Dog Pile Quotes

Don't focus on the one guy who hates you. You don't go to the park and set your picnic down next to the only pile of dog shit.

Someone could cut through the mess in our house and look at it like one might look at rings on a tree or layers of sediment. They'd find the black-and-white hairs of a dog we had when I was six, the acid-washed jeans my mother once wore, the seven blood-soaked pillowcases from the time I skinned my knee. All our family secrets rest in endless piles.

The store was filled with hollow-eyed people standing in line: at the sandwich counter, at the soda fountain, at the register. All of them waiting, waiting, their hands full of candy, chips, cups of coffee, money. It was like purgatory, with snacks. Not just the customers; the employees, too. They worked the registers, squirted ketchup on hot dogs, piled limp lettuce onto flaccid lunch meat and waited for it to be over, waited until they could go home.

In that latitude the temperature flirted with a hundred degrees for a few of the dog days, but to a child it can hardly ever be too hot. I liked the sun licking the backs of my legs, and the sweat between my shoulder blades, and the violet evenings, with ice cream and fireflies, wherein the long day slowly cooled. I liked the ants piling up dirt like coffee grounds between the bricks of our front walk, and the milkweed spittle in the vacant lot next door. I liked the freedom of shorts, sneakers, and striped T-shirt, with freckles and a short hot-weather haircut. We love easily in summer, perhaps, because we love our summer selves.

I made you something to eat if you’re hungry.” Leigh peered at the steaming pile on the plate on the tray, then asked uncertainly. “What is it?” “Prime cuts in gravy.” “Prime cuts in gravy?” she echoed slowly. “Did you cook it?” "I opened the can and heated it up in the microwave for one minute. Someone named Alpo cooked it.” Leigh stiffened, her head shooting up, eyes wide with disbelief. “Alpo?” He shrugged. “That’s what the can said.” Leigh shook her head with bewilderment. “You can use a microwave, but not a phone, and don’t know that Alpo isn’t the chef, but the brand name for dog food?” There was something seriously wrong here.

The whole island was exactly what a kid growing up in some trailer park--say some dump like Tecumseh Lake, Georgia--would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time--late at night--when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw.

If you can't do what you long to do, go do something else. Go walk the dog, go pick up every bit of trash on the street outside your home, go walk the dog again, go bake a peach cobbler, go paint some pebbles with brightly colored nail polish and put them in a pile. You might think it's procrastiantion, but - with the right intention - it isn't; it's motion. And any motion whatsoever beats inertia, because inspiration will always be drawn to motion.

SECRET #47 When life gives you a pile of poop, you’re gonna get dirty—so you may as well roll with it.

Real friends will help you when you fall. Best friends will jump on top of you shouting "DOG PILE!

She tried to hurt Fitz!" He turned to Gabriel and Dick. "That'll get her mad. " Gabriel rolled his eyes. "She's been framed for murder twice over, shot in the back, her arms were set on fire, and her parents are being held hostage. You think tampered dog water is what's going to make her angry?" "You tried to hurt my dog!" I wheezed as I lurched toward a grinning Missy. "Oh, big deal, " Missy huffed. "It's the ugliest dog I've ever seen. " "You tried to hurt my dog, " I said again. "I would have been doing you a favor. " Missy sneered. "Nobody. Screws. With. My. Dog. " I growled, punctuating each word with a punch to Missy's face. I gave an upper cut to the chin that sent her flying back into a pile on the ground. Zeb grinned at Dick and Gabriel. "Told you.

At 30-below, mushers will begin to put fleece jackets on their more sensitive dogs. Males are affixed with pile jockstraps, "peter heaters," to guard against frostbite.

Nothing means anything without you,” she said. “Everything that isn’t you is a pile of dog shit.

The flakes stuck in my eyelashes. They fell on my sleeves. Huge. Flowers and stars. They fell onto each other, held their shapes, became small piles of perfect asterisks and blooms tumbled together in their discrete geometries like children’s blocks.

راتیں جاگیں کریں عبادت راتیں جاگن کُتے تیتھوں اُتّے Staying awake and praying at night The dogs are also awake, superior to you بھونکنوں بند مول نہ ہوندے جا رڑی تے سُتّے تیتھوں اُتّے They never stop barking And go and sleep on a pile of rubbish, superior to you کھسم اپنے دا در نہ چھڈّدے بھاویں و جّن جُتّے تیتھوں اُتّے They never leave their master’s door Even when beaten with shoes, superior to you بلھے شاہ کوئ رَخت وِہاج لَے نہیں تَے بازی لے گئےکُتے تیتھوں اُتّے Bulleh Shah! You had better achieve something! Or the dogs will win this contest, superior to you

During those times, only under piles of blankets did she feel substantial enough not to drift away; they kept her weighted down and a part of the world. But eventually her dog's persistence and her own strong will would win over, and she'd drag herself up from the thick bog and go back to her chores and her books, carving the missing days into the wall so they did not escape entirely.

I opened the door and saw a huge slimy pile of dog puke cooling in the middle of my hallway carpet. The attack poodle sat nearby, an expression of perfect innocence on his narrow mug. I pointed at the puke. “That was a dick move.” The attack poodle wagged his tail.

So I shredded their cash, put it in a box with a fresh pile of the dog's shit, and mailed it back to them. Mature? No. Immensely satisfying? Hell fuckin' yes.

My vantage point must have been somewhere between our little house and the steamer jetty. The sea was exceptionally calm. Lit up by a sun that you could have taken down and put in your knapsack. Everything: Mooring rings on the harbor wall, piles of timber, the arches of the houses, caiques, windows – all of them were faithful, in the way we describe a dog being faithful.

Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.

I'm going to tell you something that no magazine or novel or television show will ever let on. Love wears you down. We think of it as hearts and flowers and happily ever after but in real life, the things you have to do in the name of love kill you... You end up doing a thousand things in a day in the name of love that you wouldn't ask a dog to do. Sex is the most powerful weapon in your arsenal innocence is attractive in children, but it makes brittle, disappointed adults. Someone liking you is just the beginning; it always starts nicely but before you know it it's like Persephone being dragged into the Underworld. Romantic love is an illusion Hughie,. It can be manupulated, twisted, piled up like a bunch of fun-house mirrors. The very nature of it is deceptive. It promises closeness but the only thing is ever really reveals is the dreams and fears of the person with the obsessions. That's why it's so easy to control

Neither of us ever threw anything away. We made a lot of mix tapes while we were together. Tapes for making out, tapes for dancing, tapes for falling asleep. Tapes for doing the dishes, for walking the dog. I kept them all. I have them piled up on my bookshelves, spilling out of my kitchen cabinets, scattered all over the bedroom floor. I don’t even have pots or pans in my kitchen, just that old boom-box on the counter, next to the sink. So many tapes.

