Don't Ever Assume Quotes

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Just because I work incredible good out of unspeakable tragedies doesn't mean I orchestrate the tragedies. Don't ever assume that my using something means I caused it or that I need it to accomplish my purposes. That will only lead you to false notions about me. Grace doesn't depend on suffering to exist, but where there is suffering you will find grace in many facets and colors.
William Paul Young (The Shack)
I feel that if we don't take seriously the ways in which racism is embedded in structures of institutions, if we assume that there must be an identifiable racist who is the perpetrator, then we won't ever succeed in eradicating racism.
Angela Y. Davis (Freedom is a Constant Struggle: Ferguson, Palestine and the Foundations of a Movement)
I’m saying that I can wait. For now. But when things get back to normal—assuming that ever happens—I want my shot. We can make each other happy, Faythe. I know it. And I’m done walking away from things I want just because they don’t come easily. You’re worth the work.
Rachel Vincent (Prey (Shifters, #4))
It comes from a very ancient democracy, you see..." "You mean, it comes from a world of lizards?" "No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." "Odd," said Arthur, "I thought you said it was a democracy." "I did," said Ford. "It is." "So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" "It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." "You mean they actually vote for the lizards?" "Oh yes," said Ford with a shrug, "of course." "But," said Arthur, going for the big one again, "why?" "Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?" "What?" "I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" "I'll look. Tell me about the lizards." Ford shrugged again. "Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." "But that's terrible," said Arthur. "Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
(God speaking)...just because I work incredible good out of unspeakable tragedies doesn't mean I orchestrate the tragedies. Don't ever assume that my using something means that I caused it or that I need it to accomplish my purposes. That will only lead you to false notions about me. Grace doesn't depend on suffering to exist, but where there is suffering you will find grace in many facets and colors.
William Paul Young (The Shack)
Life can change in the blink of an eye. All you have is right now. So don’t ever put off telling someone how you feel about them, don’t assume that they know, because they might not and it might be too late.
Alexandra Potter
Assume nothing. Even if you think you know everything. Even if you’re sure that you’re right. Get confirmation. That whole “ass” cliché about assuming? It’s right on the money. And if you’re not careful, it could end up costing you the best thing that’s ever going to happen to you. And another thing—don’t get too comfortable. Take chances. Don’t be afraid to lay it on the line. Even if you’re happy. Even if you think life is happy. Even if you think life is freaking perfect
Emma Chase (Tangled (Tangled, #1))
When I was a kid, my parents smartly raised us to keep quiet, be respectful to older people, and generally not question adults all that much. I think that's because they were assuming that 99 percent of the time, we'd be interacting with worthy, smart adults... They didn't ever tell me 'Sometimes you will meet idiots who are technically adults and authority figures. You don't have to do what they say.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Then be wise about it. There are two kinds of important men, Shallan. There are those who, when the boulder of time rolls toward them, stand up in front of it and hold out their hands. All their lives, they've been told how great they are. They assume the word itself will bend to their whims as their nurse did when fetching them a fresh cup of milk. Those men end up squished. Other men stand to the side when the boulder of time passes, but are quick to say, 'See what I did! I made the boulder roll there. Don't make me do it again!' These men end up getting everyone else squished." "Is there not a third type of person?" "There is, but they are oh so rare. These know they can't stop the boulder. So they walk beside it, study it, and bide their time. Then they shove it-ever so slightly- to create a deviation in its path. These are the men who actually change the world. And they terrify me. For men never see as far as they think they do.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Men don't ask other men if they're getting home OK, they just assume that beneath the frail, weak exterior lurks a muscle-building kung fu master fearless of ever being mugged.
Kate Griffin (The Midnight Mayor (Matthew Swift, #2))
Shigure: Perhaps I can offer some advice? ...You know, Tohru-kun, when you get anxiety about the future it's better not to think about it. And let's not wipe our faces with dishtowels... For example let's say, Tohru-kun, that you are surrounded with a mountain of laundry piled so high around your feet that you can't move. Are you with me? Now, let's assume you don't have a washing machine, so you have to wash everything individually by hand. You would be at a loss for what to do, right? You'd worry about if you could ever wash everything, if you could get it all clean, if you'd ever have time for anything but laundry ever again! The more you'd think about it, the more anxious you'd get. But the time keeps passing, and the laundry doesn't wash itself. So what do you do, Tohru-kun? It might be a good idea to start washing the laundry right at your feet. Of course it's important to think about what lies ahead, too, but if you only look at what's down the road you'll get tangled in the laundry at your feet and you'll fall, won't you? You see, it's also important to think about what you can do now, what you can do today. And if you keep washing things one at a time, you'll be done before you know it. Because fortune is looking out for you. Sometimes the anxiety will start to well up, but when it does, take a little break. Read a book, watch TV, or eat soumen with everyone. Oh my, I'm shocked! Wow! What a wonderful analogy! I really must treat myself to some soumen as a reward... Oh! I'd like some tea, too! Kyo: Why you... You just wanted to eat soumen, didn't you?!
Natsuki Takaya (Fruits Basket, Vol. 8)
If you don't want to be a victim, don't act like one." It was fairly safe to assume that that was the first time anyone had ever spoken to W. W. Hale the Fifth in that manner. Kat was also fairly certain it wouldn't be the last. "I might lose my grandmother's company." Kat gave a smile and held Hale tight. "You won't lose me.
Ally Carter (Perfect Scoundrels (Heist Society, #3))
I was co-leading a workshop with an African American man. A white participant said to him, "I don't see race; I don't see you as black." My co-trainer's response was, "Then how will you see racism?" He then explained to her that he was black, he was confident that she could see this, and that his race meant that he had a very different experience in life than she did. If she were ever going to understand or challenge racism, she would need to acknowledge this difference. Pretending that she did not noticed that he was black was not helpful to him in any way, as it denied his reality - indeed, it refused his reality - and kept hers insular and unchallenged. This pretense that she did not notice his race assumed that he was "just like her," and in so doing, she projected her reality onto him. For example, I feel welcome at work so you must too; I have never felt that my race mattered, so you must feel that yours doesn't either. But of course, we do see the race of other people, and race holds deep social meaning for us.
Robin DiAngelo (White Fragility: Why It’s So Hard for White People to Talk About Racism)
She remembered days of exhaustion when all she’d wanted was a kind word, a teardrop’s worth of empathy. Choice. She had a choice. 'You don’t have to be like her,' Yumi thought. 'You really don’t.' Such a novel idea, and so much harder to do than she would ever have assumed. Still, Yumi forced out the words. The ones akin to those she always wished she could have heard. “It’s all right,” she whispered. “I know you’re trying. That’s what matters.
Brandon Sanderson (Yumi and the Nightmare Painter (Hoid's Travails, #2))
When you win, you don't examine it very much, except to congratulate yourself. You easily, and wrongly, assume it has something to do with your rare qualities as a person. But winning only measures how hard you've worked and how physically talented you are; it doesn't particularly define you beyond those characteristics. Losing on the other hand, really does say something about who you are. Among other things it measures are: do you blame others, or do you own the loss? Do you analyze your failure, or just complain about bad luck? If you're willing to examine failure, and to look not just at your outward physical performance, but your internal workings, too, losing can be valuable. How you behave in those moments can perhaps be more self-defining than winning could ever be. Sometimes losing shows you for who you really are.
Lance Armstrong (Every Second Counts)
Mom." I couldn't believe she was doing this again. She was taking this moment, this time when I was strongest, away from me. "I don't care what I have to do," she said, her voice low and even. "I don't care if I have to send you away or switch schools. I don't care if I have to follow you twenty-four hours a day, you will not see him, Halley. You will not destroy yourself this way." "Why are you just assuming I'm going back to him?" I asked her, just as she was drawing in breath to make another point. "Why don't you ask me what I said to him out there?" She shut her mouth, caught off guard. "What?" "Why don't you ever wait a second and see what I'm planning, or thinking, before you burst in with your opinions and ideas? You never even give me a chance." "Yes, I do," she said indignantly. "No," I said. "You don't. And then you wonder why I never tell you anyone or share anything with you. I can never trust you with anything or share anything with you. I can never trust you with anything, give you any piece of me without you grabbing it to keep for yourself." "That's not true," she said slowly, but it was just now hitting her, I could see it. "Halley, you don't always know what's at stake, and I do." "I will never learn," I said to her slowly, "until you let me." And so we stood there in the kitchen, my mother and I, facing off over everything that had built up since June, when I was willing to hand myself over free and clear. Now I needed her to return it all to me, with the faith that I could make my own way.
Sarah Dessen (Someone Like You)
I tell my students that when you write, you should pretend you’re writing the best letter you ever wrote to the smartest friend you have. That way, you’ll never dumb things down. You won’t have to explain things that don’t need explaining. You’ll assume an intimacy and a natural shorthand, which is good because readers are smart and don’t wish to be condescended to. I think about the reader. I care about the reader. Not “audience.” Not “readership.” Just the reader.
Jeffrey Eugenides
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
Playboy: Do you ever wonder how you have survived this long? Thompson: Yes. Nobody expected me to get much past 20. Least of all me. I just assume, “Well, I got through today, but tomorrow might be different.” This is a very weird and twisted world; you can’t afford to get careless; don’t fuck around. You want to keep your affairs in order at all times.
Alex Haley (Hunter S. Thompson: The Playboy Interview (Singles Classic) (50 Years of the Playboy Interview))
That’s unnatural.’ ‘Some would call it a miracle. Careful of the word unnatural. It reeks of arrogance. You are assuming you know the boundaries of nature. You don’t. There is more to life than your eyes can see. More than you can ever imagine. Nature comes from the mind of God. It is infinite. The finite human mind can never fathom it in totality.
Devdutt Pattanaik (The Pregnant King)
I prefer your company, Em." He said it as if it were obvious. I snorted again, assuming he was teasing me. "Over the company of a tavern filled with a rapt and grateful audience? I'm sure you do." "Over anyone else's company." Again, he said it with some amusement, as if wondering what I was doing speculating about something so evident. "You are drunk," I said. "Shall I prove it to you?" "No, you shan't," I said, alarmed, but he was already sweeping to the floor, bending his knee and taking my hand between his. "What in God's name are you doing?" I said between my teeth. "And why are you doing it now?" "Shall I make an appointment?" he said, then laughed. "Yes, I believe you would like that. Well, name the time when it would be convenient for you to receive a declaration of love." "Oh, get up," I said, furious now. "What sort of jest is this, Wendell?" "You don't believe me?" He smiled, all mischief, a look I'd seen from other Folk, enough to know not to trust him one inch. "Ask for my true name, and I'll give it to you." "Why on earth would you do that?" I demanded, yanking my hand back. "Oh, Em," he said forlornly. "You are the cleverest dolt I have ever met." I stared at him, my heart thundering. Of course, I am not a dolt in any sense; I had supposed he felt something for me and had only hoped he would keep it to himself. Forever. Not that a part of me didn't wish for the opposite. But that was when I assumed his feelings in that respect were equivalent to what he felt for any of the nameless women who passed in and out of his bed. And why would I lower myself to that, when he and I already had something that was vastly more valuable?
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
When someone tells you who they are, believe them.” If a guy tells you, I have trouble trusting women, you don’t assume he’s just had bad experiences and you can fix things by being the nicest, best woman of all time. You go, Thanks for the warning. Good luck with that. Nice knowing you. Then you walk away without ever looking back. And if someone says they’re going to hurt you? Don’t stick around and wait for them to prove it.
Claudia Gray (A Million Worlds with You (Firebird, #3))
I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver." Halt regarded him, eyebrow arched once more. "Anyone?" "Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now." Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner. Will didn't notice the momentary change of mood. He was loosening Tug saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now." Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy. "Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach. "All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment. "Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully. The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder. "He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded. "He's standing behind me, isn't he?" Will continued and Halt nodded once more. "Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer. "Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post." Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away. The younger man's eyes dropped. "Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that." Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face. "No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones." Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.
John Flanagan (The Sorcerer in the North (Ranger's Apprentice, #5))
. . . New York doesn't leave a lot of time for pondering forks in the road. People who have paused to gather their wits often find themselves suddenly waking up in a cookie-cutter beige apartment in Hoboken. I will not ever leave New York. I don't know how long it takes to become a true New Yorker, but I assume that if I die here ... that would qualify me.
Josh Kilmer-Purcell (I Am Not Myself These Days)
people don’t think they need to learn anything because they assume they already know everything—a very dangerous assumption that comes from a frightening absence of self-awareness.
Shwetabh Gangwar (The Rudest Book Ever)
Have you ever wondered why the keys on a typewriter are arranged in that particular order?” “No, I haven’t.” “We call it the QWERTY keyboard, because that’s the order of the letters on the first row of keys. I once wondered why it was like that, and I found the answer. The first machine was invented by Christopher Sholes, in 1873, to improve on calligraphy, but there was a problem: If a person typed very fast, the keys got stuck together and stopped the machine from working. Then Sholes designed the QWERTY keyboard, a keyboard that would oblige typists to type more slowly. ” “I don’t believe it.” “But it’s true. It so happened that Remington—which made sewing machines as well as guns at the time—used the QWERTY keyboard for its first typewriters. That meant that more people were forced to learn that particular system, and more companies started to make those keyboards, until it became the only available model. To repeat: The keyboard on typewriters and computers was designed so that people would type more slowly, not more quickly, do you understand? If you changed the letters around, you wouldn’t find anyone to buy your product.” When she saw a keyboard for the first time, Mari had wondered why the letters weren’t in alphabetical order, but she had then promptly forgotten about it. She assumed it was simply the best layout for people to type quickly.
Paulo Coelho (Veronika Decides to Die)
You think I am so wicked, don't you? A monster. Unnatural. How cruel of me to keep you here and rattle on about my dead grandmother whom you care nothing about. To hold back the doom I keep in store for you and tease you about your mother. I am telling you all this for a reason, you curdle-brained child. Didn't you ever have a tutor? I am teaching dead, dull history—so that you will understand why your feet carried you here instead of towards some other broken old woman's hut, and what you ended when you snapped my daughter's neck. Don't keep looking at me with that same idiot stare. Listen, or you will comprehend nothing, not even your mother. Shall I just kill you now and have my revenge? It would certainly save breath, and at my age every breath is named and numbered. I entertain you at the expense of not a few figures in that scroll of sighs, boy; do not test me." She paused, grimacing as if she truly were tallying the accounts of her lungs. "And never assume that a woman is wicked simply because she is ugly and behaves unfavorably towards you. It is unbecoming behavior for a Prince.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
Woulda, shoulda, coulda. It's human nature to assume that we have that sort of control over what happens to us, but the truth is... life happens and sometimes you're too late. Hell, sometimes you're too early. Sometimes you make the wrong choice just like sometimes you make the right one. The only time people ever use those three is when things don't go the right way. People don't question themselves when things are going well. They question themselves when things have gone to hell.
Rachel Van Dyken
Don’t ever assume people are open and ready to listen.
George J. Thompson (Verbal Judo: The Gentle Art of Persuasion)
The very first thing a writer has to face is that he cannot be told what to write. You know, nobody asked me to be a writer; I chose it. Well, since I'm a man I have to assume I chose it; perhaps in fact, I didn't choose it. But in any case, the one thing you have to do is try to tell the truth. And what everyone overlooks is that in order to do it -- when the book comes out it may hurt you -- but in order for me to do it, it had to hurt me first. I can only tell you about yourself as much as I can face about myself. And this has happened to everybody who's tried to live. You go through life for a long time thinking, No one has ever suffered the way I've suffered, my God, my God. And then you realize -- You read something or you hear something, and you realize that your suffering does not isolate you; your suffering is your bridge. Many people have suffered before you, many people are suffering around you and always will, and all you can do is bring, hopefully, a little light into that suffering. Enough light so that the person who is suffering can begin to comprehend his suffering and begin to live with it and begin to change it, change the situation. We don't change anything; all we can do is invest people with the morale to change it for themselves.
James Baldwin
A Roman came to Rabbi Gimzo the Water Carrier, and asked, "What is this study of the law that you Jews engage in?" and Gimzo replied, "I shall explain. There were two men on a roof, and they climbed down the chimney. One's face became sooty. The other's not. Which one washed his face?" The Roman said, "That's easy, the sooty one, of course." Gimzo said, "No. The man without the soot looked at his friend, saw that the man's face was dirty, assumed that his was too, and washed it." Cried the Roman, "Ah ha! So that's the study of law. Sound reasoning." But Gimzo said, "You foolish man, you don't understand. Let me explain again. Two men on a roof. They climb down a chimney. One's face is sooty, the other's not. Which one washes?" The Roman said, "As you just explained, the man without the soot." Gimzo cried,"No, you foolish one! There was a mirror on the wall and the man with the dirty face saw how sooty it was and washed it." The Roman said, "Ah ha! So that's the study of law! Conforming to the logical." But Rabbi Gimzo said, "No, you foolish one. Two men climbed down the chimney. One's face became sooty? The other's not? That's impossible. You're wasting my time with such a proposition." And the Roman said, "So that's the law! Common sense." And Gimzo said, "You foolish man! Of course it was possible. When the first man climbed down the chimney he brushed the soot away. So the man who followed found none to mar him." And the Roman cried, "That's brilliant, Rabbi Gimzo. Law is getting at the basic facts." And for the last time Gimzo said, "No, you foolish man. Who could brush all the soot from a chimney? Who could ever understand all the facts?" Humbly the Roman asked, "Then what is the law?" And Gimzo said quietly, "It's doing the best we can to ascertain God's intention, for there were indeed two men on a roof, and they did climb down the same chimney. The first man emerged completely clean while it was the second who was covered with soot, and neither man washed his face, because you forgot to ask me whether there was any water in the basin. There was none.
James A. Michener (The Source)
Roarke didn't quite make it to Eve's office. He found her down the corridor, in front of one of the vending machines. She and the machine appeared to be in the middle of a vicious argument. "I put the proper credits in, you blood-sucking, money-grubbing son of a bitch." Eve punctuated this by slamming her fist where the machine's heart would be, if it had one. ANY ATTEMPT TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT IS A CRIMINAL OFFENSE. The machine spoke in a prissy, singsong voice Roarke was certain was sending his wife's blood pressure through the roof. THIS UNIT IS EQUIPPED WITH SCANEYE, AND HAS RECORDED YOUR BADGE NUMBER. DALLAS, LIEUTENANT EVE. PLEASE INSERT PROPER CREDIT, IN COIN OR CREDIT CODE, FOR YOUR SELECTION. AND REFRAIN FROM ATTEMPTING TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT. "Okay, I'll stop attempting to vandalize, deface, or damage you, you electronic street thief. I'll just do it." She swung back her right foot, which Roarke had cause to know could deliver a paralyzing kick from a standing position. But before she could follow through he stepped up and nudged her off balance. "Please, allow me, Lieutenant." "Don't put any more credits in that thieving bastard," she began, then hissed when Roarke did just that. "Candy bar, I assume. Did you have any lunch?" "Yeah, yeah, yeah. You know it's just going to keep stealing if people like you pander to it." "Eve, darling, it's a machine. It does not think." "Ever hear of artificial intelligence, ace?" "Not in a vending machine that dispenses chocolate bars.
J.D. Robb (Betrayal in Death (In Death, #12))
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
Hold on. Now you’re calling Sam a racist?” “I did not say that, Mr. Bloch.” “You did. You just did. Julia—” “I don’t remember his exact words.” “I said, ‘Racism has no place here.’” “Racism is what racists express.” “Have you ever lied, Mr. Bloch?” Jacob reflexively searched his jacket pocket yet again for his phone. “I assume that, like everyone who has ever lived, you have told a lie. But that doesn’t make you a liar.
Jonathan Safran Foer (Here I Am)
I don’t think anyone ever truly moves on. You can heal, sure, but letting go insinuates you don’t want to remember anymore. And the memories aren’t the problem. The mistake people make in life is that they assume pain is bad. But really, pain means you feel something. It means you’re alive. It’s about using it as a weapon rather than a weakness. So, heal yourself, but don’t let go of the memories. They’re what make you so very you.
Lauren Asher (Wrecked (Dirty Air, #3))
I have provided a possible explanation for Antiochus's insane foolhardiness when left in command of the Athenian Fleet, because Thucidides's bald account is so unbelievable (unless one assumes that both Antiochus and Alkibiades were mentally defective) that any explanation seems more likely than none. Alkibiades himself is an enigma. Even allowing that no man is all black and all white, few men can ever have been more wildly and magnificently piebald. Like another strange and contradictory character Sir Walter Raleigh, he casts a glamour that comes clean down the centuries, a dazzle of personal magnetism that makes it hard to see the man behind it. I have tried to see. I have tried to fit the pieces into a coherent whole; I don't know whether I have been successful or not; but I do not think that I have anywhere falsified the portrait.
Rosemary Sutcliff (The Flowers of Adonis)
Art", "Bop" and "rock and roll" and whatever is all just a joke and a mistake, just a hunka foolishness so stop treating it with any seriousness or respect at all and just recognize the fact that it's nothing but a wham-o toy to bash around as you please in the nursery, it's nothing but a goddam Bonusburger so just gobble the stupid thing and burp and go for the next one tomorrow; and don't worry about the fact that it's a joke and a mistake and a bunch of foolishness as if that's gonna cause people to disregard it and do it in or let it dry up and die, because it is the strogest, most virulent, most invincible Superjoke in history, nothing could ever destroy it ever, and the reason for that is precisely that it is a joke, a mistake, foolishness. The first mistake of art is to assume that it's serious.
Lester Bangs (Psychotic Reactions and Carburetor Dung)
Don’t try to talk—just breathe. Another long, slow one…another. Good girl.” As Annabelle gradually recovered her breath, the panic began to fade. He was right…it was easier if she didn’t struggle. The sound of her fitful gasping was underlaid by the mesmerizing softness of his voice. “That’s right,” he murmured. “That’s the way of it.” His hand continued to move in a slow, easy rotation over her chest. There was nothing sexual in his touch—in fact, she might have been a child he was trying to soothe. Annabelle was amazed. Who would have ever dreamed that Simon Hunt could be so kind? Filled with equal parts of confusion and gratitude, Annabelle fumbled for the large hand that moved so gently on her chest. She was so feeble that the gesture required all her strength. Assuming that she was trying to push him away, Hunt began to withdraw, but as he felt her fingers curl around two of his, he went very still. “Thank you,” she whispered. The touch made Hunt tense visibly, as if the contact had sent a shock through his body. He stared not at her face but at the delicate fingers entwined with his, in the manner of a man who was trying to solve a complex puzzle. Remaining motionless, he prolonged the moment, his lashes lowering to conceal his expression.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
This was one of those odd thoughts that came out of the blue and struck me as both clever and logical. Hot chocolate wouldn’t be something desert people would naturally gravitate toward. (There are cold deserts, of course, but with two suns I always assumed Tatooine is mostly pretty warm. Now, of course, the Star Wars Essential Atlas and other official material backs up that assumption.) I also caught way more grief for this than I ever expected. Quite a few people took me to task for putting an Earth-based drink into the Star Wars universe. Of course, those same people apparently weren’t bothered by the Millennium Falcon, or lightsabers. It was, though, a reminder that you never know what word or image might jolt someone out of their suspension of disbelief. Anyway, why would anyone want to live in that Galaxy Far, Far Away if they don’t have chocolate? Inconceivable …
Timothy Zahn (Star Wars: Heir to the Empire)
But Charlie and I have a very special relationship and I wanted to let her know I was home. Don't worry, I'm not one of those crazy cat ladies. I just like my favorite cat to know I'm home so we can talk, have dinner together, and watch Hoarders. I assumed she was in our master bathroom because that's where the cats like to hang out when we're not home. They record most of their "cute kitty with loofah" YouTube videos in there. Now, in order to let her know I was home I could have walked to the bathroom or yelled for her, which is what I usually do. But for some reason in that day I did something else. We have an intercom where I can push a button and talk to someone in another room. Sometimes it's fun to use when we have company. I'll get on it from a different part of the house and whisper stuff like, "Is there anything you ever really wanted to tell God? I'm listening." Oh, we have fun. Anyway, I got on the intercom and I said, "Charlie, I'm home! Charlie!" and I hung up and I waited for Charlie to come running. I didn't think anything of it until I looked over and Portia was staring at me. She said, "Did you just intercom the cat?" And I looked at her and I had no choice but to say, "Yes. I did just intercom the cat." In my defense, I was very tired and if I wanted to walk all the way to the bathroom to find Charlie I would have had to get on my Segway, ride it to the escalator, take the escalator to the third floor, cross the champagne fountain, get my retina scanned, and deactivate dozens of laser beams. Okay, that isn't true. I would have had to walk down the hall.
Ellen DeGeneres (Seriously... I'm Kidding)
I hope I’m being clear, I didn’t say I hate feminists, that would be weird. I said I hate feminist. I’m talking about the word. I have the privilege living my life inside of words and part of being a writer is creating entire universes, and that's beautiful, but part of being a writer is also living in the very smallest part of every word. ...But the word feminist, it doesn't sit with me, it doesn't add up. I want to talk about my problem that I have with it. ...Ist in it's meaning is also a problem for me. Because you can't be born an ist. It's not natural... So feminist includes the idea that believing men and women to be equal, believing all people to be people, is not a natural state. That we don't emerge assuming that everybody in the human race is a human, that the idea of equality is just an idea that's imposed on us. That we are indoctrinated with it, that it's an agenda... ...My problem with feminist is not the word. It's the question. "Are you now, or have you ever been, a feminist?" The great Katy Perry once said—I'm paraphrasing—"I'm not a feminist but I like it when women are strong."...Don't know why she feels the need to say the first part, but listening to the word and thinking about it, I realize I do understand. This question that lies before us is one that should lie behind us. The word is problematic for me because there's another word that we're missing... ...When you say racist, you are saying that is a negative thing. That is a line that we have crossed. Anything on the side of that line is shameful, is on the wrong side of history. And that is a line that we have crossed in terms of gender but we don't have the word for it... ...I start thinking about the fact that we have this word when we're thinking about race that says we have evolved beyond something and we don't really have this word for gender. Now you could argue sexism, but I'd say that's a little specific. People feel removed from sexism. ‘I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple. ...You don’t have to hate someone to destroy them. You just have to not get it. ...My pitch is this word. ‘Genderist.’ I would like this word to become the new racist. I would like a word that says there was a shameful past before we realized that all people were created equal. And we are past that. And every evolved human being who is intelligent and educated and compassionate and to say I don't believe that is unacceptable. And Katy Perry won't say, "I'm not a feminist but I like strong women," she'll say, "I'm not a genderist but sometimes I like to dress up pretty." And that'll be fine. ...This is how we understand society. The word racism didn't end racism, it contextualized it in a way that we still haven't done with this issue. ...I say with gratitude but enormous sadness, we will never not be fighting. And I say to everybody on the other side of that line who believe that women are to be bought and trafficked or ignored...we will never not be fighting. We will go on, we will always work this issue until it doesn't need to be worked anymore. ...Is this idea of genderist going to do something? I don't know. I don't think that I can change the world. I just want to punch it up a little.
Joss Whedon
I just can't believe you fucked that thing !" he retorted, voice rough with what I coud only assume was utter distain. "Why... why would you do that ?" (...) "Because I'm lonely ! " I exploded, standing and nearly tipping the stool over. "Because I've only ever had two boyfriends, and they were shitty in bed, and they never stayed very long anyway. I had this incredibly gorgeous guy wanting to kiss me and make love to me and I wanted it. I don't I have many friends. I mean, shit ! I know he was just trying to get something from me, but y'know what ? I wanted something from him too. I wanted to be touched and wanted and to feel - for a few fucking minutes - that I was sexy and desirable. And to feel - for a few fucking minutes - a way I knew I'd never felt before and would probably never feel again !".
Diana Rowland (Blood of the Demon (Kara Gillian, #2))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
all the men that I have ever known have ended up leaving in sorrow or anger once they realize I don’t love them, and can never love them … But why, when they say goodbye, do they assume I am the one to blame? Because I never gave them what I promised I never would, or because they convinced themselves it would be otherwise? Isn’t that unfair?
