“
Atticus said to Jem one day, "I’d rather you shot at tin cans in the backyard, but I know you’ll go after birds. Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird." That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. "Your father’s right," she said. "Mockingbirds don’t do one thing except make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corn cribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.
”
”
Harper Lee (To Kill a Mockingbird)
“
Leah: "That is easily the freakin’ grossest thing I’ve ever heard in my life. Yuck. If there was anything in my stomach, it would be coming back."
Seth: "They are vampires, I guess. I mean, it makes sense, and if it helps Bella, it’s a good thing, right?"
Leah and Jake stare at Seth.
Seth: "What?"
Leah: "Mom dropped him a lot when he was a baby."
Jake: "On his head apparently."
Leah: "He used to gnaw on the crib bars, too."
Jake: "Lead paint?"
Leah: "Looks like it."
Seth: "Funny. Why don’t you two shut up and sleep?
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
I don't think my parents liked me. They put a live teddy bear in my crib.
”
”
Woody Allen
“
Things could change, Gabe," Jonas went on. "Things could be different. I don't know how, but there must be some way for things to be different. There could be colors. And grandparents," he added, staring through the dimness toward the ceiling of his sleepingroom. "And everybody would have the memories."
"You know the memories," he whispered, turning toward the crib.
Garbriel's breathing was even and deep. Jonas liked having him there, though he felt guilty about the secret. Each night he gave memories to Gabriel: memories of boat rides and picnics in the sun; memories of soft rainfall against windowpanes; memories of dancing barefoot on a damp lawn.
"Gabe?"
The newchild stirred slightly in his sleep. Jonas looked over at him.
"There could be love," Jonas whispered.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
I'm alone. And I'm crying. And no one is coming to the crib. And the nightlight has burned out. And I'm mad. I'm so mad. Left frontal lobe. I...I...I don't feel so good. Left occipital lobe. I... don't remember where...Left parietal lobe. I...I...I can't remember my name,but...but...Right temporal...but I'm still here. Right frontal. I'm still here... Right occipital.I'm still...Right parietal. I'm...Cerebellum. I'm...Thalamus. I...Hypothalamus. I...Hippocampus...Medulla........................
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
But was that freedom worth it? Are we really supposed to be free? Why do people who are all entangled so happy? Why do people constantly crib about their jobs, yet sleep peacefully in the night? Is it exhaustion that they seek? As it prevents them from thinking nonsense? Why do we all want to fasten ourselves to something? Why these entrapments don’t feel suffocating?
”
”
Abhaidev (The World's Most Frustrated Man)
“
I'd hoped the language might come on its own, the way it comes to babies, but people don't talk to foreigners the way they talk to babies. They don't hypnotize you with bright objects and repeat the same words over and over, handing out little treats when you finally say "potty" or "wawa." It got to the point where I'd see a baby in the bakery or grocery store and instinctively ball up my fists, jealous over how easy he had it. I wanted to lie in a French crib and start from scratch, learning the language from the ground floor up. I wanted to be a baby, but instead, I was an adult who talked like one, a spooky man-child demanding more than his fair share of attention.
Rather than admit defeat, I decided to change my goals. I told myself that I'd never really cared about learning the language. My main priority was to get the house in shape. The verbs would come in due time, but until then I needed a comfortable place to hide.
”
”
David Sedaris
“
Instead of looking back in anger or fear to analyze where we went wrong or how a bit of courage could have altered the course of events, we should look around for awareness to ensure that our past actions don’t become a habit.
”
”
Prem Jagyasi
“
Don’t forget what he means to me, Poppy. I’ve known him my whole damn life,” he said. “We shared the same crib more times than not. We took our first steps together. Sat at the same table most nights, refusing to eat the same vegetables We explored tunnels and lakes, pretended that fields were new, undiscovered kingdoms. We were inseparable. And that didn’t change as we grew older.” His voice roughened, and he dropped his forehead to mind. “He was and still is a part of me.
”
”
Jennifer L. Armentrout (The War of Two Queens (Blood and Ash, #4))
“
Pietrisycamollaviadelrechiotemexity,' Sunny said, which was something she had said only once before. It meant something along the lines of 'I must admit I don't have the faintest idea of what is going on,' and the first time the youngest Baudelaire had said it, she had just been brought home from the hospital where she was born, and was looking at her siblings as they leaned over her crib to greet her.
”
”
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
“
Your baby doesn’t need a pillow for her head, and you should not use one. Likewise, it’s best to keep stuffed animals out of your baby’s crib or cradle; little babies don’t care much about them, and they may pose a suffocation
”
”
Benjamin Spock (Dr. Spock's Baby and Child Care)
“
I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible--from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin--to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.
”
”
Alexandra Fuller (Scribbling the Cat)
“
He was a baby once. He must have been sweet and clean and his mother kissed his little pink toes. Maybe when it thundered at night she came to his crib and fixed his blanket better and whispered that he mustn't be afraid, that mother was here. Then she picked him up and put her cheek on his head and said that he was her own sweet baby. He might have been a boy like my brother, running in and out of the house and slamming the door. And while his mother scolded him she was thinking that maybe he'll be president some day. Then he was a young man, strong and happy. When he walked down the street, the girls smiled and turned to watch him. He smiled back and maybe he winked at the prettiest one. I guess he must have married and had children and they thought he was the most wonderful papa in the world the way he worked hard and bought them toys for Christmas. Now his children are getting old too, like him, and they have children and nobody wants the old man any more and they are waiting for him to die. But he don't want to die. He wants to keep living even though he's so old and there's nothing to be happy about anymore.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
But I’m going to need you to love me on the bus, dude. And first thing in the morning. Also, when I’m drunk and refuse to shut up about getting McNuggets from the drive-thru. When I fall asleep in the middle of that movie you paid extra to see in IMAX. When I wear the flowered robe I got at Walmart and the sweatpants I made into sweatshorts to bed. When I am blasting “More and More” by Blood Sweat & Tears at seven on a Sunday morning while cleaning the kitchen and fucking up your mom’s frittata recipe. When I bring a half dozen gross, mangled kittens home to foster for a few nights and they shit everywhere and pee on your side of the bed. When I go “grocery shopping” and come back with only a bag of Fritos and five pounds of pork tenderloin. When I’m sick and stumbling around the crib with half a roll of toilet paper shoved in each nostril. When I beg you fourteen times to read something I’ve written, then get mad when you tell me what you don’t like about it and I call you an uneducated idiot piece of shit. Lovebird city.
”
”
Samantha Irby (We Are Never Meeting in Real Life.)
“
Once your baby starts to walk you’ll realize why cribs are designed like prisons from the early 1900s. This is clearly because toddlers are a danger to themselves. The main responsibility for a parent of a toddler is to stop them from accidentally hurting or killing themselves. They are superclumsy. If you don’t believe me, watch a two-year-old girl attempt to walk up stairs in a long dress. It looks like a Carol Burnett sketch. Also, toddler judgment is horrible. They don’t have any. Put a twelve-month-old on a bed, and they will immediately try and crawl off headfirst like a lemming on a mindless migration mission. But the toddler mission is never mindless. They have two goals: find poison and find something to destroy.
”
”
Jim Gaffigan (Dad Is Fat)
“
Our tremendous drive for social acceptance and toward conformity in our time is causing us to train our children to be a generation of young liars who do not even realise they are lying. We train our children to be subtly dishonest almost from the crib. "Shh... don't cry in front of all these people.