The city was a real city, shifty and sexual. I was lightly jostled by small herds of flushed young sailors looking for action on Forty-Second Street, with it rows of x-rated movie houses, brassy women, glittering souvenir shops, and hot-dog vendors. I wandered through Kino parlors and peered through the windows of the magnificent sprawling Grant’s Raw Bar filled with men in black coats scooping up piles of fresh oysters. The skyscrapers were beautiful. They did not seem like mere corporate shells. They were monuments to the arrogant yet philanthropic spirit of America. The character of each quadrant was invigorating and one felt the flux of its history. The old world and the emerging one served up in the brick and mortar of the artisan and the architects. I walked for hours from park to park. In Washington Square, one could still feel the characters of Henry James and the presence of the author himself … This open atmosphere was something I had not experienced, simple freedom that did not seem oppressive to anyone.

dishes piled in the sink, books littering the coffee table— are harder than others. Today, my head is packed with cockroaches, dizziness, and everywhere it hurts. Venom in the jaw, behind the eyes, between the blades. Still, the dog is snoring on my right, the cat, on my left. Outside, all those redbuds are just getting good. I tell a friend, The body is so body. And she nods. I used to like the darkest stories, the bleak snippets someone would toss out about just how bad it could get. My stepfather told me a story about when he lived on the streets as a kid, how hed, some nights, sleep under the grill at a fast food restaurant until both he and his buddy got fired. I used to like that story for some reason, something in me that believed in overcoming. But right now all I want is a story about human kindness, the way once, when I couldn’t stop crying because I was fifteen and heartbroken, he came in and made me eat a small pizza he’d cut up into tiny bites until the tears stopped. Maybe I was just hungry, I said. And he nodded, holding out the last piece.

--How I Was Visited By Messengers-- Something clicked in the clock on the wall, and I was visited by messengers. at first, I did not realize that I was visited by messengers. instead, I thought that something was wrong with the clock. but then I saw that the clock worked just fine, and probably told the correct time. then I noticed that there was a draft in the room. and then it shocked me: what kind of thing could, at the same time, cause a clock to click and a draft to start in the room? I sat down on a chair next to the divan and looked at the clock, thinking about that. the big hand was on the number nine, and the little one on the four, therefore, it was a quarter till four. there was a calendar on the wall below the clock, and its leafs were flipping, as if there was a strong wind in my room. my heart was beating very fast and I was so scared it almost made me collapse. "i should have some water," I said. on the table next to me was a pitcher with water. I reached out and took the pitcher. "water should help," I said and looked at the water. it was then that I realized that I had been visited by messengers, and that I could not tell them apart from the water. I was scared to drink the water, because I could, by accident, drink a messenger. what does that mean? nothing. one can only drink liquids. could the messengers be liquid? no. then, I can drink the water, there is nothing to be afraid of. but I couldn't find the water. I walked around the room and looked for the water. I tried putting a belt in my mouth, but it was not the water. I put the calendar in my mouth -- that also was not the water. I gave up looking for the water and started to look for the messengers. but how could I find them? what do they look like? I remembered that I could not distinguish them from the water, therefore, they must look like water. but what does water look like? I was standing and thinking. I do not know for how long I stood and thought, but suddenly I came to. "there is the water," I thought. but that wasn't the water and instead I got an itch in my ear. I looked under the cupboard and under the bed, hoping that there I might find the water or the messengers. but under the cupboard, in a pile of dust, I found a little ball, half eaten by a dog, and under the bed I found some pieces of glass. under the chair I found a half-eaten steak, I ate it and it made me feel better. it wasn't drafty anymore, the clock was ticking steadily, telling the time: a quarter till four. "well, this means the messengers are gone," I said quietly and started to get dressed, since I had a visit to make. -August 22, 1937

(Ulrich, 100 year old Bulgarian man): in Solo, by Rana Dasgupta "Ulrich has sometimes wondered whether his life has been a failure. Once he would have looked at all this and said yes. But now he does not know what it means for a life to succeed or fail. How can a dog fail its life, or a tree? A life is just a quantity; and he can no more see failure in it than he can see failure in a pile of earth, or a bucket of water. Failure and success are foreign terms to such blind matter." (p. 160)

A figure barred their way. It hadn’t been there a moment ago but it looked permanent now. It seemed to have been made of snow, three balls of snow piled on one another. It had black dots for eyes. A semi-circle of more dots formed the semblance of a mouth. There was a carrot for the nose. And, for the arms, two twigs. At this distance, anyway. One of them was holding a curved stick. A raven wearing a damp piece of red paper landed on one arm. ‘Bob bob bob?’ it suggested. ‘Merry Solstice? Tweetie tweet? What are you waiting for? Hogswatch?’ The dogs backed away. The snow broke off the snowman in chunks, revealing a gaunt figure in a flapping black robe. Death spat out the carrot. HO. HO. HO.

Nothing means anything without you... Everything that isn't you is a pile of dog shit.

I thought of Sammy Glick rocking in his cradle of hate, malnutrition, prejudice, suspicions, amorality, the anarchy of the poor; I thought of him as a mangy puppy in a dog-eat-dog world. I was modulating my hate for Sammy Glick from the personal to the societal. I no longer even hated Rivington Street but the idea of Rivington Street, all Rivington Streets of all nationalities allowed to pile up in cities like gigantic dung heaps smelling up the world, ambitions growing out of filth and crawling away like worms. I saw Sammy Glick on a battlefield where every soldier was his own cause, his own army and his own flag, and I realized that I had singled him out not because he had been born into the world anymore selfish, ruthless and cruel than anybody else, even though he had become all three, but because in the midst of a war that was selfish, ruthless and cruel Sammy was proving himself the fittest and the fiercest and the fastest.

I hate the concept of luck, especially when people try to apply it to me. Yes, it’s true: Hundreds of thousands of businesses fail. Mine succeded. Was that all just because I ”got lucky”? I don’t really think so. What I hate about luck is that it implies being devois of responsibility. It implies that you can do nothing and the step into success as easily as stepping into a pile of dog poop on the sidewalk. It implies that success is something given to a knighted and often undeserving few. Luck tells us that we don’t control our own fate, and that our path to succes of failure is written by someone, or something, entirely outside overselves. Luck let us believe that whatever happens, whether good or bad, it’s not to our credit or our fault. That is why I don’t buy luck. But I do buy magic.

The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.

Found in trees. Sometimes also in old silent movie theaters, seaside zoos, magic shops, hat shops, time-travel shops, topiary gardents, cowboy boots, castle turrets, comet museums, dog pounds, mermaid ponds, dragon lairs, library stacks (the ones in the back), piles of leaves, piles of pancakes, the belly of a fiddle, the bell of a flower, or in the company of wild herds of typewriters. But mostly in trees.

She ran to catch up but he set a pace he hoped would keep her from talking. Past the sodas, he picked up a squeaky toy from a pile and squeaked it, grinning at Troy. Troy wouldn’t dare bite him in the store. He hoped. Ella pointed to a bag of dog food. “Do you need any of this?” Trevor laughed. “Hell no, they eat steak. The last time I brought some of that home as a joke Troy went in my closet and shit in all my shoes. Never again.

Tell me, Blaise, are we very far from Montmartre?' Worries Forget your worries All the stations full of cracks tilted along the way The telegraph wires they hang from The grimacing poles that gesticulate and strangle them The world stretches lengthens and folds in like an accordion tormented by a sadistic hand In the cracks of the sky the locomotives in anger Flee And in the holes, The whirling wheels the mouths the voices And the dogs of misfortune that bark at our heels The demons are unleashed Iron rails Everything is off-key The broun-roun-roun of the wheels Shocks Bounces We are a storm under a deaf man's skull... 'Tell me, Blaise, are we very far from Montmartre?' Hell yes, you're getting on my nerves you know very well we're far away Overheated madness bellows in the locomotive Plague, cholera rise up like burning embers on our way We disappear in the war sucked into a tunnel Hunger, the whore, clings to the stampeding clouds And drops battle dung in piles of stinking corpses Do like her, do your job 'Tell me, Blaise, are we very far from Montmartre?