Sabahattin Ali (Madonna in a Fur Coat)
At which point, the study door suddenly swings open and Daisy, wearing a red and gold dress, barges in and begins tugging on her father's sleeve. "Come play with me, Daddy." Navidson lifts his daughter onto his lap. "Okay. What do you want to play?" "I don't know," she shrugs. "Always." "What's always?' But before she can answer, he starts tickling her around the neck and Daisy dissolves into bursts of delight. Despite the tremendous amount of material generated by Exploration A, no one has ever commented on the game Daisy wants to play with her father, perhaps because everyone assumes it is either a request "to play always" or just a childish neologism. Then again "always" slightly mispronounces "hallways." It also echoes it.
Mark Z. Danielewski (House of Leaves)
Quince leans in over the map, studying, and I think he’s going to ask me something about the kingdoms or my plan or Daddy’s trident. Instead, without taking his eyes off the map, he asks, “What happens if I fail?” “What?” I whisper. “If I don’t pass the three tests,” he says. “What’s the consequence?” I suck in a shaky breath. This is the part I didn’t want to talk about, the part I hoped he wouldn’t ask about. But I guess he’s too clever—or has learned too much about how mer-world magic works—to assume there won’t be a price. There is, and it’s a big one. “If you fail,” I say, keeping my voice steady, “then you are banished from the water forever.” He lifts his Caribbean-blue eyes to stare into mine. “And?” “And?” I echo. “I know that can’t be it,” he says. “Nothing in your world is ever that simple.” A part of my heart breaks when he calls it my world. I want it to feel like his world, too. But now isn’t the time. He’s right; there’s more to the consequence of failure than him being exiled. “And . . . ,” I say, wishing I didn’t have to tell him this, “I’ll be banished from land.” I swallow hard. “Forever.” He stares into my eyes, unblinking, and I can’t read any sort of reaction. His mind is racing, I’m sure, but everything on the outside is a stone facade. Finally, after what feels like an eternity, he says, “Then I won’t fail.
Tera Lynn Childs
There's always been a love-hate thing between me and running. First off, if you don't get started at the ass crack of dawn, the Oklahoma summer sun will melt you into a puddle of good intentions. Plus, it hurts. I mean, have you ever seen a happy jogger? We scowl. We pant and grimace. In fact, if you ever see one of us smiling, you should assume we're a complete psychopath and run for your life.
Jennifer Latham (Dreamland Burning)
I don't know everything," she said. Her eyes were filling with tears. "If I knew everything, would I have gotten into this mess in the first place? I certainly don't know why you assume I'm going to drop everything and fly off to Antigua with you. I don't even know what I'm doing her. I don't know why we haven't talked in two weeks. And the worst part is, if I do go to Antigua with you, I don't know if I'll ever want to come back. I'm pretty sure I'll want to stay there with you forever." She was crying so hard, she couldn't even see him. "And the fact that I just said that out loud is even scarier to me than vampires.
Meg Cabot (Overbite (Insatiable, #2))
The long run is just a collection of short runs you have to put up with. Saying you have a ten year time horizon doesn't exempt you from al the non-sense that happens in the next ten years. Everyone has to experience the recessions, the bear markets, the meltdowns, the surprises and the memes. So rather than assume long term thinkers don't have to deal with short-notice nonsense, ask the question: how can I endure a never-ending parade of nonsense?
Morgan Housel (SAME AS EVER: Timeless Lessons on Risk, Opportunity and Living a Good Life (From the author of The Psychology Of Money))
Don't ever cancel my call again! I told you I would talk to you, you should have waited..." Shit. Shit. Shit. "Mr. Edge, it is 5pm, I assumed my working day was done and I cancelled the phone call by accident, this phone is new, still working it out" I made it up as I went along and was surprised by my ability to lie on my feet. "Melissa, don't play stupid. Get your arse back here or I will hunt it down and drag it back" He ordered and made me hold my breath
Mercy Cortez (Jagged Edge)
Here is nature once more at her old game of self-preservation. This train of thought, she perceives, is threatening mere waste of energy, even some collision with reality, for who will ever be able to lift a finger against Whitaker’s Table of Precedency? The Archbishop of Canterbury is followed by the Lord High Chancellor; the Lord High Chancellor is followed by the Archbishop of York. Everybody follows somebody, such is the philosophy of Whitaker; and the great thing is to know who follows whom. Whitaker knows, and let that, so Nature counsels, comfort you, instead of enraging you; and if you can’t be comforted, if you must shatter this hour of peace, think of the mark on the wall.   11   I understand Nature’s game—her prompting to take action as a way of ending any thought that threatens to excite or to pain. Hence, I suppose, comes our slight contempt for men of action—men, we assume, who don’t think. Still, there’s no harm in putting a full stop to one’s disagreeable thoughts by looking at a mark on the wall.
Virginia Woolf (Monday or Tuesday)
As a child I don't remember ever telling Adora my favorite colour or what I'd like to name my daughter when I grew up. I don't think she ever knew my favorite dish and I certainly never padded down to her room in the early morning hours teary from nightmares. I always feel sad for the girl that I was because it never occurred to me that my mother might comfort me. She has never told me she loved me and I never assumed she did she tended to me she administrated me, oh yes, and one time she bought me lotion with vitamin E.
Gillian Flynn (Sharp Objects)
What, sir, would you think of a member of the Weaker Sex who assumed the guise of a man, and left the home of her natural protector by way of the window?" "I should assume," replied Sir Richard, "that she had strong reasons for acting with such resolution." "She did not wish to marry me," said Mr. Griffin gloomily. "Oh!" said Sir Richard. "Well, I'm sure I can't see why she should be so set against me, but that's not it, sir. The thing is that here's my mother determined to find her, and to make her marry me, and so hush up the scandal. But I don't like it above half. If she dislikes the notion so much, I don't think I ought to marry her, do you?" "Emphatically not!" "I must say I am very glad to hear you say that, Sir Richard!" said Mr. Griffin, much cheered. "For you must know that my mother has been telling me ever since yesterday that I must marry her now, to save her name. But I think she would very likely make me uncomfortable, and nothing could make up for that, in my opinion." "A lady capable of escaping out of a window in the guise of a a man would quite certainly make you more than uncomfortable," said Sir Richard. "Yes, though she's only a chit of a girl, you know. In fact, she is not yet out. I am very happy to have had the benefit of the opinion of a Man of the World. I feel that I can rely on your judgment." "On my judgment, you might, but in nothing else, I assure you," said Sir Richard. "You know nothing of me, after all. How do you know that I am not now concealing your cousin from you?" "Ha-ha! Very good, upon my word! Very good, indeed!" said Mr. Griffin, saluting a jest of the first water.
Georgette Heyer (The Corinthian)
So,” I said. “Exactly how long have the two of you been together? I assume that you’ve been going hot and heavy ever since that night at Fletcher’s house when the bounty hunters interrupted you. Am I right?” Finn and Bria didn’t look at me or each other. “Right,” Bria mumbled. “Although if it makes you uncomfortable—” “Then Gin’s just going to have to deal with it,” Finn cut her off. Bria stared at him in surprise. “What?” Finn said. “I worked too hard and too long to get you into my bed to just cut you loose now, cupcake.” Bria’s eyes narrowed. “Cupcake?” “Cupcake.” Finn grinned at her. “Or would you prefer snuggle bunny?” Bria’s hand drifted down to the gun on her leather belt, as though she wanted to pull it out and shoot Finn with it. Well, it was good to know I wasn’t the only one who occasionally had that reaction to him. ... Then I fixed them both with a hard stare. “Just don’t ask me to take sides when the two of you go at each other. Okay?” They nodded, then looked at each other. Finn waggled his eyebrows in a suggestive manner, and Bria snorted. But she couldn’t stop a grin from curving her lips.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
1. If he has ever treated another woman badly, don't assume it's going to be different with you. 2. If he blames his past problems entirely on the woman, be skeptical. 3. If he blames his past problems on himself, he is probably telling the truth and will probably be the same with you.
Steven Carter (MEN WHO CAN'T LOVE)
Isn't there a flaw in the logic of that phrase - speak truth to power? It assumes that power doesn't know the truth. But power knows the truth just as well, if not better, than the powerless know the truth. Enron knows what it's doing. We don't have to tell it what it's doing. We have to tell other people what Enron is doing. Similarly, the people who are building the dams know what they're doing. The contractors know how much they're stealing. The bureaucrats know how much they're getting in bribes. Power knows the truth. There isn't any doubt about that. It is really about telling the story. Good fiction is the truest thing that ever there was. Facts are not necessarily the only truths. Facts can be fiddled with by economists and bankers. There are other kinds of truth. It's about telling the story. As a writer, that's the best thing I can do. It's not just about digging up facts.
Arundhati Roy (The Checkbook and the Cruise Missile: Conversations with Arundhati Roy)
So rather than assuming long-term thinkers don’t have to deal with short-term nonsense, ask the question, “How can I endure a never-ending parade of nonsense?” Long-term thinking can be a deceptive safety blanket that people assume lets them bypass the painful and unpredictable short run. But it never does. It might be the opposite: The longer your time horizon, the more calamities and disasters you’ll experience. Baseball player Dan Quisenberry once said, “The future is much like the present, only longer.” Dealing with that reality requires a certain kind of alignment that’s easy to overlook.
Morgan Housel (Same as Ever: A Guide to What Never Changes)
We are committed to involving as many people as possible, as young as possible, as soon as possible. Sometimes too young and too soon! But we intentionally err on the side of too fast rather than too slow. We don’t wait until people feel “prepared” or “fully equipped.” Seriously, when is anyone ever completely prepared for ministry? Ministry makes people’s faith bigger. If you want to increase someone’s confidence in God, put him in a ministry position before he feels fully equipped. The messages your environments communicate have the potential to trump your primary message. If you don’t see a mess, if you aren’t bothered by clutter, you need to make sure there is someone around you who does see it and is bothered by it. An uncomfortable or distracting setting can derail ministry before it begins. The sermon begins in the parking lot. Assign responsibility, not tasks. At the end of the day, it’s application that makes all the difference. Truth isn’t helpful if no one understands or remembers it. If you want a church full of biblically educated believers, just teach what the Bible says. If you want to make a difference in your community and possibly the world, give people handles, next steps, and specific applications. Challenge them to do something. As we’ve all seen, it’s not safe to assume that people automatically know what to do with what they’ve been taught. They need specific direction. This is hard. This requires an extra step in preparation. But this is how you grow people. Your current template is perfectly designed to produce the results you are currently getting. We must remove every possible obstacle from the path of the disinterested, suspicious, here-against-my-will, would-rather-be-somewhere-else, unchurched guests. The parking lot, hallways, auditorium, and stage must be obstacle-free zones. As a preacher, it’s my responsibility to offend people with the gospel. That’s one reason we work so hard not to offend them in the parking lot, the hallway, at check-in, or in the early portions of our service. We want people to come back the following week for another round of offending! Present the gospel in uncompromising terms, preach hard against sin, and tackle the most emotionally charged topics in culture, while providing an environment where unchurched people feel comfortable. The approach a church chooses trumps its purpose every time. Nothing says hypocrite faster than Christians expecting non-Christians to behave like Christians when half the Christians don’t act like it half the time. When you give non-Christians an out, they respond by leaning in. Especially if you invite them rather than expect them. There’s a big difference between being expected to do something and being invited to try something. There is an inexorable link between an organization’s vision and its appetite for improvement. Vision exposes what has yet to be accomplished. In this way, vision has the power to create a healthy sense of organizational discontent. A leader who continually keeps the vision out in front of his or her staff creates a thirst for improvement. Vision-centric churches expect change. Change is a means to an end. Change is critical to making what could and should be a reality. Write your vision in ink; everything else should be penciled in. Plans change. Vision remains the same. It is natural to assume that what worked in the past will always work. But, of course, that way of thinking is lethal. And the longer it goes unchallenged, the more difficult it is to identify and eradicate. Every innovation has an expiration date. The primary reason churches cling to outdated models and programs is that they lack leadership.
Andy Stanley (Deep and Wide: Creating Churches Unchurched People Love to Attend)
I just miss it. Reading. I miss reading." Stiles' face is turned in the other direction now. Away from Derek. Derek, who has never contemplated that reading isn't a given for everyone in this country. Up until now, he has assumed that some people love to read and those who don't like it deserve longer jail sentences if they ever commit a crime.
Vendelin (Cornerstone)
I suppose… I shouldn’t have jumped to conclusions. But knowing what I do of your past… I assumed…” Her lame attempt at an apology seemed to erode the remnants of Sebastian’s self-control. “Well, your assumption was wrong! If you haven’t yet noticed, I’m busier than the devil in a high wind, every minute of the day. I don’t have the damned time for a tumble. And if I did—” He stopped abruptly. All semblance of the elegant viscount Evie had once watched from afar in Lord Westcliff’s drawing room had vanished. He was rumpled and bruised and furious. And he wasn’t breathing at all well. “If I did—” He broke off again, a flush crossing the crests of his cheeks and the bridge of his nose. Evie saw the exact moment when his self-restraint snapped. Alarm jolted through her, and she lurched toward the closed door. Before she had even made a step, she found herself seized and pinned against the wall by his body and hands. The smell of sweat-dampened linen and healthy, aroused male filled her nostrils. Once he had caught her, Sebastian pressed his parted lips against the thin skin of her temple. His breath snagged. Another moment of stillness. Evie felt the electrifying touch of his tongue at the very tip of her eyebrow. He breathed against the tiny wet spot, a waft of hellfire that sent chills through her entire body. Slowly he brought his mouth to her ear, and traced the intricate inner edges. His whisper seemed to come from the darkest recesses of her own mind. “If I did, Evie… then by now I would have shredded your clothes with my hands and teeth until you were naked. By now I would have pushed you down to the carpet, and put my hands beneath your breasts and lifted them up to my mouth. I would be kissing them… licking them… until the tips were like hard little berries, and then I would bite them so gently…” Evie felt herself drift into a slow half swoon as he continued in a ragged murmur. “… I would kiss my way down to your thighs… inch by inch… and when I reached those sweet red curls, I would lick through them, deeper and deeper, until I found the little pearl of your clitoris… and I would rest my tongue on it until I felt it throb. I would circle it, and stroke it… I’d lick until you started to beg. And then I would suck you. But not hard. I wouldn’t be that kind. I would do it so lightly, so tenderly, that you would start screaming with the need to come… I would put my tongue inside you… taste you… eat you. I wouldn’t stop until your entire body was wet and shaking. And when I had tortured you enough, I would open your legs and come inside you, and take you… take you…” Sebastian stopped, anchoring her against the wall while they both remained frozen, aroused, panting. At length, he spoke in a nearly inaudible voice. “You’re wet, aren’t you?” Had it been physically possible to blush any harder, Evie would have. Her skin burned with violated modesty as she understood what he was asking. She tipped her chin in the tiniest of nods. “I want you more than I’ve ever wanted anything on this earth.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Why may you not kiss me?” she had demanded. “Am I a corpse?” “Of course not.” “Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?” “Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.” “So you’re afraid my kisses will take what little brain you have left?” “I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.” “Did you ever think to ask them the reasons behind their demands?” “When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.” “You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.” Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.” She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.” “I don’t love the angels.” “Clearly you don’t love me either.” They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in. “All is well, Hawk?’ he had asked. Hawk had learned their tongue. “It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.” The chief had thought this over and laughed. "That would bring you great honor." "I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back." The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?" "I couldn't be happier." (from The Name of the Hawk, Book 2)
Murray Pura (Legion (The Name of the Hawk, #1))
Darwin had observed so much variety in creatures traditionally assumed to be one species that his sense of a hard line between species had slowly begun to dissolve. Even that most sacred line, the supposed inability of different species to create fertile offspring, he realized was bunk. “It cannot be maintained that species when intercrossed are invariably sterile,” Darwin writes, “or that sterility is a special endowment and sign of creation.” Leading him finally to declare that species—and indeed all those fussy ranks taxonomists believe to be immutable in nature (genus, family, order, class, etc.)—were human inventions. Useful but arbitrary lines we draw around an ever-evolving flow of life for our “convenience.” “Natura non facet salute,” he writes. Nature doesn’t jump. Nature has no edges, no hard lines.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
We accept the fact that being a parent requires a fundamental level of trust in the community of people around your child. If every coach is assumed to be a podophile, then no parent would ever let their child leave the house. And no sane person would ever volunteer to be a coach. We default to truth even when that decision carries terrible risks because we have no choice. Society cannot function otherwise.
Malcolm Gladwell (Talking To Strangers: What We Don't Know About Strangers)
The trainer Tony Illey has said, “The most difficult thing I ever saw a dog do was bring a ewe who’d just lost her lamb through a field full of lambing ewes.” Let me offer a gloss: Ewes with new lambs are extremely protective of their lambs and often charge a dog. When they lose sight of their lamb, they assume the dog has killed it, and despite his teeth will try determinedly to trample him. A ewe who’s lost her lamb will rush back and forth seeking it, bleating to other newborn lambs trying to collect one. The other mothers are confused by this, and when the dog gets near them they, too, go on the attack. Unlike Tony Illey, I don’t think what this dog did was difficult. It was impossible. Knowing that the dog can read sheep better than any man and can react much quicker than any man, what commands would you give him? Correct answer: his name.
Donald McCaig (Eminent Dogs, Dangerous Men: Searching Through Scotland For A Border Collie)
As a child, I don’t remember ever telling Adora my favorite color, or what I’d like to name my daughter when I grew up. I don’t think she ever knew my favorite dish, and I certainly never padded down to her room in the early-morning hours, teary from nightmares. I always feel sad for the girl that I was, because it never occurred to me that my mother might comfort me. She has never told me she loved me, and I never assumed she did.
Gillian Flynn (Sharp Objects)
I wandered into the kitchen with my beer cup still in hand. There was nothing worse than being alone at a party. Well, not true. Being alone and sober. “Hey.” I turned and was actually happy to see Noah. At least I wouldn’t be the lonely loser. “Hi.” He glanced at my still mostly full beer. “I really hardly ever drink. My friend assumes if he puts a beer in my hand I’ll drink it; if I don’t, he does. I’m more or less his cupholder.
Renita Pizzitola (Just a Little Crush (Crush, #1))
As a child, I don’t remember ever telling Adora my favorite color, or what I’d like to name my daughter when I grew up. I don’t think she ever knew my favorite dish, and I certainly never padded down to her room in the early-morning hours, teary from nightmares. I always feel sad for the girl that I was, because it never occurred to me that my mother might comfort me. She has never told me she loved me, and I never assumed she did. She tended to me. She administrated me.
Gillian Flynn (Sharp Objects)
If you’re the person who had to file for divorce, don’t accept the Bad Guy status your kids and your cheating ex may try to inflict on you. Chumps are often people pleasers who don’t want to let anyone down (despite being grievously let down themselves). Please don’t assume responsibility for your partner’s cheating. Divorce is a consequence. You break the rules, you pay the consequences. Even a fourth-grader understands that. Although it’s terrifically sad that they ever have to.
Tracy Schorn (Leave a Cheater, Gain a Life: The Chump Lady's Survival Guide)
I think it’s time we introduced this little fellow to his family,” she said. “Don’t you?” Francesca held out her arms to take the baby, but Violet turned away. “Not just yet,” she said. She wanted to hold him a while longer. Maybe until Tuesday. “Mother, I think he might be hungry.” Violet assumed an arch expression. “He’ll let us know.” “But—” “I know a thing or two about babies, Francesca Bridgerton Stirling.” Violet grinned down at John. “They adore their grandmamas, for example.
Julia Quinn (The Bridgertons: Happily Ever After (Bridgertons, #9))
So, did you see that community center I was talking about?” “What? Where?” “We walked right past it, just before that grocery store. I mentioned it on the way to the city? You just drop in and take classes. They’ve got all sorts of stuff. I bet you can get a student rate, even.” “But I’m not a student—” “You’re young enough that they’ll assume—” “—and how am I supposed to find the time to take dance classes, now that I’m the dessert?” “I’m starting to really regret using that metaphor,” Silas says, grinning. “And let me explain something, Rosie.” He takes a swig of the coffee and presses his lips together, searching for words. “I’m from a long, long, long, long line of woodsmen. My brothers are all supertalented. They all built their own rooms. For god’s sake, Lucas built a freaking wooden hot tub in his bedroom with wooden monkeys pouring water into it.” “Monkeys?” “Don’t ask. Anyway, I can do some woodworking. I know my way around the forest, I can handle an ax better than most, I can make a tree grow where nothing else will, I can live off berries and hunt for my food, and I’ve known about the Fenris since I could crawl. I’m a woodsman, for all intents and purposes. But that doesn’t mean I live for it any more than the fact that you’re good at hunting means you have to live for that. So maybe breaking out of the hunting lifestyle for a few hours here and there will help you figure out if it’s really for you or not.” I shake my head, confused as to why he’d even think that was possible. “I can’t just not hunt, Silas. So yeah, I take a few random classes, and what if I decide that I hate hunting and want to quit? That doesn’t mean I can. I owe Scarlett my life, and if she wants to cash in by having me spend my life hunting beside her, so be it. It’d kill her if she ever thought I wanted to quit.” “Rosie,” Silas says quietly. “I’m not suggesting you drop your sister like a bad habit and take up intense ballet training.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Why don't you make everybody an Alpha Double Plus while you're about it?" Mustapha Mond laughed. "Because we have no wish to have our throats cut," he answered. "We believe in happiness and stability. A society of Alphas couldn't fail to be unstable and miserable. Imagine a factory staffed by Alphas–that is to say by separate and unrelated individuals of good heredity and conditioned so as to be capable (within limits) of making a free choice and assuming responsibilities. Imagine it!" he repeated. The Savage tried to imagine it, not very successfully. "It's an absurdity. An Alpha-decanted, Alpha-conditioned man would go mad if he had to do Epsilon Semi-Moron work–go mad, or start smashing things up. Alphas can be completely socialized–but only on condition that you make them do Alpha work. Only an Epsilon can be expected to make Epsilon sacrifices, for the good reason that for him they aren't sacrifices; they're the line of least resistance. His conditioning has laid down rails along which he's got to run. He can't help himself; he's foredoomed. Even after decanting, he's still inside a bottle–an invisible bottle of infantile and embryonic fixations. Each one of us, of course," the Controller meditatively continued, "goes through life inside a bottle. But if we happen to be Alphas, our bottles are, relatively speaking, enormous. We should suffer acutely if we were confined in a narrower space. You cannot pour upper-caste champagne-surrogate into lower-caste bottles. It's obvious theoretically. But it has also been proved in actual practice. The result of the Cyprus experiment was convincing." "What was that?" asked the Savage. Mustapha Mond smiled. "Well, you can call it an experiment in rebottling if you like. It began in A.F. 473. The Controllers had the island of Cyprus cleared of all its existing inhabitants and re-colonized with a specially prepared batch of twenty-two thousand Alphas. All agricultural and industrial equipment was handed over to them and they were left to manage their own affairs. The result exactly fulfilled all the theoretical predictions. The land wasn't properly worked; there were strikes in all the factories; the laws were set at naught, orders disobeyed; all the people detailed for a spell of low-grade work were perpetually intriguing for high-grade jobs, and all the people with high-grade jobs were counter-intriguing at all costs to stay where they were. Within six years they were having a first-class civil war. When nineteen out of the twenty-two thousand had been killed, the survivors unanimously petitioned the World Controllers to resume the government of the island. Which they did. And that was the end of the only society of Alphas that the world has ever seen." The Savage sighed, profoundly. "The optimum population," said Mustapha Mond, "is modelled on the iceberg–eight-ninths below the water line, one-ninth above." "And they're happy below the water line?" "Happier than above it.
Aldous Huxley (Brave New World)
How are you enjoying Thorne Abbey?" Cal took a long sip of orange juice before replying. "It's great." I don't think it was possible for Cal to sound less enthusiastic, but either Lara didn't pick up on it, or she didn't care, because she sounded awfully perky as she said, "Well, I'm sure the two of you are welcoming the chance to spend some time together." Cal and I both stared at her. I tried to will her to stop talking, but apparently that power wasn't in my repertoire. Lara flashed us a conspiratorial grin. "Nothing makes me happier than seeing an arrangement that's a real love match." All the awkwardness that had vanished between me and Cal yesterday seemed to swoop back into the room with an audible whoosh. I dared a quick look in his direction, but Cal, as usual, was doing his whole Stoic Man thing. His expression didn't even waver. But then I noticed his hand tightening around his glass. "Cal and I aren't...we don't...there's not any, um, love," I finally said. "We're friends." Lara frowned, confused. "Oh. I'm sorry." She turned to Cal, eyebrows raised. "I just assumed that was the reason you turned down the position with the Council." Cal shook his head,and I think he was about to say something, but I beat him to it. "What position with the Council?" "It was nothing," he said. Lara gave a delicate snort before saying to me, "After his term at Hecate ended, Mr. Callahan was offered a position as the Council's chief bodyguard. Correct me if I'm wrong, but didn't you initially accept the assignment?" she asked Cal. It was the closest I'd ever seen Cal to angry. Of course, on him, that meant that his brow furrowed a little. "I did, but-" he started to say. "But then you heard Sophie was coming to Hecate, and you decided to stay," Lara finished, and her lips twisted in the triumphant smile I'd seen on Mrs. Casnoff's face dozens of times. I stood there, frozen in place, as she turned back to me and said, "Mr. Callahan gave up a chance to travel the world with the council so that he could be little more than a janitor on Graymalkin Island. For you.
Rachel Hawkins (Demonglass (Hex Hall, #2))
The human brain's mechanism is intended to gather resources and seek threats, so anything that is repeated is likely to be ignored. Let's assume you're a very lovely and caring person, but you always feel that you don't get what you offer, that others don't appreciate you. It's because your act of compassion has been repeated, which a typical person's brain will automatically disregard. People who are highly conscious of how kindness is scarce are very unique, and those who are kind but aren't valued, don't ever change. Shine brightly.
Yassine Laasri
Tyler pulls his shirt down over his head and I pretend like I’m not sad to see his naked abs go. “I can’t believe you’re kicking me out at three-o’clock in the morning,” he grumbles as he slides his feet into tennis shoes without bothering to tie them. He walks over to the window and slides it open, looking back at me and smirking. “So, same time, same place tomorrow?” Rolling my eyes, I shake my head. “No. Absolutely not. We’re not doing this anymore. Leave and don’t come back.” He’s got one leg swung over the windowsill and his body halfway out before he jerks his head back inside and stares at me in surprise. “What? What do you mean ‘don’t come back? Like, don’t come back tomorrow, or ever?” “Ever. This was a huge mistake.” He actually has the nerve to growl at me thank god he didn’t whinny or I’d be puking right into my lap. “Fine! But You’ll be begging for another piece of Tyler, mark my words!” “Jesus Christ, don’t talk about yourself in third person,” I complain. “They comeback, They always come back to Tyler,” he mutters with another smirk, completely ignoring me. “By ‘they’, I’m assuming you’re talking about the ponies you were dreaming about?” I chuckle. “Fuck your face! Fuck you face right now!” he demands. “Get the hell out of my bedroom and don’t come back, Prancer!” I fire back. Sticking his tongue out at me in one poorly-executed, last ditch effort to put me in my place, he tries to smoothly exit my window but his head smacks against the frame. He Lets go of the sill to grab his wounded head and loses his balance, falling out the window and into the shrubs on the otherside. “Mother fucking dick fuck ass cake piece of shit shrub!
