Dolphin Inspiring Quotes

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The earth will never be the same again Rock, water, tree, iron, share this greif As distant stars participate in the pain. A candle snuffed, a falling star or leaf, A dolphin death, O this particular loss A Heaven-mourned; for if no angel cried If this small one was tossed away as dross, The very galaxies would have lied. How shall we sing our love's song now In this strange land where all are born to die? Each tree and leaf and star show how The universe is part of this one cry, Every life is noted and is cherished, and nothing loved is ever lost or perished.
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
It is an important and popular fact that things are not always what they seem. For instance, on the planet Earth, man had always assumed that he was more intelligent than dolphins because he had achieved so much, the wheel, New York, wars and so on - whilst all the dolphins had ever done was muck about in the water having a good time. But conversely, the dolphins had always believed that they were far more intelligent than man for precisely the same reasons…
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
They were black like a lizard's and very large and, like the eyes of a lizard, could sometimes look sleepy.
Scott O'Dell (Island of the Blue Dolphins)
The vast blue ocean is waiting for her, and this is only the beginning of her story.
Gill Lewis (White Dolphin)
Once you come to terms with why you don't eat cats, dogs, monkeys, and dolphins, you will begin to understand why I don't eat cows, pigs, chickens, and lambs.
Edward Sanchez
Sometimes the truth stares us in the face, but we just choose not to look.
Gill Lewis (White Dolphin)
He who cannot swim should neither chase the dolphins nor play with sharks. For him disaster awaits like sunrise.
J. Loren Norris
Of course, the happy shutterbug couldn't have known that his picture of a dildo keel would soon inspire a plot leading to murder and ensnare human beings like dolphins in a gill net. For he was just a San Diego cop who drove a boat, not a true man of the sea. Not one who understands in his soul that the actions of people are like the tides that chase the moon but invariably come crashing back, with all manner of thrashing things roiling in their foamy wake.
Joseph Wambaugh (Floaters: A Novel)
I encountered a glowing green raccoon riding a neon orange motorcycle at my cabin in the woods of northern California around midnight one night in 1985. The raccoon proceeded to metamorphose into a singing dolphin at the stroke of midnight.
Kary Mullis
The orca’s big brain was bigger than he had hoped—five times the size of a human’s and weighing in at nearly fifteen pounds. And this was from a young whale, not a mature adult. The brain was also more complicated than McGeer had imagined—more complicated than a human brain. Dolphin brains were impressive, but this brain was spectacular.
Mark Leiren-Young (The Killer Whale Who Changed the World)
Crossover' is a word scientists use to describe dolphins' soaring over seas, their traveling so free and fast, so high-spirited and almost effervescent that their sleek bodies barely skim the waves. The suggestion of splashes from tail and pectoral leaves a luminous wake across the water. For these crossover miles, the dolphins, like their human terrestrial mammal kin, belong more to the element of air than the sea.... Held in [the dolphins'] fluid embrace, I pulled my arms close against my sides and our communal speed increased... Racing around the lagoon, I opened my eyes again to see nothing but an emerald underwater blur. And then I remembered what I had either forgotten long ago or never quite fully realized. This feeling of being carried along by other animals was familiar. Animals had carried me all my life. I was a crossover--carried along in the generous and instructive slipstream of other species. And I had always navigated my life with them in mind, going between the human and animal worlds--a crossover myself. By including animals in my life I was always engaging with the Other, imagining the animal mind and life. For almost half a century, my bond with animals had shaped my character and revealed the world to me. At every turning point in my life an animal had mirrored or influenced my fate. Mine was not simply a life with other animals, but a life because of animals. It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.