If you, the reader, really, REALLY, want to know what was going on in Little Turtle, go feed your dog or your neighbor’s dog some chili, slathered in hot sauce and maybe throw in some chocolate cake. Okay wait for it, WAIT. Now about a half hour later, your dog’s innards are pretty much going to rupture, so make sure he’s outside. Now while this steaming pile of shit is still warm and fetid, place it in a plastic shopping bag—DON’T TIE IT UP! Now place the carrying handles one on each ear and inhale deeply. You must walk around with this bag draped across your face continually. Is this starting to punch through? Now, every time the dog crap begins to harden up and lose some of its edge, go grab yourself another refreshing pile of fresh dog offal. While you are breathing deeply of this savory concoction, try to eat some enchiladas or maybe some lasagna. Oh hell, just try to sleep with that thing affixed to your face.

Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.

Around the cabin, you can smell woodsmoke on the breeze. The people burn their brush piles a day or two after the first chilly rain, build their first fires in the fireplace. As much as the red and gold leaves on the mountainside, it is how you know the holidays are coming near.

The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.

Let me phrase it like this—do you want to live in the kitchen for the next four days, sweating your ass off while you make a meal it will take twenty minutes to eat? Do you want to attack a pile of dishes for three hours afterward? Do you want to spend a week eating old turkey and cranberry sauce because

Once unpacked, I saw my family downstairs. Each step released something spidery inside me: the sick-making terror of need. Needing the accumulative, impervious love of being forced to eat all your broccoli even when it is making you retch and gag to put it in your mouth. The love of the TV being turned off past eleven. The love of being asked to say hello to the dog over the telephone. I’d always seen my mum and aunt from knee height, never quite managed to meet them as equals. It occurred to me how ludicrous it was that families slept in separate bedrooms, not piled on top of one another like lazily sunbathing lions.

What are you making? Or, more aptly, what aren’t you making?” Upon closer inspection, the pile of wood resembles a triangle. A crooked, timid triangle. “It’s a ramp for Loki.” I glance at the dog, who appears to be dead. “A ramp to… heaven?” I suggest. “To my bed, which is kind of the same thing.” Leo winks. “Or so they tell me.

Denny for some reason sat on the floor with both dogs, Baby, and Grydon all piled up around her. No one else seemed to find that odd, although seeing Baby sprawled across the woman’s lap with his feet in the air and his tail twitching in happiness was an odd sight to Sevana. Since when was her mountain lion so...so…well, whatever.

Where the weather is concerned, the Midwest has the worst of both worlds. In the winter the wind is razor sharp. It skims down from the Arctic and slices through you. It howls and swirls and buffets the house. It brings piles of snow and bonecracking cold. From November to March you walk leaning forward at a twenty-degree angle, even indoors, and spend your life waiting for your car to warm up, or digging it out of drifts or scraping futilely at ice that seems to have been applied to the windows with superglue. And then one day spring comes. The snow melts, you stride about in shirtsleeves, you incline your face to the sun. And then, just like that, spring is over and it’s summer. It is as if God has pulled a lever in the great celestial powerhouse. Now the weather rolls in from the opposite direction, from the tropics far to the south, and it hits you like a wall of heat. For six months, the heat pours over you. You sweat oil. Your pores gape. The grass goes brown. Dogs look as if they could die. When you walk downtown you can feel the heat of the pavement rising through the soles of your shoes. Just when you think you might very well go crazy, fall comes and for two or three weeks the air is mild and nature is friendly. And then it’s winter and the cycle starts again. And you think, “As soon as I’m big enough, I’m going to move far, far away from here.

In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.

Sort of Coping" Why is anyone in the world so terrible. Real catastrophe and catastrophizing. If we only knew when it was going to happen. I saw you put your hands on the floor. Intimacy without disturbances. The scope here of memorization, planets. The history of children sitting still. You are so cute in all your facebook photos. When you moved to Portland I forgot we used to call you Tumbleweed Tex. All those barking dogs, feathered hair. We have something in common I never mention. I wish I’d written it down and folded it into one of your piles saying I want to read every one of these books! Do you think you’ll have read them all before the end of time. Did you go in to see her when she was dead. Maybe you already knew.

Jonn Deire picked up eight yellowed and dog-eared cards from the pile, grumbling ‘garrn’ under his breath, while chewing on a frazzled looking toothpick. Skooch threw down a five of reds and said nothing. There was an impatient pause as the players waited for Beck to remember he had to play for Peeping William, who was still grumbling softly and rolling his eyes at intervals.

As they picked their way around the house through knee-high weeds dense with booby traps of unseen bottles, tin cans, rusted bed springs, broken emery stones, rotting harness, dead cats, dog offal, puddles of stinking garbage, and swarms of bottle flies, house flies, gnats, mosquitoes, the first cop said in extreme disgust, “I don’t see how people can live in such filth.” But he hadn’t seen anything yet. When they arrived at the back they found a section of the wall had fallen from the second floor, leaving a room exposed to the weather, and the rubble piled on the ground formed the only access to the open back door. Carefully they climbed up the pile of broken bricks and plaster, their footsteps raising a thick gray dust, and entered the kitchen unimpeded.

He turned to his husband, his mouth falling open, as if he’d just remembered something important. “Where’s our baby?” Ronan’s face broke into a slow smirk. “Dixie’s watching her. You know how much that dog loves our daughter. I left her with the remote control and a pile of dog treats.” Ten’s eyes popped open. He blinked a few times, his mouth opening and closing but no sound came out. “Your mother is with her, Nostradamus!

They just want to pile up and hoard money, and to get it they work almost without eating. Once a coin strays into their clutches, no matter how small, they condemn it to life imprisonment and eternal darkness. In this way, always acquiring and never spending, they’re amassing Spain’s biggest fortune. They are its strongbox, its vault, its guardians and custodians. They gather everything, hide everything, and swallow everything.

laws are enacted aimed squarely at removing this threat to Republicrat hegemony by making it virtually impossible for any third party to get on the ballot. If you like the choices you’re offered every November, then by all means, continue to support your favorite Republicrat. If, however, this farce seems increasingly like the ‘choice’ of whether to step into a steaming heap of pig dung or a stinking pile of dog feces, then read on.

THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.

Hey, she was his fantasy girl. She was supposed to act in an appropriate fantasy-like manner. She wasn’t supposed to look at him as though he was all her nightmares rolled up into one big pile of dog crap that she couldn’t wait to scrape off her sensible shoes. And that was only after she’d finally recognized him—which had taken far longer than it should have done considering they’d had hot, mind-blowing sex every night for a year...In his dreams.

There were rat footprints in the dried lard in the frying pan. Sometimes the rats woke me, but this time I had slept through their visit. They were now a fact of life, like dogs or pigeons. It was Raeberry Street, Maryhill, Glasgow in 1975. The cleansing department was on strike, and mountains of plastic bags full of garbage were piled in the back courts of the crumbling tenements. The flats didn’t have bathrooms or hot water, just closet-sized toilets.

Parker? Did you shit your pants?” She groaned, shaking her head, eyes closed. “No, I didn’t shit my pants. Rags did.” Gus barked out a laugh. “Pray tell, how does a dog shit your pants?” Whipping around, she folded her arms over her chest. “Ha ha. He didn’t shit my pants. I sat in a pile of his poop.” “How did you not see—” “Just …” She held a flat hand up to him. “Shhh. Good night, Mr. Westman.” “For the record, Parker, I don’t find you all that ‘incredibly hot’ at the moment.

