Don't Broadcast Quotes

Listeners, that brings us to the end of another Potterwatch. We don’t know when it will be possible to broadcast again, but you can be sure we shall be back. Keep twiddling those dials: the next password will be ‘Mad-Eye.’ Keep each other safe. Keep faith. Good night.

Thomas Jefferson once said: 'Of course the people don't want war. But the people can be brought to the bidding of their leader. All you have to do is tell them they're being attacked and denounce the pacifists for somehow a lack of patriotism and exposing the country to danger. It works the same in any country.' I think that was Jefferson. Oh wait. That was Hermann Goering. Shoot." [Hosting the Peabody Awards for broadcasting excellence at the New York Waldorf-Astoria, June 6, 2006]

That's when I realized that as long as you don't broadcast your beefs, you can get away cold with murder. It's even better if you don't allow the beef to take place. If someone disrespects you, you can know in your heard that you're going to get him, but you don't have to show him there's a beef. You can just look at it like, Okay, this nigga must not know. And then you fall back and you put it down.

Don’t believe the noise. Those mean, petty, hateful voices will never be the majority. They only seem loud and pervasive, because they have the idle time to broadcast their negativity. The rest of us are too busy with real efforts to make the world a better place.

Gossip [is] the Devil's radio: Don't be a broadcaster.

The episodic, reactive, almost frantic pace of what is broadcast makes children feel and act frantic and shortens their attention spans and their patience for activities that take time and problems that don't yield immediate solutions.

The work of women's clothes never more important than at the beginning and the end of their lives when it's tasked with broadcasting, as loudly as possible: please don't try to have sex with me.

Apparently advertisers don't like clever or insightful television programmes because such fare encourages people to discuss what they've seen during the ad breaks. This would explain much about the current state of broadcasting.

We all broadcast at a different frequency. Don’t be afraid to scan the dial until you find yours.

Only Chromeheads believe the Neon God is a true god.’ ‘And yet we treat Him like one, all of us. We worship His Broadcast and we pray for His Justice and sacrifice on His altar each day. When our own eyes deceive us, we make His Jurors into Apostles of Truesight, or rely on worldview-enhancers like that drug Rhapsody or the VVV Visors. Day after day, we find our every thought and action judged by kynikois we can’t see, by arbitrary rules we don’t know, in a reality we rejected. We lead empty lives and so we empty the world of all meaning.

Trees don't rely exclusively on dispersal in the air, for if they did, some neighbors would not get wind of the danger. Dr. Suzanne Simard of the University of British Columbia in Vancouver has discovered that they also warn each other using chemical signals sent through the fungal networks around their root tips, which operate no matter what the weather. Surprisingly, news bulletins are sent via the roots not only by means of chemical compounds but also by means of electrical impulses that travel at the speed of a third of an inch per second. In comparison with our bodies, it is, admittedly, extremely slow. However there are species in the animal kingdom, such as jellyfish and worms, whose nervous systems conduct impulses at similar speed. Once the latest news has been broadcast, all oaks int he area promptly pump tannins through their veins.

Because I have conducted my own operas and love sheep-dogs; because I generally dress in tweeds, and sometimes, at winter afternoon concerts, have even conducted in them; because I was a militant suffragette and seized a chance of beating time to The March of the Women from the window of my cell in Holloway Prison with a tooth-brush; because I have written books, spoken speeches, broadcast, and don't always make sure that my hat is on straight; for these and other equally pertinent reasons, in a certain sense I am well known.

It wasn’t beautiful. A Winter wedding is a union of elation and depression, red velvet blankets in a cheap motel room stained with semen from sex devoid of meaning, and black mold clinging to the fringe of floral shower curtains like a heap of dead forevers. You sat down at the foot of the bed, looking at me like I had already
driven away. I was thinking about watching CNN. How fucked up is that? I wanted to know that your second hand, off-white dress, and my black polyester bow tie wasn’t as tragic as a hurricane devouring a suburb, or a train derailment in no where, Virginia, ending the lives of two young college hopefuls. I was naïve. I thought that there were as many right ways to feel love as the amount of
 pubic hair, 
 belly lint, and 
scratch marks abandoned by lovers in our honeymoon suite. When you looked at me in bed that night, I put my hand on your chest to feel a little more human. I don’t know what to call you; a name does not describe the aches, or lack of. This love is unusual and comfortable. If you were to leave, I know I’d search for days, in newspapers and broadcasts, in car accidents and exposés on genocide in Kosovo. (How do I address this? How is one to feel about a love without a name?) My heart would be ambivalent, too scared to look for you behind the curtains of the motel window, outside in the abyss of powder and pay phones because I don’t know how to love you. -Kosovo

Until I was twenty I was sure there was a being who could see everything I did and who didn't like most of it. He seemed to care about minute aspects of my life, like on what day of the week I ate a piece of meat. And yet, he let earthquakes and mudslides take out whole communities, apparently ignoring the saints among them who ate their meat on the assigned days. Eventually, I realized that I didn't believe there was such a being. It didn't seem reasonable. And I assumed that I was an atheist. As I understood the word, it meant that I was someone who didn't believe in a God; I was without a God. I didn't broadcast this in public because I noticed that people who do believe in a god get upset to hear that others don't. (Why this is so is one of the most pressing of human questions, and I wish a few of the bright people in this conversation would try to answer it through research.) But, slowly I realized that in the popular mind the word atheist was coming to mean something more - a statement that there couldn't be a God. God was, in this formulation, not possible, and this was something that could be proved. But I had been changed by eleven years of interviewing six or seven hundred scientists around the world on the television program Scientific American Frontiers. And that change was reflected in how I would now identify myself. The most striking thing about the scientists I met was their complete dedication to evidence. It reminded me of the wonderfully plainspoken words of Richard Feynman who felt it was better not to know than to know something that was wrong.

But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam unskilled laughter coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's. You have no right to think about these things, I swear to you. Not in any real sense, anyway. . . . I started bitching one night before the broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. . . . And don't you know - listen to me, now - don't you know who that Fat Lady really is? . . . Ah, buddy. It's Christ Himself. Christ Himself, buddy." For joy, apparently, it was all Franny could do to hold the phone, even with both hands . . . as if all of what little or much wisdom there is in the world were suddenly hers.

This is for a broadcast. Thousands, millions, will see this. “Don’t

Histrionics know how to get looked at, but they don’t have a clue about how to look at themselves. They often know less about their own history and motivation than about those of their favorite television characters. Histrionics’ selective memories make their lives into a series of vivid but unconnected events, no more related to one another than the programs broadcast on a given night.

Phone calls, TV broadcasts, and Skype sessions don’t, so there has to be some physical proximity. It works better if I can see you and hear you at the same time. Direct eye contact works best.” He

Damn it all. “Ascanio!” The bouda sauntered forward, a picture of pure innocence on his face. “What the hell are you doing?” I growled. He pulled on a disarming smile like a shield. “Following you.” “Why?” “Because.” So help me God, I would brain him with something heavy in a minute. “Because why?” “I wanted to come. It’s too dangerous for you and I’m concerned.” Derek snarled quietly under his breath. “You can’t blame me,” Ascanio said. “Anybody in my place would be concerned. You don’t even have a proper horse. You’re riding a mutant equine of unknown origin.” “Don’t disrespect my donkey. If you wanted to come, why didn’t you say so?” Ascanio gazed at me, broadcasting sincerity. “Because you would say no. And I would never disobey you, Alpha.” Argh. “Did you tell Jim where you were going?” He looked taken aback. “Of course not!” “Why not?” He spread his arms. “Because he would say no.” I put my hand over my face. “Technically, I haven’t disobeyed any orders,” Ascanio said. I pointed at him. “Okay.” Ascanio took a step back. “I understand you need a moment.

KEVIN: But there are many reasons we have to do our broadcasting from here. LAUREN: It sends a message. KEVIN: It sure does. It sends several fun messages for everyone to enjoy. Anyway, the boys in Sales, who are all named Shawn, came by and with their help I was able to make this studio feel a little more like home. They put up a bit of a fuss about the changes, but that's just because no one likes change. There are some people who don't understand progress, you know. LAUREN: I'll miss the Shawns. KEVIN: I'll miss them too, but look how much nicer this places looks. You can see the Shawns' contributions all over the desk. LAUREN: And running down the walls. Yes, SO much nicer.