”
”
Keith Miller (The Taste of New Wine)
“
It seems to me that sometimes the worst parents make the best grandparents. I'm not sure why. Maybe because there is enough of a generational separation that they don't see their grandchildren as an extension of themselves, so their relationship isn't tainted by any self-loathing. And of course, just growing older seems to soften and relax people. Since so many people these days don't seem to start their families until around age forty, I predict there will be less child beating, but more slipped disks from lifting babies out of cribs. Even the father of advanced age who's not inclined to spare the rod is likely to suffer more than his victim: The first punch he throws might well be the last straw for his rotator cuff, reducing his disciplinary options to mere verbal abuse and napping. I'm excited about the next generation!
”
”
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
“
I don't know how old the man was... but he was definitely closer to coffin than crib.
”
”
Jonathan Stroud (The Hollow Boy (Lockwood & Co., #3))
“
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips:
1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy.
2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously!
3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside!
4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live!
5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom!
6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true!
7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn.
8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours!
9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative!
10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
”
”
Brooke Hampton
“
The planet has a fever. If your baby has a fever you go to the doctor. If the doctor says you need to intervene here, you don't say, 'Well, I read a science fiction novel that told me it's not a problem.' If the crib's on fire, you don't speculate that the baby is flame retardant. You take action.
”
”
Al Gore
“
Once when she was just learning to talk, I ran my hand across her face, naming every part of it. Later, when I put her in the crib, she called me back. First, she asked for water, then for milk, then for kisses. “It hurts. Don’t go,” she said. “What does? What hurts, sweetie?” She paused. “My eyelashes.
”
”
Jenny Offill (Dept. of Speculation)
“
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands.
Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap.
I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death.
But today, vigor and grace have forsaken me and left me crippled.
Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own.
My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever.
But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path?
No, everything and everyone we love will vanish, one day.
So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship.
Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last.
Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character.
Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing.
My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know.
So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have.
But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib.
My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
”
”
Shakieb Orgunwall
“
Don’t let the perfect be the enemy of the good.” (Cribbed from Voltaire.) A twenty-minute walk that I do is better than the four-mile run that I don’t do. The imperfect book that gets published is better than the perfect book that never leaves my computer. The dinner party of take-out Chinese food is better than the elegant dinner that I never host.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
I tried to bend over and touch my toes this morning,” I tell the girls. “I tipped over, hit my head on the desk, and then had to call for Nana to get up. I’m literally the size of an Oompa Loompa.”
“You’re the most beautiful Oompa Loompa in the world,” Hope declares.
“Because she’s not orange.”
“Oompa Loompas were orange?” I try to conjure up a mental picture of them but can only recall their white overalls.
Carin purses her lips. “Were they supposed to be candies? Like orange slices? Or maybe candy corn?”
“They were squirrels,” Hope informs us.
“No way,” we both say at once.
“Yes way. I read it on the back of a Laffy Taffy when I was like ten. It was a trivia question and I’d just seen the movie. I was terrified of squirrels for years afterwards.”
“Shit. Learn something new every day.” I push my body upright, a task that takes a certain amount of upper body strength these days, and toddle over to inspect the crib.
“I don’t believe you,” Carin tells Hope. “The movie is about candy. It’s called Willy Wonka and the Chocolate Factory. Since when are squirrels candies? I can buy into a bunny because, you know, the chocolate Easter bunnies, but not a squirrel.”
“Look it up, Careful. I’m right.”
“You’re ruining my childhood.” Carin turns to me. “Don’t do this to your daughter.”
“Raise her to believe Oompa Loompas are squirrels?”
“Yes
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
I don’t think religions are based on lies, but I don’t think they’re based on truths, either. I think they come about because of what people need at the time that they need them. Like the World Series player who won’t take off his lucky socks, or the mother of the sick child who believes that her baby can sleep only if she’s sitting by the crib – believers need, by definition, something to believe in.
”
”
Jodi Picoult (Change of Heart)
“
Men don’t want to give the truth. They can’t face the fact that they’re assholes.’ But I realized that women can’t face the truth because often they are really naive. Really. If a woman had so much intuition, wouldn’t she know that the guy was just not that into her? Wouldn’t she realize after her friends told her so? Wouldn’t she comprehend by listening to herself crib about him continuously? Why do so many women ask for the truth when truth is staring at them right in the face? It’s probably because women need to hear it. From him. The man that she has given her heart to. That’s the real reason. She needs to hear him say the words, ‘I don’t love you. We can never have a future.’ And how many men have actually said that? None. Because they always want to leave the window of ‘opportunity’ open for a ‘what if’. And that’s why women will be shattered over a break-up for a far longer time than men. Men don’t need explanations. They think, ‘It wasn’t meant to be.’ And have another glass of beer and go back to working on their Excel sheets in the morning.
”
”
Madhuri Banerjee (Losing My Virginity and Other Dumb Ideas)
“
The current crop of experts claimed that baby girls stare at faces while baby boys watch the mobile over their cribs. They extrapolated from this to conclude that women are inherently interested in people and men are inherently interested in objects.
... Turner supposed they might be right in a statistical sense, but numbers don’t tell the whole story. If you have one foot in boiling water and one in a tub of dry ice, on the average you’re comfortable.
”
”
Eileen Wilks (Blood Challenge (World of the Lupi, #7))
“
You begin a marriage with such high ideals, thinking everything should be perfect. When it’s not, you throw your toys out of the crib. But then you’re living in an empty apartment with kids who don’t call. It was better with the toys,
”
”
Max Barry (The 22 Murders of Madison May)
“
I know what I am. I'm not blind. I have never had a marriage proposal or a love affair or an adventure, never any experience more interesting than patrolling the aisles of my Latin class looking for crib sheet and ponies--an old-maid schoolteacher. There are a thousand jokes about the likes of me. None of them are funny. I have seen people sum me up and dismiss me right while I was talking to them, as if what I am came through more clearly than any words I might choose to say. I see their eyes lose focus and settle elsewhere. Do they think that I don't realize? I suspected all along that I would never get what comes to others so easily. I have been bypassed, something has been held back from me. And the worst part is that I know it.
”
”
Anne Tyler (Celestial Navigation)
“
I just don't understand it," said Klaus, which was not something he said very often.
Violet nodded in agreement, and then said something she didn't say very frequently either. "It's a puzzle I'm not sure we can solve."
"Pietrisycamollaviadelrechiotemexity," Sunny said, which was something she had said only once before. It meant something along the lines of "I must admit I don't have the faintest idea of what is going on," and the first time the youngest Baudelaire had said it, she had just been brought home from the hospital where she was born, and was looking at her siblings as they leaned over her crib to greet her.
”
”
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
“
I remind myself, “Don’t let the perfect be the enemy of the good.” (Cribbed from Voltaire.) A twenty-minute walk that I do is better than the four-mile run that I don’t do. The imperfect book that gets published is better than the perfect book that never leaves my computer. The dinner party of take-out Chinese food is better than the elegant dinner that I never host.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
Bending over her bed, I saw the smile
I must have seen when gaping up from the crib.
Knowing death will come, sensing its onset,
may be a fair price for consciousness.
But looking at my sister, I wished
she could have died by surprise,
without ever knowing about death.
Too late. Wendy said, “I am in three parts.
Here on the left is red. That is pain.
On the right is yellow. That is exhaustion.
The rest is white. I don’t know yet what white is.
”
”
Galway Kinnell
“
Of course, we don’t usually question why a language has words for some things and not others. We don’t really imagine we have much choice in the matter, because the words we use to build our lives were mostly handed to us in the crib or picked up on the playground. They function as a kind of psychological programming that helps shape our relationships, our memory, even our perception of reality. As Wittgenstein wrote, “The limits of my language are the limits of my world.