Brenda Peterson (Build Me an Ark: A Life with Animals)
What a joy this book is! I love recipe books, but it’s short-lived; I enjoy the pictures for several minutes, read a few pages, and then my eyes glaze over. They are basically books to be used in the kitchen for one recipe at a time. This book, however, is in a different class altogether and designed to be read in its entirety. It’s in its own sui generis category; it has recipes at the end of most of the twenty-one chapters, but it’s a book to be read from cover to cover, yet it could easily be read chapter by chapter, in any order, as they are all self-contained. Every bite-sized chapter is a flowing narrative from a well-stocked brain encompassing Balinese culture, geography and history, while not losing its main focus: food. As you would expect from a scholar with a PhD in history from Columbia University, the subject matter has been meticulously researched, not from books and articles and other people’s work, but from actually being on the ground and in the markets and in the kitchens of Balinese families, where the Balinese themselves learn their culinary skills, hands on, passed down orally, manually and practically from generation to generation. Vivienne Kruger has lived in Bali long enough to get it right. That’s no mean feat, as the subject has not been fully studied before. Yes, there are so-called Balinese recipe books, most, if I’m not mistaken, written by foreigners, and heavily adapted. The dishes have not, until now, been systematically placed in their proper cultural context, which is extremely important for the Balinese, nor has there been any examination of the numerous varieties of each type of recipe, nor have they been given their true Balinese names. This groundbreaking book is a pleasure to read, not just for its fascinating content, which I learnt a lot from, but for the exuberance, enthusiasm and originality of the language. There’s not a dull sentence in the book. You just can’t wait to read the next phrase. There are eye-opening and jaw-dropping passages for the general reader as Kruger describes delicacies from the village of Tengkudak in Tabanan district — grasshoppers, dragonflies, eels and live baby bees — and explains how they are caught and cooked. She does not shy away from controversial subjects, such as eating dog and turtle. Parts of it are not for the faint-hearted, but other parts make you want to go out and join the participants, such as the Nusa Lembongan fishermen, who sail their outriggers at 5.30 a.m. The author quotes Miguel Covarrubias, the great Mexican observer of the 1930s, who wrote “The Island of Bali.” It has inspired all writers since, including myself and my co-author, Ni Wayan Murni, in our book “Secrets of Bali, Fresh Light on the Morning of the World.” There is, however, no bibliography, which I found strange at first. I can only imagine it’s a reflection of how original the subject matter is; there simply are no other sources. Throughout the book Kruger mentions Balinese and Indonesian words and sometimes discusses their derivations. It’s a Herculean task. I was intrigued to read that “satay” comes from the Tamil word for flesh ( sathai ) and that South Indians brought satay to Southeast Asia before Indonesia developed its own tradition. The book is full of interesting tidbits like this. The book contains 47 recipes in all, 11 of which came from Murni’s own restaurant, Murni’s Warung, in Ubud. Mr Dolphin of Warung Dolphin in Lovina also contributed a number of recipes. Kruger adds an introduction to each recipe, with a detailed and usually very personal commentary. I think my favorite, though, is from a village priest (pemangku), I Made Arnila of the Ganesha (Siwa) Temple in Lovina. water. I am sure most will enjoy this book enormously; I certainly did.” Review published in The Jakarta Globe, April 17, 2014. Jonathan Copeland is an author and photographer based in Bali. thejakartaglobe/features/spiritual-journey-culinary-world-bali
Vivienne Kruger
When you believe, beautiful things will happen if you have the faith of a bird seed, or believe in parrots who talk!