THIS ISN’T CHINA Hold me close and tell me what the world is like I don’t want to look outside I want to depend on your eyes and your lips I don’t want to feel anything but your hand on the old raw bumper I don’t want to feel anything else If you love the dead rocks and the huge rough pine trees Ok I like them too Tell me if the wind makes a pretty sound in the billion billion needles I’ll close my eyes and smile Tell me if it’s a good morning or a clear morning Tell me what the fuck kind of morning it is and I’ll buy it And get the dog to stop whining and barking This isn’t China nobody’s going to eat it It’s just going to get fed and petted Ok where were we? Ok go if you must. I’ll create the cosmos by myself I’ll let it all stick to me every fucking pine needle And I’ll broadcast my affection from this shaven dome 360 degrees to all the dramatic vistas to all the mists and snows that moves across the shining mountains to the women bathing in the stream and combing their hair on the roofs to the voiceless ones who have petitioned me from their surprising silence to the poor in the heart (oh more and more to them) to all the thought-forms and leaking mental objects that you get up here at the end of your ghostly life

I didn’t think it was a coincidence that broadcasters who treated waiters and assistants as graciously as they treated their producers rose faster and further than those who selectively turned on their charm only if they were in the presence of someone with power.

On visioning: In visioning, you’re not using your limited perception of life to manifest. You’re using your mind for the purpose it was actually created — as an avenue of awareness, a receiving station to pick up the divine ideas being broadcast everywhere. And once you catch this vision, it doesn’t just manifest, it changes you, stretches you, transforming you into a person who can handle the higher vibration and larger manifestation. You don’t just get the new Mercedes, you get Mercedes Consciousness. You “become the change you want to see.

People in conflict have distorted hearing and speaking. We tune in to the same wavelength we broadcast on. I’ll listen for and speak whatever proves you wrong and proves me right. It’s the wrong channel. Angry people are unreasonable. We don’t talk sense when we are contentious.

It’s alright, Evelyn,” Finn said as he lit a cigarette and tossed his head back, letting out a heavy breath. “You don’t have to explain yourself, it’s okay to admit when you feel unsafe up here. You’ve got every right to. Besides, Dan’s a good fella’ and all, but … well, I watched him get startled by a bumblebee the other day.

It’s true, that in concrete battles the tyrants may have the upper hand in terms of tactics, weapons, ruthlessness. What our means of protest attempt to do is to move the battles towards abstract space. Force tyranny to defend itself in language. Weaken it with public opinion, with supreme court judgements, with debates and subversive curriculum. Take hold of the media, take hold of the printing presses and the newspapers, broadcast your views from pirate radio channels, spread the word. Don’t do anything less than all you are capable of, and remember that history outlives you. It may not be until your grandchildren’s days that they’ll point back and say, there were sown the seeds of what we’ve now achieved.

Why did you tell me all that? It’s probably not something you should broadcast here. Her alias, how you know her, all that.” Akos blinked his eyes clear. “I don’t know. Maybe I trust you.” She lifted her hand, and hesitated with it over his shoulder. Then she lowered it, touching him lightly. They watched the screen side by side. “I would never keep you here. You know that, right?” She was so quiet. He’d never heard her that quiet. “Not anymore. If you wanted to go, I would help you go.” Akos covered her hand with his own. Just a light touch, but it was charged with new energy. Like an ache he didn’t quite mind. “If--when, when I get Eijeh out,” he said, “would you ever go with me?” “You know, I think I would.

Anyway, I started bitching one night before the broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I don't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again- all the years you and I were on the program together, if you remember. I don't think I missed more than a couple of times.

Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush. Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow." I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs. I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life. He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down. After several moments of this, he breaks the silence. "Emma, calm down." "Don't tell me what to do, Highness." I dare him with my eyes to call me "boo." Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now. Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg. He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel. I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs. "I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked. "Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.

Cronkite would flip-flop on the question over whether he was in any way responsible for LBJ’s surprise March announcement. His most succinct answer occurred in a Q&A with Richard Snow of American Heritage. “I don’t feel that a journalist’s influence is so great that you can change the course of human events by a single broadcast,” he said. “Whether it’s a president’s decision to act or not act, it doesn’t work that way. It’s just one more straw.

I would walk round that beautiful, unspoilt little island, with its population of under a hundred and where there isn’t a single tarmac road, thinking about how he would truly sound. Perhaps the quietness of the island helped me do so. ‘Everybody thinks he’s French,’ I said to myself as I walked across the great stones that littered the beach at Rushy Bay, or stomped over the tussocky grass of Heathy Hill, with its famous dwarf pansies. ‘The only reason people think Poirot is French is because of his accent,’ I muttered. ‘But he’s Belgian, and I know that French-speaking Belgians don’t sound French, not a bit of it.’" "I also was well aware of Brian Eastman’s advice to me before I left for Bryher: ‘Don’t forget, he may have an accent, but the audience must be able to understand exactly what he’s saying.’ There was my problem in a nutshell." "To help me, I managed to get hold of a set of Belgian Walloon and French radio recordings from the BBC. Poirot came from Liège in Belgium and would have spoken Belgian French, the language of 30 per cent of the country’s population, rather than Walloon, which is very much closer to the ordinary French language. To these I added recordings of English-language stations broadcasting from Belgium, as well as English-language programmes from Paris. My principal concern was to give my Poirot a voice that would ring true, and which would also be the voice of the man I heard in my head when I read his stories. I listened for hours, and then gradually started mixing Walloon Belgian with French, while at the same time slowly relocating the sound of his voice in my body, moving it from my chest to my head, making it sound a little more high-pitched, and yes, a little more fastidious. After several weeks, I finally began to believe that I’d captured it: this was what Poirot would have sounded like if I’d met him in the flesh. This was how he would have spoken to me – with that characteristic little bow as we shook hands, and that little nod of the head to the left as he removed his perfectly brushed grey Homburg hat. The more I heard his voice in my head, and added to my own list of his personal characteristics, the more determined I became never to compromise in my portrayal of Poirot.

The responsibility/fault fallacy allows people to pass off the responsibility for solving their problems to others. This ability to alleviate responsibility through blame gives people a temporary high and a feeling of moral righteousness. Unfortunately, one side effect of the Internet and social media is that it’s become easier than ever to push responsibility—for even the tiniest of infractions—onto some other group or person. In fact, this kind of public blame/shame game has become popular; in certain crowds it’s even seen as “cool.” The public sharing of “injustices” garners far more attention and emotional outpouring than most other events on social media, rewarding people who are able to perpetually feel victimized with ever-growing amounts of attention and sympathy. “Victimhood chic” is in style on both the right and the left today, among both the rich and the poor. In fact, this may be the first time in human history that every single demographic group has felt unfairly victimized simultaneously. And they’re all riding the highs of the moral indignation that comes along with it. Right now, anyone who is offended about anything—whether it’s the fact that a book about racism was assigned in a university class, or that Christmas trees were banned at the local mall, or the fact that taxes were raised half a percent on investment funds—feels as though they’re being oppressed in some way and therefore deserve to be outraged and to have a certain amount of attention. The current media environment both encourages and perpetuates these reactions because, after all, it’s good for business. The writer and media commentator Ryan Holiday refers to this as “outrage porn”: rather than report on real stories and real issues, the media find it much easier (and more profitable) to find something mildly offensive, broadcast it to a wide audience, generate outrage, and then broadcast that outrage back across the population in a way that outrages yet another part of the population. This triggers a kind of echo of bullshit pinging back and forth between two imaginary sides, meanwhile distracting everyone from real societal problems. It’s no wonder we’re more politically polarized than ever before. The biggest problem with victimhood chic is that it sucks attention away from actual victims. It’s like the boy who cried wolf. The more people there are who proclaim themselves victims over tiny infractions, the harder it becomes to see who the real victims actually are. People get addicted to feeling offended all the time because it gives them a high; being self-righteous and morally superior feels good. As political cartoonist Tim Kreider put it in a New York Times op-ed: “Outrage is like a lot of other things that feel good but over time devour us from the inside out. And it’s even more insidious than most vices because we don’t even consciously acknowledge that it’s a pleasure.” But

Every rock is a day Denny doesn’t waste. Smooth river granite. Blocky dark basalt. Every rock is a little tombstone, a little monument to each day where the work most people do just evaporates or expires or becomes instantly outdated the moment it’s done. I don’t mention this stuff to the reporter, or ask him what happens to his work the moment after it goes out on the air. Airs. Is broadcast. Evaporates. Gets erased. In a world where we work on paper, where we exercise on machines, where time and effort and money passes from us with so little to show for it, Denny gluing rocks together seems normal.

My wife and I were present at this congress. Sabina told me, Richard, stand up and wash away this shame from the face of Christ! They are spitting in His face.' I said to her, 'if I do so, you lose your husband. She replied, 'I don't wish to have a coward as a husband.' Then I arose and spoke to this congress, praising not the murderers of Christians, but Jesus Christ, stating that our loyalty is due first to Him. The speeches at this congress were broadcast and the whole country could hear proclaimed from the rostrum of the Communist Parliament the message of Christ! Afterwards I had to pay for this, but it was worthwhile.