”
”
John Koenig (The Dictionary of Obscure Sorrows)
“
Just remember something, okay? And this is neither here nor there but it’s something I really want you to know. Not that I think you have much trouble with this, but let’s be clear: you don’t owe your parents anything if they don’t respect you. That’s bullshit, to be taught that just because they created you and made sure you didn’t roll over in your crib and die, you owe them anything. So what I’m saying is use him. Use him if you can, if he lets you. But then don’t think you ever have to look back if he doesn’t respect you.
”
”
Vee Hoffman
“
Okay,” Jack said. “I’m not really sure what you want from me.” “I want you to stop trying to deny every feeling I ever have, Jack. I want you to stop telling me not to feel bad when I already do. I want you to stop telling me I look fine when it’s so patently obvious that I don’t. I want you to stop being so uncomfortable when things aren’t perfect that you immediately start trying to pretend they are.” Even as the words were coming out of my mouth, I realized how unfair I was being. Yes, I wanted for him to accept my emotional reality. But only when it suited me. I also wanted him to tell me that the baby would be fine when it was what I needed to hear. At least Jack was consistent. I was a nut job.
”
”
Jennifer Coburn (Tales From The Crib)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
Speech to a Crowd
Tell me, my patient friends, awaiters of messages.
From what other shore, from what stranger,
Whence, was the word to come? Who was to lesson you?
Listeners under a child’s crib in a manger,
Listeners once by the oracles, now by the transoms,
Whom are you waiting for? Who do you think will explain?
Listeners thousands of years and still no answer—
Writers at night to Miss Lonely-Hearts, awkward spellers,
Open your eyes! There is only earth and the man!
There is only you. There is no one else on the telephone:
No one else is on the air to whisper:
No one else but you will push the bell.
No one knows if you don’t: neither ships
Nor landing-fields decode the dark between.
You have your eyes and what your eyes see, is.
The earth you see is really the earth you are seeing.
The sun is truly excellent, truly warm,
Women are beautiful as you have seen them—
Their breasts (believe it) like cooing of doves in a portico.
They bear at their breasts tenderness softly. Look at them!
Look at yourselves. You are strong. You are well formed.
Look at the world—the world you never took!
It is really true you may live in the world heedlessly.
Why do you wait to read it in a book then?
Write it yourselves! Write to yourselves if you need to!
Tell yourselves there is sun and the sun will rise.
Tell yourselves the earth has food to feed you.
Let the dead men say that men must die!
Who better than you can know what death is?
How can a bone or a broken body surmise it?
Let the dead shriek with their whispering breath.
Laugh at them! Say the murdered gods may wake
But we who work have end of work together.
Tell yourselves the earth is yours to take!
Waiting for messages out of the dark you were poor.
The world was always yours: you would not take it.
”
”
Archibald MacLeish (New Found Land)
“
Please don’t go,” Mom said to him. She was generally too proud to ask anyone for anything, including her own husband for support. But she pleaded. “I can’t do this alone.” There were houses to build, though. My uncle was outside honking the horn, and Dad left—believing, to some extent, that it was his job to provide and her job to take care of the kids. There was no paid leave for him either in such a moment. Once Dad was gone, Mom lay in their bed trying to sleep through her pain as Matt cried from his crib. I crawled up a chest of drawers in her bedroom and tipped it over. The dresser crushed me against the carpet. Mom ran from her bed and somehow lifted the chest off me, straining so hard she tore her stitches. Blood ran down her thighs. I don’t think we went back to the hospital. When she told me the story, it was about a day she barely survived because of my dad’s absence. I see it now as a day she barely survived because society valued productivity and autonomy more than it valued women and children. Pregnancy slows you down, so pregnant women lost their jobs; mothers were alone in their nuclear households while fathers worked extra hours to make up the difference.
”
”
Sarah Smarsh (Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth)
“
Robin leaned back and drained the rest of his Madeira. Several seconds passed before he realized that the poem had ended, and his appraisal was required. ‘We have translators working on poetry at Babel,’ he said blandly, for lack of anything better to say. ‘Of course that’s not the same,’ Pendennis said. ‘Translating poetry is for those who haven’t the creative fire themselves. They can only seek residual fame cribbing off the work of others.’ Robin scoffed. ‘I don’t think that’s true.’ ‘You wouldn’t know,’ said Pendennis. ‘You’re not a poet.’ ‘Actually—’ Robin fidgeted with the stem of his glass for a moment, then decided to keep talking. ‘I think translation can be much harder than original composition in many ways. The poet is free to say whatever he likes, you see – he can choose from any number of linguistic tricks in the language he’s composing in. Word choice, word order, sound – they all matter, and without any one of them the whole thing falls apart. That’s why Shelley writes that translating poetry is about as wise as casting a violet into a crucible.* So the translator needs to be translator, literary critic, and poet all at once – he must read the original well enough to understand all the machinery at play, to convey its meaning with as much accuracy as possible, then rearrange the translated meaning into an aesthetically pleasing structure in the target language that, by his judgment, matches the original. The poet runs untrammelled across the meadow. The translator dances in shackles.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
My editor insists that I clarify that there isn’t actually a $25 bill hidden in this book, which is sort of ridiculous to have to explain, because there’s no such thing as a $25 bill. If you bought this book thinking you were going to find a $25 bill inside then I think you really just paid for a worthwhile lesson, and that lesson is, don’t sell your cow for magic beans. There was another book that explained this same concept many years ago, but I think my cribbed example is much more exciting. It’s like the Fifty Shades of Grey version of “Jack and the Beanstalk.” But with fewer anal beads, or beanstalks. 2. “Concoctulary” is a word that I just made up for words that you have to invent because they didn’t yet exist. It’s a portmanteau of “concocted” and “vocabulary.” I was going to call it an “imaginary” (as a portmanteau of “imagined” and “dictionary”) but turns out that the word “imaginary” was already concoctularied, which is actually fine because “concoctulary” sounds sort of unintentionally dirty and is also great fun to say. Try it for yourself. Con-COC-chew-lary. It sings. 3. My mental illness is not your mental illness. Even if we have the exact same diagnosis we will likely experience it in profoundly different ways. This book is my unique perspective on my personal path so far. It is not a textbook. If it were it would probably cost a lot more money and have significantly less profanity or stories about strangers sending you unexpected vaginas in the mail. As it is with all stories, fast cars, wild bears, mental illness, and even life, only one truth remains: your mileage may vary.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
A figure held his daughter in the rocker. In the dim light he couldn’t make out the features, but the sight of anyone he didn’t know sitting in Wendy’s rocker with their daughter was enough to scare the shit out of him. Judging by the shuddering movements of his daughter’s body it had frightened her too, had caused her to mewl. He wanted to charge forward and reclaim his daughter, but he didn’t know what would happen if he acted so quickly. What would he do if it hurt her? What would he do if it killed her? “What-what do you want? I’ll do anything just don’t take my daughter. She’s…all I have left.”
The figure stopped rocking and slowly eased its way to its feet. There’s not much light in the room but as it moved closer to the bed and it settled the baby in her crib, he saw just enough of her face in the moonlight.
“Wendy?” His voice is as full of horror as it is with awe. He can’t help but be horrified at the sight of her now, the way that death has changed her, making her a terrible figure indeed. Her eyes are strange; some depth, some dark and terrible nothing has swallowed up all of her light, and in this first moment he swears he can feel the awful cold of that operating room coming off of her flesh. She is so small and so hard to look at, as if his mind can’t quite focus on her form. Through the bars of the crib he can see her anger and hear the terrible, alien sound of her hiss. “What do you want?”