What would have happened? Lol does not probe very deeply into the unknown into which this moment opens. She has no memory, not even an imaginary one, she has not the faintest notion of this unknown. But what she does believe is that she must enter it, that that was what she has to do, that it would always have meant, for her mind as well as her body, both their greatest pain and their greatest joy, so commingled as to be undefinable, a single entity but unnamable for lack of a word. I like to believe--since I love her--that if Lol is silent in daily life, it is because, for a split second, she believed that this word might exist. Since it does not, she remains silent. It would have been an absence-word, a hole-word, whose center would have been hollowed out into a hole, the kind of hole in which all other words would have been buried. It would have been impossible to utter, it would have been made to reverberate. Enormous, endless, an empty gong, it would have held back anyone who wanted to leave, it would have convinced them of the impossible, it would have made them deaf to any other word save that one, in one fell swoop it would have defined the moment and the future themselves. By its absence this word ruins all the others, it contaminates them, it is also the dead dog on the beach at high noon, this hole of flesh. How were other words found? Hand-me-downs from God knows how many love affairs like Lol Stein's, affairs nipped in the bud, trampled upon, and from massacres, oh! you've no idea how many their are, how many blood-stained failures are strewn along the horizon, piled up there, and, among them, this word, which does not exist, is nonetheless there: it awaits you just around the corner of language, it defies you--never having been used--to raise it, to make it arise from its kingdom, which is pierced on every side and through which flows the sea, the sand, the eternity of the ball in the cinema of Lol Stein.

At the end of the week, when we sat down to dinner, all eyes went to the trays on the table, where browned-to-perfection mini corn dogs cuddled up against a variety of dipping sauces. “This is the best thing that’s ever happened to me.” A lineman wiped a tear from his eye. “It’s like Christmas,” I said, all choked up. “I love you, Coach.” The quarterback’s bottom lip quivered. We dove into the pile of savory sausages, watched NFL football, and forgot our aches, pains, and camp struggles.

The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.

and lay on the deep pile of dung, from the mules and oxen, which lay abundant before the gates, so that the servants of Odysseus could take it to his great estate, for manuring. 300 There the dog Argos lay in the dung, all covered with dog ticks. Now, as he perceived that Odysseus had come close to him, he wagged his tail, and laid both his ears back; only he now no longer had the strength to move any closer to his master, who, watching him from a distance, without Eumaios 305 noticing, secretly wiped a tear away,

I was disappearing. It was as if I stripped myself away in that darkened bedroom on a spring afternoon, and when I was finished there would be a pile of clothes neatly folded and I would be another number for the cable news shows. I could almost hear it. "Another casualty today," they'd say, "vanished into thin air after arriving home." Fine. I leaned down and finished unlacing the boot and strung the dog tag back around my neck and let it lie against the other. Left boot and left sock off. Pants off. Underwear off. I was gone.

Could be just the local boys holding a moonlight circle-jerk up on the hill or sitting around on the tombstones smoking grass. Mostly he'd run into them over in Cumberland, on the checkout line at the supermarket, each with two or three little kids and a little underage wife - who already looks as though life has passed her by - with poor coloring and a pregnant belly pushing a cart piled with popcorn, cheese bugles, sausage rolls, dog food, potato chips, baby wipes, and twelve-inch-round pepperoni pizzas stacked up like money in a dream.

Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.

Fourth avenue was a red dog road. Red dog is burned out trash coal. If the coal had too much slate, it was piled in a slag heap and burned. The coal burned up, but the slate didn't The heat turned it every shade of red and orange and lavender you could imagine. When the red on our road got buried under rutted dirt or mud, dump trucks would pour new loads of the sharp-edged rock. My best friend Sissy and I followed along after the truck, looking for fossils. We found ferns and shells and snails, and once I found a perfect imprint of a four-leaf clover.

She got home, piled the bags on the counter, checked the message light (nothing), the dishwasher (needed emptying), the trash bags (needed changing), let the dogs out (needed to pee), and then started unloading. As usual, she had bought several of something she already had several of, and forgotten to buy several things she had none of. You would think after four-plus decades on the planet she’d be able to remember the difference between a kitchen roll and a toilet roll, but she invariably had none of one and enough of the other for a nuclear winter. She also tended to either have four tons of pasta or half a packet of elbows, three tins of anchovies or artichoke hearts or capers—none of which she used very much—and no tuna at all, which she used once or twice a week. She would run out of coffee filters one painful morning then keep buying them every time she went to the store, until eventually she had four large boxes and finally understood that she Had Enough. Then she’d assume she had enough of them forever, would stop buying them completely, and would eventually run out again at the worst possible moment. Why was this so hard?

That something I cannot yet define completely but the feeling comes when you write well and truly of something and know impersonally you have written in that way and those who are paid to read it and report on it do not like the subject so they say it is all a fake, yet you know its value absolutely; or when you do something which people do not consider a serious occupation and yet you know, truly, that it is as important and has always been as important as all th things that are in fashion, and when, on the sea, you are alone with it and know that this Gulf Stream you are living with, knowing, learning about, and loving, has moved, as it moves, since before man and that it has gone by the shoreline of that long, beautiful, unhappy island since before Columbus sighted it and that the things you find out about it, and those that have always lived in it are permanent and of value because that stream will flow, as it has flowed, after the Indians, after the Spaniards, after the British, after the Americans and after all the Cubans and all the systems of governments, the richness, the poverty, the martyrdom, the sacrifice and the venality and the cruelty are all gone as the high-piled scow of garbage, bright-colored, white-flecked, ill-smelling, now tilted on its side, spills off its load into the blue water, turning it a pale green to a depth of four or five fathoms as the load spreads across the surface, the sinkable part going down and the flotsam of palm fronds, corks, bottles, and used electric light globes, seasoned with an occasional condom or a deep floating corset, the torn leaves of a student's exercise book, a well-inflated dog, the occasional rat, the no-longer-distinguished cat; well shepherded by the boats of the garbage pickers who pluck their prizes with long poles, as interested, as intelligent, and as accurate as historians; they have the viewpoint; the stream, with no visible flow, takes five loads of this a day when things are going well in La Habana and in ten miles along the coast it is as clear and blue and unimpressed as it was ever before the tug hauled out the scow; and the palm fronds of our victories, the worn light bulbs of our discoveries and the empty condoms of our great loves float with no significance against one single, lasting thing - the stream.

Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real person—only nicer than any other person in the world. She was so happy that she scarcely dared to breathe. The flower-bed was not quite bare. It was bare of flowers because the perennial plants had been cut down for their winter rest, but there were tall shrubs and low ones which grew together at the back of the bed, and as the robin hopped about under them she saw him hop over a small pile of freshly turned up earth. He stopped on it to look for a worm. The earth had been turned up because a dog had been trying to dig up a mole and he had scratched quite a deep hole. Mary looked at it, not really knowing why the hole was there, and as she looked she saw something almost buried in the newly-turned soil. It was something like a ring of rusty iron or brass and when the robin flew up into a tree nearby she put out her hand and picked the ring up. It was more than a ring, however; it was an old key which looked as if it had been buried a long time.

While this dump was reviled by humans, to Shadow it was a magical place of the most succulent fragrances . . . of rotting meat and fermenting apples. He braved the ravaging moths and the mad hornets to romp among the piles of garbage, intoxicated by the smells of life on earth—of brine in the pick-ling vat, coffee grounds, blackened toast, the flat, moist plug of apple tobacco, decaying books, broken hens’ eggs, sawdust shavings, and the whiff of the cold metal in the mattress springs. His nose trembled in the flutter of his nostrils. The odor of metal was so potent he could taste the steel in his mouth.