Such work would never be done if scientists were satisfied with a lazy default such as ‘intelligent design theory’ would encourage. Here is the message that an imaginary ‘intelligent design theorist’ might broadcast to scientists: ‘If you don’t understand how something works, never mind: just give up and say God did it. You don’t know how the nerve impulse works? Good! You don’t understand how memories are laid down in the brain? Excellent! Is photosynthesis a bafflingly complex process? Wonderful! Please don’t go to work on the problem, just give up, and appeal to God. Dear scientist, don’t work on your mysteries. Bring us your

Here is the message that an imaginary ‘intelligent design theorist’ might broadcast to scientists: ‘If you don’t understand how something works, never mind: just give up and say God did it. You don’t know how the nerve impulse works? Good! You don’t understand how memories are laid down in the brain? Excellent! Is photosynthesis a bafflingly complex process? Wonderful! Please don’t go to work on the problem, just give up, and appeal to God. Dear scientist, don’t work on your mysteries. Bring us your mysteries, for we can use them. Don’t squander precious ignorance by researching it away. We need those glorious gaps as a last refuge for God.

who could blame them if they said "the hell with the rest of the world." Let somebody else buy the bonds. Let somebody else build or repair foreign dams, or design foreign buildings that won't shake apart in earthquakes." When the railways of France, and Germany, and India were breaking down through age, it was the Americans who rebuilt them. When the Pennsylvania Railroad and the New York Central went broke, nobody loaned them an old caboose. Both of 'em are still broke. I can name to you 5,000 times when the Americans raced to the help of other people in trouble. Can you name to me even one time when someone else raced to the Americans in trouble? I don't think there was outside help even during the San Francisco earthquake. Our neighbors have faced it alone, and I am one Canadian who is damned tired of hearing them kicked around. They'll come out of this thing with their flag high. And when they do, they're entitled to thumb their noses at the lands that are gloating over their present troubles. I hope Canada is not one of these. But there are many smug, self-righteous Canadians. And finally, the American Red Cross was told at its 48th Annual meeting in New Orleans this morning that it was broke. This year's disasters -- with the year less than half-over -- has taken it all. And nobody, but nobody, has helped. -  Gordon Sinclair via Radio Broadcast June 5, 1973 from Ontario, Canada

Okay.First things first. Three things you don't want me to know about you." "What?" I gaped at him. "You're the one who says we don't know each other.So let's cut to the chase." Oh,but this was too easy: 1. I am wearing my oldest, ugliest underwear. 2.I think your girlfriend is evil and should be destroyed. 3.I am a lying, larcenous creature who talks to dead people and thinks she should be your girlfriend once the aforementioned one is out of the picture. I figured that was just about everything. "I don't think so-" "Doesn't have to be embarrassing or major," Alex interrupted me, "but it has to be something that costs a little to share." When I opened my mouth to object again, he pointed a long finger at the center of my chest. "You opened the box,Pandora.So sit." There was a funny-shaped velour chair near my knees. I sat. The chair promptly molded itself to my butt. I assumed that meant it was expensive, and not dangerous. Alex flopped onto the bed,settling on his side with his elbow bent and his head propped on his hand. "Can't you go first?" I asked. "You opened the box..." "Okay,okay. I'm thinking." He gave me about thirty seconds. Then, "Time." I took a breath. "I'm on full scholarship to Willing." One thing Truth or Dare has taught me is that you can't be too proud and still expect to get anything valuable out of the process. "Next." "I'm terrified of a lot things, including lightning, driving a stick shift, and swimming in the ocean." His expression didn't change at all. He just took in my answers. "Last one." "I am not telling you about my underwear," I muttered. He laughed. "I am sorry to hear that. Not even the color?" I wanted to scowl. I couldn't. "No.But I will tell you that I like anchovies on my pizza." "That's supposed to be consolation for withholding lingeries info?" "Not my concern.But you tell me-is it something you would broadcast around the lunchroom?" "Probably not," he agreed. "Didn't think so." I settled back more deeply into my chair. It didn't escape my notice that, yet again, I was feeling very relaxed around this boy. Yet again, it didn't make me especially happy. "Your turn." I thought about my promise to Frankie. I quietly hoped Alex would tell me something to make me like him even a little less. He was ready. "I cried so much during my first time at camp that my parents had to come get me four days early." I never went to camp. It always seemed a little bit idyllic to me. "How old were you?" "Six.Why?" "Why?" I imagined a very small Alex in a Spider-Man shirt, cuddling the threadbare bunny now sitting on the shelf over his computer. I sighed. "Oh,no reason. Next." "I hated Titanic, The Notebook, and Twilight." "What did you think of Ten Things I Hate About You?" "Hey," he snapped. "I didn't ask questions during your turn." "No,you didn't," I agreed pleasantly. "Anser,please." "Fine.I liked Ten Things. Satisfied?" No,actually. "Alex," I said sadly, "either you are mind-bogglingly clueless about what I wouldn't want to know, or your next revelation is going to be that you have an unpleasant reaction to kryptonite." He was looking at me like I'd spoken Swahili. "What are you talking about?" Just call me Lois. I shook my head. "Never mind. Carry on." "I have been known to dance in front of the mirror-" he cringed a little- "to 'Thriller.'" And there it was. Alex now knew that I was a penniless coward with a penchant for stinky fish.I knew he was officially adorable. He pushed himself up off his elbow and swung his legs around until he was sitting on the edge of the bed. "And on that humiliating note, I will now make you translate bathroom words into French." He picked up a sheaf of papers from the floor. "I have these worksheets. They're great for the irregular verbs...

The recordings soon reached the point at which the cast had caught up with the author: "They were recording part of the show in one part of the studio, while I was in another part of the studio actually writing the next scene. And this escalated to the point where the last show was being mixed in Maida Vale about half an hour before it was due to be broadcast from Broadcasting House. At which point the tape got wound round the capstan, and they had to take the tape recorder apart to unwind it, then get it onto a motorbike to be taken to Broadcasting House. At one point, we nearly sent them the first half of the tape, then we were going to unwind the second half and get it down to Broadcasting House before they had finished playing the first half. Geoffrey Perkins, Paddy Kingsland and Lisa Braun all deserved medals for that!

Already, when Facebook bought Instagram, it felt as though the walls of the Internet were closing in a little tighter around us users. The broad expanse of possibility, of messiness, on a network like Geocities or the personal expression of Tumblr was shut down. Digital life became increasingly templated, a set of boxes to fill in rather than a canvas to cover in your own image. (You don’t redesign how your Facebook profile looks; you just change your avatar.) I felt a certain sense of loss, but at first the trade-off of creativity for broadcast reach seemed worthwhile: You could talk to so many people at once on social media! But that exposure became enervating, too, and I missed the previous sense of intimacy, the Internet as a private place—a hideout from real life, rather than the determining force of real life. As the walls closed in, the algorithmic feeds took on more and more influence and authority.

The media suffer from an internalised as well as institutionalised Islamophilia. They could never broadcast, or print, during Ramadan, Eid or any other Muslim festival a programme or article explaining from the Christian – or any other – point of view why Islam’s founding story simply doesn’t stack up. It wouldn’t be hard to write or make it. Let any scholar loose on the materials and they could do it. Biblical or Torah scholars using the tools of criticism could use them on the Koran and have a wonderful and fascinating time of it. But would the nation’s broadcaster run it? Or the ‘paper of record’ print it? If during any day of the year – let alone a major Muslim festival – the main newspapers in Britain or America chose to commission a Christian scholar to review a book casting doubt on the likelihood of Mohammed’s existence, say, or his claims to be a prophet, I think everybody knows what would happen. The papers and broadcasters know what would happen too. Which is why they don’t do it. And which is why when it comes to Islam we begin by avoiding it, go on to treat it with kid gloves,

a while the anger made me feel that I didn’t love him. But I do. I know now that I still do.’ ‘Your ’usband?’ ‘Yes,’ she said. ‘I still love Ben. And it’s wretched because I know that he doesn’t love me any more. That he doesn’t want me enough. He’s back in England and—’ her voice was suddenly thick with tears ‘—I don’t even know if he’s OK or not. I can’t… we don’t even speak.’ The sky, that had been darkening slightly, rumbled as if in sympathy. A single drop of rain fell on the ground between them. ‘It’s OK,’ Frédérique said, his expression kind. ‘You do not ’ave to explain.’ ‘But I do,’ she said. ‘Because you’ve done all this. And it’s so, so wonderful. And you deserve so much better. But I couldn’t say yes to your proposal, or even a proper date, when deep down I know that if Ben was to walk through the door right now, I’d take him back without question.’ There was a silence. Frédérique’s eyes became distant as he focused over her shoulder and she wondered whether he was trying not to cry. Her guests, standing taking in the spectacle, broadcast to all over loudspeaker, fell silent too, as if in sympathy.

