain chemistry. Maybe that's what's wrong with me. Bad chemistry. All my problems and anxiety can be reduced to a chemical imbalance or some kind of misfiring synapses. I need to get help for that. But I'll still be ugly though. Nothing's gonna change that.
Charlie Kaufman
HOW CAN I TELL IF A MAN I’M SEEING WILL BECOME ABUSIVE? • He speaks disrespectfully about his former partners. • He is disrespectful toward you. • He does favors for you that you don’t want or puts on such a show of generosity that it makes you uncomfortable. • He is controlling. • He is possessive. • Nothing is ever his fault. • He is self-centered. • He abuses drugs or alcohol. • He pressures you for sex. • He gets serious too quickly about the relationship. • He intimidates you when he’s angry. • He has double standards. • He has negative attitudes toward women. • He treats you differently around other people. • He appears to be attracted to vulnerability. No single one of the warning signs above is a sure sign of an abusive man, with the exception of physical intimidation. Many nonabusive men may exhibit a umber of these behaviors to a limited degree. What, then, should a woman do to protect herself from having a relationship turn abusive? Although there is no foolproof solution, the best plan is: 1. Make it clear to him as soon as possible which behaviors or attitudes are unacceptable to you and that you cannot be in a relationship with him if they continue. 2. If it happens again, stop seeing him for a substantial period of time. Don’t keep seeing him with the warning that this time you “really mean it,” because he will probably interpret that to mean that you don’t. 3. If it happens a third time, or if he switches to other behaviors that are warning flags, chances are great that he has an abuse problem. If you give him too many chances, you are likely to regret it later. Finally, be aware that as an abuser begins his slide into abuse, he believes that you are the one who is changing. His perceptions work this way because he feels so justified in his actions that he can’t imagine the problem might be with him. All he notices is that you don’t seem to be living up to his image of the perfect, all-giving, deferential woman.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
You don't get it" she said ''Don't get what?" ''We are one" ''We are one?" Tengo asked with a shock. ''We wrote the book together" Tengo felt the pressure of Fuka-Eri's fingers against his palm. ... ''That's true. We wrote Air Crysalis together. And when we are eaten by the tiger, we'll be eaten together.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
As long as we don't get turned into something that looks more like high school, more like everybody else and less like us, I'll be okay.
Adi Alsaid (Never Always Sometimes)
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes: Tell me, what is it you plan to do with your one wild and precious life? I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real. Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.) It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years. The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment. Hello there, dream. Also, don’t be realistic. The word “realistic” is poison. Who decides? And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real. The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?” Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch. You can let life happen to you, or you can happen to life. It’s harder, but so much better.
Laini Taylor
I think the reason why twentysomethings are so fixated on age is because we feel a pressure to be a certain way at 23, at 25, at 29. There are all of these invisible deadlines with our careers and with love and drinking and drugs. I can’t do coke at 25. I need to be in a LTR at 27. I can’t vomit from drinking at 26. I just can’t! We feel so much guilt for essentially acting our age and making mistakes. We’re obsessed with this idea of being domesticated and having our shit together. It’s kind of sad actually because I don’t think we ever fully get a chance to enjoy our youth. We’re so concerned about doing things "the right way" that we lose any sense of pleasure in doing things the wrong way. Youth may be truly wasted on the young.
Ryan O'Connell
Look, it may seem like they’re all the friends you have, but if you get pressured into doing something you don’t want, you will only end up hating what you’ve done and feeling bad about yourself. That’s worse than having so-called friends who don’t want you as a friend just because you didn’t do what they wanted you to.” - Saving You Saving Me by Kailin Gow
Kailin Gow (Saving You, Saving Me (You & Me Trilogy, #1))
I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not. I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once. I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.
Laura Bates (Everyday Sexism)
I imagine that some people spend years allowing the pressure to build up inside them without even noticing, and then one day some tiny incident triggers a crisis. Then they say: “I’ve had enough, I don’t want this anymore.” Some commit suicide. Others get divorced. Some go to poor parts of Africa to try to save the world. But I know myself. I know that my only reaction will be to repress my feelings until a cancer starts eating me up inside. Because I do actually believe that many illnesses are the result of repressed emotions.
Paulo Coelho (Adultery)
That's a good question. I don't really remember what it was like before. Whatever I had going on, it was bullshit. It wasn't important. It's kind of a nice thing about being a dad. My identity is really about them now, and what I can do for them, so it sort of takes the pressure off of your own life. What am I going to do, who am I? Who cares, you've got to get your kids to school. So I like it that way.
Louis C.K.
Imagine that you have to break someone's arm. Right or left, doesn't matter. The point is that you have to break it, because if you don't...well, that doesn't matter either. Let's just say bad things will happen if you don't. Now, my question goes like this: do you break the arm quickly -- snap, whoops, sorry, here let me help you with that improvised splint -- or do you drag the whole business out for a good eight minutes, every now and then increasing the pressure in the tiniest of increments, until the pain becomes pink and green and hot and cold and altogether howlingly unbearable? Well exactly. Of course. The right thing to do, the only thing to do, is to get it over with as quickly as possible. Break the arm, ply the brandy, be a good citizen. There can be no other answer. Unless. Unless unless unless. What if you were to hate the person on the other end of the arm? I mean really, really hate them.
Hugh Laurie (The Gun Seller)
People under time pressure don’t think faster.”    —Tim Lister Think rate is fixed. No matter what you do, no matter how hard you try, you can’t pick up the pace of thinking.
Tom DeMarco (Slack: Getting Past Burnout, Busywork, and the Myth of Total Efficiency)
Anytime I talk about my work informally, I inevitably encounter someone who wants to know why addicts become addicts. They use words like “will” and “choice,” and they end by saying, “Don’t you think there’s more to it than the brain?” They are skeptical of the rhetoric of addiction as disease, something akin to high blood pressure or diabetes, and I get that. What they’re really saying is that they may have partied in high school and college but look at them now. Look how strong-willed they are, how many good choices they’ve made. They want reassurances. They want to believe that they have been loved enough and have raised their children well enough that the things that I research will never, ever touch their own lives. I understand this impulse. I, too, have spent years creating my little moat of good deeds in an attempt to protect the castle of myself. I don’t want to be dismissed the way that Nana was once dismissed. I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure hat everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.
Yaa Gyasi (Transcendent Kingdom)
If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure." "Ron!" Lily and Hugo laughed, but Albus and Rose looked solemn. "He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. "Look who it is" Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again. "So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains." "Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!" "You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood." "Hey!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Now that I am older, I am rounder and softer, which isn’t always a bad thing. I remember fewer names so I try to focus on someone’s eyes instead. Sex is better and I’m better at it. I don’t miss the frustration of youth, the anticipation of love and pain, the paralysis of choices still ahead. The pressure of “What are you going to do?” makes everybody feel like they haven’t done anything yet. Young people can remind us to take chances and be angry and stop our patterns. Old people can remind us to laugh more and get focused and make friends with our patterns. Young and old need to relax in the moment and live where they are. Be Here Now,
Amy Poehler (Yes Please)
We should teach our kids that they're blessing and not a burden and that they're valuable beyond what they can imagine - in God's eyes, in the world's eyes - that they're purpose is so important to fulfill and it's gonna make a difference in the world. And they're the only ones that can make the difference that they can make, in the way that they can make it. That's why we all have different fingerprints. And I feel like the message is not clear enough. It's not clear because they go to school and they get challenged and they're bombarded with the idea that abortion is okay, that we can just go ahead and, you know, if we're not ready to have a kid we can just take care of that problem. But kids are not a problem, they're not a mistake, they're not a burden. They're blessing from God and that's what we don't understand. My mom was sixteen when she had me and we both almost died, I was a second kid, she had my brother when she was fifteen. And we both almost died and the doctors told her to abort me and I think that a lot of people gave her that advice. So when I grew up I think I had a sense of being a burden. And I think a lot of kids actually have that sense.
Lacey Sturm
Where are you in your cycle? Oh, WHO CARES? Let's get you two BUMPING right away. We don't want another trimester to go by with a FLAT TUMMY. And not to put any pressure on you or anything, but it would be just BREEDY if you could deliver the goods by next March.
Megan McCafferty (Bumped (Bumped, #1))
I know that life is busy and hard, and that there’s crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don’t. Please don’t. Please keep believing that life can be better, brighter, broader, because of the art that you make.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
I couldn’t get out of bed this morning because everything felt too much.” “I don’t know what I’m doing with my life.” “I know I’m loved, so why do I feel so lonely?” Rather than see therapy as the emergency consequence of excess or illness, we should start to see it for what it can be: an essential opportunity to take time out from the voices in your head, the pressures of the world and the expectations we place on ourselves.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
I don’t struggle because I was always the stupidest kid in the class and the idea that I would ever be brilliant was knocked out of me in the third grade. So I’m not sitting around trying to be brilliant, or Shakespeare. I’m just trying to get the work I have in my head down on the page in the best way I possibly know how without putting that horrible pressure on myself of saying I’m going to write it today and in 200 years at Princeton they will be studying these words.” Yeah, I want my stuff to be as good as I can conceivably make it, but I am not going to put that on my head
Stephen J. Cannell
People in France have a phrase: "Spirit of the Stairway." In French: Esprit de l'escalier. It means that moment when you find the answer, but it's too late. Say you're at a party and someone insults you. You have to say something. So under pressure, with everybody watching, you say something lame. But the moment you leave the party… As you start down the stairway, then -- magic. You come up with the perfect thing you should've said. The perfect crippling put-down. That's the Spirit of the Stairway. The trouble is even the French don't have a phrase for the stupid things you actually do say under pressure. Those stupid, desperate things you actually think or do. Some deeds are too low to even get a name. Too low to even get talked about.
Chuck Palahniuk (Guts)
Don’t get me wrong, marriage is good. Good for other people.” “Oh, honey, I can’t wait till it’s your turn. You are going to be so fun to watch when you fall in love.” “That may just be the meanest thing you have ever said to me.
Laurie Roma (Under Pressure (IAD Agency #1))
Let's just run, huh?" Bob picked up the pace, hoping to tire his partner into silence. "That reminds me," Bernie puffed, "you know what you've told me is buried in the Fort Knox of my brain. The whole Gestapo couldn't get it out of me. But--" "But what?" "I'd really like to tell Nance. I mean husbands and wives shouldn't have secrets from each other." Bob did not respond. "Beckwith, I swear, Nancy's the soul of honour. The epitome of discretion. Besides, she'll notice I'm holding something out on her. I mean, God knows what she'll think it is." "She'd never guess," Bob said wryly. "That's just the point. Please, Beckwith, Nance'll be discreet. I swear on my clients' lives." The pressure was too great. "Okay, Bern," he sighed, "but not too many details, huh?" "Don't sweat. Just the essential wild fact--if you know what I mean." "Yeah. When will you tell her?" Three strides later Bernie answered sheepishly, "Last night.
Erich Segal (Man, Woman, and Child)
I’ve learned to say, “Let’s experiment,” because that phrase doesn’t make my insides clench up like the word failure does. An experiment is neutral, dispassionate. There’s none of that paralyzing pressure to get it right. When I try an experiment, success is getting an outcome. Any outcome. The goal is to get results, not a win.
Anne Bogel (Don't Overthink It: Make Easier Decisions, Stop Second-Guessing, and Bring More Joy to Your Life)
Let your new energy, new thoughts, new attitude, new routine & new outlook make this time most sacred, memorable & beautiful for you & others. Let you also begin to see greater in everything & believe in unexplainable possibilities. Let you grow in ways which you never knew was possible. Darling listen – Don’t let the magic in the air get swallowed up by someone’s nonsensical thoughts, words, comments & by any kind of pressure in the air. I wish & pray that these last few days of this year be the best part of this year for you & everyone! Stay Healthy, Happy & Meaningful! Blessings!
Rajesh Goyal
So when you encounter problem people, realize that there’s a reason they’re behaving the way they do. It may be a new problem: a health scare, money problems, or job pressures. It may be a long-term problem: anxiety about not being good enough for a job, anger at not being respected, fear that you don’t find them attractive or intelligent. And, yes: It may be that they’re actually just jerks (but they’re usually not). Open your own mind and look for the reasons behind the behavior, and you’ll take the first step toward breaking down barriers and communicating with an “impossible” person.
Mark Goulston (Just Listen: Discover the Secret to Getting Through to Absolutely Anyone)
You don’t need to be too anxious about anything; you only need to get understanding!
Ernest Agyemang Yeboah
Don´t let your work define you. But let you define what works for you to defy and refine you even more.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
Gail and Lonny find me as I’m tugging on my shirt. I can’t wait until my clothes start fitting normal again and aren’t uncomfortably tight around the chest. I can’t wait to go back to all the familiar comics T-shirts that don’t fit me at this bulked-out size. “Well?” Gail says. “How is it? How do you feel?” “I can eat bacon again!” I yell, throwing up a fist. “All the bacon! Bacon or bust!” “Yes!” Gail cheers. “After your promo shoots, you absolutely can!” My cries of glee turn into an actual sob. I quickly shove my face into my arm. Thank god it’s just Gail. She pats me on the shoulder. “I know,” she says. “But you’ll get to have it soon, and then—” “No.” I swallow and shake my head, wiping my eyes with the back of my hand. “It’s not the bacon.” I mean, it is but it’s also not. I’m overcome right now with everything. These last few months leading up to the shoot, the mounting pressure, the twenty-three days of high stress and rabbit food and Elle. All of it. “Why does it have to be so hard?” “Getting a six pack?” I give her a feeble smile. “I am more than my body, thank you.
Ashley Poston (Geekerella (Once Upon a Con, #1))
Don’t paralyze yourself worrying that you might not do the right thing that will lead you to the fulfillment of all your dreams for the rest of your life—that’s just too much pressure. You’ll scare yourself into doing nothing.
Bethenny Frankel (A Place of Yes: 10 Rules for Getting Everything You Want Out of Life)
The routine produces. But each day, nevertheless, when you try to get started you have to transmogrify, transpose yourself; you have to go through some kind of change from being a normal human being, into becoming some kind of slave. I simply don’t want to break through that membrane. I’d do anything to avoid it. You have to get there and you don’t want to go there because there’s so much pressure and so much strain and you just want to stay on the outside and be yourself. And so the day is a constant struggle to get going. And if somebody says to me, You’re a prolific writer—it seems so odd. It’s like the difference between geological time and human time. On a certain scale, it does look like I do a lot. But that’s my day, all day long, sitting there wondering when I’m going to be able to get started. And the routine of doing this six days a week puts a little drop in a bucket each day, and that’s the key. Because if you put a drop in a bucket every day, after three hundred and sixty-five days, the bucket’s going to have some water in it. http://is.gd/ouArv5
John McPhee
I am a drunk. It took me some time to know this. Here is how I know. How it’s always been is I don’t know how to talk or move or sleep or shit. I wake up mornings with my head in a vice. The only solution is to drink again. That makes me almost jolly. It does wonders in the morning to take my mind off the pain and pressure. I can use my eyes after the first drink, I remember how to line up my feet and walk, loosen my jaw, tell someone to get out of my way. Then I get tired. I whine and need to lie down. I lie down, I want a drink. I cannot sleep without having already forgotten my name, my face, my life. If I were to sit still or lie down in a room with some memory of myself – the time I have left to live out, that nasty sentence, that hell – I would go mad.
Ottessa Moshfegh (McGlue)
As feminist writer Naomi Wolf argues, the times in history when women have made the greatest political gains—getting the vote, gaining reproductive freedom, securing the right to work outside the home—have also been moments when standards for “ideal” beauty became significantly thinner and the pressure on women to adhere to those standards increased. Wolf explains that this serves both to distract women from their growing political power and to assuage the fears of people who don’t want the old patriarchal system to change—because if women are busy trying to shrink themselves, they won’t have the time or energy to shake things up. It’s hard to smash the patriarchy on an empty stomach, or with a head full of food and body concerns, and that’s exactly the point of diet culture.
Christy Harrison (Anti-Diet: Reclaim Your Time, Money, Well-Being, and Happiness Through Intuitive Eating)
Drawing a good figure doesn’t make you a good artist. I can name you ten men, right off the bat, who draw better than I do. But I don’t think their work gets as much response as mine. I can’t think of a better man to draw Dick Tracy than Chester Gould, who certainly is no match for Leonardo Da Vinci. But Chester Gould told the story of Dick Tracy. He told the story of Dick Tracy the way it should have been told. No other guy could have done it. It’s not in the draftsmanship, it’s in the man. Like I say, a tool is dead. A brush is a dead object. It’s in the man. If you want to do, you do it. If you think a man draws the type of hands that you want to draw, steal ‘em. Take those hands. The only thing I can say is: Caniff was my teacher, Alex Raymond was my teacher, even the guy who drew Toonerville Trolley was my teacher. Whatever he had stimulated me in some way. And I think that’s all you need. You need that stimulation. Stimulation to make you an individual. And the draftsmanship, hang it. If you can decently: learn to control what you can, learn to control what you have, learn to refine what you have. Damn perfection. You don’t have to be perfect. You are never going to do a Sistine Chapel, unless someone ties you to a ceiling. Damn perfection. All a man has in this field is pressure. And I think the pressure supplies a stimulation. You have your own stresses, that will supply your own stimulation. If you want to do it, you’ll do it. And you’ll do it anyway you can.
Jack Kirby
Take it easy. Nothing you do matters as much as you think. Your greatest achievements aren’t yours at all, they’re accidents and jokes. You’re a puppet, the universe does the work, and it gets the most done when you’re moving the least. Surrender, flow, relax. Don’t be hard on yourself, don’t put pressure on yourself, life is just a chain of experiments and results, and you’ll be perfect when you’re dead.
Dan Harmon
■    Identify your counterpart’s negotiating style. Once you know whether they are Accommodator, Assertive, or Analyst, you’ll know the correct way to approach them.         ■    Prepare, prepare, prepare. When the pressure is on, you don’t rise to the occasion; you fall to your highest level of preparation. So design an ambitious but legitimate goal and then game out the labels, calibrated questions, and responses you’ll use to get there. That way, once you’re at the bargaining table, you won’t have to wing it.         ■    Get ready to take a punch. Kick-ass negotiators usually lead with an extreme anchor to knock you off your game. If you’re not ready, you’ll flee to your maximum without a fight. So prepare your dodging tactics to avoid getting sucked into the compromise trap.         ■    Set boundaries, and learn to take a punch or punch back, without anger. The guy across the table is not the problem; the situation is.         ■    Prepare an Ackerman plan. Before you head into the weeds of bargaining, you’ll need a plan of extreme anchor, calibrated questions, and well-defined offers. Remember: 65, 85, 95, 100 percent. Decreasing raises and ending on nonround numbers will get your counterpart to believe that he’s squeezing you for all you’re worth when you’re really getting to the number you want.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
He was a choice. Don’t you get it? You were never a decision.” I breathe in, recalling the words he said to me. “You’re the realization clawing at my insides without coercion or doubt or the pressure of time. My heart beats for you and only you, not because you command it, but because we’re meant to be.
Pam Godwin (Three is a War (Tangled Lies, #3))
As a teenager Valentine’s Day was a stressful time. Either I didn’t have a “girlfriend” and was forced to endure a day of hearts, cards and stuffed animals parading through my loneliness or even worse I had a “girlfriend” and felt pressure to provide just the right combination of cards, candy and stuffed animals to show the appropriate level of affection. Are flowers and a card enough? Should I get her balloons? Does she like balloons? If I don’t get her candy will she think I think she’s fat? Why did I want a girlfriend again? Valentine’s Day was a report card on how you were, or were not in some sad cases, perceived as “boyfriend” material.
Aaron Blaylock (It's Called Helping...You're Welcome)
It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip — and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it’s natural that Himself’s dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia. 281 281 - This had been one of Hal’s deepest and most pregnant abstractions, one he’d come up with once while getting secretly high in the Pump Room. That we’re all lonely for something we don’t know we’re lonely for. How else to explain the curious feeling that he goes around feeling like he misses somebody he’s never even met? Without the universalizing abstraction, the feeling would make no sense.
David Foster Wallace (Infinite Jest)
In choosing to be a Psychology major, I decided to learn for the joy of learning for the first time in my life. I'd always been fascinated by human nature. What makes us act the way we do? Why do we make the same mistakes over and over? But I guess my interest is purely theoretical. I'm a Psychology major who has no desire to work with people. This was poor planning on my part, I suppose. My parents definitely think so. But choosing passion over practicality seemed so honorable when I was a first-year student and graduation seemed so very, very far away . . . But now, a semester away from unemployment, I realize how much better off those Engineering students really are. Sure, they're boring conversationalists that make you want to kill yourself because every story begins, “The other day? In the lab?” But people become a whole helluva lot more interesting when they're pulling down six figures, don't they? If I'm going to drag my friends out to my cardboard box, the pressure's on to provide some pretty goddamned sparkling conversation once they get there. And even with all my noble knowledge for knowledge's sake, I'm not sure I can.