She doesn’t answer him, staring cold and blank through those stark white bars, and then she was scrambling toward him across the floor, making him press flat against the wall to get away from her skittering shape.
”
”
Amanda M. Lyons (Wendy Won't Go)
“
I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.
”
”
Laura Kipnis (Men: Notes from an Ongoing Investigation)
“
You remember that documentary they showed us in sixth grade? The one about Hurricane Katrina?”
“Yeah.” I shrug, remembering how we’d all piled into the media center to watch it on the big, pull-down screen. I don’t recall much about the movie itself, but I’m pretty sure Brad Pitt had narrated it. “What about it?”
"I had nightmares for weeks. I have no idea why it affected me the way it did.”
“Seriously?”
He nods. “Ever since, well…let’s just say I don’t do well in storms. Especially hurricanes.”
I just stare at him in stunned silence.
“You’re going to have fun with this, aren’t you?”
“No, I…of course not. Jeez.” How big of a bitch does he think I am? “I’m not going to tell a soul. I promise. Okay? What happens in the storm shelter stays in the storm shelter,” I quip, trying to lighten the mood.
His whole body seems to relax then, as if I’ve taken a weight off him.
“Did you seriously think I was going to rag on you for this? I mean, we’ve been friends forever.”
He quirks one brow. “Friends?”
“Well, okay, not friends, exactly. But you know what I mean. Our moms used to put us in a crib together. Back when we were babies.”
He winces. “I know.”
“When we were little, things were fine. But then…well, middle school. It was just…I don’t know…awkward. And then in eighth grade, I thought maybe…” I shake my head, obviously unable to form a complete sentence. “Never mind.”
“You thought what? C’mon, don’t stop now. You’re doing a good job distracting me.”
“Yeah?”
“Yeah. Call it a public service. Or…pretend I’m just one of the pets.”
“Poor babies,” I say, glancing over at the cats. Kirk and Spock are curled up together in the back of the crate, keeping the bromance alive. Sulu is sitting alone in the corner, just staring at us. “He’s a she, you know.”
“Who?”
“Sulu. Considering she’s a calico, you’d think Daddy would have figured it out.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I've got the kids in my room," she explained, while Jubal strove to keep up with her, "so that Honey Bun can watch them."
Jubal was mildly startled to see, a moment later, what Patricia meant by that. The boa was arranged on one of twin double beds in squared-off loops that formed a nest - a twin nest, as one bight of the snake had been pulled across to bisect the square, making two crib-sized pockets, each padded with a baby blanket and each containing a baby.
The ophidian nursemaid raised her head inquiringly as they came in. Patty stroked it and said, "It's all right, dear. Father Jubal wants to see them. Pet her a little, and let her grok you, so that she will know you next time."
First Jubal coochey-cooed at his favorite girl friend when she gurgled at him and kicked, then petted the snake. He decided that it was the handsomest specimen of Bojdae he had ever seen, as well as the biggest - longer, he estimated, than any other boa constrictor in captivity. Its cross bars were sharply marked and the brighter colors of the tail quite showy. He envied Patty her blue-ribbon pet and regretted that he would not have more time in which to get friendly with it.
The snake rubbed her head against his hand like a cat. Patty picked up Abby and said, "Just as I thought. Honey Bun, why didn't you tell me?"- then explained, as she started to change diapers, "She tells me at once if one of them gets tangled up, or needs help, or anything, since she can't do much for them herself - no hands - except nudge them back if they try to crawl out and might fall. But she just can't seem to grok that a wet baby ought to be changed - Honey Bun doesn't see anything wrong about that. And neither does Abby."
"I know. We call her 'Old Faithful.' Who's the other cutie pie?"
"Huh? That's Fatima Michele, I thought you knew."
"Are they here? I thought they were in Beirut!"
"Why, I believe they did come from some one of those foreign parts. I don't know just where. Maybe Maryam told me but it wouldn't mean anything to me; I've never been anywhere. Not that it matters; I grok all places are alike - just people. There, do you want to hold Abigail Zenobia while I check Fatima?"
Jubal did so and assured her that she was the most beautiful girl in the world, then shortly thereafter assured Fatima of the same thing. He was completely sincere each time and the girls believed him - Jubal had said the same thing on countless occasions starting in the Harding administration, had always meant it and had always been believed. It was a Higher Truth, not bound by mundane logic.
Regretfully he left them, after again petting Honey Bun and telling her the same thing, and just as sincerely.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
On October 15, 1959, the day after we arrived at Western Shore, we rented a boat to get over to the island. It was a raw, windy day and by the time we reached the dock, my husband closed the throttle with a firm twist. It snapped clean off. “That’s a good start,” I thought. An omen? Well we were here, so off we went to see the pits.
It had been four years since I last saw the pits, and standing there looking down at them I was shocked at their condition. One pit had partially collapsed, leaving broken and twisted timbers around; you could no longer see the water (at the bottom of the pit). In the other, the larger of the two, rotting cribbing was visible, as all the deck planking had been ripped off, exposing it to the weather. Even my son’s face fell momentarily. Looking across the slate grey sea at the black smudges of other islands, I felt utterly wretched. I don’t think I have ever seen a place so bleak and lonely as that island, that day. I just wanted to go home.
Soon Bobby’s eyes began to sparkle as he and his dad walked around, talking. They walked here, they walked there, son asking questions, my husband answering…all about the history of the place. I trailed after them, ignored and unnoticed. Finally Bob said it was time for us to go back. Catching sight of my face with its woebegone expression, he started to laugh, “Look,” he said to Bobby, pointing to me, “The reluctant treasure hunter.” They both thought that was hilarious and went off down the hill, roaring with laughter.
”
”
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
“
I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible - from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin - to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.
”
”
Alexandra Fuller (Scribbling the Cat)
“
I'll stay if you'll tell me about the time you broke your nose.” Bronson's smile lingered as he touched the angled bridge of his nose reflectively. “I got this while sparring with Tom Crib, the former coal porter they called the ‘Black Diamond.’ He had fists as big as hams and a left hook that made you see stars.” “Who won?” Holly asked, unable to resist. “I outlasted Crib after twenty rounds and finally knocked him down. It was after that fight that I got my name—‘ Bronson the Butcher.’” The obvious masculine pride he took in the name made Holly feel slightly queasy. “How charming,” she murmured in a dry tone that made him laugh. “It didn't improve my looks much, having Crib smash my beak,” he said, rubbing the bridge of his nose between thumb and forefinger. “I wasn't a pretty sort to begin with. Now I'll definitely never be mistaken for an aristocrat.” “You wouldn't have anyway.” Bronson pretended to wince. “That's as painful a jab as any I received in the rope ring, my lady. So you don't exactly fancy my beat-up mug, is that what you're saying?” “You know very well that you're an attractive man, Mr. Bronson. Just not in an aristocratic way. For one thing, you have too many… that is, you're too… muscular.” She gestured to his bulging coat sleeves and shoulders. “Pampered noblemen don't have arms like that.” “So my tailor tells me.” “Isn't there any way to make them, well… smaller?” “Not that I'm aware of. But just to satisfy my curiosity, how much would I have to shrivel to pass for a gentleman?” Holly laughed and shook her head. “Physical appearance is the least of your worries, sir. You need to acquire a proper air of dignity. You're far too irreverent.” “But attractive,” he countered. “You did say I was attractive.” “Did I? I'm certain I meant to use the word ‘incorrigible.