Carmella twisted a damp tissue around and around in her lap. Every now and then, she dabbed at her nose. “I can’t hardly stand to face the day anymore,” she said. “I couldn’t even go to work today.” “How come?” Toby said. I gave him a nudge with my knee. We sat squeezed together between piles of junk on Carmella’s couch. The window shades were drawn. Tiny sparkles of dust danced in a narrow beam of sunlight that slanted across the dark room. Carmella shook her head. “Gertie says she hasn’t got that kind of money, but I know she does.” “Why won’t she give it to you?” I said. “’Cause she’s selfish, that’s why.” I watched a fly land on a greasy pizza box on

Additional flowers had been piled into a pair of massive baskets that were strapped across the back of Beatrix's mule, Hector. The little mule led the crowd at a dignified pace, while the women walking beside him reached into the baskets and tossed fresh handfuls of petals and blossoms to the ground. A straw hat festooned with flowers had been tied to Hector's head, his ears sticking out at crooked angles through the holes at the sides. "Good God, Albert," Christopher said ruefully to the dog beside him. "Between you and the mule, I think you got the best of the bargain." Albert had been freshly washed and trimmed, a collar of white roses fastened around his neck.

It’s the people whom she now belongs to, the family who’ve encircled her so completely. And it’s the person she discovered she was, underneath all the neat piles and careful planning. She was never really that person. She made herself into that person to counterbalance her mother’s inconsistencies. To fit in at school. To fit in with a group of friends whose values she never really shared, not really, not deep down inside. There is more to her than arm’s-length friendships and stupidly proscriptive Tinder requirements. She is the product of better people than her fantasy birth parents, the graphic designer and the fashion PR with the sports car and the tiny dogs. How unimaginative she’d been.

Are you really going to carry me up those stairs?" "Yeah." Gennie cast a look at the winding staircase and tightened her hold. "I'd just like to mention it wouldn't be terribly romantic if you were to trip and drop me." "The woman casts aspersions on my machismo." "On your balance," she corrected as he started up. She shivered as her wet skin began to chill, then abruptly laughed. “Grant, did it occur to you what those assorted pile of clothes would look like if someone happened by?” “They’d probably look a great deal like what they are,” he considered. “And it should discourage anyone from trespassing. I should have thought of it before-much better than a killer-dog sign.” She sighed, partially from relief as they reached the landing. “You’re hopeless. Anyone would think you were Clark Kent.” Grant stopped in the doorway to the bathroom to stare at her. “Come again?” “You know, concealing a secret identity. Though you’re anything but mild-mannered,” she added as she toyed with a damp curl that hung over his ear. “You’ve set up this lighthouse as some kind of Fortress of Solitude.” The long intense look continued. “What was Clark Kent’s Earth mother’s name?” “Is this a quiz?” “Do you know?” She arched a brow because his eyes were suddenly serious. “Martha.” “I’ll be damned,” he murmured. He laughed, then gave her a quick kiss that was puzzlingly friendly considering they were naked and pressed together. “You continue to surprise me, Genvieve. I think I’m crazy about you.

By its absence, this word ruins all the others, it contaminates them, it is also the dead dog on the beach at high noon, this hole of flesh. How were other words found? Hand-me-downs from God knows how many love affairs like Lol Stein’s, affairs nipped in the bud, trampled upon, and from massacres, oh! you’ve no idea how many there are, how many blood-stained failures are strewn along the horizon, piled up there, and, among them, this word, which does not exist, is none the less there: it awaits you just around the corner of language, it defies you—never having been used—to raise it, to make it arise from its kingdom, which is pierced on every side and through which flows the sea, the sand, the eternity of the ball in the cinema of Lol Stein.

But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice—he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma.

Fortunately, getting hold of people’s garbage was a cinch. Indian detectives were much luckier than their counterparts in, say, America, who were forever rooting around in people’s dustbins down dark, seedy alleyways. In India, one could simply purchase an individual’s trash on the open market. All you had to do was befriend the right rag picker. Tens of thousands of untouchables of all ages still worked as unofficial dustmen and women across the country. Every morning, they came pushing their barrows, calling, “Kooray Wallah!” and took away all the household rubbish. In the colony’s open rubbish dump, surrounded by cows, goats, dogs and crows, they would sift through piles of stinking muck by hand, separating biodegradable waste from the plastic wrappers, aluminium foil, tin cans and glass bottles.

The problem was that I have never been able to do harm to a book. Even books I don’t want, or books that are so worn out and busted that they can’t be read any longer, cling to me like thistles. I pile them up with the intention of throwing them away, and then, every time, when the time comes, I can’t. I am happy if I can give them away or donate them. But I can’t throw a book in the trash, no matter how hard I try. At the last minute, something glues my hands to my sides, and a sensation close to revulsion rises up in me. Many times, I have stood over a trash can, holding a book with a torn cover and a broken binding, and I have hovered there, dangling the book, and finally, I have let the trash can lid snap shut and I have walked away with the goddamn book—a battered, dog-eared, wounded soldier that has been spared to live another day. The only thing that comes close to this feeling is what I experience when I try to throw out a plant, even if it is the baldest, most aphid-ridden, crooked-stemmed plant in the world. The sensation of dropping a living thing into the trash is what makes me queasy. To have that same feeling about a book might seem strange, but this is why I have come to believe that books have souls—why else would I be so reluctant to throw one away? It doesn’t matter that I know I’m throwing away a bound, printed block of paper that is easily reproduced. It doesn’t feel like that. A book feels like a thing alive in this moment, and also alive on a continuum, from the moment the thoughts about it first percolated in the writer’s mind to the moment it sprang off the printing press—a lifeline that continues as someone sits with it and marvels over it, and it continues on, time after time after time. Once words and thoughts are poured into them, books are no longer just paper and ink and glue: They take on a kind of human vitality.

What a person should remember at times like these, when all normalcy seems to have left you, is that all things begin and end in the mind. Anything can be in there and anything can be taken out—anything, any single thing, by which I mean everything can be taken out and whatever remains is what you are, not the sensations you feel, the food you eat, not the people you seem to know or the objects you own or the people you seem to own or the objects that have known you all your life. You’re not even the memories you can remember or even the thoughts you can think. You are something below all those things. You are the little dog at the bottom of the pile; no, not even the dog but the smallest flea on the smallest dog at the bottom of the pile. Even less than that, even less and still somehow more than anything else—that’s what you are. And when you can remember this everything becomes very still and you can move around easily, as if it were all a dream.

Here,” he said abruptly. “Turn here.” A rutted path ran up a little rise toward a beige trailer. “This is Grover's place.” The trailer sat exposed on a treeless hill. A perfectly ordered woodpile stood in the yard to the left. Each log seemed to have been cut to an identical length, and they were piled in a crisscross fashion, with each layer running perpendicular to the one below and above. A small patch of earth to the right of his stoop had been cleared of brush and raked smooth. Two lawn chairs sat evenly spaced against the skirting of the trailer. There were no junk cars, no engine parts, no kids' bicycles — just Grover's old Buick parked in a spot marked off by a frame of fist-sized rocks arranged in a perfect rectangle. Dan glanced over at me. The twinkle was back in his eye. “Goddamn reservation Indian,” he muttered. “Lost his culture.” Then he sat back and let out a long rolling laugh that seemed, like prairie thunder, to come from the beginning of time.