Megan McCafferty (Charmed Thirds (Jessica Darling, #3))
Being humble, here, means being aware of how difficult your instincts can make it to get the facts right. It means being realistic about the extent of your knowledge. It means being happy to say “I don’t know.” It also means, when you do have an opinion, being prepared to change it when you discover new facts. It is quite relaxing being humble, because it means you can stop feeling pressured to have a view about everything, and stop feeling you must be ready to defend your views all the time.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
It's a lot to live up to. These pressures of achieving. From the moment you're born, you're pounded with the expectations of what you need to actualize in order to become a success. Go to college. Get married. Raise a family. It's what you're supposed to do. The plans you're supposed to make. The life you're supposed to live. Diverge from the norm and you're frowned upon. Questioned. Shunned. There's something wrong with you if you're not interested in improving yourself. If you can't make a commitment of marriage. If you don't want to have children. So people earn a college degree so they can get a good job. They work at a job they hate just to earn a living. They spend two months' salary on an engagement ring. They pop out a couple of kids they don't really want just so they can fit in. Because it's what their parents did. Because it's what society expects you to do. Because it's safer to take the same path everyone else has traveled. Truth is, no one's listening to Robert Frost.
S.G. Browne (Big Egos)
Bayleigh got up from the table and walked slowly toward Cade, the shirt she'd stolen from him barely buttoned and enticing him with every step. His pupils dilated with desire and she watched his cock swell beneath his jeans. She moved as if she were going to straddle his lap, but at the last second, she moved her knee so it was pressed directly against his balls. His indrawn breath was enough to know that she was using the right amount of pressure. "Don't you ever threaten me with my brothers", she whispered in his ears. "I get enough of that from them and I won't take it from you too, no matter how much control you think our sleeping together gives you. I'm old enough to make my own decisions and take the consequences of my actions. I control my life. No one else." She nipped at his ear and felt satisfaction at his indrawn breath.
Liliana Hart (Cade (The MacKenzie Family #5))
As I went to stand up, I felt a tiny point of pressure on my back. "Don't move," Kasey whispered. I stayed bent over. "Drop the knife," she said. "Excuse me, I'm using it," I said. She swallowed hard. "For what?" "Mom and Dad. You." The pressure on my back increased. "Drop it, Alexis." Drop it? Like I was a bad dog running around with a sock in my mouth. "How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something." Get in the bathroom," she said. The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light. "What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head. "What's happening to you?" she whispered. I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns. What's happening to me? What was she talking about? "So you have a pointy stick," I said. "Big deal. get out of my way." "What are you going to do?" I sneered. "Poke me?" 'I'll hit you, Lexi." Her face was stony. "As hard as I have to." Whatever. I'm really not in the mood. "Can we talk about this in the morning?" I asked. After I kill you? "No," her eyes hardened. "Get your toothbrush." "What?" "Pick up your toothbrush, and stick it down your throat." "Kasey-" "Do it," she said. "Ugh, fine. You're sick, you know that?" "Get in the tub." "Happy?" I stuck the toothbrush into my throat. Instantly, I gagged and doubled over. "Do it again," she said. "God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
If you don’t put 99 percent of yourself into the writing, there will be no publishing career. There’s the writer and there’s the author. The author—you don’t ever think about the author. Just think about the writer. So my advice would be, find a way to not care—easier said than done. Accept that the world may never notice this thing you worked so hard at. And instead, do it for it, find a job, find a way of living that gives you an hour or two or three a day to do it, and then work your ass off sending out, trying to get out there, but do not put the pressure on the work to do something for you. Because then you’re going to be writing dishonestly and for the market instead of for the characters and your story.
Andre Dubus III
Don't get caught in the vicious squares of circles.
Anthony T. Hincks
Most important of all, we should be teaching our children humility and curiosity. Being humble, here, means being aware of how difficult your instincts can make it to get the facts right. It means being realistic about the extent of your knowledge. It means being happy to say “I don’t know.” It also means, when you do have an opinion, being prepared to change it when you discover new facts. It is quite relaxing being humble, because it means you can stop feeling pressured to have a view about everything, and stop feeling you must be ready to defend your views all the time. Being curious means being open to new information and actively seeking it out. It means embracing facts that don’t fit your worldview and trying to understand their implications. It means letting your mistakes trigger curiosity instead of embarrassment. “How on earth could I be so wrong about that fact? What can I learn from that mistake? Those people are not stupid, so why are they using that solution?” It is quite exciting being curious, because it means you are always discovering something interesting.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
Tell me, how many real motherfuckers feel me? I smoke a blunt and freak the funk until these jealous motherfuckers kill me I'm out the gutter, pick a hero I'm 165 and staying high til I die, my competion's zero Cause I could give a fuck about you, better duck Or I'll be forced to hit yo ass up I give a fuck I'm sick inside my mind, why you sweatin me? It's gonna take an army full of crooked ass cops to come and get me Niggaz know I ain't the one to sleep on, I'm under pressure Gotta sleep with my piece, an extra clip beside my dresser Word to God I've been ready to die since I was born I don't want no shit but niggaz trip and yo it's on Open fire on my adversaries, don't even worry Better have on a vest aim for the chest and then you buried
2Pac
The unexamined life is surely worth living, but is the unloved life worth examining? It seems a strange question until one realizes how much of our so-called mental life is about the lives we are not living, the lives we are missing out on, the lives we could be leading but for some reason are not. What we fantasize about, what we long for, are the experiences, the things and the people that are absent. It is the absence of what we need that makes us think, that makes us cross and sad. We have to be aware of what is missing in our lives - even if this often obscures both what we already have and what is actually available - because we can survive only if our appetites more or less work for us. Indeed, we have to survive our appetites by making people cooperate with our wanting. We pressurize the world to be there for our benefit. And yet we quickly notice as children - it is, perhaps, the first thing we do notice - that our needs, like our wishes, are always potentially unmet. Because we are always shadowed by the possibility of not getting what we want, we lean, at best, to ironize our wishes - that is, to call our wants wishes: a wish is only a wish until, as we say, it comes true - and, at worst, to hate our needs. But we also learn to live somewhere between the lives we have and the lives we would like.(…) There is always what will turn out to be the life we led, and the life that accompanied it, the parallel life (or lives) that never actually happened, that we lived in our minds, the wished-for life (or lives): the risks untaken and the opportunities avoided or unprovided. We refer to them as our unloved lives because somewhere we believe that they were open to us; but for some reason - and we might spend a great deal of our lived lives trying to find and give the reason - they were not possible. And what was not possible all too easily becomes the story of our lives. Indeed, our lived lives might become a protracted mourning for, or an endless tantrum about, the lives we were unable to live. But the exemptions we suffer, whether forced or chosen, make us who we are. As we know more now than ever before about the kinds of lives it is possible to live - and affluence has allowed more people than ever before to think of their lives in terms of choices and options - we are always haunted by the myth of our potential, of what we might have it in ourselves to be or do. So when we are not thinking, like the character in Randall Jarrell's poem, that "The ways we miss our lives is life", we are grieving or regretting or resenting our failure to be ourselves as we imagine we could be. We share our lives with the people we have failed to be. We discover these unloved lives most obviously in our envy of other people, and in the conscious 9and unconscious) demands we make on our children to become something that was beyond us. And, of course, in our daily frustrations. Our lives become an elegy to needs unmet and desires sacrificed, to possibilities refused, to roads not taken. The myth of our potential can make of our lives a perpetual falling-short, a continual and continuing loss, a sustained and sometimes sustaining rage; though at its best it lures us into the future, but without letting us wonder why such lures are required (we become promising through the promises made to us). The myth of potential makes mourning and complaining feel like the realest things we eve do; and makes of our frustration a secret life of grudges. Even if we set aside the inevitable questions - How would we know if we had realized our potential? If we don't have potential what do we have? - we can't imagine our lives without the unloved lives they contain. We have an abiding sense, however obscure and obscured, that the lives we do lead are informed by the lives that escape us. That our lives are defined by loss, but loss of what might have been; loss, that is, of things never experienced.
Adam Phillips (Missing Out: In Praise of the Unlived Life)
THE URGENCY ADDICTION Some of us get so used to the adrenaline rush of handling crises that we become dependent on it for a sense of excitement and energy. How does urgency feel? Stressful? Pressured? Tense? Exhausting? Sure. But let’s be honest. It’s also sometimes exhilarating. We feel useful. We feel successful. We feel validated. And we get good at it. Whenever there’s trouble, we ride into town, pull out our six shooter, do the varmint in, blow the smoke off the gun barrel, and ride into the sunset like a hero. It brings instant results and instant gratification. We get a temporary high from solving urgent and important crises. Then when the importance isn’t there, the urgency fix is so powerful we are drawn to do anything urgent, just to stay in motion. People expect us to be busy, overworked. It’s become a status symbol in our society—if we’re busy, we’re important; if we’re not busy, we’re almost embarrassed to admit it. Busyness is where we get our security. It’s validating, popular, and pleasing. It’s also a good excuse for not dealing with the first things in our lives. “I’d love to spend quality time with you, but I have to work. There’s this deadline. It’s urgent. Of course you understand.” “I just don’t have time to exercise. I know it’s important, but there are so many pressing things right now. Maybe when things slow down a little.
Stephen R. Covey (First Things First)
I ran the risk of being mobbed for autographs. This is an occupational hazard that I accept and I try to take it with good grace. I can’t say “no” to people who ask me for my signature, even to the rude ones who just stick a piece of paper in front of me and don’t even say “please.” I’ll sign for them too, but what they won’t get from me is a smile. So going to the supermarket in Wimbledon, while an enjoyable distraction from the tension of competition, does have its pressures. The only place where I can go shopping in peace—where I can do anything like a normal person—is my home town of Manacor.
Rafael Nadal (Rafa)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Most of what is wrong in horizontal church flows from attempts to get green apples interested in Jesus. Green apples are very articulate about that they do and don't want in church. They don't want to hear about money, because that is one of their idols; they don't want to be told about sin, because that assaults pride; no interest in pressure to decide for Jesus, because that threatens their autonomy. Sadly when church becomes what green apples must have or they won't come. It ceases to be what it must be for God to attend. Church needs to be offensive to green apples or it can be helpful to those who are ripe.
James MacDonald (Vertical Church: What Every Heart Longs for. What Every Church Can Be.)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I know what it’s like to need a break. To need to check out and withdraw and do nothing. And that’s okay. Don’t put pressure on yourself to get back to normal right away. Take your time. Feel your feelings. Heal.
Brynne Asher (Love Me to Death (The Dillon Sisters, #1))
All human beings desire to be in a better space and a better place. We all want a peaceful and prosperous life for ourselves and our families. When you don't manage your emotions in high stress, high-pressure situations, you get the opposite of what you want. The domino affect impacts how you live, eat and provide for your family. Is it worth it? Never. Control your emotions. Manage your choices. Your life is depending on it.
Bobby F. Kimbrough Jr.
You have to find a mother inside yourself. We all do. Even if we already have a mother, we still have to find this part of ourselves inside.’ She held out her hand to me. ‘Give me your hand.’ I lifted my left hand and placed it in hers. She took it and pressed the flat of my palm up against my chest, over my beating heart. ‘You don’t have to put your hand on Mary’s heart to get strength and consolation and rescue, and all the other things we need to get through life,’ she said. ‘You can place it right here on your own heart. Your own heart.’ August stepped closer. She kept the pressure steady against my hand. ‘All those times your father treated you mean, Our Lady was the voice in you that said, “No, I will not bow down to this. I am Lily Melissa Owens, I will not bow down.” Whether you could hear this voice or not, she was in there saying it.’ I took my other hand and placed it on top of hers, and she moved her free hand on top of it, so we had this black-and-white stack of hands resting upon my chest. ‘When you’re unsure of yourself,’ she said, ‘when you start pulling back into doubt and small living, she’s the one inside saying, “Get up from there and live like the glorious girl you are.” She’s the power inside you, you understand?’ Her hands stayed where they were but released their pressure. ‘And whatever it is that keeps widening your heart, that’s Mary, too, not only the power inside you but the love. And when you get down to it, Lily, that’s the only purpose grand enough for a human life. Not just to love – but to persist in love.
Sue Monk Kidd (The Secret Life of Bees)
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs. Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger. I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack. “You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him. “You’re okay,” he says again. I like that, how he’s so sure. Not Are you okay? No question about it. You’re okay. He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.” I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?” “Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.” I take the one Declan offered and nibble a bit from the side. It is awesome. I peer up at him sideways. “How did you know?” He hesitates, but he doesn’t ask me what I mean. “I know the signs.” “I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.” I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once. This is okay. I’m okay. Declan was right. “Take it out on the punching bag,” calls Rev. “That’s what I do.” My eyes go wide. “Really?” “Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.” Rev returns with three sodas. “We’re doing something meaningful right now.” “We are?” I say. He meets my eyes. “Every moment is meaningful.” The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt. Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.” “No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?” Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
It is precisely to prevent us from thinking too much that society pressurizes us all to get out of bed. In 1993, I went to interview the late radical philosopher and drugs researcher Terence McKenna. I asked him why society doesn’t allow us to be more idle. He replied: I think the reason we don’t organise society in that way can be summed up in the aphorism, “idle hands are the devil’s tool.” In other words, institutions fear idle populations because an Idler is a thinker and thinkers are not a welcome addition to most social situations. Thinkers become malcontents, that’s almost a substitute word for idle, “malcontent.” Essentially, we are all kept very busy . . . under no circumstances are you to quietly inspect the contents of your own mind. Freud called introspection “morbid”—unhealthy, introverted, anti-social, possibly neurotic, potentially pathological. Introspection could lead to that terrible thing: a vision of the truth, a clear image of the horror of our fractured, dissonant world. The
Tom Hodgkinson (How to Be Idle: A Loafer's Manifesto)
My Standard of Performance—the values and beliefs within it—guided everything I did in my work at San Francisco and are defined as follows: Exhibit a ferocious and intelligently applied work ethic directed at continual improvement; demonstrate respect for each person in the organization and the work he or she does; be deeply committed to learning and teaching, which means increasing my own expertise; be fair; demonstrate character; honor the direct connection between details and improvement, and relentlessly seek the latter; show self-control, especially where it counts most—under pressure; demonstrate and prize loyalty; use positive language and have a positive attitude; take pride in my effort as an entity separate from the result of that effort; be willing to go the extra distance for the organization; deal appropriately with victory and defeat, adulation and humiliation (don’t get crazy with victory nor dysfunctional with loss); promote internal communication that is both open and substantive (especially under stress); seek poise in myself and those I lead; put the team’s welfare and priorities ahead of my own; maintain an ongoing level of concentration and focus that is abnormally high; and make sacrifice and commitment the organization’s trademark.
Bill Walsh (The Score Takes Care of Itself: My Philosophy of Leadership)
There are four forces which work together if you want to put something into the sky and have it stay there. One of these is lift. Lift is made when the air pressure under a wing is greater than the air pressure over the wing. Then the wing gets pushed upwards. That’s how birds fly. That’s how kites fly – a kite is basically just a solitary wing. That’s how airplanes fly. But people need lift too. People don’t get moving, they don’t soar, they don’t achieve great heights, without something buoying them up.
Elizabeth Wein (Rose Under Fire)
New Rule: You don't have to teach both sides of a debate if one side is a load of crap. President Bush recently suggested that public schools should teach "intelligent design" alongside the theory of evolution, because after all, evolution is "just a theory." Then the president renewed his vow to "drive the terrorists straight over the edge of the earth." Here's what I don't get: President Bush is a brilliant scientist. He's the man who proved you could mix two parts booze with one part cocaine and still fly a jet fighter. And yet he just can't seem to accept that we descended from apes. It seems pathetic to be so insecure about your biological superiority to a group of feces-flinging, rouge-buttocked monkeys that you have to make up fairy tales like "We came from Adam and Eve," and then cover stories for Adam and Eve, like intelligent design! Yeah, leaving the earth in the hands of two naked teenagers, that's a real intelligent design. I'm sorry, folks, but it may very well be that life is just a series of random events, and that there is no master plan--but enough about Iraq. There aren't necessarily two sides to every issue. If there were, the Republicans would have an opposition party. And an opposition party would point out that even though there's a debate in schools and government about this, there is no debate among scientists. Evolution is supported by the entire scientific community. Intelligent design is supported by the guys on line to see The Dukes of Hazzard. And the reason there is no real debate is that intelligent design isn't real science. It's the equivalent of saying that the Thermos keeps hot things hot and cold things cold because it's a god. It's so willfully ignorant you might as well worship the U.S. mail. "It came again! Praise Jesus!" Stupidity isn't a form of knowing things. Thunder is high-pressure air meeting low-pressure air--it's not God bowling. "Babies come from storks" is not a competing school of throught in medical school. We shouldn't teach both. The media shouldn't equate both. If Thomas Jefferson knew we were blurring the line this much between Church and State, he would turn over in his slave. As for me, I believe in evolution and intelligent design. I think God designed us in his image, but I also think God is a monkey.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
The me that looked my “best” was a me that smoked, was underfed, ran high with anxiety, didn’t get enough sleep, and still never felt good enough. And gradually, whatever that machine was and whatever adrenaline was fueling it began to break down, and I just couldn’t do it anymore. Sometimes when I hear someone say something about how a person “let herself go,” I wonder if she just got tired of the pressure and wanted a break, and instead of passively letting herself go, began to actively choose to leave herself alone.
Lauren Graham (Have I Told You This Already?: Stories I Don’t Want to Forget to Remember)
Say no (to at least some things). Limiting the number of ongoing projects, especially long-term ones, takes pressure off our executive function. The stuff-we-could-do-in-life buffet is unlimited. Our capacity is not. If your plate is full, don’t get another plate.
Jessica McCabe (How to ADHD: An Insider's Guide to Working with Your Brain (Not Against It))
Sometimes my anxiety gets hard in ways that you might not expect. If you struggle with anxiety, you probably know this feeling, the paralysis. I get stuck and suddenly it’s been days since I replied to people on the internet and the pressure gets worse and I panic that people I haven’t responded to are mad at me, so I ignore their emails and I don’t look at my DMs or my texts and I don’t answer my phone or listen to voicemails, because if I just wait until my mind gets better, maybe I can deal with this then, but I don’t, because it doesn’t. And instead, I look at those unopened emails from my friends and family and colleagues until I have memorized the subject lines by heart and I think about how strange it is that they probably think I’m ignoring them when, in fact, I am utterly haunted by them.
Jenny Lawson (Broken (In the Best Possible Way))
Most important of all, we should be teaching our children humility and curiosity. Being humble, here, means being aware of how difficult your instincts can make it to get the facts right. It means being realistic about the extent of your knowledge. It means being happy to say “I don’t know.” It also means, when you do have an opinion, being prepared to change it when you discover new facts. It is quite relaxing being humble, because it means you can stop feeling pressured to have a view about everything, and stop feeling you must be ready to defend your views all the time.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
My brain is made up of different rooms. Each room is for doing a different thing. For example, I have an Eyes Room for seeing things and an Ears Room for hearing things. I have a Hands Room, a Memory Room (it’s like my father’s office, full of drawers and folders and boxes with papers), a New Things Room, a Numbers Room (my favorite), and a Horror Room (I wish this room would be broken, but it works just fine). The rooms don’t touch each other. There are long, looping hallways in between each room. If I’m thinking about something that happened yesterday (like when I knocked over the white coffee mug), I’m in my Memory Room. But if I want to watch a Barney video on the TV, I have to leave the Memory Room and go into Eyes and sometimes Ears. Sometimes when I’m in the hallways traveling to a different room, I get lost and confused and caught In Between and feel like I’m nowhere. This is when my brain feels like maybe it’s a little bit broken, but I know I just have to find my way into one of the rooms and shut the door. But if too much is happening at once, I can get into trouble. If I’m counting the square tiles on the kitchen floor (180), I’m in my Numbers Room, but if my mother starts talking to me, I have to go into my Ears Room to hear her. But I want to stay in Numbers because I’m counting, and I like to count, but my mother keeps talking, and her sound is getting louder, and I feel pressure to leave Numbers and go inside my Ears Room. So I go into the hallway, but then she grabs my hand, and this surprises me and forces me into Hands, which isn’t where I wanted to go, and she’s talking to me but I can’t hear what she’s saying because I’m in my Hands Room and not in Ears. If she lets go of my hand, I can go into Ears. She’s saying, Look at me. But if I look at her, I have to leave Ears and go into Eyes, and then I won’t be able to hear what she’s saying. So I don’t know what to do, and I’m wandering the halls, and I can’t make a decision on where to go, and I’m In Between, and that’s when I get into trouble.
Lisa Genova (Love Anthony)
My hair is not the shiniest of bobs My eyes are not the brightest in the room My figure will not get me modeling jobs My smile will not bring young boys to their doom. But do I cry and mourn my average face? Or wish that I had boyfriends at the ready? Do I not sleep because I lose the race, Or spurn my food because I don't go steady? My mind is on a more important thing That lifts my heart and makes my spirit soar I want to make the souls of people sing And quiet down the mean and bullying roar. To help the wounded girls replace the scar With the right to be exactly who they are.
Nancy N. Rue
Don’t you dare say these times are hollow Just because there are storms raging by. Just lay low on your pillow, Close your eyes and say goodbye To the world that you lived in today. Let your dreams carry you away; You lived a nightmare all through the day, It is time to dream, so don’t delay. You searched for a reason to live, Yes darling, you searched everywhere. You had to push, you had to strive, It is time now to get some air. You searched in all that is outside, It is time now to look inside, Cause that is where you’ll find A reason worth keeping in your mind. These dreams are not an escape, darling, You need time to see past the lies that blind you. It is time for you to start running To those things that are true. So, don’t you dare say these nights are hollow, Just because there are storms raging by. Just lay low on your pillow And lose yourself in this lullaby.