Cultivating loyalty is a tricky business. It requires maintaining a rigorous level of consistency while constantly adding newness and a little surprise—freshening the guest experience without changing its core identity.” Lifetime Network Value Concerns about brand fickleness in the new generation of customers can be troubling partly because the idea of lifetime customer value has been such a cornerstone of business for so long. But while you’re fretting over the occasional straying of a customer due to how easy it is to switch brands today, don’t overlook a more important positive change in today’s landscape: the extent to which social media and Internet reviews have amplified the reach of customers’ word-of-mouth. Never before have customers enjoyed such powerful platforms to share and broadcast their opinions of products and services. This is true today of every generation—even some Silent Generation customers share on Facebook and post reviews on TripAdvisor and Amazon. But millennials, thanks to their lifetime of technology use and their growing buying power, perhaps make the best, most active spokespeople a company can have. Boston Consulting Group, with grand understatement, says that “the vast majority” of millennials report socially sharing and promoting their brand preferences. Millennials are talking about your business when they’re considering making a purchase, awaiting assistance, trying something on, paying for it and when they get home. If, for example, you own a restaurant, the value of a single guest today goes further than the amount of the check. The added value comes from a process that Chef O’Connell calls competitive dining, the phenomenon of guests “comparing and rating dishes, photographing everything they eat, and tweeting and emailing the details of all their dining adventures.” It’s easy to underestimate the commercial power that today’s younger customers have, particularly when the network value of these buyers doesn’t immediately translate into sales. Be careful not to sell their potential short and let that assumption drive you headlong into a self-fulfilling prophecy. Remember that younger customers are experimenting right now as they begin to form preferences they may keep for a lifetime. And whether their proverbial Winstons will taste good to them in the future depends on what they taste like presently.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my mind. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' comming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms", not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember abouut the fifth time I ever went on `Wise Child'. I subbbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I sais they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio goin full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

Christopher Cerf has been composing songs for Sesame Street for twenty-five years. His large Manhattan townhouse is full of Sesame Street memorabilia – photographs of Christopher with his arm around Big Bird, etc. ‘Well, it’s certainly not what I expected when I wrote them,’ Christopher said. ‘I have to admit, my first reaction was, “Oh my gosh, is my music really that terrible?” ’ I laughed. ‘I once wrote a song for Bert and Ernie called “Put Down The Ducky”,’ he said, ‘which might be useful for interrogating members of the Ba’ath Party.’ ‘That’s very good,’ I said. ‘This interview,’ Christopher said, ‘has been brought to you by the letters W, M and D.’ ‘That’s very good,’ I said. We both laughed. I paused. ‘And do you think that the Iraqi prisoners, as well as giving away vital information, are learning new letters and numbers?’ I said. ‘Well, wouldn’t that be an incredible double win?’ said Christopher. Christopher took me upstairs to his studio to play me one of his Sesame Street compositions, called ‘Ya! Ya! Das Is a Mountain!’ ‘The way we do Sesame Street,’ he explained, ‘is that we have educational researchers who test whether these songs are working, whether the kids are learning. And one year they asked me to write a song to explain what a mountain is, and I wrote a silly yodelling song about what a mountain was.’ Christopher sang me a little of the song: Oompah-pah! Oompah-pah! Ya! Ya! Das is a mountain! Part of zee ground zat sticks way up high! ‘Anyway,’ he said, ‘forty per cent of the kids had known what a mountain was before they heard the song, and after they heard the song, only about twenty-six per cent knew what a mountain was. That’s all they needed. You don’t know what a mountain is now, right? It’s gone! So I figure if I have the power to suck information out of people’s brains by writing these songs, maybe that’s something that could be useful to the CIA for brainwashing techniques.’ Just then, Christopher’s phone rang. It was a lawyer from his music publishers, BMI. I listened into Christopher’s side of the conversation: ‘Oh really?’ he said. ‘I see . . . Well, theoretically they have to log that and I should be getting a few cents for every prisoner, right? Okay. Bye, bye . . .’ ‘What was that about?’ I asked Christopher. ‘Whether I’m due some money for the performance royalties,’ he explained. ‘Why not? It’s an American thing to do. If I have the knack of writing songs that can drive people crazy sooner and more effectively than others, why shouldn’t I profit from that?’ This is why, later that day, Christopher asked Danny Epstein – who has been the music supervisor of Sesame Street since the very first programme was broadcast in July 1969 – to come to his house. It would be Danny’s responsibility to collect the royalties from the military if they proved negligent in filing a music-cue sheet.

flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions

The photo was published in the majority of Brazilian newspapers in a full-page spread when CNN and all the television channels of the world broadcast the scene, they froze it for a few seconds. Or minutes, hours, I don't know. For me time has infinite duration--I don't know how to measure it by normal parameters. Trying doesn't even interest me. From the World Trade Center buildings, minutes, prior to their collapse--which would appear as a perfect and planned implosion--only a grayish-blue and black vertical lines can be seen. Like a modernist painting--by whom? Which artist painted lines? Mondrian? No, not Mondrian, he painted squares, rectangles. Anyway, in the picture, the man is falling head first. his body straight, one of his legs bent. Did he jump? Slip? Did he faint and then fall? He probably lost consciousness because of the height, the smoke. He fell. He disappeared from the scene, from life, from the city. A million tons of rubble buried him soon after. Nobody knows his name. Impossible for his family to have him identified. He's an unknown who entered into history at the twenty-first century's first great moment of horror--the history of the world, the United States, communications, photography. Without anyone knowing who he is. And nobody will ever know. We'll only have suppositions, families who'll swear that he was theirs. But was he Brazilian, American, Latino, Chinese, Italian, Irish--what? He could have been anything, but now he's nothing. One among thousands gone forever. And, while we're on the subject, what about the firemen who supposedly became such heroes that day--can you name a single one?

you need to know the Life Cycle Of A Lynch Mob: 1. Someone says something bad. 2. Someone else notices. 3. The second person broadcasts the offence. 4. Each of the people who hear the news spreads it again, allowing the original offence to multiply like bacteria on a body dumped in a cesspit. The lynch mob is named Something Must Be Done, and attracts people who are more offensive than the first offender. 5. The original offence is magnified by a factor of 50 GAZILLION and the lynch mob achieves critical mass. 6. The originator of the bad thing says sorry. 7. Half of the offended people say, ‘Well, don’t do it again.’ The other half scream, ‘IT’S TOO LATE NOW!’ 8. The originator of the bad thing deletes account, falls on sword, makes charitable donation, or commits suicide. 9. Most people grumble but decide enough’s enough. 10. 84 people are still offended and will be forever.

Y’know what I think? I think they’re pump-priming. I think they’re giving us technology that they expect will make us more valuable to them. I don’t think this is charity or altruism. I think this is self-interest. Remember, they already have met us, in a very real sense. They know our languages. We don’t know how they know—maybe their supercomputers just analyzed radio broadcasts. But however they got their hands on the information, they know a lot more about us than we know about them. Besides, it’s not like this costs them anything.

I don’t know,” Piper said. But yes, she did think that —same as the many other abductions they’d heard of before the broadcasts stopped. Meyer wouldn’t have run off. Not after all he’d done to get them here. And if he’d gone out in the middle of the night and been killed, they would have discovered his body. Despite searching far and wide, they’d found nothing.

Sometimes people let what they want get in the way of peace and we don't have a choice but to protect ourselves when they come to take what we can't afford to give.