Tara Sivec (Passion and Ponies (Chocoholics, #2))
In the presence of our families and friends, I take you, Celestia, to be my mate, my love, my consort, and my wife. Together, we can accomplish more than I could ever do alone. I will never let the pressures of the present and uncertainty of the future stop me from loving you, because you are my partner in mayhem, my enabler in trouble, and my companion in a life full of unexpected, strange adventures. I will encourage you to try new things and revisit the old to refresh your memories. I promise to celebrate our love daily, snuggle with you often, and make you laugh out loud. I vow to lend you my strength only when you need it, and to cheer you on from the sideline and support you when you don’t. I pledge to nurture and be respectful of your talents and quirks even when they involve dead animals.” He glanced at a raven in the back of the room, which I’d assumed was one of Odin’s. “You have a huge, kind, and giving heart, and I’m the lucky man you’ve given it to for safekeeping. I promise to never give you a reason to doubt my love for you, because this is just the beginning of our journey together. We have forever, and I will love you always.
Ednah Walters (Goddess: A Runes Book (Runes Series 7))
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
John Green (The Fault in Our Stars)
Seeing a real victim-survivor behave in such a way is a rarity. Most of us can't face the attention or the judgement, the shame is often so big it swallows our innocence, and we don't have a tangible vision of justice any more, let alone the will to trust others with a vulnerability so crippling it distorts our worldview. I don't know if Brie ever was a victim, and it's not my place to assume, but I knew for certain that this was a pack of lies, painfully damaging to those of us who had experienced it for real. With this display, she affected the beliefs of others, harming the fight to be heard.
Adam A. Fox (A Sinful Sacrifice)
He started to look at me, but his eyes ran into trouble as they hit Honey and refused to move off of her. It was not an uncommon reaction. One more reason to hate Honey—not that I needed another one. “Honey, this is Tom Black, a reporter who wants the skinny on what it’s like to date Adam Hauptman, prince of the werewolves.” I said it to get a rise out of her, but Honey disappointed me. “Mr. Black,” she said, coolly extending her hand. He shook her hand, still staring at her, and then seemed to recover. He cleared his throat. “Prince of the Werewolves? Is he?” “She can’t talk to you, Mr. Black,” Honey told him, though she glanced at me to make it clear that the words were directed at me. If she weren’t more careful, she’d find herself outed as a werewolf. If she weren’t dumber than a stump, she’d have known I don’t take orders. Not from Bran, not from Adam or Samuel—certainly not from Honey. “No one ever told me not to talk to reporters,” I said truthfully. Everyone just assumed I’d be smart enough not to. I was so busy tormenting Honey that I ignored what the implicit promise in my statement would do to the reporter. “I will make it worth your while,” Black said in a classic assumption close worthy of a used-car salesman. He reached into his suit jacket and pulled out a roll of bills in a gold clip and set them on the counter. If I hadn’t been so ticked off with Honey—and Adam for sticking me with her—I’d have laughed. But Honey was there, so I licked my lips and looked interested. “Well . . .” I began. Honey turned to me, vibrating with rage. “I hope that Adam lets me be the one to break your scrawny neck.” Yep. It wouldn’t be long before everyone knew Honey was a werewolf. She was just too easy. I ought to have felt guilty for baiting her. Instead, I rolled my eyes at her. “Please.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!
Judith McNaught (Almost Heaven (Sequels, #3))
Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself. “I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one you walked in with untenable. Perhaps–I’m just suggesting an offhand possibility–you could change to thinking of me as The Sagacious Old Mentor, a kind of Machiavellian Nestor, say, and yourself as The Ingenuous But Promising Young Protégé, a young Alexander, who someday will put all these teachings into practice and far outshine the master. Do you get the idea? Or–this is repugnant, but it could be used as a last resort–The Silently Indignant Young Man, who tolerates the ravings of a Senile Crank but who will leave this house unsullied by them. I call this repugnant because if you ever used it you’d cut yourself off from much that you haven’t learned yet. “It’s extremely important that you learn to assume these masks wholeheartedly. Don’t think there’s anything behind them: ego means I, and I means ego, and the ego by definition is a mask. Where there’s no ego–this is you on the bench–there’s no I. If you sometimes have the feeling that your mask is insincere–impossible word!–it’s only because one of your masks is incompatible with another. You mustn’t put on two at a time. There’s a source of conflict, and conflict between masks, like absence of masks, is a source of immobility. The more sharply you can dramatize your situation, and define your own role and everybody else’s role, the safer you’ll be. It doesn’t matter in Mythotherapy for paralytics whether your role is major or minor, as long as it’s clearly conceived, but in the nature of things it’ll normally be major. Now say something.
John Barth (The End of the Road)
EB: 'Ll showed me a long verse-letter, very obscene, he’d received from Dylan T[Thomas] before D’s last trip here [New York]—very clever, but it really can’t be published for a long, long time, he’s decided. About people D. met in the U.S. etc.—one small sample: A Streetcar Named Desire is referred to as 'A truck called F———.' RL: 'Psycho-therapy is rather amazing—something like stirring up the bottom of an aquarium—chunks of the past coming up at unfamiliar angles, distinct and then indistinct.' RL: 'I have just finished the Yeats Letters—900 & something pages—although some I’d read before. He is so Olympian always, so calm, so really unrevealing, and yet I was fascinated.' RL: 'Probably you forget, and anyway all that is mercifully changed and all has come right since you found Lota. But at the time everything, I guess (I don’t want to overdramatize) our relations seemed to have reached a new place. I assumed that would be just a matter of time before I proposed and I half believed that you would accept. Yet I wanted it all to have the right build-up. Well, I didn’t say anything then.' EB: 'so I suppose I am just a born worrier, and that when the personal worries of adolescence and the years after it have more or less disappeared I promptly have to start worrying about the decline of nations . . . But I really can’t bear much of American life these days—surely no country has ever been so filthy rich and so hideously uncomfortable at the same time.
Robert Lowell (Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell)
The Terrible People People who have what they want are very fond of telling people who haven't what they want that they really don't want it, And I wish I could afford to gather all such people into a gloomy castle on the Danube and hire half a dozen capable Draculas to haunt it. I don't mind their having a lot of money, and I don't care how they employ it, But I do think that they damn well ought to admit they enjoy it. But no, they insist on being stealthy About the pleasures of being wealthy, And the possession of a handsome annuity Makes them think that to say how hard it is to make both ends meet is their bounden duity. You cannot conceive of an occasion Which will find them without some suitable evasion. Yes indeed, with arguments they are very fecund; Their first point is that money isn't everything, and that they have no money anyhow is their second. Some people's money is merited, And other people's is inherited, But wherever it comes from, They talk about it as if it were something you got pink gums from. Perhaps indeed the possession of wealth is constantly distressing, But I should be quite willing to assume every curse of wealth if I could at the same time assume every blessing. The only incurable troubles of the rich are the troubles that money can't cure, Which is a kind of trouble that is even more troublesome if you are poor. Certainly there are lots of things in life that money won't buy, but it's very funny -- Have you ever tried to buy them without money?
Odgen Nash
The stars of the Milky Way galaxy trace a big, flat circle. With a diameter-to-thickness ratio of one thousand to one, our galaxy is flatter than the flattest flapjacks ever made. In fact, its proportions are better represented by a crépe or a tortilla. No, the Milky Way’s disk is not a sphere, but it probably began as one. We can understand the flatness by assuming the galaxy was once a big, spherical, slowly rotating ball of collapsing gas. During the collapse, the ball spun faster and faster, just as spinning figure skaters do when they draw their arms inward to increase their rotation rate. The galaxy naturally flattened pole-to-pole while the increasing centrifugal forces in the middle prevented collapse at midplane. Yes, if the Pillsbury Doughboy were a figure skater, then fast spins would be a high-risk activity. Any stars that happened to be formed within the Milky Way cloud before the collapse maintained large, plunging orbits. The remaining gas, which easily sticks to itself, like a mid-air collision of two hot marshmallows, got pinned at the mid-plane and is responsible for all subsequent generations of stars, including the Sun. The current Milky Way, which is neither collapsing nor expanding, is a gravitationally mature system where one can think of the orbiting stars above and below the disk as the skeletal remains of the original spherical gas cloud. This general flattening of objects that rotate is why Earth’s pole-to-pole diameter is smaller than its diameter at the equator. Not by much: three-tenths of one percent—about twenty-six miles. But Earth is small, mostly solid, and doesn’t rotate all that fast. At twenty-four hours per day, Earth carries anything on its equator at a mere 1,000 miles per hour. Consider the jumbo, fast-rotating, gaseous planet Saturn. Completing a day in just ten and a half hours, its equator revolves at 22,000 miles per hour and its pole-to-pole dimension is a full ten percent flatter than its middle, a difference noticeable even through a small amateur telescope. Flattened spheres are more generally called oblate spheroids, while spheres that are elongated pole-to-pole are called prolate. In everyday life, hamburgers and hot dogs make excellent (although somewhat extreme) examples of each shape. I don’t know about you, but the planet Saturn pops into my mind with every bite of a hamburger I take.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
get out on the rocks or the fields or the water and spout them." Captain Jim had come up that afternoon to bring Anne a load of shells for her garden, and a little bunch of sweet-grass which he had found in a ramble over the sand dunes. "It's getting real scarce along this shore now," he said. "When I was a boy there was a-plenty of it. But now it's only once in a while you'll find a plot—and never when you're looking for it. You jest have to stumble on it—you're walking along on the sand hills, never thinking of sweet-grass—and all at once the air is full of sweetness—and there's the grass under your feet. I favor the smell of sweet-grass. It always makes me think of my mother." "She was fond of it?" asked Anne. "Not that I knows on. Dunno's she ever saw any sweet-grass. No, it's because it has a kind of motherly perfume—not too young, you understand—something kind of seasoned and wholesome and dependable—jest like a mother. The schoolmaster's bride always kept it among her handkerchiefs. You might put that little bunch among yours, Mistress Blythe. I don't like these boughten scents—but a whiff of sweet-grass belongs anywhere a lady does." Anne had not been especially enthusiastic over the idea of surrounding her flower beds with quahog shells; as a decoration they did not appeal to her on first thought. But she would not have hurt Captain Jim's feelings for anything; so she assumed a virtue she did not at first feel, and thanked him heartily. And when Captain Jim had proudly encircled every bed with a rim of the big, milk-white shells, Anne found to her surprise that she liked the effect.
L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
When I was twelve, one of two things happened. First, I became obsessed with spirituality./ I don’t have clear recollections of this early teen spiritual search. I don’t know how I found these alternate places of worship, pre-Internet. I asked mom. She doesn’t know either. I can only assume I researched using the Yellow Pages, and junk mail./ I point out this nexus - between my spiritual yearning and anxiety - because it’s helped me understand my restlessness ever since. Anxiety and existential curiosity are connected. Yes, absolutely, it can become medical when it spirals out too far. But its origins are far more fundamental./ i’ve done this since my early teens - revisited my spirituality on and off. And it’s always occurred in tandem with my anxiety. Indeed, I listed the help of a spiritual counsellor during this time.
Sarah Wilson (First, We Make the Beast Beautiful: A New Story About Anxiety)
I don’t mean to be a doom-monger but we could do with it now. A big threat to our current civilization is the persistent post-Victorian assumption of progress. This ‘Whig Interpretation of History’ has been regularly debunked ever since the term was coined by the historian Herbert Butterfield in 1931, a tough year for believers in things getting better. Still, most of us unreflectingly go along with it. You hear it in the way people rebuke each other for prejudiced remarks by saying ‘Come on, it’s the twenty-first century’, as if the passage of time inevitably brings with it ethical improvements. The pejorative word ‘dated’ shows how ingrained is our assumption that human civilization gets better over time. It probably has recently, technologically at least, but it’s not a given. Is assuming that things improve the best way of ensuring they will? I doubt it. A healthy fear of societal cataclysm may be a good technique for avoiding it.
David Mitchell (Unruly: The Ridiculous History of England's Kings and Queens)
Treating Abuse Today 3(4) pp. 26-33 Freyd: The term "multiple personality" itself assumes that there is "single personality" and there is evidence that no one ever displays a single personality. TAT: The issue here is the extent of dissociation and amnesia and the extent to which these fragmentary aspects of personality can take executive control and control function. Sure, you and I have different parts to our mind, there's no doubt about that, but I don't lose time to mine they can't come out in the middle of a lecture and start acting 7 years old. I'm very much in the camp that says that we all are multi-minds, but the difference between you and me and a multiple is pretty tangible. Freyd: Those are clearly interesting questions, but that area and the clinical aspects of dissociation and multiple personalities is beyond anything the Foundation is actively... TAT: That's a real problem. Let me tell you why that's a problem. Many of the people that have been alleged to have "false memory syndrome" have diagnosed dissociative disorders. It seems to me the fact that you don't talk about dissociative disorders is a little dishonest, since many people whose lives have been impacted by this movement are MPD or have a dissociative disorder. To say, "Well, we ONLY know about repression but not about dissociation or multiple personalities" seems irresponsible. Freyd: Be that as it may, some of the scientific issues with memory are clear. So if we can just stick with some things for a moment; one is that memories are reconstructed and reinterpreted no matter how long ago or recent. TAT: You weigh the recollected testimony of an alleged perpetrator more than the alleged victim's. You're saying, basically, if the parents deny it, that's another notch for disbelief. Freyd: If it's denied, certainly one would want to check things. It would have to be one of many factors that are weighed -- and that's the problem with these issues -- they are not black and white, they're very complicated issues.
David L. Calof
Anna: Right. I can only imagine. Etienne: And what, exactly, ist hat supposed to mean? Anna: Forget it. Etienne: No. Let’s not forget it. I’m sick and tired of forgetting it, Anna. Anna: You’re tired of forgetting it? I’ve had to do nothing BUT forget it. Do you think it’s easy sitting in my room every night, thinking about you and Ellie? Do you think any of this has been easy for me? Etienne: I’m sorry. Anna: You tell me I’m beautiful, and that you like my hair and you like my smile. You rest your leg against mine in darkened theatres, and then you acta s if nothing happened when the lights go up. You slept in my bed for three nights straight, and then you jsut … blew me off for the next month. What am I supposed to do with that, St. Clair? You said on my birthday that you were afraid of being alone, but I’ve been here this whole time. This whole time. Etienne: Anna. I am so sorry that I’ve hur you. I’ve made terrible decisions. And I realize it’s possible that I don’t deserve your forgiveness, because it’s taken me this long to get here. But I don’t understand why you’re not giving me the chance. You didn’t even let me explain myself lad weekend. You just tore into me, expected the worst of me. But the only truth I know is what i feel when we’re together. I thought you trusted those feelings, too. I thought you trusted me, I thought you knew me … Anna: But that’s just it! I don’t know you. I tell you everything, St. Clair. About my dad, about Bridgette and Toph, about Matt and Cherrie. I told you about being a virgin. And what have you told me? Nothing! I know nothing about you. Not about your father, not about Ellie … Etienne: You know me better than anyone. Andi f you ever bothered to pay attention, you’d understand that things with my father are beyond shite right now. And I can’t believe you think so poorly of me that you’d assume I’d wait the entire year to kiss you, and then the moment it happened, I’d … I’d be done with you. OF COURSE I was with Ellie that night. I WAS BLODDY BREAKING UP WITH HER! You say that I’m afraid of being alone, and it’s true. I am And I’m not proud o fit. But you need to take a good look at yourself, Anna, because I am not the only one in this room who suffers this problem.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Elizabeth shook her head. "Our future happiness does not depend on whether or not we're married, Calvin-at least not to me. I'm fully committed to you; marriage will not change that. As for who thinks what, it's not just a handful of people: it's society-particularly the society of scientific research. Everything I do will suddenly be in your name, as if you'd done it. In fact, most people will assume you've done it simply because you're a man, but especially because you're Calvin Evans. I don't want to be another Mileva Einstein or Esther Lederberg, Calvin; I refuse. And even if we took all the proper legal steps to ensure my name won't change, it will still change. Everyone will call me Mrs. Calvin Evans; I will become Mrs. Calvin Evans. Every Christmas card, every bank statement, every notice from the Bureau of Internal Revenue will all come to Mr. and Mrs. Calvin Evans. Elizabeth Zott, as we know her, will cease to exist." "And being Mrs. Calvin Evans is absolutely the worst thing that could ever happen to you," he said, his face collapsed in misery. "I want to be Elizabeth Zott," she said. "It's important to me.
Bonnie Garmus (Lessons in Chemistry)
I know I said this before, but it bears repeating. You know Tate won’t like you staying with me.” “I don’t care,” she said bitterly. “I don’t tell him where to sleep. It’s none of his business what I do anymore.” He made a rough sound. “Would you like to guess what he’s going to assume if you stay the night in my apartment?” She drew in a long breath. “Okay. I don’t want to cause problems between you, not after all the years you’ve been friends. Take me to a hotel instead.” He hesitated uncharacteristically. “I can take the heat, if you can.” “I don’t know that I can. I’ve got enough turmoil in my life right now. Besides, he’ll look for me at your place. I don’t want to be found for a couple of days, until I can get used to my new situation and make some decisions about my future. I want to see Senator Holden and find another apartment. I can do all that from a hotel.” “Suit yourself.” “Make it a moderately priced one,” she added with graveyard humor. “I’m no longer a woman of means. From now on, I’m going to have to be responsible for my own bills.” “You should have poured the soup in the right lap,” he murmured. “Which was?” “Audrey Gannon’s,” he said curtly. “She had no right to tell you that Tate was your benefactor. She did it for pure spite, to drive a wedge between you and Tate. She’s nothing but trouble. One day Tate is going to be sorry that he ever met her.” “She’s lasted longer than the others.” “You haven’t spent enough time talking to her to know what she’ s like. I have,” he added darkly. “She has enemies, among them an ex-husband who’s living in a duplex because she got his house, his Mercedes, and his Swiss bank account in the divorce settlement.” “So that’s where all those pretty diamonds came from,” she said wickedly. “Her parents had money, too, but they spent most of it before they died in a plane crash. She likes unusual men, they say, and Tate’s unusual.” “She won’t go to the reservation to see Leta,” she commented. “Of course not.” He leaned toward her as he stopped at a traffic light. “It’s a Native American reservation!” She stuck her tongue out at him. “Leta’s worth two of Audrey.” “Three,” he returned. “Okay. I’ll find you a hotel. Then I’m leaving town before Tate comes looking for me!” “You might hang a crab on your front door,” she said, tongue-in-cheek. “It just might ward him off.” “Ha!” She turned her eyes toward the bright lights of the city. She felt cold and alone and a little frightened. But everything would work out. She knew it would. She was a grown woman and she could take care of herself. This was her chance to prove it.
Diana Palmer (Paper Rose (Hutton & Co. #2))
While Missy has acquired a taste for frog legs, she still doesn’t understand my fascination with catching them. One night after church, we were stopped at an intersection while driving home. Our two sons, Reed and Cole, and our daughter, Mia, were in Missy’s car with us. It was raining, and I saw one of the biggest bullfrogs I’ve ever seen sitting in the middle of the road. I put her car in park. “What are you about to do, Jason?” Missy asked me. “I’m going to catch that frog,” I said. “Y’all want to flag traffic for me?” “Don’t you dare get out of this car,” she said. Before she could finish her sentence, I’d jumped out of the driver’s seat and was maneuvering my way to the frog. I moved toward the back of it, assumed the frog position, and then leaped on him! Missy and Mia were screaming in the car, and my boys were laughing. As I got back in the car, I explained to everyone that I probably saved that frog’s life by catching him at a busy intersection. I held the frog in one hand and drove with the other the entire way home. When I walked into the kitchen, Missy asked me, “What are you fixing to do?” I cleaned the frog on the kitchen table and fried its legs in a frying pan. “I can’t believe you just did that,” Missy said. “I thought you saved his life.” Hey, but I gave him a noble death.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
don’t mean girls can do just anything, or that there’s no such thing as immorality. I mean, that Balbec girl you were all talking about the other day, who’s supposed to be carrying on with that actress, well, I think that’s just disgusting—so disgusting, actually, that I can only assume it’s not true, but was invented by the girl’s enemies. It just strikes me as improbable—impossible, in fact. But letting a fellow that you like kiss you, and go even further, since you say you like me ...” “I do! But I’ve liked other fellows too. Believe you me, I’ve known other boys who were just as fond of me as you are. But there wasn’t one of them who would’ve dared do any such thing! They knew perfectly well they’d have got a good slap in the face! Anyway, the thought never entered their heads—we just shook hands in the usual way, like ordinary good friends. No one would ever have thought of kissing, but that didn’t stop us from being close friends. Look, if you really want us to be friends, then you can count yourself lucky—I must be pretty fond of you to forgive you like this. In any case, I’m sure you’re just teasing me! Andrée’s the one you really like—admit it! And I’m sure you’re right—she’s much nicer than me, and she’s beautiful! Oh, you men!” That Albertine should speak so openly was balm to my recent hurt feelings; and this gave me a high opinion of her.
Marcel Proust (In the Shadow of Young Girls in Flower)
Despite her grave concern over her uncle, Elizabeth chuckled inwardly as she introduced Duncan. Everyone exhibited the same stunned reaction she had when she’d discovered Ian Thornton’s uncle was a cleric. Her uncle gaped, Alex stared, and the dowager duchess glowered at Ian in disbelief as Duncan politely bent over her hand. “Am I to understand, Kensington,” she demanded of Ian, “that you are related to a man of the cloth?” Ian’s reply was a mocking bow and a sardonic lift of his brows, but Duncan, who was desperate to put a light face on things, tried ineffectually to joke about it. “The news always has a peculiar effect on people,” he told her. “One needn’t think too hard to discover why,” she replied gruffly. Ian opened his mouth to give the outrageous harridan a richly deserved setdown, but Julius Cameron’s presence was worrying him; a moment later it was infuriating him as the man strode to the center of the room and said in a bluff voice, “Now that we’re all together, there’s no reason to dissemble. Bentner, being champagne. Elizabeth, congratulations. I trust you’ll conduct yourself properly as a wife and not spend the man out of what money he has left.” In the deafening silence no one moved, except it seemed to Elizabeth that the entire room was beginning to move. “What?” she breathed finally. “You’re betrothed.” Anger rose up like flames licking inside her, spreading up her limbs. “Really?” she said in a voice of deadly calm, thinking of Sir Francis and John Marchman. “To whom?” To her disbelief, Uncle Julius turned expectantly to Ian, who was looking at him with murder in his eyes. “To me,” he clipped, his icy gaze still on her uncle. “It’s final,” Julius warned her, and then, because he assumed she’d be as pleased as he to discover she had monetary value, he added, “He paid a fortune for the privilege. I didn’t have to give him a shilling.” Elizabeth, who had no idea the two men had ever met before, looked at Ian in wild confusion and mounting anger. “What does he mean?” she demanded in a strangled whisper. “He means,” Ian began tautly, unable to believe all his romantic plans were being demolished, “we are betrothed. The papers have been signed.” “Why, you-you arrogant, overbearing”-She choked back the tears that were cutting off her voice-“you couldn’t even be bothered to ask me?” Dragging his gaze from his prey with an effort, Ian turned to Elizabeth, and his heart wrenched at the way she was looking at him. “Why don’t we go somewhere private where we can discuss this?” he said gently, walking forward and taking her elbow. She twisted free, scorched by his touch. “Oh, no!” she exploded, her body shaking with wrath. “Why guard my sensibilities now? You’ve made a laughingstock of me since the day I set eyes on you. Why stop now?
Judith McNaught (Almost Heaven (Sequels, #3))
Here was the cynicism of our modern age, and I despised it. Information is now so easy to find that few of us are strong enough to resist the temptation of presuming we already know more than we actually do. Our worldviews are still built on the foundations of our own limited understanding, but we now live under the dangerous illusion that they are reinforced and supported by all of the knowledge that has ever existed. If I don’t have the answers now, I can find them, the thinking goes, and without even noticing we shrink our world down to the size of our certainties. Here is a blind spot in our culture, created both by the habitual, almost systemic mistaking of information for understanding and by the assumption that a complete understanding of anything can be attained with enough information. This view of the world reduces everything and everyone to bits of data—some known, some still unknown, but all knowable—and reduces wonder to a mere absence of information, as if the simple brute fact of our own existence isn’t mystery enough to keep you up for a week if you really consider it. “Oh that,” we so easily say about anything we don’t understand, “I’m sure we have that all sorted out.” And in doing so we insulate ourselves from any facts, opinions, and ideas—those pesky things—that ask us to venture away from our own view of reality. I suppose we have the right to remain ignorant, but we are in the world. And in the world, our actions have an impact on others, so assuming that
Nate Staniforth (Here Is Real Magic: A Magician's Search for Wonder in the Modern World)
When I was younger, I remember taking pride in people’s well-meaning remarks: “You’re so lucky that no one would ever know!” or “You don’t even look like a guy!” or “Wow! You’re prettier than most ‘natural’ women!” They were all backhanded compliments, acknowledging my beauty while also invalidating my identity as a woman. To this day, I’m told in subtle and obvious ways that I am not “real,” meaning that I am not, nor will I ever be, a cis woman; therefore, I am fake. These thoughts surrounding identity, gender, bodies, and how we view, judge, and objectify all women brings me to the subject of “passing,” a term based on an assumption that trans people are passing as something that we are not. It’s rooted in the idea that we are not really who we say we are, that we are holding a secret, that we are living false lives. Examples of people “passing” in media, whether through race (Imitation of Life and Nella Larsen’s novel Passing), class (Catch Me if You Can and the reality show Joe Millionaire), or gender (Boys Don’t Cry and The Crying Game), are often portrayed as leading a life of tragic duplicity and as deceivers who will be punished harshly by society when their true identity is uncovered. This is no different for trans people who “pass” as their gender or, more accurately, are assumed to be cis or blend in as cis, as if that is the standard or norm. This pervasive thinking frames trans people as illegitimate and unnatural. If a trans woman who knows herself and operates in the world as a woman is seen, perceived, treated, and viewed as a woman, isn’t she just being herself? She isn’t passing ; she is merely being.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
It comes from a very ancient democracy, you see..." "You mean, it comes from a world of lizards?" "No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." "Odd," said Arthur, "I thought you said it was a democracy." "I did," said Ford. "It is." "So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" "It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." "You mean they actually vote for the lizards?" "Oh yes," said Ford with a shrug, "of course." "But," said Arthur, going for the big one again,** "why?"** "Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?" "What?" "I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" "I'll look. Tell me about the lizards." Ford shrugged again. "Some people say that the lizards are the best thing that ever happened to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." "But that's terrible," said Arthur. "Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
Douglas Adams
Although nobody in the grace movement is saying grace is a license to sin (nor have they ever), it’s often assumed that, since we don’t emphasize the Law and push it on people like our accusers think we should, we must be endorsing sin and telling people it’s okay to do whatever they want. In truth, we avoid pushing the Law because we believe what scripture says: that the Law increases sin (Romans 5:20), sin gets its strength from the Law (1 Cor. 15:56), the Law is the ministry of death (2 Cor. 3:6), the Law isn’t based on faith (Gal. 3:12), and nobody can be made right with God through keeping the Law (Gal. 2:20). In fact, though many preachers will tell us today that it’s sin that separates us from God, and we need to go back to His holy Law to be reconciled, scripture actually teaches the opposite. It says that the Law is what separates people from Christ and causes them to fall from grace (Gal. 5:4). Our choice to not enforce those Laws is not because we want to see people sin, but because we want them to live free from sin. Scripture is very clear that those Laws are the very thing causing people to sin. While we receive many accusations that our grace-emphasized message is a “license to sin,” if you look at the church today, and all throughout its entire history, sin and the blatant abuse of people has always been done in the name of the Law, not in the name of grace. Nobody has ever killed anyone in the name of God’s grace, and yet countless crusades and wars have been waged in the name of upholding and enforcing those Laws. Some today are in Uganda using the law as a license to kill homosexuals.[27] Why do we ignore what scripture so clearly says about the law? “The letter kills…
D.R. Silva (Hyper-Grace: The Dangerous Doctrine of a Happy God)
In other words, you need to be a bureaucracy in order to survive one. This is the overwhelming narrative of modern American economics, that the individual, particularly the individual without a lot of money, is inherently overmatched. He’s a loser. And if he falls into any part of the machine, he goes straight to the bottom. And then there’s the most disturbing truth of all. People assume that a system that favors the rich likes rich people. This isn’t true. Our bureaucracies respond to the money rich people have, and they bend to the legal might the rich can hire, but they don’t give a damn about rich people. You can be rich and still fall into any one of a dozen financial/legal meat grinders, from an erroneously collapsed credit score to a robo-signed foreclosure to a stolen identity to a retirement account vaporized by institutional theft and fraud. The system eats up rich people, too, because it’s not concerned with protecting any individuals, even the rich ones. These bureaucracies accomplish just two things: they make small piles of money smaller and big piles of money bigger. It’s a system that doesn’t care whose hands end up holding the bag, or how long those hands get to hold the bag. It just relentlessly creates and punishes losers, who get to sit beneath an ever-narrowing group of winners, who may or may not stay on top for long. What does get preserved, in all cases, is a small constellation of sprawling, interconnected financial companies, whose names and managements may change (Bear becomes Chase, Wachovia becomes Wells Fargo, etc.), but whose entrenched influence remains the same. In other words, this is a machine that loves and protects money but somehow hates all people.