Melita Tessy (Battle of the Spheres: Crust, Mantle and Core)
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
That’s exactly the problem! People don’t want to open their eyes and see the Truth because the illusion suits them. As long as they’re fed whatever lies they want to hear they’re happy, because the Truth means nothing to them. Look at my parents—they’re struggling under the weight of so many pointless pressures, but if they could ever free themselves from this self-inflicted oppression they would find genuine happiness. Instead, they continue to go down a path of achievements and accomplishments and material success and shit that means nothing because that’s what America’s all about, and now they’re trapped. And they don’t get it!
Imbolo Mbue (Behold the Dreamers)
Don't let emotions get the best of you. Knee jerk actions cause you to slip up and make the wrong move. People shouldn't always know what you're thinking. Observe, plan and prepare for the right moment to act. The element of surprise is one of life's biggest advantages. The best card you have is the one you have yet to play.
Carlos Wallace
Some people, given just the right amount of pressure, taken out of their usual, comfortable environments, don’t need much encouragement at all to become monsters. And sometimes you just get a strong sense about people, and you can’t explain it; you simply know it, in some deeper part of yourself. That’s the lizard brain, too.
Lucy Foley (The Hunting Party)
Having to be somewhere at a specific time and performing according to others’ expectations can put pressure on them and create a paralysis of will. Because many people with AS are highly intelligent, they may have a hard time with teachers that are not up to par in their eyes, and bosses that don’t run things as well as they could. If they don’t quit because of any of the above, the know-it-all nature of an intelligent Aspie has been known to upset a few bosses here and there, causing termination of employment. As a result, many have gone through a series of jobs and have had unsatisfactory experiences which get more discouraging as the years pass.
Rudy Simone (22 Things a Woman Must Know If She Loves a Man with Asperger's Syndrome)
Humans: such a brilliant model of emotional self-awareness," Aineko says with a theatrical sigh. "You're as stupid as it's possible for an intelligent species to be - there being no evolutionary pressure to be any smarter - but you still don't internalize that and act accordingly around your superiors. Listen, girl, everything you remember is true. That doesn't mean you remember it because it actually happened, just that you remember it because you experienced it internally. Your memories of experiences are accurate, but your emotional responses to those experiences were manipulated. Get it? One ape's hallucination is another ape's religious experience, it just depends on which one's god module is overactive at the time. That goes for all of you." Aineko looks around at them in mild contempt. "But I don't need you anymore, and if you do this one thing for me, you're going to be free. Understand? Say yes, Manfred; if you leave your mouth open like that, a bird will nest on your tongue.
Charles Stross (Accelerando)
You seem to be very composed for someone who just went through a traumatic experience. Do you get kidnapped often?” No, I wouldn’t say often. Only twice so far, but I don’t plan on sharing that detail. Maybe I should have cried, but well, that ship has sailed. “I . . . I’m very good at functioning under pressure.” He smiles. “Indeed.
Neva Altaj (Hidden Truths (Perfectly Imperfect, #3))
I will never get involved in politics again. When I got involved in politics in 2019, strange things started to happen in my life. Bad things started to happen. People were working behind the scenes to hurt me and my family. And I also felt a pressure to narrow the scope of my identity in a way that felt unauthentic. When I got out of politics, ended the campaign and narrowed my focus back to leading Mayflower-Plymouth, everything in my life seemed to get better again and return to normal. That's when I realized that me and politics don't go together. I can do a lot more good in the world by leading a company and helping businesses succeed. Plus, I'm too global to get involved in the politics of any one nation.
Hendrith Vanlon Smith Jr.
Do I think I made a mistake in getting engaged? Yes. Obviously, considering it didn’t last. Do I regret it? Yes. I regret the fact that I will never get that first proposal back; that moment won’t go to my husband, but rather will always belong to my ex. But, I’ve never believed in living life free of regrets, it’s too much pressure. In fact, I regret plenty of things: the terrible bangs I had in third grade, the hideous sequined corset I wore to the prom—hell, I regret what I wore last weekend. Regrets are mistakes that we learn from. They don’t dictate the rest of our lives, they’re just little glitches, and impulsive choices we made in the moment. But it’s just that, a moment and the moment eventually passes.
Andi Dorfman (It's Not Okay: Turning Heartbreak into Happily Never After)
... and all of them are children of parents that pressure the shit out of them to be the best and then all of a sudden you don't get into your first choice, or your second choice, or your safety, and you end up going to community college and discovering that doesn't really make any difference! It's what you do with it that matters! It's all the goddamn same!!
Abbi Waxman (I Was Told It Would Get Easier)
Look, she’s doing a great job. But sometimes I can see the stress and pressure. From other people. From herself. She’s the one with our son, day in and day out. I escape to my job, like Jack does. We get to use nonkid parts of our brain. Go where we want during the day. Not be controlled by this tiny little dictator. We unplug in a way you stay-at-homes don’t.
Vanessa Lillie (Little Voices)
It’s fine. I just don’t know the answer. I’m not a big fan of birthdays.” “That’s… unusual.” I couldn’t think of another teenager I’d met who thought the same way. “It’s a lot of pressure,” she said, shrugging. “Presents and stuff. What if you don’t like them? You’ve got to get your game face on right away so you don’t hurt anyone’s feelings. And people look at you a lot.
Stephenie Meyer (Midnight Sun (Twilight, #5))
Men's rights activists tend to make a series of valid observations from which they proceed to a single, 180-degree-wrong conclusion. They are correct to point out that, worldwide, suicide is the most common form of death for men under fifty. It's also true that men are more likely than women to have serious problems with alcohol, that men die younger, that the prison population is 95 per cent male and that the lack of support for our returning frontline soldiers is a national disgrace. So far, so regrettably true. They are incorrect, however, to lay any of this at the door of 'feminism', a term which they use almost interchangeably with 'women'. [...] No, sir. No, lads. No, Daddy. That won't help us and it won't help anyone else. Men in trouble are often in trouble precisely because they are trying to Get a Grip and Act Like a Man. We are at risk of suicide because the alternative is to ask for help, something we have been repeatedly told is unmanly. We are in prison because the traditional breadwinning expectation of manhood can't be met, or the pressure to conform is too great, or the option of violence has been frowned upon but implicitly sanctioned since we were children. [...] We die younger than women because, for one thing, we don't go to the doctor. We don't take ourselves too seriously. We don't want to be thought self-indulgent. The mark of a real man is being able to tolerate a chest infection for three months before laying off the smokes or asking for medicine.
Robert Webb (How Not to Be a Boy)
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route. You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit. When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving. On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers. And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour. Now…Guess what happened? Nothing! No horns and no fingers. But why? When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak. Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily. Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
Feeling is revolutionary, a disruption of the status quo. Though it feels personal and happens in our bodies, it doesn't need to be a solitary action. Feeling and connection bring us into the world and into relationship with one another. Some things seem too big to be felt alone because they are. They require the collective to hold the space for big feeling, for it to move through, and to remind us that we’re not alone. It’s not practical to imagine that we can feel the weight of historical trauma as one person. This is why we meet in the streets. As much as mass protests and direct action are about putting strategic pressure on opposition, they are often a gathering space for grief and pain because they are too big to feel alone. Protests don’t get reported on this way, as an eruption of collective grief; on the news they are riots, and we begin the cycle of minimizing the feelings that bring people to the streets, and ultimately miss the message. We need those spaces and others, too, where our grief can swell, where feeling for feeling’s sake can reconstitute us, where our empathy for one another can build. A community, a society, becomes one, remains one, I think, through shared feeling.
Prentis Hemphill
Yes, but the pressure of the university is going to get you. I know you. You won’t sit by and watch these guys become better than you. If you’re in an environment that is positive and progressive, you too will become that. I keep telling you to change your life, and you don’t. One day you’re going to get arrested, and when you do, don’t call me. I’ll tell the police to lock you up just to teach you a
Trevor Noah (Born a Crime: Stories from a South African Childhood (One World Essentials))
I think we all need it in one shape or another, so why wouldn't it be normal to talk openly about how we're feeling? "I'm happy we won the footy." "I'm pissed off the ref didn't give that penalty." "I'm so excited to see who they sign next." If we apply such a passionate tongue and eager ear to something like football, for instance, why wouldn't we do the same about the unspoken stuff? "I couldn't get out of bed this morning because everything felt too much." "I don't know what I'm doing with my life." "I know I'm loved, so why do I feel so lonely?" Rather than see therapy as the emergency consequence of excess or illness, we should start to see it for what it can be: an essential opportunity to take time out from the voices in your head, the pressures of the world and the expectations we place on ourselves.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?" Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again. "Hello," Skulduggery said, speaking loudly to be heard over the alarm. "Hi," said the man. "The door's locked." "Is it?" "Yes." "That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?" There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?" Skulduggery tilted his head. "Who am I speaking with?" "This is Oscar Nightfall." "Are you sure?" "What?" "Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know." Oscar Nightfall sounded puzzled. Who are you?" "Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?" "What's your name? Give me you name." "No. It's mine." "Tell me your name!" "My name is Oscar Nightfall." "What? No it isn't. That's my name." "Is it? Since when?" "Since I took it!" "You didn't ask me if you could take it. I was using it first." "Open this door immediately." "I don't have the key." "I'll fetch the Cleavers." "I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go." Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
draw on the following Bill of Rights for support: Unless someone is bleeding or choking or otherwise at risk of imminent demise, you have a right to think about it. Someone else’s pressure is their pressure. You have a right to let them keep it. If someone makes a request and demands an immediate response, say “no.” It is easier to change a “no” to a “yes” than it is to get out of something. You have a right not to know until you know, especially when you’re asked a big question. We all carry around a sense of knowing—that internal, inexplicable sense of when something is or isn’t right, but we can’t access that sense while under pressure. You have a right to obtain more information. If you don’t know, find out more. You do not have to jump in with affirming comments when you don’t feel it. You have a right to remain silent. Flow
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
more than half of all first heart attacks (fatal or otherwise) occur in people who are fit and healthy and have no known obvious risks. They don’t smoke or drink to excess, are not seriously overweight, and do not have chronically high blood pressure or even bad cholesterol readings, but they get a heart attack anyway. Living a virtuous life doesn’t guarantee that you will escape heart problems; it just improves your chances.
Bill Bryson (The Body: A Guide for Occupants)
We live in a culture that teaches us that "men" are the sexual aggressors and pursuers. We also live in a world where most women, trans, and non-binary folks have had negative experiences with men who are hitting on them. These factors tend to lead to some big gender differences for those exploring non-monogamy. Cisgender men often struggle when they first enter the world of non-monogamy. Within consensual non-monogamy (CNM) communities, most folks who sleep with cis men choose their partners based on referrals and endorsements. As in the world of business, it truly is who you know. Cis men who have been in the communities longer have dated and interacted with more people, and, therefore, have more word of mouth. It is an unfortunate reality that many, especially cisgender women, will not date men they don't already know about through their friends and communities. So, if you're a cis man exploring CNM, expect that it may take a while before you start seeing the kind of attention that others get. Focus on being kind, respectful, and honest. Respect the needs and boundaries of everyone with whom you interact. Spend lots of time getting to know other people simply as people - especially of your preferred gender to date - and form genuine friendships and connections with them free from any pressure to become sexual.
Liz Powell (Building Open Relationships: Your hands on guide to swinging, polyamory, and beyond!)
But you know what, Zara? I’ve learned that it helps to talk about it. Unfortunately I think most people would still get more sympathy from their colleagues and bosses at work if they show up looking rough one morning and say ‘I’m hungover’ than if they say ‘I’m suffering from anxiety.’ But I think we pass people in the street every day who feel the same as you and I, many of them just don’t know what it is. Men and women going around for months having trouble breathing and seeing doctor after doctor because they think there’s something wrong with their lungs. All because it’s so damn difficult to admit that something else is… broken. That it’s an ache in our soul, invisible lead weights in our blood, an indescribable pressure in our chest. Our brains are lying to us, telling us we’re going to die. But there’s nothing wrong with our lungs, Zara. We’re not going to die, you and I.
Fredrik Backman (Anxious People)
I don't miss the frustration of youth, the anticipation of love and pain, the paralysis of choices still ahead. The pressure of "What are you going to do?" makes everybody feel like they haven't done anything yet. Young people can remind us to take chances and be angry and stop our patterns. Old people can remind us to laugh more and get focused and make friends with our patterns. Young and old need to relax in the moment and live where they are.
Amy Poehler (Yes Please)
In my mind what Gary has done in the pages that follow is to tell people the honest truth—that one of the greatest challenges in life is to admit to yourself that you want something badly, dare to believe you can do it, and then go out and get yourself to do whatever it is you need to do to get whatever it is that you want. It is easy to want something and then be overcome by the fear that no matter how hard you work, you will never get what you want.
Gary Player (Don't Choke: A Champion's Guide to Winning Under Pressure)
When I got back to my office Tween was there. She rose from the foyer couch as I wheezed in off the ramp. I took one look at her and said, “Come inside.” She followed me through the inner door. I waved my hand over the infra-red plate and it closed. Then I put out my arms. She bleated like a new-born lamb and flew to me. Her tears were scalding, and I don’t think human muscles are built for the wrenching those agonized sobs gave her. People should cry more. They ought to learn how to do it easily, like laughing or sweating. Crying piles up. In people like Tween, who do nothing if they can’t smile and make a habit-pattern of it, it really piles up. With a reservoir like that, and no developed outlet, things get torn when the pressure builds too high. I just held her tight so she wouldn’t explode. The only thing I said to her was “sh-h-h” once when she tried to talk while she wept. One thing at a time.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume VI: Baby Is Three)
is turning all life into a unified flow experience. If a person sets out to achieve a difficult enough goal, from which all other goals logically follow, and if he or she invests all energy in developing skills to reach that goal, then actions and feelings will be in harmony, and the separate parts of life will fit together—and each activity will “make sense” in the present, as well as in view of the past and of the future. In such a way, it is possible to give meaning to one’s entire life. But isn’t it incredibly naive to expect life to have a coherent overall meaning? After all, at least since Nietzsche concluded that God was dead, philosophers and social scientists have been busy demonstrating that existence has no purpose, that chance and impersonal forces rule our fate, and that all values are relative and hence arbitrary. It is true that life has no meaning, if by that we mean a supreme goal built into the fabric of nature and human experience, a goal that is valid for every individual. But it does not follow that life cannot be given meaning. Much of what we call culture and civilization consists in efforts people have made, generally against overwhelming odds, to create a sense of purpose for themselves and their descendants. It is one thing to recognize that life is, by itself, meaningless. It is another thing entirely to accept this with resignation. The first fact does not entail the second any more than the fact that we lack wings prevents us from flying. From the point of view of an individual, it does not matter what the ultimate goal is—provided it is compelling enough to order a lifetime’s worth of psychic energy. The challenge might involve the desire to have the best beer-bottle collection in the neighborhood, the resolution to find a cure for cancer, or simply the biological imperative to have children who will survive and prosper. As long as it provides clear objectives, clear rules for action, and a way to concentrate and become involved, any goal can serve to give meaning to a person’s life. In the past few years I have come to be quite well acquainted with several Muslim professionals—electronics engineers, pilots, businessmen, and teachers, mostly from Saudi Arabia and from the other Gulf states. In talking to them, I was struck with how relaxed most of them seemed to be even under strong pressure. “There is nothing to it,” those I asked about it told me, in different words, but with the same message: “We don’t get upset because we believe that our life is in God’s hands, and whatever He decides will be fine with us.” Such implicit faith used to be widespread in our culture as well, but it is not easy to find it now. Many of us have to discover a goal that will give meaning to life on our own, without the help of a traditional faith.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
I don’t run whores, and I kill for a cause.” “And what cause is that?” “Same as yours, merch. Profit.” “How do you get your information, Mister Brekker?” “You might say I’m a lockpick.” “You must be a very gifted one.” “I am indeed.” Kaz leaned back slightly. “You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute’s way, but I prefer a gentler approach – the right pressure applied at the right moment, in the right place. It’s a delicate thing.
Leigh Bardugo (The Six of Crows Duology (The Six of Crows, #1-2))
Don't bother unpacking the rest," she said, tearing the lease in half. "I'm kicking you out now." She was almost as strong willed and stubborn as he was. But he had much better taste in furniture. He snorted a laugh. "I'd like to see you try." "I'm sure you would," she snapped. "It's probably the only way you can get a woman near you with that giant ego in the way." "I am hardly lacking for female companionship." Layla rolled her eyes in an overly dramatic fashion. "I'm not interested in hearing about your visits to the nail bar. I just want you gone." "It's not going to happen, sweetheart. I have the document in digital form, and the law on my side." "Family trumps the law." She folded her arms under her generous breasts. Sweat trickled down his back. Karen had nothing on this woman, even with her creative use of a toy blood pressure cuff. "Not in the real world. My attorney works upstairs. If you need further proof, I can ask him to join us and confirm that the lease is valid.
Sara Desai (The Marriage Game (Marriage Game, #1))
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
And the moment my mother is close enough to touch, I put my arms around her and sink into her shoulders. I cry. Oh, honey, my mom says, dropping her bag off her shoulder, letting it fall wherever it falls, paying no attention to the people who need to get around us. She holds me tightly, with both arms rubbing my back. I feel no pressure to stop crying. I feel no need to explain myself. You don't have to make yourself OK for a good mother; a good mother makes herself OK for you. And my mother has always been a good mother, a great mother.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
That much hope had brought Max to his knees. Apparently if he didn’t let himself weep like a little girl to relieve this emotional pressure building inside of him, he was in danger of hitting the ground in a dead faint. Jules crouched beside him, checking for his pulse. “Are you okay? You’re not, like, having a heart attack or a stroke, are you?” “Fuck you,” Max managed, swatting his hand away. “I’m not that old.” “If you really think heart disease is about age, then you definitely need to make an appointment with a cardiologist, like tomorrow—” “I just . . . tripped,” Max said, but when he tried to get up, he found he still hadn’t regained his equilibrium. Shit. “Or maybe you needed to get on your knees to pray,” Jules said as Max put his head down and waited for the dizziness to pass. “That excuse sounds a little more believable, if you want to know the truth. ‘Hello God? It’s me, Max. I know I’ve been lax in my attention to You over the past forty-mmph years, but if You give me a second chance, I’ll make absolutely certain this time around I’ll tell Gina just how much I love her. Because withholding that information sure as hell didn’t do either of us one bit of good, now did it?’” “I did what I—“ Max stopped himself. To hell with that. “I don’t have to explain myself to you.” “That’s right, you don’t.” Jules ignored Max’s attempt to push him away, and helped him to his feet. “But you might want to work up some kind of Forgive-Me-For-Being-a-Butthead speech for when you come face to face with Gina. Although, I’ve got to admit that the falling to the knees thing might make an impact. You’ll definitely get big points for drama.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
We live in an era where opinion is currency. The pressure is on us to say 'I like this' or 'I don't like that', to make snap decisions and stick them on our credit cards. But when faced with something we cannot comprehend at once, which was never intended to be snapped up or whizzed through, perhaps 'I don't like it' is an inadequate response. Don't like Middlemarch? It doesn't matter. It was here before we arrived, and will be here long after we have gone. Instead, perhaps we should have the humility to say: I didn't get it. I need to try harder.
Andy Miller
Aren’t you bored though? I mean, I grew up here. I know what it’s like. Once you’ve had a taste of the city, it’s hard to come back.” “I mean, Calgary isn’t exactly Paris,” I quip because she’s acting like it’s some glitz-and-glam place. “But what do you do all day? I’d go crazy. That’s why I had to get out, you know?” “No, I don’t know,” is my reply, because my patience is wearing thin, and my personality only allows me to keep my mouth shut for so long. The pressure is mounting and giving into my redhead streak is hella appealing right about now.
Elsie Silver (Heartless (Chestnut Springs, #2))
You know what, Sam? We created the council to take pressure off of you. Because you were falling apart.” Sam just stared at her. Not quite believing she’d said it. And Astrid seemed shocked herself. Shocked at the venom behind her own words. “I didn’t mean…,” she started lamely, but then couldn’t find her way to explaining just what it was she didn’t mean. Sam shook his head. “You know, even now, as long as we’ve been together it still surprises me that you can be so ruthless.” “Ruthless? Me?” “You will use anyone to get what you want. Say anything to get your way. Why was I ever even in charge?” He stabbed an accusing finger at her. “Because of you! Because you manipulated me into it. Why? So I would protect you and Little Pete. That’s all you cared about.” “That’s a lie!” she said hotly. “You know it’s the truth. And now you don’t have to bother manipulating me, you can just give me orders. Embarrass me. Undercut me. But as soon as some problem hits, guess what? It’ll be, oh, please, Sam, save us.” “Anything I do, I do for everyone’s good,” Astrid said. “Yeah, so you’re not just a genius now, you’re a saint.
Michael Grant (Lies (Gone, #3))
I believe in making society more equal for our kids, she ploughing on, ignoring pointed coughs telling her to get on with it or shut up our kids, she emphasizes (the possibility of shared ownership), have been told they’re failures, thick, as you put it, before they’ve proven otherwise Exams are all well and good but not everyone performs well under pressure or manifests their intelligence at a young age, it can be acquired later, you know, nurtured by us, we have to be more than teachers, we have to look after them, believe in them If we don’t help then, who will?