”
”
Lisa Kleypas (Where Dreams Begin)
“
And when I was in my thirties, she confessed that when I was little she and my father would go to the movies and leave me at home by myself in the crib. I would be a mess when they returned. “I don’t know how I could’ve done that,” she said. “Me neither,” I replied.
”
”
Dick Van Dyke (My Lucky Life In and Out of Show Business)
“
Put your imagination hat on, because we are going back to prehistoric times. I don't know if you are a dude, a chick, or somewhere outside the binary, but for simplicity’s sake, let's pretend that you are a caveman. You’ve got yourself a nice little cave with some sick stick figure paintings and a partner who can light a mean fire with some twigs and stuff. Well one day you are out in the plains looking for some food or doing whatever the hell you cavemen do all day and you decide to drop back by the crib to rest for a bit. You roll up to the cave and notice some other dude's loincloth outside. Aw, hell no. You peek your head in and see that asshole Grock from down the street about to make your mate reproductively unavailable for 9 months. Are you just gonna take that? No way, man. Evolution's got your back.
”
”
Robert Duff (Hardcore Self Help: F**k Anxiety)
“
DJ Screw (as told to Bilal Allah) “In the crib mixing, you know, getting high. When you smoke weed, you don’t really be doing a whole lot of ripping and running. I started messing with the pitch adjusters on the turntables and slowed it all the way down. I thought the music sounded better like that. It stuck with me, because you smoking weed listening to music, you can’t bob your head to nothing fast.
”
”
Lance Scott Walker (DJ Screw: A Life in Slow Revolution (American Music Series))
“
I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotions to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible - from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin - to know the difference between right, wrong, good, and evil? I don't even know if it's useful to try.
”
”
Alexandra Fuller (Scribbling the Cat)
“
To avoid early-morning wakings, do not allow your child to get out of his crib or room until at least 11 hours after his bedtime (you can settle for 10½ hours if your child consistently—after three or more days in a row—seems rested after this much sleep). One of the most difficult times for your child to put himself back to sleep is in the early morning, particularly if he’s been used to getting up or coming into bed with you at that hour. But if you get your child up too early, he’s robbed of enough sleep and will start his day overtired and cranky—and will have a tougher time napping well. For additional information on how to troubleshoot early-morning wakings, please see the section entitled “Bumps in the Road” in Chapter 10, “Special Situations.” For Crib Sleepers If your child wakes in the early-morning hours, continue to do your check-ins just as you did at bedtime and throughout the night. If he hasn’t gone back to sleep, once the clock reaches your designated wake time, go into your child’s room, open the blinds or turn on the light, and say, “You did it! You stayed in your crib the whole night until the sun was nice and bright! We’re so proud of you!” Cuddle and hug him and give him a nice full feed, if he’s ready. Whatever you do, don’t allow your child to fall back asleep—in your arms, in your bed, or in his crib; he’s spent the night practicing how to sleep on his own, and you don’t want to undo your hard work. If your child has woken early but managed to put himself back to sleep—and is still sleeping at the designated wake time—lucky you! Allow him to sleep as long as he likes, up to 12 hours; you’ll want to wake him at this point to preserve his ability to nap well. If your child sleeps later than your scheduled wake time, remember to adjust his nap time later as well (but don’t adjust it any earlier, to avoid a too-early schedule for the day).
”
”
Jennifer Waldburger (The Sleepeasy Solution: The Exhausted Parent's Guide to Getting Your Child to Sleep from Birth to Age 5)
“
I have no idea how long I doze, but when I open my eyes again, the sirens have quieted. Ryder’s lying beside me, our shoulders touching.
“You awake?” he asks.
“Yeah,” I mumble sleepily. “Is it morning yet?”
“Not quite. Soon.”
I nod, and we both fall silent. Inexplicably, I find myself scooting closer to him, fitting myself against his side, seeking his warmth.
He puts an arm around me, drawing me closer.
I let out a contented sigh. There’s something so familiar--and yet so foreign--about his closeness. I think about those shared cribs, the communal Pack ’n Plays our mothers insisted on. Maybe that explains it--old memories, too far out of reach to be easily accessed, but there all the same.
That’s why this feels so…right. It must be.
I feel Ryder’s fingers in my hair, combing through it absently. His heart is thumping noisily against my ear, his chest rising and falling with each breath.
“Jem?”
I swallow hard before answering. “Yeah?”
“I’ve been thinking about what you said--you know, about the eighth-grade dance. I’ve been racking my brain, trying to figure out what you were talking about. And”--he swallows hard--“there’s something I need to tell you.”
Why is he bringing this up now? “You don’t have to, Ryder,” I say, my heart accelerating. “You were right. It was a long time ago.”
“I know, but, well…just hear me out, okay?”
I nod, mentally bracing myself. I’m not sure I want to hear this--to open those old wounds again.
“I said some things that night, things I’m not proud of. And…it occurred to me that someone might have told you, and--”
“I heard you, Ryder,” I say, cutting him off. “I was there, hiding in those trees by the rock. I heard everything.”
He lets out his breath in a low whistle. “Shit. I am so sorry, Jemma. I didn’t think--I mean, not that it makes any difference, but I didn’t know. I figured you’d had second thoughts or something and decided you didn’t want to go with me.”
“I wish,” I mumble.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I have something for you, Harper.” “Really? What is it?” He took my hand and started walking me down the hall, “Promise me something, if you don’t like it, you have to tell me.” “I’m sure I’ll love it … you have it in the nursery?” I asked confused when we walked up to the door. “Promise.” “I promise.” I squeezed his hand tight and opened the door. I didn’t have to search around for it, or them should I say. “Oh my God. Brandon. Did you buy these?” Yes, I know that was a stupid question, but I couldn’t believe this. “Is that okay?” “No, I mean yes, it is. But Brandon, that’s a lot of money!” There was a dark cherry wood crib, dresser, changing table and a large leather glider chair. I remembered how much Brandon made from winning those fights, but I knew exactly how much these all cost since I was planning on buying them myself, and they definitely weren’t cheap. He shrugged, “I just need to know if you like them.” “I do, I absolutely love them.” He’d even put the bedding in the crib that I’d bought. “You shouldn’t be spending your money on this.” I walked over to touch everything and picked up one of the baby blankets Bree had bought and draped it back over the edge of the crib. Brandon came up behind me and turned me so I was facing him, “I wanted to do this for you.” “But that is really expensive Brandon.” “Harper,” he smiled softly at me, “please don’t worry about it.” I smiled and took a quick glance around me again, “Did you put them all together by yourself?” He nodded, “Bree texted me as soon as you guys left this morning. I had just finished when she said you guys were down the street.” “And you set up the bedding too?” “No,” he huffed a laugh, “I’m pretty sure I would have messed that up. They must have ran in to do it while we were talking.” That made more sense. “Thank you,” I reached up and kissed his cheek, “so much.” “You’re more than welcome Harper.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