Noble Dash has a kind master, who values his faithful dog, and who would not part with him for a pile of silver and gold, He never forgets the day when his fair-haired little Mary was washed by a big wave into the sea as’ she ran towards her ball, which Tom had thrown into the tide. Dash at the time was lying as if asleep on a heap of sea-weed a short distance off. At the cry of Mary's nurse he bounded away, and in a moment was battling in the midst of the waves. He soon had little Mary's dress held fast in the grip of his strong teeth, and swam bravely with her ashore. Good dog! who could repay him for such a noble deed? Mary's father and mother patted and praised him, and nurse and the children cried over him and hugged him, all dripping as he was from the salt sea; and that night, when little Mary was: warmly asleep in her bed, and the household met together at the hour of evening prayer, no one was surprised that Mary s father thanked God that he had made so noble a dumb creature as faithful Dash, who had saved the life of his darling child.

She walks back, more slowly, the way she came. How odd it feels, to move along the same streets in reverse, like inking over old words, her feet the quill, going back over work, rewriting, erasing. Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion. There is the stall they passed earlier, piled high with tin pots and cedar shavings. There is the woman they saw, still making her decision, holding two pots in her hands, weighing them, and how can she still be there, how can she still be engaged in the same activity, in the choosing of a pot, when such a change, such a transformation has occurred in Agnes's life? Her very world has cloven in two and here is the same dog dozing in a doorway. Here is a young woman, tying up clothing into bundles, just as she was doing when they passed. Here is her neighbour...giving her a grave nod as he walks by. Can he not see, can he not read that life as she knows it is over, that he is gone?” Hamnet, pp214-5

He leaned in, held his breath so as not to make a noise, went close to her, inhaled the scent that emanated from the pores of her forehead; inhaled the air that bounced back from her head. He stopped there, listening intently to the blood flowing, heart beating, pulse pulsating, her hair drifting slowly below her ear resting where the carotid artery was. He closed his eyes as if picturing everything. Like a dexterous doctor discerning the malfunction in a patient or an adroit maestro listening to every note to discern where the one note is missing. He stacked everything neatly in his head, still the intent hearing continued. Finally, a smile came to his face just as easily as breath came to him. A ecstatic smoke rose in his head, he had heard the murmur of her thoughts, she was in a peaceful world now. She had drifted into slumber, through the doors to the dream worlds, nothing was troubling her now. He was filled with an air of comfort and triumph, he was there when she needed it. He was happy that nothing bothered her anymore, how he wanted to ostracize the world just a few moments before!? He wanted to drag this drab world out of her dreamy gleaming eyes, petal covered, almond eyes. She was stumbling in her own world now, as he sat beside her bed. He kissed her forehead, whisked the world with those thin lips of his; he whisked that pile of rubble. He leaned to the side and below, not knowing which side; right or left, it didn't matter; whispered in her ear: "I love you". A smile played on her lips as if she heard that. Again he kissed her forehead, had a good look at her closed eyes. His taverns, he thought; where he got drunk, placed so adjacent to each other. He was happy, that she was happy, she was happy so he was happy. The rest of the world didn't matter; No! No! There was no "Rest" she was his world the whole and entire of it, there was no "Rest of the world". He got up collected his phone, which played slow Beethoven, turned it off, switched the lamp off, pulled the blanket over her, got up, patted the dog along, made out of her room; into her balcony. He didn't want to go yet, he stood there as many thoughts danced in front of him, slow in the moonlight.

I could visualize them then, the men who had decided sometime in the distant past what the purpose of human life on earth really was and had set up dormitories and Population Control and the Rules of Privacy and the dozens of inflexible, solipsistic Edicts and Mistakes and Rules that the rest of mankind would live by until we all died out and left the world to the dogs and cats and birds. They would have thought of themselves as grave, serious, concerned men—the words “caring” and “compassionate” would have been frequently on their lips. They would have looked like William Boyd or Richard Dix, with white hair at the temples and rolled-up sleeves and, possibly, pipes in their mouths, sending memos to one another across paper-and-book-piled desks, planning the perfect world for Homo sapiens, a world from which poverty, disease, dissension, neurosis, and pain would be absent, a world as far from the world of the films of D. W. Griffith and Buster Keaton and Gloria Swanson—the world of melodrama and passions and risks and excitement—as all their powers of technology and “compassion” could devise.

He had long since observed that Elizabeth had superfluous IQ for her line of work, and inside all that free space in her brain she was completing a philosophy of the world wove together out of all the smells she had ever smelled. Maybe her memory was not the longest. Every day she had to go over every line of it again from top to bottom, just like the day before. She was history-minded: she wanted a piece of ever dog who had come before her to every landmark, the whole roll call, every tuft of grass at the foot of the loading platform by the old natrium plant, every pile of boards or lost truck part in the fringe of weeds along the shore at the four-car ferry, every corner stump or clump of pee-bleached iris on the shaggy line where front yards ended in pavement. The one-time ice house. The Wheeling & Lake Erie water tower. Every boundary stone still standing, however crookedly, in front of the town cemetery. Where putting her own bit into this olfactory model of the world was concerned, Elizabeth was not demure but lifted her leg like any male dog, a little decrepitly now that she was old. Come outa there, Elizabeth. He didn’t want her pissing on the gravestones.

Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.

Today, if a landowner feels the urge, he can put a backhoe into his hillside pasture and disembowel it. He can set his plow against the contours and let his wealth run down into the brook and into the sea. He can sell his topsoil off by the load and make a gravel pit of a hayfield. For all the interference he will get from the community, he can dig through to China, exploiting as he goes. With an ax in his hand he can annihilate the woods, leaving brush piles and stumps. He can build any sort of building he chooses on his land in the shape of a square or an octagon or a milk bottle. Except in zoned areas he can erect any sort of sign. Nobody can tell him where to head in—it is his land and this is a free country. Yet people are beginning to suspect that the greatest freedom is not achieved by sheer irresponsibility. The earth is common ground and we are all over-lords, whether we hold title or not; gradually the idea is taking form that the land must be held in safekeeping, that one generation is to some extent responsible to the next, and that it is contrary to the public good to allow an individual, merely because of his whims or his ambitions, to destroy almost beyond repair any part of the soil or the water or even the view.

I was not allowed to rest. How could I rest? I formed the habit of taking promenades quite late—at sunset. For some reason I felt compelled to find the stream of water, the cypress tree, and the lily plant. I had become accustomed to these promenades in the same way that I had become addicted to opium; it was as though some force compelled me to them. All the time along the way I thought only about her, recalling my initial glimpse of her. I wanted to find the place where I had seen her on the Thirteenth day of Farvardin. If I could find that place, and if I could sit under that cypress tree, I was sure some tranquility would appear in my life. But, alas, there was nothing there but refuse, hot sand, the ribcage of a horse, and a dog sniffing the top of the trash. Had I really met her? Never. I only saw her stealthily through a hole, through an ill-fated hole in the closet of my room. I was like a hungry dog that sniffs and searches the garbage. When people appear with more trash, he runs away and, out of fear, hides himself. Later he returns to seek his favorite pieces in the new trash. I was in a similar situation, only for me the hole had been blocked up. To me she was a fresh and tender bouquet of flowers thrown on top of a trash pile.