Bernardine Evaristo (Girl, Woman, Other)
If you read your contract closely, it says that the show is to be ninety minutes in length. It is to cost X. That’s the budget. Nowhere in that do we ever say that it has to be good. And if you are so robotic and driven that you feel the pressure to push yourself in that way to make it good, don’t come to us and say you’ve been treated unfairly, because you’re trying hard to make it good and we’re getting in your way. Because at no point did we ask for it to be good. That you’re neurotic is a bonus to us. Our job is to lie, cheat, and steal—and your job is to do the show.
Malcolm Gladwell (Revenge of the Tipping Point: Overstories, Superspreaders, and the Rise of Social Engineering)
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?” “Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.” “Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.” Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?” “A switcheroo . . . right. Remind me again how that works?” Jack asked. “It’s because she’s got this big date tonight,” Kamin explained. Jack cocked his head. “A date?” Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.” “I must’ve missed that one.” “Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.” “Ah . . . the Meet Cute,” Wilkins said with a grin. Jack threw him a sharp look. “What did you just say?” “You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.” Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean. Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.” “She’s the maid of honor, see?” Kamin said. Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language. Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.” “Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.” Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?” “Right, sorry. It was Slonsky’s suggestion. 
Julie James (Something About You (FBI/US Attorney, #1))
Are you bothered because he says he could see us together? Or is there something else?” Sam's voice had grown quieter with that last question. Devin looked up from the board to see something he'd never thought he'd see from Sam. An expression that, on anyone else, would've been more than curious. It was open, vulnerable. A naked longing that disappeared as soon as Devin was sure he knew what it was, to be replaced by Sam pressing his lips together and looking down at the board again. Wow. Okay. That made this conversation a hell of a lot more interesting. Maybe Sam had spent so much time analyzing Devin because he wanted to know if he had a chance. Devin wasn't sure how he felt about that. “I'm not in love with the idea that you guys have talked about me,” Devin said. “It's strange.” “I'm sorry our conversation made you feel that way,” Sam said. “I honestly wouldn't have said anything if you didn't want to know.” “I know, I asked for it,” Devin responded. “About...us.” Dev looked up in time to see Sam's expression change before the mask slid back into place. “You don't think it's weird?” Sam's lips trembled as he fought down a smile. “I think,” he began, reaching across the table, “life is full of possibilities.” He touched the back of Devin's hand with the tips of his fingers, gently stroking the skin. “If this isn't one you want to take advantage of, then you shouldn't feel pressured to do so.” It wasn't Devin's imagination that the temperature in the room had risen. It was one thing when Sam was getting into his head on a purely academic level. It was another thing when Sam looked at him from beneath thick lashes as if he could unravel Devin from the inside out if given half the chance. And he so wanted that chance. Holy hell. The little nerd was trying to seduce him.
Sara Winters (See Right Through (Savannah, #1))
Sometimes,” she told me, “a girl will give a guy a blow job at the end of the night because she doesn’t want to have sex with him and he expects to be satisfied. So if I want him to leave and I don’t want anything to happen . . .” She trailed off, leaving me to imagine the rest. There was so much to unpack in that short statement: why a young man should expect to be sexually satisfied; why a girl not only isn’t outraged, but considers it her obligation to comply; why she doesn’t think a blow job constitutes “anything happening”; the pressure young women face in any personal relationship to put others’ needs before their own; the potential justification of assault with a chaser of self-blame. “It goes back to girls feeling guilty,” Anna said. “If you go to a guy’s room and are hooking up with him, you feel bad leaving him without pleasing him in some way. But, you know, it’s unfair. I don’t think he feels badly for you.” In their research on high school girls and oral sex, April Burns, a professor of psychology at City University of New York, and her colleagues found that girls thought of fellatio kind of like homework: a chore to get done, a skill to master, one on which they expected to be evaluated, possibly publicly. As with schoolwork, they worried about failing or performing poorly—earning the equivalent of low marks. Although they took satisfaction in a task well done, the pleasure they described was never physical, never located in their own bodies. They were both dispassionate and nonpassionate about oral sex—socialized, the researchers concluded, to see themselves as “learners” in their encounters rather than “yearners.” The concern with pleasing, as opposed to pleasure, was pervasive among the girls I met, especially among high schoolers, who were just starting sexual experimentation.
Peggy Orenstein (Girls & Sex: Navigating the Complicated New Landscape)
Blood is the price we pay for access to God, and it comes at great expense. God has invited us to His winepress so that He can do with us that which is necessary to reconnect something temporal to its eternal source. Don’t be surprised and begin to despair at the onset of the crushing you will endure. Don’t run from it; run to it, because you’re not being crushed simply for crushing’s sake. ... Your pain is not going to last and, like the labor pains of an expectant mother, will produce new life. The crushing is meant to do two things: get out of you what’s in you, and get the true you out of the thin skin that encases you. The crushing of the grape not only expresses the juice from the flesh, but it also separates the unusable parts of the grape from the juice. Crushing requires purification. Do you know anyone who would purify something they do not intend to use? ... Your crushing cannot be the end, because God would never purify you if He didn’t intend to use you. Your crushing is nothing more than the beginning of a glorious transformation process that will reveal to the world and you who and what you really are. Just like the grapes being trampled comes first, so does your crushing. There is more to come—so much more.
T.D. Jakes (Crushing: God Turns Pressure into Power)
Do you remember asking me, one of the first times we met, if I could explain what panic attacks were? I don’t think I ever gave you a good answer.” “Have you got a better one now?” Zara asks. The psychologist shakes her head. Zara can’t help smiling. Then Nadia says, as herself, in her own words rather than those of her psychology training or anyone else: “But you know what, Zara? I’ve learned that it helps to talk about it. Unfortunately I think most people would still get more sympathy from their colleagues and bosses at work if they show up looking rough one morning and say ‘I’m hungover’ than if they say ‘I’m suffering from anxiety.’ But I think we pass people in the street every day who feel the same as you and I, many of them just don’t know what it is. Men and women going around for months having trouble breathing and seeing doctor after doctor because they think there’s something wrong with their lungs. All because it’s so damn difficult to admit that something else is… broken. That it’s an ache in our soul, invisible lead weights in our blood, an indescribable pressure in our chest. Our brains are lying to us, telling us we’re going to die. But there’s nothing wrong with our lungs, Zara. We’re not going to die, you and I.
Fredrik Backman (Anxious People)
I think the biggest thing is just how hard it is to be taken seriously, to be looked in the eye by doctors. I remember my doctors always looking at and talking to my partner, never to me, and if I was alone, just looking away. That’s an experience that Miranda frequently has in the book. Also, doctors quickly grabbing at “anxiety” as the reason why you might be in this shape. I felt pressure to make sure I wasn’t displaying any signs of stress so they had no reason to dismiss me or shut me up with a drug. I found there was a lot of pressure to be a good patient and to conform to some sort of progress narrative that my therapist or surgeon might have. And when your body fails to get better, they sort of want to blame you. So in All’s Well, Miranda is very anxious to prove that she is a good patient to her physical therapists and her doctors. But because she’s not improving, they dread her and don’t really know what to do with her anymore and they just kind of randomly experiment with her during therapy appointments—let’s do some tests, they say. It breeds a toxic relationship and a power dynamic that makes her really helpless, desperate, and ultimately worse off. There are some very sadistic surgeons and physical therapists in this book.
Mona Awad (All's Well)
Whatever happened between you and Keefe yesterday—and I know something happened, so there’s no point trying to deny it—are you going to talk to him about it? And I mean really talk to him and tell him how you feel?” Sophie twisted free. “I don’t—” “Yes, you do,” Edaline insisted. “You don’t even know what I was going to say!” Edaline smiled. “Pretty sure I can guess. And I understand the instinct to hide these kinds of feelings—sometimes even from ourselves. But… I know they’re there. And not just for you.” She pointed to Sophie’s new stuffed elf as evidence—and Sophie could’ve sworn its little smile turned a bit smug. “I’m definitely not trying to tell you what to do or who to choose or put any pressure on you in any way,” Edaline assured her. “I also know that what I’m asking you to do isn’t easy. Having an open conversation about feelings with someone can be really scary. Especially when they’re also your friend. It’s natural to be afraid of getting hurt—or of ruining all the good things you already have. And I can’t guarantee that won’t happen. But”—she reached for Sophie’s arms again—“it’s still super important to have that conversation. Because it’s way too easy to jump to the wrong conclusion. So just… talk to him, okay? I’m not saying right this moment. But don’t let it go too long, either. And I know you’re going to tell me you have all these huge things going on and you need to focus on them, but… this is important. I can tell Keefe is important to you. So just… do what you always do when you’re getting ready to face some epic showdown with the Neverseen.” “You’re comparing this to a battle?” Sophie had to ask. “Why not? Sometimes relationships feel like that. So put your shields up if you need to. But don’t let that stop you from charging headfirst into the unknown. Be bold. Be brave. Be honest. And be you. You’re Sophie Foster. I know you can do this!
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
You can do your entire career on one cell type and it’s more likely you keep your job by getting grants,” Casadevall told me. “There is not even pressure to integrate. In fact, if you write a grant proposal about how the B cell is integrating with the macrophage [a basic interaction of the immune system],* there may be no one to review it. If it goes to the macrophage people, they say, ‘Well, I don’t know anything about it. Why B cells?’ The system maintains you in a trench. You basically have all these parallel trenches, and it’s very rare that anybody stands up and actually looks at the next trench to see what they are doing, and often it’s related.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay? She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside. Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes. “Hey,” he said quietly. “How are you feeling?” “Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?” He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.” “How is she?” Kelly asked, a knot of fear in her throat. “For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.” Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple. “Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.” She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay. “I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.” Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
I don’t want them to like me,” I said firmly. “I want them to respect me.” Amo shrugged. “They do. You’re a Vitiello.” He jogged after Lora to get his hands on more pineapple and fresca. For him, the discussion was over. Amo was going to be Capo, and yet he didn’t feel the pressure as I did. As the oldest Vitiello and a girl, expectations were sky high. I could only fail. I had to be beautiful and morally impeccable, pure as the snow but at the same time progressive enough to represent the new generation of the Famiglia. Amo got bad grades, slept around, and went out in sweats, and everyone just said he was a boy and would grow out of it. If I ever did either of those things, I’d be socially dead.
Cora Reilly (By Sin I Rise: Part One (Sins of the Fathers, #1))
If it is true that ideas don’t change things gradually but in fits and starts – in shocks – then the basic premise of our democracy, our journalism, and our education is all wrong. It would mean, in essence, that the Enlightenment model of how people change their opinions – through information-gathering and reasoned deliberation – is really a buttress for the status quo. It would mean that those who swear by rationality, nuance, and compromise fail to grasp how ideas govern the world. A worldview is not a Lego set where a block is added here, removed there. It’s a fortress that is defended tooth and nail, with all possible reinforcements, until the pressure becomes so overpowering that the walls cave in.
Rutger Bregman (Utopia for Realists: And How We Can Get There – from the presenter of the 2025 BBC ‘Moral Revolution’ Reith lectures)
If you put a frog in water that is already boiling, it will jump right out from the sheer pain and collision of senses. But if you put a frog in water at room temperature, then steadily raise the heat one degree at a time until it is boiling, the frog will slowly but eventually die. Our culture–us–we’re that frog right now, thinking, This is nice and cozy, but the heat has been climbing. This book is me saying, Wait a minute. It’s starting to get a little warm in here. The values and pace of our culture, the speed at which it is moving, the demands and pressure we all collectively feel, the ethos of hustle injected into us all at birth–it’s boiling us alive. But we don’t notice it because it has happened steadily over the last century or so.
Jefferson Bethke (To Hell with the Hustle)
Doctor controlled his anger. “Tom,” he said, “Tom, boy. Pull yourself together. Go back and lay cold cloths—cold as you can get them. I don’t suppose you have any ice. Well, keep changing the cloths. I’ll be out as fast as I can. Do you hear me? Tom, do you hear me?” He hung the receiver up and dressed. In angry weariness he opened the wall cabinet and collected scalpels and clamps, sponges and tubes of sutures, to put in his bag. He shook his gasoline pressure lantern to make sure it was full and arranged ether can and mask beside it on his bureau. His wife in boudoir cap and nightgown looked in. Dr. Tilson said, “I’m walking over to the garage. Call Will Hamilton. Tell him I want him to drive me to his father’s place. If he argues tell him his sister is—dying.
John Steinbeck (East of Eden)
We got up, still talking, and began to dance again. “I want to try something,” he said. “Okay, what?” “Twist your arms behind your back.” “Hmm, okay … Like this?” “Yes. And now I’ll hold you like that.” I licked my lips and gave him the look, and I said, “Okay.” “If you want me to stop, tell me.” “Okay. I’ll bite you if I don’t like it. If I’m okay, you get a kiss.” He smiled and clasped my wrists tight, pinioning my arms behind my back. The pressure twisted my shoulders back, just a bit, and thrust my breasts forward. We moved, and I felt my breasts pressing through the silk T-shirt against his chest. I kissed him. “I like it,” I said. “I like it when you hold me, when you have me … in your power.” He kissed me. It was a rapid, sudden, ravishing kiss. He let go of my wrists, and I flung my arms around him. We twirled around. He lifted me up. We plunged back down onto the divan. I was astraddle him, on my knees, looking down on him, breathless. “Lift it off,” he said. “You lift it off,” I said. I bowed, and he pulled the silk T-shirt over my head, leaving it halfway off for just a minute, and masking my face. He kissed me on the forehead through the silk. His lips pressed on my lips, and I hungrily tried to kiss, but I was a prisoner of the silk, and then, slowly, he pulled the T-shirt off my head, and my lips were free, and our lips met, and we kissed, a deep, free warm, liquid kiss. I was melting into him. His hands went up and down my back, sweeping, exploring, pressing, and caressing. He kissed my breasts, slowly, licking and biting each nipple.
Gwendoline Clermont (The Shaming of Gwendoline C)
Kelly: “Is it bad to be 21 and not have had sex? “Uh...no...Why are you asking me?” He stared at me. “You’re the future mate of the future Alpha. You have to answer questions like this.” “I do?” “Yeah. It’s like your job.” “Oh. no one told me?” “What did you think you’d be doping?” “Honestly? I’m not really sure. This was all kind of... sudden.” “…It's what Mom does. It’s what she did too. When the pack was bigger.” “I’m not your mom.” He dismissed that with a wave of his hand. “Might as well be.” His mouth twitched. “Or something like it. Dad? “I will make sure you never get laid…. [but] don't let yourself get pressured into anything.” He grinned. “Thanks Dad.” I took a breath to stop myself from punching his face. He would have healed from it while I walked away with a broken hand.
T.J. Klune (Wolfsong (Green Creek, #1))
I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.” “Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”— she paused with a quick, abashed smile—“ whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him … I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” “I would think,” she continued, “‘ Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.’” “Not necessary,” he assured her gently. “Statistically speaking, we’ll have at least ten, fifteen thousand days to spend together.” “I don’t want to be apart from you for even one of them.” Cam cupped her small, serious face in his hands, his thumbs skimming the trace of tears beneath her eyes. His gaze caressed her. “Are we to live in sin, love, or will you finally agree to marry me?” “Yes. Yes. I’ll marry you. Although … I still can’t promise to obey you.” Cam laughed quietly. “We’ll manage around that. If you’ll at least promise to love me.” Amelia gripped his wrists, his pulse steady and strong beneath her fingertips. “Oh, I do love you, you’re—” “I love you, too.” “— my fate. You’re everything I—” She would have said more, if he had not pulled her head to his, kissing her with hard, thrilling pressure.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Unfortunately I think most people would still get more sympathy from their colleagues and bosses at work if they show up looking rough one morning and say ‘I’m hungover’ than if they say ‘I’m suffering from anxiety.’ But I think we pass people in the street every day who feel the same as you and I, many of them just don’t know what it is. Men and women going around for months having trouble breathing and seeing doctor after doctor because they think there’s something wrong with their lungs. All because it’s so damn difficult to admit that something else is… broken. That it’s an ache in our soul, invisible lead weights in our blood, an indescribable pressure in our chest. Our brains are lying to us, telling us we’re going to die. But there’s nothing wrong with our lungs, Zara. We’re not going to die, you and I.
Fredrik Backman (Anxious People)
Let's define the Karikó Problem like this: American science funding has become biased against young scientists and risky ideas. What is most obvious is that American science is getting older. In the early 1900s, some of the most famous scientists – Einstein, Heisenberg, Schrödinger – did their breakthrough work in their twenties and thirties. Indeed, their youth may have been critical to their paradigm-busting genius. But these days the twentysomething scientist is an endangered species. The share of NIH-funded scientists who are thirty-five years old or younger declined from 22 percent in 1980 to less than 2 percent by the 2010s.54 American science also seems to produce far too many papers that don't create new knowledge while overlooking researchers with promising new ideas. A 2023 study titled "Papers and Patents Are Becoming Less Disruptive Over Time" found that any given paper today is much less likely to become influential than a paper from the same field decades ago. This could be because too many papers are essentially worthless. Or it could mean that scientists feel pressured to herd around the same few safe ideas that will keep them in good standing with their peers. "When you look at the diminishing returns in medicine, you can say, well, maybe all the easy drugs have been discovered," said James Evans, a sociologist at the University of Chicago. But the more compelling possibility, he said, is that "the very organization of modern science is leading us astray." In Evans's interpretation, the low-hanging fruit hasn't been plucked. The problem is that too many scientists are all looking at the same few trees.
Ezra Klein (Abundance)
She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes. "You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain. He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you." His voice was little more than a whisper. She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God." Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that. He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?" "Yes." She clutched his hand more tightly between hers. "I meant every word." His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too." She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?" His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot." His words were starting to slur again; he was slipping back into healing sleep. Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond. She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all." She knew he heard that-his features softened, eased. As he slid into sleep, he was, very gently, smiling.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
The therapist says, “We need to bear in mind that in the context of ambiguous loss, ‘closure’ is a myth. It’s easy to succumb to intense societal pressure to ‘find closure,’ and this message is drummed home by the media, reinforced in movies and in novels. It’s echoed in comments from friends and family. We live in a society that places high value on resolving problems, on finding solutions, on ‘getting over’ things quickly. But when society is faced with people who are missing, there’s a disconnect, a discomfort. They don’t know how to cope with people who are missing loved ones, or with situations that actually have no answers or resolutions. We should not be forced to chase closure,” she warns. “What we need to find are ways to coexist with our complex feelings, and to always remember that our reactions are completely normal.” She glances at Jane. “They’re not a sign of personal weakness.
Loreth Anne White (The Unquiet Bones)
KEY TAKEAWAYS – Sharpening Your Creative Mind PRACTICE UNNECESSARY CREATION Use personal creative projects to explore new obsessions, skills, or ways of working in a low-pressure environment. WANDER LONELY AS A CLOUD Make time for your mind—and body—to wander when you’re stuck. Disengaging from the problem allows your subconscious to do its work. DEFINE “FINISHED” FROM THE START Keep your inner perfectionist in check by defining what finished looks like at the beginning of a project. And when you get there, stop! DON’T GO ON AUTOPILOT Repetition is the enemy of insight. Take unorthodox—even wacky—approaches to solving your stickiest problems and see what happens. SEARCH FOR THE SOURCE When the well runs dry, don’t blame a lack of talent. Creative blocks frequently piggyback on other problems. See if you can identify them. LOVE YOUR LIMITATIONS Look at constraints as a benefit, rather than an impediment. They activate our creative thinking by upping the ante.
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
Smoke-ccss-b85b07: Tell me about a time when you did something evil. ABlum: oh gee well sometimes i work too hard is that evil? Smoke-ccssb85b07: Sarcasm ignored. ABlum: ok um when i started college, my brother raph pressured me to join the ut austin chapter of his fraternity and i joined, only to discover that fraternities are the stupidest forms of social organization ever invented so, live and learn but at the end of the fall semester, one of my frat brothers offered to pay me to write his final history paper and i did it but i didn't want to get caught, so i read his earlier papers and put a lot of work into imitating his shitty writing which made the paper a d+ at best so he failed the class and i wouldn't give the money back so they made up an honor code violation and kicked me out of the frat and at the time i remember thinking "this has worked out surprisingly well" so, i don't know what you consider "evil" but i'm sure you can find it somewhere in there
Leonard Richardson (Constellation Games)
stupid things. The interior of a teenager’s mind is an endless war between Stupid and Clever; this was just a case of Stupid winning a battle. Considering the pressure Jake was under and the fact he’d been practically locked up in the house for months, and now the growing clamor as the trial approached, it was understandable. Could you really hold the kid responsible for every tasteless, tactless, brainless thing he said? What kid would not begin to act a little crazy in Jacob’s situation? Anyway, who among us would be judged by the dumbest things we did as teenagers? I told myself these things, I marshaled my arguments as I’d been trained to do, but I could not get that boy’s cry out of my head: “Stop, you’re hurting me.” And something in me tore open. I don’t know how else to put it. I still would not admit doubt into my thinking. I still believed in Jacob and, God knows, I still loved him, and there was no evidence—no real proof—of anything. The lawyer in me understood all this. But the part of
William Landay (Defending Jacob)
I go straight toward the last place where I felt safe: Tobias’s small apartment. The second I reach the door, I feel calmer. The door is not completely closed. I nudge it open with my foot. He isn’t there, but I don’t leave. I sit on his bed and gather the quilt in my arms, burying my face in the fabric and taking deep breaths of it through my nose. The smell it used to have is almost gone, it’s been so long since he slept on it. The door opens and Tobias slips in. My arms go limp, and the quilt falls into my lap. How will I explain my presence here? I’m supposed to be angry with him. He doesn’t scowl, but his mouth is so tense that I know he’s angry with me. “Don’t be an idiot,” he says. “An idiot?” “You were lying. You said you wouldn’t go to Erudite, and you were lying, and going to Erudite would make you an idiot. So don’t.” I set the blanket down and get up. “Don’t try to make this simple,” I say. “It’s not. You know as well as I do that this is the right thing to do.” “You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to.