Jamie Skeie (Orion the Star: The Pink Dolphin)
Whatever the mechanism, this influence by future emotional rewards would be the basis of the intuitive guidance system that takes over whenever we follow our gut or whenever we act skillfully and instinctively in any domain. A premonition or hunch or creative inspiration that pays off in a confirmatory action is part of a reward loop, entraining the attentional faculty on those meaningful experiences coming down the pike. Engaged flow states may not only open the door to precognition by focusing the senses and busying the critical, conscious mind with other matters, they may also condition the precognitive apparatus, providing constant payoffs that propel us forward to the next reward in an ongoing chain—like feeding sardines to the dolphin of intuition.45 In this model, a presponsive behavior needs to be seen as one half of a two-part system, the other half being our everyday actions and experiences unfolding in linear time that serve to confirm it and thus give it meaning—for instance, Norman Mailer’s encounter with the New York Times headline about the spy downstairs. The crucial role played by confirmation is part of what makes the whole topic suspect for skeptics and even for many parapsychologists open to other forms of ESP. Since hindsight is biased by a kind of selection, it is difficult or impossible in many cases to prove that ostensible precognition is not either memory error or “just coincidence.” The difficulties go even deeper, in fact. As we will see later, a retrospective tunnel vision on events, especially after surviving some trauma—ranging from the most extreme, death and disaster, to minor chaotic upheavals like reading about a plane crash or a close brush with international espionage in the newspaper—seems to be precisely what people precognize or pre-sense in their future. We precognize our highly biased hindsight, taking us deep into a kind of recursive or fractal, M. C. Escher territory. This fractal quality, coupled with our ignorance of precognitive or presentimental processes working in our lives, creates the causal circularity or time loops I have mentioned. Such loops may be a universal feature of a world that includes precognitive creatures who are unaware of their precognition.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
is also a book about animals as animals. Some scientists study the senses of other animals to better understand ourselves, using exceptional creatures like electric fish, bats, and owls as “model organisms” for exploring how our own sensory systems work. Others reverse-engineer animal senses to create new technologies: Lobster eyes have inspired space telescopes, the ears of a parasitic fly have influenced hearing aids, and military sonar has been honed by work on dolphin sonar. These are both reasonable motivations. I’m not interested in either. Animals are not just stand-ins for humans or fodder for brainstorming sessions. They have worth in themselves. We’ll explore their senses to better understand their lives. “They move finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear,” wrote the American naturalist Henry Beston. “They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
In fact, a dolphin's whistles, pulses, and clicks, made by air sacs just below its blowhole, are among the loudest noised made by marine animals. A scientist at Penn State's Center for Information and Communications Technology Research has been analyzing these underwater messages not for meaning but for hints on how to make our wireless signals more effective. As the Ask Nature database describes, Dr. Mohsen Kavehrad uses "multirate, ultrashort laser pulses, or wavelets, that mimic dolphin chirps, to make optical wireless signals that can better penetrate fog, clouds, and other adverse weather conditions." The multiburst quality of dolphin sounds "increases the chances that a signal will get past obstacles" in the surrounding water. In the same way, Dr. Kavehrad's simulated dolphin chirps increase the odds of getting around such tiny obstacles as droplets of fog or rain. This strategy could expand the capability of optical bandwidth to carry even greater amounts of information. Such an application technology could optimize communication between aircraft and military vehicles, hospital wards, school campus buildings, emergency response teams, and citywide networks.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
Oh, the inimical echo of this world of men and women alone! Where be the feet of goats? The wings of butterflies? The buzz of bees? The raging fire of bulls? The dolphin’s foamy music and the whale’s divided temperance? The arachnid’s stalking! Nay; they are all but shadows of wisps, but reflections inside the memories of trees!