Matt Taibbi (The Divide: American Injustice in the Age of the Wealth Gap)
I certainly don’t try to set impossible goals. I think impossible goals are demotivating. You don’t want to tell people to go through a wall by banging their head against it. I don’t ever set intentionally impossible goals. But I’ve certainly always been optimistic on time frames. I’m trying to recalibrate to be a little more realistic. I don’t assume that it’s just like 100 of me or something like that. I mean, in the case of the early SpaceX days, it would have been just the lack of understanding of what it takes to develop a rocket. In that case I was off by, say, 200 percent. I think future programs might be off by anywhere from like 25 percent to 50 percent as opposed to 200 percent. So, I think generally you do want to have a timeline where, based on everything you know about, the schedule should be X, and you execute towards that, but with the understanding that there will be all sorts of things that you don’t know about that you will encounter that will push the date beyond that. It doesn’t mean that you shouldn’t have tried to aim for that date from the beginning because aiming for something else would have been an arbitrary time increase. It’s different to say, “Well, what do you promise people?” Because you want to try to promise people something that includes schedule margin. But in order to achieve the external promised schedule, you’ve got to have an internal schedule that’s more aggressive than that. Sometimes you still miss the external schedule. SpaceX, by the way, is not alone here. Being late is par for the course in the aerospace industry. It’s not a question of if it’s late, it’s how late will the program be. I don’t think an aerospace program has been completed on time since bloody World War II.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
What about childhood? What did you like to do?” I ask, fishing for any commonality now. “Take pictures of moss. Collect stickers. Pretend that the sticks I found were a wand, and I was Hermione Granger.” I pause and glance at her. “You’re a Potter head?” She grips the edge of the table. “Please, for the love of all that is holy, please tell me that you’re a Potter head as well.” “Eh, not so much.” She groans. “Ughhh, really?” “No, I actually am.” “Stop, are you?” she asks. “Yes, and I read some of the books when they were first released. That’s how old I am compared to you. I have some first editions.” “You’re a liar,” she yells, excitement bustling in her eyes. “Seriously?” “Yes, they’re my prized possessions. Have you been to Harry Potter World?” “No,” she bemoans. “But when I graduate, I plan on going. I’m assuming since you’re rich and can do whatever you want when you’re not playing, you’ve been?” “I have.” “Is the butter beer everything I think it would be?” “And then some,” I answer. “Harry Potter World is probably one of the best things that has ever happened to fandom. It feels so real.” “Urrghh, I’m so jealous. Did you get sorted into a house?” “Yeah, Gryffindor.” “Of course. You seem like an overachiever. I know I’m Hufflepuff through and through, and I’m damn proud of it.” “Do you ever feel bad for people who get Ravenclaw?” I ask. “No one ever talks about it. Gryffindor is clearly superior, Slytherin has its own merit because it’s evil, and then Hufflepuff is for all the fun-loving people. What about Ravenclaw?” “You know, now that you mentioned it, I don’t think I ever hear anyone claim they’re from Ravenclaw. That’s sad.” “It is.” She tilts her head to the side. “I think we figured out what we bonded over.
Meghan Quinn (Right Man, Right Time (The Vancouver Agitators, #3))
Do you know Einstein’s theory of relativity?” Connor just stares at me. “Let’s assume I don’t.” “Yeah, I didn’t either, until . . . well.” I shake my head to clear that line of thought. “Basically, space and time are really one thing, a kind of giant film stretched across the universe called space-time. Dense objects warp the fabric of space-time, like the way a trampoline dips when someone stands on it. If you’ve got something heavy enough, like insanely heavy, it can punch a hole right through.” “Okay, I get that.” “Well, in the future the government develops this massive particle collider called Cassandra. When they slam the right subatomic particles into one another under the right conditions, the particles hypercondense on impact and become heavy enough to punch a tiny hole in space-time. We came through that hole.” “Why?” “Because the future needs to be changed. We need to destroy Cassandra before it’s ever built, or it’s going to end the world. People weren’t meant to travel in time.” “But . . .” Connor presses his fingers into his temples. “If you destroy the machine before it gets built—” “Then it will never have existed for us to travel back in time to destroy it?” Finn says. “Right.” I nod. “It’s a paradox. But the thing about time is that it’s not actually linear, the way we think of it. This person I once knew, he had this theory about time, that it had a kind of consciousness. It cleans things up and keeps itself from being torn apart by paradoxes by freezing certain events and keeping them from being changed. Action—like us doing something to stop Cassandra being built—sticks, while passivity—us never coming back to stop the machine because we couldn’t make the trip—doesn’t. When we . . . do what we have to do to destroy Cassandra, it should become a frozen event, safe from paradoxes.” “How do you get back to your time?” Connor asks. Finn glances at me before answering. “We don’t.” “Oh.
Cristin Terrill (All Our Yesterdays)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
I’ve heard a lot of ladies say they want a guy who is good in bed (No, I don’t mean a guy who doesn’t snore), but I’m talking about a guy with sexual skills. I asked myself why skill is so important and the realization I came to was that it is proportional to sensuality. Essentially, skill predetermines the quality of both the journey and the destination, if you know what I mean. Many people have a desire for MORE or to go DEEPER, but their biggest limitation is in the area of skill. This reminds me of a story I heard of a boy who was sitting by the piano trying to create some music. He became frustrated with himself as he couldn’t play, but the desire to play and create music was there burning strong within him. Someone saw him in a dejected spirit and asked why he was distressed. The boy replied, “I can feel music in me but when I try to play it on the piano, I can’t get my hands right.” You see, there was a lot of sensual energy burning inside the boy, but his skill level was not proportional to that sensual energy. This confirms one of my usual sayings: when you know you were designed to be sensual, YOUR POTENTIAL HAUNTS YOU. And that’s the dilemma most people are facing in life and in their relationships today. Our sensuality is haunting us because it wants to fully express itself through our bodies, gifts and talents, but our skills are underdeveloped. One guy asked me, so does it mean we should go out there and sleep with as many girls as possible so we can develop our sexual skills? I responded, “There’s a huge difference between gaining sexual skills and gaining sensual skills.” Most people are obsessed with gaining sexual skills. That’s why porn is a billion dollar industry. But porn, in my opinion, doesn’t teach sensuality, not even a little bit. If anything, it teaches anti-sensuality. GAINING SEXUAL SKILLS IS NOT THE SOLUTION TO THE QUEST FOR “MORENESS.” (Read that again). Some people assume my business is sexual. It’s not. My business is sensual. I call people into a sensual space which is a far more exciting than any sexual skill they can ever acquire.
Lebo Grand
He loved to tell his students a story which summarized his attitudes on this matter of intellectual inspection: “A Roman came to Rabbi Gimzo the Water Carrier, and asked, ‘What is this study of the law that you Jews engage in?’ and Gimzo replied, ‘I shall explain. There were two men on a roof, and they climbed down the chimney. One’s face became sooty. The other’s not. Which one washed his face?’ The Roman said, ‘That’s easy, the sooty one, of course.’ Gimzo said, ‘No. The man without the soot looked at his friend, saw that the man’s face was dirty, assumed that his was too, and washed it.’ Cried the Roman, ‘Ah ha! So that’s the study of law. Sound reasoning.’ But Gimzo said, ‘You foolish man, you don’t understand. Let me explain again. Two men on a roof. They climb down a chimney. One’s face is sooty, the other’s not. Which one washes?’ The Roman said, ‘As you just explained, the man without the soot.’ Gimzo cried, ‘No, you foolish one! There was a mirror on the wall and the man with the dirty face saw how sooty it was and washed it.’ The Roman said, ‘Ah ha! So that’s the study of law! Conforming to the logical.’ But Rabbi Gimzo said, ‘No, you foolish one. Two men climbed down the chimney. One’s face became sooty? The other’s not? That’s impossible. You’re wasting my time with such a proposition.’ And the Roman said, ‘So that’s the law! Common sense.’ And Gimzo said, ‘You foolish man! Of course it was possible. When the first man climbed down the chimney he brushed the soot away. So the man who followed found none to mar him.’ And the Roman cried, ‘That’s brilliant, Rabbi Gimzo. Law is getting at the basic facts.’ And for the last time Gimzo said, ‘No, you foolish man. Who could brush all the soot from a chimney? Who can ever understand all the facts?’ Humbly the Roman asked, ‘Then what is the law?’ And Gimzo said quietly, ‘It’s doing the best we can to ascertain God’s intention, for there were indeed two men on a roof, and they did climb down the same chimney. The first man emerged completely clean while it was the second who was covered with soot, and neither man washed his face, because you forgot to ask me whether there was any water in the basin. There was none.’ 
James A. Michener (The Source)
And when I wrote my play, how wrong I went. Was I such an emulator and fool that I needed a third party to tell us about the fate of two people who were making life difficult for each other? How easily I fell into that trap. And I surely ought to have known that this third party, who appears in all lives and literatures, this ghost of a third person, has no meaning at all, that he ought to be disavowed. He is one of Nature’s pretexts, for she is always at pains to distract humanity from her deepest secrets. He is the screen behind which a drama unfolds. He is the noise at the entrance to the voiceless quiet of a genuine conflict. I’m tempted to think that everyone has hitherto found it too difficult to speak about the two people at the heart of it; the third one, precisely because he is so unreal, is the easiest part of the task, anyone could write him. Right from the beginning of these dramas you notice their impatience to get to the third party, they can hardly wait for him to appear. Once he’s there, everything is fine. But how boring it is if he’s late, absolutely nothing can happen without him, everything comes to a standstill, pauses, waits. Yes, and what if they didn’t get past this pile-up, this logjam? What if, Mr Playwright, and you, the Public, who know about life, what if he were lost without trace, this well-liked man-about-town or this bumptious young person who fits into every marriage like a master-key? What if, for instance, he has been whisked off by the Devil? Let’s assume he has. You suddenly notice the artificial emptiness of theatres, they’re walled up like dangerous holes, and only the moths from the cushioned edges of the boxes tumble down through the hollow space with nothing to hold on to. Playwrights no longer enjoy the exclusive areas of town. All the prying public is looking on their behalf in the far corners of the world for the irreplaceable person who was the very embodiment of the action. And at the same time they’re living amongst the people, not these ‘third parties’, but the two people about whom an incredible amount could be said, but about whom nothing has ever yet been said, although they suffer and get on with things and don’t know how to manage.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
His phone dinged again. “This crazy-ass voicemail. It’s all jacked—Wait, when did you call me?” “Please don’t listen to that,” I blurted. He grinned. “Okay, now I have to hear it. Was this last night? Were you drunk? Did you drunk-dial me?” he teased. But it was too late, he’d already lifted the phone. Bile rose in my throat and the room became a thousand degrees hotter. “Please. Don’t.” “Why? What’s wrong?” He grew quiet and listened. “I don’t hear anything. Wait. You didn’t mean to call, did you? Is that another guy?” I put my face in my hands. Cade was quiet as he listened. And I prayed for a giant black hole to open and swallow me. His phone made a soft thump as he tossed it onto the coffee table. The couch moved with him as he settled back. “You can uncover your face now.” His tone didn’t sound angry but I still couldn’t face him. His hands slid around my wrists and gently tugged, forcing me to lower them. I swallowed the lump in my throat, annoyed that I didn’t even have my own car to leave. “Was that your roommate?” he asked. I nodded, my face still tucked down. “And…her boyfriend?” “No, her best friend.” “So you told your roommate about me?” I could hear the smile in his voice and looked up. “I mean, I assume you don’t know a bunch of ‘therapy dog’ guys named Cade, but I could be wrong.” “You aren’t pissed about what you heard?” “All I heard were some friends teasing you…about me. They think you want me. Bad.” He grinned. “And what I said?” “Were you serious? Because to me you sounded annoyed, maybe even defensive. And considering you stayed home last night and are with me tonight, I don’t think you really planned a, how did you put it? ‘Weekend fuckfest.’ ” He bit back a smile. “You were never supposed to hear that.” I crossed my arms. “And I expected you to be upset, not tease me about it.” He grabbed my hand. “C’mon, I’m sorry. Did you want to have a weekend fuckfest? I don’t want to interfere with your plans.” He tugged my hand, urging me to look up. “Look, we can have one. I’m game. Don’t stop on account of me.” “Shut up.” His hand made its way to my arm and he slid me along the leather couch, and tucked me into him. “Quit being all grumpy. I’m RSVPing to your fuckfest. I mean, I’ve never had one, but it seems pretty self-explanatory.” “You’re an asshole.” And by that I really meant the most perfect fucking guy ever. Who hears something like that and plays it totally cool? “So, am I also supposed to bend you over a table or something? Because I think your roommate might have mentioned that as well.” I shoved him back while trying hard not to smile. “I hate you.” He laughed and scooped me into his lap. “If it makes you feel any better, my roommate knows I have the hots for you too.” I rolled my eyes
Renita Pizzitola (Just a Little Flirt (Crush, #2))
While he’d previously had the look of a pirate about him that she’d found rather appealing, she now found him to be devastatingly handsome—not simply because he’d been born far too attractive, but because she believed she saw genuine niceness residing in his very soul. When he suddenly lifted a finger to push a damp strand of hair off her cheek, his touch caused any reasonable thoughts she still retained to flee from her mind, and everything surrounding her disappeared except Bram. “You’re very beautiful.” Just like that, the world returned in a flash. “Thank you,” she said before she stepped back from him and felt a sliver of temper—not at him, but at herself—begin flowing through her veins. She’d known he was infatuated with her, as most of her admirers were. And yet, instead of nipping that immediately in the bud, she’d allowed herself to believe he was different, different because his touch sent her pulse racing and his smile turned her knees a little weak, which, in actuality, did make him a touch different, although . . . “Forgive me, Lucetta, but have I done something to upset you?” Lucetta caught Bram’s eye. “To be perfectly honest, I’m more upset with myself.” Bram’s brow furrowed. “I’m afraid I don’t understand.” “I should have addressed the misconceptions I’m certain you’re holding about me straightaway, and yet . . . I’ve let matters fester too long.” “You do recall that we only met a few hours ago, don’t you?” “Indeed, but I’m quite certain you’ve been harboring misconceptions about me from the moment you saw me step foot on stage, which I’m going to assume was a year or two ago.” The furrow deepened. “I’m still not sure what you’re trying to say.” “I’m not a lady who enjoys being told I’m beautiful, nor am I a lady who enjoys being pampered, catered to, or treated as if I’m fragile. I’m also nothing like any of the characters I’ve ever played on stage.” “You’re exactly like the character in The Lady in the Tower,” he argued. “Charming, demure, and delightful.” Resisting a sigh, she moved to a fallen tree lying off the path and took a seat. “I would never be content to remain a prisoner in a tower, waiting for my very own prince charming to rescue me, which is exactly what Serena Seamore, my character, does. I’ve been on my own, Bram, for a very long time, and I’m quite capable, thank you very much, of taking care of myself.” She held up her hand when it looked as if he wanted to argue. “What you need to remember is that I’m an actress. Playing a part is what I do, and I’m successful because I can play parts very, very well. I’ve also been given an unusual face, expressive if you will, and that expressiveness allows me to convince people I’m someone I’m not.” “Your face is lovely, not unusual.” Lucetta waved away his compliment. “I’m not getting through to you, am I.” “Of course you are.” Lucetta drew in a deep breath and slowly released it. “I’m afraid I’m not the lady you think you hold in high esteem.” “I don’t think I hold you in high esteem, I know I do.” “Oh . . . dear,” she muttered before she squared her shoulders. “I’m peculiar.” “I highly doubt that.” “Oh,
Jen Turano (Playing the Part (A Class of Their Own, #3))
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court. "It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them." The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips. "Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so. "That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t. "Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above. On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer. "Come on," the announcer called out, prodding us. "Just one kiss won't hurt." He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer. I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile. Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything." I was quiet for a moment before whispering, "Game on, buddy." My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen. Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough. And already, I considered myself a goner. Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth. "Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now." That was our cue to separate, and I slowly drew away from Sebastian. He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips. I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only. If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch. Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless. Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
Patty Carothers and Amy Brewer (Texting Prince Charming)
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
All right, then. While it might be beyond her power to stop desiring him entirely, she didn’t have to let him control the attraction. In her years of dreaming of him--the admittedly chaste dreams of a virgin--she had been in control, making him burn and yearn, making him regret that he’d ever put her aside. Perhaps it was time to fulfill those dreams. She opened her eyes to find him watching her with a heavy-lidded gaze that promised all manner of sensual pleasures if she would just give herself over to him. She would make him keep that promise…but without giving up herself. Edwin would undoubtedly disapprove of this dalliance, but just now she didn’t care. Dom was about to learn that she wouldn’t be ruled by him or any other man. Looping her arms about his neck, she rose up on tiptoe to kiss his mouth. This time she was the one to instigate the duel of tongues and lips that sent her senses reeling. This time she was the one in control. Until Dom pulled down her bodice and corset and shift to bare her breasts. Oh, sweet Lord in heaven. He was more wicked--and more wonderful at this--than even she could have imagined. But she could be wicked, too. Remembering what Nancy had told her about men, she reached down between them to cup the hard length of him through his trousers. He jerked back. “What are you doing?” How wonderful to be the one to shock him! Though she noticed he didn’t step away or pull her hand off him. And his flesh seemed to grow beneath her very fingers. “Don’t you like it?” she said in what she hoped was a sultry-sounding voice. “Good God, yes.” He practically groaned the words. “But where the blazes did you learn to do it?” “Nancy said men like to be touched…down there.” “Wonderful. Now the sinner is instructing the saint,” he muttered before he took her mouth again, giving her no chance to protest that she wasn’t as saintly as he assumed. But clearly he’d guessed because he leaned into her hand, letting her fully explore the male appendage that Nancy had only described in furtive whispers. To Jane’s delight, the more she rubbed him through his trousers, the more his kiss changed, grew bolder, hotter, fiercer. How delicious! They had certainly never done anything like this in their youth. Perhaps if they had, he wouldn’t have been so content to toss her aside. It was definitely making her ignite. Or perhaps it was his hands roaming her body doing that. Whichever the case, an unfamiliar ache began between her legs that made her want to squirm. So she focused on caressing him with renewed vigor, hoping to regain control over this…insanity. He grabbed her hand to still it. She tore her mouth from his. “What? Am I doing it wrong?” “If you do it any more right, I will embarrass myself.” He fixed her with a dark stare. “Or perhaps that’s what you want. Another way to torture me.” “I don’t know what you mean. Am I doing it right or am I torturing you? Which is it?” He searched her face, then, apparently satisfied with what he saw there, smiled faintly. “Both.” Taking her by surprise, he dripped onto the pianoforte bench and tugged her across his lap. “Here, I’ll show you.” As he drew her skirts up to her knees, she froze. “I don’t know if this is…such a good idea, Dom.” “Oh, trust me, it’s a fine idea.” He smoothed his hands up her stockings and past her garters until he came to her drawers. “Before you go running off to seal your ‘arrangement’ with Blakeborough, you should at least have a taste of passion. Just so you’ll know how important it really is.” Pressing his mouth to her ear, he added, “Men aren’t the only ones who like to be touched there, sweeting.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Almost a decade ago, I was browsing in a Barnes & Noble when I came across a book called Route 666: On the Road to Nirvana. It was a music book about a band I liked, so I started paging through it immediately. What I remember are two sentences on the fourth page which discussed how awesome it was that 'Smells Like Teen Spirit' was on the radio, and how this was almost akin to America electing a new president: 'It's not that everything will change at once,' wrote the author, 'it's that at least the people have voted for better principles. Nirvana's being on the radio means my own values are winning: I'm no longer in the opposition.' I have never forgotten those two sentences, and there are two reasons why this memory has stuck with me. The first reason is that this was just about the craziest, scariest idea I'd ever stumbled across. The second reason, however, is way worse; what I have slowly come to realize is that most people think this way all the time. They don't merely want to hold their values; they want their values to win. And I suspect this is why people so often feel 'betrayed' by art and consumerism, and by the way the world works. I'm sure the author of Route 666 felt completely 'betrayed' when Limp Bizkit and Matchbox 20 became superfamous five years after Cobain's death and she was forced to return to 'the opposition' ...If you feel betrayed by culture, it's not because you're right and the universe is fucked; it's only because you're not like most other people. But this should make you happy, because—in all likelihood—you hate those other people, anyway. You are being betrayed by a culture that has no relationship to who you are or how you live... Do you want to be happy? I suspect that you do. Well, here’s the first step to happiness: Don’t get pissed off that people who aren’t you happen to think Paris Hilton is interesting and deserves to be on TV every other day; the fame surrounding Paris Hilton is not a reflection on your life (unless you want it to be). Don’t get pissed off because the Yeah Yeah Yeahs aren’t on the radio enough; you can buy the goddamn record and play “Maps” all goddamn day (if that’s what you want). Don’t get pissed off because people didn’t vote the way you voted. You knew that the country was polarized, and you knew that half of America is more upset by gay people getting married than it is about starting a war under false pretenses. You always knew that many Americans worry more about God than they worry about the economy, and you always knew those same Americans assume you’re insane for feeling otherwise (just as you find them insane for supporting a theocracy). You knew this was a democracy when you agreed to participate, so you knew this was how things might work out. So don’t get pissed off over the fact that the way you feel about culture isn’t some kind of universal consensus. Because if you do, you will end up feeling betrayed. And it will be your own fault. You will feel bad, and you will deserve it. Now it’s quite possible you disagree with me on this issue. And if you do, I know what your argument is: you’re thinking, But I’m idealistic. This is what people who want to inflict their values on other people always think; they think that there is some kind of romantic, respectable aura that insulates the inflexible, and that their disappointment with culture latently proves that they’re tragically trapped by their own intellect and good taste. Somehow, they think their sense of betrayal gives them integrity. It does not. If you really have integrity—if you truly live by your ideals, and those ideals dictate how you engage with the world at large—you will never feel betrayed by culture. You will simply enjoy culture more.
Chuck Klosterman (Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas)
I wanted to apologize.” His gaze lifted from her bosom. He remembered those breasts in his hands. “For what?” “For deceiving you as I did. I misunderstood the nature of our relationship and behaved like a spoiled little girl. It was a terrible mistake and I hope you can find it in your heart to forgive me.” A terrible mistake? A mistake to be sure, but terrible? “There is nothing to forgive,” he replied with a tight smile. “We were both at fault.” “Yes,” she agreed with a smile of her own. “You are right. Can we be friends again?” “We never stopped.” At least that much was true. He might have played the fool, might have taken advantage of her, but he never ceased caring for her. He never would. Rose practically sighed in relief. Grey had to struggle to keep his eyes on her face. “Good. I’m so glad you feel that way. Because I do so want your approval when I find the man I’m going to marry.” Grey’s lips seized, stuck in a parody of good humor. “The choice is ultimately yours, Rose.” She waved a gloved hand. “Oh, I know that, but your opinion meant so much to Papa, and since he isn’t here to guide me, I would be so honored if you would accept that burden as well as the others you’ve so obligingly undertaken.” Help her pick a husband? Was this some kind of cruel joke? What next, did she want his blessing? She took both of his hands in hers. “I know this is rather premature, but next to Papa you have been the most important man in my life. I wonder…” She bit her top lip. “If you would consider acting in Papa’s stead and giving me away when the time comes?” He’d sling her over his shoulder and run her all the way to Gretna Green if it meant putting an end to this torture! “I would be honored.” He made the promise because he knew whomever she married wouldn’t allow him to keep it. No man in his right mind would want Grey at his wedding, let along handling his bride. Was it relief or consternation that lit her lovely face? “Oh, good. I was afraid perhaps you wouldn’t, given your fear of going out into society.” Grey scowled. Fear? Back to being a coward again was he? “Whatever gave you that notion?” She looked genuinely perplexed. “Well, the other day Kellan told me how awful your reputation had become before your attack. I assumed your shame over that to be why you avoid going out into public now.” “You assume wrong.” He'd never spoken to her with such a cold tone in all the years he'd known her. "I had no idea your opinion of me had sunk so low. And as one who has also been bandied about by gossips I would think you would know better than to believe everything you hear, no matter how much you might like the source." Now she appeared hurt. Doe-like eyes widened. "My opinion of you is as high as it ever was! I'm simply trying to say that I understand why you choose to hide-" "You think I'm hiding?" A vein in his temple throbbed. Innocent confusion met his gaze. "Aren't you?" "I avoid society because I despise it," he informed her tightly. "I would have thought you'd know that about me after all these years." She smiled sweetly. "I think my recent behavior has proven that I don't know you that well at all. After all, I obviously did not achieve my goal in seducing you, did I?" Christ Almighty. The girl knew how to turn his world arse over appetite. "There's no shame in being embarrassed, Grey. I know you regret the past, and I understand how difficult it would be for you to reenter society with that regret handing over you head." "Rose, I am not embarrassed, and I am not hiding. I shun society because I despise it. I hate the false kindness and the rules and the hypocrisy of it. Do you understand what I am saying? It is because of society that I have this." He pointed at the side of his face where the ragged scar ran.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Wittgenstein uses this beetle analogy to suggest that the felt states and sensations that occur in a person’s mind; things like smell, pain, love, happiness, sadness, and so on are things that no one can communicate sufficiently enough to share and reveal their experiences to others. I can never see your beetle, and you can never see mine. When we attempt to think and communicate about the beetle, though, the word has to be a word that everyone understands and can be taught for the word to have any meaning. According to Wittgenstein and many others, language is entirely social. This theory is known as the Private Language Argument, which proposes that no language can be understandable if it is solely to one individual. Rather, language is only formed through shared use amongst a community of others. Thus, the sensation of something might exist exclusively to one’s self, but it can never be understood in terms of language exclusively to one’s self. Meaning, we can never know if anyone experiences anything the same way we experience it, even if everyone talks about it in the same words. We can only assume. Arguably, trying to rationalize, communicate, and comprehend the mental experience of a sensation as it actually is, becomes inconceivable after a certain point. For example, one could say that fresh cut grass smells good, but when asked what it smells like, they would have to go on to say things like it smells natural or like the season of spring. If then asked, what that smells like, perhaps if one tried hard enough, they could come with a few other smells to compare it to, but they would eventually and inevitably reach the limits of language. There would be a final question of what it smells like that would have no answer. A sensation beyond words that no one besides the smeller could know for sure what is like. “Whereof one cannot speak, thereof one must be silent.” Wittgenstein writes when referring to the notion of subjective experience and that which exceeds language and logical understanding. Beyond the suggestions of language and shared meaning, arguably what is most thought-provoking about all of this is the notion that we can never know what it feels like to be anyone else other than our self. We can never know what the world might look, taste, smell, sound, and feel like from outside our own heads. We can never verify what anyone else’s color blue looks like, or what anyone else’s punch in the arm feels like, or what anyone else’s sense of love or happiness is like. We are all locked inside our minds, yelling out to each other in an attempt to find out, but never capable of entering anyone else’s to find out for sure. Even if the framework, structure, and wiring of each of our brains are mostly identical, the unknowable conscious psychological layer on top of it all transmutes the experience of neurological occurrences into something abstract, distanced enough from the measurable and communicable to ever know exactly what any of it is, where it comes from, and how it might change in different heads. Ultimately, no matter the philosophical stance or scientific theory, it is fair to argue that at a minimum no one can or will ever know what it means to have navigated and experienced this universe in the way that you have and will. Each moment that you experience, a particular sense or image of the world with your particular conditions of consciousness, is forever yours exclusively, withholding the mystery of what it means to actually be you for all of eternity. Perhaps we all feel and experience in nearly identical ways, or perhaps we all feel and experience in very dissimilar ways. Your version of blue, your sensation of pain, your experience of love, could perhaps be its only version of blue, its only version of pain, and its only version of love to ever exist in the entire universe. The point is, we don’t know because each of us holds the answer that no one can ever access.