Veronica Roth (Insurgent (Divergent, #2))
many people believe men have higher sex drives, which may contribute somewhat to their seeking out sex even without attraction. They may be less likely to recognize anything different about how/why they seek out sex, especially since men aren’t as likely to be shamed for avoiding committed partnership or emotional attraction while still desiring sexual activity. If they’re sexually functional cisgender men, they may believe their ability to get erections and their response to stimuli means they can’t be asexual or that they must be sexually attracted to anyone with whom they enjoy sexual activities. Men are also popularly expected to define themselves through sexual conquests, lust, and bedroom performance, so sometimes they can be less likely to identify as asexual because they fear having their masculinity challenged. Also, more asexual men report being willing to have sex they don’t particularly want when pressured or invited; among men, sex is usually considered less of a “big deal” to try despite lack of interest, though there are, of course, asexual men who are sex repulsed. They
Julie Sondra Decker (The Invisible Orientation: An Introduction to Asexuality)
Exhibit a ferocious and intelligently applied work ethic directed at continual improvement; demonstrate respect for each person in the organization and the work he or she does; be deeply committed to learning and teaching, which means increasing my own expertise; be fair; demonstrate character; honor the direct connection between details and improvement, and relentlessly seek the latter; show self-control, especially where it counts most—under pressure; demonstrate and prize loyalty; use positive language and have a positive attitude; take pride in my effort as an entity separate from the result of that effort; be willing to go the extra distance for the organization; deal appropriately with victory and defeat, adulation and humiliation (don’t get crazy with victory nor dysfunctional with loss); promote internal communication that is both open and substantive (especially under stress); seek poise in myself and those I lead; put the team’s welfare and priorities ahead of my own; maintain an ongoing level of concentration and focus that is abnormally high; and make sacrifice and commitment the organization’s trademark.
Bill Walsh (The Score Takes Care of Itself: My Philosophy of Leadership)
Do you have any ritual things you do before a race?” My dad did. He always had to wear black boxer shorts and socks. Before every race, he would also have a plain egg omelet for breakfast. I never did learn why. “Yep.” I wait, but he doesn’t expand. “Well…are you gonna tell me what it is?” Arms on the table, he leans forward. “Okay.” He lets out a breath. “I have to eat a bar of Galaxy chocolate before each race.” “Really?” I smile. “Why?” Eyes on me, he rests back in his seat, keeping his hands on the table. “After we first moved to England, I don’t know if it was the pressure or being in a different country or what, but I wasn’t winning races. I was coming in fourth at best. I was panicking because Dad had given up so much by moving us to England, and I was getting frustrated because I knew I was capable of more. “Anyway, on this particular day, I was hungry because I’d forgotten to eat, and my dad was all, ‘You will lose this race on an empty stomach.’ So, he went off to get me something to eat. Anyway, he came back, telling me there was only this shitty vending machine. Then, he held out a bar of Galaxy chocolate, and I was like, ‘What the hell is that? I’m not eating that. It’s women’s chocolate. Men don’t eat Galaxy. They eat Yorkie.’ You remember the adverts?” “I do.” I laugh, loving the way he’s telling the story. He’s so animated with his eyes all lit up. “So, my dad got pissed off and said, ‘Well, they haven’t got any men’s chocolate, so eat the bloody women’s chocolate, and shut the hell up!’” I snort out a laugh. “So, what did you do?” “Sulked for about a minute, and then I ate the fucking bar of Galaxy, and it was the best chocolate I’d ever tasted—not that I admitted that to my dad at the time. Then, I got in my kart and won my first ever race in England.” He smiles fondly, and I can see the memory in his eyes. “And since then, before every race, my dad buys me a bar of Galaxy from a vending machine, and I eat it. It’s my one weird thing.” “But what if there isn’t any Galaxy chocolate in a vending machine? Or worse, there isn’t a vending machine?” He leans forward, a sexy-arse smile on his face. “There’s always a vending machine, Andressa, and there’s always a bar of Galaxy in it.” “Ah.” The power of being Carrick Ryan.
Samantha Towle (Revved (Revved, #1))
From the outside looking in, everyone looks like a conformist. But really, no one is; they’re just waiting for another person to speak up. The question is, why isn’t it you? Do you feel like you’ll be judged, or ostracized? Do you think you’ll be ignored and humiliated? Do you feel impotent? The truth is likely quite different. Everyone wants progress but very few want to lead. So a whole group waits for the first hand to go up before their hands go up, too. Suddenly, a vote goes from a unanimous NO to a unanimous YES. All it took was one voice of dissent—and suddenly, everything changed. The secret to overcoming the flinch is that everyone wants you to succeed. People are looking for proof that you can be amazing so that they can be amazing, too. The Web is so great because you can see others being truly themselves, and succeeding at it. This diminishes the power of the consensus. The pressure diminishes. You can be who you like. Getting in the ring becomes easier because you have supporters. So if you see no one like you, no one who agrees, don’t worry. There are actually hundreds of people like you, and they’re waiting for a leader. That person is you. Stop flinching. Speak up. Join us.
Julien Smith (The Flinch)
Here’s how to do it: First, sit down, get comfortable, and close your eyes. Make sure you’re in a position where you can freely expand your lungs. Wim suggests doing this practice right after waking up since your stomach is still empty. Warm up by inhaling deeply and drawing the breath in until you feel a slight pressure. Hold the breath for a moment before exhaling completely, pushing the air out as much as you can. Hold the exhalation for as long as you can, and then repeat this fifteen times. Next, inhale through your nose and exhale through your mouth in short, powerful bursts, as if you’re blowing up a balloon. Pull in your belly when you’re exhaling and let it expand when you inhale. Do this about thirty times, using a steady pace, until you feel that your body is saturated with oxygen. You may feel light-headed or tingly, or you may experience a surge of energy that’s literally electric. Try to get a sense of which parts of your body are overflowing with energy and which ones are lacking it—and where there are blockages between these two extremes. As you continue breathing, send the breath to those blockages. When you’re done, take one more big breath in, filling your lungs to maximum capacity, and then push all of the air out. Hold this for as long as you can and try to feel the oxygen spreading around your body. When you can’t hold it anymore, inhale fully and feel your chest expanding. Hold it again, sending energy where your body needs it. Bonus points if you do what Wim had me do when we demonstrated this technique onstage at our Bulletproof conference—as you are holding your lungs empty, count how many push-ups you can do before you have to breathe again. I got to twenty! It seems impossible, but you can do it, and that short bit of low oxygen forces your body to better deal with lower-oxygen environments. I recommend you research Wim’s work and watch one of his many videos online demonstrating his breathing technique. I don’t think it works as well as mechanically filtering oxygen out of the air you breathe, but the Wim Hof technique is absolutely free, totally portable, and Wim is capable of things I could never do! His breathing method helps your body adapt to bursts of oxygen and puts you more in tune with the way your body uses your breath to create energy. It also makes you more resilient to cold temperatures, but there is evidence that cold temperatures themselves are good for your mitochondria.
Dave Asprey (Head Strong: The Bulletproof Plan to Activate Untapped Brain Energy to Work Smarter and Think Faster-in Just Two Weeks)
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones. I am looking forward to it. Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane. “I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.” “What, you don’t think I can handle it?” I say, a little defensive. “Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.” “I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.” “Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.” “I can tell you it will involve a lot of this,” I say, and I press my lips to his. His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent. I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming. “I love you,” I say. “I love you, too,” he says. “I’ll see you soon.” He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears. It’s time to be with my brother now.
Veronica Roth (Allegiant (Divergent, #3))
Why does a kid cry? Kids got no other way to ask for help but to cry. Crying is a sign of distress and they want their stress to be over. We are distressed when our needs are not being met. So if we're hungry, a baby will cry. If they are uncomfortable because their diapers are dirty and wet, they are gonna cry. If they need attachment contact, they will cry. When our needs are met, the child is soothed and eased and their nervous system relaxes. When the needs are denied, the child gets more riled up. When the child is riled up you get stress hormones going through the whole body to the brain. Stress hormones like cortisol and adrenaline, particular cortisol, interferes with healthy brain development. When we don't pick up our kids, we're interfering with their brain development. You didn't have to tell aboriginal people this. But in our modern society, you have to teach this and people say "oh my God! Really? That's not what my doctor told me. He told me not to pick up my kid and let him cry through the night." So what I am saying is, from the very beginning, in this society, we are denying people's essential needs for healthy development. Right from the get-go. And I haven't even said anything about how we medicalize birth and people no longer have natural births and that itself is a problem. And then we live in a very stressed society, so the parents are stressed. And when the parents are stressed, the kids are stressed. Because children have no self-regulation, so if you are stressed as an adult, if you are mature enough, you can regulate yourself, you can take a few breaths, you can calm yourself down, you can say "let me slow down, let me think about this, let me deal with this." An infant can't do that. An infant has no self-regulation whatsoever. You know what it is like when you are upset? Your heart is racing, your blood pressure goes up, your nervous system is on fire, your guts might be churning or stopping, muscles are tense, everything changes about you. The same with the infant, except the infant has no capacity to regulate himself. The infant's brain requires the mature function of the adult's brain to regulate it. But what if the adult's brain is not functioning maturely because these adults themselves never got the right conditions for the healthy development? Now we have an immature adult's brain regulating or trying to regulate an immature infant's brain. Then that self-regulation never develops.
Gabor Maté
People ask me, “Why don’t you call in the blind?” I ask them, “Would you call with Phil Robertson in your blind?” It’s like pinch-hitting for Albert Pujols. It doesn’t make sense when you have the best duck caller in the world in your blind. The benefits of not screwing up are better than those of taking a chance on doing something stupid. Believe me: if you mess up, you’re going to hear about it. I never will forget when we had about twenty-five mallards almost in the hole. They were on their third pass down when the text message alert on my phone went off. After my phone buzzed, the mallards decided not to come in. Phil looked down the row of guys with a look that was a mixture of craziness, agony, and Satan himself. “What was that?” he hollered. Now, there was no way I was gonna fess up. “I heard something!” Phil yelled again. I didn’t feel like trying to explain to him that there was no way the ducks heard my phone from sixty yards away, so I didn’t say a word. I’m glad waterboarding isn’t allowed in the blind, because ol’ Phil would have filled our faces with water to find the culprit. There is always a lot of pressure to have 100 percent success. If we get four out of six ducks, we’ll sit there and debate for the next two hours why we didn’t get all six.
Willie Robertson (The Duck Commander Family)
■​Identify your counterpart’s negotiating style. Once you know whether they are Accommodator, Assertive, or Analyst, you’ll know the correct way to approach them. ■​Prepare, prepare, prepare. When the pressure is on, you don’t rise to the occasion; you fall to your highest level of preparation. So design an ambitious but legitimate goal and then game out the labels, calibrated questions, and responses you’ll use to get there. That way, once you’re at the bargaining table, you won’t have to wing it. ■​Get ready to take a punch. Kick-ass negotiators usually lead with an extreme anchor to knock you off your game. If you’re not ready, you’ll flee to your maximum without a fight. So prepare your dodging tactics to avoid getting sucked into the compromise trap. ■​Set boundaries, and learn to take a punch or punch back, without anger. The guy across the table is not the problem; the situation is. ■​Prepare an Ackerman plan. Before you head into the weeds of bargaining, you’ll need a plan of extreme anchor, calibrated questions, and well-defined offers. Remember: 65, 85, 95, 100 percent. Decreasing raises and ending on nonround numbers will get your counterpart to believe that he’s squeezing you for all you’re worth when you’re really getting to the number you want. CHAPTER 10
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes. Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked. “I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.” Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.” “There is,” she said unsteadily, “such a thing as birth control.” His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?” It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so. “No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.” “I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously. His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.” “Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting. His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket. “You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.” She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man. She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions. “You could kiss me,” she whispered unsteadily, “just to see how it feels.” He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will. “Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise. His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached. “Cecily, you little fool,” he ground out. Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
Diana Palmer (Paper Rose (Hutton & Co. #2))
After a series of promotions—store manager at twenty-two, regional manager at twenty-four, director at twenty-seven—I was a fast-track career man, a personage of sorts. If I worked really hard, and if everything happened exactly like it was supposed to, then I could be a vice president by thirty-two, a senior vice president by thirty-five or forty, and a C-level executive—CFO, COO, CEO—by forty-five or fifty, followed of course by the golden parachute. I’d have it made then! I’d just have to be miserable for a few more years, to drudge through the corporate politics and bureaucracy I knew so well. Just keep climbing and don't look down. Misery, of course, encourages others to pull up a chair and stay a while. And so, five years ago, I convinced my best friend Ryan to join me on the ladder, even showed him the first rung. The ascent is exhilarating to rookies. They see limitless potential and endless possibilities, allured by the promise of bigger paychecks and sophisticated titles. What’s not to like? He too climbed the ladder, maneuvering each step with lapidary precision, becoming one of the top salespeople—and later, top sales managers—in the entire company.10 And now here we are, submerged in fluorescent light, young and ostensibly successful. A few years ago, a mentor of mine, a successful businessman named Karl, said to me, “You shouldn’t ask a man who earns twenty thousand dollars a year how to make a hundred thousand.” Perhaps this apothegm holds true for discontented men and happiness, as well. All these guys I emulate—the men I most want to be like, the VPs and executives—aren’t happy. In fact, they’re miserable.  Don’t get me wrong, they aren’t bad people, but their careers have changed them, altered them physically and emotionally: they explode with anger over insignificant inconveniences; they are overweight and out of shape; they scowl with furrowed brows and complain constantly as if the world is conspiring against them, or they feign sham optimism which fools no one; they are on their second or third or fourth(!) marriages; and they almost all seem lonely. Utterly alone in a sea of yes-men and women. Don’t even get me started on their health issues.  I’m talking serious health issues: obesity, gout, cancer, heart attacks, high blood pressure, you name it. These guys are plagued with every ailment associated with stress and anxiety. Some even wear it as a morbid badge of honor, as if it’s noble or courageous or something. A coworker, a good friend of mine on a similar trajectory, recently had his first heart attack—at age thirty.  But I’m the exception, right?
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
Most of them seem to be at it in the roof-garden. Want to go and watch,get some pressure up for later?” “I think these cigarettes are horrible. Made my throat so sore. And my guts are all sour and nasty. Did people really use twenty in a day?” “They call it streamlining, of course, but what it comes down to is they’re undermining my responsibility in the firm and I’m going to fight tooth and claw to hang on to what I’ve got. If I have to play it dirty that’ll be their fault, not mine.” “It makes genuine three-dimensional poetry possible for the first time in history. Right now he’s experimenting with motion added, and some of the things he’s turned out are hair-raising.” “You hold the knife this way, see?” “Refuse to teach their children to read and write, say it handicaps them for the post-Gutenberg era.” “Not many people have spotted it but there’s a loophole in the Maryland eugenics law.” “A polyformer for water-sculpture, quite new.” “Of course I don’t love Henry the way I love you but the shrinker did tell me I ought to occasionally.” “I’m just cutting jets for a prayer or two but I’ll be back—don’t get involved with anyone else.” “That makes seventeen different mixtures I’ve tried, and I’d better have some antalc, right away.” “I think it was bitchy not to tell Miriam it was pig-meat.
John Brunner (Stand on Zanzibar)
Have you ever known someone who worried about dating a long-time friend? If you have, you’ve probably heard that person say something like this: “He asked me out, but I’m just afraid that if we start actually dating it will change our friendship.” What is this person really saying? People who make statements like that, whether or not they realize it, recognize that dating encourages romantic expectations. In a true friendship you don’t feel pressured by knowing you “like” the other [35] person or that he or she “likes” you back. You feel free to be yourself and do things together without spending three hours in front of the mirror, making sure you look perfect. C. S. Lewis describes friendship as two people walking side by side toward a common goal. Their mutual interest brings them together. . . . In dating, romantic attraction is often the relationship’s cornerstone. The premise of dating is “I’m attracted to you; therefore, let’s get to know each other.” The premise of friendship, on the other hand, is “We’re interested in the same things; let’s enjoy these common interests together.” If, after developing a friendship, romantic attraction forms, that’s an added bonus. . . . A relationship based only on physical attraction and romantic feelings will last only as long as the feelings last.
Joshua Harris
Breathing heavily, he glared down at her with glassy belligerence. “I said get out of my dreams.” His face was like the mask of some ancient god of war, beautiful and harsh, the mouth contorted, lips parted enough to reveal the edges of animal-white teeth. Win was amazed, excited, the tiniest bit frightened … but this was Merripen … and as she stared at him, the edge of fear melted and she drew his head down to hers, and he kissed her. She had always imagined there would be roughness, urgency, impassioned pressure. But his lips were soft, grazing over hers with the heat of sunshine, the sweetness of summer rain. She opened to him in wonder, the solid weight of him in her arms, his body pressing into the crumpled layers of her skirts. Forgetting everything in the passionate tumult of discovery, Win reached around his shoulders, until he winced and she felt the bulk of his bandage against her palm. “Kev,” she said breathlessly, “I’m so sorry, I … no, don’t move. Rest.” She curled her arms loosely around his head, shivering as he kissed her throat. He nuzzled against the gentle rise of her breast, pressed his cheek against her bodice, and sighed. After a long, motionless minute, while her chest rose and fell beneath his heavy head, Win spoke hesitantly. “Kev?” A slight snore was her reply. The first time she had ever kissed a man, she thought ruefully, and she had put him to sleep.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
So-called “battered women’s shelters” have been called “one-stop divorce shops” because they are “extreme militant feminist” operations that exist mostly to separate children from their fathers, even without any demonstration of violence. Erin Pizzey, who founded the first shelter in London in 1971, claims that her movement has been “hijacked” by feminists. Extended investigations by Canada’s National Post and others revealed a violently anti-male agenda, corruption, drug and alcohol use, child abuse, and even, ironically, violence against women. Yet they continue to receive government funding. One woman whose husband “didn’t beat me up or nothing, we just had an argument,” says shelter workers ignored her pleas and pressured her to leave her marriage. “They asked me if I was abused, and I said, ‘No.’ They wanted me to get a lawyer, and I said, ‘For what?’” She maintains shelter employees tried to “trick” her into making incriminating statements about her husband. “Everything negative about him, they wrote it down. If I said something nice about him, they wouldn’t write it down. I kept telling them, ‘No, he didn’t hit me.’” She was offered financial incentives to leave her husband. “They said, ‘If you leave him, we can help you find a place right away.’ But I said, ‘I don’t want to leave him.’ . . . They wanted that so bad. They were trying to break up a family, and I didn’t want that.