As they spoke, 290 Argos, the dog that lay there, raised his head and ears. Odysseus had trained this dog but with no benefit—he left too soon to march on holy Troy. The master gone, boys took the puppy out to hunt wild goats and deer and hares. But now he lay neglected, without an owner, in a pile of dung from mules and cows—the slaves stored heaps of it outside the door, until they fertilized the large estate. So Argos lay there dirty,300 covered with fleas. And when he realized Odysseus was near, he wagged his tail, and both his ears dropped back. He was too weak to move towards his master. At a distance, Odysseus had noticed, and he wiped his tears away and hid them easily, and said, “Eumaeus, it is strange this dog is lying in the dung; he looks quite handsome, though it is hard to tell if he can run, or if he is a pet, a table dog,310 kept just for looks.” Eumaeus, you replied, “This dog belonged to someone who has died in foreign lands. If he were in good health, as when Odysseus abandoned him and went to Troy, you soon would see how quick and brave he used to be. He went to hunt in woodland, and he always caught his prey. His nose was marvelous. But now he is in bad condition, with his master gone, long dead. The women fail to care for him.320 Slaves do not want to do their proper work, when masters are not watching them. Zeus halves our value on the day that makes us slaves.” With that, the swineherd went inside the palace, to join the noble suitors. Twenty years had passed since Argos saw Odysseus, and now he saw him for the final time— then suddenly, black death took hold of him.

it’s one of the great sunrises in all literature. Mark Twain: from The Adventures of Huckleberry Finn . . . then we set down on the sandy bottom where the water was about knee deep, and watched the daylight come. Not a sound anywheres—perfectly still—just like the whole world was asleep, only sometimes the bull-frogs a-cluttering, maybe. The first thing to see, looking away over the water, was a kind of dull line—that was the woods on t’other side—you couldn’t make nothing else out; then a pale place in the sky; then more paleness, spreading around; then the river softened up, away off, and warn’t black any more, but gray; you could see little dark spots drifting along, ever so far away—trading scows, and such things; and long black streaks—rafts; sometimes you could hear a sweep screaking; or jumbled-up voices, it was so still, and sounds come so far; and by-and-by you could see a streak on the water which you know by the look of the streak that there’s a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log cabin in the edge of the woods, away on the bank on t’other side of the river, being a woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh, and sweet to smell, on account of the woods and the flowers; but sometimes not that way, because they’ve left dead fish laying around, gars, and such, and they do get pretty rank; and next you’ve got the full day, and everything smiling in the sun, and the song-birds just going it!

Rosie and Johnny's relationship was being ripped to shreds, with the press and public pawing over the pieces like wild dogs. The emotional chasm between Dominic and Pet had been torn even wider. Apparently, Sylvie had been wasting time, money, and ingredients for months, constantly defending this woman to Jay. And someone intimately connected to the Starlight Circus had just called her décor "kitsch." "Penny," she said very calmly, with a smile just as vague, just as airy, and just as malicious, "get the fuck out of my home." Penny tossed her head---and froze as Mabel walked toward her, hips swinging, also smiling. That smile had more eerie impact than every lighting effect in the Dark Forest combined. The intern took a step back, but halted in momentary confusion when Mabel offered her the lollipop. She took the candy skull automatically, and then shrieked as Mabel---tiny, deceptively delicate Mabel---made a blur of a movement with her foot and Penny tumbled across her shoulders. Whistling, Mabel walked toward the back door and out into the alley, wearing Penny around her neck like a scarf. Through the window, Sylvie watched as her assistant calmly threw the intern into the dumpster. As a stream of profanity drifted from the piles of rubbish--most of which, incidentally, was all the ingredients Penny had purposely wasted--Mabel returned to the kitchen. "I'll be off, then," she said, collecting her bag and coat from their hook. "Have a good night," Sylvie returned serenely. As Mabel passed her, without turning her head or altering her expression, their hands fleetingly clasped. The door swung closed, leaving Sylvie alone with Dominic in a lovely, clean kitchen, while her former intern made a third cross attempt to clamber from the trash.

How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—

But every once in a great while, the pull of her heritage would hit her, and Grand-mere would cook something real. I could never figure out what it was that triggered her, but I would come home from school to a glorious aroma. An Apfel-strudel, with paper-thin pastry wrapped around chunks of apples and nuts and raisins. The thick smoked pork chops called Kasseler ribs, braised in apple cider and served with caraway-laced sauerkraut. A rich baked dish with sausages, duck, and white beans. And hoppel poppel. A traditional German recipe handed down from her mother. I haven't even thought of it in years. But when my mom left, it was the only thing I could think to do for Joe, who was confused and heartbroken, and it was my best way to try to get something in him that didn't come in a cardboard container. I never got to learn at her knee the way many granddaughters learn to cook; she never shared the few recipes that were part of my ancestry. But hoppel poppel is fly by the seat of your pants, it doesn't need a recipe; it's a mess, just like me. It's just what the soul needs. I grab an onion, and chop half of it. I cut up the cold cooked potatoes into chunks. I pull one of my giant hot dogs out, and cut it into thick coins. Grand-mere used ham, but Joe loved it with hot dogs, and I do too. Plus I don't have ham. I whisk six eggs in a bowl, and put some butter on to melt. The onions and potatoes go in, and while they are cooking, I grate a pile of Swiss cheese, nicking my knuckle, but catching myself before I bleed into my breakfast. By the time I get a Band-Aid on it, the onions have begun to burn a little, but I don't care. I dump in the hot dogs and hear them sizzle, turning down the heat so that I don't continue to char the onions. When the hot dogs are spitting and getting a little browned, I add the eggs and stir up the whole mess like a scramble. When the eggs are pretty much set, I sprinkle the cheese over the top and take it off the heat, letting the cheese melt while I pop three slices of bread in the toaster. When the toast is done, I butter it, and eat the whole mess on the counter, using the crispy buttered toast to scoop chunk of egg, potato, and hot dog into my mouth, strings of cheese hanging down my chin. Even with the burnt onions, and having overcooked the eggs to rubbery bits, it is exactly what I need.

Certainly no permission was asked of the owners. The dogs were simply shot. In some instances, the carcasses were thrown in piles and burnt. All this happened in view of their shocked owners. For the Nunavut perspectives of the dog slaughters, see the Qikiqtani Truth Commission Reports, which were commissioned by the Qikiqtani Inuit Association. The testimony of Inuit who watched the slaughter unfold is harrowing. Some men had come in from outpost camps and watched as their only means of transport, their only way to get back to their families, was destroyed before their eyes. Others said that they were preparing to go hunting, and their dogs were shot and killed as they stood harnessed to the sleds. Still others testified that the RCMP chased and shot loose dogs, even firing at those that had taken refuge under family homes. Some dogs were wounded and not killed, and their owners would beg the officials to track the animals down to put them out of their suffering. My own uncle Johnny eventually told me that he received a knock on his door, only to have someone of authority throw his new harnesses in his face and tell him, without remorse or apology, that he had just shot his dogs.

One time, she waddled out and showed Peg her bandages from her last suicide attempt, which invokes sympathy in some, but usually makes me imagine someone holding out a pile of dog shit and saying "Look what I almost stepped in!

After an arrow from the walls of the besieged city of Nishapur killed his son-in-law, Genghis Khan allowed his widowed daughter to decide the fate of the city: “She reportedly decreed death for all. . . . According to widely circulated but unverified stories, she ordered soldiers to pile the heads . . . in three separate pyramids—one each for the men, the women, and the children. Then she supposedly ordered that the dogs, the cats . . . be put to death so that no living creature would survive the murder [sic] of her husband” (emphasis added).5 Personally, I find it unsettling to see the victims of Genghis Khan shrugged off as easily as Holocaust-deniers ignore the Jews, and then to realize that hundreds of years from now, some historians will be rehabilitating Hitler’s reputation.