By broadcasting a message that tricks naive freshly evolved civilizations into building a superintelligent machine that hijacks them, a civilization can expand essentially at the speed of light, the speed at which their seductive siren song spreads through the cosmos. Since this may be the only way for advanced civilizations to reach most of the galaxies within their future light cone and they have little incentive not to try it, we should be highly suspicious of any transmissions from extraterrestrials! In Carl Sagan’s book Contact, we Earthlings used blueprints from aliens to build a machine we didn’t understand—I don’t recommend doing this…

UNLESS YOU ESCAPED THROUGH BULLETS FROM COMMUNIST REGIME AS I DID YOU DON'T KNOW EXACTLY WHAT FREEDOM AND DEMOCRACY IS! SINCE I IMMIGRATED TO THE USA I HAVE SEEN MANY PEOPLE WHO TAKE THEIR FREEDOM AND DEMOCRACY FOR GRATED I EVEN MEET PEOPLE WHO VOTED FOR SOCIALISM BECAUSE THEY DON'T REALLY KNOW WHAT SOCIALISM IS, THEY DON'T EVEN KNOW THE SOCIALISM IS THE WAY TO COMMUNISM, WHERE COMMUNIST LIKE TODAY DEMOCRATS THEY PROMISE MANY THINGS BUT THEY WON'T TELL YOU HAVE TO GIVE A LOT TO GET A LITTLE BECAUSE AT THE END YOU END UP LOSING EVERYTHING INCLUDING YOUR FREEDOM IF YOU DON'T AGREE WITH THE POLITICS, YOU CAN'T EXPRESS YOU THOUGHTS OR CAN'T SPEAK OUT, YOU CAN'T BROADCAST OR PUBLISH ABOUT AGAINST THEIR POLITICS

It has come to my attention lately,” he says, “that sales are up on suntan lotion and sunblock. Now who do you think are the customers for this item? I’ll tell you who. White people, that’s who. Not you or I, brother. No, it’s white people.” His voice deepens. “Now what do you think of a people who keep telling us they’re superior, and…” Without warning he pauses, his eyes squeeze shut, and he screams, “They can’t even make it in the fuckin’ sun!” Back to broadcast news. “You—” He points calmly at the heads of the fleeing crowd. “The white people. Don’t even belong. On the planet.

argument na moją obronę, myślę: 'This is why I say McEnroe’s an idiot. I hesitate because it’s possible he was just trying to say something interesting – an unfashionable impulse, these days, and one to be treasured. You don’t want to slap down everyone who says something stupid in the heat of the moment, while trying to spice up a broadcast or interview, lest we hurtle even faster towards an entirely empty and monotonous public discourse'.

Because I follow Jesus, then, I am bound to Jews, Muslims, Buddhists, Hindus, agnostics, atheists, New Agers, everyone (even religious broadcasters, I was just reminded by a still, small voice). Not only am I bound to them in love, but I am also actually called to, in some real sense (please don’t minimize this before you qualify it), become one of them, to enter their world and be with them in it.

Had I made the right decision to give up law school—the “safe” choice—to pursue my passion—a career in broadcast journalism? Would I be stuck making $ 15,000 a year for the rest of my career? Would my father, who had landed on these shores as an Italian immigrant with $ 20 in his pocket after World War II, have been proud of my decision, or would the former prisoner of war have felt that his son was squandering an opportunity to make it in America?

Don’t broadcast every high and low of your life. Just live. Don’t try to convince the world you have a life.

Just my two cents, but we shouldn't refer to it as the 'Witch is Dead' party outside this room. You know, basic respect for the dead and other things we don't seem to possess. We might be thoroughly fucked up, but that doesn't mean we need to broadcast it to the world.

People watch cable news as a form of entertainment, and they don’t want to learn anything that contradicts what they already believe. What they want is information that confirms their preexisting biases, falsely presented through the structure of traditional broadcasting. It had to look like objective journalism, but only if the volume was muted. Moreover, the bias expressed cannot be subtle or unpredictable; partisan audiences want to know what they’re getting before they actually get it. Unless cataclysmic events are actively breaking, the purpose of cable news is emotional reassurance.

Ava?” “Yeah?” she murmurs, her mouth pressed to my neck. I pull her closer. “Promise not to tell anyone about the whole sleeping with a basketball thing?” She laughs but doesn’t pull away. Her lips skim along my jaw, stop just below my ear. “But then the whole flashing my boobs to the AV guys so they’d broadcast it at the next game would be for nothing.” I grunt when she bites down on my earlobe and bring my hand higher up her leg. “Don’t fucking joke.” Then I pull away, capture her mouth with mine, kissing her with a possessiveness I didn’t know was in me. She giggles into my mouth. “I’m not playing, Ava.” She just laughs harder.

Every year at the Academy Awards the most notable prize is for “Best Picture.” The media speculate on it for weeks prior to the broadcast, and most viewers stay up well past their bedtimes to see it awarded. There is a far less hyped award on the night: the one for film editing. Let’s face it: most viewers flip the channel or go into the kitchen to refill their popcorn bowl when the winner of “Best Film Editing” is announced. Yet what most people don’t know is that the two awards are highly correlated: since 1981 not a single film has won Best Picture without at least being nominated for Film Editing. In fact, in about two-thirds of the cases the movie nominated for Film Editing has gone on to win Best Picture.

That's how I've felt about making this music, as an act of destroying myself, & for what, peoples mild amusement? longing for things to go wrong? fame & fortune? I'm not sure anymore. anything I do or say will be viewed by thousands of people, picked apart, criticised by people who think it's in any way at all important. It's hardly a spotlight, it's a magnifying glass under the sun. I never expected things to have been this way, when I was younger I wanted to be the next GG Alin, but more importantly, stay underground, stay unknown, & keep this as a hobby only, push the boundaries, piss people off, black metal aesthetic, etc. & anyone who questioned it can get the finger. But then I grew up, I matured, & saw the world differently, I changed. But the internet is the internet, & Ive been paying for those mistakes by the pound. These things I've done that I regret & have done my best to atone for, simply won't matter, not when people show no forgiveness & want nothing but blood to pay the debts. & blood is what they will get, & even then I'm not sure it will be enough. Even in saying this, even by coming back at all, It feels like I'm just lighting myself on fire & then watch all the moths come towards me. I sometimes get asked what's it's like to be famous, a thought which never occurs to me but whenever people ask I look at my numbers & realise how far I've come, & I don't feel pride, I feel paranoid, I feel threatened. that's how many people are watching you now. & every time I tell them the same thing. Don't ever be famous, It destroys you, I hate being me.

Every summer, news broadcasts are full of reports of devastating fires.All this would make me immensely frustrated at the people who didn't care about Mother Nature, especially those destroying it in the name of greed.

Charlie, nobody ever broadcasts the bad bits of their lives. You don't ever sign onto Facebook or Instagram and see a photo of- I don't know, someone shouting at their husband because he's been a tosser. You just see the flowers he bout her as an apology and some sickly bloody hashtag

The steady advance, and cultural power, of marketing and advertising has caused "the displacement of a political public sphere by a depoliticized consumer culture." And it has had the effect of creating a world of virtual communities built by advertisers and based on demographics and taste differences of consumers. These consumption- and style-based clusters are at odds with physical communities that share a social life and common concerns and which participate in a democratic order. These virtual communities are organized to buy and sell goods, not to create or service a public sphere. Advertisers don't like the public sphere, where audiences are relatively small, upsetting controversy takes place, and the settings are not ideal for selling goods. Their preference for entertainment underlies the gradual erosion of the public sphere under systems of commercial media, well exemplified in the history of broadcasting in the United States over the past seventy-five years. But entertainment has the merit not only of being better suited to helping sell goods; it is an effective vehicle for hidden ideological messages. Furthermore, in a system of high and growing inequality, entertainment is the contemporary equivalent of the Roman "games of the circus" that diverts the public from politics and generates a political apathy that is helpful to preservation of the status quo.

As Justice Kennedy—the presumed swing vote among the justices—noted, If we concede … that a short, 30-second, 1-minute campaign ad can be regulated, you want me to write an opinion and say, “well, if it’s 90 minutes, then that’s different.” It seems to me that you can make the argument that … 90 minutes is much more powerful in support or in opposition to a candidate. Olson disagreed, however, stating that the Court had previously found that broadcast materials whose purpose was to “inform and educate,” in addition to mere persuasion, were “on the line of being permissible.” As a documentary film, Olson argued that Hillary: The Movie held greater potential than the typical 30-second campaign commercial to educate viewers. Justice Souter did not appear to be persuaded, saying, [The film is] not a musical comedy. I think we have no choice, really, but to say this is not issue advocacy; this is express advocacy saying “don’t vote for this person.” And if that is a fair characterization, the difference between 90 minutes and 1 minute, either for statutory purposes or constitutional purposes, is a distinction that I just cannot follow. Souter’s question suggested that his position was that neither the length of the film nor its general level of information was relevant to whether Citizens United could legally broadcast it. Because it was (to Souter, presumably) a totally one-sided description of why Hillary Clinton was unfit for the White House, the movie amounted to electioneering of the sort proscribed by the BCRA.

At the time of my visit, Finnish evolutionary ecologist Aino Kalske, Japanese chemical ecologist Kaori Shiojiri, and Cornell chemical ecologist André Kessler had recently found that goldenrods that live in peaceful areas without much threat from predators will issue chemical alarm calls that are incredibly specific—decipherable only to their close kin—on the rare occasion they are attacked. But goldenrods in more hostile territory signal to their neighbors using chemical phrases easily understood by all the goldenrod in the area, not just their biological kin. Instead of using coded whisper networks, these goldenrod broadcast the threat over loudspeaker, so to speak. It is the first time research has confirmed that these sort of chemical communications are beneficial not only to the plant receiving them but also to the sender.* When times are truly tough, you don’t want to be left standing in a field alone when it’s over, if you’re a plant. There’ll be no one to mate with, no one to help bring in pollinators. It’s the closest scientists have come to showing intentionality in plant communication: these are signals meant to be heard. And as we know, by some measures, intention is an indicator of intelligent behavior.