Really, I don’t know how to thank you. The day was wonderful, the evening was perfect. And you’re exceptionally well behaved.” She grinned at him. “Don’t give me too much credit. It’s all part of a devious plan.” “Oh?” “Absolutely. If I can show you a good time, make you feel safe and comfortable, then maybe when you’re ready, I’ll have a chance.” He smiled at her. She tilted her head and looked at him with a sweet smile and glowing eyes. “You’re absolutely wonderful.” He shied a bit at the compliment and dropped his gaze, laughing softly. “Well, I’ve never had an interest in a widow with a baby before and I’m finding it has its difficult points.” “Oh?” He threaded a hand under her hair and around her neck. “Oh, yeah. For one thing, you just smell so damn good. If your situation was different, you might have to beat me off with a club. I have a giant crush on you.” “Maybe I shouldn’t have done this,” she said, but she didn’t pull away from his hand. “I’d hate to lead you on….” “Come on, it’s not your fault if I have a crush and a desperate need to try to impress you. Don’t you have enough baggage without taking on mine?” “Well, I’m impressed,” she said softly. She leaned toward him and put a gentle kiss on his cheek. “I just don’t want to let you down.” Their eyes locked and for a moment they were suspended there. And then he slowly pulled her toward him. He was going to kiss her and she was going to let him. But then the baby started to snuffle in the crib and whimper. She pulled back with a smile. “That’s my call,” she said quietly. “Thank you for a lovely day. And for being such a dear man, for understanding so much.” “Sure,” he said, removing his hand. “I wouldn’t want it any other way.” “Good night, Cameron.” *
”
”
Robyn Carr (Second Chance Pass)
“
My mom won’t let him.” I sighed. “She’s starting to really get on my nerves, too.” Krysta’s eyes widened. “Why?” “Ever since Rose Marie came home, it’s been Rose Marie this or baby that. You should see the money my mom has spent. She already bought a crib and they’re painting dinosaurs all over my bedroom. They didn’t even ask me.” “I don’t think it’s your bedroom anymore, Sophie,” Krysta reminded me. AJ leaned forward and narrowed her gaze. “You sound jealous, Sophie.” “Jealous?” I snapped, ready to tear off AJ’s head. “How could you say that, AJ? Why would you think I’m jealous? They’ve just thrown their lives down the toilet and you think I’m jealous?” AJ leaned back and shrugged. “You don’t have to get so defensive. It was just an observation.” “I’m not jealous.” The pitch in my voice rose. “It just pisses me off that Rose Marie screws up and she gets the royal treatment. Mom wouldn’t do that for me.” “Yep.” AJ waved her finger at me. “That’s jealousy.” “You
”
”
Tara West (Sophie's Secret (Whispers, #1))
“
My baby is four years old. I know that calling her a baby is really only a matter of semantics now. It’s true, she still sucks her thumb; I have a hard time discouraging this habit. John and I are finally confident that we already enjoy our full complement of children, so the crib is in the crawlspace, awaiting nieces, nephews, or future grandchildren. I cried when I took it down, removing the screws so slowly and feeling the maple pieces come apart in my hands. Before I dismantled it, I spent long vigils lingering in Annie’s darkened room, just watching her sleep, the length of her curled up small.
What seems like permanence, the tide of daily life coming in and going out, over and over, is actually quite finite. It is hard to grasp this thought even as I ride the wave of this moment, but I will try. This time of tucking into bed and wiping up spilled milk is a brief interlude. Quick math proves it. Let me take eleven years - my oldest girl’s age - as an arbitrary endpoint to mothering as I know it now. Mary, for instance, reads her own stories. To her already I am becoming somewhat obsolete. That leaves me roughly 2.373 days, the six and half years until Annie’s eleventh birthday, to do this job. Now that is a big number, but not nearly as big as forever, which is how the current moment often seems.
So I tuck Annie in every night. I check on Peter and Tommy, touch their crew-cut heads as they dream in their Star Wars pajamas, my twin boys who still need me. I steal into Mary’s room, awash with pink roses, and turn out the light she has left on, her fingers still curled around the pages of her book. She sleeps in the bed that was mine when I was a child. Who will she grow up to be? Who will I grow up to be? I think to myself, Be careful what you wish for. The solitude I have lost, the time and space I wish for myself, will come soon enough. I don’t want to be surprised by its return.
Old English may be a dead language, but scholars still manage to find meaning and poetry in its fragments. And it is no small consolation that my lost letters still manage, after a thousand years, to find their way to an essay like this one. They have become part of my story, one I have only begun to write.
- Essay 'Mother Tongue' from Brain, Child Magazine, Winter 2009
”
”
Gina P. Vozenilek
“
Why don’t we consider moving in together? While we head for this event?” She gulped. “What?” she asked weakly. “Let’s clear the debt, get Kid Crawford out of the picture, I’ll take on your upkeep rather than Vanni and Paul shouldering your food and board, and we’ll evolve into…” He cleared his throat. “We don’t have to explain anything. People will just say, ‘Dr. Michaels likes that nice pregnant girl.’ We’ll share a house. I’ll be your roommate. You’ll have your own room. But there will be late nights you’re worried about some belly pain or later, night crying from the babies. You don’t want to do that to Vanni and Paul and—” “I was just going to go home to Seattle. To my mom and dad’s.” “They have room for me?” he asked, lifting his fork and arching that brow. “Oh, for God’s sake,” she said, slamming down her fork. “You can’t mean to say you plan to just follow me and demand to live with the babies!” “Well, no,” he said. “That would be obsessive. But Jesus, Ab, I don’t want to miss out on anything. Do you know how much babies change from two to six weeks? It just kills me to think you’d take them that far away from me. I mean, they are—” “I know,” she said, frustrated. “Yours.” “Yeah, sweetheart. And they’re also yours. And I swear to God, I will never try to take them away from you. That would be cruel.” He had just aimed an arrow at her sense of justice. The shock of realization must have shown on her face, but he took another bite, had another drink of his beer, smiled. “Live together?” “Here’s how it’ll go if you stay with Vanni and Paul. Toward the end, when you’re sleepless, you’ll be up at night. You’ll be tired during the day, but there will be a toddler around, making noise and crying. And you’ll have all those late pregnancy complaints, worries. Then you’ll have a small guest room stuffed to the ceiling with paraphernalia. Then babies—and grandmothers as additional guests? Newborns, sometimes, cry for hours. They could have Vanni and Paul up all night, walking the floor with you. Nah, that wouldn’t be good. And besides, it’s not Paul’s job to help, it’s mine.” “Where do you suggest we live? Here?” “Here isn’t bad,” he said with a shrug. “But Mel and Jack offered us their cabin. It’s a nice cabin—two bedrooms and a loft, ten minutes from town. Ideally, we should hurry and look around for a place that can accommodate a man, a woman, two newborns, two grandmothers and… We don’t have to make room for the lawyers, do we?” “Very funny,” she said, crossing her arms over her chest. “Abby, we have things to work out every single day. We have to buy cribs, car seats, swings, layette items, lots of stuff—it’s going to take more than one trip to the mall. We have to let the families know there will be babies coming—it’s only fair. We should have dinner together every day, just so we can communicate, catch up. If there’s anything you need or anything you’re worried about, I want to be close so I can help. If you think I’m going to molest you while you’re huge with my babies—” “You know, I’m getting sick of that word, huge.
”
”
Robyn Carr (Paradise Valley)
“
What Jews do you know who don’t make comedy of their lives? It’s part of the religion. I’ll bet you think all that Hebrew at bar mitzvahs is prayers, don’t you? Fooled you, didn’t we? It’s stand-up.
”
”
Jennifer Coburn (Tales From The Crib)
“
You haven’t heard music until you’ve experienced what this man can do with his instrument,” Anjoli smiled. Oh now she’s just being cruel. “Okay, off to the bedroom, you two! And don’t you come out until Lucy’s off in dreamland.” Bitch! As we walked up two flights of stairs, Henri asked if it was “deefeecult” to climb stairs with my cane.
”
”
Jennifer Coburn (Tales From The Crib)
“
You know I’m mad about you and you’re the most fabulous daughter a mother could want. When you call me Mommy, it pushes my buttons and makes me feel older than I really am. Plus, you’re a precocious child. Why don’t you call me Anjoli?” We weren’t like mother and daughter. It was more like two single women sharing an apartment in Greenwich Village in the seventies. Except I was five.