Robert Pantano
a workshop with an African American man. A white participant said to him, “I don’t see race; I don’t see you as black.” My co-trainer’s response was, “Then how will you see racism?” He then explained to her that he was black, he was confident that she could see this, and that his race meant that he had a very different experience in life than she did. If she were ever going to understand or challenge racism, she would need to acknowledge this difference. Pretending that she did not notice that he was black was not helpful to him in any way, as it denied his reality—indeed, it refused his reality—and kept hers insular and unchallenged. This pretense that she did not notice his race assumed that he was “just like her,” and in so doing, she projected her reality onto him.
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
Companies don’t even need to merge in order to pay workers less than they’d have to pay in a truly free labor market. I’d assumed only high-end employees were ever required to sign noncompete contracts—an HBO executive prohibited from going to work at Netflix, a coder at Lyft who can’t take a job coding for Uber. But no: shockingly, noncompetes have come to be used just as much to prevent a $10-an-hour fry cook at Los Pollos Hermanos from quitting to work for $10.75 at Popeyes. Of all American workers making less than $40,000 a year, one in eight are bound by noncompete agreements. As another way to reduce workers’ leverage, three-quarters of fast-food franchise chains have contractually prohibited their restaurant operators from hiring workers away from fellow franchisees.
Kurt Andersen (Evil Geniuses: The Unmaking of America)
I know we’re just getting to know each other on a more personal level but know you don’t ever have to ask for something from me. Especially no ride home. If I’m wherever you are, know that’s a guaranteed ride. Eventually, I’ma know you so well, every want or need you have will be mine to fulfill without question. So, you can assume all you want, love. You’ll be wrong every time.
BriAnn Danae (Lucky # Sevyn (Erotic Love Language, #3))
Warren Buffett didn’t take his rejection by Harvard Business School to heart because, as he says, ‘I always knew I was going to be rich. I don’t think I ever doubted it for a minute.’ Don’t assume that other people are right about you and you are wrong; only you know what you’re truly capable of. Luckily Fred Astaire had already learned to think positively and ignore the negative when he received this famously unfavourable review of a screen test, ‘Can’t sing. Can’t act. Balding. Can dance a little.
John Middleton (Wallace D. Wattles' The Science of Getting Rich: A modern-day interpretation of a personal finance classic (Infinite Success))
Racism is so dangerous because it does not necessarily depend on individual actors, but rather is deeply embedded in the apparatus… And once you’re in the apparatus… Yes. And it doesn’t matter that a Black woman heads the national police. The technology, the regimes, the targets are still the same. I fear that if we don’t take seriously the ways in which racism is embedded in structures of institutions, if we assume that there must be an identifiable racist… The “bad apples” type of… …who is the perpetrator, then we won’t ever succeed in eradicating racism.
Angela Y. Davis (Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement)
You know I’m not saying that. Please, assume my good faith. It’ll save time. The world is at stake.” “For some of us there are bigger things than the world.” “Like the mathematical truth of existence?” “Like the fate of our souls. You keep saying, The world will end if you don’t do what I want. But maybe doing what you want is worse than the end of the world. Maybe that’s why we have religion, did you ever think that? So that we can do the right thing even when there’s no good worldly reason.
Seth Dickinson (Exordia)
I would just always wonder if I could ever really know a white woman, if she could ever really know me.” He shakes his head. “Enough to trust her with my life? With my children?” “And did your wife really know you? I bet she didn’t think you would cheat on her, but you did, and from what I can tell, you’re both Black.” A heavy silence follows my words, and as we sit in it, Iz slowly raises his eyes. “I didn’t cheat on her.” He twists the grim line of his mouth around the words. “She cheated on me.” Damn. Now I feel like a real asshole. “I’m sorry about that. I assumed . . .” I leave not-well-enough alone and press on. “I do know I don’t ever have to worry about that and neither does Bristol. It’s nothing to do with our race. I would never do that to her, and I know she would never do that to me. Have you never been captivated by someone so much that the rest of your life without them seems . . . empty?
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
About four in the afternoon, Everest time—twenty-two hours into the storm—the miracle occurred: I opened my eyes. Several improbable, if not impossible, events would follow in succession. I would stand and struggle alone back to High Camp. Next day I’d stand again and negotiate the Lhotse Face. Then there would be the highest-altitude helicopter rescue ever. Those were the big things. The miracle was a quiet thing: I opened my eyes and was given a chance to try. In my confused state, I at first believed that I was warm and comfortable in my bed at home, with Texas sunlight streaming in through the window. But as my head cleared I saw my gloveless hand directly in front of my face, a gray and lifeless thing. I smashed it onto the ice. It bounced, making a sound like a block of wood. This had the marvelous effect of focusing my attention: I am not in my own bed. I am somewhere on the mountain—I don’t know where. I can’t see at any distance, but I know that I am alone. It would take a while to recapture the previous night in my mind. When I did, I assumed the others all were rescued and that for some reason I was overlooked, left behind. Was it something I said? Innately, I knew that the cavalry was not coming. If they were going to be there, they already would have been there. I was on my own. One mystery still unsolved is why I no longer was lying next to Yasuko. She remained where Stuart Hutchison and the Sherpas found, and left, us that morning. But I awoke from the coma alone and a good distance away that afternoon. I can only surmise that sometime between morning and late day I semi-revived and somehow made my way (perhaps fifty yards) in the direction of High Camp before collapsing again.
Beck Weathers (Left for Dead: My Journey Home from Everest)
Yeah. So I guess that’s my answer. I’d still do it, even knowing what would happen. And if I ever get free …” Bryce halted her stirring. Met his stare unblinkingly as Hunt said, “I remember every one of them who was there on the battlefield, who brought down Shahar. And all the angels, the Asteri, the Senate, the Governors—all of them, who were there at our sentencing.” He leaned against the counter behind them and swigged from his beer, letting her fill in the rest. “And after you’ve killed them all? What then?” He blinked at the lack of fear, of judgment. “Assuming I live through it, you mean.” “Assuming you live through taking on the Archangels and Asteri, what then?” “I don’t know.” He gave her a half smile. “Maybe you and I can figure it out, Quinlan. We’ll have centuries to do it.” “If I make the Drop.” He started. “You would choose not to?” It was rare—so, so rare for a Vanir to refuse to make the Drop and live only a mortal life span. She added more vegetables and seasoning to the pan before throwing a packet of instant rice into the microwave. “I don’t know. I’d need an Anchor.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
But, in my opinion, the most horrifying part of Anna’s experience isn’t what happens to her physically, but how the people around her react: how her doctors dismiss and ignore her, expecting her to suffer through her pain for the good of her baby without any concern for whether her body can handle it; how her husband assumes she’s either making up or exaggerating her symptoms. I’m afraid I didn’t have to exaggerate these reactions at all. They’re all too real. The tendency to assume that women can’t be trusted to accurately convey their symptoms comes from the historical diagnosis of “hysteria,” which was once thought to be a medical condition said to only affect women. Doctors were taught that women were inherently liars, unreliable, or hysterical hypochondriacs. In some cases, they were even believed to be possessed. And these beliefs have persisted, even after the diagnosis of hysteria was proven to be nonsense. To this day doctors prescribe less pain medication to women than they do to men, they take longer to diagnose us with illness, and they’re more likely to send us home in the middle of a medical emergency like a heart attack. Unfortunately, all these prejudices disproportionately affect women of color. If you’re ever curious about why the maternal mortality rate in the United States is so high—particularly among Black women—these are good places to start. Doctors don’t understand our bodies, they don’t believe us about our symptoms, and they ignore us when we try to tell them we’re in pain.
Danielle Valentine (Delicate Condition)
we can do about getting you bailed … blah, blah, blah … But before we get into all that just explain one thing for me, yeah?’ As he pauses, my brow furrows in anticipation. ‘You’re my brief, innit?’ ‘I am indeed your legal representative.’ ‘And that means I can ask you anything I like, yeah?’ My brow furrows further. Soon my entire upper face will be one huge wrinkle. ‘Is there some specific aspect of your case you’d like to talk about, Mr Nazeeb?’ ‘Not about my case, about you, blood. No offence but … how comes you, a black geezer, talks like a posh white geezer? Is your mum the queen or something?’ He laughs heartily as though this is the funniest joke he’s ever heard. ‘Dude, you don’t sound nuthin’ like any of the black geezers from round my ends and it’s proper doing my head in. What’s your story?’ One might assume that given Mr Nazeeb is being held in custody for attacking a rival drug dealer with a baseball bat, is looking at a five-year sentence, has already had an appeal for bail turned down and is facing a second in just twenty-five minutes, he would be a tad more focused on his current situation. But to make such an assumption about the twenty-seven-year-old Asian man sitting across the table from me (dressed head to toe in his drug-dealing street uniform of baseball cap, black North Face jacket, grey sweatshirt, matching jogging bottoms and bright white box-fresh trainers), one would need to be ignorant of a truth of which I have long been painfully aware: that little frustrates the human brain so much as an inability to immediately pigeonhole complete strangers. And for the man sitting across from me in a dingy conference room at Westminster Magistrates Court the question of why I, as a thirty-four-year-old criminal barrister with light-brown skin, Caribbean heritage and a three-piece pinstripe suit, don’t drop my aitches is, it would appear, of greater priority than even personal liberty. It is a phenomenon unbounded not only by race but
Mike Gayle (Half a World Away)
She smiled, the same sunny expression that for years I had assumed was simple and guileless. "I know. You think you love him. I saw you kissing in the graveyard. Or are you going to pretend you don't enjoy bedding our enemy?" "It's not..." But I couldn't go on; I remembered his kisses, his fingers running through my hair, his skin against mine, and it felt like my whole body was blushing. Astraia's smile vanished. "You like it." Her voice was low and shaky. "All these years you were miserable. All these years I tried and tried to comfort you but nothing ever worked until at last I thought you were broken. I felt so useless that I couldn't heal you. But really, all you ever needed was to kiss our mother's murderer and become a demon's whore--
Rosamund Hodge (Cruel Beauty)
Had I ever wanted to be male? I had just assumed I was male, and would have no choice in the matter. "The people wouldn't be as hard on you if I were male." [...] "I have too many feelings," I said. "I want to be your same-sex child, but I don't want to cause the family trouble." "What do you want for yourself?" [...] "I wouldn't want to give up being what I am," I said. "I....I want to be ooloi. I really want it. And I wish I didn't. How can I want to cause the family so much trouble?" "You want to be what you are. That's healthy and right for you. What we do about it is our decision, our responsibility. Not yours.
Octavia E. Butler
Then be wise about it. There are two kinds of important men, Shallan. There are those who, when the boulder of time rolls toward them, stand up in front of it and hold out their hands. All their lives, they’ve been told how great they are. They assume the world itself will bend to their whims as their nurse did when fetching them a fresh cup of milk. “Those men end up squished. “Other men stand to the side when the boulder of time passes, but are quick to say, ‘See what I did! I made the boulder roll there. Don’t make me do it again!’ “These men end up getting everyone else squished.” “Is there not a third type of person?” “There is, but they are oh so rare. These know they can’t stop the boulder. So they walk beside it, study it, and bide their time. Then they shove it—ever so slightly—to create a deviation in its path. “These are the men … well, these are the men who actually change the world. And they terrify me. For men never see as far as they think they do.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Well for one because you could never keep your eyes off me.” He wagged his eyebrows, and I blushed. “Hey, I could never keep my eyes off you either. The things I fantasized about doing to you, especially when you would tell me off in meetings. Even when I thought I hated you, I still wanted you.” “No way.” “Yes. Didn’t you ever wonder why I stayed seated when you paced around the room?” “I assumed it was some sort of power play.” He snorted a laugh. “If only. It was because I usually had to hide a hard-on under the table. Well that and I liked to watch you work yourself up. You should have reported me to HR.” “I really should have. But I guess lucky for me that I didn’t.” I grinned at him and got up to pack, feeling the heat of his gaze on my body. “Bet you never though I’d be waking up next to you though.” “I might still smother you in your sleep. Don’t get cocky.” He laughed and pulled me against him.
Sophia Travers (Partner Material (Keep Your Enemy Closer, #1))
The King's Perspective There's a story of a king And this story is very true Some say it's just a rumor Some say it's just a ruse They called the man King Flip But that wasn't really his name His name was Filipileetos But that's too hard to say King FLip had a penchant For really expensive things He liked anything shiny And anything with bling He had the nicest castle Out of all the lands But that didn't stop him From wanting one even more grand So he bought a town called perspective And made the people build him a castle At the top of their highest mountain He didn't care if it was a hassle When the work was finally done He decided to go inspect it But when he arrived in the town of Perspective It was exactly as he'd left it He couldn't find a castle It wasn't on the mountain It wasn't on the breach It wasn't on the mainland He immediately grew angry And sought his just revenge On all those who had fooled him On the town, his army did descend When the people were all dead A red cardinal then appeared "King Flip, what have you done? You killed good people, I do fear." King Flip tried to explain That the town deserved to die For his castle was never build Or he would see it with his own eyes The bird said, "But King, you merely assumed. You didn't even try Look from a different perspective, Don't just look from your own two eyes." The bird then led him over to where The castle should surely be He then moved aside a boulder And King Flip feel to his knees For inside the mountain was the castle The most magnificent one ever build King Flip couldn't believe his eyes He quickly became wracked with guilt He had killed so many people. People he should have protected Simply because he couldn't see the castle from their perspective "Hide their bodies!" King Flip yelled "Hide every last one! Put them inside the mountain And then close those doors for good!" The kings army hid the bodies And King Flip fled the land HE went back to his old castle And never spoke of Perspective again Some say this story isn't true Some say it never existed But look at any map and you'll see There is no longer a town called Perspective.
Colleen Hoover (Without Merit)
I’m not assuming or expecting anything. You don’t need to do a single thing for me. Ever.
Sarah Smith (Dessert Flirt Repeat (Grant Siblings Series, #1))
Here is a stark example. If you have time, I suggest watching the YouTube video of the January 2000 presentation by the president of Enron, Jeffrey Skilling, and his senior management on the launch of Enron Broadband.2 I dare you not to be impressed. The guys are poised, confident, and, at least to my eyes, extremely competent. It is hard to find fault with their strategy or vision, and their execution plan for broadband services seems spot on. However, in less than two years after this impressive presentation, Enron went bankrupt, and in 2006 Skilling was sent to prison for perpetrating a massive fraud.3 Except for a few short sellers, no professional analysts or investors could have guessed what was going on at Enron even though the management was quite open to the media and regularly gave interviews. I know what you are thinking. Am I building my entire case on an outlier like Enron? Let’s look at it another way. I assume you have read the interviews of many CEOs or company presidents. Did any mention that they don’t care for the customer, that they have stopped innovating, or that they hire people who have been rejected by other companies? Have you ever heard a company leader disparage their products or services or admit that their competition is doing a better job or that they are sick and tired of company politics?
Pulak Prasad (What I Learned About Investing from Darwin)
the biographies usually tell us about the genius’s school days. The slight awkwardness is that we don’t know if he ever went to school. He may have attended the local grammar school—his father’s position on the town council would have allowed him to attend for free—but the school’s records have disappeared. In order to write the plays, however, he must have received an education, so scholars assume he attended.
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
When we reached the last room, I asked Katy which picture was her favorite. She led me back to the one that had stumped her in the synonym department. Her sister, Emily, who’s fourteen and had been off wandering through the Met’s collection of European paintings, then showed me her favorite piece in the museum: a Monet water lily (the first she’d ever seen) from 1919. This is when I let each girl in on a secret: It can be yours. No different from falling in love with a song, one may fall in love with a work of art and claim it as one’s own. Ownership does not come free. One must spend time with it; visit at different times of the day or evening; and bring to it one’s full attention. The investment will be repaid as one discovers something new with each viewing—say, a detail in the background, a person nearly cropped from the picture frame, or a tiny patch of canvas left unpainted, deliberately so, one may assume, as if to remind you not to take all the painted parts for granted. This is true not just for New Yorkers but for anyone anywhere with art to be visited—art being a relative term, in my definition. Your Monet may, in fact, be an unpolished gemstone or mineral element. Natural history museums are filled with beauties fairly begging to be adopted. Stay alert. Next time a tattered Egyptian mummy speaks to you across the ages, don’t walk away. Stay awhile. Spend some time with it. Give it a proper name: Yours. But don’t be hasty. You must be sure you are besotted. When it happens, you will know.
Bill Hayes (Insomniac City: New York, Oliver, and Me)
But given all the inherent limitations in recording dreams, interpreting them, comparing them to subsequent and prior events across the span of a whole lifetime, and sharing them with others, there would really be no way to make a firm assessment of how many dreams may relate to future experiences, and certainly no way to make an estimate that would hold water scientifically. We have to appeal to the philosopher’s reason on this question: if anywhere near a quarter of them can be shown reasonably to be precognitive, then it is reasonable that many more may be precognitive and we just don’t detect them as such. You will seldom see precognition if you aren’t looking for it, and until now, few have looked for it. The worst mistake would be to assume that, since precognition is hard to fathom, the brain therefore finds it hard to do. That’s a fallacy. If you accept the basic premise that some dreams do relate to future experiences, it raises the reasonable—indeed natural—question: Why would evolution create a brain that reaches into its own future but only manifest that ability occasionally? Might all dreams be precognitive? It may really be a mistake to speak of precognitive dreams as some distinct set of dreams targeting a future event versus one in the past. Dunne suspected that dreams draw equally on past and future experiences.5 Again, dreams that seem to be about past experiences, per our cultural assumptions or per some standard dream theory like Freud’s, could simply be using past bricks (identifiable items and experiences in memory) to pre-present some future experience that goes unnoticed by the dreamer or dream researcher. Thus, coming to some realistic estimate of the true prevalence of dream precognition is the kind of question that is going to require many precognitive dreamworkers sharing their experiences to help answer. The bottom line is this: we should stop thinking of precognition as something like the special holiday china our moms kept in a certain cupboard and brought out just once a year. Our brains likely use it every day, every night, possibly even every dream, for all occasions big and small. If the brain ever does it, it probably always does it. Principle #9 of precognitive dreamwork isn’t a conclusion so much as a working presumption: Assume (without ever being able to prove it) that all your dreams may be precognitive.
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
Was the Neolithic Revolution good or bad for humanity? In what American political scientist and anthropologist James Scott calls the “standard civilizational narrative”—which is advocated by everyone from Thomas Hobbes to Marx—the adoption of settled agriculture is assumed to be an “epoch-making leap in mankind’s well-being: more leisure, better nutrition, longer life expectancy, and, at long last, a settled life that promoted the household arts and the development of civilization.”[14] The alternative to the standard civilizational narrative sees prehistoric hunter-gatherers as the real-world equivalent of Adam and Eve in the Garden of Eden.[15] Humans lived in a milieu of happy abundance until we decided to take up farming. This may have had the benefit of allowing us to produce more food, but it also led to the emergence of despotism, inequality, poverty and back-breaking, mind-numbing work. Jean-Jacques Rousseau is perhaps the most notable champion of the “Fall of Man” theory, and more recently Jared Diamond argued that the adoption of settled agriculture was the “worst mistake in the history of the human race.”[16] Graeber and Wengrow argue that both of these grand theories oversimplify the argument. They assume that the adoption of settled agriculture—in particular cereal-farming and grain storage—led to the emergence of hierarchies and states. In the standard civilizational narrative this is the best thing that ever happened to our species; for Rousseau and Diamond it is the worst. But the link between farming and civilization is far from straightforward. The earliest examples of complex states don’t appear until six millennia after the Neolithic Revolution first began in the Middle East, and they didn’t develop at all in some places where farming emerged. “To say that cereal-farming was responsible for the rise of such states is a little like saying that the development of calculus in medieval Persia is responsible for the invention of the atom bomb.
Jonathan Kennedy (Pathogenesis: A History of the World in Eight Plagues)
I don’t think anyone ever truly moves on. You can heal, sure, but letting go insinuates you don’t want to remember anymore. And the memories aren’t the problem. The mistake people make in life is that they assume pain is bad. But really, pain means you feel something. It means you’re alive. It’s about using it as a weapon rather than a weakness. So heal yourself, but don’t let go of the memories. They’re what make you so very you.
Lauren Asher (Wrecked (Dirty Air, #3))
Ever since the accident, people assume that I’m unaware of what goes on around me. That I don’t listen.
Charlie Donlea (Don't Believe It)
You don't ever know what anyone's really like,' I said 'Cause you do.' 'How?' 'They tell you; you tell them.' 'That's assuming you're honest. What if you lie?' 'Why would you want to lie?
Tim Relf (Stag)
Dear Children, I am your dad. The father of all five of you pale creatures. Given how attractive and fertile your mother is, there may be more of you by the time you read this book. If you are reading this, I am probably dead. I would assume this because I can honestly foresee no other situation where you’d be interested in anything I’ve done. Right now, you are actually more interested in preventing me from doing things like working, sleeping, and smiling. I’m kidding, of course. Kind of. I love you with all of my heart, but you are probably the reason I’m dead. All right, you didn’t kill me. Your mother did. She kept getting pregnant! I don’t know how. Don’t think about it. It will give you the willies. At one point, I was afraid she got pregnant while she was pregnant. She was so fertile I didn’t even let her hold avocados. Anyway, this is a book all about what I observed being your dad when you were very young and I had some hair back in good old 2013. So why a book? Well, since you’ve come into my life, you’ve been a constant source of entertainment while simultaneously driving me insane. I felt I had to write down my observations about you in a book. And also for money, so you could eat and continue to break things. By the way, I’m sorry I yelled so much and did that loud clapping thing with my hands. I hated when my dad would do the loud clapping thing with his hands, so every time I do the loud clapping thing, it pains me in many ways. Most of the pain is because that loud clapping thing actually hurts my hands. You may be wondering how I wrote this book. From a very early age, you all instinctively knew I wasn’t that bright of a guy. Probably from all the times you had to correct me when I couldn’t read all the words in The Cat in the Hat. Hell, I find writing e-mails a chore. (Thank you, spell-check!) I wrote this book with the help of many people, but mostly your mother. Your mother is not only the only woman I’ve ever loved, but also the funniest person I know. When your mom was not in labor yelling at me, she made me laugh so hard. Love, Dad P.S. How did you get that hula hoop into that restaurant Easter 2011? Who’s Who in the Cast Jim Gaffigan (Dad).
Jim Gaffigan (Dad Is Fat)
Shelby is a wonderful young woman. You’re good together.” “Mother…” “It isn’t just her. Oh, it’s obvious she loves you. But it’s also you. The second she’s near you, all those tense lines in your face relax and you soften up. That grumpy, self-protective shield drops and you’re warm and affectionate. She’s good for you, she brings out your best, makes you fun. You have something special with her.” “She’s twenty-five.” Maureen shook her head. “I don’t think that’s relevant. It doesn’t seem to have anything to do with how you two communicate…” “There are things you don’t understand about Shelby,” he said. “She’s not just young, she hasn’t had many relationships. She’s been taking care of her mother and hasn’t really looked at the world. In a lot of ways, she’s a child.” “I know all about her mother, but she’s no child,” Maureen said. “It takes maturity and courage to do what she did. So she didn’t have a lot of relationships with young men, it doesn’t mean she lacks worldly experience. And your age doesn’t matter to her.” “It will. I’m too old. I’m not going to stand still while she gets older. She’ll be thirty-five and I’ll be almost fifty. She’d find herself with an old man.” “At fifty?” She laughed. “I liked fifty,” she said with a dismissive shrug. “Fifty was good. I was only twenty-three when I married your father and I never thought of him as too old for me. To the contrary, it made me feel better in so many ways, to be with a mature man, a man of experience who didn’t have doubts anymore. He was stable and solid. It brought me comfort. And he was awful good to me.” Luke straightened his shoulders. “I’m not getting married. Shelby will move on, Mom. She wants a career. A young husband. She wants a family.” “You know this?” Maureen asked. “Of course I know that,” he said. “You think we haven’t talked? I didn’t lead her on. And she didn’t lead me on. She knows I don’t want a wife, don’t want children…” Maureen was quiet for a long moment. Finally she said, “You did once.” Luke let go a short laugh that was tinged with his inner rage. “I’m cured of that.” “You have to think about this. The way you’ve managed your life since Felicia hasn’t exactly brought you peace. I suppose it’s normal when a man gets hurt to avoid anything risky for a while, but not for thirteen years, Luke. If the right person comes along, don’t assume it can’t work just because it didn’t work once, a long, long time ago. I know this young woman as well as I ever knew Felicia. Luke, Shelby is nothing like her. Nothing.” Luke pursed his lips, looked away for a second and then took a slow sip of coffee. “Thank you, Mom. I’ll remember that.” She stepped toward him. “It’s going to hurt just as much to let her go as it hurt you to be tossed away by Felicia. Remember that.” “You know, I don’t think I’m the one guilty of assumptions here,” he said impatiently. “What makes you think all people want a tidy little marriage and children? Huh? I’ve been damn happy the past dozen years. I’ve been challenged and successful in my own way, I’ve had a good time, good friends, a few relationships…” “You’ve been treading water,” she said. “You’re marking the years, not living them. There’s more to life, Luke. I hope you let yourself see—you’re in such a good place right now—you can have it all. You put in your army years and it left you with a pension while you’re still young. You’re healthy, smart, accomplished, and you have a good woman. She’s devoted to you. There’s no reason you have to be alone for the rest of your life. It’s not too late.” He’d
Robyn Carr (Temptation Ridge)
Cordy,” Uncle Mort interjected, “helpful things. Please.” “Sure, yeah,” Cordy said, still staring at her honeybunch’s biceps. “What do you want to know?” “You can see into all the windows, right? What’s going on?” “Well, ever since that alarm went off, everyone’s been going schizoid. The place is swarming with guards—all looking for you, I assume?” They nodded. “Well done. I think so far you’ve thrown them, but . . .” She looked up. “They’re all over the place, especially the next few floors.” “Residential.” Uncle Mort nodded. “That’s where they’ll be thickest. What about near the top, in Executive?” Cordy shrugged. “I don’t know—the windows are blocked to us for the uppermost twenty floors or so. Sorry.” “Damn, she’s good.” The sparkle in his eye left little doubt that he was talking about Skyla. When Lex looked offended, he crossed his arms. “Hey, if we were defending this building instead of attacking it, you’d be very impressed right now.” Cordy pointed at him and gave Lex a questioning look. “Uncle Mort has a girlfriend,” Lex explained. “Whaa?” Cordy said. “Don’t even ask. It’s beyond our powers of human comprehension.” “Gross!” “They even have a weird pool table euphemism for the dirty stuff.” “Super gross!” “Here’s an idea, Cordy,” Uncle Mort said, his irritation barely contained. “Why don’t you make yourself useful and keep a lookout for us?” Cordy pouted. “Fine.” She leaned in to Lex and pointed back at her uncle. “I want to hear more about the lovefest later.” “You really don’t.