Don’t worry about anything — and that means nothing at all! Instead, come before God and give Him the things that concern you so He can in exchange give you what you need or desire. Be bold to strongly, passionately, and fervently make your request known to God, making certain that an equal measure of thanksgiving goes along with your strong asking. You have every right to ask boldly, so go ahead and insist that God meet your need. When you pray, be so bold that there is no doubt your prayer was heard. Broadcast it! Declare it! Pray boldly until you have the assurance that God has heard your request!

Determine Keywords Use Compete PRO to find out which keywords drive traffic in an industry category; then create a search with them in Traackr to find the influencers. Validate Use the automated tools as a stepping-stone in the influencer discovery process, read their blogs, and validate the data to build relationships with influencers. Show Commitment Influencer identification is not a one-time thing. You need to do it regularly. It is a marriage, not a date. Welcome Surprises Don’t discount the “little” guy. Some of their one-to-one interactions are stronger than those of broadcasters. It takes only a pebble to start an avalanche. Combine Tools Use Google to find the most relevant keywords, Traackr to gain insights, and Klout to validate Twitter. Value Relevance Over Popularity Choose relevance over popularity. The most popular influencers on social media are often the least helpful in a social media campaign. Study Understand the influencer’s core audience. Combine Human and Machine Tools and technology are a good place to start, but we always need the human element.

If you don’t want people to see you, don’t risk it. Do you really need to wear a skirt and heels for mucking out the pigs? Come on, really? I don’t understand why you think Simon would broadcast it though.

What’s the first thing you do now before you visit a new restaurant for the first time or book a hotel room online? You probably ask a friend for a recommendation or you check out the reviews online. Now more than ever, the story your customers tell about you is a big part of your story. Word of mouth is accelerated and amplified. Trust is built digitally beyond the village. Reputations are built and lost in a moment. Opinions are no longer only shared one to one; they are broadcasted one to many, through digital channels. Those opinions live on as clues to your story. The cleanliness of your hotel bathrooms is no longer a secret. Guests’ unedited photos are displayed alongside a hotel brochure’s digital glossies. TripAdvisor ratings are proudly displayed by hotels and often say more about the standards guests can expect than do other, more established star ratings systems, such as the Forbes Travel Guide‘s ratings. Once-invisible brands and family-run hotels have had their businesses turned around by the stories their customers tell about them. “With 50 million reviews and counting, [TripAdvisor] is shaking the travel industry to its core.” —Nathan Labenz It turns out that people are more likely to trust the stories other people tell about you than to trust the well-lit Photoshopped images in your brochure. Reputation is how your idea and brand story are spread. A survey conducted by Chadwick Martin Bailey found that six in ten cruise customers said “they were less likely to book a cruise that received only one star.” There is no marketing more powerful than what one person says to another to recommend your brand. “Don’t waste money on expensive razors.” “Nice hotel; shame about the customer service.” In a world where online reputation can increase a hotel’s occupancy and revenue, trust has become a marketing metric. “[R]eputation has a real-world value.” —Rachel Botsman When we were looking to book a quiet, off-the-beaten-track hotel in Bali, the first place we looked wasn’t with the travel agents or booking.com. I jumped online and found that one of the area’s best-rated hotels on tripadvisor.com wasn’t a five-star resort but a modest family-run, three-star hotel that was punching well above its weight. This little fifteen-room hotel had more than 400 very positive reviews and had won a TripAdvisor Travellers Choice award. The reviews from the previous guests sealed the deal. The little hotel in Ubud was perfect. The reviews didn’t lie, and of course the place was fully booked with a steady stream of guests who knew where to look before taking a chance on a hotel room. Just a few years before, this $50-a-night hotel would have been buried amongst a slew of well-marketed five-star resorts. Today, thanks to a currency of trust, even tiny brands can thrive by doing the right thing and giving their customers a great story to tell.

The media is trained to find bad news and broadcast it to you. The more they do it and you believe it, the worst the world looks. It then becomes a self-fulfilling prophecy. You live from the new paradigm of scarcity and the media, doing its job, broadcasts it. You don’t even see it happening. It feels real. You take it as reality.

Tech looked closer, noticing God standing there with Day and… oh… Hart. Tech told Steele, Ruxs, and Green to go ahead. They looked confused but didn’t question him. When they were out of earshot, Tech stood there alone with Free since most everyone was crowding around the star in the room. “That’s SWAT Captain Hart and his lieutenant, Roberts. I know he looks intimidating from here, especially in his gear, but he’s really a great guy. God and Day use his assistance when we have a big bust. There’s no reason to be nervous. He’s extremely sweet and surprisingly gentle. There are female officers who actually prefer to train with only him,” Tech said, rubbing Free’s arm. “I’m sorry. I’m acting insane. I know we’re in a room full of cops, but you understand, right?” “I know your dad was an asshole cop who abused his authority, but you won’t find that around God or Day.” Tech looked into Free’s eyes. “I wouldn’t’ve called you here if I wasn’t hundred percent sure you’d be safe. You’ve commented about my job before, how special it is. Well, here’s your chance to have that. You can do my job even better than me, but we won’t broadcast that.” Tech gave Free another sad smile. “Don’t let your dad continue to control your life. You’ve beaten him already, it’s time you moved forward, Free.” Free closed his eyes and took a long breath and turned to head towards their department with his back straight and his eyes focused. Tech was proud of him already. He’d come a long way. Tech

Jimmy Valvano was a legendary college basketball coach and broadcaster. In June of 1992, he was diagnosed with metastatic cancer. In March of the following year, Jimmy gave a powerful speech at the first ever ESPY awards, presented by ESPN. His message was just as simple as it was moving: “Don’t give up. Don’t ever give up.” Eight weeks later, he passed away. In his speech, he also said this:   To me, there are three things we all should do every day. We should do this every day of our lives. Number one is laugh. You should laugh every day. Number two is think. You should spend some time in thought. And number three is, you should have your emotions moved to tears―could be happiness or joy. But think about it. If you laugh, you think, and you cry, that's a full day. That's a heck of a day. You do that seven days a week, you're going to have something special.   And finally, this:   Cancer can take away all of my physical abilities. It cannot touch my mind, it cannot touch my heart, and it cannot touch my soul. And those three things are going to carry on forever.   There is no other reason to be alive than to enjoy it. So laugh, think, cry. Work hard. Celebrate your victories. Embrace the day. And don’t ever give up.

The metavirus is everywhere. Anywhere life exists, the metavirus is there, too, propagating through it. Originally, it was spread around on comets. That's probably how life first came to the Earth, and that's probably how the metavirus came here also. But comets are slow, whereas radio waves are fast. In binary form, a virus can bounce around the universe at the speed of light. It infects a civilized planet, gets into its computers, reproduces, and inevitably gets broadcast on television or radio or whatever. Those transmissions don't stop at the edge of the atmosphere -- they radiate out into space, forever. And if they hit a planet with another civilized culture, where people are listening to the stars the way Rife was doing, then that planet gets infected, too. I think that was Rife's plan, and I think it worked. Except that Rife was smart -- he caught it in a controlled manner. He put it in a bottle. An informational warfare agent for him to use at his discretion. When it is placed into a computer, it snow-crashes the computer by causing it to infect itself with new viruses. But it is much more devastating when it goes into the mind of a hacker, a person who has an understanding of binary code built into the deep structures of his brain. The binary metavirus will destroy the mind of a hacker.

Don't tell the guys at Trinity Broadcast Network, but financial prosperity is not the primary indicator of God's blessing. Think back to the garden. What was the greatest blessing that God gave to Adam and Eve? The greatest blessing was living in God's very presence, knowing him, and worshipping him.

Without hardship we don't appreciate good times or know how to deal with life when things are less than ideal.

Kenneth Copeland: “I was shocked when I found out who the biggest failure in the Bible actually is . . . The biggest one is God . . . I mean, He lost His top-ranking, most anointed angel; the first man He ever created; the first woman He ever created; the whole earth and all the fullness therein; a third of the angels, at least—that’s a big loss, man . . . Now, the reason you don’t think of God as a failure is He never said He’s a failure. And you’re not a failure till you say you’re one” (Praise the Lord: Praise-a-Thon, Trinity Broadcasting Network, April 1988).