”
”
Jennifer Coburn (Tales From The Crib)
“
Miss Independent"
Yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah yeah
[Verse 1]
Ooh there's somethin about just somethin about the way she's move
And I can't figure it out
there's something about her.
Said ooh it's somethin about kinda woman that want you but don't need you
And I can't figure it out
it's somethin about her
Cause she walk like a boss talk like a boss
Manicured nailed to set the pedicure off
She's fly effortlessly
Cause she move like a boss do what a boss
Do she got me thinkin about gettin involved
That's the kinda girl I need
[Chorus]
She got her own thing
that's why I love her
Miss Independent
Won't you come and spend a little time
She got her own thing that's why I love her
Miss Independent
ooh the way you shine
Miss Independent
yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah
[Verse 2]
Ooh there's somethin about
kinda woman that can do for herself
I look at her and it makes me proud
There's something about her
Somethin oh so sexy about
kinda woman that don't even need my help
She said she got it she got it
No doubt, it's somethin about her
Cause she work like a boss play like a boss
Car and a crib she bouta pay em both off
And the bills are paid on time yeah
She made for a boss only a boss
Anything less she telling them to get lost
That's the girl that's on my mind
[Chorus]
[Bridge]
Her favorite thing to say Don't worry I got it
And everything she got best believe she bought it
She gonna steal ma heart ain't no doubt about it
You're everything I need, said you're everything I need
yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah yeah
[Chorus]
Miss Independent
That's why I love her
”
”
Ne-Yo
“
Damn, I see you survived Amityville Horror Estates, but I wouldn’t outstay my welcome. Don’t push that shit, gon’ back to yo’ house where it’s safe. If you see Cree ass crying and smiling at the same time, you know that bitch done got him, and yo’ ass is next. Ion fuck with this crib, and I’m happy as hell the nigga moving out this weekend.
”
”
K. Renee (After the Reign 2)
“
Happiness is a state of mind when you feel gratitude for what you have and do not crib over the things you don’t.
”
”
Sukant Ratnakar (Quantraz)
“
A 4-year-old loves her toy puppy’s golden brown fur. Her teenage brother is annoyed by its loud bark. Her mom sees it as a tool to keep the 4-year-old busy. Her baby sister finds the puppy’s big teeth scary. Her dad considers it an overpriced piece of plastic. The same toy evokes different feelings depending on how one looks at it. We see what we seek. When you don’t attend to attention — when you’re inattentive — life may pass you by. The tulips come and go, the seasons change, and the baby climbs out of the crib, off the bunk bed and on to the college dorm. We forget that joy is in the details. As a Jewish prayer says, “Days pass, and the years vanish, and we walk sightless among miracles.” Intentional trained attention is directed by your will. This trained attention pulls you away from distractions to savor a more wholesome morsel of life. Trained attention doesn’t deny or repress reality. It gives you temporary freedom from negativity. You stop carrying the entire load of the past and the future in your head. Trained attention is focused, relaxed, compassionate, nonjudgmental, sustained, deep and intentional. This meditative attention is essential to experiencing flow. Its optimal practice helps you forget yourself, immerses you in the world’s novelty, and frees your mind for creativity and joy.
”
”
Amit Sood (The Mayo Clinic Guide to Stress-Free Living)
“
I remind myself, "Don't let the perfect be the enemy of the good." (Cribbed from Voltaire.) A twenty-minute walk that I do is better than the four-mile run that I don't do. The imperfect book that gets published is better than the perfect book that never leaves my computer. The dinner party of take-out Chinese food is better than the elegant dinner that I never host.
”
”
Gretchen Rubin (Happier at Home: Kiss More, Jump More, Abandon a Project, Read Samuel Johnson, and My Other Experiments in the Practice of Everyday Life)
“
What are you doing?” I ask him. “Watching television, what does it look like?” “Why is Summer not in her crib?” “She was lonely.” “She was asleep, Tristan. You don’t get lonely when you are asleep.” “She’s so little, she hates being up there by herself. She said she likes to be down here with me.” “She said that?” I look at him deadpan. “Uh-huh.” “She’s ten days old, she can’t speak.
”
”
T.L. Swan (Miles Ever After (Miles High Club, #5))
“
I’ve just been told that over 3,000 of our American boys died in the first eleven days of the invasion of France. Who died? I’ll tell you who died. Not so many years ago, there was a little boy sleeping in his crib. In the night, it thundered and lightninged. He woke and cried out in fear. His mother came and fixed his blankets better and said, “Don’t cry. Nothing will ever hurt you.” He died . . . There was another kid with a new bicycle. When he came past your house he rode no-hands while he folded the evening paper in a block and threw it against your door. You used to jump when you heard the bang. You said, “Some day, I’m going to give that kid a good talking-to.” He died. Then there were two kids. One said to the other, “I’ll do all the talking. I just want you to come along to give me nerve.” They came to your door. The one who had promised to do all the talking said, “Would you like your lawn mowed, Mister?” They died together. They gave each other nerve . . . They all died. And I don’t know how any one of us here at home can sleep peacefully tonight unless we are sure in our hearts that we have done our part all the way along the line. —BETTY SMITH, “WHO DIED?” JULY 9, 1944
”
”
Molly Guptill Manning (When Books Went to War: The Stories That Helped Us Win World War II)
“
I told you,” he said in the darkness behind my lids. “So stubborn, all the time.”
“No. Sometimes I’m asleep. And anyway, you don’t know my life.”
He laughed. “Yeah, actually, I do. I know all about you.”
I scoffed. “Mm-hmm.”
“What? I do. I know you can eat a whole sleeve of Thin Mints by yourself.”
I snorted. “Who can’t?”
He went on. “I know your favorite thing is having your back scratched after you take off your bra. You’re in a better mood when you go to bed at eleven thirty and wake up at seven than when you go to bed at twelve thirty and wake up at eight. You like purple. You love the smell of carnations but hate it when guys buy you flowers because you think it’s a waste of money…”
I opened an eye and looked at him. He was talking to the window, watching the road.
“You like to argue when you think you might be wrong. When you know you’re right, you don’t bother. You hate sharing your food, but you pick at my plate every time. That’s why I always order extra fries.” He looked over at me and smiled. “And you’d rather give me shit for my driving than admit you get carsick when you’re on your phone. See?” He arched an eyebrow. “I know you.”
My heart felt like it might crack in half. He did know me. He’d been paying attention to me. And I knew him too. I knew him inside and out.
I could tell what work had been like by the set of his shoulders when he came over, and I knew it helped him to de-stress to talk to me about a bad call. I always listened, even though sometimes they were hard to hear.
When he got quiet, it meant he was tired. He’d choose pistachio ice cream at Baskin-Robbins every time, but at Cold Stone he got sweet cream instead. I knew he liked Stuntman, though he’d never admit it. And he secretly liked it when I gave him shit. I could tell by the sparkle in his eyes.
And I also knew he hoped he had more sons than daughters. That he liked the name Oliver for his first boy and Eva for his first girl. He planned on teaching all his kids to hunt and had a collection of camo baby clothes. He wanted to build the cribs himself from wood in the forest around his grandparent’s house in South Dakota.
He wanted no fewer than five children, and he planned for nine. And he hoped all his kids got the signature Copeland dimples and cowlick.
I hoped for that too. I wanted him to get all the things he dreamed about.