Gina Damico (Rogue (Croak, #3))
I laughed from the doorway as I watched them struggle.  She would wrap her arms around his neck to buckle the collar, and he would duck or shift to avoid her but he never got up and walked away.  I caught a twinkle of amusement in his canine eyes. I knew Rachel wouldn’t give up getting a real collar on him.  He needed proof of license.  Yet, he appeared very determined to avoid the collar.  It served him right.  He was the one who chose to be a dog. Rachel mumbled again, and I decided to take pity on her.  I knew how to reason with him.  If Clay ever wanted to leave the house with me, he had to have a collar.  I just needed to point that out. “Here.”  I held out my hand.  “I’ll try.” “Good luck,” she said with a laugh as she got off her knees and handed me the collar.  She took my position in the doorway. “It was the biggest collar they had.  I don’t even know if it fits, he won’t let me get close enough.” With a half-smile on my face, I knelt in front of Clay.  I liked that he had a sense of humor when he interacted with Rachel.  It made having him in the house tolerable...almost. I looked him in the eye. “Clay, if you want to be able to go anywhere with us, you need a collar we can clip a leash on.  Not just the twine you have holding your tag around your neck.” He didn’t move so I leaned forward and reached for the string that held his current joke of a tag.  He held still for me while I removed the twine and replaced it with the real collar. “At least it’s not pink,” I said and patted him before I realized what I was doing. I’d forgotten myself again and treated him like a dog. I quickly stood and avoided Clay’s direct gaze. Rachel laughed.  “Hey, I wouldn’t do that to him. No pink for our man.  I don’t know why he sat still for you and not me.” I’d forgotten about Rachel.  She moved to pet and praise him for his good behavior.  If I wanted a chance of having a friend as a roommate, I knew I needed to deal with Clay as a pet.  But, I needed to watch myself.  The direction of my thoughts—his assumed permanent residency in the house—troubled me.  Making him comfortable and buying him a license wouldn’t help me get rid of him. Rachel gave him a kiss, and he sighed.  Maybe, he’d grow tired of her affection and run back to Canada.  I held onto that happy thought. “He’s moody,” I said, looking into his eyes.  Moody and stubborn with a quirky sense of humor.  Not a good combination.
Melissa Haag (Hope(less) (Judgement of the Six #1))
If left unused, conversations can grow rusty over time. The opinions and feelings we've expressed before, when left to their own devices, can grow sluggish and curmudgeonly. They become too used to sitting alone and unconsidered, and if you ask them to move, their joints can ache, or parts of them can crumble away. Sometimes you can return to an opinion you've not visited in years and find it's died and rotted away without you even noticing. Sometimes a feeling we assume we'll have for ever can abandon us and leave a gap we don't notice until we suddenly feel the need to call upon that feeling.
Janina Matthewson (Of Things Gone Astray)
Shortly before we closed the deal, Randy Michaels and Terry Jacobs, who were running Jacor, came to me to finance the acquisition of a Denver station. Jacor already owned one of the other FM stations in Denver, and this one was losing money and available cheap. They showed up in Chicago carrying a thick book of details, prepared to make their pitch. “This is a great deal,” Randy assured me. He thumped the book on the table, ready to take me through it. “Wait a minute,” I said. “Do you understand the scope of the deal—why we should buy it?” “Yes,” he replied. “All the details are right here in this book.” He added that he and Terry had worked feverishly night and day to prepare it. I picked up the book and tossed it into a corner of my office, where it landed with a thud. Randy and Terry stared at me wide-eyed. “If you really understand it, you don’t need a book,” I said. “You could put it on a single piece of paper.” They looked uncertain. “I assume this says things are going to be great, right?” They nodded. “What happens if you’re wrong? How do I get out of the room?” “What do you mean?” Randy asked. “How bad can it get?” “Well,” he said, “it’s pretty bad now, and if we fail to fix it you could lose some operating capital. But I don’t see a station in Denver ever being worth less than $4 million. I mean, the building, the transmitter—the physical assets alone are worth close to that.” “Okay, great. How good could it get?” The answer, in short, was very good. So I said, “Go do it.
Sam Zell (Am I Being Too Subtle?: Straight Talk From a Business Rebel)
I saw him kissing you.” The blood drained from her face and settled at her feet. The dark barn began to spin. “What?” she breathed. “I saw you at the rally. I saw you running from him.” Bile crept up her throat. Samuel continued. “I tried to get to you, but Watson was there first. I followed you . . . I saw everything.” A pitiful hurt knit his face. Oh, Dear Lord, what have I done. He came closer to her and stroked her arms. “I know you love me, Eliza. We’re meant for one another. I can only assume he’s forced himself upon you and that’s the reason you refuse me, but I don’t want you to worry. When you and I—” “You’re wrong Samuel! He’s done nothing but help and protect me.” He continued his gentleness, tracing her face with his eyes and stroking her arms. “I heard you’d been hurt—stabbed. Is that true? Did he do it because you tried to escape him?” Eliza’s nerves pricked. How much did he know? How long had he been watching them? “No . . . yes . . . no!” The words wouldn’t come quick enough. “I was hurt, very badly, but it wasn’t Thomas who did it. It was the sailors, we saw them . . .” She shook her head and waved her hands in front of her. “It’s too long to explain, but Thomas rescued me. Samuel, he saved my life!” Samuel’s eyes brimmed with emotion. “And for that, I will always be grateful.” His arms encircled her and he brushed his nose against her ear, his lips tracing along her jaw. An icy chill wriggled over her spine as she tried to push away. “Stop, Samuel! Don’t!” He stilled, then stepped away and dropped his lifeless hands at his sides. His features went slack and the muscles in his face ticked. “I care for you Samuel.” Eliza straightened, pulling the shawl back around her shoulders. “But I do not love you. I’m sorry. I don’t believe I ever really did. And how could I marry you now, knowing what you’ve done?” She lifted her chin and straightened her posture. “I love Thomas. We’re to be married.” His face twisted and flooded with red as he stepped forward. Eliza recoiled as his shoulders heaved from his heavy breathing “No. Never! You’re mine, Eliza!” His voice boomed as he spoke through his clenched teeth. He took a step closer reaching his hands toward her, a wicked desperation spinning in his gaze. “I know you are frightened to make such choices in your life. You could never come to a decision this easily. He’s forcing you to do these things. You don’t have to marry him, Eliza. You’re acting so different from the woman I know and love, and it pains me to see it. I will take you away and help you think clearly again.” “I am thinking clearly!” Eliza leaned into her words and clenched her fists, holding her arms rigid at her sides. “Samuel, I love Thomas and I am staying with him. I will be his wife! I’ll not go anywhere with you!” Samuel’s face turned to stone. “Yes. You. Will.” Eliza
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Something’s happened to you, my love. That odious man has treated you wrongly, I have no doubt, and filled your mind with his vile rhetoric. I’m so sorry, Eliza. You must get away from here and back to your home where you can recover and begin to think properly again. I’m ready to take you away this instant.” Eliza shook her head and tried to answer but he stopped her with his finger on her lips. His eyes narrowed and his wounded tone carried fire. “I saw him kissing you.” The blood drained from her face and settled at her feet. The dark barn began to spin. “What?” she breathed. “I saw you at the rally. I saw you running from him.” Bile crept up her throat. Samuel continued. “I tried to get to you, but Watson was there first. I followed you . . . I saw everything.” A pitiful hurt knit his face. Oh, Dear Lord, what have I done. He came closer to her and stroked her arms. “I know you love me, Eliza. We’re meant for one another. I can only assume he’s forced himself upon you and that’s the reason you refuse me, but I don’t want you to worry. When you and I—” “You’re wrong Samuel! He’s done nothing but help and protect me.” He continued his gentleness, tracing her face with his eyes and stroking her arms. “I heard you’d been hurt—stabbed. Is that true? Did he do it because you tried to escape him?” Eliza’s nerves pricked. How much did he know? How long had he been watching them? “No . . . yes . . . no!” The words wouldn’t come quick enough. “I was hurt, very badly, but it wasn’t Thomas who did it. It was the sailors, we saw them . . .” She shook her head and waved her hands in front of her. “It’s too long to explain, but Thomas rescued me. Samuel, he saved my life!” Samuel’s eyes brimmed with emotion. “And for that, I will always be grateful.” His arms encircled her and he brushed his nose against her ear, his lips tracing along her jaw. An icy chill wriggled over her spine as she tried to push away. “Stop, Samuel! Don’t!” He stilled, then stepped away and dropped his lifeless hands at his sides. His features went slack and the muscles in his face ticked. “I care for you Samuel.” Eliza straightened, pulling the shawl back around her shoulders. “But I do not love you. I’m sorry. I don’t believe I ever really did. And how could I marry you now, knowing what you’ve done?” She lifted her chin and straightened her posture. “I love Thomas. We’re to be married.” His face twisted and flooded with red as he stepped forward. Eliza recoiled as his shoulders heaved from his heavy breathing “No. Never! You’re mine, Eliza!” His voice boomed as he spoke through his clenched teeth. He took a step closer reaching his hands toward her, a wicked desperation spinning in his gaze. “I know you are frightened to make such choices in your life. You could never come to a decision this easily. He’s forcing you to do these things. You don’t have to marry him, Eliza. You’re acting so different from the woman I know and love, and it pains me to see it. I will take you away and help you think clearly again.” “I am thinking clearly!” Eliza leaned into her words and clenched her fists, holding her arms rigid at her sides. “Samuel, I love Thomas and I am staying with him. I will be his wife! I’ll not go anywhere with you!” Samuel’s face turned to stone. “Yes. You. Will.” Eliza
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Lady Kingsley, when you read this, do attempt to keep an open mind.” “I will if you will,” she retorted hotly. To her surprise, he chuckled. “I daresay neither of us will. It’s a pity, too, because if we could ever see our way clear to agreeing on a matter, we might accomplish a great deal of good in this world.” It infuriated her that he could pretend to care even one whit for these boys. “Now you’ve confused me. I’d assumed that your reason for serving on so many charitable boards was to further your political aims. Yet all the time you were merely hoping to accomplish some ‘good in this world.’ How very astonishing.” Just that quickly, his amusement vanished. “While I don’t pretend to be as morally superior as you and your late husband, my intentions are good, no matter what you make of them. It may shock you to learn that those of us with character flaws sometimes do as much good as those of you without.
Sabrina Jeffries (Fantasy (Includes: Leopard People, #0.5; Midnight, #0.5))
Within several minutes, we’re at the front of the line. I assume we’re going to keep walking, but the young English couple in front of us has me take their picture, and then they offer to take ours. I open my mouth to decline, but Bruno bursts out with a “Grazie!” and unhooks the camera from my neck, handing it to the woman. He leads me to the bench and we sit, the sides of our legs touching. My stomach clenches. This is the kissing bench. Not a single couple before us has smiled for the camera. They kiss for the camera. My eyes lock on the lens like a deer in the headlights. I force a smile, a big one, with teeth. My head nearly vibrates with the strain. This is fine. We’re going to break the trend and smile. Absolutely no kissing. The woman lifts my camera to her face. “One, two--” On two, Bruno reaches behind me and cups the back of my head in his hand, turning me to face him. His other hand is on my cheek. His lips press onto mine. The camera clicks. “WOOOOOO!” echoes around us. One person claps. Bruno pulls away but stares into my eyes for a moment before hopping up and getting my camera back for me. My head is spinning. I’ve been kissed. In Italy. By an Italian! I remain seated, stupefied, until a couple shoos me away for their turn, and soon we’re walking the next section of the path along with the English couple. Bruno chats with them--heavy accent enforced--but their words turn to garble. All I hear is He kissed me. Bruno I-don’t-even-know-how-to-pronounce-his-last-name kissed me! And it was short. Too short. No. Too long. Shouldn’t have happened. Chiara will kill us if she finds out. But she won’t find out. I’ll hide the picture from her. I’ll delete the picture! No, I have to show Morgan. And I want proof for myself. I’ll just make sure Chiara doesn’t see it. It only happened because it’s what you do at the kissing bench when you’re sitting next to the hottest Italian boy you’ve ever seen. I just have to stay away from that bench.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
You think in terms of educated palates, and you'd be right to assume most folks here wouldn't know a panna cotta from a semifreddo. But what I've discovered is that food is just another form of art. The people on Sugarberry might not know why they like it, but they know when they do. I'm discovering that I don't need to educate people, I just want to feed them and make them happy. And if in doing so, I get to play with new flavor profiles and complex combinations, even in something as rudimentary as a cupcake? That makes me happy. In fact, trying to maximize new flavors in a tiny cup of cake motivates me, challenges me. Seeing my customers lick their lips when they taste my creations is all the validation I'll ever need.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
Why did you go through with it?” she heard him ask quietly. “I thought it best for Michael.” She felt a twinge of satisfaction as she saw how that had annoyed him. Harry half sat on the bed, his posture informal. His gaze didn’t stray from her. “Had there been a choice, I would have done all this the ordinary way. I would have courted you openly, won you fairly. But you’d already decided on Bayning. This was the only alternative.” “No, it wasn’t. You could have let me be with Michael.” “It’s doubtful he ever would have offered for you. He deceived you, and himself, by assuming he could persuade his father to accept the match. You should have seen the old man when I showed him the letter—he was mortally offended by the notion of his son taking a wife so far beneath him.” That hurt, as perhaps Harry had intended, and Poppy stiffened. “Then why didn’t you let it all play out? Why not wait until Michael had abandoned me, and then come forward to pick up the pieces?” “Because there was a chance Bayning might have dared to run off with you. I couldn’t risk it. And I knew that sooner or later you’d realize that what you had with Bayning was nothing but infatuation.” Poppy gave him a glance of purest contempt. “What do you know of love?” “I’ve seen how people in love behave. And what I witnessed in the vestry this morning was nothing close to it. Had you truly wanted each other, no force in the world could have stopped you from walking out of that church together.” “You wouldn’t have allowed it!” she shot back in outrage. “True. But I would have respected the effort.” “Neither of us gives a damn about your respect.” The fact that she was speaking for Michael as well as herself . . . “us” . . . caused Harry’s face to harden. “Whatever your feelings for Bayning are, you’re my wife now. And he’ll go on to marry some blue-blooded heiress as he should have done in the first place. Now all that’s left to decide is how you and I will go on.” “I would prefer a marriage in name only.” “I don’t blame you,” Harry said calmly. “However, the marriage isn’t legal until I bed you. And, unfortunately, I never leave loopholes.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Our expectations set the limits for our lives. If you expect little, you’re going to receive little. If you don’t anticipate things to get better, then they won’t. But if you expect more favor, more good breaks, a promotion, and an increase, then you will see new levels of favor and success. Every morning when you wake up, you should declare, “Something good is going to happen to me today.” You have to set the tone at the beginning of each day. Then all through the day you should have this attitude of expectancy. Like a little child waiting to open a gift, you should be on the lookout, thinking, “I can’t wait to see what’s going to happen”--not passive, but actively expecting. Too many people drag around, thinking, “Nothing good ever happens to me.” Instead, start looking for good breaks. Expect to be at the right place at the right time. Expect your dreams to come to pass. Expect to be a winner. Don’t walk into a room anticipating people to not like you. Don’t go to the store believing that you won’t find what you need. Don’t interview for a job assuming not to get it. Your expectation is your faith at work. When you expect good breaks, expect people to like you, or expect to have a great year, then you’re releasing your faith. That’s what allows good things to happen. But your expectations work in both directions. If you get up in the morning and expect it to be a lousy day and expect no breaks and expect people to be unfriendly, then you’ll draw that in. Your faith is working. The problem is you’re using it in the wrong direction.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
page. I knew Alice was a sly one right from the start, Marigold had written rather unkindly. It looks as though she will be the first of us to get married – bags I be her bridesmaid – though I don’t know whether Tom’s actually popped the question yet. Did you think I was head over heels in love with him, like you? Because if so . . . Damn her eyes, Maddy thought furiously. How dare she insinuate I was ever in love with Tom Browning, or anyone else for that matter! Oh, how typical of Marigold to assume that everyone else feels just as she does. I could wring her neck! She screwed the letter up into a ball and guessed she was probably red in the face from sheer indignation, for half the occupants of the cookhouse were staring at her and the other half regarding her screwed-up letter with more than usual interest. She told herself not to be an idiot and carefully unravelled the crumpled pages, quickly scanning the rest of the unread sheet. Nothing of interest here, except that Marigold asked if Maddy knew that
Katie Flynn (A Summer Promise)
Jessica, Willow, and Abby burst through the door in a loud explosion of giggles and then stop at the counter to get their Diet Cokes before heading to the back to join us. I don’t really like these girls—I have never liked these girls—and yet somehow they are on the periphery of our friend group. Okay, fine, we are actually on the periphery of their friend group, since as a trio, Jessica, Willow, and Abby are by far the most popular girls in the junior class. I have no idea how they’ve managed to swing it—popularity is an undefinable thing at Mapleview, which as best I can tell involves a whole lot of unearned, effortless confidence and the ability to get other people to look at you for no reason at all. Jessica is a blonde, Willow is a brunette, and Abby is a redhead, just like every teen friend group on television (except, in this case, sans a sassy black sidekick). Boom! Best friends for life. I assume there’s more to their friendship than hair-color optics and an affinity for thong underwear. That taken individually there is the distant possibility they might actually be interesting people. I doubt I will ever know, though, since they travel as a pack
Julie Buxbaum (What to Say Next)
George, please sit down,” Luke said. “Visit a while.” “Thanks, don’t mind if I do.” George pulled a chair over from an empty table and sat right beside Maureen so that she was sandwiched between himself and Art. “What brings you back to town so soon?” he asked her. “I’m, ah, visiting.” “Fantastic,” he said. “A long visit, I hope.” Luke took his seat, chuckling as he did so. “I have a brother here right now—Sean. You might remember him as my best man. He just discovered he has a young daughter in the area. Mom is visiting us and getting to know her first granddaughter, Rosie, three and a half and smart as a whip.” “How wonderful!” George said enthusiastically. “You must be having the time of your life!” Maureen lifted a thin brow, wary of his reaction. “I am enjoying her, yes.” “First one? I suppose before too much longer the other boys will be adding to the flock.” “Only the married ones, I hope,” Maureen said. “Do you have grandchildren, Mr. Davenport?” “Oh, let’s not be so formal—I’m George. Only step-grandchildren. I had no children of my own, in fact. Noah’s the closest thing to a son I’ve ever had, but I started out as his teacher. I’m a professor at Seattle Pacific University. I’ve known him quite a few years now. I’m here to be his best man on Friday night. I hope you’re all coming to the wedding.” “Wouldn’t miss it,” Luke said, grabbing Shelby’s hand. “And…Maureen?” George asked pointedly. “I’m not sure,” she said evasively. “Well, try to come,” he said. “These Virgin River people know how to have a good time. In fact, I have an idea. Once I have my best-man duties out of the way, I suggest we go to dinner. I’ll take you someplace nice in one of the coast towns, though it’ll be hard to improve on Preacher’s cooking. But we deserve some time away from all these young people, don’t you think?” “Excuse me, George?” she asked. “I assume you were married?” “Twice, as a matter of fact. Divorced a long time ago and, more recently, widowed. My wife died a few years ago. Maybe we should pick an evening and exchange phone numbers,” he suggested. “That’s very nice of you, but no. I don’t go out with men.” “Really?” he asked, surprised by her immediate refusal. “And why is that?” “I’m a widow,” she said. “A single woman.” “What a coincidence. And I’m a single man. I’m all for free thinking, but I wouldn’t ask you to dinner were I married. Are you recently widowed?” Out of the corner of his eye, George saw Luke snicker and look away. “Yes,” Maureen said. “Oh, I’m sorry,” he said. “I was under the impression it had been years. When did you lose your husband, Maureen?” She looked a bit shocked to be put on the spot like that. It was apparent she was trying to gather her wits. She put out her hand. “It was so nice to see you again, Mr….George. I’m glad you sat and visited awhile. Maybe I’ll see you at the wedding this weekend if I’m not needed for anything else. I should probably get on the road—I have to drive to Eureka.” She stood and George did, as well. “Eureka? You’re not staying here in Virgin River with your son?” “I’m staying with a friend just down the street from my granddaughter so I’m free to pick her up after preschool. We spend most afternoons together. Really, nice seeing you.” She turned to Luke. “I’m going to head back to Viv’s, Luke. Good night, Shelby. ’Night, Art. Thanks for dinner, it was great as usual.” “Wonderful seeing you, too,” George said. “Try to come to Noah’s wedding. I guarantee you’ll enjoy yourself.” Luke
Robyn Carr (Angel's Peak (Virgin River #10))
Without allowing herself a moment to contemplate the matter further, she surged into motion, scooting around the first row of chairs and plopping to the floor directly behind Miss Griswold and right in between two young ladies, neither of whom Wilhelmina had ever been introduced to. “Pretend I’m not here,” she whispered to a young lady sporting a most unfortunate hairstyle, who looked down at her as if she’d lost her mind. The young lady blinked right before she smiled. “That might be a little difficult, Miss Radcliff, especially since you’re sitting on my feet.” “Goodness, am I really?” Wilhelmina asked, scooting off the feet in question even as she pushed aside a bit of ivory chiffon that made up the young lady’s skirt. “Shall we assume you’re hiding from someone?” the young lady pressed. “Indeed, but . . . don’t look over at the refreshment table. That might draw unwanted notice.” Unfortunately, that warning immediately had the young lady craning her neck, while the other young lady sat forward, peering over Miss Griswold’s shoulder in an apparent effort to get a better view of the refreshment table. “Who are you hiding from?” Miss Griswold asked out of the corner of her mouth, having the good sense to keep her attention front and center. “Mr. Edgar Wanamaker, the gentleman you were inquiring about,” Wilhelmina admitted. “Mr. Wanamaker’s here?” the young lady with the unfortunate hairstyle repeated as she actually stood up and edged around Wilhelmina, stepping on Wilhelmina’s hand in the process. “Is he the gentleman with the dark hair and . . . goodness . . . very broad shoulders . . . and the one now looking our way? Why, I heard earlier this evening that he’s returned to town with a fortune at his disposal—a fortune that, rumor has it, is certain to turn from respectable to impressive in the not too distant future.” “You don’t say,” Wilhelmina muttered as she tried to tug her hand out from underneath the lady’s shoe. “Miss Cadwalader, you’re grinding poor Miss Radcliff’s hand into the floor.” Looking up, Wilhelmina stopped her tugging as she met the gaze of the other young lady sitting in the second row of the wallflower section, a lady who was looking somewhat appalled by the fact she’d apparently spoken those words out loud. Without saying another word, the lady rose to her feet, shook out the folds of a gown that was several seasons out of date, whispered something regarding not wanting to be involved in any shenanigans, and then dashed straightaway. “I wasn’t aware Miss Flowerdew was even capable of speech,” the lady still standing on Wilhelmina’s hand said before she suddenly seemed to realize that she was, indeed, grinding Wilhelmina’s hand into the ground. Jumping to the left, she sent Wilhelmina a bit of a strained smile. “Do forgive me, Miss Radcliff. I fear with all the intrigue occurring at the moment, paired with hearing Miss Flowerdew string an entire sentence together, well, I evidently quite lost my head and simply didn’t notice I was standing on you.” She thrust a hand Wilhelmina’s way. “I’m Miss Gertrude Cadwalader, paid companion to Mrs. Davenport. Please do accept my apologies for practically maiming you this evening, although rest assured, it is an unusual event for me to maim a person on a frequent basis.” Taking the offered hand in hers—although she did so rather gingerly since her hand had almost been maimed by Miss Cadwalader—Wilhelmina gave it a shake, a circumstance she still found a little peculiar, but resisted when Miss Cadwalader began trying to tug her to her feet. “How fortunate for Mrs. Davenport that you don’t participate in maiming often,” she began. “But if you don’t mind, I prefer staying down here for the foreseeable future, since I have no desire for Mr. Wanamaker to take notice of me this evening.” “Ah,
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Henry has an attachment disorder. He doesn’t even like it when I cut my hair. If my mom had allowed it, he would be the biggest pack rat in the world. But hoarding and blindness don’t mix. Everything has to be in its place or the house becomes a landmine. So he wears the same clothes until they’re threadbare, won’t cut his hair, still sleeps with his Dragon Ball Z sheets he got for his eighth birthday, and has every toy he has ever been given stored in plastic bins in the basement. I don’t think he’ll go through with the hair cut. He’s only let Robin cut it twice since my mom died, and both times he cried the entire time, and she had to put the clippings in a Ziplock bag and let him keep them, just to get him to calm down.” I was slightly repulsed, and I was glad Millie couldn’t see my expression. “So he has bags of hair in his room?” “I’m assuming he does though he won’t tell me where. I pay my next-door neighbor to come in and clean once a week, and she hasn’t found it either
Amy Harmon (The Song of David (The Law of Moses, #2))
First of all, I used to assume that the only “powerful and effective” prayer was one to which you said yes, and secondly, I thought the health of my prayer life was directly related to my maturity as a Christian. I thought that the more righteous I was, the more inclined you would be to answer my prayers, and if I wasn’t getting my prayers answered, it was probably because of unconfessed sin in my life. What a horrible misunderstanding of prayer and self-centered approach to discipleship. No wonder it was easier for me to talk about you than to talk to you. Thankfully, the gospel has been deconstructing and rebuilding my prayer life. Jesus, I now understand that you are the “righteous man” whose prayers are powerful and effective. You are our great prayer warrior—ever living to pray for us and ever so graciously purifying our prayers as they rise to heaven. We don’t have any righteousness except the righteousness that we have freely received in the gospel.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
Then be wise about it. There are two kinds of important men, Shallan. There are those who, when the boulder of time rolls toward them, stand up in front of it and hold out their hands. All their lives, they've been told how great they are. They assume the word itself will bend to their whims as their nurse did when fetching them a fresh cup of milk. Those men end up squished. Other men stand to the side when the boulder of time passes, but are quick to say, 'See what I did! I made the boulder roll there. Don't make me do it again!' These men end up getting everyone else squished." "Is there not a third type of person?" "There is, but they are oh so rare. These know they can't stop the boulder. So they walk beside it, study it, and bide their time. Then they shove it-ever so slightly-to create a deviation in its path. These are the men who actually change the world. And they terrify me. For men never see as far as they think they do.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
The Economics of Property-Casualty Insurance With the acquisition of General Re — and with GEICO’s business mushrooming — it becomes more important than ever that you understand how to evaluate an insurance company. The key determinants are: (1) the amount of float that the business generates; (2) its cost; and (3) most important of all, the long-term outlook for both of these factors. To begin with, float is money we hold but don't own. In an insurance operation, float arises because premiums are received before losses are paid, an interval that sometimes extends over many years. During that time, the insurer invests the money. Typically, this pleasant activity carries with it a downside: The premiums that an insurer takes in usually do not cover the losses and expenses it eventually must pay. That leaves it running an "underwriting loss," which is the cost of float. An insurance business has value if its cost of float over time is less than the cost the company would otherwise incur to obtain funds. But the business is a lemon if its cost of float is higher than market rates for money. A caution is appropriate here: Because loss costs must be estimated, insurers have enormous latitude in figuring their underwriting results, and that makes it very difficult for investors to calculate a company's true cost of float. Errors of estimation, usually innocent but sometimes not, can be huge. The consequences of these miscalculations flow directly into earnings. An experienced observer can usually detect large-scale errors in reserving, but the general public can typically do no more than accept what's presented, and at times I have been amazed by the numbers that big-name auditors have implicitly blessed. As for Berkshire, Charlie and I attempt to be conservative in presenting its underwriting results to you, because we have found that virtually all surprises in insurance are unpleasant ones. The table that follows shows the float generated by Berkshire’s insurance operations since we entered the business 32 years ago. The data are for every fifth year and also the last, which includes General Re’s huge float. For the table we have calculated our float — which we generate in large amounts relative to our premium volume — by adding net loss reserves, loss adjustment reserves, funds held under reinsurance assumed and unearned premium reserves, and then subtracting agents balances, prepaid acquisition costs, prepaid taxes and deferred charges applicable to assumed reinsurance. (Got that?)