Stephen Baskerville
So how much sleep is enough? Generally, sleep specialists recommend that adults get between seven and nine hours of sleep per night, though there is no perfect number for the amount of sleep you may need personally. Doctors and scientists agree on one thing overall, however: Getting too little sleep—five hours a night or less for most people—results in a wide range of cognitive and physical impairments. Neurons in the brain can’t consolidate the information you’ve taken in, so you don’t store memories and you lose the ability to use this information. Add to this the compromised motor control, lack of focus, and difficulty with decision making and problem solving that come with sleep deprivation, and you may think twice about catching The Tonight Show and choose to turn in earlier than usual. Stress When your brain is bombarded with stimuli that trigger anxiety, you experience stress—a series of biological and chemical processes throughout your body that initiates a fight-or-flight response. In a nutshell, here’s what happens: Your sympathetic nervous system, commanded by the hypothalamus—a small area at your brain’s base—releases stress hormones that ready you to deal with whatever threat has emerged. First, your adrenal glands (on top of your kidneys) release adrenaline, which causes increases in breathing rate, heart rate, and blood pressure. These glands also release cortisol, which increases
Calistoga Press (Memory Tips & Tricks: The Book of Proven Techniques for Lasting Memory Improvement)
Back on the platform, they found Lily and Hugo, Rose’s younger brother, having an animated discussion about which House they would be sorted into when they finally went to Hogwarts. “If you’re not in Gryffindor, we’ll disinherit you,” said Ron, “but no pressure." “Ron!” Lily and Hugo laughed, but Albus and Rose looked solemn. “He doesn’t mean it,” said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry’s eye, he nodded covertly to a point some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. “Look who it is.” Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, which emphasized the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, and Ginny staring at him, nodded curtly, and turned away again. “So that’s little Scorpius,” said Ron under his breath. “Make sure you beat him in every test, Rosie. Thank God you inherited your mother’s brains.” “Ron, for heaven’s sake,” said Hermione, half stern, half amused. “Don’t try to turn them against each other before they’ve even started school!” “You’re right, sorry,” said Ron, but unable to help himself, he added, “Don’t get too friendly with him, though, Rosie. Granddad Weasley would never forgive you if you married a pureblood.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
He stared down at her for a moment, wanting to heal every cut on her soft skin. But he couldn’t, not yet. He needed to get her, and her car, far from this place so neither he nor Kate would be implicated in any way with the gruesome murder site. It also meant he would have to drive. In all his years, he had never driven an automobile. The closest he had come was watching various assistants through the years as they chauffeured him. He wasn’t sure he could even remember how to start the car, but right now he had no choice. Grudgingly, he got into the driver’s seat, and finding the lever underneath, he pushed it back so he sat comfortably behind the wheel. After trying three different keys, he found one that slipped into the ignition. From what he had seen over the past hundred years, driving was not a complex operation, and he was an immortal with reflexes far more keen than a human man. How difficult could it be? He turned the key and nearly jerked the wheel off the steering column when the car surprised him by lurching forward. The car went silent. The engine wasn’t running. What was he doing wrong? He stared at the gearshift, wondering if he should move it. His frustration reared up, but his agitation would not make the car drive itself. He had to keep a cool head. Not knowing what else to try, he pushed one of the pedals at his feet to the floor and turned the key again. This time the car didn’t move, and it roared to life. Grasping the gearshift, he jammed it into the first position and glanced over at Kate. Why couldn’t she have owned a car with an automatic transmission? Shaking his head, he put some pressure on the gas pedal and slowly released the clutch. Thankfully the car rolled a few feet, but without warning it jumped forward. He pressed the clutch back to the floor before the engine lost power again. Calisto slammed his hand against the wheel, muttering under his breath in Spanish. At this rate it would take him all night to drive her home. The faded yellow convertible pitched forward again, threatening to stall as he continued out of the parking lot, thankful it was late. The streets were fairly empty. At least he wouldn’t get into an accident with another car. Her car staggered ahead, lurching each time he tried to release the clutch, bouncing and jostling them both until Kate finally stirred and woke up. § “Are we out of gas or something?” Calisto watched her with a tight smile. “Not exactly.” Kate winced in pain when she laughed. “You can’t drive a stickshift, can you?” “Does it show?” Calisto pulled over, finally allowing the engine to stall. She nodded her head slowly to avoid more pain. “Just a little. What happened?” “You don’t remember?” “I remember being mugged. And I remember seeing you, but everything after that is blank.” She watched his eyes as Calisto reached over to brush her hair back from her face, and his touch sent shivers through her body. This wasn’t how she had hoped she would run into him, but she learned a long time ago fate didn’t always work out the way you expected.
Lisa Kessler (Night Walker (Night, #1))
Also bearing witness to the unbearable nature of the vulnerability experienced by peer-oriented kids is the preponderance of vulnerability-quelling drugs. Peer-oriented kids will do anything to avoid the human feelings of aloneness, suffering, and pain, and to escape feeling hurt, exposed, alarmed, insecure, inadequate, or self-conscious. The older and more peer-oriented the kids, the more drugs seem to be an inherent part of their lifestyle. Peer orientation creates an appetite for anything that would reduce vulnerability. Drugs are emotional painkillers. And, in another way, they help young people escape from the benumbed state imposed by their defensive emotional detachment. With the shutdown of emotions come boredom and alienation. Drugs provide an artificial stimulation to the emotionally jaded. They heighten sensation and provide a false sense of engagement without incurring the risks of genuine openness. In fact, the same drug can play seemingly opposite functions in an individual. Alcohol and marijuana, for example, can numb or, on the other hand, free the brain and mind from social inhibitions. Other drugs are stimulants — cocaine, amphetamines, and ecstasy; the very name of the latter speaks volumes about exactly what is missing in the psychic life of our emotionally incapacitated young people. The psychological function served by these drugs is often overlooked by well-meaning adults who perceive the problem to be coming from outside the individual, through peer pressure and youth culture mores. It is not just a matter of getting our children to say no. The problem lies much deeper. As long as we do not confront and reverse peer orientation among our children, we are creating an insatiable appetite for these drugs. The affinity for vulnerability-reducing drugs originates from deep within the defended soul. Our children's emotional safety can come only from us: then they will not be driven to escape their feelings and to rely on the anesthetic effects of drugs. Their need to feel alive and excited can and should arise from within themselves, from their own innately limitless capacity to be engaged with the universe. This brings us back to the essential hierarchical nature of attachment. The more the child needs attachment to function, the more important it is that she attaches to those responsible for her. Only then can the vulnerability that is inherent in emotional attachment be endured. Children don't need friends, they need parents, grandparents, adults who will assume the responsibility to hold on to them. The more children are attached to caring adults, the more they are able to interact with peers without being overwhelmed by the vulnerability involved. The less peers matter, the more the vulnerability of peer relationships can be endured. It is exactly those children who don't need friends who are more capable of having friends without losing their ability to feel deeply and vulnerably. But why should we want our children to remain open to their own vulnerability? What is amiss when detachment freezes the emotions in order to protect the child?
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
They had a very pleasant evening out together in Shrewsbury – she was lovely to him, they chatted to mutual acquaintances, laughed, drank quite a bit of wine. They settled into a relaxed mood together – Jason wondering why it couldn’t always be that way; and, in fact, she had closed down again by the time they were walking back to his flat, with a bag of chips shared between them. Something sparked the subject of family once more. He joked about one day being invited to meet her parents. ‘There you go again!’ she snapped. ‘It’s not as if you’re a serious boyfriend, or anything.’ He stopped dead, other revellers had to swerve around them. ‘Why do you say that? I know I’m serious about this. I just don’t get you at all.’ Her expression told him that she was not willing to discuss it. He threw the remnants of the chips into a plastic bin. ‘Adelaide, we’re so good together. We are, aren’t we? Admit it.’ ‘All right, I admit it. I do want you, Jason. Just not in the way you want.’ ‘I know I don’t pressure you. God, I put up with so much crap from you. Just spell it out to me. What is your problem?’ By some miracle of logistics, two police officers happened to be passing along the pedestrianised road. Adelaide used their presence as a way of ending the discussion, ‘Jason, you’re making a scene. I’m going home alone.’ ‘Adelaide!’ ‘Let’s leave it for now, Jason.’ ‘Adelaide!’ She skipped away into groups of passers-by. Infuriated beyond belief by her once more, Jason punched the plastic bin, causing a huge dent. The policemen looked over their shoulders briefly, but then continued on.
HB Morris
Back home, Chris struggled to readjust, physically and mentally. He also faced another decision-reenlist, or leave the Navy and start a new life in the civilian world. This time, he seemed to be leaning toward getting out-he'd been discussing other jobs and had already talked to people about what he might do next. It was his decision, one way or another. But if I’d been resigned to his reenlistment last go-around, this time I was far more determined to let him know I thought he should get out. There were two important reasons for him to leave-our children. They really needed to have him around as they grew. And I made that a big part of my argument. But the most urgent reason was Chris himself. I saw what the war was doing to him physically. His body was breaking down with multiple injuries, big and small. There were rings under his eyes even when he had slept. His blood pressure was through the roof. He had to wall himself off more and more. I didn’t think he could survive another deployment. “I’ll support you whatever you decide,” I told him. “I want to be married to you. But the only way I can keep making sense of this is…I need to do the best for the kids and me. If you have to keep doing what is best for you and those you serve, at some point I owe it to myself and those I serve to do the same. For me, that is moving to Oregon.” For me, that meant moving from San Diego to Oregon, where we could live near my folks. That would give our son a grandfather to be close to and model himself after-very important things, in my mind, for a boy. I didn’t harp on the fact that the military was taking its toll. That argument would never persuade Chris. He lived for others, not himself. It didn’t feel like an ultimatum to me. In fact, when he described it that way later on, I was shocked. “It was an ultimatum,” he said. He felt my attitude toward him would change so dramatically that the marriage would be over. There would also be a physical separation that would make it hard to stay together. Even if he wasn’t overseas, he was still likely to be based somewhere other than Oregon. We’d end up having a marriage only in name. I guess looked at one way, it was an ultimatum-us or the Navy. But it didn’t feel like that to me at the time. I asked him if he could stay in and get an assignment overseas where we could all go, but Chris reminded me there was never a guarantee with the military-and noted he wasn’t in it to sit behind a desk. Some men have a heart condition they know will kill them, but they don’t want to go to the doctor; it’s only when their wives tell them to go that they go. It’s a poor metaphor, but I felt that getting out of the Navy was as important for Chris as it was for us. In the end, he opted to leave. Later, when Chris would give advice to guys thinking about leaving the military, he would tell them it would be a difficult decision. He wouldn’t push them one way or the other, but he would be open about his experiences. “There’ll be hard times at first,” he’d admit. “But if that is the thing you decide, those times will pass. And you’ll be able to enjoy things you never could in the service. And some of them will be a lot better. The joy you get from your family will be twice as great as the pleasure you had in the military.” Ultimatum or not, he’d come to realize retiring from the service was a good choice for all of us.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)
Ryan Adams
Mike sounded dismissive of Western communication styles, but he admitted that he sometimes wished he could be noisy and uninhibited himself. “They’re more comfortable with their own character,” he said of his Caucasian classmates. Asians are “not uncomfortable with who they are, but are uncomfortable with expressing who they are. In a group, there’s always that pressure to be outgoing. When they don’t live up to it, you can see it in their faces.” Mike told me about a freshman icebreaking event he’d participated in, a scavenger hunt in San Francisco that was supposed to encourage students to step out of their comfort zones. Mike was the only Asian assigned to a rowdy group, some of whom streaked naked down a San Francisco street and cross-dressed in a local department store during the hunt. One girl went to a Victoria’s Secret display and stripped down to her underwear. As Mike recounted these details, I thought he was going to tell me that his group had been over the top, inappropriate. But he wasn’t critical of the other students. He was critical of himself. “When people do things like that, there’s a moment where I feel uncomfortable with it. It shows my own limits. Sometimes I feel like they’re better than I am.” Mike was getting similar messages from his professors. A few weeks after the orientation event, his freshman adviser—a professor at Stanford’s medical school—invited a group of students to her house. Mike hoped to make a good impression, but he couldn’t think of anything to say. The other students seemed to have no problem joking around and asking intelligent questions. “Mike, you were so loud today,” the professor teased him when finally he said good-bye. “You just blew me away.” He left her house feeling bad about himself. “People who don’t talk are seen as weak or lacking,” he concluded ruefully.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Ella.” The sound was so quiet, I barely heard it through the blood-rush in my ears. I turned to look down the hallway. A man was coming toward me, his lean form clad in a pair of baggy scrub pants and a loose T-shirt. His arm was bandaged with silver-gray burn wrap. I knew the set of those shoulders, the way he moved. Jack. My eyes blurred, and I felt my pulse escalate to a painful throbbing. I began to shake from the effects of trying to encompass too much feeling, too fast. “Is it you?” I choked. “Yes. Yes. God, Ella . . .” I was breaking down, every breath shattering. I gripped my elbows with my hands, crying harder as Jack drew closer. I couldn’t move. I was terrified that I was hallucinating, conjuring an image of what I wanted most, that if I reached out I would find nothing but empty space. But Jack was there, solid and real, reaching around me with hard, strong arms. The contact with him was electrifying. I flattened against him, unable to get close enough. He murmured as I sobbed against his chest. “Ella . . . sweetheart, it’s all right. Don’t cry. Don’t . . .” But the relief of touching him, being close to him, had caused me to unravel. Not too late. The thought spurred a rush of euphoria. Jack was alive, and whole, and I would take nothing for granted ever again. I fumbled beneath the hem of his T-shirt and found the warm skin of his back. My fingertips encountered the edge of another bandage. He kept his arms firmly around me as if he understood that I needed the confining pressure, the feel of him surrounding me as our bodies relayed silent messages. Don’t let go. I’m right here. Tremors kept running along my entire frame. My teeth chattered, making it hard to talk. “I th-thought you might not come back.” Jack’s mouth, usually so soft, was rough and chapped against my cheek, his jaw scratchy with bristle. “I’ll always come back to you.” His voice was hoarse. I hid my face against his neck, breathing him in. His familiar scent had been obliterated by the antiseptic pungency of antiseptic burn dressings, and heavy saltwater brine. “Where are you hurt?” Sniffling, I reached farther over his back, investigating the extent of the bandage. His fingers tangled in the smooth, soft locks of my hair. “Just a few burns and scrapes. Nothing to worry about.” I felt his cheek tauten with a smile. “All your favorite parts are still there.” We were both quiet for a moment. I realized he was trembling, too. “I love you, Jack,” I said, and that started a whole new rush of tears, because I was so unholy glad to be able to say it to him. “I thought it was too late . . . I thought you’d never know, because I was a coward, and I’m so—” “I knew.” Jack sounded shaken. He drew back to look down at me with glittering bloodshot eyes. “You did?” I sniffled. He nodded. “I figured I couldn’t love you as much as I do, without you feeling something for me, too.” He kissed me roughly, the contact between our mouths too hard for pleasure. I put my fingers to Jack’s bristled jaw and eased his face away to look at him. He was battered and scraped and sun-scorched. I couldn’t begin to imagine how dehydrated he was. I pointed an unsteady finger at the waiting room. “Your family’s in there. Why are you in the hallway?” My bewildered gaze swept down his body to his bare feet. “They’re . . . they’re letting you walk around like this?” Jack shook his head. “They parked me in a room around the corner to wait for a couple more tests. I asked if anyone had told you I was okay, and nobody knew for sure. So I came to find you.” “You just left when you’re supposed to be having more tests?” “I had to find you.” His voice was quiet but unyielding.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Harvard University biologist David Haig has spent the last few years systematically debunking the notion that the relationship between a mother and her unborn child is anything like the rose-tinted idyll that one usually finds on the glossy covers of maternity magazines. In fact, it is anything but. Pre-eclampsia, a condition of dangerously high blood pressure in pregnant women, is brutally kick-started by nothing short of a foetal coup d’état. It begins with the placenta invading the maternal bloodstream and initiating what, in anyone’s book, is a ruthless biological heist – an in utero sting operation to draw out vital nutrients. And I’m not just talking about baby Gordon Gekkos here – I’m talking about all of us. The curtain-raiser is well known to obstetricians. The foetus begins by injecting a crucial protein into the mother’s circulation which forces her to drive more blood, and therefore more nourishment, into the relatively low-pressure placenta. It’s a scam, pure and simple, which poses a significant and immediate risk to the mother’s life. ‘The bastard!’ says Andy. ‘Shall we get some olives?’ ‘And it’s by no means the only one,’ I continue. In another embryonic Ponzi scheme, foetal release of placental lactogen counteracts the effect of maternal insulin thereby increasing the mother’s blood sugar level and providing an excess for the foetus’s own benefit. ‘A bowl of the citrus and chilli and a bowl of the sweet pepper and basil,’ Andy says to the waiter. Then he peers at me over the menu. ‘So basically what you’re saying then is this: forget the Gaddafis and the Husseins. When it comes to chemical warfare it’s the unborn child that’s top dog!’ ‘Well they definitely nick stuff that isn’t theirs,’ I say. ‘And they don’t give a damn about the consequences.’ Andy smiles. ‘So in other words they’re psychopaths!’ he says. BABY
Andy McNab (The Good Psychopath's Guide to Success (Good Psychopath 1))
Right! You see me as superhuman! That’s some serious pressure.” Amelia laughs a little. “Sometimes it feels good, yeah, that people like how I look and act. But sometimes it’s just so much. I already have a ton of pressure on me from my parents and from myself, so it’s extra hard coming from you. Because we’re equals, me and you. Imperfect equals. And you’ve seen my struggles and you’ve been there right alongside me for the ride. I mean, I was a hot mess when I was trying to figure out if I wanted to have sex with Sid. I couldn’t face my parents over a dinner with my new girlfriend. I sometimes don't have the courage to stick up to people or for myself.” “But those are just normal human things.” “Yeah, exactly! This is my point! You look at me and you see me struggle through things and you root for me regardless, thinking I’m, like, killing it out there in the world, but when it’s you, you don’t cut yourself any slack and you beat yourself up. But I’m a regular person, and so are you,” she says. “And a pretty badass one, too. You’re so good at everything. You get amazing grades and you’re an incredible writer and you’re so smart-sometimes so smart that teachers assume I am, too, just because I’m around you. When I nearly failed my bio test earlier this semester, Mr. O'Donnell told me I should try to be more like you. And you know what? Maybe that’s a shitty thing to say to a student, but I do find myself wishing I could be more like you all the time. Not because I’m inadequate as a person but because humans yearn! Humans want to be better than they are! Humans feel jealous! And I think it’s okay if sometimes I want to be more like you. Who wouldn’t? You’re smart and hilarious and fashionable and fierce and you would do anything for the ones you love. You put up with a lot of shit and you let it light a fire in you and I admire the hell out of that, babe.
Crystal Maldonado (Fat Chance, Charlie Vega)
I’ve put down half a pitcher of water by the time she comes to take my order. She fills another pitcher and sets it in front of me, standing with her pen in her hand, distracted, waiting for me to order. It’s early afternoon and well north of 100 degrees. Perusing the menu, I comment on the heat. “Man, it’s hot out there.” Setting her order pad down on the counter, crossing her arms, tapping the back of her pen against her lower lip, she looks out the window at my bike leaning there. Her eyes drift to mine with that look women can give men. You know the look, the one that says, “I’m wondering if you’re trying to act dumb, or if you really might be that dumb.” Not necessarily mean, just curious. I smile sheepishly beneath the pressure of the question behind her look. Every man reading these words knows exactly what I’m talking about here. You get the look, so you know you’ve said or done something really stupid, but you don’t have a clue what it is you’ve done or said that is so outrageously idiotic. Which just makes it worse. She sees all this wash across my face, and a small smile plays at the corners of her face. Still tapping the pen against her lower lip, she brings her elbows down to rest on the bar, leaning in a little closer to me, as if letting me in on her secret. “Honey, it’s June. It’s the hottest month in the Sonoran Desert.” Pausing, she looks again at my bicycle leaning against her window. “You’re riding a bicycle across the black asphalt in the hottest desert in the hottest month.” She pauses there, looking into my eyes, raising one eyebrow, letting me know a question is coming. “What, exactly, did you expect?” Hmmm. Good point. I might have heard those words whispered to me by the desert itself earlier today. “Right,” I say, closing the menu and handing it to her, keeping my eyes on hers. “I’ll take the burger.” We smile at each other as she takes the menu.
Neil M. Hanson (Pilgrim Wheels: Reflections of a Cyclist Crossing America (Cycling Reflections #1))
Creating “Correct” Children in the Classroom One of the most popular discipline programs in American schools is called Assertive Discipline. It teaches teachers to inflict the old “obey or suffer” method of control on students. Here you disguise the threat of punishment by calling it a choice the child is making. As in, “You have a choice, you can either finish your homework or miss the outing this weekend.” Then when the child chooses to try to protect his dignity against this form of terrorism, by refusing to do his homework, you tell him he has chosen his logical, natural consequence of being excluded from the outing. Putting it this way helps the parent or teacher mitigate against the bad feelings and guilt that would otherwise arise to tell the adult that they are operating outside the principles of compassionate relating. This insidious method is even worse than outand-out punishing, where you can at least rebel against your punisher. The use of this mind game teaches the child the false, crazy-making belief that they wanted something bad or painful to happen to them. These programs also have the stated intention of getting the child to be angry with himself for making a poor choice. In this smoke and mirrors game, the children are “causing” everything to happen and the teachers are the puppets of the children’s choices. The only ones who are not taking responsibility for their actions are the adults. Another popular coercive strategy is to use “peer pressure” to create compliance. For instance, a teacher tells her class that if anyone misbehaves then they all won’t get their pizza party. What a great way to turn children against each other. All this is done to help (translation: compel) children to behave themselves. But of course they are not behaving themselves: they are being “behaved” by the adults. Well-meaning teachers and parents try to teach children to be motivated (translation: do boring or aversive stuff without questioning why), responsible (translation: thoughtless conformity to the house rules) people. When surveys are conducted in which fourth-graders are asked what being good means, over 90% answer “being quiet.” And when teachers are asked what happens in a successful classroom, the answer is, “the teacher is able to keep the students on task” (translation: in line, doing what they are told). Consulting firms measuring teacher competence consider this a major criterion of teacher effectiveness. In other words if the students are quietly doing what they were told the teacher is evaluated as good. However my understanding of ‘real learning’ with twenty to forty children is that it is quite naturally a bit noisy and messy. Otherwise children are just playing a nice game of school, based on indoctrination and little integrated retained education. Both punishments and rewards foster a preoccupation with a narrow egocentric self-interest that undermines good values. All little Johnny is thinking about is “How much will you give me if I do X? How can I avoid getting punished if I do Y? What do they want me to do and what happens to me if I don’t do it?” Instead we could teach him to ask, “What kind of person do I want to be and what kind of community do I want to help make?” And Mom is thinking “You didn’t do what I wanted, so now I’m going to make something unpleasant happen to you, for your own good to help you fit into our (dominance/submission based) society.” This contributes to a culture of coercion and prevents a community of compassion. And as we are learning on the global level with our war on terrorism, as you use your energy and resources to punish people you run out of energy and resources to protect people. And even if children look well-behaved, they are not behaving themselves They are being behaved by controlling parents and teachers.