The God of War should not be shoving a shopping cart piled with all my earthly belongings through a heat wave in New York City. Yet here I was, doing exactly that. Fuck me, I’d come to a low estate, and I was bitter about it. I growled to myself and aimed a much-diminished bolt of power at a man standing at a hot dog cart, and I felt a stab of gratification when he began yelling at the vendor over some imagined missing ingredient. It was cheap, but it was what I had anymore.

Like I said, yeh’d be mad ter try an’ rob it,” said Hagrid. A pair of goblins bowed them through the silver doors and they were in a vast marble hall. About a hundred more goblins were sitting on high stools behind a long counter, scribbling in large ledgers, weighing coins in brass scales, examining precious stones through eyeglasses. There were too many doors to count leading off the hall, and yet more goblins were showing people in and out of these. Hagrid and Harry made for the counter. “Morning,” said Hagrid to a free goblin. “We’ve come ter take some money outta Mr. Harry Potter’s safe.” “You have his key, sir?” “Got it here somewhere,” said Hagrid, and he started emptying his pockets onto the counter, scattering a handful of moldy dog biscuits over the goblin’s book of numbers. The goblin wrinkled his nose. Harry watched the goblin on their right weighing a pile of rubies as big as glowing coals. “Got it,” said Hagrid at last, holding up a tiny golden key. The goblin looked at it closely.

I’ve found a few helpful strategies for addressing difficulties with planning and problem solving: •Mindfulness. In this case, mindfulness isn’t some complex life practice. It’s just a matter of realizing, “Oh, wait, I’m doing that thing again, which means I need to go get the vacuum/sponge/scissors and take care of this little annoyance that will only take a minute to fix and, oh, think how good I’ll feel afterward.” •Routines. In the same way that routines can be helpful for getting everyday tasks done, they can work for problem solving too. For example, if I’m waiting for Sang to get ready to go out, I’ll walk around our home, intentionally looking for little problems to take care of. Inevitably there will be a pile of clean laundry that needs folding or dishes that need to be picked up. This same routine works in the kitchen while waiting for something to boil or in the bathroom while waiting for the shower water to warm up. •Reminder software or apps. There are many apps that will send you an email or phone alert for recurring household tasks. I have one that reminds me to wash the sheets every two weeks, trim the dog’s toenails once a week and clean my car every three months. If there are some problems that occur regularly, try preempting them with scheduled reminders. •Strategic reminders. Like the reminder apps, strategically placing visual reminders around the house can nudge you into acting on common problems. Leaving the vacuum in a high-traffic area not only reminds you to vacuum more often, but it makes it easier to get the job done because the tool you need is handy. •Use chunking. If a problem gets to the point where you recognize that something needs to be done but the size of the task is now overwhelming, try breaking it into smaller parts. For example, instead of “cleaning your bedroom” start with a goal of getting everything off the floor or collecting the dirty laundry and washing it. As you tackle these smaller tasks, it will become more obvious what else is left to be done.

I must have passed out, because one minute I was biting my bottom lip and fighting back tears and the next I was sleeping on top of a pile of Pillow Pets—unicorns, lady bugs, and brown floppy dogs—covered in a zebra-striped Snuggie. Strange, but definitely comfortable. He

Oh Finn, thought Maia, I know I should be glad you’re free and happy, and I am glad. Only I really don’t know what to do here anymore. But Finn wasn’t happy. Both he and the boat seemed somehow sluggish, and he couldn’t quite get rid of the knot in his stomach. He had moored by a huge dyewood tree. The water flowed quietly in a deep channel; nowhere better could be found. So why? He’d had his supper of beans and roasted maize; the deck was piled with chopped wood; the dog had gone ashore to find his own supper and came back with a smug expression and blood on his jaws. Everything was fine. A group of howler monkeys came swinging through the trees, making their evening racket, half screech, half laughter, and stopped when they saw the Arabella. Perhaps I should have gone to Westwood, thought Finn. “They’d have knocked all this rubbish out of me. Foreseeing disasters…” What did he think could happen to Maia in the Carters’ bungalow? The whole point about the Carters’ bungalow was that nothing happened in it. It was the most boring house in the world--and the Indians had promised to look after her. “No harm will come to your friend,” Furo had said. So why did the unease get worse all the time? He remembered saying good-bye to Maia. She had come out of the house in her dressing gown; she ran so lightly, but when he’d hugged her she felt wonderfully solid. No, Maia would be all right. “I’m not going back,” said Finn aloud. And in the trees, the monkeys threw back their heads and roared.

Blair Hanquist had started out as a laughable candidate for district attorney, a mere pile of dried dog poop on the path to Sawyer White’s third four-year term in office.

I don't like it," said Lenina. "I don't like it." She liked even less what awaited her at the entrance to the pueblo, where their guide had left them while he went inside for instructions. The dirt, to start with, the piles of rubbish, the dust, the dogs, the flies. Her face wrinkled up into a grimace of disgust. She held her handkerchief to her nose. "But how can they live like this?" she broke out in a voice of indignant incredulity. (It wasn't possible.) Bernard shrugged his shoulders philosophically. "Anyhow," he said, "they've been doing it for the last five or six thousand years. So I suppose they must be used to it by now." "But cleanliness is next to fordliness," she insisted. "Yes, and civilization is sterilization," Bernard went on, concluding on a tone of irony the second hypnopaedic lesson in elementary hygiene. "But these people have never heard of Our Ford, and they aren't civilized." / —No me gusta —exclamó Lenina—. No me gusta. Todavía le gustó menos lo que le esperaba a la entrada del pueblo, en donde su guía los dejó solos para entrar a pedir instrucciones. Suciedad, montones de basura, polvo, perros, moscas... Con el rostro distorsionado en una mueca de asco, Lenina, se llevó un pañuelo a la nariz. —Pero, ¿cómo pueden vivir así? —estalló. En su voz sonaba un matiz de incredulidad indignada. Aquello no era posible. Bernard se encogió filosóficamente de hombros. —Piensa que llevan cinco o seis mil años viviendo así —dijo—. Supongo que a estas alturas ya estarán acostumbrados. —Pero la limpieza nos acerca a la fordeza —insistió Lenina. —Sí, y civilización es esterilización —prosiguió Bernard, completando así, en tono irónico, la segunda lección hipnopédica de higiene elemental—. Pero esta gente no ha oído hablar jamás de Nuestro Ford y no está civilizada.

Dog. He had padded close to the horizon and now he was curling up in his end-of-day red-and-golden glow. Why, she wondered, did the Sun-Dog wait until he was almost asleep before he stretched out and showed his most beautiful colors? The ways of the Spirit Dogs were very mysterious. She laid her head on her paws and watched as the rest of the Pack gathered around the prey pile. Lucky seemed anxious tonight, pacing back and forth and fussing around Alpha as she plodded heavily from their den to the center of the glade.

She is crouched in the dim, dust-speckled attic of an abandoned house on Sixth Street, surrounded by a small ocean of books and papers, hastily scrawled notes, and half-written spells for rust and sleep and sunlight, for changeling children and flying brooms. Candle-stubs puddle precariously close to piles of poorly folded cloaks in a dozen shades of charcoal and ink, still smelling of summer. I’m the middle of this mess Bella sits in a ring of salt, fingers cramped around a pen and sleeves rolled to the wrist, trying to ignore the feathered passing of hours. Her battered black-leather notebook is propped against a mug of cold coffee, the pages dog-eared and marked. It occurs to Bella that if their plan goes awry, it might be the only surviving record of events that isn’t skewed by Gideon Hill’s propagandizing. It isn’t much—part memoir, part grimoire, interspersed with rhymes and witch-tales, a scrapbooked record of their summer—but her fingers trail lovingly over the cover.