Warren Buffett (Berkshire Hathaway Letters to Shareholders: 1965-2024)
MINIMIZING TOXINS: YOUR PERSONAL PALEO CODE •  Avoid gluten completely during the Step 1 Reset and for at least two months afterward (for a total of ninety days). Then reintroduce and see how your body reacts. •  If you feel better without gluten and worse when you reintroduce it, you are gluten-intolerant and should strictly avoid it. If you don’t react adversely, I still recommend avoiding or minimizing gluten, but you may choose to have it occasionally as part of your 80/20 rule (a slice of birthday cake, Mom’s lasagna, or a piece of bread when you’re dining out). •  Avoid industrial seed oils and refined sugar. They are high in calories, low in nutrients, and may contribute to inflammation and other health problems. As with gluten (assuming you’re not gluten-intolerant), you may choose to have small amounts of them infrequently as part of your 80/20 rule.
Chris Kresser (The Paleo Cure: Eat Right for Your Genes, Body Type, and Personal Health Needs—Prevent and Reverse Disease, Lose Weight Effortlessly, and Look and Feel Better than Ever)
Assume nothing. Even if you think you know everything. Even if you're right. Get confirmation. That whole "ass" cliche about assuming? it;s right on the money. And if you're not careful, it could end up costing you the best thing that's ever going to happen to you. And another thing--don't get too comfortable. Take chances. Don't be afraid to lay it on the line. Even if you're happy. Even if you think life is freaking perfect.
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I felt myself grinding my teeth together at the realization that, just like Deborah, Brian had decided that when the going gets tough, the tough get Dexter—and then they make him do all the work. “This is my problem?” I said with some heat. “I’m supposed to figure out how to keep us both alive?” “Well,” he said. “I mean, you had a much better education.” “Yes, but he’s your drug lord,” I said, and I realized that he’d succeeded in knocking away my cool control and I was speaking much too loudly. I lowered my voice. “I don’t know the first thing about these people, Brian,” I said. “Not what they’re likely to do, or how they’ll do it, or—Nothing at all. How am I even supposed to find them?” “Oh, that shouldn’t be a problem,” Brian said soothingly. “I’m quite sure they’ll find us.” For some reason, I could not find any comfort in that. “Wonderful,” I said. “And I can assume they know what they’re doing, of course.” “Of course,” he said happily. “Some of them are very good, too.” He smiled, and even though it was the closest to a real smile I’d ever seen from Brian, the effect was spoiled somewhat by the bright pink, blue, and green sprinkles stuck to his teeth. “Let’s just hope we’re a little better,” he said. I ground my teeth some more. It didn’t actually do any good, but it was probably better than leaping across the tabletop and sinking my canines into Brian’s neck. “All right,” I said. “So your wonderful plan is to wait until they come after us, and then be better than them.” “A little oversimplified,” he said. “But accurate.” I closed my eyes, took a deep breath, and let it out slowly. When I opened my eyes again, Brian was looking at me with a happy little smirk on his face. “How will they do it?” I asked him. “I mean, if it won’t spoil your plan to tell me.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
Looping her arms about his neck, she rose up on tiptoe to kiss his mouth. This time she was the one to instigate the duel of tongues and lips that sent her senses reeling. This time she was the one in control. Until Dom pulled down her bodice and corset and shift to bare her breasts. Oh, sweet Lord in heaven. He was more wicked--and more wonderful at this--than even she could have imagined. But she could be wicked, too. Remembering what Nancy had told her about men, she reached down between them to cup the hard length of him through his trousers. He jerked back. “What are you doing?” How wonderful to be the one to shock him! Though she noticed he didn’t step away or pull her hand off him. And his flesh seemed to grow beneath her very fingers. “Don’t you like it?” she said in what she hoped was a sultry-sounding voice. “Good God, yes.” He practically groaned the words. “But where the blazes did you learn to do it?” “Nancy said men like to be touched…down there.” “Wonderful. Now the sinner is instructing the saint,” he muttered before he took her mouth again, giving her no chance to protest that she wasn’t as saintly as he assumed. But clearly he’d guessed because he leaned into her hand, letting her fully explore the male appendage that Nancy had only described in furtive whispers. To Jane’s delight, the more she rubbed him through his trousers, the more his kiss changed, grew bolder, hotter, fiercer. How delicious! They had certainly never done anything like this in their youth. Perhaps if they had, he wouldn’t have been so content to toss her aside. It was definitely making her ignite. Or perhaps it was his hands roaming her body doing that. Whichever the case, an unfamiliar ache began between her legs that made her want to squirm. So she focused on caressing him with renewed vigor, hoping to regain control over this…insanity. He grabbed her hand to still it. She tore her mouth from his. “What? Am I doing it wrong?” “If you do it any more right, I will embarrass myself.” He fixed her with a dark stare. “Or perhaps that’s what you want. Another way to torture me.” “I don’t know what you mean. Am I doing it right or am I torturing you? Which is it?” He searched her face, then, apparently satisfied with what he saw there, smiled faintly. “Both.” Taking her by surprise, he dripped onto the pianoforte bench and tugged her across his lap. “Here, I’ll show you.” As he drew her skirts up to her knees, she froze. “I don’t know if this is…such a good idea, Dom.” “Oh, trust me, it’s a fine idea.” He smoothed his hands up her stockings and past her garters until he came to her drawers. “Before you go running off to seal your ‘arrangement’ with Blakeborough, you should at least have a taste of passion. Just so you’ll know how important it really is.” Pressing his mouth to her ear, he added, “Men aren’t the only ones who like to be touched there, sweeting.” That remark really made her want to squirm, but before she could ask about it, he kissed her mouth again and she gave herself up to the kiss. And then he was stroking her between her legs, right where she ached. Her legs fell open, she wasn’t even sure how. Then his clever fingers were inside her drawers and finding the delicate flesh beneath her curls and doing outrageous things to it that made her shimmy and wriggle on his lap. “Feels good, doesn’t it?” he rasped against her lips. “Yes. Is it…too very wicked?” He gave a strained laugh. “Not too very wicked.” He delved inside her with one finger. “Dom!” she squeaked, but he continued the caress, and her heart felt as if it might leap from her chest, it raced so hard. “Dom…That’s…oh…” “God, sweeting,” he said as he slid his finger in and out, driving her insane, “don’t ever tell me again that passion means nothing to you. You’re so warm and wet. Perfect. So beautifully perfect.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
2. Think before you speak. Have you ever heard the story of the fly that lived on a cow farm in Indiana? One day the fly was particularly hungry. As he was buzzing around looking for some food, he saw his favorite meal—a big, fresh cow patty. Excited by his discovery, the little fly dove in and feasted until he could feast no more. But when he tried to fly away, he realized there was a problem. He had eaten so much that he was too heavy for his wings to lift him off the ground. What’s a fly to do? Well, this enterprising little sucker spotted a broom leaning against the wall of the barn. He came up with a plan. The fly decided to climb to the top of the broom and jump off, assuming that once he was in the air with his wings spread, he’d be able to fly. The little hero waddled over to the broom and grunted his way to the tip of the handle. Once as high as he could go, he catapulted himself off and flapped his wings with all his might. But he was still too heavy to fly. He fell to the ground with a splat—and that was the end of Mr. Fly. The moral of the story? Don’t fly off the handle when you’re full of crap. In other words, think before you speak.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
Listen carefully, never assume that just because a smaller problem hasn’t exploded into a bigger problem before, it’s never going to. Wrong. That’s exactly what the enemy wants us to think. Don’t ever forget what a schemer he is.
Susie Larson (Your Sacred Yes: Trading Life-Draining Obligation for Freedom, Passion, and Joy)
He brought to my mother the first and, I suspect, the only pure happiness she ever felt. I don't think even my birth made her as happy. I was evidence of her marriage to my father, an assumed consequence of the life she had been raised to lead. But Pranab Kaku was different. He was the one totally unanticipated pleasure in her life.
Anonymous
Faith is such a strange gift. And I think it is a gift. For those of us who receive it, it is the best gift we could ever hope to have, and it is so tempting to assume everyone has it, or to wish it for everyone else. And when we meet someone who has lost it, or maybe never even had it, it’s so tempting to say, ‘You must ask for this gift, pray for it, because it will comfort you, and help you through your life, the way it comforts me and helps me through mine.’ But that’s condescending, isn’t it? To tell someone they should ask a higher power in which they don’t believe to help them to know something of which they are skeptical, and to do it without any tangible proof. It’s absurd. “I believe you can live your life without religion, even without faith, and be a good, strong, upright person. I’ve seen many people do it. But I also will pray for you, because if you can be at home in your faith, I think your life will be richer, and even more meaningful.
Nathan Kotecki (Pull Down the Night)
We all make mistakes. But don't assume you know someone because you've seen them at their worst. In a moment of weakness we do stupid things, say horrible things but don't ever go so low you can't climb back. People will always judge you. Just be around the ones that know better. Enjoy the good and beautiful people in your life. They matter.
Dawn Garcia
You always know what to do,” she said. “Not always,” he said, holding her close. “Right now, for example. I’m not sure what to do.” “Why?” she asked, her eyes still closed, her face buried in his chest. “When are you going to tell me?” She lifted her head. “Tell you?” “About the baby.” “But Jack, you know the baby and mother are—” “The baby inside of you,” he said, placing a large hand over her flat tummy. A startled look crossed her features. She pushed him away a little bit. “Did someone say something to you?” she asked. “No one had to say anything. Please tell me I’m not the last to know.” “I just saw John yesterday—and how in the world would you know?” “Mel,” he said, running the back of one knuckle along her cheek, “your body’s changing. You haven’t had a period. For a while, I thought maybe you’d had a hysterectomy or something because I haven’t noticed a period since the first time we made love, but there’s a blue box under the bathroom sink. You don’t drink your beer, and you get nauseous from time to time. Not to mention being more tired than usual.” “Lord,” she said. “You never think a man will notice. Not things like that.” “Well?” She sighed. “I went to see John yesterday to confirm what I already suspected. I’m pregnant. Three months.” “You’re a midwife. How could you not know at three weeks?” “Because I assumed I was sterile. Infertile. Mark and I did everything to try to get a baby—even in vitro fertilization. To no avail. This was the last thing I ever expected.” “Ah,” he said, finally clear on why she might keep it from him. “So, here we are,” he said. “I’m sorry, Jack. You must think I’m an idiot.” He kissed her. “Of course not. Mel, I’m in love with you.” She was frozen for a second. “Oh, God,” she finally said, plummeted into tears. “Oh, God, Jack!” She buried her face in his chest and wept. “Hey, no reason to cry, baby. You a little surprised? No more than me,” he laughed. “I never thought this could happen to me. It hit me so hard, I damn near fell down. But I love you.” She continued to softly cry. “It’s okay, honey. It’ll be okay.” He stroked her hair. “You want to have a baby, obviously.” She lifted her head. “I wanted a baby so badly, I ached. But do you?” she asked. “I mean, you’re forty.” “I want everything with you. Everything. Besides, I like babies. And I’m wild about pregnant women.” “When did you decide you knew for sure?” she asked him. “At least a month ago.” He put a hand over her breast. “Sore? Haven’t you noticed the changes? Your nipples have darkened.” “I was in denial,” she said, wiping at her tears.
Robyn Carr (Virgin River (Virgin River #1))
I wanted to thank you for taking me to your family. Especially on Christmas. This is a treat I don’t get to experience very often.” His dark eyes softened and he gave her a slight smile. “You may not thank me in a couple hours. My family tends to be…boisterous. And they will infer that we, uh…” She nodded and stepped back. “They’ll assume we’re a couple? I’ll be sure to set them straight right away.” Stepping back, she could have grinned when she saw the unsettled frown on his face. Can’t have it both ways, big guy. “I’ll
J.M. Madden (Embattled Ever After (Lost and Found #5))
that moment, he shook his head. “Come on. You can’t fool me.” Isaac managed to spit out the truth. His brother’s mocking laughter filled the air. “Cinnamon buns? You looked all”—Andrew lowered his lids halfway and assumed a dreamy expression. “D-did not.” “Jah, you did.” In a falsetto voice, Andrew warbled, “Ach, Sovilla, you are the most beautiful girl I’ve ever seen.” He exhaled a long, shuddery breath. For the first time in his life, Isaac longed to punch his brother in the stomach. How dare he make fun of Sovilla! And of the tender feelings Isaac held for her. Andrew laughed. “You look like Mamm’s teakettle.” Huh? “All steamed.” With a snicker, he danced out of Isaac’s reach. That was probably for the best. Isaac would never forgive himself if he hit his twin. But he needed to find a way to get these feelings under control. If even remembering her cinnamon rolls made him as dreamy eyed as his brother said, he had to erase Sovilla from his mind. Yet the harder he tried, the more it proved impossible. In fact, he woke at dawn on Thursday hungering for cinnamon rolls and a glimpse of the angel who baked them. Her name replayed as a lilting melody. Sovilla, Sovilla, Sovilla. Had he ever heard a prettier name? Or seen a lovelier face? At breakfast, he missed his plate when he dished out scrambled eggs and almost knocked over his glass of milk when he tried to scoop up the slippery mess. “Goodness, Isaac, what’s gotten into you this morning?” Mamm peered at him over the top of her glasses. “Don’t mind him, Mamm. He’s in love.” Andrew sang the last word. Daed’s stern glance sobered Andrew, but everyone else stared at Isaac. He shook his head and lowered his gaze to his plate. “Leave your brother alone.” Mamm passed a bowl of applesauce. “Eat up so you won’t be late to market.” To Isaac’s relief, Daed turned the conversation to a new brand of chicken feed he’d heard about at the market. Mamm asked questions, and his brothers and sisters concentrated on eating. In his eagerness to see Sovilla again, Isaac practically inhaled his breakfast. Once they reached the auction, he waited impatiently for a chance. He intended to slip off without being noticed, but Andrew spied him and Snickers edging in the direction of the market. “Bet you’re going to get a cinnamon bun, right?” His brother waggled his eyebrows. “I’m hungry for one too.” Pinching his lips together as Andrew walked beside him, Isaac stewed.
Rachel J. Good (An Unexpected Amish Courtship (Surprised by Love #2))
In order to achieve the goals of the Paris Treaty – that global warming should not exceed 1.5 degrees Celsius – CO2 emissions must be reduced to zero by 2050. In order to succeed, we will also need to invent technologies that remove CO2 from the atmosphere in quantities that are equal to all today’s emissions. This is one of the biggest challenges humankind has ever faced. What is being proposed is an unprecedented turnaround in the world’s energy mechanisms. And 2050 is exactly as far into the future as 1990 is in the past. Since 1990, emissions have increased from twenty-two gigatons to thirty-six gigatons. That’s a 60 per cent increase. To get emissions down to zero in thirty years sounds like an unmanageable task. Like constructing a time machine, thwarting gravity or inventing a pill for bringing someone back to life. No one knows whether it’s technically possible to capture thirty gigatons per year. The technology is at an early stage and no one has figured out buildings or infrastructure that could enable us to achieve our goals. Even if we reduce emissions by 50 per cent, our problems will still have increased if we do nothing to remove the carbon dioxide already in the air. If we don’t succeed in that project, the Earth will continue to warm, the glaciers will continue to melt and the sea levels will continue to rise, submerging cities and coastal areas. The market value of a 100 million barrels of oil is about $6 billion, assuming a $60/barrel price for oil. We therefore burn approximately $600 billion a day. If anyone thinks changing our sources of energy will
Andri Snær Magnason (On Time and Water)
Let me see… What’s your favourite Sherlock Holmes case?” “I love them all!” “Just choose one.” “OK… ‘The Speckled Band’. That was Arthur Conan Doyle’s own favourite, and it’s also his most popular story.” “Oh, that one! It’s the weirdest of all his cases! It’s a story about a snake, right? If you keep a snake in a safe, it will soon die from lack of oxygen. And suppose it does survive in the box: snakes don’t drink milk. Have you ever seen any reptiles breast-feeding their babies? Only mammals do that. And how about a man whistling for a snake? Actually snakes can’t be trained. They don’t have ears, so how can they respond to a man’s commands? It’s a matter of common sense. Was Holmes stupid or what? Since the incidents were so unrealistic, I have to assume the story was made up by Dr Watson.
Sōji Shimada (The Tokyo Zodiac Murders)
How’s it going?” People have not always greeted each other in this way: they invoked divine protection for themselves, and they did not bow before a commoner the way they bowed before a nobleman. In order for the formula “How’s it going?” to appear, we had to leave the feudal world and enter the democratic era, which presupposes a minimal degree of equality between individuals, subject to oscillations in their moods. According to one legend, the French expression “ça va?” is of medical origin: how do you defecate? A vestige of a time when intestinal regularity was seen as a sign of good health. This lapidary, standardized formality corresponds to the principle of economy and constitutes the minimal social bond in a mass society that seeks to include people from all over. But it is sometimes less a routine than a way of intimating something: we want to force the person met to situate himself, we want to petrify him, subject him to a detailed examination. What are you up to? What’s happened to you? A discreet summons that commands everyone to expose himself for what he really is. In a world that makes movement a canonical value, there is an interest in how things are going, even if we don’t know where. That’s why a “how’s it going?” that expects no answer is more human than one that is full of concern but wants to strip you bare and force you to give a moral accounting for yourself. This is because the fact of being is no longer taken for granted, and we have to pay permanent attention to our internal barometers. Are things going as well as I say, or am I embellishing them? That is why many people evade the question and move to another topic, assuming that the interlocutor is perceptive enough to discern in their “fine” a discreet depression. Then there is this terrible expression of renunciation: “Okay, I guess,” as if one had to let the days and hours pass without taking part in them. But why, after all, do things have to be going well? Asked daily to justify ourselves, it often happens that we are so opaque to ourselves that the answer no longer has any meaning other than as a formality. “You’re looking good today.” Flowing over us like honey, this compliment has the effect of a kind of consecration: in the confrontation between the radiant and the grouchy, I am on the right side. And now I am, through a bit of verbal magic, raised to the summit of a subtle and ever-changing hierarchy. But the following day another, ruthless verdict is handed down: “You look terrible today.” This observation executes me at point-blank range, deprives me of the splendid position where I thought I had taken up permanent residence. I have not proven worthy of the caste of the magnificent, I am a pariah and have to slink along walls, trying to conceal the fact that I look ill. Ultimately, “how’s it going?” is the most futile and the most profound of questions. To answer it precisely, one would have to make a scrupulous inventory of one’s psyche, considering each aspect in detail. No matter: we have to say “fine” out of politeness and civility and change the subject, or else ruminate the question during our whole lives and reserve our reply for afterward.
Pascal Bruckner (Perpetual Euphoria: On the Duty to Be Happy)
How bad can one emperor be?” “Bad,” I assured her. “And he is allied with two others. We don’t know which ones, but it’s safe to assume they are equally cutthroat. They’ve had centuries to amass fortunes, acquire property, build armies…Who knows what they are capable of?” “Eh,” Leo said. “We took down Gaea in, like, forty seconds. This’ll be easy squeezy.” I seemed to recall that the lead-up to the fight with Gaea had involved months of suffering and near misses with death. Leo, in fact, had died. I also wanted to remind him that the Triumvirate might well have orchestrated all our previous troubles with the Titans and giants, which would make them more powerful than anything Leo had ever faced. I decided that mentioning these things might affect group morale.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Like last time, when we walked into a bathroom and surprised a Cyclops on the toilet?’ ‘That wasn’t my fault!’ Grover protested. ‘Besides, this direction smells right. Like … cacti.’ Meg sniffed the air. ‘I don’t smell cacti.’ ‘Meg,’ I said, ‘the satyr is supposed to be our guide. We don’t have much choice but to trust him.’ Grover huffed. ‘Thanks for the vote of confidence. Your daily reminder: I didn’t ask to be magically summoned halfway across the country and wake up in a rooftop tomato patch in Indianapolis!’ Brave words, but he kept his eyes on the twin rings around Meg’s middle fingers, perhaps worried she might summon her golden scimitars and slice him into rotisserie-style cabrito. Ever since learning that Meg was a daughter of Demeter, the goddess of growing things, Grover Underwood had acted more intimidated by her than by me, a former Olympian deity. Life was not fair. Meg wiped her nose. ‘Fine. I just didn’t think we’d be wandering around down here for two days. The new moon is in –’ ‘Three more days,’ I said, cutting her off. ‘We know.’ Perhaps I was too brusque, but I didn’t need a reminder about the other part of the prophecy. While we travelled south to find the next Oracle, our friend Leo Valdez was desperately flying his bronze dragon towards Camp Jupiter, the Roman demigod training ground in Northern California, hoping to warn them about the fire, death and disaster that supposedly faced them at the new moon. I tried to soften my tone. ‘We have to assume Leo and the Romans can handle whatever’s coming in the north. We have our own task.’ ‘And plenty of our own fires.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
That’s the thing about kindness. People view it as a weakness, when it’s anything but. There’s a strength in being decent, caring for others, and showing compassion. It takes strength to be merciful when all you’ve witnessed is treachery.  With the flavor of his blood dripping on my tongue, I whisper, “Don’t assume you’re taking something I haven’t given you willingly.  “Look at you, Snow, admitting that behind the good girl demeanor, you’re nothing but a filthy whore desperate for her big brother’s cock. You turned on by the idea of your stepbrother bending you over and fucking your brains out?” Heat floods my face, and I gaze at the lights above our heads.  “Tsk, tsk, sis. What would your daddy say if he knew his little girl was getting railed in church like a lowlife street walker?”  I grind my hips, desperate to match every powerful thrust of his hips. “I don’t know, big bro. What would your mommy say to you plowing her new daughter up against a wall like an animal?
Mila Crawford (The Hunt (Darkly Ever After, #1))
You will come back to the castle with me." "I don't belong there. I don't belong anyplace." "You belong with me," he replied without the slightest hesitation. Her chin trembled as she held his gaze. "I-I'm not your responsibility." "Yes, you are. You are mine. They gave you to me, remember? And I want to keep you. Come here," he ordered softly. She lifted her arms and stepped into his embrace without another word. He hugged her close, his heart pounding. "Listen to me. I don't want you to worry for one instant what will become of you, all right? I'll look after you. Whatever you need. You have my word, Kate. You're not alone, do you understand?" he whispered as he held her. After a moment, he felt her nod against his chest. "There's my brave girl," he murmured, brushing a kiss to her forehead. It was at that moment that it dawned on him what he was going to do when they returned to the castle. The thought shocked him as it struck, igniting his heart, even as it filled him with an odd relief. Of course. She was already under his protection. By now, anyone outside the castle no doubt assumed she was already his mistress. They already wanted each other so badly. He saw no reason now not to offer her his carte blanche. Yes. She must become more securely his. It was not his way to keep any one particular mistress to service his needs. But if Kate were his, then he would not have to worry about her, even beyond all this business with O'Banyon. He would know exactly where she was, that she was fed, clothed, protected, and provided for. Admittedly, it might come across as utterly ruthless of him to make such an offer at a time like this---as though he were coldly taking advantage of her at the moment of her greatest vulnerability. But he was not motivated by lust. At least not entirely. Obviously, he could not marry her---not with his curse, and her Promethean blood. But if Kate was his mistress, then he could watch over her, and if anyone ever tried to hurt her again, they would have to deal with him first. Besides, he knew by now how her mind worked. If he were simply to make her a promise of financial help, she wouldn't take it. She was too proud. Hell, with her independent spirit, she would abhor any offer that she interpreted as charity. So, let her work for it. God, he had dreamed of making love to her since that first night when Caleb Doyle had brought her to the castle for that very purpose. Even now, she felt like heaven in his arms. If she was willing, he knew one sure way to comfort her when they got her back to the castle. He could make all her tears and sorrow melt away... Cradling her in his embrace, Rohan pressed another possessive kiss to her brow.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
I believe, “Calculated Risk” is a misnomer. It is a phrase coined by those who have no appetite for risk. Did you ever hear, Calculated Failure or Calculated Success? So, either you are taking a risk or you are not. Let’s not confuse “risk” with “stupidity”. A risk is when you know the chances of success and failure are 50:50 or maybe 10:90...and you still go ahead. When you take the risk...you ONLY believe in your capabilities and you give your 100%...you are not scared of FAILURE. Stupidity is when you assume that situations and circumstances are in your favor or you have the illusion of being a man of “golden touch”. Choose Your Journey. Let your journey be the most adventurous. Prepare for it and give your best shot. If you win, you will celebrate; if you lose, you will learn. Don’t let success or failure of your journey sway you. That’s life. You Are Born Limitless. Don’t create any limits for yourself.
Sanjeev Himachali
Don’t relax! And never assume that you’ve arrived! Pride always comes before a fall (Prov. 29:23). Marriages are either growing closer or drifting apart. There is no such thing as a “normal, relaxed marriage.” A relationship is dynamic, ever changing, and needs to be nurtured every day just like a vegetable garden. It may not look bad today, but leave it alone for a short time and it takes the same amount of work to bring it back as if I would have spent the small amount of time each day.
Gary Smalley (If Only He Knew: A Valuable Guide to Knowing, Understanding, and Loving Your Wife)
The Real Golden Years We’ve all been told—like so many hardworking, diligent ants—that we need to save up our money for our “golden years” of retirement. But ironically, the real golden years—the period of maximum potential enjoyment because we have the most health and wealth—mostly come before the traditional retirement age of 65. And those real golden years are the years during which we should be doing most of our spending, not delaying gratification. Too many people are making the mistake of investing in their future well past the point when those investments will ever pay off in ways that increase their overall lifetime fulfillment. Why do they persist? I think a lot of it is just the inertia (or, as I call it, autopilot) of doing what’s worked in the past. Sometimes it’s better to spend now, and other times you’re better off saving up (and investing) your money for a potentially better experience in the future. At the extremes, this is easy to see: Obviously, if you keep hoarding your money and don’t spend any of it, your fulfillment curve will be minimal. And if you spend all your money now, you won’t have any for the future. It’s the Ant and the Grasshopper as I see the fable: There is a time to work (and save) and a time to play, and the optimal life requires planning for both survival and thriving. The grasshopper is so focused on thriving, on enjoying himself in the moment, that he forgets about survival and ends up living too short a life. But the ant is also making a big mistake: As a result of his hard work, he will live to see another year, but he is so preoccupied with survival that he doesn’t get to enjoy summer and thrive. Neither extreme optimizes for lifetime fulfillment. Understanding that moral is one thing, but putting it into practice is a different story. At any one point, it’s not easy to know which way to go. The optimal balance between saving and spending is not obvious at all. If you’ve spent decades dutifully saving and investing your money, it can be hard to stop—assuming you’re even aware that you should stop. So what do you do? How do you achieve more balance in your life? I suggest several ways of thinking about the problem. Depending on who you are and how you think, different ones will resonate with you. Balancing Health, Money, and Time Across Your Life
Bill Perkins (Die with Zero: Getting All You Can from Your Money and Your Life)
I say, don't cry," he said. "It's all over now." She shook her head. "It's not the riot," she said. "I've seen fights before. But this is the first time anyone ever took care of me. All my life I've had to look after myself. It's a new experience." He did not know what to say. All the girls he had ever met assumed that men would take care of them automatically. Being with Maisie was a constant revelation.
Ken Follett (A Dangerous Fortune)
Society assumes that eventually we'll fade into an acceptance of what we should be, that we'll silence ourselves into a submission of the ideologies and expectations we've been taught. Divergent thoughts, ideas and emotions are pushed aside with the idea that eventually we'll learn to simply conform. We're taught that if a child thinks or acts out of the norm, don't worry, because they'll soon change their ways. Society often accepts difference in children, but it's not 'acceptance' so much as it is a confidence that those differences will fade.