Kelly Bryson (Don't Be Nice, Be Real: Balancing Passion for Self with Compassion for Others)
I was a little scared of her. Even when she said she’d been harming herself there was still a little bit of Claire in her, some of the humor and charm, as though depression was something she could slip out of when she needed to engage with the world. When she needed to protect me from seeing it. But now she was clearly gone. I wondered if it really had to do with David or Trent or any of the men, or if the two just coincided. This seemed so much greater than men. “You’re going to be okay,” I said. But I wasn’t convincing. “I’m gutted. I really just don’t see the point of going on living,” she said. “It just seems so insane. Like, why would you?” “I don’t know,” I said, because truthfully I didn’t. “I’m probably not the best person to talk you out of suicide.” I was trying to make her laugh but she didn’t. Suicide was one of those things that, having been suicidal, in retrospect, I felt like I could talk about without being judgmental. But at the same time, there was no rational reason I could give her to live. Could I say that I was glad I lived? The thing was, I hadn’t really known I was suicidal until I woke up with the doughnuts. Also, even if things were better now, were they ever permanently better? Who was I to put that pressure on her to stay alive? But what kind of person didn’t try to talk their friend out of killing herself? I didn’t want to tell her that she had to live for her children. I knew she felt bad enough about them already. I could have told her what an amazing and fun and funny personality she was, but I knew that right now it all felt to her like just a performance. Her charming personality was only more heaviness—another mask she was going to have to pick up again to prove she hadn’t lost it in the depression. The only reason to put it on again was out of fear that she might never get it back. Otherwise, there was no real reason to have to put on a heavy costume every day. It was too tiring.
Melissa Broder (The Pisces)
Twenty, thirty, forty feet. The pressure wasn’t uncomfortable. I’d never tried to push it—to see if there was a limit to how deep I could dive. I knew most regular humans couldn’t go past two hundred feet without crumpling like an aluminum can. I should’ve been blind, too, this deep in the water at night, but I could see the heat from living forms, and the cold of the currents. It’s hard to describe. It wasn’t like regular seeing, but I could tell where everything was. As I got closer to the bottom, I saw three hippocampi—fish-tailed horses—swimming in a circle around an overturned boat. The hippocampi were beautiful to watch. Their fish tails shimmered in rainbow colors, glowing phosphorescent. Their manes were white, and they were galloping through the water the way nervous horses do in a thunderstorm. Something was upsetting them. I got closer and saw the problem. A dark shape—some kind of animal—was wedged halfway under the boat and tangled in a fishing net, one of those big nets they use on trawlers to catch everything at once. I hated those things. It was bad enough they drowned porpoises and dolphins, but they also occasionally caught mythological animals. When the nets got tangled, some lazy fishermen would just cut them loose and let the trapped animals die. Apparently this poor creature had been mucking around on the bottom of Long Island Sound and had somehow gotten itself tangled in the net of this sunken fishing boat. It had tried to get out and managed to get even more hopelessly stuck, shifting the boat in the process. Now the wreckage of the hull, which was resting against a big rock, was teetering and threatening to collapse on top of the tangled animal. The hippocampi were swimming around frantically, wanting to help but not sure how. One was trying to chew the net, but hippocampi teeth just aren’t meant for cutting rope. Hippocampi are really strong, but they don’t have hands, and they’re not (shhh) all that smart. Free
Rick Riordan (Percy Jackson and the Olympians: Books I-III)
Where’s the baby?” “I just fed and changed him,” Haven said. Hardy lifted Luke’s carrier and gave it to Jack, who took it with his free hand. “Thank you.” I gave Haven a woeful glance as she handed me the diaper bag. “I’m sorry.” “For what?” “For falling asleep like that.” Haven smiled and reached out to hug me. “There’s nothing to be sorry about. What’s a little narcolepsy among friends?” Her body was slim and strong, one small hand patting my back. The gesture surprised me in its naturalness and ease. I returned the embrace awkwardly. Haven said over my shoulder, “I like this one, Jack.” Jack didn’t answer, only nudged me out into the hallway. I trudged forward, nearly blind with exhaustion, staggering with it. It took extreme focus to keep one foot in front of the other. “I don’t know why I’m so tired tonight,” I said. “It’s all caught up with me, I guess.” I felt Jack’s hand descend to the center of my back, guiding me forward. I decided to talk to keep myself awake. “You know, chronic sleep deper . . . dep . . .” “Deprivation?” “Yes.” I shook my head to clear it. “It gives you memory problems and raises your blood pressure. And it results in occupational hazards. It’s lucky I can’t get hurt doing my job. Unless I fall forward and hit my head on the keyboard. If you ever see QWERTY imprinted on my forehead, you’ll know what happened.” “Here we go,” Jack said, loading me onto the elevator. I squinted at the row of buttons and reached for one. “No,” he said patiently, “that’s the nine, Ella. Press the upside-down one.” “They’re all upside-down,” I told him, but I managed to find the 6. Propping myself up in the corner, I wrapped my arms around my midriff. “Why did Haven tell you ‘I like this one’?” “Why shouldn’t she like you?” “It’s just . . . if she says it to you, it implies . . .”— I tried to wrap my foggy brain around the idea—“. . . something.” A quiet laugh escaped him. “Don’t try thinking just now, Ella. Save it for later.” That sounded like a good idea. “Okay.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
(from) ARTAUD THE MOMO- In the humus of the plot with wheels, on the breathing humus of the plot of this void, between hard and soft. Black, violet, rigid, recreant and that's all. Which means that there is a bone, where god sat down on the poet, in order to sack the ingestion of his lines, like the head farts that he wheedles out of him through his cunt, that he would wheedle out of him from the bottom of the ages, down to the bottom of his cunt hole, and it's not a cunt prank that he plays on him in this way, it's the prank of the whole earth against whoever has balls in his cunt. And if you don't get the image, --and that's what i hear you saying in a circle, that you don't get the image which is at the bottom of my cunt hole,-- it's because you don't know the bottom, not of things, but of my cunt, mine, although since the bottom of the ages you've all been lapping there in a circle as if badmouthing an alienage, plotting an incarceration to death. ge re ghi regheghi geghena e reghena a gegha riri Between the ass and the shirt, between the gism and the under-bet, between the member and the let down, between the membrane and the blade, between the slat and the ceiling, between the sperm and the explosion, 'tween the fishbone and 'tween the slime, between the ass and everyone's seizure of the high-pressure trap of an ejaculation death rattle is neither a point nor a stone burst dead at the foot of a bound nor the severed member of a soul (the soul is nothing more than an old saw) but the terrifying suspension of a breath of alienation raped, clipped, completely sucked off by all the insolent riff-raff of all the turd-buggered who had no other grub in order to live than to gobble Artaud momo there, where one can fuck sooner than me and the other get hard higher than me in myself if he has taken care to put his head on the curvature of that bone located between anus and sex, of that hoed bone that i say in the filth of a paradise whose first dupe on earth was not father nor mother who diddled you in this den, but I screwed into my madness.
Antonin Artaud (Watchfiends and Rack Screams: Works from the Final Period)
Loth as one is to agree with CP Snow about almost anything, there are two cultures; and this is rather a problem. (Looking at who pass for public men in these days, one suspects there are now three cultures, in fact, as the professional politician appears to possess neither humane learning nor scientific training. They couldn’t possibly commit the manifold and manifest sins against logic that are their stock in trade, were they possessed of either quality.) … Bereft of a liberal education – ‘liberal’ in the true sense: befitting free men and training men to freedom – our Ever So Eminent Scientists nowadays are most of ’em simply technicians. Very skilled ones, commonly, yet technicians nonetheless. And technicians do get things wrong sometimes: a point that need hardly be laboured in the centenary year of the loss of RMS Titanic. Worse far is what the century of totalitarianism just past makes evident: technicians are fatefully and fatally easily led to totalitarian mindsets and totalitarian collaboration. … Aristotle was only the first of many to observe that men do not become dictators to keep warm: that there is a level at which power, influence, is interchangeable with money. Have enough of the one and you don’t want the other; indeed, you will find that you have the other. And of course, in a world of Eminent Scientists who are mere Technicians at heart, pig-ignorant of liberal (in the Classical sense) ideas, ideals, and even instincts, there is exerted upon them a forceful temptation towards totalitarianism – for the good of the rest of us, poor benighted, unwashed laymen as we are. The fact is that, just as original sin, as GKC noted, is the one Christian doctrine that can be confirmed as true by looking at any newspaper, the shading of one’s conclusions to fit one’s pay-packet, grants, politics, and peer pressure is precisely what anyone familiar with public choice economics should expect. And, as [James] Delingpole exhaustively demonstrates, is precisely what has occurred in the ‘Green’ movement and its scientific – or scientistic – auxiliary. They are watermelons: Green without and Red within. (A similar point was made of the SA by Willi Münzenberg, who referred to that shower as beefsteaks, Red within and Brown without.)
G.M.W. Wemyss
As the year went on, I felt I was handling my grief and depression better, but the pressures kept piling up. You don’t really ever feel “comfortable” being a widow. You endure, maybe get through it, but you don’t ever truly own it. And still, a part of me didn’t want to get beyond it. My pain was proof of my love. One night I went over to a friend’s house and just started bawling. I had been going through photos of Chris when he was in his twenties and thirties. I’m going to be an old woman somewhere, and he’s going to be young. So many other emotions ran through me every day. People suggested that I might find someone else. “No,” I’d tell them. “No one will ever take his place.” School forms would ask about the kids’ family situation. Were their parents married, divorced? I’m not a single mother. I’m raising the kids with my husband! Even if he’s not here. I always think about what he would want to do. One night, alone in my bedroom, I picked up the laundry basket off the treadmill. I suddenly felt as if Chris was there with me, somehow hovering two feet off the ground. He grinned. “I’m working on something for you,” he said. And I knew he meant he was trying to hook me up with a man. I jerked back. Had I really heard that? Was he really there? The room was empty, but I had the strongest feeling that he was there. I could feel his grin. I became furious. “How dare you!” I screamed in my head. “I don’t want anyone else. I want you! What’s wrong with you?” I walked out of the room. I blocked him out for a while, partly because of that incident, partly because of how overwhelming the emotions were. Finally I realized I didn’t want to do that. And one night toward the end of the year, I said aloud, “I’m sorry. I didn’t mean to block you out.” The room was empty, but I sensed he might be with me. “I am so sorry!” I repeated. Then I started bawling. I felt as if he came over and put his arm around my waist. I’m sorry. I didn’t mean to hurt you. His voice, in a whisper, but one I felt rather than heard: I didn’t want to hurt you. I cried and cried. I felt a million things--sorry, crazy, insane. I finally glanced up and looked in the mirror. I was alone. “I’m not losing it,” I told myself. “What little I have left, I’m not losing it.” I slumped off to bed, exhausted.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
His hands dropped down to her thighs. He kissed her belly, and then blew kisses in between her legs. She experienced nothing but pleasure as he made her body sing. He licked her like he had the other night, and she gasped. She clutched his hair. He touched her bud and stroked her. It felt amazing, and she wanted him to lick her forever, but she didn't know if she was being selfish. She hadn't done anything to pleasure him. She sat up and pulled him next to her. "You don't have to do that again. We can just have sex. Or I can try to do it to you, though I don't know how to." "Babe, sex isn't just about penetration. I want to please you. I love this. You taste so damn sweet. I want you to enjoy yourself and do anything that feels good. I want you to come in my mouth again." "Enrique!" she gasped, her cheeks turning red as she was laughing. She had never talked freely about sex. And she loved how open he was being with her. He smiled. "You're mine now. And I think you're sexy as hell. I'm going to tell you every chance I get--- how much I want you, how badly I wanted to touch you from the second I saw you. How you have the most incredible plump ass. How much I want to eat your pussy." She exhaled. "I've never seen myself as sexy or attractive. But you... you're a god." She rubbed her hand down his abs and stroked his cock. "I've fantasized about this since I met you." He grinned and kissed her neck. "I can pretty much guarantee not as much as I have. Now relax, babe." He kissed her back down to her belly, and in between her thighs. Sweet heat. He licked her pussy and her breath quickened. Her moans came rapidly. He rubbed her nipples with his free hand as she clutched the sheets, writhing against his tongue. She looked down at Enrique, who was settled between her legs, lapping at her as if she were his oasis in the middle of the fields. She took a deep breath and did exactly as he said. Relax. As she loosened up, pressure built between her legs and waves of pleasure washed over her. Her chest heaved. "Enrique. That feels really good." He grinned. "I'm going to make you feel even better." He rubbed her clit. She felt as if she was going to explode. "That's it, baby. Come for me." Carolina closed her eyes and let go. The intensity pulsed through her as her body shook and ecstasy took over. "Ah, Enrique!
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos, #2))
I’ve gotta go,” I say, scowling at my phone. “Now?” Ryder asks, tipping my chin up with one hand so that our eyes meet. “Unfortunately. It’s my mom. Lucy and Morgan are covering for me, but I’ve got to get back. I’m supposed to be at the drugstore.” “What are we going to tell them? Our moms, I mean?” I shake my head. “We can’t tell them anything. At least, not yet. Can you imagine the pressure they’d put on us if they knew? I mean, they already drive us nuts and they think we hate each other.” “You’re right. So…we keep it a secret?” “Not exactly. I’ve got to tell Lucy and Morgan. Just…not our parents, okay? Besides, think how fun it will be, sneaking around.” His eyes light with mischief. “Good point.” “Don’t go getting any naughty ideas,” I tease. “C’mon, walk me to my car.” He takes my hand and falls into step beside me, glancing down at me with a wicked grin. “What?” I ask. “Hey, you’re the one who brought up ‘naughty,’ not me.” I poke him playfully in the ribs. “I’ve got an idea,” he says. “Let’s pretend we’ve got to do a school project together. You know, say that we’ve been paired up against our will. We can make a big fuss about it--complain about having to spend so much time together.” “While we secretly do lots of naughty things?” I offer. He nods. “Exactly.” I shiver, imagining the possibilities. Suddenly, I’m looking forward to those Sunday dinners at Magnolia Landing. And to Christmas and the inevitable Cafferty-Marsden winter vacation. In fact, the rest of the school year looms ahead like a lengthy stretch of opportunities, no longer filled with uncertainty and doubt, but with the knowledge that I’m on the right path now…the perfect path. And like Nan suggested, I’m going to grab it. Embrace it. Hold on to it tightly--just like I’m holding on to this boy beside me. We reach my car way too quickly. I’m not ready to go, to leave him, to begin this necessary charade. I lean against my car’s door with a sigh, drawing Ryder toward me. His entire body is pressed against mine, firing every cell inside me at once. My knees go weak as he kisses me softly, his lips lingering on mine, despite the urgency. “Good night,” I whisper. “Good night,” he whispers back, his breath warm against my cheek. Oh man. It just about kills me to slip inside the car and turn the key in the ignition. I’m grinning to myself as I drive away, watching as Ryder becomes a speck in my rearview mirror before melting into the night.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The key to preventing this is balance. I see the give and take between different constituencies in a business as central to its success. So when I talk about taming the Beast, what I really mean is that keeping its needs balanced with the needs of other, more creative facets of your company will make you stronger. Let me give you an example of what I mean, drawn from the business I know best. In animation, we have many constituencies: story, art, budget, technology, finance, production, marketing, and consumer products. The people within each constituency have priorities that are important—and often opposing. The writer and director want to tell the most affecting story possible; the production designer wants the film to look beautiful; the technical directors want flawless effects; finance wants to keep the budgets within limits; marketing wants a hook that is easily sold to potential viewers; the consumer products people want appealing characters to turn into plush toys and to plaster on lunchboxes and T-shirts; the production managers try to keep everyone happy—and to keep the whole enterprise from spiraling out of control. And so on. Each group is focused on its own needs, which means that no one has a clear view of how their decisions impact other groups; each group is under pressure to perform well, which means achieving stated goals. Particularly in the early months of a project, these goals—which are subgoals, really, in the making of a film—are often easier to articulate and explain than the film itself. But if the director is able to get everything he or she wants, we will likely end up with a film that’s too long. If the marketing people get their way, we will only make a film that mimics those that have already been “proven” to succeed—in other words, familiar to viewers but in all likelihood a creative failure. Each group, then, is trying to do the right thing, but they’re pulling in different directions. If any one of those groups “wins,” we lose. In an unhealthy culture, each group believes that if their objectives trump the goals of the other groups, the company will be better off. In a healthy culture, all constituencies recognize the importance of balancing competing desires—they want to be heard, but they don’t have to win. Their interaction with one another—the push and pull that occurs naturally when talented people are given clear goals—yields the balance we seek. But that only happens if they understand that achieving balance is a central goal of the company.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
The most visible feature of self-oriented perfectionism is this hypercompetitive streak fused to a sense of never being good enough. Hypercompetitiveness reflects a paradox because people high in self-oriented perfectionism can recoil from competition due to fear of failure and fear of losing other people's approval. Socially-prescribed perfectionism makes for a hugely pressured life, spent at the whim of everyone else's opinions, trying desperately to be somebody else, somebody perfect. Perfectionism lurks beneath the surface of mental distress. Someone who scores high on perfectionism also scores high on anxiety. The ill-effects of self-oriented perfectionism correlate with anxiety and it predicts increases in depression over time. There are links between other-oriented perfectionism and higher vindictiveness, a grandiose desire for admiration and hostility toward others, as well as lower altruism, compliance with social norms and trust. People with high levels of socially-prescribed perfectionism typically report elevated loneliness, worry about the future, need for approval, poor-quality relationships, rumination and brooding, fears of revealing imperfections to others, self-harm, worse physical health, lower life satisfaction and chronically low self-esteem. Perfectionism makes people extremely insecure, self-conscious and vulnerable to even the smallest hassles. Perfection is man's ultimate illusion. It simply doesn't exist in the universe. If you are a perfectionist, you are guaranteed to be a loser in whatever you do. Socially-prescribed perfectionism has an astonishingly strong link with burnout. What I don't have - or how perfectionism grows in the soil of our manufactured discontent. No matter what the advertisement says, you will go on with your imperfect existence whether you make that purchase or not. And that existence is - can only ever be - enough. Make a promise to be kind to yourself, taking ownership of your imperfections, recognizing your shared humanity and understanding that no matter how hard your culture works to teach you otherwise, no one is perfect and everyone has an imperfect life. Socially-prescribed perfectionism is the emblem of consumer culture. Research shows that roaming outside, especially in new places, contributes to enhanced well-being. Other benefits of getting out there in nature include improved attention, lower stress, better mood, reduced risk of psychiatric disorders and even upticks in empathy and cooperation. Perfection is not necessary to live an active and fulfilling life.
Thomas Curran (The Perfection Trap: Embracing the Power of Good Enough)
See especially academia, which has effectively become a hope labor industrial complex. Within that system, tenured professors—ostensibly proof positive that you can, indeed, think about your subject of choice for the rest of your life, complete with job security, if you just work hard enough—encourage their most motivated students to apply for grad school. The grad schools depend on money from full-pay students and/or cheap labor from those students, so they accept far more master’s students than there are spots in PhD programs, and far more PhD students than there are tenure-track positions. Through it all, grad students are told that work will, in essence, save them: If they publish more, if they go to more conferences to present their work, if they get a book contract before graduating, their chances on the job market will go up. For a very limited few, this proves true. But it is no guarantee—and with ever-diminished funding for public universities, many students take on the costs of conference travel themselves (often through student loans), scrambling to make ends meet over the summer while they apply for the already-scarce number of academic jobs available, many of them in remote locations, with little promise of long-term stability. Some academics exhaust their hope labor supply during grad school. For others, it takes years on the market, often while adjuncting for little pay in demeaning and demanding work conditions, before the dream starts to splinter. But the system itself is set up to feed itself as long as possible. Most humanities PhD programs still offer little or nothing in terms of training for jobs outside of academia, creating a sort of mandatory tunnel from grad school to tenure-track aspirant. In the humanities, especially, to obtain a PhD—to become a doctor in your field of knowledge—is to adopt the refrain “I don’t have any marketable skills.” Many academics have no choice but to keep teaching—the only thing they feel equipped to do—even without fair pay or job security. Academic institutions are incentivized to keep adjuncts “doing what they love”—but there’s additional pressure from peers and mentors who’ve become deeply invested in the continued viability of the institution. Many senior academics with little experience of the realities of the contemporary market explicitly and implicitly advise their students that the only good job is a tenure-track academic job. When I failed to get an academic job in 2011, I felt soft but unsubtle dismay from various professors upon telling them that I had chosen to take a high school teaching job to make ends meet. It
Anne Helen Petersen (Can't Even: How Millennials Became the Burnout Generation – A Cultural Critique of Capitalism, Debt, Hustle Culture, and Exhaustion)
Boys will be boys, and ballplayers will always be arrested adolescents at heart. The proof comes in the mid-afternoon of an early spring training day, when 40 percent of the New York Mets’ starting rotation—Mike Pelfrey and I—hop a chain-link fence to get onto a football field not far from Digital Domain. We have just returned from Dick’s Sporting Goods, where we purchased a football and a tee. We are here to kick field goals. Long field goals. A day before, we were all lying on the grass stretching and guys started talking about football and field-goal kickers, and David Wright mentioned something about the remarkable range of kickers these days. I can kick a fifty-yard field goal, Pelfrey says. You can not, Wright says. You don’t think so? You want to bet? You give me five tries and I’ll put three of them through. One hundred bucks says you can’t, David says. This is going to be the easiest money I ever make. I am Pelf’s self-appointed big brother, always looking out for him, and I don’t want him to go into this wager cold. So I suggest we get a ball and tee and do some practicing. We get back from Dick’s but find the nearby field padlocked, so of course we climb over the fence. At six feet two inches and 220 pounds, I get over without incident, but seeing Pelf hoist his big self over—all six feet seven inches and 250 pounds of him—is much more impressive. Pelf’s job is to kick and my job is to chase. He sets up at the twenty-yard line, tees up the ball, and knocks it through—kicking toe-style, like a latter-day Lou Groza. He backs up to the twenty-five and then the thirty, and boots several more from each distance. Adding the ten yards for the end zone, he’s now hit from forty yards and is finding his range. Pretty darn good. He insists he’s got another ten yards in his leg. He hits from forty-five, and by now he’s probably taken fifteen or seventeen hard kicks and reports that his right shin is getting sore. We don’t consider stopping. Pelf places the ball on the tee at the forty-yard line: a fifty-yard field goal. He takes a half dozen steps back, straight behind the tee, sprints up, and powers his toe into the ball … high … and far … and just barely over the crossbar. That’s all that is required. I thrust both my arms overhead like an NFL referee. He takes three more and converts on a second fifty-yarder. You are the man, Pelf, I say. Adam Vinatieri should worry for his job. That’s it, Pelf says. I can’t even lift my foot anymore. My shin is killing me. We hop back over the fence, Pelf trying to land as lightly as a man his size can land. His shin hurts so much he can barely put pressure on the gas pedal. He’s proven he can hit a fifty-yard field goal, but I go into big-brother mode and tell him I don’t want him kicking any more field goals or stressing his right leg any further. I convince him to drop the bet with David. The last thing you need is to start the season on the DL because you were kicking field goals, I say. Can you imagine if the papers got ahold of that one? The wager just fades away. David doesn’t mind; he gets a laugh at the story of Pelf hopping the fence and practicing, and drilling long ones.