Ilias I. Sellountos (The Tragedy of Allyra, Princess of Selena)
Deers, dolphins, and cryptic Silvermist carves a delicate blanket as they kissed
Hornbill Harcel (Woebegone Wynds)
Watching him reminded me of a principle of engineering: Sending out a sharp impulse—like a dolphin uses echolocation to determine the location of a school of fish—can teach you crucial things about your environment. Steve used aggressive interplay as a kind of biological sonar. It was how he sized up the world.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
THROAT CHAKRA—VISHUDDHA How do you know the truth? Truth is the operative word in this section, whereas voice is its secondary focus. Most people are focusing on voice and expression at the Throat Chakra — that is, the capacity to express ideas and thoughts. What matters most is not how you talk at the Throat Chakra, but what you convey. The "what" is your truth, your most insightful wisdom; the "how" is your medium to express your truth. Both the "what" and "how" of truth are sitting here at the Throat Chakra, at the center of your physical throat (or the apple of your Adam). What do you mean by "truth?" Many claim the reality is a personal quest to discover the values and beliefs that drive choices and decisions about your life. Others suggest that a collective truth exists, a unified wisdom to which all can aspire and seek integration. Let the intersection of these two approaches inspire you to explore individual and collective truths to understand how to integrate what you see, learn and experience into your life. Throat Chakra Gemstones The gems of this chakra are believed to be the gems of Lemuria, an ancient civilization aligned with the realm of the dolphin, which reflect knowledge that had been preserved and held in crystals before the destruction of that community. One of the main Lemurian gemstones, AQUA Atmosphere QUARTZ is a powerful purifier of the atmosphere and also encourages power, tenacity and stability. •       AMAZONITE is the primary stone of reality, and it enhances confidence for public speakers, allowing them to express with ease even the most difficult words and themes. •       ANGELITE (in crystalline form, known as CELESTITE) invokes the angelic forces to evoke in your spaces the presence of angels, like archangels. Take this jewel with you or sleep by it to feel more connected to your own personal angels and guides. •       Since centuries TURQUOISE has been valued by indigenous Americans who find it a powerful purifier and healer, as well as a tool that strengthens and defends warriors in combat. It was revered as a source of good fortune in antiquity Persia. Connect to your gemstones in the Throat Chakra in moments of anxiety or frustration. Here's how to do this: Lie down in a comfortable position and keep in your right hand, the receiving one, one or three of your beloved light blue Throat Chakra crystals, through which energy reaches your body. (Some people feel their left hand is their Receiving Hand; go with what they feel right for you.) Set the intention to receive the gifts of the Throat Chakra, peace, wisdom and truth. Then move the stones to your hand, or Projecting Side, so you can take the energy out into the universe as a gift for everyone. Imagine a bright blue ray of truth and light beaming out into the world for everyone to see, receive and enjoy.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Against All Odds --- Nobody taught me how to swim. So, I swam and followed the rivers, hoping that I'd end up in the ocean; the calm seas. To see some dolphins and the colourful fish. But the river that chose me was long with hard turns, blockages, and fishing traps. On some days, the river would run dry, leaving me nowhere but in the middle of hard cracks. While suffering underneath the hot sun, the rains would hit again on my sore flesh. Luckily by then, I'd still be breathing; even though affected, harmed, and bleeding. But, I had a dream that was heavier than my challenges. So I continued with my journey, following the stream of the river. Hoping to reach the ocean; the calm seas. Some days the current would be brutal, even though I was flowing with it. It would hit on my body, my bones would crack. Sometimes the river would eject me to the side. Where I'd need to survive while I found my way back to it. I'd have to fend off snakes, defending myself from harm and malice. Back in the river, I'd have to fend off scorpions, rocks, and the debris. So, there I went, alone in the river I flowed. At times I'd meet with swimmers who'd be cooling off from the same waters. Some were kayaking; others fishing. All oblivious to my dreams, and to my state of struggle. Some would greet me; smiling at me. While some laughed the hardest, laughing at me. Some would express pity, while some expressed their sympathy. Some would pretend that I wasn't even there. And those who ignored me equalled my presence to that of the debris. I remember that a few picked me up and placed me in their small boats; helping me to cruise afloat. But, eventually, they left me in my struggle too. Those who carried me, left me in the rivers where they'd found me. Those who passed me by, passed-by me again on the following days. Some shouted the loudest from their lungs encouraging me from the sides. Telling me that I was almost reaching the seas. That the ocean was at a hand's reach. But those who shouted the most rarely did anything else to help. I also learnt that those who picked me up rarely shouted about their help. Some used my vulnerability to gain charity points. They'd say, "see I helped her, now clap for me from your joints". But, above all the help, true or fake, my dream was carrying me for my sake. With my dream to reach the ocean, the calm seas, I held my head the highest and swam beyond all the peaks.
Mitta Xinindlu
The Third Count: Dolphins don't like humans that much and never have. In fact, people who have been in the water with wild dolphins have been bumped, rammed, bitten, and, in one case, even killed by dolphins. The permanent smile on the faces of some species of dolphin is purely anatomical, no more indicative of the animal's state of mind than are the tusks on an elephant. You moron.
Tim Cahill (Hold the Enlightenment)