DO NOT BE AFRAID, for I am with you. Hear Me saying, “Peace, be still,” to your restless heart. No matter what happens, I will never leave you or forsake you. Let this assurance soak into your mind and heart until you overflow with Joy. Though the earth give way and the mountains fall into the heart of the sea, you need not fear! The media relentlessly proclaim bad news: for breakfast, lunch, and dinner. A steady diet of their fare will sicken you. Instead of focusing on fickle, ever-changing news broadcasts, tune in to the living Word—the One who is always the same. Let Scripture saturate your mind and heart, and you will walk steadily along the path of Life. Even though you don’t know what will happen tomorrow, you can be absolutely sure of your ultimate destination. I hold you by your right hand, and afterward I will take you into Glory. MARK 4:39 NKJV; DEUTERONOMY 31:6; PSALM 46:2; PSALM 73:23

Watching him, I learned that you take the broadcasting job one day at a time. You don’t worry that the team is 20 games out. First place? Last place? It doesn’t matter. You just hope for a good game that day. You don’t rip people.

HEART ACTION Make a date with a friend you are missing. Don't worry that a long time has passed since you last spoke. Start with where you are right now and let her know that you miss her and her presence in your life. The spirit of the tea beverage is one of peace, comfort, and refinement. ARTHUR GRAY Rejoice that your names are recorded in heaven. -LUKE 10:20 A few days after Roy Rogers passed away at his home in Apple Valley, California, a local Christian television station broadcast a tribute to his life. In one of the segments, Dale Evans, Roy's wife, sang a song entitled, "Say `Yes' for Tomorrow." This song was dedicated to the memory of Roy's early decision to put his trust in Jesus as his Savior. While listening to this song I began to think back over my own life, back to when I invited Jesus, as my Lord, into my heart. At that time I made the most important decision in my life. I truly said "`yes' for tomorrow," in that I settled my eternity by saying "yes" to Jesus. I was a teenager who came from a Jewish background. Even though my decision for

Or, as Philip Ruddock, Howard’s immigration minister, put it to the author: ‘Indonesia will work with you if you don’t decide to embarrass them over it.’ Yet this is exactly what the Abbott opposition had done. It violated the Howard precedent and the Ruddock rule by broadcasting the tow-back plan loud and long.

he looked down at me and said, “Are you scared?” “Scared shitless,” I said as I plunged the butcher knife into the center of his chest. The giant clown monster rocked back and then teetered forward, gripping my shoulders to steady himself with what felt like rubber claws. A stream of his warm blood soaked my Phantom of the Opera T-shirt. Urine ran down my leg into my shoe as bright lights illuminated the darkness. Three cameramen and my best friend, Larry, ran into view from the bushes screaming in unison, “You don’t have to be scared. We’re broadcasting this on live TV.

Syn stared into Furi’s sparkling eyes. He brought one hand up and tenderly brushed Furi’s cheek. “Congratulations.” “Thank you.” Furi kissed his lips gently. “I’ll be fine. I’m a big boy.” “I know you are.” Syn winked. Furi flushed with embarrassment. “Shut up. Don’t start something you can’t finish.” “I’ll finish it later,” Syn promised. His look was pure lust as he pushed his rising cock against Furi’s jean-clad thigh. “Fuckin’ right you will,” Furi moaned against Syn’s cheek, rocking back against him. “I’d fuckin’ take you right now if your bosses weren’t in the front room.” Syn groaned. Furi gripped Syn’s cock in a firm grip and stroked a couple times, wrapping his other arm around Syn’s back to hold him close. He nipped at Syn’s stubbled chin, peppering sweet kisses along his jaw to his ear. Furi flicked his tongue out and pulled the fleshy lobe between his soft lips. Furi’s lips were pressed against his ear as he spoke in a low, sexy drawl, “I’d bend you over this sink and fuck you until you yelled my name and begged me not to stop.” “Fuck,” Syn moaned. Heat tore up through him at Furi’s nasty words. “Fuck you hard, just how you like it, baby.” Furi increased the speed of his stroke. “Oh fuck, fuck. No. Stop honey,” Syn protested weakly, his balls already throbbing with the need for release. “Why?” Furi hissed. “Because I fucking refuse to let Day hear me come.” Syn put some room between their bodies and kept backing up until he hit the wall. He tried to control his breathing, but staring at Furi’s gorgeous, flushed face didn’t help. “You guys are crazy.” Furi shook his head. “Day’s pranks have no boundaries. I wouldn’t be surprised if my moans are broadcasted over the loudspeaker in the office today.” Syn opened the bathroom door and gestured for Furi to look out into the hallway. “See.” Furi busted out laughing at Day standing there in the hallway with his cell phone in his hand, studying the non-existent art on Syn’s bare wall. He whistled like he was just lounging around not looking for trouble. Syn just flipped him off and pulled Furi into his bedroom, slamming the door behind them. “Oh my fucking god. That shit is too funny.” Furi laughed while he put a few things into his backpack. “Yeah, because you don’t’ have to deal with his silliness.” Syn hurried to get dressed.

If you have an idea you’re excited about and you don’t bring it to life, it’s not uncommon for the idea to find its voice through another maker. This isn’t because the other artist stole your idea, but because the idea’s time has come. In this great unfolding, ideas and thoughts, themes and songs and other works of art exist in the aether and ripen on schedule, ready to find expression in the physical world. As artists, it is our job to draw down this information, transmute it, and share it. We are all translators for messages the universe is broadcasting. The best artists tend to be the ones with the most sensitive antennae to draw in the energy resonating at a particular moment. Many great artists first develop sensitive antennae not to create art but to protect themselves. They have to protect themselves because everything hurts more. They feel everything more deeply.

Werewolves are partisans, guerrilla fighters. Radio Werewolf broadcasts to them from somewhere in enemy-occupied territory.' 'Don't pretend to the children,' Mama tells him. 'The radio station isn't far from Berlin. They're figments of your imagination, these news items.' Papa looks disappointed. 'I'd prefer to call them products of poetic licence,' he says. 'They're simply the news as it ought to be. Don't you realise that our reports are bound to come true? Don't you realise that we broadcast them so that, somewhere out there, the Werewolves will make them come true? All our news items will become a reality if only we put them over in the right tone of voice.

We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly.

But the real weak point in all of these arguments is simply that, for every reason people can come up with to dislike and reject monsters, there are an equal number of reasons to tolerate and accept them. And we know all of them by heart because we've heard them all before, as Frisk Dreemurr said earlier, when they were used against other human beings. Though having said that, there are also other reasons to like monsters, and I have a few of them right here.” The host on the screen reached down and started pulling objects out from underneath the news desk and placing them on top of it, while the audience started to laugh. “We have vanilla, chocolate, chocolate chip, fudge, caramel, butterscotch, cherry, wild mango, lava cake, actual lava not sure how that works, strawberry kiwi, watermelon, and pistachio.” The host picked up one of the items and showed it on screen, so that the logo of the smiling blue monster was easily visible. “And don't forget, when you're done eating the Nice Cream, you also have a message on the wrapper telling you something positive and reassuring. So if I could give a little advice to the anti-monster crowd out there, if you're still watching? Your competition has all these different flavors, and please note that 'Salty' is not one of them. Cornering that market is not the brilliant strategy you seem to think it is.

The current media environment both encourages and perpetuates these reactions because, after all, it’s good for business. The writer and media commentator Ryan Holiday refers to this as “outrage porn”: rather than report on real stories and real issues, the media find it much easier (and more profitable) to find something mildly offensive, broadcast it to a wide audience, generate outrage, and then broadcast that outrage back across the population in a way that outrages yet another part of the population. This triggers a kind of echo of bullshit pinging back and forth between two imaginary sides, meanwhile distracting everyone from real societal problems. It’s no wonder we’re more politically polarized than ever before. The biggest problem with victimhood chic is that it sucks attention away from actual victims. It’s like the boy who cried wolf. The more people there are who proclaim themselves victims over tiny infractions, the harder it becomes to see who the real victims actually are. People get addicted to feeling offended all the time because it gives them a high; being self-righteous and morally superior feels good. As political cartoonist Tim Kreider put it in a New York Times op-ed: “Outrage is like a lot of other things that feel good but over time devour us from the inside out. And it’s even more insidious than most vices because we don’t even consciously acknowledge that it’s a pleasure.