R.A. Dickey (Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball)
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court. "It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them." The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips. "Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so. "That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t. "Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above. On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer. "Come on," the announcer called out, prodding us. "Just one kiss won't hurt." He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer. I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile. Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything." I was quiet for a moment before whispering, "Game on, buddy." My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen. Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough. And already, I considered myself a goner. Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth. "Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now." That was our cue to separate, and I slowly drew away from Sebastian. He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips. I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only. If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch. Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless. Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
Patty Carothers and Amy Brewer (Texting Prince Charming)
Didn’t you ever notice that whatever you wanted or whatever you set out to do, Cora wanted to do it too?” Noah asked. “She wasn’t like that.” “She was, Mer. And it’s okay to admit it. One of the hardest things about Cora dying is that everyone wants to erase her—the real Cora. They talk about her as though she were perfect. She wasn’t. ‘Don’t talk ill of the dead,’ people say. But if we aren’t truthful about who our loved ones were, then we aren’t really remembering them. We’re creating someone who didn’t exist. Cora loved you. She loved me. But what she did was not okay. And I’m pissed off about it.” Mercedes reeled back, stunned. “Geez, Noah. Tell me how you really feel. She still deserves our compassion,” she rebuked. He nodded. “Everyone deserves compassion. And I know suicide isn’t always a conscious act. Most of the time it’s sheer desperation. It’s a moment of weakness that we can’t come back from. But regardless of illness or weakness, if we don’t own our actions and don’t demand that others own theirs, then what’s the point? We might as well give up now. We have to expect better of ourselves. We have to. I expect more of my patients, and when I expect more—lovingly, patiently—they tend to rise to that expectation. Maybe not all the way up, but they rise. They improve because I believe they can, and I believe they must. My mom was sick. But she didn’t try hard enough to get better. She found a way to cope—and that’s important—but she never varied from it. Life has to be more than coping. It has to be.” Mercedes nodded slowly, her eyes clinging to his impassioned face. She’d struck a nerve, and he wasn’t finished. “I know it’s not something we’re supposed to say. We’re supposed to be all-loving and all-compassionate all the time. But sometimes the things we aren’t supposed to say are the truths that keep us sane, that tether us to reality, that help us move the hell on! I know some of my colleagues would be shocked to hear it. But pressure—whether it’s the pressure of society, or the pressure of responsibility, or the pressure that comes with being loved and being needed—isn’t always a bad thing. You’ve heard the cliché about pressure and diamonds. It’s a cliché because it’s true. Pressure sometimes begets beautiful things.” Mercedes was silent, studying his handsome face, his tight shoulders, and his clenched fists. He was weary, that much was obvious, but he wasn’t wrong. “Begets?” she asked, a twinkle in her eye. He rolled his eyes. “You know damn well what beget means.” “In the Bible, beget means to give birth to. I wouldn’t mind giving birth to a diamond,” she mused. “You ruin all my best lectures.” There was silence from the kitchen. Silence was not good. “Gia?” Noah called. “What, Daddy?” she answered sweetly. “Are you pooping in your new princess panties?” “No. Poopin’ in box.” “What box?” His voice rose in horror. “Kitty box.” Noah was on his feet, racing toward the kitchen. Mercedes followed. Gia was naked—her Cinderella panties abandoned in the middle of the floor—and perched above the new litter box. “No!” Noah roared in horror, scooping her up and marching to the toilet. “Maybe it won’t be a turd, Noah. Maybe Gia will beget a diamond,” Mercedes chirped, trying not to laugh. “I blame you, Mer!” he called from the bathroom. “She was almost potty-trained, and now she wants to be a cat!
Amy Harmon (The Smallest Part)
Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.
Meghan Quinn (The Lineup)
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
Jenetta Penner (Configured (Configured, #1))
Stick to a sleep schedule. Go to bed and wake up at the same time each day. As creatures of habit, people have a hard time adjusting to changes in sleep patterns. Sleeping later on weekends won’t fully make up for a lack of sleep during the week and will make it harder to wake up early on Monday morning. Set an alarm for bedtime. Often we set an alarm for when it’s time to wake up but fail to do so for when it’s time to go to sleep. If there is only one piece of advice you remember and take from these twelve tips, this should be it. Exercise is great, but not too late in the day. Try to exercise at least thirty minutes on most days but not later than two to three hours before your bedtime. Avoid caffeine and nicotine. Coffee, colas, certain teas, and chocolate contain the stimulant caffeine, and its effects can take as long as eight hours to wear off fully. Therefore, a cup of coffee in the late afternoon can make it hard for you to fall asleep at night. Nicotine is also a stimulant, often causing smokers to sleep only very lightly. In addition, smokers often wake up too early in the morning because of nicotine withdrawal. Avoid alcoholic drinks before bed. Having a nightcap or alcoholic beverage before sleep may help you relax, but heavy use robs you of REM sleep, keeping you in the lighter stages of sleep. Heavy alcohol ingestion also may contribute to impairment in breathing at night. You also tend to wake up in the middle of the night when the effects of the alcohol have worn off. Avoid large meals and beverages late at night. A light snack is okay, but a large meal can cause indigestion, which interferes with sleep. Drinking too many fluids at night can cause frequent awakenings to urinate. If possible, avoid medicines that delay or disrupt your sleep. Some commonly prescribed heart, blood pressure, or asthma medications, as well as some over-the-counter and herbal remedies for coughs, colds, or allergies, can disrupt sleep patterns. If you have trouble sleeping, talk to your health care provider or pharmacist to see whether any drugs you’re taking might be contributing to your insomnia and ask whether they can be taken at other times during the day or early in the evening. Don’t take naps after 3 p.m. Naps can help make up for lost sleep, but late afternoon naps can make it harder to fall asleep at night. Relax before bed. Don’t overschedule your day so that no time is left for unwinding. A relaxing activity, such as reading or listening to music, should be part of your bedtime ritual. Take a hot bath before bed. The drop in body temperature after getting out of the bath may help you feel sleepy, and the bath can help you relax and slow down so you’re more ready to sleep. Dark bedroom, cool bedroom, gadget-free bedroom. Get rid of anything in your bedroom that might distract you from sleep, such as noises, bright lights, an uncomfortable bed, or warm temperatures. You sleep better if the temperature in the room is kept on the cool side. A TV, cell phone, or computer in the bedroom can be a distraction and deprive you of needed sleep. Having a comfortable mattress and pillow can help promote a good night’s sleep. Individuals who have insomnia often watch the clock. Turn the clock’s face out of view so you don’t worry about the time while trying to fall asleep. Have the right sunlight exposure. Daylight is key to regulating daily sleep patterns. Try to get outside in natural sunlight for at least thirty minutes each day. If possible, wake up with the sun or use very bright lights in the morning. Sleep experts recommend that, if you have problems falling asleep, you should get an hour of exposure to morning sunlight and turn down the lights before bedtime. Don’t lie in bed awake. If you find yourself still awake after staying in bed for more than twenty minutes or if you are starting to feel anxious or worried, get up and do some relaxing activity until you feel sleepy.
Matthew Walker (Why We Sleep The New Science of Sleep and Dreams / Why We Can't Sleep Women's New Midlife Crisis)
Ken was thrown backwards by Kevin’s powerful double heel kick. Kevin, having used the kitsune as a springboard, flipped through the air and landed in a crouch. The two-tailed fox was not so lucky. After sailing through the air, he hit the ground. Hard. “Urk!” Ken nearly swallowed his tongue as he slammed into the ground. He continued to tumble across the asphalt for several more feet before coming to a halt. Kevin stood back up and clapped his hands several times, wearing an expression that epitomized satisfaction. He turned his head to look at his mate and the flabbergasted kappa. “You just kicked a kitsune,” Kyle stated the obvious. “That I did.” Kevin nodded, quite proud of himself. This was the first time he’d managed that kick without landing on his back. “You two should get going. I can handle things here.” “You sure?” Kyle appeared dubious. “You may have gotten the drop on him, but that guy is still a kitsune, and, well, you’re just a human.” Two sets of cheeks puffed up simultaneously. “Don’t underestimate me! Who the hell do you think I am?” Kevin shouted, pointing at Kyle. Don’t underestimate my mate! Who the hell do you think he is?” Lilian also shouted. She was also pointing at Kyle. The kappa looked at the two of them, his face slowly deadpanning. “You two just did that in synch.” Kevin and Lilian tilted their heads at the same time. Their expressions were almost identical. “We did?” “Yes, you did.” The two might have responded to Kyle’s words, but they were forced to scramble out of the way when a drill made of water crashed into the ground, which cracked underneath the intense pressure. They looked at the person who’d created it—Ken, once again on his feet, with blood trailing down his forehead, and his two tails writhing in furious agitation. “Quit ignoring me!” “Oh, right,” Kevin muttered. “You’re still here.” “Are you saying you forgot about me already?!” “I’m sorry. You’re just not that important.” “What?!” Ken gawked. “That’s what happens when you’re a fop,” Lilian added. “Ugh.” “Yeah, nobody likes a fop,” Kevin agreed. “Gurk.” “Especially not pretty boy fops,” even Kyle got in on the action. “Shut up!” Ken growled, his cheeks almost neon red. “Shut up, shut up, shut up! I’ll show you! I’ll prove to all of you that I’m not a fop!” “Only someone who’s a fop would bother trying to prove that he’s not a fop,” Kevin chided.
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
I remember when I first became a believer in Jesus. I somehow thought it was my duty to change people for the sake of spreading the gospel. I would rejoice when people would find hope in Christ but would feel like a failure when someone would decline the invitation to know Jesus as Lord and Savior. It was a little discouraging. But that’s because my understanding of how God works in my life was off. I say this because I believe many of today’s Christians put too much pressure on themselves to bring people to Jesus. It’s our job to love people, not change them. Only the Holy Spirit has the power and authority to do such a thing. Our calling is to simply share the gospel in love and truth, showing the character of Jesus through our everyday lives. When you let yourself off the hook for being solely responsible for somebody’s soul, you will find a totally new sense of freedom: the freedom to love. You don’t have to be perfect. You don’t have to know all the right things to say. You don’t have to have all the answers. And if your message is totally rejected . . . it’s not on you. It’s between that individual and God. Maybe you’ll get another opportunity to try, but it’s not your job to change him or her. Our job is to simply be available for those who are looking to know more about God, take opportunities to be vocal about our personal relationships with him, and continue to point people back to God with every question they may have. I didn’t understand this in the early years of my faith, and I put way too much pressure on myself when it came to people being transformed. Why? Because we live in a performance-based culture, and yes, even pastors have a tendency to fall captive to its pull. Like me, you probably feel pressured from multiple angles. We’re told by advertising that we need to be attractive, by parents that we need good jobs, by teachers that we need good grades, by friends that we need to give more time. Jesus isn’t like that. He doesn’t make irrational demands and point a finger at us for not living up to the expectation. The only thing Jesus wants from us is our love. And when we learn to offer him that love, we long to obey him and live in the better way he has for us as well. It’s a beautiful thing. As we learned from Jesus in Matthew 25, we can love God simply by loving others. Whether that love produces a change in their lives is up to God. We don’t have to stress about it. Only the Holy Spirit has the power and authority to change someone’s heart. Our calling is to simply share the gospel in love and truth, showing the character of Jesus through our everyday lives. This alone is the calling of a Christian. This alone is a weighty yet fulfilling purpose for all who choose to pick up their crosses daily. If we were to scour the Bible, we’d see there isn’t a single passage that states we are called to change people ourselves. Why? Because it’s not our job, and it was never intended to be. We must take a step back and realize that God’s job is to be God and our job is to lead people toward the door that is hope. Once we’ve done this, we must let go and allow the one who created the world to take care of the rest. If we had the power to change people, the transformative love of God wouldn’t be needed. Don’t waste your time trying to change people. Instead, focus on loving well.
Jarrid Wilson (Love Is Oxygen: How God Can Give You Life and Change Your World)
For example, consider the case of global warming. People from the 2-D world assume mass delusions are rare, and they apply that assumption to every topic. So when they notice that most scientists are on the same side, that observation is persuasive to them. A reasonable person wants to be on the same side with the smartest people who understand the topic. That makes sense, right? But people who live in the 3-D world, where persuasion rules, can often have a different view of climate change because we see mass delusions (even among experts) as normal and routine. My starting bias for this topic is that the scientists could easily be wrong about the horrors of climate change, even in the context of repeated experiments and peer review. Whenever you see a situation with complicated prediction models, you also have lots of room for bias to masquerade as reason. Just tweak the assumptions and you can get any outcome you want. Now add to that situation the fact that scientists who oppose the climate change consensus have a high degree of career and reputation risk. That’s the perfect setup for a mass delusion. You only need these two conditions: Complicated prediction models with lots of assumptions Financial and psychological pressure to agree with the consensus In the 2-D world, the scientific method and peer review squeeze out the bias over time. But in the 3-D world, the scientific method can’t detect bias when nearly everyone including the peer reviewers shares the same mass delusion.
Scott Adams (Win Bigly: Persuasion in a World Where Facts Don't Matter)
Mental pressure kills faster than any known sickness. Pressure from family and society  has led us astray, made us choose the wrong part, coerced us into making a permanent decision for our temporary emotions, killed us even while we are living. Sometimes we died, it was never natural but MURDER! Our family and society murder us by constantly reminding us how we ought to live a long life of another person and abandon ours. Don't allow family and societal pressure kill you while you live, live a happy life for yourself. When you die of mental pressure, life continues for them all that MURDERED you. Don't get MURDERED living for someone's selfish reasons, rather die happy you've lived a fulfilled life
Maduabuchukwu Prestine Akaeze
used to be a social worker and I know the pressure they’re under these days. You don’t get anything like enough time to spend with clients. And I’ve also had experience of dealing with Thames Valley Police and I think they do a fabulous job.
Cara Hunter (In the Dark (DI Adam Fawley, #2))
Did you really need me to tell you what you really want is happiness? I’m afraid so, because your entire life, you and everyone else have been urged to turn the question of “What do I want?” into “How am I going to get there?”! And thereby, we’ve come to believe we don’t even know what we want, when we actually do, thinking instead that we have to answer the question of “How?” with a sexy-cool career that will thrill us and make all else possible. We even sheepishly think we’re already supposed to be rocking this sexy-cool vocation, except we don’t know what it is yet! Paralysis. You’ve always known what you wanted, “Happiness!” but you’ve been taught it’s something you have to achieve, doing what you love, instead of being shown it’s about loving what you do and seeing where it leads. Neither have we been taught we can feel happiness now, for no reason. And given that most of our “achieving” in life comes from our careers, it’s been implied that to be successful (happy), we have to make wise choices, find our sacred, birth-destined niche, invoke divine intervention, perform clutch plays, get a little lucky, and shed copious amounts of blood, sweat, and tears. Talk about pressure—we’ve carried the weight of the world on our shoulders! Why? Because we’ve confused the means with the end; the hows for our dreams!
Mike Dooley (Playing the Matrix: A Program for Living Deliberately and Creating Consciously)
He drags his hand over his face. “Would you be pissed if I already had condoms?” “Huh?” The question strikes me as weird at first, because he's the guy and he should have condoms and why the hell would I be mad about that and oh—oh. Okay. He already had condoms. That's why I should be mad. I mean, we haven't yet had sex in our several months of dating and he has condoms, presumably in the nightstand drawer because that's where he keeps flicking his gaze. And they're probably condoms from sexual exploits with another girl—a prettier girl, a better girl than I am. And now he finally won over his new girlfriend enough to do the deed so he'll just cock an eyebrow and flash that cute smile and ask if it's okay if he uses another relationship's leftovers for our first time. “Okay, whatever is going on in your head is wrong,” Jace says with a small chuckle. “Gosh, your face is adorable when you're internally freaking out.” “What am I supposed to think about this?” I ask in frustration. He leans over me and pulls open the nightstand drawer, taking out an unopened box of condoms. He shakes the box like a maraca to prove his point. “They're unopened. I bought a box a few weeks ago, you know, just in case.” “Why would I get pissed about that?” I ask. “It's much sexier than a guy wanting to jump my bones with no protection.” He shrugs. “I didn't want you thinking I was assuming we'd have sex, or I was pressuring you too soon by buying them, or—shit, I don't know.” He runs a hand through his hair. It makes his bicep grow taunt and the sight of it sends a fire through my belly. “I don't want to screw up anything with you.” His voice is resigned, hopeful and desperate all at the same time. “I love you so much, Bayleigh. And it sucks because it feels like everything I do or don't do has the potential to screw up this thing we have going on.” “This thing,” I say with a roll of my eyes, “is perfect.” I move closer and nuzzle against his chest. He wraps his arm around me. “We both overthink everything way too much,” he says.
Amy Sparling (Autumn Unlocked (Summer Unplugged, #2))
Jim, please don’t misconstrue my enthusiasm for pressure; it’s just that I know that this truly is a perfect fit for you …,” and now you have two options. Option one is to use this as an opportunity to loop back into the sale, yet again, and give it one more shot—paying very close attention to your tonality and body language as well as the tonality and body language of your prospect. In your case, you want steer clear of any unconscious communication that speaks of either absolute certainty or bottled enthusiasm, and focus on utter sincerity and “I feel your pain.” In the case of your prospect, you want to focus on both their conscious and unconscious communication, and if either one signals that they’re feeling pressured or perturbed in the slightest way, then I would immediately transition to option number two. Option two is to use this as an opportunity to get back into rapport with your prospect so you can end the encounter on a high note, while also setting up the possibility for a callback. In this case, you would say something like: “Jim, please don’t misconstrue my enthusiasm for pressure; it’s just that I know that this truly is a perfect fit for you.” Then you’d change your tonality to one of utter sincerity, and add: “So, why don’t we do this: let me email you the information you’re looking for”—or whatever the prospect’s last objection was—“and then give you a few days to look through everything and also to discuss it with your wife”—or whatever their secondary objection was; if there was none, then you’d just omit this—“and
Jordan Belfort (Way of the Wolf: Straight line selling: Master the art of persuasion, influence, and success)
All the heart wants is expanding friendship. It is not the kind of friendship that is a social satisfaction and can even lead to dependency and attachment. Rather, it is the friendship of other conscious hearts, who are in that state of remembrance and in that state of coherence and resonance. That's what lifts and heals us. That‘s why Sufis have their dergahs and communities. Sufism is not arranged as an individual tutorial. It‘s not a path for hermits. There may be periods when one benefits from solitude. However, there‘s transformation in friendship. The transformation results from knowing one another and accepting the truth that everything is purposeful. Whoever walks through the door of the Sufi dergah has been invited. We‘re all friends of the Friend. Community is part of the mechanism of transformation. Because Western society is so individualistic, we find ways of avoiding relationship and seek transformation that will occur at our own convenience or according to our own preferences. Sometimes people reach the stage where they say, „I might be better off alone. I think I‘m getting enough of this spiritual stuff that I could do it myself.“ They give up the friction of relationship and the challenge of it, and retreat into their own world. It‘s not usually a healthy sign. However, everyone is free. On this Path, no one is coerced. It‘s not a cult. There‘s no group pressure. If somebody walks away from a Sufi circle, nobody chases after them, except perhaps out of friendship. Sufis don‘t interfere with anybody‘s will. We all have free will. We are happy to find friends who share a common yearning. We are helped and healed by that yearning. We are healed by each other. (p. 27)
Kabir Helminski (In the House of Remembering: The Living Tradition of Sufi Teaching)