Yes. I knew him. I knew him well.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
Months beforehand I started focusing my Manhattanite efficiency on getting registered in Italy, Andrea leading me by the hand through the wilderness of Old World red tape. The first step was “getting my documents together,” an Italian ritual repeated before every encounter with officialdom. Sticking to a list kindly provided by the Italian Consulate, I collected my birth certificate, passport, high school diploma, college diploma, college transcript, medical school diploma, medical school transcript, certificates of internship and residency, National Board Examination certificates, American Board of Internal Medicine test results, and specialization diploma. Then I got them transfigured into Italian by the one person in New York authorized by the Italian Consulate to crown his translation with an imprimatur. We judiciously gave him a set of our own translations as crib notes, tailored by my husband to match the Rome medical school curriculum. I wrote a cover letter from Andrea’s dictation. It had to be in my own hand, on a folded sheet of double-sized pale yellow ruled Italian paper embossed with a State seal, and had to be addressed “To the Magnificent Rector of the University of Rome.” You have to live in Italy a while to appreciate the theatrical elegance of making every fiddler a Maestro and every teacher a Professoressa; even the most corrupt member of the Italian parliament is by definition Honorable, and every client of a parking lot is by default, for lack of any higher title, a Doctor (“Back up, Dotto’, turn the wheel hard to the left, Dotto’”). There came the proud day in June when I got to deposit the stack of documents in front of a smiling consular official in red nail polish and Armani. After expressing puzzlement that an American doctor would want to move to her country (“You medical people have it so good here”), she Xeroxed my certificates, transcripts, and diplomas, made squiggles on the back to certify the Xeroxes were “authentic copies,” gave me back the originals, and assured me that she’d get things processed zip zip in Italy so that by the time I left for Rome three months later I’d have my Italian license and be ready to get a job. Don’t call me, I’ll call you. When we were about to fly in September and I still hadn’t heard from her, I went to check. Found the Xeroxes piled up on Signora X’s desk right where I’d left them, and the Signora gone for a month’s vacation. Slightly put out, I snatched up the stack to hand-carry over (re-inventing a common expatriate method for avoiding challenges to the efficiency of the Italian mails), prepared to do battle with the system on its own territory.
”
”
Susan Levenstein (Dottoressa: An American Doctor in Rome)
“
I’m trying to bang out some code for a client while Hazel is taking her morning nap. She’s in her crib right now, sleeping butts-up coconut.” I chuckle. “I’m afraid to ask.” “That’s what Hannah calls it when Hazel’s sleeping with her bottom straight in the air. She smashes her cheek into the mattress and curls her little legs up underneath her, and points her butt straight up. It’s the cutest thing I’ve ever seen.” “Send me a pic.” “Reed, Hazel is my baby.” I laugh. “I want to see.” “Are you drunk?” “I’m just in a good mood. Now, send me a fucking photo of your baby doing butts up coconut before I beat your scrawny ass. My time is valuable, man. I don’t beg.” He laughs. My phone pings. “I sent it.” “Aw. You’re right. That is adorable.
”
”
Lauren Rowe (Beautiful Liar (The Reed Rivers Trilogy, #2))
“
What makes the terrible twos so terrible is not that the babies do things you don't want them to do --- one-year-olds are plenty good at that --- but that they do things because you don't want them to.
”
”
Alison Gopnik (The Scientist in the Crib: What Early Learning Tells Us About the Mind)
“
The advantage of learning is that it allows you to find out about your particular environment. The disadvantage is that until you do find out, you don't know what to do; you're helpless. We may have two evolutionary gifts: great abilities to learn about the world around us and a long protected period in which to deploy those abilities.
”
”
Alison Gopnik (The Scientist in the Crib: What Early Learning Tells Us About the Mind)
“
Long before children can read rules or do chores, they can start learning self-control. Ask any parent who has survived the ordeal of Ferberization, which is based on a technique found in a Victorian child-rearing manual. It requires the parents, against all instinct, to ignore their infants’ cries when they’re left alone at bedtime. Instead of rushing to the infant’s side, the parents let the infant cry for a fixed interval of time, then go offer some comfort, then withdraw for another fixed interval. The process is repeated until the child learns to control the crying and go to sleep without any help from the parents. It requires great self-control by the parents to ignore the heart-rending screams, but the infants usually learn quickly to put themselves to sleep without any crying. Once an infant acquires this self-control, everyone wins: The infant is no longer anxious at bedtime or when he or she wakes up alone in the middle of the night, and the parents don’t have to spend their nights hovering by the crib.
”
”
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
“
Any asshole can fall in love on a private beach in a tropical locale, surrounded by lush flora and adorable fauna, shining suns and chirping birds. Give me ten uninterrupted minutes without some ding-dong demanding something or subtweeting me or making me do work and I could fall in love with my worst fucking enemy. Seriously. What’s not to love about being expertly lit and drunk at two in the afternoon? But I’m going to need you to love me on the bus, dude. And first thing in the morning. Also, when I’m drunk and refuse to shut up about getting McNuggets from the drive-thru. When I fall asleep in the middle of that movie you paid extra to see in IMAX. When I wear the flowered robe I got at Walmart and the sweatpants I made into sweatshorts to bed. When I am blasting “More and More” by Blood Sweat & Tears at seven on a Sunday morning while cleaning the kitchen and fucking up your mom’s frittata recipe. When I bring a half dozen gross, mangled kittens home to foster for a few nights and they shit everywhere and pee on your side of the bed. When I go “grocery shopping” and come back with only a bag of Fritos and five pounds of pork tenderloin. When I’m sick and stumbling around the crib with half a roll of toilet paper shoved in each nostril. When I beg you fourteen times to read something I’ve written, then get mad when you tell me what you don’t like about it and I call you an uneducated idiot piece of shit. Lovebird city.
”
”
Samantha Irby (We Are Never Meeting in Real Life.)
“
If after death I’ll be sent back to earth,
I don’t care if I’m rich or poor at birth.
My wish: “To good parents I be given.”
They hold if in the dump or crib I’ll end.
”
”
Rodolfo Martin Vitangcol
“
Blaine gives Vaughn the side-eye. I tamp down my smile at his less than subtle warning that Vaughn might have said a little too much. Vaughn’s expression is sheepish as he shuffles from foot to foot. “Uh, did I say hours? I meant seconds. It took us exactly ten seconds to put together a crib with instructions that don’t make sense, and we have two extra screws that we desperately hope won’t mean the baby will fall through it and… well—” “We tried,” Garrison takes over. “What Vaughn is trying to say is that we tried.” The lump in my throat gets bigger. It’s accompanied by a prickle behind my eyes so intense I blink rapidly, yet the urge to cry doesn’t fade even a little. I left, and they made a nursery for my baby, never knowing if I would even come back. I clear my throat to dislodge that gigantic lump. “The, uh, the extra screws are spares.” Vaughn tilts his head. “Huh?” “It’s so manufacturers don’t have to keep mailing out extras when people accidentally lose one.” They all stare at me. “My dad would always build stuff when I was a kid. Postage is expensive. Cheaper to add a couple spares than pay for postage.” They visibly deflate. “Thank fuck,” Vaughn breathes. “I was trying to get Garrison to climb in to make sure that it would hold the baby, but he wouldn’t do it.
”
”
Ember L. Nicole (Captive Omega (Their Precious Omega, #2))
“
I don’t remember much of my life before being here, but I do remember how my body felt when I went days without food; when my drug addict of a mother let men in and out the house; the way my baby brother stopped crying forever. He lay there in his crib for days before child services burst in and found his decaying body cradled in my arms.
”
”
Leigh Rivers (Little Stranger (The Web of Silence Duet, #1))