I could see reminders of why I had cast aside my phone in the first place. I sat in Café Heaven, a lovely little place in the West End of Provincetown, and ate an eggs Benedict. Next to me there were two men in, I guess, their mid-twenties. I shamelessly eavesdropped on their conversation while pretending to read David Copperfield. It was clear they had met on an app, and this was the first time they had seen each other in person. Something about their conversation seemed odd to me, and I couldn’t place it at first. Then I realized they weren’t, in fact, having a conversation at all. What would happen is the first one, who was blond, would talk about himself for ten minutes or so. Then the second one, who was dark-haired, would talk about himself for ten minutes. And they alternated in this way, interrupting each other. I sat next to them for two hours, and at no point did either of them ask the other person a question. At one point, the dark-haired man mentioned that his brother had died a month before. The blond didn’t even offer a cursory “I’m so sorry to hear that”; he simply went back to talking about himself. I realized that if they had met up simply to read out their own Facebook status updates to each other in turn, there would have been absolutely no difference. I felt like everywhere I went, I was surrounded by people who were broadcasting but not receiving. Narcissism, it occurred to me, is a corruption of attention—it’s where your attention becomes turned in only on yourself and your own ego. I don’t say this with any sense of superiority. I am embarrassed to describe what I realized in that week that I missed most about the web. Every day in my normal life—sometimes several times a day—I would look at Twitter and Instagram to see how many followers I had. I didn’t look at the feed, the news, the buzz—just my own stats. If the figure had gone up, I felt glad—like a money-obsessed miser checking the state of his personal stocks and finding he was slightly richer than yesterday. It was as if I was saying to myself, See? More people are following you. You matter. I didn’t miss the content of what they said. I just missed the raw numbers, and the sense that they were growing.

I don’t know.” The cat says, “Then it doesn’t matter which way you go.” Many people today are like that. They have no idea where they are and no clue where they’re going. Their whole lives consist of wandering about aimlessly, without purpose, design, meaning, or significance. It’s one thing to be lost; it’s another to be lost and not know it. When a person is in that state, it is inevitable that they will experience a crisis and realize they have no idea where they are or how they got there. God puts a priority on seeking people like that. After the lost coin and the lost sheep, Jesus turns His attention to people. The parable of the prodigal son (Luke 15:11–32) is a familiar story, and it’s important to keep the focus where it belongs: not on the lost son, but on the father and his great joy at the repentance and return of the son. When the father sees his son far off, he races down the road and embraces him, kills the fatted calf, gives the signet ring to him, and clothes him with a cloak of honor. As he says to the older brother, “It was fitting to celebrate and be glad, for this your brother was dead, and is alive; he was lost, and is found” (v. 32). This parable tells us what God is like. He runs after the lost, and He rejoices when one person is redeemed. That is the mission of the church, and each of us has a responsibility to make sure that the lost are sought and found. We’re not dealing with coins or sheep, and we’re not dealing with dogs or keys. We are dealing with people whom Christ loves. He said so Himself. About the Author Dr. R.C. Sproul was founder of Ligonier Ministries, founding pastor of Saint Andrew’s Chapel in Sanford, Fla., first president of Reformation Bible College, and executive editor of Tabletalk magazine. His radio program, Renewing Your Mind, is still broadcast daily on hundreds of radio stations around the world and can also be heard online. He was author of more than one hundred books, including The Holiness of God, Chosen by God, and Everyone’s a Theologian. He was recognized throughout the world for his articulate defense of the inerrancy of Scripture and the need for God’s people to stand with conviction upon His Word.

You will learn on the job, in the process of repairing many different kinds of equipment and seeing how the designers solved various problems, or failed to solve them in some cases. For every repair, you will fill out a log describing the cause of the failure and what you did to rectify it. If you don’t understand something, you may consult the more experienced Technicians, including myself.” He led the group down a wide hallway, and they crowded into a soundproofed studio. “This is the backup broadcast studio, which kept operational at all times in case of a major failure in the main studio. The first item in the signal chain is the microphone. We use dynamic mics for DJ’s and guests, and various ribbons and condensers for radio plays and orchestral broadcasts. For pre-recorded sound sources, we have direct-drive turntables, cassette decks, open-reel decks, and cart machines. All machines are wired for remote start from the console. “The consoles are vacuum tube type, fully balanced with input, output, and interstage transformers, and completely modular. They were designed in-house for absolute reliability. Channel modules can be hot-swapped without powering down the console, so that breakdowns can be fixed in a matter of seconds. “The output of the console is wired to a stereo compressor, variable mu type, to regulate the overall volume. The studio switcher selects the currently active studio and routes it to the transmitter. The output passes through an additional compressor, VCA type, with sophisticated circuitry for leveling, peak limiting, soft clipping, filtering, and pre-emphasis, in order to maximize the station’s loudness without overmodulating the transmitter.

First, we don’t know how to deal with rumors. Rumors that confirm people’s biases are now believed and spread among millions of people. Second,… we tend to only communicate with people that we agree with, and thanks to social media, we can mute, un-follow, and block everybody else. Third, online discussions quickly descend into angry mobs.… It’s as if we forget that the people behind screens are actually real people and not just avatars. And fourth, it became really hard to change our opinions. Because of the speed and brevity of social media, we are forced to jump to conclusions and write sharp opinions in 140 characters about complex world affairs. And once we do that, it lives forever on the Internet.… Fifth—and in my point of view, this is the most critical—today, our social media experiences are designed in a way that favors broadcasting over engagements, posts over discussions, shallow comments over deep conversations. It’s as if we agreed that we are here to talk at each other instead of talking with each other.

If the Sussexes had any residual misgivings about whether they wanted out, those doubts vanished when they viewed the Queen’s 2019 televised Christmas message. With their own eyes, they saw that they had been kicked to the margins of the monarchy. Her Majesty eloquently made the point in her speech by saying nothing. The subtext was all in the flotilla of carefully arranged family photographs positioned on her writing desk, a grouping that, in case anyone thinks is accidental, has been artfully changed every year since the monarch’s first televised seasonal message in 1957. The previous Christmas, a family portrait of Charles, Camilla, the five Cambridges, and Harry and Meghan was exhibited at Her Majesty’s elbow. But in December 2019, the Sussexes had evaporated, their image excised as skillfully as Stalin would have done to an apparatchik out of favor. According to author Christopher Andersen, the Queen told the director of the broadcast that all the displayed photographs were fine to remain in the shot except for one. Her Majesty pointed at a winsome portrait of Harry, Meghan, and baby Archie. “ That one,” said the Queen. “I suppose we don’t need that one.” And a happy Christmas to you too, Granny! William was said to have been appalled when he saw the Sussexes had been edited out. He knew his brother well enough to predict a Category 5 tantrum brewing.

BROADCASTING RESONANCE Anchored in nonlocal consciousness, your local life begins to change. As you resonate with the cycles of nature, as your heart’s coherence conditions the energy space around you, as you vibrate to the signal of love and joy in your consciousness, you attract people and conditions that match your states and traits. Without effort, as your magnificent new signal broadcasts out around you, resonating with the music of the universe, you’ll come into synchrony with people and events that bless and delight you. You’ll discover that you’re not alone. As you tune to the great symphony of life each day, you’ll find that you’re tuned to millions of other people who are likewise attuned. With no effort at all, you’ll discover wonderful new friends and companions wherever you travel. As the light shines from your eyes, it meets the light in the eyes of others. When you’re awake, you naturally enjoy others who are awake. 9.3. Coming into synchrony. LOVING THE SLEEPER Not everyone is awake, and that’s fine. Sometimes your friends and family members are tossing in their sleep, suffering unnecessarily. Their plight touches you. You feel their misery. You would love to see them wake up, and shed those beliefs, thoughts, and habits that drag them down. You can’t force them to do so, no matter how much you love them. Everyone makes their own choice. What you can do for people who are suffering is shine brightly yourself. If they’re ready, they’ll wake up. If they don’t, trust the universe. We each wake up when the time is right. Their time might come later; it’s not up to you. You can share this book and other resources with them. You can share your story as I have shared mine, and perhaps these examples will inspire them. If and when each of us wakes up is our choice. UNLOCKING YOUR POTENTIAL As you live in synchrony with the universe, enjoying the community of other Bliss Brainers, you find new possibilities opening up. You start to unlock potential that’s been trapped inside the suffering, selfing self. Increasingly, you’re not just in Bliss Brain during meditation. You’re in the Awakened Mind state with your eyes open, going about your day. All kinds of possibilities that were previously unavailable to you now become available.

The work of women’s clothes never more important than at the beginning and the end of their lives when it’s tasked with broadcasting, as loudly as possible: please don’t try to have sex with me.

Because unless you’re discerning, you may unwittingly tune in to what you don’t want. Psychic airwaves are like radio frequencies, broadcasting many levels of information at the same time. Think of the signals from your spirit as the psychic equivalent of a classical music satellite station—that is, a beautiful channel for high, spiritual guidance and healing. In contrast, what I call “psychic riffraff”—or the generic relay of other people’s feelings, moods, fears, thoughts, anxieties, and even nightmares—is the psychic equivalent of low-vibration AM talk radio. In other words, useless noise.