Chloé Hayden (Different, Not Less: A Neurodivergent's Guide to Embracing Your True Self and Finding Your Happily Ever After)
My hands were trembling out of anger and distress by the time I reached the end. When I finally raised my eyes to his, Narian answered my unspoken question. “These have replaced the High Priestess’s laws everywhere they were posted.” He turned from me to address Cannan. “The regulations as they were intended still stand, and will be enforced whether or not the people are aware of them. Inform any who might have had a hand in mocking the High Priestess’s rules that their game is putting their countrymen at greater risk.” Cannan remained silent in face of the order, and Narian did not wait for a reply. With a quick, respectful nod toward me, he departed, Rava at his heels, and the office door closed resoundingly behind them. I stared at the parchment I still held, unable to keep it from shaking, and my vision blurred. It was foolish to be hurt, for this blow was not aimed at me, but yet the insolence of the document stung. “Steldor and Galen did this?” I demanded. “So it would seem.” “Why?” My throat and jaw were tight. “Why would they do this, undermine my authority? They’ve taken what I’m trying to do and ground it underfoot. The Cokyrians will be furious. They’ll bear down harder than ever.” I whisked the moisture from my eyes, taking deep breaths to calm myself. “How can they think this will help?” Cannan sighed and leaned forward, assuming a more fatherly posture. “They’re allowing the people to dissent. They’re showing that we can still laugh and, most of all, that we haven’t been forgotten. I don’t approve of the method, either, Alera, but what they’ve done may not be all bad.” I forced myself to nod, struggling to control my raging emotions. The hard work had scarcely begun, I knew that, but to see what I had accomplished tempered with and ridiculed was painful, even with Cannan’s assurance that it could be taken in a positive light. Then London’s words about being neither too cooperative nor too defiant returned to me. Perhaps this was what my bodyguard had meant--opposition, but on an isolated scale. “You’re right,” I finally said. “This might not be all bad, provided it doesn’t escalate.” “I agree. I will, however, talk with them.” “Thank you,” I murmured, and he rose to see me to the door. As I crossed the Hearing Hall toward my study, I debated whether I should be the one to talk to Steldor, all the time knowing he would probably deny any involvement if I broached the topic. No, he was far more likely to listen to his father. When had he ever been open to listening to me on matters affecting the kingdom?
Cayla Kluver (Sacrifice (Legacy, #3))
Look at you.” I gestured toward him, for he could not disguise his pain, nor hide the fever that brought beads of sweat to his forehead. “You did this to yourself, Steldor. You punished yourself with your actions, but nothing else was accomplished. You just wanted to be a martyr.” “What’s wrong with that?” he shot back. “You want to be a saint! You want to be the one who brings peace to these people. You’re the one who brought war, Alera. You’re the reason Narian didn’t leave for good when he fled Hytanica. He loves you, and that’s why--” He stopped talking, unable to make himself complete that sentence. “You’re right about one thing,” I whispered in the dead silence. “Narian loves me, but what you won’t acknowledge is that he’s the reason any of us still have our lives. He’s the reason you weren’t killed for that show you put on.” “Extend my thanks,” he said, tone laden with sarcasm. I threw up my hands. “This is pointless, us dancing around in circles. You still won’t listen to anyone, let alone me. I may as well go.” “But you won’t--you aren’t yet ready to leave.” I didn’t move, hating that he knew my threat had been empty, and he stood. He drew closer to me until I could feel the heat radiating from his body. “Hytanica and Cokyri will always be different worlds, Alera. Before this is over, one of those worlds will be destroyed. We can’t coexist like this.” “Not when people like you refuse to believe any different.” “At least I’m not hiding from the truth. You’re so wrapped up in Narian that you can’t see the situation for what it really is. Cokyri is a godless, brutal, warrior empire that despises the very way we live. Now that they are in power, they have no need to honor our traditions or tolerate our beliefs. Don’t you see, it’s not just the Kingdom of Hytanica that will no longer exist. It is our entire way of life.” I stared at him, shocked and confused. Narian and I had always been able to work through our differences, so I had assumed our countries could, as well. But he and I wanted to be together, we wanted to be joined. Our countries did not. “Cokyri is interested only in obtaining certain things from us,” I argued, although a bit of doubt now nagged at me. “As long as we follow their regulations, we can live in the manner we always have.” “Then I’d keep an eye on their regulations, Alera. They’re already changing our educational system, what we are permitted to teach our sons. Religion will come next.” “Change isn’t necessarily all bad.” “It is when it’s forced down your throat. And in case you haven’t notice, the Cokyrians overseeing the work crews have not allowed us to rebuild our churches. They have been reconstructed, but for different, more practical purposes. The Cokyrians are quite enamored with practicality.” Not knowing what else to say, I turned to depart, only to feel his hand on my arm. “It doesn’t have to be like this, Alera. Between us, I mean.” He was looking at me with those dark, intense, fiery eyes--eyes that held love I had never reciprocated. “Things are what they are, Steldor,” I replied, decisive but desolate. “We’re separated by too much. We always have been. Just please, give yourself time to get well.” Before he could stop me a second time, I stepped out the door, feeling the weight of frustration lifting from my shoulders with each step I took away from him. I had been foolish to think he and I could communicate in spite of our differing beliefs. Neither of us wanted to cause the other pain, but that was all we had ever been good at doing.
Cayla Kluver (Sacrifice (Legacy, #3))
Aaron lifted me up onto his hips and I knew we weren’t staying. “We just got here,” I murmured against his cheek. “Don’t you think Judd and Coop will take their women home to celebrate?” Glancing around, I noticed Tawny high fiving Judd who looked pretty proud about his revenge on Mac. Nearby, Farah was squeezing Cooper’s flexed muscles. None of them were planning to stay at the bar. “Are you okay, Bailey?” I asked as Aaron started for the door. “Sure, I’ll just hang out and pretend Vaughn is charming. It’ll be good practice for the next loser I date.” A grinning Vaughn patted the spot next to him in a booth. As the blonds got comfy, Aaron carried me to the Harley and sat me on the seat. “You saved me from mean words,” I teased as he felt me up in the spot Mac thought I needed help. “No one messes with my girl.” “Mighty sperm and powerful fists. Plus, you can cook and paint and write poems and a million other qualities. I’ve hit pay dirt.” “I need to get you home,” he said and I sensed the ride would be uncomfortable for him. As I wrapped my arms around his waist, he started the Harley. “Raven bought headphones, so we can fuck really loud and she won’t be bothered.” “The best houseguest ever,” Aaron said over his shoulder. As we sped away, I noticed Judd chasing a laughing Tawny to the parking lot. Cooper strutted out with Farah clinging to him. Everyone was happy except for a naked Mac tied to a tree in what I assumed was the club’s version of a time out.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
In my opinion, it’s too soon for Helen to marry anyone, but when she does…she will need a husband with a placid temperament. One who will allow her to develop at her own pace.” “And you assume I wouldn’t,” he said rather than asked. “I think you will command and govern a wife just as you do everything else. I don’t believe you would ever harm her physically, but you’ll whittle her to fit your life, and make her exceedingly unhappy. This environment--London, the crowds, the department store--is so ill suited to her nature that she would wither like a transplanted orchid. I’m afraid I can’t support the idea of marriage for you and Helen.” Pausing, she took a long breath before saying, “I believe it’s in her best interest for the engagement to be broken.” A heavy silence descended. “Is that what she wants?” “She said earlier today that she has no wish to see you again.” Throughout Kathleen’s speech, Winterborne had looked away as if he were only half listening. At that last remark, however, she found herself the target of a bladelike gaze. Perhaps, she thought uneasily, it would be best to leave soon.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Please forgive me for inconveniencing you, Mr. Winterborne. I don’t intend to stay long.” “Does anyone know you’re here?” he asked curtly. “No.” “Speak your piece, then, and make it fast.” “Very well. I--” “But if it has anything to do with Lady Helen,” he interrupted, “then leave now. She can come to me herself if there’s something that needs to be discussed.” “I’m afraid Helen can’t go anywhere at the moment. She’s been in bed all day, ill with a nervous condition.” His eyes changed, some unfathomable emotion spangling the dark depths. “A nervous condition,” he repeated, his voice iced with scorn. “That seems a common complaint among aristocratic ladies. Someday I’d like to know what makes you all so nervous.” Kathleen would have expected a show of sympathy or a few words of concern for the woman he was betrothed to. “I’m afraid you are the cause of Helen’s distress,” she said bluntly. “Your visit yesterday put her in a state.” Winterborne was silent, his eyes black and piercing. “She told me only a little about what happened,” Kathleen continued. “But it’s clear that there is much you don’t understand about Helen. My late husband’s parents kept all three of their daughters very secluded. More than was good for them. As a result, all three are quite young for their age. Helen is one-and-twenty, but she hasn’t had the same experiences, or seasoning, as other girls her age. She knows nothing of the world outside Eversby Priory. Everything is new to her. Everything. The only men she has ever associated with have been a handful of close relations, the servants, and the occasional visitor to the estate. Most of what she knows about men has been from books and fairy tales.” “No one can be that sheltered,” Winterborne said flatly. “Not in your world. But at an estate like Eversby Priory, it’s entirely possible.” Kathleen paused. “In my opinion, it’s too soon for Helen to marry anyone, but when she does…she will need a husband with a placid temperament. One who will allow her to develop at her own pace.” “And you assume I wouldn’t,” he said rather than asked. “I think you will command and govern a wife just as you do everything else. I don’t believe you would ever harm her physically, but you’ll whittle her to fit your life, and make her exceedingly unhappy. This environment--London, the crowds, the department store--is so ill suited to her nature that she would wither like a transplanted orchid. I’m afraid I can’t support the idea of marriage for you and Helen.” Pausing, she took a long breath before saying, “I believe it’s in her best interest for the engagement to be broken.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
As he felt himself carried by the current, his brain hovered over the scene, observing the slowly spinning form--his own--in the inky water. He couldn’t save himself, he realized with dazed surprise. No one was going to save him. He had met the same untimely fate as all the Ravenel men, leaving far too much unfinished, and he couldn’t even bring himself to care. Somewhere in the rubble of his thoughts, he knew that West would manage without him. West would survive. But Kathleen… She would never know what she had meant to him. That pierced his failing awareness. Dear God, why had he waited, assuming he had time at his disposal? If he could have five minutes to tell her…bloody hell, one minute…but it was too late. Kathleen would go on without him. Some other man would marry her…grow old with her…and Devon would be nothing but a faded memory. If she remembered him at all. He struggled and flailed, a silent howl trapped inside. Kathleen was his fate, his. He would defy all the hells that ever were to stay with her. But it was no use; the river bore him steadily away into the darkness. Something caught at him. Tough, sinewed bands twined around his arm and chest like some monster from the deep. An inexorable force wrenched him painfully backward. He felt himself gripped and held fast against the current. “Oh, no, you don’t,” a man growled close to his ear, gasping with effort. The secure grip tightened around his midriff, and he began to cough, spikes of agony driving through him as the voice continued. “You’re not leaving me to manage that bloody estate on my own.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
My brother was murdered nineteen years ago tomorrow, Sebastian. I don’t know why, but my parents have decided to mark the occasion by reopening the house where it happened and inviting back the very same guests who were here that day.” Anger is rising in her voice, a low throb of pain I’d do anything to make go away. She’s turned her head to face the lake, her blue eyes glossy. “They’re disguising a memorial as a party, and they’ve made me the guest of honor, which I can only assume means something dreadful is coming for me,” she continues. “This isn’t a celebration, it’s a punishment, and there’ll be fifty people in their very finest clothes watching it happen.” “Are your parents really so spiteful?” I ask, shocked. I feel much as I did when that bird hit the window earlier this morning, a great swell of pity mingled with a sense of injustice at life’s sudden cruelties. “My mother sent me a message this morning, asking me to meet her by the lake,” she says. “She never came, and I don’t think she ever meant to. She just wanted me to stand out there, where it happened, remembering. Does that answer your question?
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
Every thrust was him taking out his anger on me. Punishing me. Saying the things with his body that he hadn’t yet said with his words. Nolan spoke with his lips against my neck as he grunted, each thrust harder than the last. With every pull out, I squeezed around his cock until I thought I was going to pass out from both pleasure and anger…and fear. “You don’t get to fucking kill me. You don’t get to fucking leave me. Never again. You got that? No matter what happens. You don’t get to assume we’re ever over, because we will never, EVER, be over.” He punctuated the last remark with a hard thrust that made my head crash backward into the sand. “Say yes,” he demanded. “I want to hear you say the fucking words.” “Yes,” I breathed.
T.M. Frazier (All the Rage)
don’t help you, you’ll still help me? Free of charge?” She laughed, and the sound reminded me of wind chimes—bright and beautiful. “Nothing is ever free, Violet. I would, of course, ask you to accompany Owen on any expedition to steal the equipment needed, but I assume you would want to go along anyway.” I frowned. Again, that blunt information, freely given with an intense sincerity. For good or for bad, she didn’t pull a punch. “Why are you so…” I waved my hand, trying to pick a good word that wouldn’t insult her. “Blunt?” she offered, a small smile playing at her lips. I nodded and she shrugged. “Honesty is an undervalued commodity. Keeping secrets is the cancer that is slowly killing Matrus and Patrus. Given enough time, and lies, both places would fail, and the last vestiges of humanity would disappear from this earth. I don’t have time for it. And also, I have found that honesty can inspire people. I won’t let my people go into any situation against their will, and I won’t lie to spare them uncomfortable truths about what they are getting into. It builds trust, and separates me from Matrus and Patrus. I don’t have time to
Bella Forrest (The Gender Secret (The Gender Game, #2))
He extended his hands, his brow smoothing and his lips curving into a smile when Abigail placed her hands in his. His hands were warm and comforting, his smile the one she had dreamt of so often. If dreams came true, soon he would say the words she longed to hear: I love you. Ethan’s smile faded slightly as he said, “I know you dislike the West and Army life, but there’s no way around it. I owe the Army another year. Will you wait for me?” Those weren’t the words she had expected. “Wait for what?” Abigail wouldn’t make the mistake of assuming she knew what Ethan meant. Though the look in his eyes, a look that mirrored her own, spoke of love, she needed the words. Why wouldn’t he say them? Ethan rolled his eyes. “There I go again, putting the cart before the horse. It’s your fault, you know. I was never this way before I met you.” He tightened his grip on her hands. “I love you, Abigail. I love your smile, your kind heart, your impulsive nature. I love everything about you.” Ethan paused, and she sensed that the man who had faced death without flinching was afraid of her reaction. “Is it possible that you love me?” Her dream had come true. Her heart overflowing with happiness, Abigail smiled at the man she loved so dearly. She had longed for three special words, and Ethan had given them to her. Not once but three times. And if that weren’t enough, the momentary fear she’d seen had shown her the depth of his love. Ethan loved her. He loved her, and now she could tell him of her own love. “Of course I love you.” Abigail infused her words with every ounce of sincerity she possessed. Ethan must never, ever doubt how much she loved him. “I think I’ve loved you from the first time I saw you, although I didn’t recognize it at the time. I thought God brought me to Wyoming to help Charlotte, but as the weeks passed, it seemed that he had more in store for me. Now I know what it was. He brought me to you.” “And used you to show me what love is.” Ethan rose, tugging Abigail to her feet. “Will you make my life complete? Will you marry me when my time with the Army is ended?” There was only one possible answer. “No.” As Ethan’s eyes widened, Abigail saw disbelief on his face. “You won’t? I don’t understand. If you love me, why won’t you marry me? Don’t you want to?” Again, there was only one answer. “I do want to marry you, Ethan. More than anything else.” His confusion was endearing, and Abigail knew they’d speak of this moment for years to come. “Then why did you refuse me?” “It wasn’t your proposal I refused; it was the timing. Why should we wait a year?” “Because you hate Army life. I don’t want to start our marriage knowing you’re miserable.” “Oh, you silly man.” Abigail smiled to take the sting from her words. “How could I be miserable if I’m with you? The only thing that would make me miserable is being apart. I love you, Ethan. I want to spend the rest of my life as your wife . . . starting now.” Ethan’s smile threatened to split his face. “That’s the Abigail I love: headstrong and impulsive, with a heart that’s bigger than all of Wyoming. I wouldn’t have you any other way.
Amanda Cabot (Summer of Promise (Westward Winds, #1))
His dismissal shouldn’t hurt. I’m only pretend-dating his son. I don’t even want to like Blake, and I will never meet this man again. Still, to be judged unworthy in so short a space of time really pisses me off. I at least deserve a shot. Blake vanishes into the bathroom. As I’m marshaling the nerve to try and start a polite conversation, Mr. Reynolds looks off into the distance, hoists his water glass, and lets out a sigh. “Fifty thousand dollars.” My first thought is that Blake must have told him about our deal after all. I sit in place, waiting for him to give some explanation, to make some sort of demand. But he takes a long swallow of water and doesn’t say anything more. I fold my hands in my lap. “Well?” he asks after a few interminable seconds. “I can’t wait forever.” He’s not even going to pretend to be polite, and I suspect that everything he says from here on out will only get worse. Fine. If he wants to play that way, I can come along for the ride. “No,” I say with my most charming smile. “You probably can’t. Five minutes of your time is worth a fortune. But my time is worth basically nothing. So if we want to keep staring at each other, I’ll win. Eventually.” He leans against the booth, letting his arm trail along the back. He has Blake’s wiry build, but there’s an edginess to him that Blake lacks, as if he has a low-voltage current running through him at all times. He drums his fingers against the table as if to dispel a constant case of jitters. His glare intensifies. “Cut the innocent act. If you’re smart enough to hold Blake’s interest, you’re smart enough to know what I’m talking about. My son is obviously emotionally invested in you, and I’d rather he not be hurt any more than necessary. If all you want is money, I’ll give you fifty thousand dollars to walk away right now.” I pause, considering this. On the one hand, fifty thousand dollars to walk away from a nonexistent relationship is a lot of money. On the other hand, technically, at this point, Blake has offered me more. Besides, I doubt Mr. Reynolds would ever actually pay me. He’d just spill everything to Blake, assuming that revealing my money-grubbing status would end this relationship. In other words, true to form, he’s being a dick. Surprise, surprise. “I see you’re thinking about it,” he says. “Chances are this thing, whatever it is, won’t last. We’ve established that you don’t really care about Blake. The only thing left to do is haggle over the price.” “That’s not what I’m thinking.” I pick up my own water glass and take a sip. “I think we need to make the stakes even. I’ll accept sixty-six billion dollars. I take cash, check, and nonliquid assets.” His knowing smirk fades. “Now you’re just being ridiculous.” I set my glass down. “No. I’m simply establishing that you don’t love your son, either.” He almost growls. “What the fuck kind of logic is that? Sixty-six billion dollars is materially different than fifty thousand.” The bathroom door opens behind us, and Blake starts toward us. Mr. Reynolds looks away from me in annoyance. Blake approaches the table and slides in next to me. He sits so close I can feel the warm pressure of his thigh against mine. He looks from me to his father and back. “What’s going on?” The fact that I’m not actually dating Blake, and don’t care about the state of his relationship with his terrible father, makes this extremely easy. “Your father and I,” I tell him sweetly, “are arguing over how much he’ll pay me to dump you. Stay out of this; we’re not finished yet.” “Oh.” A curiously amused look crosses Blake’s face. “He offered fifty thousand bucks,” I say. “I countered with sixty-six billion.” Blake’s smile widens. “She’s not negotiating in good faith,” Mr. Reynolds growls. “What the fuck kind of girlfriend did you bring?” “Don’t mind me.” Blake crosses his arms and leans back. “Pretend I’m not here. Carry on.
Courtney Milan
That's the thing with con artists. They never tell you their story. They give you pieces of it and let you fill in the rest. They let you work out the contradictions and discrepancies. They let you believe that the things that don't add up are what makes them interesting or special. They let you believe that in those gaps are the things that hurt and wounded them. But maybe there's nothing in those gaps. Nothing but your own stupid willingness to assume the best of someone.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
Our bodies have been created not only by God but also for God..We are driven today by whatever can bring our bodies the most pleasure. What can we eat, touch, watch, do listen to, or engage in to satisfy the cravings of our bodies?..in his love, gives us boundaries for our bodies: he loves us and knows what is best for us..[there are] clear and critical distinctions between different types of laws in Leviticus. Some of the laws are civil in nature, and they specifically pertain to the government of ancient Israel..Other laws are ceremonial..However, various moral laws..are explicitly reiterated in the New Testament..Jesus himself teaches that the only God-honoring alternative to marriage between a man and a woman is singleness..the Bible also prohibits all sexual looking and thinking outside of marriage between a husband and a wife..it is sinful even to look at someone who is not your husband or wife and entertain sexual thoughts about that person..it is also wrong to provoke sexual desires in others outside of marriage..God prohibits any kind of crude speech, humor, or entertainment that remotely revolves around sexual immorality..often watch movies and shows, read books and articles, and visit Internet sites that highlight, display, promote, or make light of sexual immorality..God prohibits sexual worship-- the idolization of sex and infatuation with sexual activity as a fundamental means to personal fulfillment..Don't rationalize it, and don't reason with it-- run from it. Flee it as fast as you can..We all have a sinful tendency to turn aside from God's ways to our wants. This tendency has an inevitable effect on our sexuality..every one of us is born with a bent toward sexual sin. But just because we have that bent doesn't mean we must act upon it. We live in a culture that assumes a natural explanation implies a moral obligation. If you were born with a desire, then it's essential to your nature to carry it out. This is one reason why our contemporary discussion of sexuality is wrongly framed as an issue of civil rights..Ethnic identity is a morally neutral attribute..Sexual activity is a morally chosen behavior..our sexual behavior is a moral decision, and just because we are inclined to certain behaviors does not make such behaviors right. His disposition toward a behavior does not mean justification for that behavior. "That's the way he is" doesn't mean "that's how he should act." Adultery isn't inevitable; it's immoral. This applies to all sexual behavior that deviates from God's design..We do not always choose our temptations. But we do choose our reactions to those temptations..the assumption that God's Word is subject to human judgement..Instead of obeying what God has said, we question whether God has said it..as soon as we advocate homosexual activity, we undercut biblical authority..we are undermining the integrity of the entire gospel..We take this created gift called sex and use it to question the Creator God, who gave us the gift in the first place..[Jesus] was the most fully human, fully complete person who ever lived, and he was never married. He never indulged in any sort of sexual immorality..This was not a resurrection merely of Jesus' spirit or soul but of his body..Repentance like this doesn't mean total perfection, but it does mean a new direction..in a culture that virtually equates identity with sexuality..Naturally this becomes our perception of ourselves, and we subsequently view everything in our lives through this grid..When you turn to Christ, your entire identity is changed. You are in Christ, and Christ is in you. Your identity is no longer as a heterosexual or a homosexual, an addict or an adulterer.
David Platt (A Compassionate Call to Counter Culture in a World of Poverty, Same-Sex Marriage, Racism, Sex Slavery, Immigration, Abortion, Persecution, Orphans and Pornography)
She says, enough, enough, just enough. It's too much already, I've never-- thank God-- had a problem with any of my children, but now all of a sudden it's like you are three different people and I don't ever know which one I'm going to get. It's exhausting, you hear me, you are exhausting me. Can we not just have some real, genuine peace in this house? Between you and your father everyone here is always walking around like someone has died or is about to die. Or people are shouting or sulking or whatever it is you men do. You see my hair. You people are making me old! For once can someone not fucking shout at me for something, I say, I can't wait until I'm out of this stupid fucking place and no one can yell at me. My mother's mouth falls open and her eyes lock on my face. She has heard me swear before. on the phone when joking with some friends but never have I said any such thing to either one of my parents. Never. I have always assumed that such an event would result in my being beaten within an inch of my unborn grandchild's life, but she just stands there like a malfunctioning robot. Is anyone keeping you here, she says finally. If you are unhappy, please go. Go and find the place where you feel happy. I'm sorry, I say, but it's too late. I've fucked up. The less I've said the better things have been, the less likely my father has seemed ready to pounce on me for the smallest mistake. If she tells him what has happened, this might be the end. I'm really sorry. My hands smell of cucumber as I wipe my nose. She tosses the vegetable peeler in her hand to the counter between us. Its protected blades glint in the sunlight streaming through the large bay windows. Do what you like, she says. Mommy, wait please, I say. Get out of here, I don't want to talk to you. Not like this, in my house, my mother says. Her voice is flat and hard, her eyes fixed directly to mine. Ypu should go and find whatever it is you want to find. Me, sef, I'm tired, I'm going upstairs, she says. I listen to her reach the top stair, enter her bedroom, and shut the door. It's just me now.
Uzodinma Iweala (Speak No Evil)
She says, enough, enough, just enough. It's too much already, I've never-- thank God-- had a problem with any of my children, but now all of a sudden it's like you are three different people and I don't ever know which one I'm going to get. It's exhausting, you hear me, you are exhausting me. Can we not just have some real, genuine peace in this house? Between you and your father everyone here is always walking around like someone has died or is about to die. Or people are shouting or sulking or whatever it is you men do. You see my hair. You people are making me old! For once can someone not fucking shout at me for something, I say, I can't wait until I'm out of this stupid fucking place and no one can yell at me. My mother's mouth falls open and her eyes lock on my face. She has heard me swear before, on the phone when joking with some friends but never have I said any such thing to either one of my parents. Never. I have always assumed that such an event would result in my being beaten within an inch of my unborn grandchild's life, but she just stands there like a malfunctioning robot. Is anyone keeping you here, she says finally. If you are unhappy, please go. Go and find the place where you feel happy. I'm sorry, I say, but it's too late. I've fucked up. The less I've said the better things have been, the less likely my father has seemed ready to pounce on me for the smallest mistake. If she tells him what has happened, this might be the end. I'm really sorry. My hands smell of cucumber as I wipe my nose. She tosses the vegetable peeler in her hand to the counter between us. Its protected blades glint in the sunlight streaming through the large bay windows. Do what you like, she says. Mommy, wait please, I say. Get out of here, I don't want to talk to you. Not like this, in my house, my mother says. Her voice is flat and hard, her eyes fixed directly to mine. Ypu should go and find whatever it is you want to find. Me, sef, I'm tired, I'm going upstairs, she says. I listen to her reach the top stair, enter her bedroom, and shut the door. It's just me now.
Uzodinma Iweala (Speak No Evil)
You poor, dear child,” Mrs. Wilkes said, after several restorative sips. “I can only begin to image the insults and humiliations you have been forced to endure, living among those…savages.” Tipsy, Livy wondered if she was referring to Lawson or the Gunns. “I can’t change what you have been through, but I can promise you this. You will never have to see the Gunns again. They were intolerably negligent in placing you in a situation where a savage could propose to make you his…his…wife.” Mrs. Wilkes mouth pursed, as if she’d gone for the snuff and mistakenly taken alum. She lay a hand over her heart. “You needn’t fear going back. You may stay with us for as long as you wish. I swear to you, there is nothing on heaven or earth that could ever persuade me to return you to that nest of vipers.” Mr. Wilkes came in carrying a shawl. “When I think of a child of her caliber being forced into such degraded association with those red instruments of Satan, it makes my blood boil.” He draped the shawl around Livy’s shoulders and patted her kindly. “Mr. Lawson may be a rascal,” Mr. Wilkes continued, “but we owe him a debt of gratitude for rescuing you. I cannot believe one of those creatures actually proposed marriage! To be honest, the mere thought of you with him makes me ill. You were fortunate, Deliverance. I mean to say, I am assuming that the savage did not actually act on his evil intentions?” Livy flinched at his words. Mrs. Wilkes looked sympathetic, but her eyes were bright with curiosity. Every grown person Livy’d been near lately seemed to have their minds stuck on Sodom and Gomorrah. They made her feel dirty. And they wanted to keep her here. To rescue her form Rising Hawk. From Rising Hawk! She looked into the fire. There were bright blue and white tiles the entire length of the hearth. A silver tea service sparkled on a walnut sideboard. This room, with its warm fire and pretty things, had seemed like a haven, peaceful and civilized, up to this moment. They watched her, her head down, studying the tabletop. Suddenly she stood up. “Mr. Wilkes, Mrs. Wilkes. You have both been so kind to me and Ephraim that I feel I owe you the truth.” She paused and put a corner of the shawl to her eyes. “The fact is, me and the Indian have been sinning together for, oh, I don’t know how long. And now here I am, a month gone already and nearly a widow before I’m married.” Mrs. Wilkes fainted with a loud thud. Livy took a certain satisfaction in the sound.
Betsy Urban (Waiting for Deliverance)